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Brynn Nov 2012
A warm hand pressed up against cool glass
Making a hot handprint appear.
The maker of the print lifted their hand
To study the unique swirls and whirls they left.
There is no pattern to the lines that created the handprint.
No precise angle of arches,
Nor perfect precision of patterns.
The transparent window displayed the differences,
Unique to only one person.
Sculpted at birth and remodeled over the years.
Recoding every hardship experienced by the hands.
Each line, arch and swirl different from one another,
All part of a life.
Each hand telling a different story,  
Each story created by a different hand.
M Harris Apr 2017
Electric Dreams Of My Radioactive Ex,
Bio-Digital Jazz Tap Dancing Us Into ***,

Lucid Infatuations Infused In Whiskey,
Cupid Fairytales Conceiving Frisky,

A Perpetual Beauty Smoldered In Ecstatic Bliss,
Sublime Sins Between Her Rosy Lips With Velvet Kiss,

Romantic Burns Galvanized In Her ****** Desires,
Seductive Stardust Enchanting My Feisty Fires,

Encoded Serenity In Her Decoded Virginity,
Recoding Obscenities Of Her Fragrant Sexuality,

Hazel Echoes Raining Intimate Bouquets,
Rekindling, Her Drug That Fondles In Her Moaning Glaze,

Enraptured Catalysts Animating In Her Cuddles,
Euphoric Elations Climaxing Into Her Satin Snuggles.

-  02:17AM -
Left Foot Poet Feb 2015
one foot in every world
one foot in every word

prophetess of yore,
foreseeing farseeing,
recoding recording
mundane supermarket voyages,
become paradoxical
holy lover spats

for all of us
become her
become her poems,
travelogues, snippets
of marvel at the DNA
each thinking
wanting to think
tween us and no other

she does not know me
but she has felt my
foolishness here

connecting like no other
in a long time,
have listened to each record
in the Queen-bee's collection,
she unknowing, mine,
her favor returned

verbal scientist
she uncovered discovered
a small gate on the edge
of the map of her brain,
that led here her her here where
t her e

am amazed
she sees me

like no other
voyageur ******

but I cannot
Write like Deborah
no but I can
Write of Deborah
Dead Rose One Sep 2019
“I’m still in awe of words” (in life, as in poetry, timing is everything)

objects, humans, surprise and interrupt our
daily modalities, knocking us, yo! to the ground,
we, pounding it, for the word void appears,
the frustration of incapacity incarcerating,
accompanied by the loudest silenced scream,
of no poetry available, try again later!

in life, as in poetry, timing is everything

we walkabout, thinking of the scheduled eventualities, or
the dates calendar-circled, though some questioned marked,
in pencil inserted, will I be a mother, find me a husband,
a human grander grandee, fit to be with me a noble progenitor
of more than our generation, watching the sidewalk cracks for an
inkling of when, on or about such and such an alteration,
a seam undone,
a stumbling, seeing a realization as we fall, hands extending,
a notice of arrival,
all needing reconnoitering, commemorating, a poem prepared,
but none to no avail

in life, as in poetry, timing is everything

so we are in awe of words, so necessary, everybody knows,
the awe in awesome, a description for the pixels encapsulates
in I-phone photos,
the where and the why of when, I was grinning like a stupid fool,
the inability to deliver precisely when required the covering of
an appropriate description, your words, use your words, will
fail you spectacularly and so we remain awed, realizing

in life, as in poetry, timing is everything

but awesomely awesome word worlds, near and dear, held forever
in scrapbooks, the literary overlay of the treasures of everyday life,
are the still life of our longevity contextual, the celebratory,
the unexpected losses, largest to smallest, in size order,
kept fresh when you flip through those poems in dusty binders,
in oversized sewing boxes, yellowing in concert with our eyes,
graying with follicles of past pluperfect,
recalling not just the when’s, but the more important,  now, the
wherefore and whereupon, the words marking the conjunctions,
recoding the recorded synapses firing sequentially, brain to fingers, the ah so of the poetry of lifetimes

“I’m still in awe of words” (in life, as in poetry, timing is everything)

<>

Saturday
September
21st
2019
Pradip “I am still in awe of words”
Mateuš Conrad Apr 2018
you learn it the hard way, you actually can drink warm shots of *****,  provided,  you have a brisk, Icelandic chaser, notably white European Bison *****, and apple juice infused with mint...

pije, pali, konia wali...

it has been agreed, a drunk man is half
the miserable sight of a woman...
no wonder a woman *******
is more appealing than a man,
who shines.., like Louis XIV,
******* in a lightbulb...
            ha ha... ******* want *******...
and there I was, thinking that
bottle of alcohol also ought to have
warnings about any *******,
other than oral with a pregnant woman...
wonder... does alcohol really harm
foetuses, or does the constant banging
of a cockrel do more harm than
awaiting sunrise good?

hence the question, i don't know.

pije, pali, konia wali...

as a drinker, in company?
i can have a social drink,
my grandmother had a nostalgic
hallucination of a taste that
provoke memory, so I bought her
a porter beer...
and we drank it together...
książęce: aromas of honey,
coffee, rührkuchen und
bitterschokolade...

grandfather simply replied:

koniec świata;

now the IVF part quest for ****** chills...
citation granny, is no citation
worthy of the urban lawyer,
frozen egg + spe4m donor factory...
the part where I'm cited as "******"...
urban mongrels contra
                  rural pedigrees.

pije, pali, konia wali...

there are but three ways to clear the head
before the excavation of a blank
page... rarely it involves addressing a delayed
slightly constipated dump...
but sometimes it does...

pije, pali, konia wali...

           then it also takes doing no.
1, no. 2 (as mentioned above)...
and no. 3...
                 i have no idea where ****
additiction comes from...
i'm more of a claccisist in this field...
moving pictures do not really
stimulate the mind to work off
a stattic picture...
    if you never did no. 3 i. e.
****** off on the toilet...
                 because you never bought
a ***** mag with your casual take
on the metaphor of smithfield market...
or you've never been,
driving to it at 1am in the morning...
coming back with half a porky corpse...

pije, pali, konia wali...

I think people are confusing objectivity
with ***** subjectivity...
like any clean cut of a scalpel...
or like eating a soft boiled egg...
you crack the shell, leaving the papist
yolk, intact...

pije, pali, konia wali...  

at leat objectifying a woman
does not subject her to the cring worthy
labyrinths of emotional men,
or whatever the hell cheating is...
   or juggling...
        ****** off at fine art,
only once did I bother to explore
the ****** extension of latex...
a kinda of bedroom niqab fetish...
but most of the time...
static images, blood down below,
paths of imagination in the head...
not to mention that ***-mad mongrel
that **** my leg...
luckily I didn't kick him,
but politely asked... are you finished,
and ready, to hunt a mare?

pije, pali, konia wali...

******* what?!
   classical *******...
whatever happened to the tabloid
page 3?
   apparently men with recoding hairlines
have more testosterone...
apparently watching a woman's breast
releases, whether dopamine
serotonin, or... as the cigarette quote
goes... Oscar Wilde?
    the most pristine five minutes,
that leaves one (mm  hmm...
a royal pronoun,  both singular,
and plural, for a pleb that's minus
the entourage of leeches...
mind you... why not the common
slang of sycophancy in syco...
that Y... not tree not serpent splits...
hollowed out... to differentiate
from the other,  crude grafitti of
******pathy, shortening)
    most disatisfied...

pije, pali, konia wali...

perhaps j. c. is the king of kings,
but i sit on the, throne of thrones...
no. 1, 2 and 3...
    no scented candles,
no... god... cursed the theistic joke...
a woman has to *** squatting...
a man just stands...
than again: bigger bladders?
*******, easing analysis muscles,
jerking off to static nudes...
how is it on the other side?
moods, scented candles, lying back...
literature that ought to be
read with one hand?
        d'uh and the *****...
sure... g. i. Joe of a boy aged 8
when Barbie burned in th stash...
out comes Ken 2.0...

pije, pali, konia wali...

easier for a man to stomach a hand
as if it were done ****...
than explore beyond the floral pouch...
than... getting a manicure...
and... not using the Vizzz...
the Vizier... hardly a comparison to
encapsulating... snoring...

i always ask the intrigued relic of
dating... so... you want to hold
my hand, or is male maturation
so grotesque that it has no...
voyeuristic appeal?
   well... thank **** for that!
with my little finger I served
poached, a former hydra behemoth...

the knowledge of, good and evil...
                                                X
which isn't exactly a mistery of +...
   the conjunction translates as X,
cross-eyed... not +...

pije, pali, konia wali...

                      it's easier calling it
the no. 3, considering how...
sitting on the throne, apparently
masages the prostate...
hence the stigma it would seem...
no scented candles...
no grand whizz of faking headache
and snoring of excavating dodos...

pije, pali, konia wali...
    
ah... back into the syco contra
****** and the hollowed out
Y question...
                         σý-co...

         'sigh-co...

hence not so much the hollowed-out
Y... but rather, akin to gnome gnostics...
the particular instance of
surd letters,
not being clothed in surd attire...
     elsewhere diagnostic...
otherwise in the already given example:
   'nome...         'nostics...

yes, i know, the borderline 'sigh-co...
psst... as happens, when letters
ignoring greco-semite
        stubbornness,
remain syllable amputees looking
for torsos of words....
magnetised limbs mechanic...
letters primitive, bound to syllables...
not the greco-semitic
construct of names...
       shortcuts with the NATO
alphabet is the curse of 15...
   a ******* worth of a telephone
conversation will not craft
an originality of either Aleph,
Omicron, Ayin, or Omega...

       may i remin you the greco-semitic
stubborn ram... ploughing
constants in science?
aha! ****** music thought...
no one really heard of
rotting christ or
         mícháel greilsammer...
last of the Roman sons...
sang arias of castratos!

pije, pali, konia wali...

     finally! ad the title implies...
what's the diffrence between
a man buying shoes,
and a woman buying shoes?
probably the packaging,
or more to the point...
a man walks into a shoe shop
wearing old shoes...
he buys a new pair,
buys them, puts them on,
packs his old pair into
the newly bought pair's shoebox...
and walks out with
his new: economic sketch
and the concept of recycling...
primarily because i've never seen
a woman buy a pair of shoes,
and walk out of a shop
wearing them...
   not once....
      and thank **** it rained hail
and razor rain today,
after post-noon greenhouse
suffocating toffee sun...
and the sky was painted a continental
grey & plum as the earth gave
its first, authentic breath of spring...
not once, have i seen a woman
buy shoes... and walk out
in them, putting the ones she
wore walking into the shop,
among the moosehead trophies,
skinned furrs,
and her, other,
      hunting expedition catches...
into the insomnia and iron
forest, of foraging for sales.

thank **** i had an existential
****** looking at me,
as I put the newly purchased shoes
onto my feet, and the old shoes
into a carrier bag...
    in those rare instances,
as true as: mould the iron while
it's lukewarm...
          come to think of it...
this is french existentialism
in the open... unable to encompass
a voyeurism with a guilt
of a peepingtom or Cambridge Analitica...
pure existential voyeurism...
guised Edenic...
     out in the open...
       bound to the habits of
man shopping, for shoes...
                 rather than a woman...

hell, hades and the high-water mark
of a tide...
      
     (he) drinks, (he) smokes,
   (he) smacks the monkey...


     if you didn't know, already.
Sam Temple Jul 2014
soft-bodied succulents
dutifully separating the perennials
organization crisis, preservative induced
chemically altered worldview
shaped largely by food reconstructed
and the public’s inability to unite against imperialism –
daily newscasts give rise to propaganda
water-cooler hype fest
breaking information
leading with bleeding
enveloping the country in irrational fear
unsafe, even with children
constant threat from every direction
insanity has become the home
of Ward and June Cleaver –
glowing exhaust pipe
as all roads lead back
beginnings resemble endings
all things circular
revolving Revolutionary revolted
remembers regurgitating rancid raspberries
aluminum spray from the sky
coated pesticide residue from below
only the hate left is organic
and pure –
immeasurable, time slides away
plastic incorporated into new organisms
freshly evolved bacteria eat the remains
of humanity and its greatness
traceless epoch forever eroded
undiscovered pockets of micro cilium
dine on the fat reserves
stored in the soil
like oil –
returning gods survey creation version Earth
emotionless and stationary
the process is repeated
as it has been for billions of years
single manipulation
recoding the genetic structure
life begins this journey
one more time –
Nat Lipstadt Jan 2015
dying and living in a pantheon
~


a dusty storage place
for basement keepsakes,
somewhere out back,
full of emeritus stocking stuffers,
an ex-trendy,
royalty-dethroned room

where kept
ancient scriveners,
last year's flash frozen princesses and
plastic wrapped scribes,
cloud stored,
on soft decaying hard drives

prior renters, leases unrenewed,
now pushed aside,
upcoming upstanding upstarts,
looking to trade up,
let bigger quarters,
an existential reminder,
that in the word game,
no perm-press recognition,
in today's poetry biz,
it's what ya done lately

deaf dumb blind,
unsung former idols,
talk to mirrors
that no longer answer,
dial 1-800-pantheon,  
sorry, number no longer in service,
so you voyageur-visit
the other side of Styx,
a bluff overlooking
a body's work,
where glory fleeting
comes to rest,
where time judges well,
partiality impartial,
selects thy best

author an audience of sole one
that be more than
good and plenty,
a heaping teaspoon of sufficient,
glance back at discarded, outdated maps,
glory may transit
but satisfaction eternal,
when you read the old writes thinking
****, did I write this?
"Yes," answers a creased smile
cracking crusted lips

~~~~~

then blood of pride and satisfy, rejuvenates

chest warms, heart thumps,
quill beckons, tablet charges - jot hot

write for whom the bell tolls,
knowing full well
this raucous bell tolls for thee,
you re-become an
irrational ill-defined room possessed

heat,
this realized, fevered and fervent, physical pleasure,
sensory gladness,
the fat fullness of creation,
flooded breathable sunlight,
stormy uncalming indigo waters,
a natural disquietude beckons,
arousal of an old-friend welcoming

this encompassing emotion,
no-direction-known fearful commotion,
your mind, all skin,
tissues enflamed,
your ears speak,
your tongue listens,
five senses unified in
disheartened happy discordant perfection,
this you recognize,
this familiar,
is not a storage place
this, your true everlasting pantheon


glory glory - expel thy word works,

*the burnishing of fain fame
is not walled jailed,
but in-deed
actionable and transitory best honored,
peaks of mountainous-emotions, homeland, motherland,
recording, recoding in words-vision notions,
this is the one,
the inky clarity pantheon place
of the living poet
I’m reading Italian Vogue and trying to set my spit on fire.
Where the **** did all these sneaky longings come from?
Yesterday I was a woman with a reasonable hoard of contentment.

Today I am shiverfish on this tiny rug between us
learning the shapes of my own long latent
and thank god still purring longing

these days my pages are full of the most horrible poetry.  Don’t give a fig kind of poetry, the kind of ***** greed to feel at all, to hang on kind of poetry that simply should not be shared.  So, here it is.

I’m making a dress.  I’m rinsing
my lungs out with vinegar.  I’m recoding my dreams into Sanskrit

I’m climbing out the window and taking the roof
I’m dipping the frogs in eggs and fire sauce

I’m reorganizing my clothepins collection
from spring to pinch and back again

I keep Neruda in my pocket and take
a hit every hour or so: *everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
neth jones Mar 7
fast paced
negative      space-
-invades     our  idle  play-
-of kingdom enraged and boredom-
-engaged   transitional   teenage   tup-dut-
-fertile   breeding   and   recoding-
-embers of prior thieves
an inflamed race
fast paced
rictameter inspired
Ken Pepiton Jul 19
I am, as a thinking, word using muser,
of less
or more weight
in word's worth
on balance,
a day lived, doing nothing, but respiring
and desiring a joy use, as joy making use,
of me.
What's that worth
in time?

Time taken,
as granted, mine
to make use of, true,
any use I wish, after all,
all I've done
tripping old tale snares.
Recoding NANDs just
in case we need a second
reassurance this is the way
to enter
in to the peace past understanding creation,
the mindform used
to tell whole truth, sworn
to tell, circumstantially, as happening
to be led
to leave oaths being,
once sworn, sworn forever, and not like
happens only in movies, everytime,
once, regarding a quantum
of original thought,
rethought,
from first stories
of language, lingual word sage
tongue use, local mimicing ****** speech,
shibbolethargic sibblicity
barring outsiders
from making sense, save when
we all use our bodies to talk, say,
what we feel about the truth, the worth
of a straight
against a full-house, in a game of liar pride.

The winner calls the bluff,
or never shows her hand.

And all those free from guile, go on dancing.
falling man, falling star, falling conscious... feeling old, in life's easiest ever way.

— The End —