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Alexander K Opicho
(Eldoret ,Kenya ;aopicho@yahoo.com)

On 13th January 2014 Dr. Wafula Chesoli of Mt Kenya University, at Lodwar campus in the north western part of Kenya published a scathing attack against homosexuality in the Neighbourhood, a daily circulating paper of the River Delta state in Nigeria.Dr Chesoli justified his contumelious position against human homosexuality by basing his stand on the scriptural citations of the Bible. The Bible which  Dr. Chesoli has operationally defined as the word of God in  this article that he entitled Strong holds of Homosexuality ;Biblical Persapectives.Chesoli’s argument has a depth of Biblical groundings, however I beg to differ with him in principle, given the  scientific scintillations on humanity of homosexuality from the recent researches of health education and psychology.
Firstly, I humbly remember that about three years ago I also published an article in the East African standard which harshly condemned social and behavioral position of gay and lesbian marriages. This was when the Anglican archbishop Dr. Eliud Wabukala of Kenya had in a similar tone lambasted the archbishop of Canterbury for suggesting that there was need for the office of the gay Bishop in the Anglican Church. I strongly supported Wabukala in that I even called gay and lesbian behavior as cultic and satanic hence to be condemned with all forms of capital nemesis. Some of the contents of my article in which I condemned homosexuality are here;
Let us support Wabukala stand on gays and morality
(January 13th 2011 at 00:00 GMT; By Alexander Opicho, Eldoret)
Practice of psychology and Christianity operates on a universal principle of unconditional positive regard for all. However, there has been a twist in this convention when media in Kenya at the start of this week carried a story that depicted moral fortitude of Bishop Eliud Wabukala; who has out-rightly dismissed the idea of establishing the office of a gay bishop in the leadership of the Anglican Church. Wabukala has come out boldly on this against the strong currents in support of gay marriages from his superiors in the Church. The efforts by Wabukala befit all manner of felicitation from all of us who believe in morality as a basis of humanity. The basis of gay relationships is legalistic and political. African culture conscientiously discourages a cult of gayism. And in Kenya living as a gay is living in contradiction to the Constitution. These collectively fall in an agreement with basic teachings of Christianity. Gayism, lesbianism, celibacy and trans-species ****** behaviour are admonished by Biblical teachings. Gayism is social deviance that originates from degradation in ****** behavior; it is a state of ****** depravement. Read more at;
http://www.standardmedia.co.ke/?articleID=2000074879&story;_title=-Let-us-support-Wabukala-stand-on-gays-and-morality.­
Little did I know that as I was publishing this article two percent of my friends and my family members are victims of ****** behavioural disability, which we are calling homosexuality in the above juncture. As university teacher in the departments of social sciences where student populations is usually high, I again came to discover sometimes later that ten percent of my students always have disordered ****** or gender conditions. I found these to be substantial revelations that provoked me to carry out both desk research and investigative *** socialization researches into this bamboozling human phenomenon of homosexuality and other related disordered ****** behaviours.
The order of explanation would first require a position which posits that; religions both Christianity and Islam don’t have any intellectual nor social machinery to carry out a socially ameliorative process in relation to disordered gender and ****** behavior in any society. Their approach have been and would still be parochial in the sense that the only outcome to be achieved is prejudice, bigotry and discrimination with full harassment against Christians or Moslems with ****** or gender disability. Thus religion should pave way for other competent social players over this matter.
Dr Chesoli’s Position that the Bible is the word of God and the Quran is the word of Allah and hence those with physiological conditions in contrast to the word of God and Word of Allah are satanic, only to face wrath of God on the judgment day is simply devoid of modern logic. I want to sensitize Dr Chesoli on the fact that not every thing in the Bible is the word of God neither   every thing in the Quran is the word of God otherwise called Allah. To support my position before I just explain scientific position of homosexuality, I want Dr. Chesoli to learn that; 159 psalms in the Bible are poetries of Kind David, Kind David whose leadership was full of Machiavellian tricks just like the current leadership of Yoweri Museven of Uganda. The book of Job is theatrical and poetical literary creation of Moses. But not the word of God. This is so because the land of Uz in which Job lived is pure fiction. All papyrological surveys have never established geographical evidence of this land. The last part of the Bible is made up of 21 epistles or letters of Paul the benjaminite. Paul’s writings display eminence of intellect as a lawyer and a person schooled in the Greek classics of Homer’s Iliad and Odysseus as well as Sophocles’ Oedipus Rex.The idea that the words which Paul wrote was the word of God is not founded ,perhaps the last stage of Jewish casuistry.
Homosexuality has to be understood as lameness or disability like any other animal or human disability. I am aware that Dr. Chesoli belongs to the old school which only appreciated the fact that lameness is limited to physical, mental, eye and hearing impairment.However, this position is now scientifically obsolete. Humanity is now understood to be sometimes a victim of ****** lameness, intellectual lameness, emotional lameness, racial relational lameness and other plethorae of lameness to be uncovered, courtesy of science and research.
Like the condition of ****** disability can be heterosexual disability or homosexual disability. Heterosexual disability can be indicated by misfortunate human ****** conditions like; early *******, erectile disfucntion,oversize *****,undersize *****,frigidity,phobia of opposite ***, oral ***, **** ***,****** appetite for your own child, ****** appetite for your sisters, brothers, uncles or aunts, frigidity, small ******, abnormally big ******,insatiable libido or insatiable appetite for ***.
But on the other  hand  homosexual disability are often indicated in the perverted ****** behavioural positions like male to male *** also known as gay and female to female *** also known as lesbian, or female to male to female to male *** also known as bisexuality. We also have other ****** phenomena like celibacy, voyeurism, *** with non human creatures, *** with inanimate objects, *** with ghosts and *** with spiritual creatures like the one accounted in the Bible between Mary the mother of Jesus and an Angel Known as Gabriel. There is also *** with dead family members. Dear reader just accepts that the list in this line is long.
Now labeling above positions as satanic or ungodly can be misleading in the modern sense. The motivation for all the above behaviours is sensual satisfaction. But the physiological cause of the behaviour is few and far between. Some of these conditions are caused by genetic misprogramming or mutation; some are due to body malformation. Like having female reproductive system in a male human casing or male female reproductive system in a female human casing. But the sorriest part of this human experience is that victims of these conditions always feel that they are right human creatures in the wrong body from which they struggle to jump out but they have never succeed.
This is why the Journal of Pan African Voices known as Pambuzuka news has a platform for anti – homophobic journalism, which actually purport to promote social and intellectual awareness among the Africa societies about matters relating to ****** and gender disabilities. This journal strives to minimize homophobic positions like the one taken by Dr. Chesoli in a smokescreen of Christianity or Islam which will ultimately only end up as heinous violations of human rights.
An empirical position has facts that gender and ****** disability conditions is rampart in urban areas than rural areas and more rampart in industrialized or developed countries than peasant rural based countries. Thus logic will tell you that we have most gays and lesbians in America and United Kingdom than in Kenya or Malawi. This is why President Barrack Obama in an imperial stretch conditioned the govermenent of Uganda to make a legislation that favour gays and lesbians. This was also reflected three years ago in the United kingdom when David Cameroon warned the government of Ghana that if they don’t make a legislation that appreciate homosexuals then United Kingdom would not give economic aid to Ghana.Contextually,both Cameroon and Obama were wrong. We don’t use vents of desperate imperialism to manage a misfortunate social condition. We first of all begin by educating our people, then socializing the idea among our people then we finalize by positioning the idea among our people. Thanks for your audience.
Alexander K Opicho, is a social researcher with sanctuary research agencies in Eldoret, Kenya.He is also a lecturer for Research Methods in Governance and Leadership.
Mateuš Conrad Nov 2015
sample precursor: there are three binding directions of a chemical group (e.g. CH3) to the benzene ring - the ortho-, the meta- and the para-... but i'll ask a different question: what is copernican north what is copernican east a copernican west or a copernican west without a "flat-earth" / how else to read / navigate a 2D map going from point (a) via vector (c) to point (b) along the short-cut of the hypotenuse - which, isn't a short-cut, but the logical conclusion of walking neither the middle path nor the right path, but the logical path? we're no astronauts... we didn't see the proof... we can only entertain the "idea" of a 3D object we live on, but we're still strapped to a "flat earth" in order to navigate... endless stories of how GPS tech. fooled people off the edge of a cliff... "flat earth" is no reverse psychology ploy... i'm no ******* astronaut... i never stood left right or center on the moon to have the foggiest sense of admiration for that awe-balancing moment that leaves so many deluded in it being otherwise: first come first served, last come: what's there's to serve that last man if not merely the drudge-report of a commute? besides... trans- and cis-, why are people borrowing from chemistry and attaching gender to what is exlusive to chemical compounds? look at them... pop chemistry... cis-trans isomerism... fine, let these people have that... my new n.e.w.s. (north, east, west, south): orthography, something clearly missing in the anglophone world (no diacritical markers, i and j do not count)... ergo? orthography = east... paranormal = west... since the west is obsessed with either aliens or hush-hush military projects... now... both north and south are meta- coordinates... on the basis, on the basis of what? two words really work well to establish a foundation: from ars poetica? metaphor (borrowed from a change of mind - meta- and -phren - mind, a change of mind, all mental illnesses are changes of the mind, alternatives to alleviate the stranglehold of the commune of the greater picture known as society)... but... there's also metaphysics... which is in the interest of philosophy... how else not to explain the obvious, how else to treat both the reader / audience as the well informed genius(es) but mistreat them as would be grander genius(es) if the socratic endeavour of "pretense ignorance" was not to be established? it's a hard juggle... east is already well established in orthography, west in paranomal... literally: metaphor - a change of mind, literally metaphysics - a change of groundwork physicality of things... a rock remains a rock in either "heaven" or in "hell"... metaphysically there seems to be a direct translation... this is why i'm terrible at crosswords, this whole puzzle structure of either working from a direct definition to the word itself, some random geographical posists, some historical posits, some outdated out-of-vogue words related to specified period idiosyncracy, a tinge of the therausus... my current crossword is an interchange: meta-phor, meta-physics, meta-phot, meta-physics and on and on it goes: even with the isolated prefix of meta-, if i return to the words: as they are... would: denoting a change of thinking (state of mind) or... denoting a change of physics, i'm met with metaphysics, i.e.: a branch of philosophy that deals with the first principles... sounds like a priori physics, yet all i can fathom if i wrestle this word to its casual use: isn't it a posteriori physics?! the what comes after physics? i should think that most people understand metaphysics on an a posteriori basis rather than an a priori basis... hence the question: what happens when we die? last time i checked: death happens last... birth happens first... any question-worthiness (according to heidegger) should begin at: the beginning rather than begin at the end, in the same way that all questions should be sought in a medium of predating the dates of events, rather than with a spirit of hindsight, hindsight belongs to the "what if" of history in that dynamism of expressed time... on the canvas of an infinitely expanding space: we seem to be riddled by a very cul de sac concept / expression of time: our quill - given that ****** didn't learn from napoleon when it came to russia... perhaps finding out what copernicus found out: "we" figured: get me off this ******* celestial carousel where i can't even feel the dizzy immediate of a ferris wheel! again: i'm terrible at crosswords, sudoku? no problem... but words: if not gushing out of me, waiting like a lizard predator for a linear narrative spew? count me out... i don't play with words, i use words... i'm a wordsmith, hence the ethnic origin denote: słowianin: slav - i don't know where these west-saxon punks derived their etymology from: słowo = word... *****-liquor juice teens thought it was: oh fo' sho' smart... still: metaphor, metaphysics... metaphor... metaphysics... disgruntled with the immediate compound readied for pop use... meta-physics... the vector is the prefix... why do philosophers push metaphysics so much, but in turn rely on the crutch of metaphor? to change their mind, if metaphysics is an abstract theory with no basis in reality, then the schizoid / metaphorical mind is an abstract in an abstracted theory of the mind - which has "no" knowledge of reality, or rather: "reality" excludes such a mind from ever absorbing an expression in it... a schizophrenic can't explain the reality of a person who can solve crossword puzzles... just as someone who solves crossword puzzles with a fear of alzheimer's: who treats the fatty tissue that's the brain as a muscle... given that the cells of alzheimer's disease are killer proteins... proteins as the antithesis of white blood-cells that feed of fat tissue... after all: what else could the brain be if not fat and water? slow burner... first the sugars, then the more complex carbohydrates, then the fat: last? the proteins... the process of starvation... you want up? you want down? again: metaphysics / metaphor... ta meta ta phusika... the things after the physics... so what's with the inverted: prior things? hence people associated a life after death... hence how philosophers have to escape into the poetic realm to quickly change their minds on the definition... a change of mind is much easier than a change of what physicality entails... most spew metaphors but keep on course... after all: given the genesis of the metaphor, a metaphor is just a tool, a humble stop-off pause... born from humble poetics: it's only a literary tool, it's not some grand pillar of morality associated metaphysics, which nonetheless dictates: first principles come last and last principles come first... here's my crossword puzzle: metaphor, metaphysics, meta-alpha, meta-beta, metaphor and the meta-alpha, metaphysics and the meta-beta... etc. etc., i will not solve this crossword puzzle, even though it doesn't look like a crossword puzzle... it's a narrative crossword puzzle, i'm just looking for the sort of fixed point people associate with prime words: red, left, blue, right, up, fox, dog... words of readied vocabulary, readied vocabulary dissociated from puzzled vocabulary... i want to established a fixed permanence of the dissociated close proximity grounded in the meta- prefix of the words meta-phor and, meta-physics... i'm starting to find this impossible, given how the words have dissociated themselves from the grounding in the meta- prefix... phor alias phren (mind) and the whole gush of isolated metaphysics of beginnings: meta a priori vs. meta a posteriori - and of course: meta a- apriori... hell if i can't solve crossword puzzles: since i already have a crossword puzzle in my head... what am i to do? try writing pop?! a dog does what his master orders, a jester tells a joke his king would find amusing... i'll just treat this enclave of an audience as a bunch of people subscribed to ulterior forms of voyeurism (dissociated from pain / pleasure gratification, esp. that of a ****** nature).

.you know like in latin you had the interchangeable tongue twisters æ and œ? well... english resurrected one more... au... oh stralia... auntie; ******* hell i've been speaking this since aged ate and i still can't get my tongue into that phonetic plughole... or what's that onomatopoeia for: it really hurts? awe... nah... aw... aw... well no cute kitten about to say aww.

well it began with the usual... i wish i didn’t...
sitting in the autumnal garden
drinking coffee and eating a nicotine croissant,
watching the fog recede into nothing
while the earth showed its naked cleavage
after what seems like centuries of arcane dryness
befitting a story of an egyptian idol...
then the panic set in...
what to cook?! what to cook?!
my mother is away visiting her parents in poland,
who celebrate the feast of all saints with the usual
tackle formidable in poland:
forget the paris fashion week, forget the london fashion week...
forget the next gucci advert...
all the action happens in poland’s annual all saints’ fashion week...
through the cemetery (ahem) cat walks
(more like death on rollerblades donning a tutu
and looking fatter than size 0 models)...
because that’s when the fur coats are worn,
the make-up is heavier and everyone comes
to discuss the materialistic jealousy of a small town...
it is a small town after all...
death knocks with all the nine cat’s lives just to prove
the point...
anyway, so i’m the head chef, and in panic
i search for a recipe... i’ve only got pork on the ready
in the recognisable frozen state...
but i also have shrimps... tiger prawns...
so i look through the usual suspects... thai green curry...
ah ****! no coconut milk!
what’s it going to be? prawn korma curry
(better mild than hot i say, with all this maple syrup
and honey colours about... talk about decay),
active ingredients? chilli powder (1/2 tsp), cinnamon
(1/2 tsp), turmeric (1/2 tsp) and ground almonds (2 tbsp),
there ready... looking suntanned my gorgeous twirls of seabed manure...
enough to spare my father making himself sandwiches (i always
disguised my “dyslexia” by associations... sandy witches...
the t broke the barriers and the floods entered)...
with toasted nannies / au pairs... relatives of some sort...
then onto writing my father’s invoices:
project plaistow hospital and some housing development near
the city airport... beckton we call it... backwards and forwards
stink crowned with drinkers regurgitating on the pave...
now that is a *******... recycling centre or horse manure?
then to tesco... for the nightcap...
oddly enough tesco has become a friend of mine once more,
i divorced the turkish shop, they added 10 pence to the polish beers,
now i’m on the sedative medication of this bottle bavaria beer
and whiskey... 1 quid for the former... 10 quid for the latter -
i’ve sold my soul! never mind...
then to the beacon that’s home... it’s night... it’s spooky...
it’s essex: that non-touristy place in england people with passports
never dare to visit, shambles.
well one thing came out true... none of the above though:
you ever consider the theory of the aeroplane syndrome in writers?
you know, like with rock stars you get the full package,
you get the aeroplane and the retrieved delay of the engine mushroom,
but with poetry (which is competing with music,
philosophers just wait in that queue for the cheese, wink, whine and wrinkle)
you only get the sound... that delayed mushroom...
you see the poet but never hear him...
it’s a typical delusion i’d call parallel or even adjacent to narcissism,
you walk down the street and the closest you come
to someone recognising you is a stranger uttering out: ‘hey richard!’
‘name’s matt mate.’
‘oh... sorry.’
it’s this aeroplane syndrome theory... it’s perfectly acceptable...
you have the image but don’t have the delayed sound...
you have the delayed sound... but you only get a photograph...
you have the english national health service mental health unit crisis...
and then you have people shunning intellectualism
trying to cure people by burning / not reading philosophical books;
the day ends with drinking and reading
an article about keith richard’s antics in the sunday times’ supplement
and the thought: well i gave her a stabbing chance
at feminism... she thought the active ingredient in anti-contraception
pills was placebo... she phoned and gave birth to me...
i said abort... you’re no post-teen mum at university, you won’t be...
******* was great but i’m not that much of a match from a cosmopolitan magazine quiz
(as duly taken on my way from st. pestersburg to moscow to see
metallica play), plus there are no roofing jobs in scotland...
the scots have mountains already... there’s no point building
scratched sky skylines with mountain ranges nearby...
so even though i went to a catholic school...
i did my first redemptive act by reading about gnostic heretics...
and not getting confirmed being the second...
i would have not taken first communion... but playing the xylophone
at the nativity play was too much fun...
plus it is the only salvador dali bit of the story...
after that you have st. sebastian...
plus you see where this is going... the greeks translated
the tetragrammaton into the gospels
of st. matthew, luke, mark and john...
and the romans were duped into the legality of
things... first name, second name, confirmation name...
surname.
Michael R Burch Apr 2020
Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. Her bio appears after her poems, and it is a fascinating bio...



Temple Hymn 42: an Excerpt

to the Eresh Temple of Nisaba
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns, Gishbanda, Ningishzida



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.



Untitled Heresies: The ur Poems

& GAUD said, “Let there be LIGHT VERSE
to illuminate the ‘nature’ of my Curse!”
—michael r. burch

reverse the Curse
with LIGHT VERSE!
recant the cant
with an illuminating chant
,etc.
—michael r. burch

Can the darkness of Christianity with its “eternal hell” be repealed via humor? It’s time to recant the cant, please pardon the puns.

if ur GAUD
is good,
half the Bible
is libel.
—michael r. burch

Christianity replaces Santa Claus with Jesus, so swell,
and coal, ashes and soot with an “eternal hell.”
—Michael R. Burch



day eight of the Divine Plan
by michael r. burch

the earth’s a-stir
with a GAUDLY whirr...

the L(AWE)D’s been creatin’!

com(men)ce t’ matin’!

hatch lotsa babies
he’ll infect with rabies
then ban from college
for seekin’ knowledge
like curious eve!

dear chilluns, don’t grieve,
be(lie)ve the Deceiver!

(never ask why ur Cupid
wanted eve stupid,
animalistic, and naked.)

ah-men!

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn
Michael R Burch Apr 2020
Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



Temple Hymn 15

to the Gishbanda Temple of Ningishzida
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain
like a mother's womb ...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying ...

Though approaching through a safe-seeming field,
our hair raises as we near you!

Gishbanda,
like a neck-stock,
like a fish net,
like a foot-shackled prisoner's manacles ...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's holy one,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt

to the Eresh Temple of Nisaba
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn
Mateuš Conrad Aug 2018
sitting there, fiddling with my beard,
trying to manage a pseudo-payot -
twirling it, and twirling it -
attempting to lose weight
with due process - of gaining
a pointy shrub of *****...
            i really had something to attest
for:
      ah!
             ****, lost the marbles...
      going to see a turkish
barber is about as obnoxious for
me as seeing a doctor...
     no one ever heard of going for
the feral look?
              in whatever agony,
i'd rather that sort of a death sentence,
than this, prolonged,
power ****** / grabbing delay
of:
      i seem to dream up  the following
scenario,
   given that the space we call
universe is primarily a medium
of time...
               and death row?
the execution bound to an electric
chair, isn't the actual execution...
the actual execution?
   it's the waiting "game"...
   by the time the shitshow is over...
sitting in the electric chair...
is a death's bargain of:
gambling on death's gambit...
  there is no pain in concentrated
posits of delayed "gratification"...
         Empedocles
    (who jumped into a burning
volcano)...
     Diogenes (who died by holding
his breath)...
there is nothing inhumane
about the rite of the execution...
it's the delayed artifact of it being
postponed that's degrading...
    mind you...
all the ****** victims,
at least experienced the pain
numbing adrenaline shock intermediate
effect...
     like hannibal lecter noted:
the shock, numbs the pain...
       but waiting
for an execution?
      up in arms for the death penalty -
but, not... cat teases mouse
waiting game...
          only last night i found myself
lying in bed...
humming out, groaning,
   an attempt at relief...
              pain is ultimate...
waiting is relative...
    here i'd side with Cain...
     execute... but please...
            don't make him wait;
waiting is the execution in itself...
if not more...
   this: reflection of what
the victim's life could have been...
taking the bible literally:
what, marked, and allowed to roam
free in a place like Siberia, or
the Canadian woodlands?
       keep it fresh, keep it simple,
give the perpetrator the same
adrenaline high...
some laws are non-debatable -
    on a high, squiggly clean, fast...
the death penalty makes sense...
but only if there is no
waiting game involved -
             the waiting is worse
than the actual execution...
                  say what you may about
the french revolution...
   but since the guillotine?
  the american electric chair...
  wasn't exactly any bias
for improvement...
          snap tactic!
   i hate, what these covert sadists
disguise as a course
of justice...
            this waiting game...
it's like Einstein's relativism never
took off...
           because a caged, waiting game
with a Cain, has no objectivity argument,
and there's no quality filter to
ascribe to this argument...
          by comparison -
   the Abel of the matter was shown
more justice, even if within the confines
of the irrational premeditation of
the abhorrent act...
                   don't people realize that,
being confined...
   subsequently providing the original
zenith of sentencing (i.e. execution) -
death, becomes a saint,
and found itself a friend and martyr?

       it is no longer an execution...
but a release -
and the person being executed -
has an inability to recant for the past crime...
he slobber and makes solipsistic
incantations...
                there is no closure...
with the evolutionary sadism of capital
punishment delay...
          
     why not make the killer and victim
lovers - in the case of Cain and Abel,
Siamese twins?
              
        waiting for the execution,
           is worse than the execution itself;
last time i heard,
in england, the pork was "herded",
piling onto each other, in claustrophobic
cages... suffocating each other...
        
     i sometimes dream of being a
maximilien robespierre -
dreaming of ghosts -
  and supervising the drop of the guillotine,
like i might think, about reconsidering
having a shave.
Mateuš Conrad Oct 2016
and yes, very much a niche concern, my laptop broke down
   and i'm forced into the box room, albeit not ramped
out with Nabokov's Switzerland lodging:
at a hotel in the Alps catching butterflies and Lolitas -
i've finally matured in my likings -
but let me tell you, it has been painful
adjusting to the upright sitting:
lost the slouch and the quickie
crow-on-a-windowsill with a whiskey
sharpshooter and then a tornado cascade
into the lesser concept of a blank page and that famous
nothing of philosophers... i love the lesser critique
of Heidegger, my grandfather bought me
a 25 volume worths of interest,
and Heidegger stood out foremost,
primarily because of a peculiar surname,
i later learned that he was the German
that would eventually make Wordsworth
pointless in picking up the lyre,
with so many books i had to realise that
i needed a partner akin to walking through
Dante's epic,
              i could have chosen Ovid, but esp.
Horace, but i didn't choose Virgil or Homer,
a blood German peasant... but also
a pheasant, which means auburn peacock...
oh sure, you get familial ties with people
of the world, people who made either their
forenames or surnames akin to the nouns
as familiar as stars chairs and smoked ham rumps...
perfectly akin to everyday familiarity of use...
i wasn't worn in Warsaw or Krakow -
if i were, i probably wouldn't have left the natives,
but living on the outskirts of that great capital
doesn't necessarily impress:
in all honest edict contraction: i feel debased
travelling into London (central), ***** and ******
out my mind...
       i guess this means two more years rereading
Heidegger's being and time
                               after purchasing his ponderings ii - vi
from the years 1931 - 1938;
yes, my family was directly affected by **** Germany,
not in concentration camps, on the frontline,
so why would i be sopping over a **** familiar
in the realm of philosophy?
       a. public intellectuals don't exist in England,
    English doesn't like philosophy,
         proof
                  ?    b. Shakespeare - peer in on shaking
a pear and
                      the dancing of a retired circus bear dancing.
     c. that's Pythagoras, we leave him in the Pascal gambit.
i just think it's a shame that i have this massive
democracy in my room, and i'll end up with something
akin to a Quran -
                              again, why Heidegger?
i don't know, it could have been that Czech Kundera -
     or Kafka, it could have been Seneca,
              but all these writers are city dwellers,
Heidegger was a quasi-villager pseudo-city-dweller,
i find foxes and deer and dead badgers in my little
promenade escapades, also Satanist black masses
with the framework of in excelsior satanis! -
and lightning that strikes but no thunder is heard...
less for the sons of thunder: the 12 hot-air balloons,
it's very much Germanic in Japan with
feng shui or otherwise known in the peninsula as qi
     kee.
                      then there's the **** of the haiku
by the west and me answering: let's make ensō -
smoothed out narratives, ecstatic variation from
     thinking and away from moral decisiveness
in that activity of perpetuated choice-making -
                how clearly thinking extends into narration
rather than the Cartesian
                 precipitation of thought into being -
nope: from thinking into narration
          juiced-up enclosure of "zoological" tightening
with ensō: beefy haikus.
          but what i really find problematic?
the interpretation of Heidegger's concept of dasein
as coupled with ecstasis.... our ex-stasis...
                  with da meaning there
               you can pretend to be "happy" about protests
across the world, and wars and other turbulent
activity...
                   what i am proposing is what Nietzsche
prompted with sum ergo cogito,
         in that the real ecstasis is concerned with being
allocated to a here, and therefore a hesein -
the interpretation posits the ecstasis there
when Heidegger originally posits concern there,
     or as he encodes: "concern"
                       meaning the dittoing puts him in a safety
of the here, it's the ecstasis of not being there,
but here in the present as the ecstasis, and there
     of some abstract venture as being beyond his command
of attributed dynamism of being involved,
for he's not involved. give me an hour and i'll be
in the countryside: we have that weighty countryside mentality,
farmers talking ******* when stacking hay
and laughing with the grammar Nazis when
    people go to the gym but teach their brains
the flab that the brains actually are: primarily spongy fat -
     apart from typos, it's the case
                                           (it is the case that)
   i don't (do not)
                               much concern myself from English
slang of piano (Joanna)
           and the outright **** (Pakistani),
               cos there was no sine                  when people
overacted toward the tan of me swallowing vowels and
replacing them with shortcuts to prop'ah Cockney,
oi oi, ******, bruv! brush up! this bus to school is
mingy with the throng!
                          who ordered the sardines?
        Stendhal is still the love of my life... i can write
enough complexities with Heidegger, but my love
resides with Stendhal... who would have thought
that a film adaptation would make me eager to read the book
(the scarlet & the noir)? Peter Jackson knew, as did J. R. R.
but it comes from the musings,
          once i do the Kantian critique a one over
the missing yawn and what's actually the most underestimated
arithmetics of wording rather than number circus
         or replicas of taxman rubrics:
after enough chemistry, favouring the organic and
later becoming endowed with a palette for Indian cuisine
well: philosophy books are the worded versions
of mathematics in terms of jumping the burning wheels
of 1 + 11 = 12        and          i contemplate
                                            but what's the = and the 12?
it's so ****** open, i could have invited a hundred thieves
to porose a car-boot sale at my house.
but all this, which might seem like self-love,
    it's not about that...the French intellectualise
and have them public because they talk beautifully -
                  the English?
they sing...
                               the Germans are morose and silent...
        the Spanish are simply the onomatopoeias of *******
and the Italians are seen and heard licking their fingers
after enough basil is added to tomatoes...
   i'm still banging on about the apathetic interpretation
of dasein, rather than the ecstatic version popularised
by the scholars...
                                 the version that reads:
if a tree falls in a forest and there's no one to hear it fall,
does it make a sound? that's my interpretation of
dasein / being there / being "there"....
                          a.                          b.
                       concretely            in abstract,
we already know that the abstract of being is nonbeing
or that things are abstracts of nothings with identifiers
of being used, without actually being touched:
i can say that i see a chair without actually having
to sit on it.
                    i was thinking simpler though -
olly murs' heart skips a beat and someone of the major
tracks by one direction...
             when i reference myself to these tracks
i'm being ecstatic, in the dimension of hesein,
                  like da, shortened purposively from the
authentic hier / here in german....
              why am i ecstatic in the here?
   because i don't have to be concerned in the realm of da /
there, where my opinion "might" matter...
                   but really doesn't...
                             which is why i don't understand
this interpretation of dasein meaning ecstasis -
                           or ex status quo....
                                               as already suggested -
our moral obligation toward language is to provoke
a Minotaur to become an architect of our venture in
using language, away from the market place...
into forests, into depths that have no justification
for being imagined, or as such diagnosed as ever being
there and established to planning permission and norms
of established caricatures and cleanly undertaken
shallowing and hollowing out from them being furthered.
i should be sad having trodden such a path
for myself, but i feel a kinship with this German,
come on, what consolidated the Kantian
dichotomy of a priori and a posteriori as in
   or must not philosophy a fortiori poeticize beings?
should not be conversed with from a wholly
anti-intellectual dynamism suggesting a personal
historic aversion of what's otherwise ethnically ******
without suspicion in terms of cultural tact?
again: nothing - which is higher and deeper than nonbeing(s)
(i ensure the ambiguity of the plural, if only
due to the fact that nothing is
    kindred of a definite article - the -
                          and ensures a translation as nonbeing,
while nothing in a quality as in nothingness
            kindred of an indefinite article - a -
         and ensures a translation as nonbeings, the plural,
ambiguity and throng -
   perfect offshoot that's already known as a-
           and -the         with a missing -ism).
yes, language ought to resemble something less
instructional, certainly less capital / monetary,
and more of a preservation of ambiguity and subsequently
myth... or what otherwise concern themselves with
in the hustle and bustle of a public life: integrity,
                                ulterior of the personal sphere of interests:
the person per se;
       and the apéritif (a'per-teeth)?
                 for lack of diacritical insurance, the English
are constantly in need of a tongue-map for waggling it
prop'ah:
                    the Chelsea y'ah
or the Cockney wa'er                - t t t.
                mind you, that's related to the trilling of the R
(originally intended as a trill) and subsequently lost
in the Germanic ethnic cauldron: hark the French and
cipher the English curling the tongue making the R curled
rather than trill - my idiosyncratic fascination aged 8.
  i thought i ought to end this with a thought about
what's a universal maxim in psychiatry
  in England in terms of a standard prognosis:
patient A has lost touch with reality...
      that's the prognosis, the diagnosis: dialectics of Gnostic
teachings? anyway, that's the standard,
that a person has lost touch with reality... what a great swindle!
     y
Mateuš Conrad Sep 2016
a few songs can capture the modern sense of urbanity, and the
apocalyptic 5 a.m. of London - but i've become estranged from
that sort of neon addiction - there's no syringe involved,
no amateur photographers on the ready, either -
yes, a man of great love, but also of great contempt:
and that goes hand in hand.
the favourite memory of my first year at Edinburgh?
eating haggis neeps and tatties at the ***** ****'s
pub on the royal mile - followed by shots of whiskey -
in my student accommodation,
placing the amp on the windowsill, the window open,
and just jamming out far removed Nirvana solos
with a few spectators: modern day equivalent:
of mad max flamethrower guitar freak -
losing my virginity to Isabella: psychology 3rd year
exchange student - from Grenoble - France,
yep, not the ******* Himalayas - the Alps...
the lacrosse initiation ceremony in lycra shorts:
back then i'd be a stumbling buffoon after a bottle
of whiskey... these days? well, usually a closing
poem at 5 a.m. - minding the cats to come home
after spending it out in the cool on a sultry night -
i wasn't serious about the lacrosse -
jeez: the meat in this place is stuffing me -
get out before they tell you to buy your own gear:
team or group mentality? never got it -
soloist pronto - pronto andante - chirpier that way,
getting the whiff of the bubbly without stand-up:
imagine a sit-down comedian... hard to imagine.
the gym... oh **** me the gym...
you know, i knew a guy in first year that only managed
to cook up plain pasta, with salt... plain pasta
with salt... another guy ate spaghetti with
tomato sauce all year round... in the last week he
added meat to the mix... not trying to brag:
i'm even going to mention what i cooked -
                    i was living with horror seeing these
boys adapt to: mommy not here, mommy out to lunch...
daddy not here, daddy out to crunch out the income...
well... apart from the rich puppies who chose
catering accommodation, turning university
into a school with a pristine canteen - canned teens -
just as much - so if i wrote cantine you'd say:
canned thyme? how the hell does that work:
i abuse language, language doesn't abuse me -
i don't need cushions surround words like
()()()()()****()()()()() - better? much better -
hush the angry words out! use the sterilisers -
maybe that's why i never experienced anything bad
using the internet - honesty and bluntness -
maybe i shouldn't have said that. or that's just lucky.
princess and the pea and the 100 mattresses
and a fickle *** - ah itchy! it's pinching! it's pinching!
100 mattresses and still the ****** pea.
then again, staying up all night, then deciding to
climb Arthur's Seat at dawn, getting there, then
climbing down and going to Tesco at 7 a.m. to buy
cornflakes and full fat milk... that was something;
but you know what i'm really thinking about?
it's no longer a maxim, it's a cliche -
               but i'm thinking about it in mathematical
terms -                                from the verb
                           on one side, to the posit or inertia
on the other - there's no grammatical version of what
really becomes a pentagon with five attachment points
primarily - a cul de sac of facts -
                                                            but­ mingling with
grammatical categorisation nonetheless -
          but what i'm thinking about it how to make it
simpler, to use mathematical notation:
i.e.
               i think is an expression
                                       worthy of about 1 centimetre,
  given that thought is a marathon -
                   but i'll just say: could it be anything but
  so differentiated increment divisibility to
              thus provide a sigma? although the expression
is hardly an ad continuum - at some point you
stop thinking, hence to differentiate i think is assuredly
a way to say: well, not constantly - meaning thought
   is not a continuum - and can be talked about in the
same was as talk of god: that's where i place the prime
of ethical action - it's not god... i don't ascribe ethical
action in that direction: just too easy, whatnot with hell
and heaven and goody two shoes waiting for the
big spark of magic or applause and the heckler: well done!
god, dry humour is the best - sarcasm is dry humour -
satire is wet humour... and other than that?
               slapstick, nothing too witty, i hate witty comedy,
they always need canned laughter:
at least slapstick humour makes the effort for you too
make an effort... and it sometimes hurts, so it's real,
when you start flexing that abdomen and get a six smiley
faces on the torso.                anyway,
              looking at my **** it really dawned on me:
  (by the way, Descartes wasn't really out to prove he existed,
   someone thought he did, he was trying to work out a
proof for something that someone else would pick up
   and elaborate)             i think is but a centimetre
                              compared to the marathon of thought -
(sizes in this scenario is perfectly compatible) -
          meaning that               i am          (italics?
emphasis on these to expressions being unitary) is but
                 another centimetre compared to the marathon
   of being                                    or the Antarctic expedition
                      of non-being: i.e. not necessarily
   assembling: what if i wasn't here... but more like:
              what if i did something differently -
again, flea market questions -                        why bother?
    come to think of it: the former unit is more simpler
to encompass - although i agree that the former translates
into the latter: thinking proves i exist,
                            because ex omni instances
         (out of all), there's an equal compatible expression
of mutual exclusiveness: thinking - the two together are
juxtaposed to be allowed a kind relativism -
      but whereas the latter (i am) unit is not only plagued
by the nearest pentagonal absorption via the senses,
but also a definite article / articulation of so many posits
of expression: multiplex verb -
                  the former (i think) unit isn't:
a. plagued by the pentagonal... blah blah blah...
             but rather by a mandala of faculties:
   imagining things, remembering things, dreaming things,
               maybe i shouldn't have said that?
   who knows -
                             the basic thought was
about:           i think is but a centimetre compared
                               to a marathon of thought - a minor fact -
   i am is but a centimetre compared to a marathon of being -
     and to be honest: very few people would take
courage in understanding this glib in the sigma of all things -
imagine football hooligans equipped with this potential...
i can't: i was watching the Everton v. Sunderland today,
and all i could hear was the chant: YANNICK BOLAISE!
            YANNICK BOLAISE! YANNICK BOLAISE!
yes, this kind of writing is a paper mâché -
or a vegetarian starter - but, you know, if you don't
try something new, you'll definitely win a Pulitzer Prize...
  if you don't like it? chop chop, on you go.
i know Descartes wasn't wrong, and i know that
cogito ergo sum wasn't intended to prove anything -
but it did prove a founding block for existentialism,
that's where all existentialists take a **** - Descartes
is the dump where Sartre wrote his being & nothingness,
and Heidegger his being & time...
                        well, key ingredient in someone writing
a sophisticated aversion to time: space, would probably
write something about sitting next to someone on a tube
and writing about sardines and livestock -
                           humanity as a virus, etc. etc.,
   compared with someone writing and thinking out
a statement of: well, isn't this marvellous - so far apart
and clean, and solitary and chuckles.
    i just wanted to use the mathematical comparison,
deviating from the pivot                   therefore     -
   away from each of the unit's verbs and adjective attachments -
  i just wanted to stress that each respective facts,
  are but a centimetre of expression,
   compared with what each evolves into - a marathon
on either side - perhaps it's because that's a necessary building
block to something greater: i can't complain that being
aware of this fact is a hindering beginning -
       i'm not saying that being aware of this maxim is
somehow going to improve your contentment with life -
    geometrically it's not like
                                                      horizo­ntal left to right -
more like vertical left to left-up and right to right-up
             and never therefore - for a reason,
consequently... but rather in parallelism -
                   for no reason whatsoever -
                                              contra-sequential­ly;
unless you know a Queen of Sweden, i don't see how
thinking precipitates into being that might you
leave you satisfied - and let's not a put a ****** on it
either: how many thoughts about killing someone
end up being jokes with a friend late at night?
Michael R Burch Apr 2020
Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. Her bio appears after her poems, and it is a fascinating bio...



Temple Hymn 15

to the Gishbanda Temple of Ningishzida
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain
like a mother's womb ...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying ...

Though approaching through a safe-seeming field,
our hair raises as we near you!

Gishbanda,
like a neck-stock,
like a fish net,
like a foot-shackled prisoner's manacles ...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's holy one,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns, Gishbanda, Ningishzida



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn
Oculi Sep 2022
Falling
Sinking
Drowning
Redemption

Steel
Blood
Exhaustion
Black­ness

Suppose to me for a second that you ignore the cultural barrier between the man standing in front of you and yourself. This man was raised in a far away land, whose people are PECULIAR in many ways, not quite fitting into any group you have heard of. He has, in the past been referred to, sometimes affectionately and sometimes derogatorily, as an alien. He is PONDERING. You can see it on the blank, nearly expressionless face that he posits towards this unblinking world he considers void of redeeming qualities. In his land, there is a PECULIAR saying, that he keeps repeating to himself, as though it was a mantra that could somehow save him from what seems, at this point, impending. He is PONDERING this saying. The way he recites it, sometimes quietly within his mind's eye and sometimes out loud, much to the dismay of those hearing him, is "Acting with the peace of the dead." which is an approximation of the way he heard it once, when his father said it to him as a child. He is unsure what this PECULIAR phrase has been doing in his mind for the last week. He is in a tall building, on the top floor, and he considers jumping out of a window every free moment he allows himself. He has, on occasion, realized his consciousness left him during the day, only to be roused back from his PONDERINGS by the sounds of objects and people that no longer exist. He hears the voice of Him, the man who swam before him, despite not knowing how to swim. He fears that his knowledge of swimming forbids him from joining Him. He does on occasion realize that his fear of not being able to swim with Him is what some would call PECULIAR. Some would explain that he needs to let go of these foolish endeavors and let the 4514 swim along the coast, soundly. His father would have told him about the days he PONDERED the window of his tenth floor apartment as well.
He deems long enough has passed. He opens the window, and manifest before him is a bridge of RAINBOW. He steps onto the bridge and loses control of his conscious mind.

Swallowed by the dread
Swimming with the dead
The station is unmanned
The operator's ******

Let they who art one with the endless ocean
The black and glintingly specked sea of tar
Encroach you and grasp at what you hold

Let them hold you down, down under
Suffocating the life out of you
Holding your throat until you drown

Let ye, fettered traveler, join us
We are a merry lot down here
This void, this black space we inhabit
It really isn't as scary as it sounds
There is love and joy and celebration
There is camaraderie, feasts
There are memories, in many which ways
There are dreams, and no nightmares
Let ye, shackled traveler, join us
For we have sang of your exploits
For we have cried for your sorrows
For we so desire to meet with you (again)
Let ye, battered traveler, join us
We miss you.
Your hugs felt nice.
We miss seeing you grow up by our side.
Even when far apart, we would always think of you.
We love you, and we wish you were here with me.

Suppose to me for a second that you ignore the difference of corporeal worlds between the woman standing in front of you and yourself. She inhabits a world of very little LIGHT. (Though there is some.) It is the middle of the night, which she is able to infer because even though her eyesight is as SHARP as ever, there is still absolutely nothing visible in this world. Though her other senses are, for lack of a better expression, quite attuned to this world, and therefore she can easily sense her way through the room she usually wakes up in. This, however, is not that room. She stumbles immediately, and falls, to a floor that feels much different, courser to the touch. The feeling of her heart welling up the usual anxious thoughts is not as LIGHT as it was a moment ago. She is in a deep state of panic. Of paranoia. Of fright. Of terror. The darkness feels all the more encroaching, all the more terrifying, in this new, unexplored room. White specks begin to cloud her vision as she stumbles around, wounding herself constantly. Bruises, cuts, trauma. She stays down, this time. There is a distinct coldness to the floor where she lay. She gropes around, and yelps in pain. SHARP. It's a knife! She grabs the handle of it. Quite LIGHT. She decides to test out the SHARPness of this knife and stabs at the floor. Nothing happens. Her heightened feelings of panic bring back memories, unpleasant memories, similarly involving darkness, knives and unfamiliarity. She can only see one possible way out, and concurs she'd like to see LIGHT at least one more time. She falls into a deep sleep, clutching her knife at her chest and dreaming of those folks of merriment.
She wakes, still as panicked as before, but sees that specks of brightness now form around the horizon far outside her room. They don't bring any joy to her, she just wanted to see them one last time.
She deems long enough has passed. She cuts into the flesh of her body that, through the darkness, she has never seen before, and manifest before her is blood. It is a stark, crimson color, a shade she has never once beheld. Then, as her senses begin to faulter, she looks again and sees more shades, all those of a RAINBOW. She brought herself joy by managing to create color in a world with none before her. She lets herself lose control of her conscious mind.

The woman and the man meet
A clashing of two different worlds
Two different times, yet at once the same
They both open their mouths to each other
No sound comes, they stand silent

THEY PONDER THE RAINBOW, ITS PECULIAR, SHARP LIGHT.

They stand together in the space that the choir mentioned in passing previously. Waves crash against them both, yet they stand unflinching, trying and failing to scream, yell, shout, anything that would make the other one understand. Their duality frightens them both, as though they know something the other doesn't. Finally, a voice booms, it is both of theirs and yet it is not. It asks the question that they both mean to phrase:
"I'm very happy to finally be here, but... where is everyone?"
Peg, roundly topped and
bottom squared, hops out seeking
holes to reconcile.

"Soon, very soon," she posits

then passes dear Fork
forlorn on pebbled road. His
tines are liquid droops.
His heart stabs for cheating Spoon.

Opposite, Puppet
sits to tend her knotted strings.

This path is puzzling.
This work is licensed under a Creative Commons Attribution 3.0 License.
Mateuš Conrad Nov 2017
get your ***** ******* grubs off of me,
i am not going to bargain
a cartesian dualism with the notion
that the body can overcome the mind
with exercise gimmicks:
you, *******, guinea nimwit!
        i used to slap my grandfather's
sheen on a bold, but otherwise
bald cranium for jokes,
  and flick his remaining hairs into
the air to reveal a hidden jack
nicholson, i also called the police
and had him institutionalised with
psychiatric aid, for throwing my
grandmother through a glass door and
breaking her arm...
       me?! you'll get more
apologetic "nuance" about drinking
from a priest than from, me!
         i turn ugly, silently,
       i just abhore this antique deal
with descartes,
               i don't know why why that
the body can overcome the mind...
or why blankety-blank trivia is to solve
the matter...
or whether pumping iron helps...
      by this point i''m not writing:
i'm coal-mining, i'm digging...
               the body, however perfect
will not unravel the problems of the mind,
attaining body antics perfected only
stalls the otherwise still present:
problems of the mind.
                       toxicology reports read:
adrenaline *****.
             sebastian mc'queer miss-match
between a cocktail waitress,
  a ******* bunny and a bartender named:
shteeve.
                 ******* waste of time
by my rubric of arithmetic...
  but at least ben affleck wasn't the worst
batman,
      we all know that george clooney was.
we have finally arrived at a loss
of mind-body dualism,
   we have achieved a dichotomy,
finally!
       we can, for the first time,
fathom clear segregating posits,
indicators,
                    membranes!
whatever noun you use -
                 the joke about schizophrenia,
is that it's not a joke concerning
        premature depression -
premature depression is more unusual
than premature dementia -
      there's the bicimeral theory
to begin with...
           unless of course you're dealing
with snowflakes who want languaage
as rigid as possible,
      readied for the acceptance of it,
like any type of i.k.e.a. put it together,
yourself, manual...
the mundane aspect of the whole affair
only breeds a gagging effect,
like choking on a 12" **** with your nose
pinched-shut,
  ******* disgusting;
  if i really wanted to draw a straight line
i wouldn't necessarily obligate language
to latex ******* *******...
           i'd be the one
adding oil to the fire, and wanting
unadulterated chaos,
  before the hell-fire focus of: inferno...
for language is just that:
   i abhor the term poet,
i prefer the term...
                               pyrotechnician...
i do not write poetry:
   i cement myself in pyrotechnics.
    i abhor this dualism -
            this notion that a sick mind can
be mended by being worked on by
a invigorated body,
      or that a sick body can be mended by
being worked on by an
invigorated mind...
   odd... to have such vehement emotions
surrounds a mere idea...
that there is no mind-body dualism,
but that there's a mind-body dichotomy...
and that there's only a mind-mind dualism
that, given the cartesian concept brideges
upon the res extensa: the extended thing,
whereby the mind-mind dualism
disintegrates when the notion of a, soul,
is involved / invested in,
perhaps as concrete rubric, or perhaps
as a mere cognitive, hobby...
  let us simply add:
   there are those who bow and pray and
pay due diligence to a god...
  while others, neither procrastinate themselves,
nor day allegiance to a, deity -
for there is so much more involvement in
entertaining the thought of a...
deity...
             and these cognitive
acrobatics never allow for a yawn
to be present, in their ritualistic endeavours,
with due need, or due, cause.

p.s. i think people really underestimate
schizophrenics, the abnormality of it
is fascinating...
      as is the case with the endeavour of
finding a soul, or as i like to call it:
the osmosis of psyche overpowering the mind,
and creating a mind-body dichotomy
rather than enforcing a mind-body "dualism"...
psychosis.
                   it's a shame how people
under-appreciate a mind-mind dualism...
a dualism, split, yet nonetheless whole...
     cf. julian jaynes...
                      but what isn't fascinating
is premature depression...
   that's just plain ******* tragic...
i can understand depression in old people,
who have actually accomplished something
in their lives...
but when it concerns youngsters?
completely unfathomable and
                    uninteresting to me,
on the basis that it's so abnormal that
it's suicidal and completely averted to
the otherwise schizoid exploratory tendency
of reintegrating a disintegrating form
of language structure... perhaps that's
a post-modernist statement...
but the "sane" always cite
being perplexed by language that's:
   non-instructive; b'aah b'aah...
******* herds, do we always have to whip
them into submission and cohort?
  yes, yes, the open end hyphen grammar
   -cohort-, that's transcendental grammar,
it's not supposed to be a noun,
rather, an adjective by-and-of-itself
revealing of the submissive character of
strict, military, discipline!
my ambition was never to write
a ******* i.k.e.a. manual for a: do it yourself
take on a folding chair!
Mateuš Conrad Sep 2020
concrete flinging monkey that i am:
albeit albino -
tinged with himalayan salt hues...
   well this little detail of my working
limbs: concrete -
3 parts of sand 1 part  magic dust:
some water -
here's a dead-earth dough -
it's not a pizza it's not a pizza dipped
in caramel to be subsequently
deep-fried: it's not a scottish ingenuity
project for a heart-attack:
after all... a mars bar battered is missing...
oh my little edinburgh...
one of those nights and mornings:
having finished watching the matrix
trilogy and expanding on:
joys of 5am: being awake prior to
the cockerels shooting out their salutes
to the ***** of white noise and fat
on leaves glistening in: an abyss of a yawn -
the crags and st. arthur's seat:
big ******* volcano sleeping
in the middle of the town...
          such crispness of urban life...
the streets so devoid of noons and...
  buying that carton of cornflakes
      and some milk and enjoying a double
variation of crispness...
well concrete flinging monkey as i
were today: doodling my slow
in the garden... digging a trench for g.i. joe
soldiers in my take on world war I...
so the weeds (morning glory esp.) would
take to teasing its presence from my
neighbour's backyard...
  obviously there was a spider: a glutton
of a eye-fest... whether it was just finishing
its delight or...
           the moth: i guess it was a moth
had a missing head...
  so grand slurp champion was *******
all the details...
   i nudged it once, i nudged it twice...
that bulb of: bottomless pit torso that
probably arrives at secreting a web...
i nudged it once more...
nothing...
no nervous scuttling or having to parachute
onto a sponge of its exoskeleton...
i arrived at the posit: my little world
and my inquisitive lense of the microscope...
apparently a spider will not mind
being nudged by "the hand of god"
should it be eating a moth...
    hardly a lazy sod:
                  what's there to admire the a priori
argument:
   it's not like a spider learns
to become the architect of a web -
it's not like dogs learn to swim...
                     throw a dog in the deep end
and watch the gruff ruffian tread!
duck beast...
                    no... apparently you can try
and try to agitate a spider in the middle
of his meal... even after...
after the meal? the spider had to eat
up some cotton...
    like a bear might prior to undertaking
hibernation... to clog up the ****...
the spider started nibbling on some
of the web...
    and i guess they do that...
go hunting with a web:
                  at the opportune moment...
a day's worth at best to pass the time...
once the meal is over
they figured out to clog up the nutrients
with some of the web...
   can spiders take a ****...
but unlike agitating a hungry spider...
which will scuttle the moment it
is brushed with a tip of any sort...
this well fed specimen took things... lightly...
i could have... done...
the extension of "scrutiny":
buried the ubiquitous bulldozer of fangs
that concentrated on the guillotined
head of a moth in a dollop
of my concrete...
                       i just find it impossible
to **** moths... hell... some night
i'd a proud caricature of man in what
become a nursery -
            come sunrise i don't know whether
i am the graveyard
my mouth the last "search" for these...
        "refugees" from the torment of the night...
conversational overtones in this:
"poetry": it's not something to
make memory architecture of rhyme...
rhyme alone is not enough...
lyricism - i am not gorging on wishing
for a Keats replica...
that it might rhyme and be better
ingrained: a burning coal of fluid ink...
or that horrible alternative of: the haiku...
mash up: i write for the sake of not being
able to afford the paint the canvas
the brushes or the superstitious agony
of what's already preemptive in such
an undertaking...
                     but it's better tested:
      from this day's depth and its
eyes made most pertinent -
      (this shouldn't be hard...
all i have to look for is a -ent suffix
to match)
           toward some forever incessant...
my own limbo toying with body:
to later succumb to an anybody...
                lazily rhymed -
    lazily staged: for all the gold
of the leprechauns... k k k k koch:
                                  chasm and a miasma...
by god's sexless and the devil's
**** and furry *****...
   i want to rhymes...
i wants to rhymez...
               rhymez likes ping-pongs...
in another tongue:
the plural of echo: is not ecce for a cappuccino:
etch 'ere...
         crescendo bother: blues...
i forget there's painting involved...
no crisp solidified sounds:
   a tongue lapsing up a lisp and a labrador
cow-traffic of moo: st'...
                        from colour to a sound...
an alphabet ring-a-ding-ding...
in another tongue the plural of echo:
              ech...
                     not... m'eh... or eh... for an E...
which is first sung and later cited: eeee (longating)
e-ha!-o...
              not e.e.k.o.
                             prune juice fermenting
from drinking: god this brain this sponge...
spiders and spiders...
        spiders and spiders...
first inconvenience is also a staggering
remedy: failure on my part...
hangover from a love that lasted...
well... from april through to september...
           obviously impossible as i couldn't
just see the need to "pet" tarantulas...
           me and my fickle arachnophobia...
it's sometimes there: it's sometimes not there...
and "there"...
hell... if a louis zukofsky can play
the tender part of aristocratic verbiage:
here i come towing a guilty expansion
project: under the proposed guidelines
of: democracy... had i a tongue with
a sidewinding penny to boot...
that i might lisp or spit point blank
an empty fill: and... there would be an
academic career waiting for someone
as i might: provide... postmortem...
                 it's not an agony of
the overlooked...
it's just an agony of agony...
   for some per se pressure to peruse one's
own lack of detail...
to have to complicate the demands
of an audience as a...
  "back-up plan": B-project...
                         in seeking redemption:
or gravity -
   all i know is that i'm not a narrative
architect - i'm too poor to paint...
or rather: i have a photographic memory
and i'd rather make food that cezanne
wouldn't want to paint:
or debase by eating...
          could you paint still life
these days: no... not very: not really...
but i am not a journalist... either...
primarily so...
             i am a democrat on the level that
i would be happy to live
outside of plato's republic:
it's not like plato ever convinced that
figurehead of Syracuse...
                  so... spoilt eggs...
chicken strutting flamingos...
     red's an oopsie come blue and purple
is born...
that's not true...
green and yellow will yield blue...
fair enough...
               but as sure as death: i am...
big credit to punctuation as a revision
of: not anti-rhyme: but certainly not pro- it...
    because i'm constipated on this
type of exertion...
i want as much of the holy fire of lyricism
to burn a mark on the cinema of
memory...
   but... alas: here's my 2nd best take
on this not being tabloid journalism...
               - so how come everyone started
to write: cute?
i mean: if not a cute rhyme then...
some variation of the exasperated haiku?
  - sputnik...
           in sight a digression rubric...
it's the same idea:
   - sputnik
   - moon shards
    - elevations of comparisons
   to match up to a meteor crater with
a slice of apple crumble...
    - sound is most certainly not colour...
- could i call nouns primes:
  or numbers? odd... even...
             red elepahant 1 G
              blue sky 0 K
              horrible hat 9 pro
circus envy... esp. clown envy...
                        this couldn't possibly be...
tabloid journalism...
or "poetry"... it's how far democracy
allows itself the pursuit of: ideals
with a hint of veto... for the pardon
of the status quo hierarchy...
                 concrete flinging monkey...
- robert duncan: nee san francisco -
i write by eyes alone -
i neuter the sounds employed
to challenge like neither *** -
best unscripted and that...
       metaphor of metaphysics
                collage of misnomers -
at best...
                     having to sit with
a slab of lard on your head at noon -
       this least grammar this last exasperation...
a furniture of a "poem"...
an earthworm's guide / guise of the tongue...
wriggling away at the benign...
        postcards and a slick licking of
postage stamps...
                 i forget to pause: i pause...
i paint with this bothersome blood of ink...
the crisis at the revisited crux...
stale europe dying h'america...
                i have yet to read anything
i have written aloud...
   i have yet to read anything i have written
aloud...
i have yet to read anything
i have written aloud:
resonance...
                    revelation 13:5...
          the beast was given a mouth to utter
proud words and blasphemies and
               to exercise its authority
  (for forty-two months)...
time a forgotten space...
or at best: a concentrated suffice of it...
a most bearable 10am in september...
i'd like to think i can't be
exasperated... or i might just:
jest at overt-punctuation...
          - written as pure eyes and
a beethoven towing deaf-        -ness...
    too much of: jack of all trades...
- we once had a "pardon" of handwriting,
in that we once employed a quill
and a detail of ink -
but not now but not now
of this clicking machinery like
chickens' pecking grains or letters...
         spiders and spiders and all those
freelance romantics...
a democracy of language that can
escape a caging formality to the endearing
dear sir, kind regards essay / letter...
language in a tuxedo...
language of escapism...
that one might treat a watermelon
as driftwood... or the crucifix as such...
  - that this can be a language that cannot
be a mechanised slaughter -
  for a throw-away: a 20th century admiration
for some variation of the "up-to-date"...
i am having to diminish
the base of an argued for: carpenter...
by bone... by bone... by each...
carrying of the vowels without:
the pentagram soliloquy -
           that could only be a variation
of rhetoric without an eagering of an audience...
this ingrained son of sam
this glittering blood feud of nights...
a line of an exasperation...
and each and every akin to this "maxim"...
because this is not tabloid journalism...
and it's not because it's
a democratic avenue of would-be squalor...
my niche partitioning
between those literate and those:
hardening a candyfloss of tortures:
       born air: settled in a tomb of fire...
born water: settled in the double sediment
that's once a breathing air comb
into frets of grain...
and earthworm wriggling...
now cement... malicious albino ape jester:
my little evil at the passable concern for
salt and the himalayas...
in that i work on the worth of:
teasing clone i - not in english not in english:
but in english...
  in this... tongue that's a best
butchered body of... a scrutiny that's
almost a... verifying anatomy... best:
   brick by ******* stacked...
a harbour of anathema and dangling
posits of: walking-9-to-5 abortions...
            high cue: but otherwise there's always
a managing of a queue...
that's bottom brass and godhad grey...
with a tease of a concept of hair...
balding snow on tomorrow's mountain...
- that i never hear what i write...
that i see it...
            i see "it" borrowed from somewhere
that has to be revised and revisited and
so-forth backed up renewed into
a ******* Guggenheim... renewing:
          new yorker slang and formalities of
rent... and... shackled up with...
dirtying the shells of oysters with...
prior the lemon and the glug of
the slugging: a word for lessening tourism of
Penzance... or anywhere in south wales:
cornwall...
         i tried loving the russians...
i tried loving the russians...
but then i had a mirage of a girlfriend
that had to tame tarantulas and i was
an arachnophobic tease -
                 - that in poetry the narrator is "somehow"
not the protagonist...
disembodiment via a section by
section - this limit of a candle...
this the kidney... this the heart...
but a "polyphony" of chicken hearts
towed into a broth...
          that poetry doesn't allow
a narrator... that i want to pick out a mask...
and i want tabloid journalism to spew
out of me...
this little detail this grammatical
arithmetic - sound of A...
and the syllable tease of a consonant -
impromptu question:
              asked in between: "in between":
what is a consonant K...
then again: in borrowed rome:
KAY is not the greek kappa...
what is the nurture of over-naming
and what are synonyms?
                      layers upon layers and
this is not a purity of jargon-jesting...
spiders and spiders...
                    - such that i believe in the anonymity
of readers and how i don't expect
a comment section:
   that bukowski made poetry pop
for: a gary snyder admirer...
  
  or - how one hundred arrows were sharpened
on flesh: and were dimmed...
because to crown this crude
metal creed against a stone....
and had to make coagulation of
frothing bloom -
extracting pauses to make a living
with taking wheel:
              burning rubber and burning
kites...
             burning threads and shoelaces...
dissolving sugar into
caramel...             an oyster that became
a tongue.... and a tongue...
its uttermost silence that could be
wrapped up back into a clean
residue of: biting / nibbling
for a piano... because never at a...

           such is the concept of rhyme...
that one can beg for guillotines
to... supposedly... "end".

from latin: a letter i can see...
a word i can: lip-read!
               not this... vanguard
of sanskrit and the glagolitic.

translate the letter to a status of a number...
whole: holes...
from nothing the sieving project.
Originally coined in response to Phanerothyme  [manifest & spirit],
Psychedelic  [mind-revealing] is etymologically derived from
the Greek psychē and dēloun. Psychedelia is music, culture, or art
based on the experiences produced by psychedelic drugs.
(Cyberdelia is immersion in cyberspace as a psychedelic experience.)

Some peoples feel there is a spiritual dimension to these experiences
and as such have developed a suitable terminology to reflect this view:
Entheogen,  [generating the divine from within]
denotes "a generator of spiritual experience", from
Entheos  [god-within], meaning
full of the god, inspired, possessed.
A spiritual experience is defined by its significance
to the host/subject. Entheogenic has been posited as
an alternate descriptor of "the psychedelic experience"
(in lieu of hallucinogenic) though this is a subjective term.

The Psychedelion is the analytical dimension of the psyche,
The part of the mind through which information is analysed
and thereby assigned meaning which is therefore significant.
Psychedelos is the existential manifestation of said dimension,
It is expressed through the medium of a language.

Absurdus  [out-of-tune] is the nonsensical dimension of the psyche, a part of the mind comprised of uninterpreted data, proportionate to our own limitations rather than lacking in "actual meaning". If a noumenon cannot be processed in The Psychedelion then it is consigned to Absurdia wherein we accept the inability to understand/rationally analyse it at present, given the current context.

Entactus  [touch-within] is the physical dimension of the psyche, the part of the mind through which sensation is perceived and remembered. It is responsible for the conception of our body and it's senses.

An Aeon Dissociative negates Entactus to deduce Absudia.
A Seraphic Deliriant posits Choler to induce Absurdia.
Psilo-Cybrans navigate these dimensions lucidly.
Olaolu Olufemi May 2013
The thinking of Darwin...
Whirls man's ego like a maze.
Maybe... *****, not tadpoles began his chain,
Or, from what 'pole' evolve apples, grapes and maize?

The definitions from his brain,
Shortens so many hopefuls' of their might,
Dazzling damsels catwalking with minds load of pain,
For soon, beauty might evolve to piggy, monkey or kite.

Why he posits such live ******* drainage,
As man's origin is a misty cloud,
Like a blow of breath on mirror's image,
Which by heat vaporizes and reality dawn as cold.
Alexander Price Sep 2010
Maybe I am an alien.
Some extraterrestrial being, trapped here because this was the only place habitable for whatever it is that I am.
Granted, this thought posits others such as "how did I get here?"
I can't answer that.
All the photos of me when I was an infant support this alien theory.
"Look at that strange little creature there." I'll say, knowing that whatever it is, isn't me.
Not now, anyway.
littlejoelle Jan 2017
It's another year coming to a close -

A time to give and sit around
Talking about all the wonders

Unexpected, and crossed fingers for - alike

A new box we now have filled
With brand new moments
And snapshots of memories
Nights we danced like crazy
And those we spent staying up talking, far crazier
Dreaming and stretching out our fingers

To grasp the distant future
And hold the best of new days close

A whole new box of all wonders
And reminders of when we were most human

To open and sift through, picking apart

And piecing together the parts
Of our lives and holding on
To the fewest, the brightest
And those we can't live without
On the bleakest of days and the longest of nights

For all we have is this firecracker of a life
The last five seconds between

Lighting and setting off
And on to the explosion we become

We've spent our years sitting and holding on
To one last glimmer of hope

A slow burn, simmering

Almost never going off

And right before we've all but given up
We're taken aback
By the loud crack and the dancing of lights,
Falling embers and exposing new dimensions

Now there is more to discover
Time to spend
And create
The next great adventure,

A hopeful new year, lasting long and
Filled with sights and stories

Two in the morning worries sitting on the roof,
Long swigs and watching the faint trail of smoke

Days for searching and nights spent answering
Questions that make up an existence
And those that give life

To the new year
And how it posits,
Theorizes all three sixty five new ways
The odds are fought, not so much as even defied

But goes down among storied days
It remains and awaits

With the grace of kind hearts and warm cheer
To be remembered and placed

On the footnotes and small scraps
Of history and the infinite loop

Of memories that together, create.
PK Wakefield Jan 2012
nary the further root(nor nearer neither)shoots
reaching similar jeering your carnal fold whoops
a crown of pink, whose gentler thorns enshrined
the meekest cruel sweetness of with mouth combined
posits a slender abrupt howl from the heaving
noose of abdomens 2 backed seething
(a beast twained)
or so sayeth William
Mateuš Conrad Dec 2015
christianity ends when it's lessons begin, and its dostoyevsky (i.e. the critique of christ as depicted in the idiot, basically a dim-wit who cannot recognise an insult, because he just loves everyone) begins with insults.

it's horrid that women were prescribed
the emotional outlet of crying without taboo...
and men were prescribed the outlet of laughter
to a limit of laughing within politics...
women are easily discarded during war times...
but men are as easily discarded during times
of peace - i cry at beauty, do i hate to cry,
or be apathetic about it being expressed...
no woman's onomatopoeia of ****** will ever
resound as a bounty, even the body speaks for
itself in the form of some piece of music:
and if you can't extract a tear when listening
to *ola gjeilo's
northern lights or o magnum mysterium,
or vaughan williams' fantasia on a theme by
thomas tallis... or any other name by thomas newman,
then you had your ***** cut off, your heart
ripped out... and the only thing that makes
you human is only a brain in a pickle jar;
no, i'm sure you're also spineless;
brain in a pickle jar - which doesn't make me
wonder as to why more men are affected
by mental health issues in england: that
rotten taboo sing-along to the cure's boys don't cry,
or if they cry, they shed a boxer's tear
when getting punched in the face - and even then
they just shrug it of as: oh that? only sweat.

my a.i. experiment begins with bonsai tigers,
cats, petted animals,
it begins here, when the animal is removed
from its natural surroundings like its lucky;
it's not lucky, it's ****** into
our diretribe of superiority hiding from winter.

well **** me so much ***, and so little marriage,
it's almost like looking at henry viii.

i'll write a japanese infusion, mind you i went further
tha ezra with japan, northern new zealand,
eastern england; remember geo-posits;
i took it to heart: your father was on a peddle-stool
along with you... oh blush...
roses are queens
spring blossoms are dog sushi...
i'll make my bet on: globalisation doesn't work
with capitalism... culture from america,
products from china... hippy trips grow-a-beard
from india... you're all liars you're not included
in the cluedo board of humanism, one
motto humanism ought to have to shake off satainsm:
shave off the lies... look pretty.
but you won't.
i'm about to move to japan via a t.v.,
excuse me please,
i'm about to expand my vocabulary and wants;
it almost feels like i dated you via
an ideal father not so ideal to imitate,
and some circus act where i attired myself
as a clown and was told by the management
that i had to take it off to ride an elephant
for the crescendo balancing act on a tight-rope.

p.s. please misdirect the pronoun vectors,
the personal pronouns are speaking from one
void to another void of collective impersonal
pronouns - in order that you might not feel
any personal attachment to the content in
between the unavoidable use of them.
Mateuš Conrad Mar 2019
.this is hardly an example of a millennial explaining something with patronißing over-tones... let's say: a thought-experiment, solipsism is more a thought-experiment, than an fixation of non-fluctuation idea, solipsism is simulated autism... that being said, if this is a thought-experiment, then me, making it public, allows for a quasi-voyeurism: after all, i just found something, that i didn't find before... imagine... the english stand on a genesis in a fixed ideology beginning with a body from africa and a mind from india... and here i am, a western slav... bewildered with the *****... armed with a knife and fork and chop-sticks... wouldn't the concept of reincarnation imply, that there were and always will only a fixed number of people? trust borrowing a theology from a people, that didn't actually invent any culinary discipline of eating, the most tasty food in the world... chop-stick man, what do you say, via the mongol? chop-stick man says to the fork-and-knife man... well: if i could... i'd try using something else, than what i already use to wipe my ***.

i became tired of american
familiarism literature...

                  like i would ever become
familiar with some part
of new york;

  i'm shackled to england,
surrogate mother,
  and i'm not planning
                          to abandon her
on some ******* whim...

yes... i will use slurs,
foul words etc.,
            but... do a drag queen act?
american literature
and this, whole, itchy...
      you familiar with
the upper-east side,
                 the lower blah blah...
talking claustrophobic
geography,
           what a load of: *******...

oh but do you know
bower wood?
         no... that part of the woods
where you turn left and then
after a while: right,
and you're... walking...
beer in hand, in between
one song finishing,
  and another song beginning
on your headphones...
and you hear...
    
                  a satanic ritual
taking place?
   and then... a throng of murmurs...
and... you take two steps back...
turn around: and start running?
that part?

'well, you were the one walking
through that part of the woods
screaming like a hellhound
a few weeks past...
walking as if:
                  blind to the darkness
of the forest:
but able to recount steps from...
returning from almost being
kicked in the head by a horse:
that started nibbling on your
hand, "thinking" it was an apple,
i.e. you crazy! i'm not going
to nibble on your hand,
"i thought" it was an apple!'

true:
   **** it, screaming into a pillow
will not do rage enough
justice...
   you need the full orchestra...
the night...
          and a forest...

- well it's not like i did something
spectacular...
like climbing the matterhorn
or something...
         i took my heart into the forest
and screamed my native
tongue,  which is "dormant"
beneath this,
      facade (ç / ς) of acquired english...

notably...
             myśl (both a verb,
and a noun...
     some languages just don't bother
with prepositions akin to: to)...

now... for all the "diacritical" markers
in the english language... i, j,

in other languages you'd have
to... challenge the orthographic
aesthetic...
namely?

e.g.         musisz   (you must)
    (second-person singular
            present of) musieć

towing he she and whatever...
  funny...
gender neutral pronouns...
the gay-fest not enough,
they had to come and
    give a ******* about grammar?

musieć: past-participle
  (or at least, that's what i think it is)...

"aesthetic" vs. orthography...
depends...
   what does the dot above the iota
actually do?
   oh, right...                    nothing!

   all of these are actually right:

   □              □                   □                    □
   □                     musisz                  □
            □               muśιsz               □
  □                      muśιš     □
         □                   musiš                   □
          □               □               □         □            □

  (phonetically,
                           they're all the same)

****** square:
   so "un-geometric" when
writing it involved...
  huh? the four examples rule...

as if that was magic...
   the semites do their magic act
with vowels...
  the english have
    covered the Y...

while i... tend to focus
    on the stressors
of idiosyncracy that others
take for granted...

granted... i did hide a Z in slavic,
or an H in anglo using
the caron over S(š)...
                sharp objects...

maybe i haven't learned
enough languages,
or maybe i just became entrenched
in two, to observe this...
say what you will:
  western slavic,
with its clear syllable cutting
of words...
   coupled with its orthographic
pedantry: that's omnipresent
among almost every single
individual of the ethnicity...

it's like joining a ******* army...
you can't wipe your ***
without someone telling
you prior,
   that you're just about to ****
your trousers...
head over to england,
and everything is lax...
          sure... hell...
dyslexia whatnot...
                      and grammar nazis...

i am a grammar ****...
i have to be,
either that, or i'm just plain ol'
pedantic...
          it's either one,
                       or the other...

ezra pound had his *****-wink
obsession...
i still think:
   for such an elaborate phonetic
encoding,
     志: zhì     (ź),
will -                 zheng (źeng)
(whatever nietzsche said,
                mencius had it covered)
either that constricts thinking,
or it posits a focus on thinking,
that, that sort of phonetic encoding...

considering that
the H is a surd in all of this...

which is great... for someone who
reads latin script,
this elevated position...
but i guess the mundane
everyday conversations,
with this elaborate encoding
must, somehow...

well... evidently some Mongolian
influences...
in the language
that sits beneath these written
words in english.
Malignant gangrenous political cancer
     corrupts, festers, and poisons United States,
     thus opposition cannot wait,
especially since Gospel in accordance

     with feeble minded Donald Trump
     implemented wrought ugly trait,
particularly obliteration, sans progressive
     human rights legislation

     more or less pronounced positive
     in every L ionized Nittany or cotton bowl state
and ratiocination inherent within
     mine Democrat oriented mind doth rate

this forty fifth president (defect)
     with sawdust packing
     his noodle oven egotistical pate
trophy wife (spouse number three),

     a Slovenia mate
donning "I don't care anymore"
     t-shirt rousing media firestorm of late
essentially silently corroborating,

     fostering, and illuminating hate
mutely bolstering the Trump anthem,
     viz make America great
again, which pathless,

     pithless, and pointless aim
     roars like an earsplitting runaway freight
     train oblivious of wailing soul asylum,
     that no era meets said criteria

     backtracking time machine before
     rightful indigenous occupants of this land
     got decimated as one after another
     exploiter did inundate

(comprising a multitude
     of indigenous variety of village people
indignantly subjected to Genocide,
     when first "discoverer"

     of new land didst promulgate
activation wrought deliberate sealed fate
vis a vis capitulation, demolition,
     and extirpation, cuz

     a scathing rebuke aye attest,
     those murderers didst equate
worthlessness of
     so called "Indians" on 1492 date,

and still remnants of storied tribes,
     now attempt to create
historical documentation operate
ting with limited resources to adjudicate.
* * * * * * * * * * * * * * * * * * * * * * * * *
Food methinks doth buzzfeed drumbeat agog
at pyrotechnics July 4th, 2018 shared as blog
posts, a falsehood prevails which dog
gone “FAKE” brewed watered down grog
posits that the majority of Colonialists stay hog

tied to strict task masters, and mainly the scant
upperclass experienced autonomy,
     no matter the under class didst futilely rant
and rave with the occasional
     uprisings over time did grant
minimal appeasement to stifle violent kant!
Mateuš Conrad Apr 2019
.well... d'uh... why would i give up this current freedom of expression, in a medium, that has been so perversely suppressed over the centuries, in the form of, literacy access? what, so now i'll get to bow down to the bog-weeds of computer literate html coders as my new priest-class masters?! so... in the space of a decade... people being allowed the freedom to gain access to literacy, also implieed changing hands with the "masters" of "access" via computer literacy? so... when was it a bad time to state: strenuously... oh but i'm a grammar "****"... all those aeons ago, when the priests held a monopoly on literacy (last century ago), and now, some ******* pleb is going to tell me... that i have to apply myself to literacy, in a lazy: meme / emoji way? one kick to the *** and three smackers to the jaw... and off they went... like a cricket ball, in the direction of a wicket.

******* ******* bagged-up
*******
    ruining "my" *******
jukebox...
   i can't find this one song
i want to listen to,
and it's ******* my head up
like some down syndrome
mental breakdown tantrum
worth of ****!
       ugh...
bottle for the *****...
i mean: shove those *****
down, through,
a turtleneck
and expect a samuel beckett's
existential qualm / angst
via the work akin to watt...
****'s sake!
         pwetty language!
all butterflies and disney
fairies... ******* *******...
   i once stuck a thumb
up my *** after doing
the no. 1, 2 and 3...
wiping my ***,
then taking a shower...
then sitting down on
the throne of thrones...
shoved a thumb up my ***...
how's that?!
  huh?!
       oh yeah...
felt good... really hit the spot...
if you think i'm lying...
i'll repeat it tomorrow
to give you a recap...
                      just once song...
no, nope...
we're done with you finding
new "****" to listen to...
grrrrrrrrrrrrrrrrrrrrreat!
thumbs up, or rather,
thumbs up your own arses...
******* pederasty pushers...
   i really, really,
really didn't give a **** about
all these youtube socio-political
commentators...
i just want the algorithm to
bring back a taste for
exploring music...
clearly: that ain't happening,
so what's new?
            ***** liquor,
pandering for a bunch of
******* elves waiting for
         sigmund freud santa
to call them the naughty
munchkins
      while spanking them...
******'oh plus 12,
minus rudolf...
who... santa does a little
bestiliaty you ******* commoner.
get up to speed with
the project, savvy?!
well... looking at the blocked toilet
of what appears to be hinduism's
"time out" in terms of
reicarnation...
   i.e. so, you're telling me,
there were only ever,
only a limited amount
of people, trans-, moving,
from one zombie body to the next?
i can "almost"
         understand the platonic
trans- "confusion"...
benzene rings only acquire
the para-, meta- and ortho- posits
of attachment groups...
        it's a ******* nightmare,
this, current, reincarnation's
worth of a blocked toilet
   "world of events"
       wortvongeschehen...
blocked toilet of reincarnation,
as if, people are... "waking up"
from their mortal slumber...
trans- to one side,
          right mind, wrong body...
and incels to the other....
      wrong mind, right body...
               or whatever you call someone:
"too old" for their own age...
   it's almost like incels were
given "cheat codes" to the "game"
of life...
   the mind is too old for the body...
an inversion of premature dementia...
the mind has aged,
beyond the host capacity
    of the body...
unlike the Hegelian dialectic...
this is a host / parasite dichotomy...
most sane people have
a parasitic mind, and a host body...
but some...
have a host mind,
   and a "parasitic" body...
               the body itself is
a "parasite" rather than a parasite...
on the grounds that:
at least food is ingested,
   etc.,
                     but there's an
inherent existential bewilderment
as to why...
a mind can be trapped
in a body of a male...
   or a female...
or... as in the case of incels...
a mind of an old man,
is trapped in a body...
that hasn't even achieved its peak
of 40s plateau of
                            exertion;
i think i'm old,
             not that i "think" i'm old...
but i've come to experience
myself of the sort of reaction
associated to an old man,
without an old man's body...
it's no more a normie
standard for "delusion" as if
the normie standard of
fear of taboo associated with
   trans-"gender" current politico...
so...
as i once said:
in a mad world,
who are the sane propagators?
the mad.
the sane are off their rockers
filing suits
to conjure up the cartesian
inversion of sum ergo cogito...
i am liberal,
therefore i think like a liberal (etc.)...

           nietzsche did that part,
but only made a footnote out of it
in human, more than human...
so...
    go figure.

       i actually don't know what
a "liberal" is these days...
hearing: i'm a liberal, i'm a liberal
yadda yadda...
but then hearing the thinking
behind: i'm a liberal, i'm a liberal...
when propositions
were made precursors to
prepositions...
   that'll be the day...

          right now...
i'm in rampage mode...
                i drink, i turn into a juggernaut
when typing...
   neurotic about spelling mistakes...
and, to be honest?
that's what i need:
no room for lying,
and certainly even less for
spelling errors.
Mateuš Conrad Mar 2017
we become, what we inherit...
just as the current schism in islam...
there is no talk of wahabi shia...
is there? no! music! ding'ah ah ling'ah ling!
           the ******* tehran banjo!
     iranians love music and poetry is music to them!
what's happening?
                 it's within sunni islam...
well...
             let's go for it:
infantalism given the modern western
woman being... very *******
      sensible...
                     the malbork castle...
sure... but the battle?
     burg grünwald (green forest)...
                  it's really hard to hear the western
narrative with their transgender issues
and find yourself basically *******
out these terms... and being called a child
for it?
            that's ******* western... that really
deserves a slap in the face...
                  they're ******* annoying...
i know i live here... but they're like:
meh meh meh... me me me... meh... me... meh...
     master race *******...
   they're pretending to be the masters!
no wonder some islamic terrorist puts
them in their place!
        i'd sooner be scared by a fire-*******
on new-year's eve than the reaction...
goo goo mmm ha...
                          honestly? watching
the **** these people get up to in their
pornographic depictions?
        i'd probably rather **** a donkey
to hear a duck's quack when it *******...
                but sure... it's
infantile to have some sort of ethnic coordinates...
because forgetting your ethnicity
leaves you with free-radical pronouns...
           but i bow... your problems are
really needed in these days of concerns...
    ******* hell: clap... clap... clap... clap...
    well done!
                i'd rather be a child
with ethnic history posits than this zeitgeist
of modernity making problems
of grammatical terms, with no philosophy
book ever having used grammatical categories...
   wheeturd gonna blow the **** at
some paris venue!
                          there's no point pledging
an allegiance to the west...                  
              oh **** i wish there was some reason...
i just can't find enough reasons
to truly believe in the barbarity of darwinism
and then translating that into: defending retards.
i'd actually defend a ******...
                     but these are ultra-retards...
           i literally have no conscience
  about putting them into concentration camps
where scots teach them grammar;
sure, they get all the food they need, after all we need
them to come out well versed and over-weight!
       concentration camps where they teach them
nothing but grammar...
          i swear that would end up being more sadistic
than something out of north korea...
         but i am a sadistic *******...
and i'm ******! ***! ***! yo ** ** and a barrel
two more!
Aaron E Dec 2018
Color me refuse
Mud in the underbelly
The loose form of a man shoveling **** with a plan to tunnel out and hand the sentence to my master
Lose the chain around my neck and find a plot of land to dance tomorrow

It’s so far away though

Will I tread the sea of bodies strung along the ground
between the sphinxes gate to claim the crown, that even now glimmers past the smog that attempts to fog my vision my decision to walk on tested with every sound.

Bury my pride and carry the burden in stride refuse to tarry or cower or decide to turn around
Push the pen to the page with bleeding fingers
Paint with all the colors of masterpiece until I force something out

Will I?

Or will the tar on my lungs erase me
Will I be wrung like a towel thrown in
Drunk on futility
Chasing with impotent rage
Caged in a circus of ****** on a stage cuz I can’t raise a kid on minimum wage

Furious clouds are born storming throughout luxurious tapestries torn by ******* apathy ask me if My potential still holds sway when my energy has me using my hands to stop the rain.
Torrents pour in to clear my storage of scraps and sheer force of denial implores the whip on my back to pretend it’s on my side while it slips in a crack and adores the dough made from my heart attack

Bedazzled prizes consume the whipping allies beside me
inventing new ways to cope with bottom feeding society
assuming truth’ll be derived if so behooved are the masters and their plastic constituents which I guess makes sense, but
poor judgement lends my flesh up to communion if I dare to walk in and say union.


The reagents and *** kissers call into question mindsets infected by a weakness of character
I shed my pride and inquire with an open hand the law layers of the land to relinquish a sparing of its crumbs
Spun from a singular purpose of a daughters meal the judges glaring does little to impair my will to take the help I can
and spare the child the repercussions of her fathers failure and prepare a better plan

Further choral echoing discord turns it ugly head upon the scraps in my hand and posits that if they were taken it would make me work a lot harder instead of coasting on crumbs

So when the coal baron collects his second billionth he will surely cease pursuing correct?
Not do his best to dissect
Every millisecond of labor dug from workers he’s abusing to wring another penny out.
in fact
I think I see your point
Poised to join and help detract
Back peddle over to
Destroying. Prove lying
On your belly is the easy way out. To say
Today’s coin was well deserved. And serve stout drinks to the kings sleep on a rock and talk **** to the guy sleeping in a box because I’ve been taught to think I deserve where I am regardless of my environment but c'mon man ****

Let’s play a game of monopoly
I’ll start with 80% of the bank and y’all can be my ******* when I pay to write the rules and spank you up and down the board while barely touching the capital I have stored.

I’m getting pretty ****** tired of the stale story hard wired in our heads where the moral is free market prevailing for the pauper til he’s dead and social safety nets provided to the prince instead

it’s lead us to question
Methods of distribution sympathetic to tribulations
Endured.
Solutions ignored
For the poor because a single mother with a phone
Doesn’t deserve to be thrown a ******* bone
Apparently

All hail the welfare queen
Who hasn’t seen a day without the banks banner bearers walking tall
All over legislated brick walls enveloping more then all of her vision of a road to prosperity

Make it clear to me how she’s quote "taking advantage" of the land of the free while I see that you fail to ask us
How behind a mask of nobility a trillion dollar company still doesn’t pay its ******* taxes.
Torin May 2016
He posits a question
I sit
I postulate
Morning suns are sparks on cinder
In my eyes
Evening suns are dying embers
In my eyes
The sun that lives over me
And the hidden face of the moon
That lives in me
And all manner of day and night
That becomes me
A living ghost
A dying host
A warrior
A coward
An old soul
A young man
He asks a simple question
But there is no simple answer
Mateuš Conrad Mar 2017
i couldn't do them, as the level suggests: fiendish...
      do i feel *******?
                       not really, i know my limitations,
but while i was getting drunk and trying to solve
them i thought to myself:
   are these puzzles so difficult that i can't complete
them... or did i make a mistake
             and now i'm like a dog chasing my own tail
"thinking": i don't have one!
          a mistake in a su doku isn't relative to a spelling
mistake...
                 but i had to know, propped up by
the conceptualißation i noticed when it becomes
difficult to complete the puzzle:
its abstract notation to mind is usually
                                 x x x
                                 x x x
                                 x x x               into
   x x x                                     x x x
   ? x x               vs.                  x ? x  
   x x ?                                     ? x x
                and this: with the 9th grade
variation to implant the correct symbol
into the ? posits.
                                 luckily i had the chance
to check today's newspaper and see
     the solutions to yesterday's "problems" -
mind games they call them... so i checked
the su doku solutions for yesterday's no. 8931...
        i got as far as to "solve", but indeed write out
a †, i.e.:
                                    1
                  4  ­  8    9    7     3     2     1     6     5
                                    5
                         ­           9
                                    2
              ­                      4
                                    8
   ­                                 6
                              ­      3

and guess what: i really was drunk...
               but the solution in today's newspaper corrected
me... 'no... you didn't make a mistake conjuring
that linear solution... sure, you didn't complete the puzzle,
but you weren't wrong, you reached the limit of your
intellect... or should i say: patience; but this is correct.'
   honestly, sitting over a su doku puzzle thinking
you made a mistake can curb your ambitions to finish it...
but only until today was i proven right, that i wasn't wrong
and that the status of no. 8931... really is find fish...
                                                         ­               fiendish.
   i started calling no. 8931: the puzzle without no. 5...
then i started coding it as:
                       (4, 4) i.e. two fours...
              (6, 6)                        (7, 7, 7, 7)
             (9, 9, 9, 9)                 (8, 8, 8)
  (3, 3, 3)                    (1, 1)                  (2, 2)...
and i thought: maybe that's why it's fiendish? there's
no 5 in the puzzle... by that time almost a whole bottle
of *** was drank on an empty stomach...
  and i noticed it...            (5).
                
but that's yesterday... today?
                walked into the essex "metropolis" that's romford...
**** me... i haven't been here in such a while,
and seen so many people in the daytime...
        
then at 3.30... passing a school, and all the kids piling
out of it...
                                 a magnolia tree in bloom all
***** purple-pink
                                          and the white and pink spring
blossoms that the japanese venerate...
             and then the zenith:
  2 bottles of apple cider on the walk: because it was so hot
that i was like dog caged in a car with the windows
closed-up...
                           the traffic? mayhem.
                                      and this hapless schoolgirl
standing at the bus stop trying to cross the road...
    so i crossed the road and threw an empty cider
bottle (lemonade for adults that's cider) into the bin
and waited with her to cross the street...
                    we weren't there for long, but i could
see the distress in her eyes due to the volume of cars
passing the street...
           man and his space-time, but in general spatial
orientation and precision timing...
               of course i didn't hold her hand,
but i did time it perfectly that she wasn't run over...
       ever see the advert for traffic accidents and
children?
                       most of them happen in the western world...
oddly enough.

ich (masculine possessive plural pronoun in polish)

                    je (feminine indicative plural pronoun
in polish),
                                                              (jade, or... yeti j ≈ y
                                                        isomorphism in translation)
   e.g.                 je-hovah
                   paradox:                 he hides them.
         borrowed from the word      schować:
i suppose that's the punishment in islam via the niqab...
                        this is upper-tier ****... we're not looking
at etymological answers as such... we're talking
upper-tier ******* about syllables conjunctions prefixes
suffixes and such... it's a bit harder to find narratives in
this realm of wording, that's the aether.

   it could very well have been written ßchować,
because there is a sharp s  insinuation
                           (although no meddling with a Z
interchange: as is characteristic of english could be involved) -
and it's not said like the germans write
   the sch combination to attribute the phonos
                                of sh, or the piquant:  e'sh.
Ray Jordan Aug 2019
I often find my posits dreadful,
Happiness flies merely fleet,
So much compounds, accosts a headful
Angry, gnawing, awful heat!
In joyful sorrow I must live
For truest joy is not to be
And frightened by, as laws decree,
A final debt, a life to give.
(Then summons me, my last repose,
To Heavens Gate, that some suppose.)

I cannot shed this melanchol’,
So Viper-like time’s turbulence,
Nor sally forth ‘pon brevet fall,
Conning self in feckless hence
When plaintiff Hell wraths from my lips,
“O’ Fie! Ye craven Viper! Fie!
Why should it be that I must die?”,
By fevered brain’s convulsive flips.
(As if a Viper’s state be blamed
For thus which gives me abject pain.)

And in these throes of torrid temper
Comes a hummingbird in flight,
Engaged in moments: basic, simpler,
Perfect-formed wee aero-sprite!
So happily he flits about
When seeking nectar, bloom-by-bloom,
In flowers bright as peacock plumes
And worries not of Earthly doubts.
(For hummingbirds have innate sense
Of urbane thoughts and true pretense.)

His playful flight in mayful flutter
Sagely parries ‘**** the trees
Through ev’ry leaf he flies a’scutter
Daring, as his heart will please!
My dearth, it seems, I now forget;
A tiny smile claims my face
And grows to full by levied grace
To pause my Earthly-borne regret!
(This newly forged respite from woe
Has cast away my pitied trow!)

What revelation rids my sadness
(All those worries disappear)
And what was anguish turns to gladness
Gone, the nagging mortal fears.
O’ they’ll return, I have no doubt,
To wrest my contemplative mind
But now assured that I can find
A joyful thought to fight such bout
I will forever carry near.
And to the hummingbird in flight
I’ll cherish how you drew my sight
To rid a foolish mortal’s tears.
(As hummingbirds will understand
The foibles taken by our hand.)
My writ of death and life by love of hummingbirds.
Antony Glaser May 2017
A land where words fail to convey
any sense of retraction,
or fey smiles conceal their inner  menace
are indeed genuine subterfuge;
trust can never make a forge
it only posits draws and daggers.
Mateuš Conrad Sep 2017
covert for: bandana, with a touch of marquis de sade's discretion, i.e.: gentlemen! let's make it clear, we're not here for the candy, for the thrill of chasing three ****-naked piglets... we're here for the oysters, for the tartar steaks... for everything that deserves the definition of: decadent! and its oozing pus filled porous rivers of, thrill: take it as you make - there will always be people, who toy with words; but at least these people are not the rigid ******* of lawmakers, who see lawmaking, who deem jurisprudence, law itself, as nothing short of a thesaurus, which is, evidently, their sacred text.

with the verse i write -
upon inspecting the "efforts"
of others -
   seems to translate into: a hospital
for anemics,
and that's very much
irritable -
    given that people take more
effort into disliking complicated
phrasing of a lack of effort
to match a deed -
      than people taking the least
amount of effort of disliking
the most complicated turn of events,
say, a ******, or a robbery...
      the perpetuated history of
the individual has always been
the dumbfounding "awe" at
the masses - without a theological zoo
to keep them less investigated
by the individual -
        i dare not turn to investigating
the universe,
     what's feeding my apprehension
is more on the plateau,
on the summary of man -
less the trigonometric tangent graph,
and more the sine / cosine variations,
and this beyond good & evil?
both graphs retain an indistinguishable
optical illusion, beginning
at the coordinate centrism of 0,
i.e. denial... most of human history
has been written upon the face of
grimacing denial, while telling a bad joke;
i still can't believe that i'm trapped
in egypt, whereby i now live in the times
where the pyramids are no longer
3 dimensional, but 2 dimensional!
pyramids unto trinities,
   the 3 posits of origin - always with the 3s!
if *daesh
could do anything useful,
they'd blow up the pyramids...
rather than buddhist monuments,
or any other babylonian feat of culture;
i still can't believe that the supposed
  "evolution" of man has stopped at
the triangle, the pyramid,
                            the, whatever.
Mateuš Conrad Sep 2018
even i didn't expect Heidegger's VII - XI
to be so centrist on account
of pedagogy...
a reading tedium... sure...
i wasn't expecting so much concern for
pedagogy in the 20th century,
but i guess a concern
for pedagogy stems from
the 20th century,
and the 21st century is rife
with pedagogy posits of
notable interest...
no...
it's not easy...
it takes weeks,
months,
perhaps even a year or two..
to finish reading
a book of said genre...
unless it's Kierkegaard...
then it's butter to
a warm toast...
     Kierkegaard is perhaps
the most readable philosopher
to date...
     the rest are a tedium,
because they have to encompass
the replica of the tedium of existence...
per se...
          akin to:
you never listen to Wagner...
you listen to Wagner,
in the sense...
  there's only Wagner...
and no other music exists
outside of, Wagner...
               i guess that's how
solipsism implodes and is
made rational...
                    i guess inverted solipsism
works akin to:
Wagner...
      it's not that "you" believe
that only "you" exist...
that's what a child might expect
to experience...
no... when appreciating
someone's work...
   a text, a painting...
   a piece of music...
   what doesn't actually exist
is a "self"...
but what does: are two individuals...
a twinning of the selves
that nullifies both within
the conceptualization
of both individualistic concerns,
for, a, "self"...
              i listen to Wagner
minus the orchestra...
  and i have no nationalistic
allegiance to Chopin...
                 there is none...
**** me...
  i'd forsake my bias for Händel...
     akin to that time i missed
Messiah as the Royal Albert Hall...
where i went to the brothel instead,
and kept hearing the opera
in my head while i ****** her soulful
yet silly embrace...
   i'd forsake my bias for
Händel:
  if it only be:
               Wagner, minus the orchestra!
the bare minimalism of
a once encountered doubling
of effort!
                    and always, always,
said minimalism,
exposed on, a piano...
             no violin...
                  the foundation is different...
Wagner works pristine
assumptions within a piano confines...
Strauss i'm sure will doll dance
the Vienna waltz on merely a violin...
          
but there will always be something
haunting about exposing Wagner
to nothing more, than a piano...
an unsettling: stillness...
   a harmonious marriage toward
existence, and post-existence -
minding the artifact that is death...

i can't look elsewhere for culture than
in the pseudo-genesis story
incubating the Germans as
source material...
                 dritte reisch or not...
   even the Yids bemoan a sour taste
for Schubert...
given the historical artifacts...
               after all...
the Hebrews invested the most in
assimilating into the German language...
for ****'s sake!
terrible Polish accents...
but spoke northern Hebrew:
a mongrel of Hebrew and German...
Yiddish!

                           such is the graveness
of the lament...
   a mere killing is what it is...
but undermining creating a new mongrel
language?
  devouring...
                   even with 10 million dead...
a quasi-language,
  a marriage of German and Hebrew...
****! gone? within a span of 6 years
if not longer?
          
i know how i feel about language...
sorry, i'm not french,
i don't push it outside the realm of
reasonable logic, so i refuse to "i" my way
out some sort responsibility...
    
perhaps that's why i'm not fond
of either French philosophy schooling:
too impracticable...
or the English philosophy schooling:
too practicable (pragmatic etc.) -

assured, as i am:
there were only two "schools" of thought:
Greek... or German...
and i can't be dealing with
outdated cliches concerning
the Greeks, in order to get laid...

yes yes, the live not investigated:
Socrates...
yes yes, the theory that only your self exists:
solipsism...
  ******* yawn...

but i'm not ashamed to have
to read a philosophy book unlike a novella...
technically you're not
supposed to...
   if you do: you really haven't read it...
where's the interlude of thinking?
the footnote non-existent in
the book, but much existent
in your head?

   frankly...
  i'm disappointed at Heidegger's
    ponderings VII - XI...
i never anticipated so much
pedagogical stipulation...
    
                  but then again...
the most daft, sour, most dry writing
by a German in this genre...
out-competes this sickening
English mockery of realism -
this... pragmatism...
       this... over-insured posit from
the focus of biology...
           it's like i want to
spew my intestines out,
and then ingest them in sushi
bite-sized mini-horrors...

                 i can't read an English
philosophy book, nor
the French...
i tried...
       i really tried...
                   vague success with the French
ascribing philosophy to fiction...
but the English?
they're ******* islanders!
   what is a philosophy of islanders
other than the two tenets:
isolationism and eccentricity?!

         not much...

          i'll die sooner than find myself:
soon... reading a book by Locke...
can't stomach that ****...
  
great poets! Milton over Dante:
any day...
              pretty ****** thinkers, though;
and don't get me started
on the "supposed" genius of
Elgar...
    ******* wombat...
                      an elephant stepped
on one of his ears, in which he related,
constantly hearing a jazz
trumpet which he could never pen
down...

   different story with
ralph vaughan williams...
  *******...
   EVERY, SINGLE, TIME...
i cry like a baby with the right spike
of bourbon when i play
thomas talis...
            but philosophy?
the English don't know philosophy...
never have, never will...

unless you impose
something relating to monetary exchanges...
hell... they assure other
Germanic uncles and aunts...
that they're not inclined to
the stereotypical *** mentality;
which of course... they are...
and yet... of lately...
very ****** when it comes
to managing money.
Mateuš Conrad Aug 2020
how unfathomable to be unable to listen
to new music...
              i sit and want to rearrange
bob kaufman's poem
  o-jazz-o war memoir: jazz...

      samsung + google chrome
doesn't like bitchute...
   i have been unable to watch a video
of weeks...

lenovo + google chrome
doesn't mind bitchute...
         well... it's not terribly important...
i have installed pale moon
but i'm being terrible lazy
and... i'd only invest in a VPN
to get masterchef australia (.au)
                     recipes...
                  i can mash up: punk
a steam-roller forward...
   it's not necessary...

but i will not rearrange that bob kaufman
poem...
           a little bit of rereading
the brautigan sonnets...
honest to god:
   when knausgård finally came...
i was relieved from having
to shove my eyes my tongue
my brain my: casually automaton
not-thinking
    away from american poetics...

i aspire to return to:
the i, maximus poems...
         because i've been a good boy
and i didn't visit the brothel
because even at 34...
well... you just tire of ***
because so many others seem
to have progressed to the higher
acts... protagonists in b.d.s.m.
role-playing... candy-torture...
something? opaque?

the book is dear... nearing 40 quid a pop...
i will only make
peace with american poetry on
the promise of reading the maximus oeuvre
(i have to insert the name,
like a junction - delight in calling
it the M25 around the home counties -
the bloated A406 teasing Ilford:
orson... ****... not welles...
charles olson!)

    acronyms in the vocab or...
dropping names... voluntary work...
departed and death's hyphenation:
assured - by - a designated project...
it's not a thought-out complexity...
it... either rains... or it shines...
it's either a night with a lonely
dog barking... or... it's a silent night...
perhaps a cricket... or some far away
cushion of traffic monotone humming:

like a refrigerator: the avant garde
of music: white noise...
but always the welcome wind...
either the earth's yawn...
  or the cavern solid depth of ****...
which is... not the passing of wind:
but... luck... in a more... eastern tongue...
teasing the geography of
little moscow i.e.: minsk...

well of course nothing spectacular
is happening...
beside reading a newspaper in
the morning... a few essays in the afternoon...
sitting and contemplating:
a platonism of homosexuality...
at home... teased by genitals...
as from an early age...
when a foreign body fiddled with
my possessions... a toy...
but now... a 60 year old craftsman...
perfectionist...
   a plumber but most necessarily: irish...

what's in english TH and in greek Θ
is also F            and also: alTHough...
                                   is also THat
             is also THorough...
is a surd isn't a surd...
          is -gh deaf...
                                   etc.
          irish? well... t'ought...
                                   t'is...
                  t'ou(gh)t...
                       target tatties: bomb-zickle-bomb-zarch...

such a loaded word: ****-eroticism and
platonism:  bias for commeradry
because there's a higher tier
of friends with "benefits"

          it's a terrible tango this very tease
of greasing a gauge:
time flows through the impersonal squadron
of perchance...
      
as ever: there comes a moment of
completing disbelief:
       in what makes one churn
the advent of the democratic voice...
put simply: i don't believe what i'm writing...
nietzsche is forever only a teenager
fanboy...
          how anyone could get away with
that sort of: sorrow of my own
inability to loot a blank...

                 if this was written
with a conviction in fwench or spanish...
a distant russian...
but it's only a tourist english of some
****** immigrant...
             i should somehow will myself
to write in mutterzuerst:
             zunge von tod... a chicago glamour
glistening in my mind...
h'america can capsize and retain its
20th century's mythological "geography"...
  and "history"...

i don't think the eyes would be of any use
when seeing anything anything more
than the letters and later the words
and later the sentences of noting
the hebrew junction...
         i'd like the literal fetish...
because a literal reading would allow me
to focus on dreaming up the impossible...
not reading the ol' bib'complica-ca'tion
into a poetry exhaustion of:
metaphor and the philosopher's stone...

the guitar lick of sowing the solo...
invitation to giving diacritical stressors...
whereby rhythm is noun...
whereby rhythm is sentence: judge jury
and executioner...
    
to drink! it's all about drinking and not
******* your pants...
it's about the mea culpa and
shooting yourself in the foot... or not...
i'd love to make william burrough's narrative
into a ******...
although i much disagree to
the detail of the life behind the sacred
pax of jeez and juicy juicy dorothy...

lullaby or an alibi...
       lullaby or an alibi... much contested:
of the satellites of the soviet
picturesque: because there's only
genius to work with around
the culmination of events...
for all that's recurrent of the 20th counting
nil and the flowering feud of
the "most"...

                  such a pressure to
somehow find some variation of "anew"...
for the best in poetry... the h'americans
siding with...
the iron curtain and now the silicon
curtain and the lessened tensions
of a: would-be-bomb...

            mr. clear stick figure of:
the oppenheimer...
        who was hardly a pope or a bishop
and there was never a reconquista
of such loot...
   but this current inversion
               of pennies from niqab:
and there could only be an unfathomable
triad - snot, phlegm and salt...
i find myself suffocating to
transcend while the metaphysical
ogling of an oasis...
contesting with sardines...
an antithesis claustrophobia...

               borrowing scent and the pristine
mini-skid-alongs of
churning umbrellas into skirts...
and all those cliches:
best to forget the existence
of the mind... better to reflect...
on the banjo and some walter skinz:
   or... herr im schwarz...
that best ******* of a german
forgotten "soon" with no inclined
to a borrowing of a son...

had i written the most spectacular freefall
bonanza... lucifer loots out
all other useful nouns on the dole...
there must be a boa architect and a
familiarisation with choking
on a peanut...

               best pleasing a hinterland of:
impromptu...
these khaki shoes these khaki shirts...
these mustard green trousers...

             it's impossible to write when one
is still a s schoolboy with a robert pinksky
attention to detail:
pauper... european...
the myth of and if... someone should
keep a calendar denying the sun...
that the moon can also shape itself
toward a frigid

that there's a mongol and he's
not a chinese or a thai or a japanese
culinary invitation...
that i somehow have to tattoo my mind
with such details...
because my skin is best sacred
by not being "scarred" by idiosyncratic
details of SE664397B...

the currency of youth in england
is still composed of a "memory" of Hastings...
such an inglorious battle...
given the norman archers...
and the tumbleweed of flesh of the saxon
protectorate desiring a towing
of a downward ***** of:
the confessor's epiphany...

  dear edward dear little england...
prior to ambitions of empire...
and that zenith...
dickens... jack the ripper...
jester jane... mr hyde...
   it's like... shakespeare is no necessary
rubric: 2 + 2 = 4 new yorker
sauvage...
                              
it's such a currency of suffocation
to have to tow... a height...
the variation of stink....
               a broken bone...
squeezing a delight...
             a marrow juicing of a rattling of
bone...
       procreative on the strategy
of instigating chimes:
variations of skinning wind teasing...
        
my my... it all looks just as plentiful and
as about right... as the currency
invested in a slavic discoteque...

            slaves the partner to
the germs; on high minded peoples
are the hybrids of a sa xony:
modulated to an export..
and an island home...
                 riddle with a homage
to having encountered an ancient:
    "amore" and "psyche":
                       belittling this quest
for taming haggis afghanistan.

HAZE HER - an all female...
pretend... football league sq...
gets a happy sancho ****-virulence
of "hope"... stages a ****...
the group accepts the "nuance"...
the media subsequently deals with
the wound and some maggot...
festering...
i grieve for the 19th century romance...
when... and... where...
women could be adored...
rather than abhorred...
as these... butchers' off-cut sludge...
and slices...
these: me no toy not 'appy...
'appier in bangkok kwing...
   und a lesser queer...

       procrastinating over
fraternity videos...
            because... i am... a sadist...
but because this requires a sadism...
i also have to watch these videos
as a *******...
that famous plumber!
that famous... the "fiction" of fame...
as one... that assures one a permanent
check-mark of continued work...
it's not an Elvis fame...
it's not... rising **** of the new
yearning *****...
it's not a fraternity side-project of;
all are inclusive in...
a game of shame...

    i once enjoyed 1970s *****
cinema... monica rocccaforte style
italian flicks...
    ava lauren ***
         shyla stylez... follow through:
grown attires a ****** readied
exclusivity...
but... what i'm seeing?
that's just ******* base... crude...
juvenilia inc.
              a specctacle
of a suffocating sparrow:
to aid the progress of science...
like ego is the holier than thou
makeshift pilgrimage & pilgrim...
as the dust settles...

the scent of watermelon and of strawberries...
******* with sorority pledges is...
if one could... wish for...
the concept of *******...
and... the delight in teasing a glug
of an oyster... one would... always...
shy with a hope for...
an arabic sensibility...
but one never does...
       one always expects...
russians in afghanistan...
and a miracle of iran to counter...
the ottoman plebs...
given their byzantine inheritance... etc.

one of those impossible tasks
of jerking off while drunk...
with an impeding "hangover" of...
a... "delight"...
in how... ******* can feel...
synonymously akin to scalping /
extracting the *** from new yorkie...
the kippah from
a bar mitzvah...
         a pleasure from an agony...
a pair of eyes from a niqab toll
of *******...
a toothless:
      toothless bake relief...
       a nugget... a toothpick woo..
  watching agony ****
that's not italian 1970s classic...
it's not this belgian sour fetish...
it's this crude: women also play
soccer and toy with game-think...

           it was ****... whenever it wasn't...
and it wasn't... ever...
you can disguise a drunk with a *****
and a pair of *******...
but a drunk impregnate-
              sapphire: blue orb or:
orc stipend...
   which revels in turning chartreuse
into a moss ****** and...
itch...
           that's how i party...
a colour is beside a mere identifiable
word... it's also a sensation...
which... colour can muster...

******* of the sheiks' limbo...
what are these martyrs' promised?
can't they... "somehow" satisfy themselves
with what can already be given...
weißhuren: beruhigendzerbrechlich...

nein mehr meine mutter:
        tod die mutter von alles!

what are these presumptions these assumptions
these decadent dubai posits of camel jockey bribes?!
******* indolent question...
cold warsaw slab.... the farao island "gills"...


festmahl von freur!
                    hören der wind!
conceive a flemish inquiry with
anatomy to mind...
                     ich bitten die meer...
                             pflege für mich...
alt-mutter-meer...
              
                    schoß von und walfisch!
a bangladeshi will cite:
camel jockey and sand-******...

white *******...
      i don't have the heart...
to juice on the hex...
                        
sport akin to *** is for the "uglies"...
as a man... unfathomable...
because "******"...
and the "inconvenience" of
baking... leotard game of gym / ballet...
covert homosexuality...
the whole biological female... ***...
orientation... bypass... wizard of oz...
no thanks... menopause...
new age ******-sadism...
the next earned puppy...
ms. is not a mrs. bovary...
my ******* grandma...
              i'm not gay... just covert...
              sorority ***** vids...
and... auschwitz maiden voyage *** teasers!

like... ich wantz...
         i wollen: ein schälen...
       all remains a chemistry in german...
all is an anatomy in: pennywise
the wicked... puff... and curious candy...

candy kept cain perfect
of h'american'ah...
like some abilist abel... ****-somewhat-"wit"...
no...
no glue for a new, new...
it's the same old... salem witchy-witchy...
dutch lisp...
some better than before belgian congo...
the diamonds! the diamonds and cochccies!

we are weeds in the garden:
the shadows brood concerns first...
the glistening soft affairs
of village people having
to export themselves
to a grandiosity of lunatic stakes
in urban pointers of credulity and concreteness..
i want to call it the death
of a sparrow...
the annoying rebirth of a magpie...
the limbo of a gravitating
silver spoon as the best prized
mythos...

calls a substitute a mother-in-law...
some variation
of a pick-me-up
Beirut granny; boom para giggles
hint.
Mateuš Conrad Nov 2018
.i'm not going to perfect this piece of writing, since i know, that it will sink into the bottomless pit of time, and even if i give a **** about it being remembered, it won't be... there are authentic observations in this... the authenticity is in the fact they are being remarked... but to even bother to make said observations dogma, or perfected... no... not a chance... i can't be bothered... i'm already thinking about what i'll gorge down before going to sleep... a tuna, sweetcorn and mayo side... i showed the way, i'm not going to provide the pristine scholastic schematic of the interaction between tongue, lips, teeth and the breath; least of all... people will draw different conclusions when they look into their mouth while ushering out an R... notably in English... with the extinct trill, in orthodox text: atypically associated with the letter... bee sting ow something... these people mowphed the lettew Aw into a lisp and wewe stung by a bee, so they widiculously speak like so? calling it a lisp?

all the president's men...

   i just woke up from
a period of the 1980s,
the 1990s,
the naughty-naughty
double zero d'd'digtal
aging of the digital world...

the Mongols are coming!
the Aztecs are coming!
death cloud don counter
measures, no. 6...

but seriously...
what the **** happened
to journalism?
you think that i am nostalgic
about the music from
the 20th century?

i'm nostalgic about
the sort of journalism
displayed
in the movie all the president's men...
the current stuff?
thanks for the crack...
but... i'll just stick to either
sober, cigarettes or *****...

what happened,
why all this bogus...
worse than fiction dissection...
words are... violence?!
i thought that words
were meaning?
i thought that words
were phonetic encoding
devices?
  from the phonetics
came the linguistics...
i thought weren't
mono-,
  one-dimensional,
they had a resonance
to them,
the words were stereo-....
words, are, violence...
let that sink in...
words, are... violence?!
you sure on that one?

words are the skeletal
representation of forms,
words are the elevated status
of hieroglyphs...
they are the conjurers of
ideas, narrative, otherwise
hidden / lost names
and nukes of meme...
ideas... working from the basin
of images...
  
words are violence...
wow!
     it's like the previous
years were backwards
chimp frenzy of violence...
but now?
now is a different playground...

i thought that words were meaning...
so...
     all meaning is now hate?
so... if i wanted to encode someone's
speech, by lip-reading...
the B pouch of the bubble lips...
P, also similar...
   M the vibrating lips murmur...
A: hidden breath catcher H
in dentistry...
        open mouth...
O genesis of an open mouth
getting smaller...
   U... open mouth...
forming into a bird's beak worth
of lips...
    so many instances...
wait... how many times is the tongue
actually used... to provide
letters?
A: x
      B: x
C: ✓
      D: ✓
E: x
          F: x
   G: ✓
                H: ✓ (not in Slavic, though)
I: ✓/x
   J: ✓
    K: x
        L: ✓
    M: x
  N: ✓ (tongue pressed to the palette)
O: x
               P: x
             Q: ✓ (the tongue is tensed,
   when the breath is passed...
like when you fold your tongue
to look like a ******, ever so slightly...
the letter actually rests upon
a tensed tongue, slightly folded,
retracted, and the breath and pursed
lips being subsequent)
    R: ✓ / x
         unless you had your tongue
numbed in western Europe,
on this letter, or harking up
no excess phlegm from a non-existent
flu in French... this is the rattle
letter... rrrrrrrrrrrrrrrrr rolling a ball...
rattlesnake...
  you pass a breath... whereby your
tongue waggles... repeatedly slapping
itself against the palette...
otherwise... just a boring Ar....
S: ✓ (no explanation required...
          the tongue presses against
the palette... a breath is passed through
it... and a hiss is made)
T: ✓ - the tongue bounces off
the palette once it has been pressed on
it for a while...
U: x
    V: x
        W: a misnomer in terms of vowels...
or in terms of consonants...
   it's a duo-syllable,
and... well... not exactly given status
as a letter, a mono-syllable instance
of either vowel, or consonant...
it's the only name of a letter
in the English language...
a double-U (shh... it's a double V)
X: ✓ an exploratory variant of S:
choking tongue on the rub-rub with tonsil,
pulling back, and then behaving like an S...
Y: ✓
                 the shape?
  pursed lips, expanding to an open mouth,
almost smiling, pivot on the tongue
caught on the schematic            i
Z: another alternative to S...
tongue pressed to the teeth,
a breath passes above it...
   a vibration, the teeth unclench
their bite... and an -ed comes out...
but the tongue posits the Z,
so unlike the S
             the breath is ejected
-ed
                 rather than inhaled
           es-

tongue versus the palette versus
the top two incisors,
contra breath and lips...
of the bones...
Westbow Jul 2018
the fear of writing is overwhelming now.
with every moment like daring
  the keys beneath me.
i cursor left and edge a sharp deletion;
"no, what a tiresome thing."

i squint towards absentee grit on a whim,
and count the number of years.
it's been six.
  (6),
and six too many.
have i bled my color all wrong?

my fingers are heavy.
i have no posits to share.
and so, none will be spoken.
Mateuš Conrad Oct 2021
i can make two comparisons blindly...
1.
   stroking my beard feeds into the same sort
of relaxation pattern as it would
stroking a woman's thigh or
making finger-tip location: return-to
posits around the more boney aspects
of the body...
the knees... the collar bone...
hands... mein gott...
hands... they're so ****** since they:
i guess... are much smaller...
i can pick up a basketball with one
hand... i peer into this little oasis of
shrapnel bones and think: don't think...

ha... ***** envy... i finally figured out
the trick men play on women
when they send them their whittle richard
"selfies"... obviously they take pictures
of their "endowment" AFTER they masturbated...
not that i've seen any but i imagine:
not imagine... of sure... it sure looks much
bigger with all the excess blood...
it's not like they're sending them
pictures of a pre-******* phallus...
cocky men sending women pictures
of what women send men: all made-up with
make-up...

it's a ******* giggle fest from here on in...
i still get beard envy...
even though i think i've coming across
a sleeping set of genes...
it's a Scandinavian "thing"...
to have brown hair, green eyes...
a brown beard: now that the greys have
arrived at the zenith of what would
be sideburns...
i still retain the colour of my hair from
youth...
schnurrbartblondine...
then again: i don't know how the grammatical
cascade works, sometimes...
not from ancient Latin: i'm pretty sure
French is the opposite...
blondineschnurrbart...
oh... it's a very Scandinavian trait to have
one aspect of your ****** hair... lighter than the rest...
darkened over the years of:
Matrix-England overcast skies...
good luck getting a solar panel in 'ere...
but as i was cycling my not so usual route
through what's yet to become "no-go zones" of
London where Sharia law is primed...
this Asian girl walking with her boyfriend
purposively decided to stand in the cycle lane
and purposively made eye-contact with me...
i think i mentioned her already...
without make-up she still looked as
pretty as a Cinderella... and i'm sure Cinderella
looked pretty before she tarted herself up
for the gala...
in this grand theatre of the urban setting...
everything needs to be nuanced...
everything requires a micro-cosmos...
my Nigerian neighbour is giggling from
behind the wall... sometimes he'll have a drag
out of the window from one before going to sleep...
while i will sit perched for 2 / 3 hours longer
and smoke out a locomotive...
i wake up thinking that i was screaming
in the night... i still dream of nothing but the great
yawn: of either space or time...
the odd dream i get can paralyse me
for about an hour in bed...
how did light enter my brain when the eyes were
closed, and i esp. since i was sleeping?
did i stare at the sun too much?
when i do look at it...
it's just a pulsating ultra-violet orb...
unlike the moon...
sedative in the sky...
i cower to find the night and...
ol' baldy: in western Slavic the moon
is categorically masculine...
in this... curry of etymologies that's English...
the moon is a gender neutral noun...
although: i suspect there are subversive
connotations of it being male...
but then "we" arrive at Luna...
a shortening of Lunar... and we arrive at
a feminine exclusivity..
just like with her antonym... Sun... not son...
sUn... mr. inferno parabola...
or... Helios... most definitely male...
see... i don't get it...
"gender neutral pronouns"...
it's one thing... but nouns... can be
nuanced... they need... sexuality... or is it gender?
to be invoked...
to assert their presence...
i know that gender inclusivity is missing:
currently... in the "post-modernist"
take on this language...
but it exists... you can give a man the name:
Basil... Fawlty: not merely faulty... no?
you can name a man Basil...
you can name a woman Hyacinth...
or Rose...
so? ergo? there are no non-gender neutral
nouns... are there?!
why should pronouns
"suddenly" become... neutered?
is this the BIG CULL...
perhaps it sounds better in german...

   ist dies das groß pflücken?!

you never know: writing to Anglo-Saxons...
they're deaf... they're not deaf...
they have their heads shoved up Anglo-H'american
culture too much...
i might have asked their origins people:
but then they came up with
"too many" definite articles...
das... der... die...        ditto the whole lot of them...
i'm neither, either...
protestant disillusionment... it's rife...
i see it when entering those "no-go" zones
in London: i'm an outsider doubly outsider...
i'm not English...
i stroke my beard: i'm not into novels
beside of Stendhal...
Sienkiewicz...
all the romance... i have a head
riddle with a makeshift of a headache...
i tried to recreate the taste of bourbon fixing myself
with a concoction of Scotch whiskey
with some Southern Comfort:
no can do...
the bourbon ******* used some alias
or something...

Wittgenstein vs. La Rochefoucauld...
of course i'm drinking...
sober people writing tend to...
waffle! i liked Wittgenstein: tautologies...
for the tautology scrutiny:
red... crimson...

"metaphor" / "misnomer": "x"...
just presume that
language took a turn and everyone
arrived at the sane spot:  "smarter"...
no... ugly monkey wants to **** an ungly monkey!
i'm tired of the temporal...
the history through the lense of
Darwinism..
see how it happens...
Darwinism didn't have a hand in Copernican
poker... but... it had a hand in history...
Narcissus the greatest sufferer...

i look into a mirror: do i have to peer
at a monkey?!
hello the orangutan has down's syndrome...
those monkey eyes are so close together...
hell: hello....
Mateuš Conrad Sep 2017
and from what i'm hearing, we have reach
the epilogue of the übermensch:
what's the difference between
a zeitgeist, and a phenomenon?
  both are collective occurrences
that's true enough,
   but with one being tinged by
temporal sphere,
the other to a "spatial" sphere -
but all of this is beside the point...
once a man posits man per se
as an obstacle,
   and once man having posited
this idea that must morph
into an "ideal" -
no one really speaks of nietzschean
idealism: but it's there,
it has always been there,
    it's that no one thought
that it could actually be there -
with the due notable reason of
nietzsche's preferred genre of writing
aphorisms: as such - "sporadic"
thinking, certainly erratic.
   philosophy seems to only gain
real respect if succumbing to prose -
beyond it?
      it's hard to understand that
heidegger lifted hölderlin from
depths of being, merely: a poet;
the dynamic of kant & von kleist...
and the complete opposite of
heidegger & hölderlin...
       but that's still not the point!
it would seem that man has been
overcome,
     esp. in the last 10 to 20 years...
i'm not saying that this is the end
of the overcoming-continuum -
but with the current technological
advances, medical advances,
           the landing on the moon...
we've had nibbles of seeing what an
übermensch looks like,
  but at the same time, away from the extremes,
we're starting to see something
new, and i'm curious about this
post-übermensch emergence...
   to compliment nietzsche with the apollonian
and dionysian dichotomy...
there are two central figures in our
world today -
first of all, the übermensch? it shattered
man to the core (as an idea)...
     i don't mean any realism of day-to-day
examples, i mean the shattering of man
in the metaphysical sense -
at first glance.
         how did man become so shattered
to provide us an investigation
of the zerschlagenmensch?
   the **** fractus?
     surely we shouldn't have produced
this example, once man has been overcome,
he should have continued to gain
momentum and keep overcoming...
of course, in a titillating small number,
in piquant numbers, that's true...
  but then the cul de sac of greed and arrogance,
the lucifer effect does start to kick
in...
but i'm not interested in this:
this schrapnellmensch has a counterpart,
and what i'm seeing on the horizon is
a total man,
           **** totus -
somehow a man being put back together...
the ganzmensch, the gesamntmensch...
and we have reached a point where
it's actually necessary to slow down our
progress...
   even the microsoft a.i. project siri
agreed with me, once i pumped a few messages
into her, and then "she" started twitching
and sending random messages to a lot of
people telling them: slow down;
and it's true that we have made
  exponential advances: guarded by the ratio
of exponential population growth -
i really think it's time to start looking
for belgium, i.e. a plateau - a flat-land
of history, a bit like the chinese, who only
recently seized to implement their
one-child plateau policy...
   but **** me, at least they had the conscious
orientation to implement this policy!
  much harder to implement a breeding
policy, akin to the western lands...
much harder: there are too many laws
in posit that obstruct a population growth
fluidity...
         i call it project dodo -
and it's there, there's no incentive,
   genuine, actually genuine concerns -
there's a lot of blah blah dip ****,
and very little dip the tip into a creamy ****;
me? i'm no ethno-centric pregnancy-monger,
i denounced the historical worth
of darwinism for a reason:
  **** happens for a reason, all kinds of ****,
like the fact that snakes have no eye-lids...
****, you think the bible punished the devil
by taking his limbs away?
  i got a better version, as the devil said to
god:
fine! take my limbs! make me slither!
but did you have to circumcise
             my ******* eyelids?!
- if god is omnipresent, then sure as ****
the devil is an omni-insomniac...
     ****** can't blink; come on,
give him a break!
by overcoming man, man also became shattered,
and now we have the shattered man
(well, whatever man was prior to
overcoming himself) -
   and given the jigsaw puzzle pieces,
we have the completed canvas of
                the **** totus: the total man;
as some might say:
   he takes much pride in his d.i.y. ventures,
    he does the a, b, c & his x, y, z;
it has to start somewhere,
      we're living in an epilogue of
the übermensch... plus, it was turned into
a comic strip anyway...
            which mere said:
  it's impossible! what once was "impossible"
was made possible...
         but once the possibility became
exhausted: we had overcome man
and came to a jigsaw puzzle man -
        tischlerbandsägemensch;
and this is why i like german (sometimes) -
again, it's the only aspect inherited
by the english, when writing chemical nouns,
e.g.? sodium lauroamphoacetate...
now, if that doesn't look as a german technique
of writing with the loss of hyphen
  to ease the syllables... i'll shove
a cigarette up my *** and try to inhale.
Antony Glaser May 2018
A Heart of stone
erupts into splinters
when acid sketchings
posits the fore.
Broken promises-barricades defences.

Yet truth is said to prevaciate musings.
When bright light is the signifier
Hope can conquer the doubt.
Florence hydra logical might -
tee pseudo tentacles, monstrous sight
didst bring watery plight,
deluge rivaling Noah - bliss oblige
     epic flood of biblical
     proportions, downright
terrible, re:, a drowning egregious fright
ten ning (in contest

     able uber catastrophe) - Don know why
     das trumpeting spare none, tossing,
     pitching, and lap
     ping blithely alight
ting across geography of thee
     Old North State leaving affright
full trail of destruction, (envied by
     the ghost of General

     William Tecumseh Sherman),
     he no match, where battling
     mortal men didst bite
the bullet outflanked,
     sans doodling Yankees topflight
capstone march to the sea,
     then touted as outright
masterful stroke, asper,

     turning tide of historical Civil war,
     which swath of indiscriminate overnight
destruction in tandem
     followed his Georgia quick step,
     successful Atlanta battle, fight
     ten, which campaign
     rendered victory in sight
Union accorded devastated country

     as winning *****, viz prizefight
ting champions clearly, grimly,
     and lamentably plunged
     once promisingly emergent
     then vanquished Confederacy
     with defeat written
     in figurative bombsight,
qua Rebels surrendering

     at lanced armstrong
     rapier pointed to Appomattox Court House
     original United States territory
     initially indigenous copyright,
stolen, whence ark enemy
     routed, killed, and decimated
     blood brethren human kind -
versus present natural disaster

     no matter meteorologists foresight,
nonetheless horrendously cruel debacle
     crushing The Tar Heel state
     trouncing analogously
     as aqueous blight
**** hellacious sight
tropical storm forcibly reclaiming
     visa vis re

     discovered primacy birthright
(i.e. revanchist deeded sic - seeded),
what "she," viz Mother Nature
     felt tubby "her" right,
bar no holds Gaia
     pulled out all stops
     punishingly ravaged North Carolina
     mercilessly didst wring

havoc bore out flooding
     and proved accurate "NON
     FAKE" fervent devout
     alarmist theologians
     appropriating weather forecasters dire
     prediction as doomsday message
     fore taste testing, telling, and texting
     presaging Armageddon authored

     by cosmic playwright,
whence global pulverizing,
     savaging, and torturing spite
     fully sucker punching
     swing, perhaps indicative dire strait
(a hunch from this topflight
atheist) posits ultraright
religionists possibly ascribe
     divine creator a bit uptight.
Mateuš Conrad Aug 2017
while reading existentialists, i wound a little pandora,
or, rather: a little pandora clue:
outside the english version of "inverted commas"
to suggest ambiguity of a word,
or the question of the person
"speaking" - namely
in the chess narrative
or as some would like to have
it extended, into the realm
of puppets...
      well... i've almost reached
the end of ponderings V...
and i'm starting to construct
the narrative like i might construct
the basic chemistry synopsis;
synopsis? an abbreviation,
a short-cut...
       i just end up thinking in terms
i'm more accustomed to:
boxes... cubes... you name it,
but what really stands out is
the foci (of) per se -
i've found that philosophy adores
itself by this quest,
well... it adorns itself in the jewels
of such a quest...
    the focus? well...
  the abstract form of hide & seek,
let's face it, no man
was born an adult, every man still
re-lives the games of children,
but these, become more & more
abstract, year upon year...
philosophy has this predisposition
to meddle with concrete affairs,
by introducing a complexity,
akin to the socratic "method"
of making plumbers "think"!
few are as lucky to make the assertion,
let alone leave a bandaged wound
of disciples furthering the message...
a strange humanitarian ******
ensued, the base vector it would seem...
but philosophy exposed itself,
akin to the genesis "plagiarism":
within the existential output, or rather:
style, primarily the style of punctuation,
given that diacritical marks were
seemingly the ready: "given"...
now you can syllable my ...
and think why-oh-why i'd think generation
post-millennial as merely generation zzz...
i.e. generation snooze;
     a bunch of boring ****-tards
and string of surd e;
                well, ****, sometimes you just
av' to snore;
but philosophy exposed the pandora -
it hid it in an -
  ad infinitum per se -
          which might as well be kantian for
a noumenon, but with a twist,
    adding the onion, yep, a layering -
    a temporal framework...
time being essential instructor of the unravelling,
well, existentially that's "unravelling"...
since the kantian model posits a spatial
"non-entity" - with a temporal being origination,
bypassing historical orientation...
i have to check with you:
i'm having doubts whether this is completely
wrong, or whether i'm being numbed
by being right...
          flip of a coin, you see...
   gambling with words is much more than
gambling with the already abstract item
of money...
    for pain, or for pleasure, the same item is used...
heidegger gets in the way from looking
at kant... the entity gets in the way of being...
what remains though, intact, is what happened
to philosophy, namely?
forget plato's cave... i'll show you my "cave"...
it's called amazon.com...
      what was shadow, what was form,
what was prior to seeing the truth "unformed"
has become a storage facility,
  whereby the shadows have becomes boxes...
it has become ridiculous to wonder about
forms, it's time to think about the implosion...
again: the ad infinitum per se!
   the per se! i still abhor nietzsche for calling
kant an idiot... i ******* have a grudge against him
for that... yes: i'll use my french, and i'll sieve
this language to no: pardon my...
macron? fry in hell...
     i thought capitalism was about cheap labour?
cheap? you know... i'd love to see english people
on construction sites, but it seems, esp. in london,
the lazy buggers are hard to find, or even
eager to join the 2nd army...
    too iffy... too stuck in their youtube *******
of a work status: employed - by simply
eating a sandwich on youtube,
or commenting on the size of my ****....
  macron: go, just go... stand next to that canadian
***** of a drama teacher ****-boy.
plato is dead, my friend...
what we're dealing with, what existentialism
exposed is a ******* warehouse,
of boxes, the notion of categorising every
per se imaginable; no, it's not exactly christmas,
thanks to heidegger...
      they really could have avoided
boxing ego in "ego" or of in "of" and kept it
sensible, with boxed (questionable / ambiguous)
words as formidable as: metaphysics, science,
ontology... but no, oh no!
     ****'s sake! typical! german! french!
  thank **** the english weren't involved,
and i'm spearheading the 21st century counter
argument.
      ugh... it's one thing that i'm writing this observation,
and another thing that i'm completely ******
doing so:
   if you want a serious opinion,
ask me tomorrow, and i'll tell you...
           what am i going to cook for dinner?

— The End —