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"practising" poems
593 I think I was enchanted When first a sombre Girl— I read that Foreign Lady— The Dark—felt beautiful— And whether it was noon at night— Or only Heaven—at Noon— For very Lunacy of Light I had not power to tell— The Bees—became as Butterflies— The Butterflies—as Swans— Approached—and spurned the narrow Grass— And just the meanest Tunes That Nature murmured to herself To keep herself in Cheer— I took for Giants—practising Titanic Opera— The Days—to Mighty Metres stept— The Homeliest—adorned As if unto a Jubilee ’Twere suddenly confirmed— I could not have defined the change— Conversion of the Mind Like Sanctifying in the Soul— Is witnessed—not explained— ’Twas a Divine Insanity— The Danger to be Sane Should I again experience— ’Tis Antidote to turn— To Tomes of solid Witchcraft— Magicians be asleep— But Magic—hath an Element Like Deity—to keep—
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40.2k
I think I was enchanted
From a distance, the incessant chant of monsoon from south west, sounds like an old witch practising her craft, she is all evil and dark, one would think, the overcast sky her sinister cloak. But intruder under my umbrella, she is playful, I watch this coy maiden, I desired from afar, now she walks with me step to matching step, tries to entice me with her soft tunes, tender cool fingers, rubbing my cheeks, her lover's touch unmistakable, passionate, eager I shiver, she wants me to get in to her arms, cuddle. I throw away my umbrella, in boyish rumbunctiousness,  run to her her hands moving fast tickle me, pinch then a sudden embrace, making me squirm with deep pleasure I dreamt in wakeful nights. The joy of life that  the water and receptive earth evoke, loud green glee around,  in me creates goosebumps, in my dreams she comes to me and tells the secrets of nights I long for my love and me alone. Rain, the seductress, taught me the passions of living and loving she,  awakened the spirit that seeps deep in to the core of my being. **When I lay awake in monsoon nights, across my window she tangoes in fierce passion with the wind, that keeps me excited till I get absorbed in to a dream that has love as its theme.**
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Jun 9, 2013
Jun 9, 2013 at 12:45 PM UTC
Monsoon Rain
. And her arms enfold me, I lay my cheek against her breast. The shaking starts, the tears fall, as sobs emerge unhindered. Cries from way down deep, and I hear her heart, slow, steady, metronomic. So I follow its rhythm along a path richly bathed in warm sunlight. Through an archway and across a threshold shrine, the cemetery of the Ancients. A hundred thousand names, carved in marble, adorned with statues and plinths. Holding knowledge of old, and the sound of silence, like an abandoned library. The shadow of love hovers close, driving through midnight mists and leading me on. Practising narrative necromancy, reanimating old words, giving them life newly born, upon the first carved marbles, its names burnished with wisdom, and the anonymity of obscurity. There glows one name in forgotten script and I know my deepest identity, the weight of the aeons flows free into my mind, histories of the millennia. I know my Forest Lady holds secrets that belong to me. And she gestates them all, a coveted pregnancy. A path-working, an etherical dream, and her heart skips a beat, as another part of me crumbles and dies, to mingle with the dust of ancient knowledge. © Pagan Paul (11/07/18)
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Jul 12, 2018
Jul 12, 2018 at 2:51 PM UTC
My Forest Lady Holds Secrets
Life in Duality and Non-Duality Birth is the first gate. Death is the second gate. Between these two gates lies the path of life travelled by all sentient beings. All are born. All will die. Between death and rebirth lies the unameable state where the next life is chosen, determined by the individual Isnesses stockpile of accumulated Karmas, Good and Bad. All human beings,due to their accumulated Karmas, both Good and Bad, must pass through this unameable state and be reborn into their next life. All beings accumulated Karmas,Good and Bad, are assessed in that state and that assessment determines the next life they are  reborn into. There are NO exceptions to this process ever. Karmas,Good and Bad,are accumulated in each life. Karmas ,Good and Bad,are the result of the morality of each individuals actions. Karma is of three types. Good Karma which ties each individual to the Wheel of Incarnated life,death and rebirth. Bad Karma which ties each individual to the Wheel of Incarnated life,death and rebirth. Neutral Karma is the only way that each individual to can free themselves from the Wheel of Incarnated life,death and rebirth. Both Good and Bad Karmas tie each and every human being to the endless cycle of birth,life,death and rebirth as a human being. Only Neutral Karma can free each individual from the endless cycle of birth,life ,death and rebirth as a human being. Neutral Karma is only realisable through the practise of the Six Fundamental Yogas. Neutral Karma is the only way to erase both Good and Bad Karmas. The practise of the Six Fundamental Yogas increases the BrainBloodVolume to the level of that of  Foetus in the Womb,which causes the Mind and Conditioned Identity to dissolve,temporarily or permanently. Those individuals,female and male equally, whose practises of the Six Fundamental Yogas cause the Mind and Conditioned Identity to dissolve temporarily or permanently will enter into union with the Isness of the Universe as an equal,temporarily or permanently. Those individual human beings who  pass their lives accumulating Good and Bad Karmas are unable to escape from the endless cycle of birth,life,death and rebirth. For the overwhelming majority of human beings who refuse to generate Neutral Karma,by practising the Six Fundamental Yogas,life can only be lived, in the state of Mind created Duality and  Non-Duality. They are unable to enter into the state of union with the Isness of the Universe as an equal. The permanent feature of such a life lived in either Duality or Non-Duality is the ceaseless deep suffering of being separated from the Isness of the Universe as an equal. For those very few human beings who,through the practise of the Six Fundamental Yogas,have dissolved Mind and Conditioned Identity,permanently,life is lived in union with the Isness of the Universe as an equal. Life is lived in the state of Experiential Knowingness which is called Separate and Merged. They live out their last lives in this realm in union with Isness of the Universe as an equal. www.thefournobletruthsrevised.co.uk .
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Sep 14, 2014
Sep 14, 2014 at 1:11 AM UTC
Two Gates and Karma and the Isness of the Universe
Life in Duality and Non-Duality Birth is the first gate. Death is the second gate. Between these two gates lies the path of life travelled by all sentient beings. All are born. All will die. Between death and rebirth lies the unameable state where the next life is chosen, determined by the individual Isnesses stockpile of accumulated Karmas, Good and Bad. All human beings,due to their accumulated Karmas, both Good and Bad, must pass through this unameable state and be reborn into their next life. All beings accumulated Karmas,Good and Bad, are assessed in that state and that assessment determines the next life they are  reborn into. There are NO exceptions to this process ever. Karmas,Good and Bad,are accumulated in each life. Karmas ,Good and Bad,are the result of the morality of each individuals actions. Karma is of three types. Good Karma which ties each individual to the Wheel of Incarnated life,death and rebirth. Bad Karma which ties each individual to the Wheel of Incarnated life,death and rebirth. Neutral Karma is the only way that each individual to can free themselves from the Wheel of Incarnated life,death and rebirth. Both Good and Bad Karmas tie each and every human being to the endless cycle of birth,life,death and rebirth as a human being. Only Neutral Karma can free each individual from the endless cycle of birth,life ,death and rebirth as a human being. Neutral Karma is only realisable through the practise of the Six Fundamental Yogas. Neutral Karma is the only way to erase both Good and Bad Karmas. The practise of the Six Fundamental Yogas increases the BrainBloodVolume to the level of that of  Foetus in the Womb,which causes the Mind and Conditioned Identity to dissolve,temporarily or permanently. Those individuals,female and male equally, whose practises of the Six Fundamental Yogas cause the Mind and Conditioned Identity to dissolve temporarily or permanently will enter into union with the Isness of the Universe as an equal,temporarily or permanently. Those individual human beings who  pass their lives accumulating Good and Bad Karmas are unable to escape from the endless cycle of birth,life,death and rebirth. For the overwhelming majority of human beings who refuse to generate Neutral Karma,by practising the Six Fundamental Yogas,life can only be lived, in the state of Mind created Duality and  Non-Duality. They are unable to enter into the state of union with the Isness of the Universe as an equal. The permanent feature of such a life lived in either Duality or Non-Duality is the ceaseless deep suffering of being separated from the Isness of the Universe as an equal. For those very few human beings who,through the practise of the Six Fundamental Yogas,have dissolved Mind and Conditioned Identity,permanently,life is lived in union with the Isness of the Universe as an equal. Life is lived in the state of Experiential Knowingness which is called Separate and Merged. They live out their last lives in this realm in union with Isness of the Universe as an equal. www.thefournobletruthsrevised.co.uk .
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54
you can hear the echo via Zizek the Slovak, well, attire me in slavic myths and i'll be mumbling purrs in mud too for a helium bubble to become a comedian, i know a jittery ******* addiction when i see one... if one thing the catholic schooling system taught me was how to avoid sniffing glue and how to recognise a Freudian apostle - still, with all the hippy **** you'd think sniffing glue was what Ukrainian existentialism prescribed with paracetamol, catholic education just said: no no. **** me it's the late 90s and we're talking post-Chernobyl antics... but that's how i see the left, leftist politics, the right                utilises prefixes and suffixes in the old stance of simple pre- pro-                                     anti-                                             qua-                                                                -so so... the left? oh they're right in there... their prefixes are                                 Marxist- liberal-                                          Hegelian-              whatnot...                                                 they don't use abstract prefixes,                                           their prefixes are concrete,                         they want the porridge in their mouth to ensure a slur that never comes, among a range of onomatopoeias they argue from the perspective of the hushed and ushered crowd, via one observation: Stalin clapped after a speech to enjoin with the crowd, a real big brother, ****** never clapped, a sitting-duck method; i'm not advocating, but by a proxy placebo dynamo experimenting, it's called experimenting with thought rather than practising with will, former no chance of footstep evaluation for cult status imitable -                                       the left intellectual has no rubric of thought concerning to and fro - it has to be concrete layered and a shut off perfect architecture without fault - it can't be what it is -                                       con- has to be conservative                                                   pro- has to be socialist                                      you once said legitimate transparency - but you didn't say legislation - well, the left understood it as legislation, the right too wanted legitimate transparency - the green party said we could have neither but could have the replanting of a thousand oak trees with a Robin Hood placard on the first oak tree replanted in Sherwood Forest... b. ~ d. ~... shot ~100 bent arrows into a bullseye - hurrah! hurrah! maid marian lost her virginity too! to a broomstick rather than maradona's fingernail toothpick! at an essex market the cockney shouts (out of place): *** yer courgettes! *** yer courgettes! ta fa a pudding! ta fa a pudding! *** yer cucumbers! tooth firth 'un!
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Apr 20, 2016
Apr 20, 2016 at 9:50 PM UTC
i don't talk
you can hear the echo via Zizek the Slovak, well, attire me in slavic myths and i'll be mumbling purrs in mud too for a helium bubble to become a comedian, i know a jittery ******* addiction when i see one... if one thing the catholic schooling system taught me was how to avoid sniffing glue and how to recognise a Freudian apostle - still, with all the hippy **** you'd think sniffing glue was what Ukrainian existentialism prescribed with paracetamol, catholic education just said: no no. **** me it's the late 90s and we're talking post-Chernobyl antics... but that's how i see the left, leftist politics, the right                utilises prefixes and suffixes in the old stance of simple pre- pro-                                     anti-                                             qua-                                                                -so so... the left? oh they're right in there... their prefixes are                                 Marxist- liberal-                                          Hegelian-              whatnot...                                                 they don't use abstract prefixes,                                           their prefixes are concrete,                         they want the porridge in their mouth to ensure a slur that never comes, among a range of onomatopoeias they argue from the perspective of the hushed and ushered crowd, via one observation: Stalin clapped after a speech to enjoin with the crowd, a real big brother, ****** never clapped, a sitting-duck method; i'm not advocating, but by a proxy placebo dynamo experimenting, it's called experimenting with thought rather than practising with will, former no chance of footstep evaluation for cult status imitable -                                       the left intellectual has no rubric of thought concerning to and fro - it has to be concrete layered and a shut off perfect architecture without fault - it can't be what it is -                                       con- has to be conservative                                                   pro- has to be socialist                                      you once said legitimate transparency - but you didn't say legislation - well, the left understood it as legislation, the right too wanted legitimate transparency - the green party said we could have neither but could have the replanting of a thousand oak trees with a Robin Hood placard on the first oak tree replanted in Sherwood Forest... b. ~ d. ~... shot ~100 bent arrows into a bullseye - hurrah! hurrah! maid marian lost her virginity too! to a broomstick rather than maradona's fingernail toothpick! at an essex market the cockney shouts (out of place): *** yer courgettes! *** yer courgettes! ta fa a pudding! ta fa a pudding! *** yer cucumbers! tooth firth 'un!
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70
I am so sick of love. Loyalty, honesty, dedication, compassion, compromise, for better or for worse (when it's always worse)! I am so sick of love, and all the drama that accompanies it. Most of all what makes me absolutely ill, in a brain and heart exploding in anger and disappointment respectively, kind of way, are the Lies! "You're all I want", "I need you", "I need a friend", "I still love you", "I will always love you", "Is there any chance?", "Can we get back together?", all the attention seeking, melodramatic, time-consuming crap! Followed by guilt. That nauseous feeling of, what if? What If? WHAT IF? Was it the right thing? Will I find another? What about the broken heart? The sleepless nights of pondering how to end things, the poems written and unpublished, the practising in front of the mirror, cigarettes to channel the guilt elsewhere... For crying out loud! After years of guiding me, I should have given way more credit to my instincts. And now for the new chapter. Embracing an old art, new to me. Currently so underrated and misjudged by priests, mothers and newly-weds.   The philosophy of zero expectations to infinite pleasure and everything in between. No regrets, no time wasted (and hell was my time wasted on you!#$#$#$). Time to give up my soul to the darkness, (God, I hope you'll understand I still love and believe you, but I prayed and prayed. I can't wait any more!) and my body to the sailor boy! Absolutely No Strings Attached. No bull **** no promises, just *** (and cuddles), a lot of *** (and waking up next to him?) Anyway, NO STRINGS ATTACHED! [Except for the invisible, really strong one. He is irresistible after all and I'm a dreamer who never, ever learns, and follows her instincts way too much!] One thing's for sure. I am so profoundly sick of love!
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Oct 13, 2012
Oct 13, 2012 at 6:04 PM UTC
No Strings Attached~
I am so sick of love. Loyalty, honesty, dedication, compassion, compromise, for better or for worse (when it's always worse)! I am so sick of love, and all the drama that accompanies it. Most of all what makes me absolutely ill, in a brain and heart exploding in anger and disappointment respectively, kind of way, are the Lies! "You're all I want", "I need you", "I need a friend", "I still love you", "I will always love you", "Is there any chance?", "Can we get back together?", all the attention seeking, melodramatic, time-consuming crap! Followed by guilt. That nauseous feeling of, what if? What If? WHAT IF? Was it the right thing? Will I find another? What about the broken heart? The sleepless nights of pondering how to end things, the poems written and unpublished, the practising in front of the mirror, cigarettes to channel the guilt elsewhere... For crying out loud! After years of guiding me, I should have given way more credit to my instincts. And now for the new chapter. Embracing an old art, new to me. Currently so underrated and misjudged by priests, mothers and newly-weds.   The philosophy of zero expectations to infinite pleasure and everything in between. No regrets, no time wasted (and hell was my time wasted on you!#$#$#$). Time to give up my soul to the darkness, (God, I hope you'll understand I still love and believe you, but I prayed and prayed. I can't wait any more!) and my body to the sailor boy! Absolutely No Strings Attached. No bull **** no promises, just *** (and cuddles), a lot of *** (and waking up next to him?) Anyway, NO STRINGS ATTACHED! [Except for the invisible, really strong one. He is irresistible after all and I'm a dreamer who never, ever learns, and follows her instincts way too much!] One thing's for sure. I am so profoundly sick of love!
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21
Was it worth 2 minutes of lustless ignominy A misogynist practising polygamy Years were hacked Walls that were built with purpose Everything said was fallacious and deluding Pure gratification Eating to feel full and drinking to get drunk Heaven forbid I say you're just like the rest. The rest are just like you.
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Mar 17, 2013
Mar 17, 2013 at 12:29 PM UTC
To the luckiest boy in the world.
From everyone you talk to you say you want the truth yet when I demand it from you you vehemently refuse. Does the rule only apply to others but not to you? If so, why bother imposing if you don’t follow it too? How can there be order if this is what you do? If anything, it’s insane! That, can’t you deduce? If you really value truth then you must be, yourself, practising such honesty in every story you tell.
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Apr 26, 2015
Apr 26, 2015 at 11:34 PM UTC
Double Standard
Clearing ivy, pulling up handfuls of choking bindweed, uncovering delicate wildflowers in neglected garden corners, and there’s this tiny bird lying in the dirt. Feathers sparkle pretty and golden, as fairytale light falls through parted vines. Surely dead, but then - like Snow White surfacing from magic apple-induced dormancy - the bird moves, woken by the kiss of sunlight and being witnessed, and seems to breathe. A gloved finger’s exploratory, leathery **** a moment to realise, then disgust, sharp recoil. A wing lifts; gleaming feathers parting reveal the crawling mechanics inside, the writhing, parasitic mess behind the sick illusion, the briefly faked miracle of something like life. Away over a fence, Union bunting ***** erratic and jarring in a neighbour’s garden. In a stuffy town hall, the town band is practising God Save The Queen, but still can’t keep time. Our betters wave to us from high palace balconies and golden coaches, and we cheer them for it. There’s such hunger, such pain and desperation out there, you can feel it, if you forget to stop yourself. There’s so much tragedy and injustice, you have to go numb or go crazy. There’s no future we can see, and the past has been rewritten to reflect the views of focus groups, fascists and fantasists. And there’s a bird lying in the dirt, garlanded by fragrant petals, feathers flashing like jewels, so dead it looks like it’s breathing.
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Jun 3, 2022
Jun 3, 2022 at 7:31 AM UTC
The Order Of Things
The sky split open I'm ****** in a whirlpool My body light as a feather I am used as a tool In another world or dimension I not know the place But it's too familiar And I recognize that evil face A demon of this world A satanic being with filthy evil powers Sapping my energy, draining And this forces me to be awake for hours Lying on my bed, praying hard To prevail, evil forces from destroying my spirituality Alas, I get pinned down most days Like that of a nasty shaman practising ***** sexuality Hitting on my chakras, stealing my energry For somehow, I feel this person is attached to me Please believe me, I am not insane I feel his presence around me And then I am left dealing with my pain I am a spiritual person and used to feel my positive auras Now that I am draining from my so called sickness And feel my energy used by another for astral travel A thief, in shadows, I can't even sketch coz of weakness I wish to get well, I wish to live fully again But seems, all my tries are going in vain Hell, seems to be cracked open to let its beings out To crawl and survive on the energies of high spirituals Sometimes I wake up sweating with a shout May be that's the time, this person performs the rituals From another place unknown to me Stealing from my meditation vault, my energies And I am too blinded to believe and see Coz I feel I'm in mercurial abyss, with some alienetic synergies...
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Nov 2, 2017
Nov 2, 2017 at 8:30 PM UTC
Hitting On My Chakras (Dedicated to Kim J. B)
I heard a man putting ladders up outside Probably to clean the gutters He suddenly appeared at my window "Hello" he said "I'm Father Christmas I'm just practising"
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Sep 5, 2016
Sep 5, 2016 at 6:33 AM UTC
Out Of The Blue
Come, my love, let's sleep. Not just for few hours, Not for many hours, Not even for some weeks, And not even for merest months. Let's sleep altogether for years, Let's sleep for many centuries. Come, my love, let's hibernate. Not forgetting immortality, Not practising immorality, Not overlooking modesty, And just sleep together holding tight. Like we do when cold descends, Let's go to our sleep mode. Come, my love, let's snooze. Not just for few more seconds, Not just for some more minutes, Not just for bit more hours, And kindle the dream in the long night. Like we did when curse worked, Let's go to our carefree world.
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Dec 18, 2016
Dec 18, 2016 at 8:12 PM UTC
Come, Let's Sleep
Penguins painted pink, peacefully practising pragmatic pebble placement. Perfectly pointy piles, please! Profoundly pious Pandas ponder pancreatic problems, predict potential palsy. Prognosis? Perilously poor. Pale porpoises proudly plunge purple pools, placidly pasturing petrified plankton. Poor protozoans perish. Portly, paunchy, plumpish, porcine, porky pigs populate putrid puddles, Pulverizing pumpkin pies. Purposely Prickly porcupines pursue palatable plants, pin-pointing precisely. Puce petunias preferred. Pill popping puppet people perpetuate planetary perdition, pardon profuse pollution. Pretentious ******
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Sep 4, 2019
Sep 4, 2019 at 11:22 PM UTC
P
my shy, hesitant frame was first taken to obligatory ballet lessons when it was only 5 years old the pale pink clinging leotards and scuffed leather slippers decorated with neat string bows would always outweigh the strain of my mothers scraping nails against my scalp in order to achieve the perfect ballerina bun seconds before each and every lesson in the vastly daunting and vacant room where our innocent and wide-eyed little selves were our sole company in the face of the towering glass pane staring straight back at us the sheen of the never-ending polished pole stretched right across the middle and we strained to try and make ourselves grow taller than each other to look like real dancers practising their pliés for hours upon hours and I made my small body bear the unbearable the strung out aching the myriad of assorted stretches lit in my weak limbs as I tried to train my fingers to kiss my tippy toes like a desperate attempt at mimicking the distance between fingertips in The Creation of Adam always almost within reach but never meeting soon enough the pink and the pretty and the pleasing image this form of dance appeared to me to be was no longer enough and the sparkles and sequins and garish glitter costumes began to fade along with reflecting rainbow coloured stage lights and 4 years worth of overpriced Academy Lessons and Exams I guess I gave up on touching my toes
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Apr 25, 2016
Apr 25, 2016 at 6:16 PM UTC
four years in a state of surreality
Have been listening attentively Have been practising all day long Have been monitoring closely the movement of the fingers But still, satisfaction has not yet been achieved Perhaps, I need to work harder..
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Nov 16, 2011
Nov 16, 2011 at 12:24 PM UTC
Unsatisfied.
He was parked up a hundred yards from her house imagining Louisa not too picky, judging from the run-down old houses several were boarded up. He was becoming quite absorbed with one of those. A bad place. Soon to be notorious, a good house for a woman to be afraid in...... He had dug through all the Metal tapes in the vw. Found Pride and Glory. Played Harvester of Pain over. Till he was ready. I'll show her hearts and love, god he was mad. Hope Daisy gets to watch, wow that excited him. The light came on early. He waited until dusk, then walked around the back of her house. Then in. **** **** she had a cat. Old as well, would it starve? Then he saw her in the chair. Jesus! Older than the cat. And smiling at him. He drove away an hour later. Felt like hell inside. Forgetful old ***** thought he was her home help. So he made her a coffee, fed the cat. Sanctimonious cow gave him money. Her husbands photograph was on the wall faded brown like she was. Died in the war, drowned practising for D-Day. So he spared her, for that and for the sake of the cat. He stole an old bottle of whisky on his way out. No sobriety test on the road to hell. Six hours later he kicked a teenage ********** to death. Dressed like that, you can't have a mother or a mirror. Left the old ladies money on her corpse,this one's for Her.
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Jan 29, 2011
Jan 29, 2011 at 1:13 AM UTC
Wordplay and part four
Helen pushed the second hand doll’s pram over the bombsite off Meadow Row Battered Betty her doll was tossed from side to side there there Helen said can’t be helped you walked beside her practising drawing your silver coloured gun from the holster your old man had bought you from the cheap shop through the Square you hit back the hammer one two three times just like that I can’t get her to sleep Helen said stopping by the ruins of a bombed out house she tucked the doll in with the woollen blankets her mother had knitted Mum said to take Betty for a walk in the pram but she still won’t sleep you put the gun back in the holster and pushed back the black hat your granddad had given you have to keep her quiet around here you said there might be Injuns and they scalp hair off babes and kids and such Helen looked around the bombsite looks deserted to me she said pushing the pram away from the bombed out house you never can tell you said they hide and when you’re least expecting it they come screaming over the plains Mum said you’d make the best husband for me Helen said coming to a halt opposite the coal wharf you drew out your gun again and fired shots over your shoulder that’s nice of her you said twirling the gun over your finger and then back into the holster Mum said you would make a good dad one of the horse drawn coal wagons moved away from the coal wharf and clip-clopped along the side road perhaps you said we could get our own house on the prairie or one of those houses off St George’s Road with the big gardens Helen got Battered Betty out of the pram and rocked her over her shoulder patting her back and said yes and I could milk the cows and you could hunt buffalo and we could sleep in one of those big beds with buffalo skins over by the main road a red number 78 bus went by and dark clouds crowded the less than blue sky.
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Jul 3, 2013
Jul 3, 2013 at 3:05 PM UTC
LESS THAN BLUE SKY.
Helen pushed the second hand doll’s pram over the bombsite off Meadow Row Battered Betty her doll was tossed from side to side there there Helen said can’t be helped you walked beside her practising drawing your silver coloured gun from the holster your old man had bought you from the cheap shop through the Square you hit back the hammer one two three times just like that I can’t get her to sleep Helen said stopping by the ruins of a bombed out house she tucked the doll in with the woollen blankets her mother had knitted Mum said to take Betty for a walk in the pram but she still won’t sleep you put the gun back in the holster and pushed back the black hat your granddad had given you have to keep her quiet around here you said there might be Injuns and they scalp hair off babes and kids and such Helen looked around the bombsite looks deserted to me she said pushing the pram away from the bombed out house you never can tell you said they hide and when you’re least expecting it they come screaming over the plains Mum said you’d make the best husband for me Helen said coming to a halt opposite the coal wharf you drew out your gun again and fired shots over your shoulder that’s nice of her you said twirling the gun over your finger and then back into the holster Mum said you would make a good dad one of the horse drawn coal wagons moved away from the coal wharf and clip-clopped along the side road perhaps you said we could get our own house on the prairie or one of those houses off St George’s Road with the big gardens Helen got Battered Betty out of the pram and rocked her over her shoulder patting her back and said yes and I could milk the cows and you could hunt buffalo and we could sleep in one of those big beds with buffalo skins over by the main road a red number 78 bus went by and dark clouds crowded the less than blue sky.
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111
Monica watches as Benedict and Jim practise judo on the grass off the path to the farmhouse. She cheers Benedict on standing on the edge clapping her hands excitedly. Her other brother Pete leans against the fence bored, hands ****** in his jean’s pockets. How long are you going to be practising this judo **** the film starts in half an hour, he says. Benedict throws Jim to the floor in a  quick movement, Monica raises her hands to the air. Knew you could do it, knew you could, she says, patting Benedict on the back of his jacket. Jim dusts off his jeans with his hands, looks at Pete, then at Monica. Caught me off guard, he says, she put me off with her yelling and clapping. Can we go now? Pete says, moving off the fence, now you’ve done your judo stuff? Can I come? Monica asks looking at Benedict. No way, Jim says, don’t want no girl dragging us down. I am not any girl, I’m your sister, she says, staring at Benedict. He looks at Jim then at Monica. I don’t mind if she comes, he says. I do, Pete says. Monica pouts and folds her arms over her small ******* The farmhouse door opens and their mother comes out. I thought you were going to the cinema? she says. We are, Jim says, just going. They won’t take me, Monica says. Of course they don’t want you with them, her mother says. Anyway I have some chores I need help with. Monica pulls a face and glares at her brothers, but looks at Benedict pleadingly. Maybe next time, he says. Not with us she don’t, Pete says. With me though, maybe, Benedict says, giving her a wink. Come on in Monica, leave the boys be, the mother says. Monica follows her mother towards the farmhouse, gesturing her middle digit at her brothers while her mother’s back is turned. Benedict smiles, watches as she sways her small hips, blows him a kiss from her open palm. Jim shakes his head and follows Pete to the bikes by the shed, while Benedict, takes a kiss from his lips and throws it at Monica’s departing back. Her head turns and her hands open to catch the thrown kiss moving slightly forward so as not to miss.
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Jun 5, 2013
Jun 5, 2013 at 5:07 PM UTC
AFTER THE JUDO.
Monica watches as Benedict and Jim practise judo on the grass off the path to the farmhouse. She cheers Benedict on standing on the edge clapping her hands excitedly. Her other brother Pete leans against the fence bored, hands ****** in his jean’s pockets. How long are you going to be practising this judo **** the film starts in half an hour, he says. Benedict throws Jim to the floor in a  quick movement, Monica raises her hands to the air. Knew you could do it, knew you could, she says, patting Benedict on the back of his jacket. Jim dusts off his jeans with his hands, looks at Pete, then at Monica. Caught me off guard, he says, she put me off with her yelling and clapping. Can we go now? Pete says, moving off the fence, now you’ve done your judo stuff? Can I come? Monica asks looking at Benedict. No way, Jim says, don’t want no girl dragging us down. I am not any girl, I’m your sister, she says, staring at Benedict. He looks at Jim then at Monica. I don’t mind if she comes, he says. I do, Pete says. Monica pouts and folds her arms over her small ******* The farmhouse door opens and their mother comes out. I thought you were going to the cinema? she says. We are, Jim says, just going. They won’t take me, Monica says. Of course they don’t want you with them, her mother says. Anyway I have some chores I need help with. Monica pulls a face and glares at her brothers, but looks at Benedict pleadingly. Maybe next time, he says. Not with us she don’t, Pete says. With me though, maybe, Benedict says, giving her a wink. Come on in Monica, leave the boys be, the mother says. Monica follows her mother towards the farmhouse, gesturing her middle digit at her brothers while her mother’s back is turned. Benedict smiles, watches as she sways her small hips, blows him a kiss from her open palm. Jim shakes his head and follows Pete to the bikes by the shed, while Benedict, takes a kiss from his lips and throws it at Monica’s departing back. Her head turns and her hands open to catch the thrown kiss moving slightly forward so as not to miss.
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“We play at paste, Till qualified for pearl, Then drop the paste, And deem ourself a fool. The shapes, though, were similar, And our new hands Learned gem-tactics Practising sands.” -Emily Dickinson.
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Jul 9, 2020
Jul 9, 2020 at 1:35 AM UTC
Gem
the night your mom walked out the door in her paisley dress, she brushed you off her shoulders so easily, it made you wonder how long she had been practising. you still think about how you weren't the only thing that fell off the peaks of her bony shoulders; birthday cards, goodnight kisses, home-made banana bread, these things lay dead on the staircase she walked down too. so you try to be kinder; wait for me to finish my sentences; make me pasta dinners when I come home; all messy hair and tired eyes, so exhausted from trying to love myself. but I want you to know that you don't have to love me too hard; don't have to shove love into my crevices, to make up for the love your mama never gave you. so be kind to yourself; try to get out of bed at a decent time, make yourself some hot cereal for breakfast. stop waiting for me to come home; for my voice to echo through the hall and fill up the empty spaces in your heart; the ones you always trip over. put on a new shirt, go outside, and sit by the park bench; you can always go back to writing poems, like you used to. stop waiting for me to come home; stop waiting around for someone to love, you can fill yourself up first; and rip out the weeds that lace your lungs; I'll be right beside you, armed with metaphorical shears and tangible kisses, but you've got to promise me, that you'll learn how to love yourself first.
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Jun 16, 2015
Jun 16, 2015 at 12:02 AM UTC
Pasta dinners.
I water the cabbages the dog runs about mad as I walk back and forth to the blue barrels filling Gran’s grey watering can. In college I learnt how to depreciate … I wouldn’t dare do such a thing. The caterpillars squatting on the cabbages coil as the water rains down upon them, followed by my thumb. (I keep meaning to write that poem.) 19th of June; 9:45pm — I have one more job to do and I will do it practising a few reels. My fingers do not need my eyes so make myself a ****** be in the woods where they can’t see me — the snakes. Years and years and years of cleats traversing the field below have to left pairs of ungelating snakes slithering towards the four gates in the field. Soon I pan to install a 5th and this worries me, never having hung one before; plus what if the snakes bite me. Or worse I succeed. For now I fret, leering towards the bull, I want to see him *** — #414, she’s still not in calf. If she repeats again, it’s goodbye for him. But the ****** just grazing. Swishing at flies, periodically ****** and poops. Is my playing distracting him? I suppose … we’re all entitled to a night off.
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Sep 8, 2010
Sep 8, 2010 at 2:06 AM UTC
After Dinner
Monica watched Benedict practise Judo with her brothers on the grass by the fence. She watched from her bedroom window. She had parted the drawn curtains with her fingers enough to see without being seen. She cheered him on in an urgent voice. She would have gone down and cheered him on from the sidelines, but she was still in her nightwear and by the time she had a wash and dressed they would be gone. Watching him made her excited; it was a physical thing, something she could almost point to, sense and touch with her fingers. She stared down at him, watched his every move. Sometimes he would take on both boys at a time and defeat them both, other times he took them one at a time and they would end up on their backs on the grass. Wish he would put me on the grass, she whispered to the pane of glass, touch me as he does them. She couldn’t describe how he made her feel. Whom could she ask? Her mother would scorn her for even asking such a question. She wished she had a sister to ask, but all she had was three brothers. There was cheering from outside, Benedict had fallen. He had miscalculated a move and fallen on his back. There was laughter as he rose and dusted himself off. Oh, she murmured. She put a hand to her lips. His head turned towards the window; she backed away. Had he seen her? Heard her voice? She moved back to the window and peered out. They were practising again. But this time it was karate, they were breaking pieces of wood with the side of their hands. She wished she could be out there. Near him, sensing him close to her. He came most Saturdays to be with her brothers. They worked in the week at the nurseries half mile away. Sometimes she was up early and caught him before her brothers were out and she talked with him. Once he took her to see the peacocks, riding on their bikes to get there. She had wanted him to kiss her, but he hadn’t. So near to her, yet she daren’t reach out and touch him, that day. She stood at the window and stared at him. He had taken off his jacket and was in tee shirt and jeans. They fought each other now, their blows barely touching, the karate touches merely skimming the skin. Odd this sensation flowing through me, she said, this expanding desire within.
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Jun 27, 2013
Jun 27, 2013 at 1:46 AM UTC
DESIRE WITHIN.
Monica watched Benedict practise Judo with her brothers on the grass by the fence. She watched from her bedroom window. She had parted the drawn curtains with her fingers enough to see without being seen. She cheered him on in an urgent voice. She would have gone down and cheered him on from the sidelines, but she was still in her nightwear and by the time she had a wash and dressed they would be gone. Watching him made her excited; it was a physical thing, something she could almost point to, sense and touch with her fingers. She stared down at him, watched his every move. Sometimes he would take on both boys at a time and defeat them both, other times he took them one at a time and they would end up on their backs on the grass. Wish he would put me on the grass, she whispered to the pane of glass, touch me as he does them. She couldn’t describe how he made her feel. Whom could she ask? Her mother would scorn her for even asking such a question. She wished she had a sister to ask, but all she had was three brothers. There was cheering from outside, Benedict had fallen. He had miscalculated a move and fallen on his back. There was laughter as he rose and dusted himself off. Oh, she murmured. She put a hand to her lips. His head turned towards the window; she backed away. Had he seen her? Heard her voice? She moved back to the window and peered out. They were practising again. But this time it was karate, they were breaking pieces of wood with the side of their hands. She wished she could be out there. Near him, sensing him close to her. He came most Saturdays to be with her brothers. They worked in the week at the nurseries half mile away. Sometimes she was up early and caught him before her brothers were out and she talked with him. Once he took her to see the peacocks, riding on their bikes to get there. She had wanted him to kiss her, but he hadn’t. So near to her, yet she daren’t reach out and touch him, that day. She stood at the window and stared at him. He had taken off his jacket and was in tee shirt and jeans. They fought each other now, their blows barely touching, the karate touches merely skimming the skin. Odd this sensation flowing through me, she said, this expanding desire within.
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give your cap a tilt, and try not to grin, I see it playing, hiding between your jaw and chin. give your cap a tilt, and I'll give mine a flip. it lands safe on my head (I've been practising quite a bit). give your cap a tilt, pretend to look aside, when I turn away, leave the ground, and fly.
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Mar 17, 2011
Mar 17, 2011 at 8:24 AM UTC
TILT
your lip jutting out is like a shard of broken glass and I know you’d just stitch me back up if I tried but I don’t think you’re very amenable to being kissed; not now, anyway. not here, you’d say. all I've ever wanted was to put my mouth on you, baby, taste the salt of your skin like natural protection against your demons and mine and all the others in between. you think you've seen them all but believe me, I'm older, I'm wiser, handsomer too but you don’t see me bragging about it and I've seen what’s down there. I tried to protect you for as long as I could but we have seen the end of night in the complete dark together. I almost miss that dark, the obscurity where you’d admit you didn't always have to be so **** conscious and we slipped back to raw instinct and raw feeling and I've still got the feel of your skin under my fingertips and between my palms and my hands have been covered with you for years, now. I don’t dare to breathe on them lest the last of your DNA slip through my fingers - but it was probably too good for me, anyway. your genes and your jeans fit you beautifully and I'm like a ****** hopped up on the memory of when I raked my nails down your back and though the lines have faded I will always reopen those wounds. I will never leave you more whole than I. we have broken every rule and we have broken each other, and I wonder why anyone would settle for any less than this; because an empty passengers seat is the loneliest place I've seen in the continental united states and that’s counting the grand canyon, baby. I have stood above that yawning tear in the ground and tossed my voice into it, practising idiocy and ventriloquism and other interchangeable words like that and like a man carved from stone I stood there, watching, listening, waiting with a patience borne of desperation, but after a few thousand lungfuls of broken glass there was no reply and I left. I pulled your favourite move and I left, alone. so what do we have now? a car, the change in our pockets and each other? it sounds romantic as **** but you've always been the poet here. I'm just the guy who sits behind this frozen wheel and drives because it’s easier than warming my hands and when I tear your heart out the cold numbs your chest so you can’t even feel it. have you ever felt anything? have you felt me, baby? has this whole ******* existence of mine been in vain? because your lip jutting out is like a shard of broken glass and I've got the oddest premonition that it can slice me to ribbons if you would just move your head and look at me. baby, please. look at me. let me know I'm alive so I can die for you.
0
Jan 17, 2013
Jan 17, 2013 at 7:03 PM UTC
pleading the fifth against the fifth
your lip jutting out is like a shard of broken glass and I know you’d just stitch me back up if I tried but I don’t think you’re very amenable to being kissed; not now, anyway. not here, you’d say. all I've ever wanted was to put my mouth on you, baby, taste the salt of your skin like natural protection against your demons and mine and all the others in between. you think you've seen them all but believe me, I'm older, I'm wiser, handsomer too but you don’t see me bragging about it and I've seen what’s down there. I tried to protect you for as long as I could but we have seen the end of night in the complete dark together. I almost miss that dark, the obscurity where you’d admit you didn't always have to be so **** conscious and we slipped back to raw instinct and raw feeling and I've still got the feel of your skin under my fingertips and between my palms and my hands have been covered with you for years, now. I don’t dare to breathe on them lest the last of your DNA slip through my fingers - but it was probably too good for me, anyway. your genes and your jeans fit you beautifully and I'm like a ****** hopped up on the memory of when I raked my nails down your back and though the lines have faded I will always reopen those wounds. I will never leave you more whole than I. we have broken every rule and we have broken each other, and I wonder why anyone would settle for any less than this; because an empty passengers seat is the loneliest place I've seen in the continental united states and that’s counting the grand canyon, baby. I have stood above that yawning tear in the ground and tossed my voice into it, practising idiocy and ventriloquism and other interchangeable words like that and like a man carved from stone I stood there, watching, listening, waiting with a patience borne of desperation, but after a few thousand lungfuls of broken glass there was no reply and I left. I pulled your favourite move and I left, alone. so what do we have now? a car, the change in our pockets and each other? it sounds romantic as **** but you've always been the poet here. I'm just the guy who sits behind this frozen wheel and drives because it’s easier than warming my hands and when I tear your heart out the cold numbs your chest so you can’t even feel it. have you ever felt anything? have you felt me, baby? has this whole ******* existence of mine been in vain? because your lip jutting out is like a shard of broken glass and I've got the oddest premonition that it can slice me to ribbons if you would just move your head and look at me. baby, please. look at me. let me know I'm alive so I can die for you.
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