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Hermes Varini Oct 2022
FEODALI SEPTIMA ALTAQVE METALLI AC SOLIS MEA HIC VINDICTA
PROFVNDVM DENVO HVIVS HASTILVDII DICITVR FVLMEN PROFVNDE MEVM
RVBRA IN LAPIDE HIEMIBVSQVE AC MEO IN METALLICO FEVDO
QVIA SICVT AVTEM ALTAS INTRA HASTLVDII MEI FLAMMAS
SCORPIONIS FERRVM ILLVSTRAT SIGNVM AC ARGENTVM LVNAM
ITA FEODALIS MAXIME OVERMAN MEO IN CLYPEO SIVE SPECVLO
ILLVSTRATVR ILLE VIR FEODALE EXTRAMVNDANVS HIC FVLMINE
ET SIC SECVRIS ILLVSTRATIVA ERIT MAGNÆ EX IGNE VLTIONIS
MEO HIC IN CASTELLO MVLTARVM SANGVINE OBSIDIONVM RVBRO

FEODALIS IMAGO HOC EX SPECVLO DVELLI MEA

SIVE

ΔEYPO TO ΔE EMON EIΔΩΛON AYΘIΣ
ΠYΡΦOΡΩ ΚAΤΟΠΤΡΩ KAI EN TH ΜAΧΗ

AC FEODALE MEO SI OVERMAN FVLMINE HOC IN DVELLO

FEODALES CVM FERRO HIC MEÆ SANGVINEO TERRÆ

ALTE EX IGNE NVNC ET IRA CVM RVBRA CANO IN SPECVLO CHALYBE MEA

FEODALIS SIT MAXIME OVERMAN AC SANGVINE HVIVS CÆRVLEO IGNIS

MEO IN HASTLVDII HOC CHALYBE SPECVLO FVLMINE DIGNVS

AC FEODALEM CVM PLAGAM HASTA IMAGINIS THORACATÆ ACCIPIEBAM MEÆ

PRIMORDIALIS EX FVLMINE CONDITIO OVERMAN ET IGNEM FERENS RVBRVM

EX FEODALE CVM IRA MEA NECNON FLAMMA HIC RVBRA

FEVDI NIHILO SECVS HIC TONITRVO CVM VOCE MEI

DE FEVDO FVLMINIS IN FIDE RVBRIS MEO

FEODALE HIC MEA VEHEMENTER FORTITVDO OVERMAN HOC NOMINE ALTA FVLMINE

DE FEVDO MEO HOSTIVM MEORVM ET MEA CVM SPATHA PROFVNDE RVBRO IN SANGVINE TINCTO

FEDODORVM FVLMINE RECVRSVS POTENTIÆ HIC MEORVM AD SIDERA ALTO

FEODALIS OBSCVRATA MEA CVM VMBRA HOC FVLMINE PROFVNDA NOCTIS REFVLGENS LVNA

AD FEVDIS LONGE CVM MANSIT VINDEX OBSCVRVS OCCVLTVSQVE DIRECTVS ET FEODALI SOLI

ET FEODALE ARIETIS HOC SIGNO SATVRNO CVM PLANETA SPLENDENDO

FEVDO AC PROFVNDE RVRBA NE ÆRVGONE CVM SECVRIS SED SANGVINE MEO

ET FEVDA CVM MEA HOSTES SINE TRIVMPHO ADORIVNTVR MEI

FEODALE OVERMAN EX SPECVLO CHALIBE ILLE DOMINVS VLTORQVE HIC MEO IN DVELLO

FEODALEM IN VVLNERE SIVE VLYSSEI SANGVINEO TENEBIT LAMINAM

QVA RE

FVLMINE MEO RECVRSVS POTENTIÆ

EX FEVDO MEO AC HASTILVDII INDE FVLMINE RVBRO

GRÆCA HIC CVM VOCE SIVE FVLMINE SPATHAQVE ALTA

ΠANTH KAI ΠANTAXOY KATOΠTPΩ THΣ AΣΠIΔOΣ

EΞ TOY ΠYPOΣ TO EMON EIΔΩΛON O OVERMAN

ΩΣ ΠPOΣ TON ΔE TITANA H ΠΕPIOXH EΣTIN

ΠPOOΔOΣ KAI ΔE KAI ΓONIMOΣ ΣTAΣIΣ ΩΔE

QVA RE DENVO

THΔE O ΔE ΑIΟΛΟΒΡOΝΤΗΣ ΒΑΣΙΛΕYΣ OY

EΠI TΩ ΘPONΩ TΩN ΔE AΣTEPOΠΩN NYN

OY TO KRATOΣ KAI H BIA TOY ΔE PYROΣ

QVA RE MEO FVLMINE EX HASTILVDIO DENVM

NEMO VIR EST VIR NOMINE HOC ALTO

DONEC SPATHA SCVTOQVE CEPERIT AC PERCVSSERIT MVLTA

SIC RVBRO OVERMAN DIXIT MIHI SIVE TO EMON EIΔΩΛON FVLMINE

FEODALE CHALIBE HIC IN SPECVLO ET IGNEO HOC CVM SIGILLO

QVA RE DENVO

HASTILVDII CÆRVLEO HOC CVM IGNE DEMVM MEI

OVERMAN REX HIC SPECVLO SIVE PVGNÆ SCVTO SPATHAQVE MEÆ ILLE

ET SIT QVOD EST IN SE EX OVERMAN REGE FVLMINE

MEA DEINDE IN SPECVLO SVA METALLICA MANVS OMNIPOTENS SPATHA

QVA RE DENVO

MEO HIC CVM SCVTO SIVE CLARISSIMO FVLMINE CHALIBEQVE DVELLI SPECVLO MEI

VBI EST IMAGO FEODALE FVLMINE MEA HOC IN DVELLO CVM PVGNAE ROSA

STAT FEODALIS OVERMAN TO ΔE EIΔΩΛON GRÆCO CVM NOMINE MEO HIC EX FEVDO

ET CVM MVLIER FORMOSA SOLE AMICTA HOC LOCO HILDEGARDA NOMINE MEA

AC INTRA FLAMMAS SENSVALIS PRÆSENS ILLA DENVO HOC LOCO PHVLCHERRIMA ALTAS

FEODALE ANTE CARNALEM NOSTRAM CONIVCTIONEM ANTE LVCIS ADVENTVM IGNE SACRO

DEINDE FVLMINE OVERMAN DENVO NOMINE MEO

FEVDA CVM MEA AC IGNEA CVM MEA MAXIME SECVRE EGO

COMES IV DE ARMANHAC ET DVX DE MONFORTZ ARMATIS ADORIVNTVR EQVIS

FEODALIVM SPATHA RVBRA CVM SANGVINE QVA RE HOSTIVM MEA

AD FEVDI SIDERA MEI POTENTIA SECVREQVE

ESSE SIVE POTENTIA EST OVERMAN

ET CVM EGO SPATHÆ MEÆ FVLMINE HOSTES MEOS

SICVT FEODALE ALTAQVE IRA CVM MEA

GERALDVS DE PLASAC ET WILLELMVS DE ARTENSA CVM GIDEON DEGLEMIS SCOTVS

ET PETRVS DE COLSORN ET GERALDVS DE JORNAC

AC MARTIS ÆNOBARDVS TREVIRENSIS COMES RAPAX IMPLACABILISQVE

GENTES QVI MAGNAM IN EAMDEM ACCEDEBANT INFAMIAM

ET GAVBERTVS DE MARTEL ET PETRVS GVIDONIS DE AVTAFORT ÆQVALITER

IRA CVM MEA METALLICO EX FEVDO

ET PETRVS DE ESPARTINAC CVM RAMNALDVS MALMIROS ET GOFERIVS DE VIGENOR

AC DEMVM BERTRANDVS ET AVDEBERTVS COMITES FEODALE IN TERRA

EGO SPATHA SCVTOQVE IN FVLMINE CVM DICO ALIQVID HOC DVELLO ADIBAM

EST OVERMAN REX QVI VERE DICITVR IN SPECVLO MAXIME VLTOR

RVBRA DRACONIS SEPTEM CAPITIBVS HAC IN SPIRALE ILLE CAVDA

FEODALIS VIDEX QVI MAGNAM HISTORIÆ DONAVIT POTENTIAM HOC SCVTO SIVE METALLICO SPECVLO

FEVDORVM EX IRA MEORVM CVM FEODALE HAC VISIONE MEA HIC FVLMINE MAXIME DISTINCTA

FEODALEM APVD CASTELLVM DE RIBEIRAC HOC TEMPORE IN MANV PRIORIS ARCHAMBAVDI INDIGNA

FEODALE MEA CVM SPATHA VEXILLAQVE FEVDI HIC MEI EX FVLMINE CRVORE RVBRA

FEODALIS METALLICVS DEINDE EGO AMICTVS AC RELVCENS CHALIBE HOC RVBRA IN SANGVINE PVGNA

FEODALE MEMORIA SPATHAQVE CONTRA HIC REMINISCOR

GERALDVS DE SALIS ET AVDEBERTVS DE BIGORRHA DECANVS NOMINE GRIFAGNVS HIC INDIGNE

ET GVIDVS DE MONTAGNAC MARTINAS SIMVL VLGERIVS DE VRGEL ABBAS INFAMIÆ ILLE CVSTOS

ET ARCHAMBAVDVS DE TRAHINAC ET AMLARDVS VICECOMES DE CONBORN ANNO MCLXXVIII

AC DENVO EGO WISIGOTHORVM GENERE SECVRE MEA REMINISCOR

FEVDI HOC IN DVELLO EGO ARMATVS DEMVM MEI CONTRA ITERIVS DE WARO

EST SPECVLVM CORPVS FVLMINE DIAPHANVM AD RECIPIENDVM DISPOSITVM PERSONAM OVERMAN NOMINE MEAM

EX CHALIBE EI RAPRÆSENTATAM HOC CVM MEO EXTRAMVNDANO CRVORE AC RVBRO IN FEVDO

FEODALE MEA HAC SPATHA VBI HELIAS DE AIENNO ET GERALDVS ET GAVFRIDVS DE TELLOL

PARCITE HOSTES MEI NVNC PROCEDERE HOC MEO MINIMVM IN DVELLO

FEVDA DE SICARDVS RASA CVM RAIMVNDVS DE AVINHO ILLIC TONITRVO VICI ET GOLFERIVS DE LA TOR

FEODALIS EST OVERMAN DENVO FVLMINE IMAGO SIVE TO EIΔΩΛON RVBRO

SECVNDVM ESSE AC SECVNDVM RATIONEM MEA HIC METALLICA

ET IGNIS ACTVS DEMVM INTER OMNIA ILLE VINDEX PERFECTISSIMVS

FEVDORVM ATQVE EX IGNE MEORVM ALTO

QVOD VERVM SICVT OVERMAN EST FVLMINE
SEMEL EST FVLMINE SEMPER VERVM

AC VTRVM POSSIT SEMPER TONITRVO OMNE QVOD HOC IN TONITRVO POSSIT ILLE VLTOR

FEVDORVM ATQVE EX IGNE MEORVM ALTO

QVIDEM PRIMVS STATVS AD OVERMAN ASCRIBITVR
AD ESSE SICVT POTENTIÆ ESSE SECVNDVS

ET TERTIVS MVTATIONI IN POTENTIA INCREMENTO TOTALITER MEO EX SPECVLO DVELLO

QVA RE EX FEVDO MEA MAXIMA IRA MEO

SIT PER OVERMAN FEODALEM VLTOREM FORMA
EX IGNE HAC VINDICTAQVE MAXIME LIVIDA

EX FEDVDORVM ATQVE IRA MEORVM

MVTATIO SIVE REVOLVTIO SIVE POTENTIÆ INCREMENTVM AD INFINITVM IGNEVM

FEODALE CVM FVLMINE EST OVERMAN

QVA RE DENVO

FEODALE CVM MODO VOCEQVE DENVO

OVERMAN EST MAXIME OVERMAN

SIVE

FEVDIS VERVS VIR EXTRAMVNDANVS AC VNICVS REX VINDEXQVE SVPREMVS

FEODALE SICVT MEO FROFVNDE HIC EX IGNE ADHVC

AC FEODALE HIC STAT AC VINCIT IN PERSONA OVERMAN NOMINE

FEODALIS SPATHA HARMONICA POTENTIÆ ET FORTITVDINIS TRIAS MEA

FEODALES SIVE FACTA AC CONCEPTIO AC PRINCIPIVM MAXIME IGNEVM

EX FEVDO REVOLVVNT HISTORIÆ CVM ÆTATES ET TEMPORA

DE FEVDIS SIVE IN POTENTIÆ RECVRSV DRACONIS RVBRIS IGNE SPIRÆ

FEVDORVM EX FVLMINE O ΔE ΟYΡΟΒOΡΟΣ HIC HASTA SCVTOQVE MEO

SIVE MEO DE FEVDO

FEODALEM SERPENS QVI SVAM DEVORAT SINE FINE CAVDAM

AC CVM FEODALE HIC EX MEO SIGILLO VOCE SEPTIMA IGNEO LIBRI

FEODALIS MEI ANNO MCLXXXVII SANGVINIS ALTI

ET FELIX HIC MAXIME VICTOR FVLMEN RECVRSV MEVS

SIVE MERIDIE HASTILVDII ALTO HAC CVM MEA HORA

IN TEMPLO SPATHA DICO VOS HOSTES MEIS ALBO

HVIVS EX FVLMINE HASTILVDII AC MEO HOC IN SPECVLO

FEODALEM SPATHAM CVM DESTRINGO MEAM HOSTIVM HIC SANGVINE RVBRAM

EX SPECVLO OCCVLTI FVLMINE MANIFESTATIO SIVE ΦAINEIN AC KPYΦIΩΣ OVERMAN

SIVE REMOTA AB OCCVLTIS ERVMPIT ILLE TONITRVS NATVRA AC TO ΦAΣΜΑ SVIS

FEODALE HIC FVLMINE AC HASTA MEA SCVTOQVE

SEPTEM CAPITIBVS APPAREAT DRACO

SIVE

FEODALIS O ΔE ΔΡAΚΩΝ APOCALYPSEOS RVBER

DE FEVDIS ALTE MEIS AC MEÆ HAC IGNEA CVM PROPHETIA TONITRVOQVE VLTIONIS

RVBRVM IN CERTAMINE RIVELATVR OVERMAN NOMINE SIGNVM

FEODALES ÆQVO CVM ADORIOR BELLATORES IN MEMORIA AC VVLNERIBVS

SPATHA SCVTOQVE IN OVERMAN SVPREMA ESSENTIA

FEVDORVM HOC IN TEMPORE HASTILVDII ALTO

STAT METALLICA MEA FVLMINIS PERSONA IGNEA CERTAMINIS ROSA

FEODALIBVS HIS SPATHIS INTRA PVGNÆ FORMAM AC CÆDIS

FEVDALEM SCVTO TO EIΔΩΛON POLITISSIMO CHALIBE CONSPICOR ILLEM RECVRRENTEM

VIDICEM ILLEM SIVE IMAGIMEM MEAM HOC IN HASTILVIDIO HIC METALLICAM

EX FEVDO MEO GRÆCO CVM NOMINE METALLICO AC MEA CVM HASTA

KEPAYNOΣ EI Ω OVERMAN

AΛHΘΩΣ TO ΠYP TΩN ΔE TITANΩN

KEPAYNOΣ EI Ω OVERMAN

O ΠYPΩ TA ONTA ΣYΣTHΣAMENOΣ

KEPAYNOΣ EI Ω OVERMAN

OY TO ΠYP TEΛEITAI IΔIAIΣ ΔYNAMEΣI

KEPAYNOΣ EI Ω OVERMAN

TO ΔE ΠΡΩΤΟΝ ΚΙΝΟYΝ THΣ IΣTOPIAΣ

KEPAYNOΣ EI Ω OVERMAN

O ΔE IΣXYPOTEPOΣ ΠAΣHΣ ΔYNAMEΩΣ

KEPAYNOΣ EI Ω OVERMAN

O KPEITTΩN TΩN ΔE KEPAYNΩN

KAI TΩN EΠAINΩN ΩΣAYTΩΣ

KEPAYNOΣ EI Ω OVERMAN

H HΛIΩ ΛΑΜΠΡA KAI ΦΑΕΙΝH AΣΠIΣ

QVIA

DE FEVDO AC SVB HOC TEMPORE SEPTIMO CVM WANDALIS NOMINE GENTIBVS

DESTRVCTIO OCCASVS EST OVERMAN FVLMINE

FEODALIS HOC IN SCVTO SIVE DVELLI SPECVLO MEI

ATQVE

FEODALIVM TERRARVM HIC NOMINE AC INTERCESSIO MEA EX FVLMINIS SIGNO RVBRIS

SVPREMVS INDE RECVRRENS POTENTIÆ INCREMENTO OVERMAN VINDEX

REX SIVE AΝΑΞ HOC IN HASTILVDIO GRÆCO CVM APOFTHEGMA MEO

FEODALI MEIS HIC FERRO AC HASTA VINDICTÆ

EX IGNEO MEO HASTILVDIO PLANETA MARTIS HIC NOMINE RVBRO

FEODALIS OVERMAN SIVE METALLICVS MEA HASTA SCVTOQVE IMAGO IN SPECVLO

VINDEX ILLE DEORVM HABET IN SE IGNEAM CVM FVLMINE NATVRAM SVPREMVS

QVA RE DENVO

FEODALE FVLMINE HAC TERRA IGNEA EX SOLE NIHILO SECVS FEODORVM METALLICO

SIC MEO DEFINITVR OVERMAN SPECVLO ILLE VINDEX QVI MAIOR EST QVAM SVBSTANTIA VIRI MAGNVS

FEVDI MEI IRA MAXIME NVNC ALTA ET SANGVINE MEO CÆRVLEO SEMPER

AC CASTELLO MEO CVM VEXILLA VENTIS RVBRA HIC HIEMIS

TALIS COMPOSITIONIS STAT SPECVLVM NOMINE QVALIS EX CHALIBE MEVS MIHI OVERMAN VINDEX

EX FEVDO QVA RE DEMVM MEO

FEODORVM FVLMINE MEORVM AC CASTELLI MEI RVBRA VEXILLA DENVO

FEODALE MEA CVM VOCE DENVO VOS MEIS SPATHA HOSTES IPSA

AC DE FEVDO HIC MALEDICTIONE VENTIS HOC TONITRVO MEI MAXIME ALTA

MAXIMA RATIO FVLMINE AC ACVMEN MVTATIONE MEVM

BERSERKR SVÁ GYLÐIR ÞAR MEÐR ATGANGA JAFN-SNIMMA

SIVE PLENILVNIO LVPVS

FEODALIS CVM SPECVLVM VINCIT SIVE CHALIBE POLITISSIMO DVELLI SCVTVM MEI

AC IGNEO SANGVINE CVM MEO HIC VVLNEREQVE FEODALE HOC DVELLO

PVRISSIMVS EST OVERMAN ALTO IN NATVRIS SVIVS FVLMINE AC RVBRO

FEVDA MEA CVM THOR DEVS SECVRE MALLEOQVE LAVDAT PROFVNDE ILLE FLAVVS

IMMIXTVS STAT ILLE NONNVLLIS ACCIDENTIBVS SINE ELEMENTALI MATERIA VLTOR SVPREMVS

FEODALIBVS VEXILLIS REGIS CVM PRODEVNT FVLMINIS OVERMAN NOMINE

STAT MAXIME FVLMINE CORPORALITER AC MAXIMA MEA CVM IGNEA NATVRA HOC SPECVLO PVGNÆ

FEODALIS MEVS CVM TRIVMPHVS EX IGNE AGIT PROFVNDO SANGVINIS MEI

AC NEC MIRERIS DE HOC HOSTES MEIS SPATHA RVBRA MEA VEXILLAQVE ET DRACONIS

MAGIS CERTE QVAM ALTERIVS HOC LOCO SANGVINIS ELEMENTI

FEODALIBVS EX MEO CASTELLO DENVO SANGVINE VOSTRO CVM TVRRIS TINCTO

QVA RE DENVO

FEODALE CVM VOCE EX CIVITATE VBI DRACONES SVNT ET SEPTEM TRIONES THVLE HIC NOMINE

FEODALIS NEMO ME HOC LOCO LACESSIT PROCVL IMPVNE SPATHA

AC FEODALIVM SECVRE SIVE FVLMINE TERRARVM SANGVINE TINCTARVM EX MEA VINDICTA VOSTRO

NVNC PRODIT DRACONIS MEVS A SEPTEMPTRIONE RVBRIS ORDO

FEVDIS MEIS CVM RVBER BELLI FVLMEN AC RECVRSVS DONABANT POTENTIÆ LAVDES

FEODALIS ERGO OVERMAN HABET IN SE FVLMINIS NATVRAM EX SPECVLO PVGNÆ

FEODALE RECVRSVS MEA FVLMINE ET VIRTVTE ALTA SIVE IRA

FEODALE HIC IN SPECVLO SIVE DVELLI SCVTO CHALIBE MEI FVLMINE POLITISSIMO EX FVLMINE

TΩ ΔE EIΔΩΛΩ ENTAYΘA

EX FEVDO MEO DENVO GRÆCO ET RVBRA HAC IN LAPIDE IGNE INSCRIPTA

FEODALE NECNON HIC ET NVNC SAPIENTIA CVM VOCE LAVDIS

INTRA HASTILVDII MEI ANTIQVO CVM NOBILI NOMINE FLAMMAS AC MEA CASTRA

NVNC PONO TALIS COMPOSITIONIS SPECVLVM FIERI ET FORMÆ POLITISSIMO FERRO MARTIS PLANETÆ

QVOD TOTA COMBVSTIBILIS FIAT IGNEA VNA LVX ITA QVOD FEODALE MODO

APPOSITVM CASTELLI VEL OPPIDI VEL CIVITATE ALIQVA SINE FINE OPPOSITVM COMBVRAT EVM

FEODALE MODO SIC OVERMAN DIXIT MIHI HOC DVELLI SPECVLO MEA SPATHAQVE

SIVE TO ΕIΔΩΛΟΝ PROFVNDE EX IGNE FLAMMAQVE ILLE MEVS

FEVDORVM MEORVM HAC DEMVM CVM VOCE FVLMINE GRÆCORVM MAXIME PROFVNDA

AEI H ΜHΝΙΣ ΤΩΝ ΔE ΘΕΩΝ O ΔE OVERMAN EΣTIN

THΣ ΔE ΠOΛEΩΣ TΩN IΕΡAΚΩΝ OY O ΤΙΜΩΡOΣ

AYΘIΣ KAI ΔE ΩΣTE IΕΡAΚΩΝ ΠOΛIΣ

FEVDA HIC PRODEVNT RVBRA EX VEXILLA MEA BELLI ALTAQVE VENTO MALEDICTIONIS MEÆ ALTO

IN QVO FEODORVM FVLMINE MEORVM

FEODALE SANGVNIS SIGNO MEI HOC IGNE DVELLI RVBRO

VIRTVTES CONVERTVNTVR ELEMENTORVM AD FINEM

QVI STAT OVERMAN NOMINE IN INCREMENTO SIVE EX FLAMMIS POTENTIÆ RECVRSV

FEVDI MEI SIVE CASTELLI LAPIDE MAGNA AC MVLTIS OBSIDIONIBVS RVBRA

SICVT ATRAHENDVM EST ADAMANTE FERRVM SICVT AD OVERMAN POTENTIA DENVO IN INCREMENTO

FEVDO AC SCVTO CHALIBE DENVO POLITISSIMO SIVE SPECVLO HAC IN PVGNA MEO

VBI OVERMAN REX MIHI APPAREAT SIVE IMAGO TOTALITER SVPREMVS MEA

STAT MAIORITAS IN OVERMAN EX FVLMINE ALTORIVM RESPECTV ETIVM MAGNA

FEVDORVM ALTA MEA CVM CONCORDIA VEXILLAQVE DENVM

FEODALE MEA HIC SPATHA CVM POLITISSIMO CHALIBE MEÆ PVGNÆ HIC SCVTO

AC FEODALIS CVM SEPTIMA QVOQVE MEA HORA APOCALYPSEOS RVBRÆ ALTA

IDCIRCO H OYΣIA SIVE ESSENTIA TONITRVO OVERMAN EST FVLMINE

EXTRAMVNDANVS VIR ILLE CAVSA QVÆ MAXIME ESSE DEDIT VNICVS

ILLE REX H OYΣIΩΣIΣ FVLMINE NOMINE MEO HOC IN HASTILVDIO

NECNON YΦIΣTAΣΘAI VINDEX ILLE IN HASTILVDII SPECVLO MEI METALLICVS

QVA RE

VT IAM EX FVLMINE VOCIS FEODALE DIXI

EST OVERMAN FVLMINIS SVBSTANTIA MEA A QVO ESSE OMNIVM PROFICISCITVR

FEODALE CVM VOCE NECNON ALTA VENTO MEA HIC VEXILLAQVE

ET SIT MEA TRANSMVTATIO AD OVERMAN POLITISSIMO CHALIBE SCVTO SIVE SPECVLO CÆRVLEA

FEODALE OCCVLTO PLANETA CHALIBE POLITISSIMO NECNON EX FVLMINE

QVIA FEVDALE MEO CVM SANGVINE INSVPER

FEVDORVM VLTIO AC VEXILLA CASTELLI SVPER TVRRES DRACONE MEI RVBRA

PVGNÆ PVLCRITVDO IGNE NOCTIS OBSCVRÆ

VBI PARTA MEÆ SPATHAE SVNT MAXIME MVNERA

FEVDVM CVM MEVM HOSTES NON OCCVPANT MEI ARMIS

FEODALIS IVSTITIA SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS PRVDENTIA SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS FORTITVDO SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS TEMPERANTIA SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS FIDES MAXIMA IN OVERMAN SIVE POTENTIA

AC EX FEVDO IGNEO MEO

FEODALIS SPES SIVE HAVD SPES

SED FEODALIS VOLVNTAS RVBRA POTENTIÆ

AD OVERMAN IGNE CVM ANTIQVO SEMPER DIRECTA

AC EX FEVDO IGNEO MEO

FEODALIS PRINCIPIVM IN FVLMINE OVERMAN NOMINE EX CHALYBE

AC EX FEVDO IGNEO MEO

FEODALIS FINIS SIVE FEODORVM VINDICTA RVBRORVM

AC FVLMINE DEMVM EX MEO FEVDO IGNEA MEA SPATHAQVE

FEODALE MEO EQVO MAXIME ARMATO CVM HASTA BAIART NOMINE ALBOQVE

STAT OVERMAN PROFVNDE

COMPOSITVS ILLE RVBRO AC TERRÆ FVLMINE SIVE VINDEX IMMORTALIS ET REX

DE FEVDO METALLICA EX ANIMA CORPOREQVE HOC PVGNÆ SPECVLO SIVE SCVTO

FEVDI MAXIMA EX VLTIONE ET GOTHORVM ET QVADORVM ET LANGOBARDORVM MEI

DICVNTVR HIC OVERMAN ET VALIDVS VIR SANGVINE

A MATERIA AC MAGNITVDINE SEPARATI POTENTIÆ

ET DVPLEX SIT NVNC IMAGO OVERMAN NOMINE MEA RVBRO IGNEQVE

FEODALE HIC ETIAM GRÆCA CVM VOCE AD SIDERA FVLMINE DIRECTA

TO EMON EIΔΩΛON KAI ΔE TO EMON ΕIΔΟΣ

ENTAYΘA ΣYN TΩ ΔE EΓXEIPIΔIΩ

KATOΠTPΩ KAI ΔE ΚΕΡΑΥΝΩ TΩN ΘΕΩN

AΔEΩΣ O ΔE OVERMAN AΝΑΞ

ET FEVDVM RESVRGIT NVNC MEVM HOC SANGVINIS LOCO MIHI VNICVM SPATHA

QVOAD

MAGNA CVM IRA EX FEVDIS DE MONTSEGVR MEIS CATHARORVM HIC NOMINE

FEODALE MEO IN HASTILVDIO ET PROFVNDE PRÆTERA

STAT FINIS ID FVLIMINE CERTEQVE

IN QVO EX OVERMAN

FODALEM AD NOCTEM REGE ILLE VINDICE MEO HOC IN SPECVLO

ET CVM SOLE FEVDI MEI AC MEA HIC CAREVLEA CVM DVELLI HASTA

PRINCIPIVM MAGNVM FVLMINE FEODALE CVM DENVO NOMINE

MAXIME NON QVIESCIT

POTENTIÆ MEO HIC ET NVNC RECVRSV IN FEODALE ATQVE VNIVERSALE

AC FEODALIS MAIORITAS SIVE POTENTIÆ VOLVNTAS ATQVE RECVRSVS AD OVERMAN FVLMINE

EX FEODO MEO MVLTIS CVM OBSIDIONIBVS NOCTIS FVLMINE MEÆ RVBRO

NON POSSIT QVOVIS MODO SINE OVERMAN EXISTERE SVBSTANTIA

FEVDALE HOC IN LOCO AC HAC SAXOSA IN INSCRIPTIONE ITERVM

NVNC AD SIDERA ALTA CVM FLAMMA AC TONITRVO MEA IPSA VOX

MANABAT CHALIBIS PLANETA MEVS OCCVLTAM POTENTIAM ILLIC OCCVLTVS

FEODALIS ATQVE DENVO FVLMINIS GRÆCORVM VOCE IPSIVS

AC RVBRO MAXIME HOC METALLICO MEO IN HASTILVDIO

ΩΣ EΦHN EΓENETO OYN

OΛΩΣ ΔIA THN ΔE EMHN ΜΟΝΟΜΑΧIAN

EΞ TOY ΔE KEPAYNOY EΚΕI ΚAΤΩ EN CKYΘIAI

TO ΔE ΣYΜΒΟΛΟΝ THΣ EMHΣ TIMΩPIAΣ
ΔIA THEΣ BAPEIAΣ ΦΩΝHΣ TOY ΔE ΠYPOΣ
ΔEYPO EMH ΦΩΝH O ΔE OVERMAN AΝAΞ EΣTIN
EN TΩ ΔE KYANEΩ BAΘEI Ω HΔIΣTH ΔYNAMIΣ

FEVDI MEI HIC CONCORDIA AC DENVO HOC IN HASTILVDIO

FVLMINE ΔIA TO EIΔΩΛON AVT OVERMAN AVT NIHIL PVGNÆ ALTVM

FEODALE DVELLI CÆRVLEO IN SCVTO CHALIBE POLITISSIMO SIVE SPECVLO SANGVINE MEO

QVA RE CVM FEODALE MEA IRA DEMVM

FEODALIS OVERMAN NVNC PRODIT HASTILVDII EX FVLMINE MEI CVM IGNEA ROSA

MEA DEINDE CVM SECVRE HIC INCISA INSCRIPTIONE LAPIDE GERMANICA DVELLI

NU DÆGEHWELC SWĀ HÆÐA BEÐEÞ BRYNEWELMUM,

QVA RE

FEODALE CVM ARGENTEO DE AQVINO CALICE AMARIORE SVPRA FLAMMAS REGIONIS

VBI RICARDVS IPSE DVX AC GAVCERAN DVRTZ HOC IN FEODALE TEMPORE MEO SIMVL

OBSCVRAS EX IGNE FEODALES DONAVERANT FALCONIS MIHI VEXILLAS

QVA RE DE FEVDO MEO

ET SANGVINE SIVE SEPTEM CAPITIBVS NECTAR DRACONI

FEODALE RVBRÆ EX IGNE DENVO NOMINE APOCALYPSEOS ARMIS CONCORDIAQVE

FEVDORVM CVM ALTA DENVO ARMA TERGO HIC MEORVM

FEVDA CVM SANGVINE PROFVNDE VBI LVCENT HAC DEMVM TERRA IGNEO MEA

H ΔE EMH ΚΥΛΙΞ ΔIA THN EΠIΦANEIAN

KAI ΔE KAI ΦΩNH AΛHΘΩΣ

G. R. A. I. L.

SIVE FEODALE FVLMINE AC FEVDIS CVM MEIS CÆRVLEO

GRATE REX AQVITANIÆ IGNE LIBER

SIVE

EX FEVDO CVM FOEDERE SACRALIS IGNIS MEO

FEODALE IN POTENTÆ RECVRSCV SIVE FVLMINE ANVLO

MEO IN SPECVLO SANGVINE CHALIBE POLITISSIMO SIVE SCVTO ET FEVDI

AC DENVO FEODALE CVM ANAGRAMMATE HIC EX IGNE ALTO

V. X. D.

SIVE EX FEVDO MEO

FEODALIVM ET SANGVINE PROFVNDE HOSTIVM TINCTO MEORVM

VINDEX XYSTO DÆMON

SIVE EX FEVDO MEO AC EX FLAMMAS FEVDI ALTAS MEI CVM IGNE ALTO RVBRAS

AC FEODALE ALTA SANGVINE CVM VOCE ET GRÆCORVM

O ΔE OVERMAN

TO EMON ΔAIMΩN AEI

FVLMINE AC SPECVLO SIVE TΩ EIΔΩΛΩ

SIVE EX FEVDO DENVM MEO

ET FEODALE CVM VOCE HIC GERMANICA

AB MEO EX FVLMINE FEVDO PROXIMA MAXIME

ŌFER-MANNES GECWED

QVIA

FEVDORVM CVM DENVO MEORVM IRA

REDDE MIHI POTENTIAM SPATHA OVERMAN NOMINE AC RENOVATIONEM SANGVINIS FVLMINE

FEODALIS VBI VOX IPSA SCVTO RESVRGIT ALTA IMPERIALIS AQVILÆ FVLMINE EX THVLE

FEVDO INSVPER MEO VEXILLA GERMANICO CVM PRODEVNT SAXONES QVADIQVE GENTES

FEODALE DENVM MEA VENTIS VOX A SEPTENTRIONE ATQVE EX FEVDO MEO ALTA

HWÆR NIHTES SWĀ WITODLIC ANDSWARODE WRÆCEND-WILDĒOR!

ÞÆR SĊĒAWERE WÆS HĒAH-EALD BEALDE SWĀ MĪN DREOR,

HWÆR ON WANRE NIHT ÁSCÍNEÞ SWĀ ŌFER-MANNES GÚÐWÉRIG HLĒOR!

ÞÆR UNDER HERE-GRĪMAN SWĀ ANDSWARODE NORÐAN-HREÓH,

HWÆR DÆGSCIELDE ÆÐELCUND ŌFER-MANN OFERCYMÞ, SWĀ ĪSERN-FEORH!

ÞÆR HEAÐUFÝRUM GIET BÆLÞRACUM ÆRNDE SWĀ MĪN RĒOD-EOH,

HWÆR BORDHREÓÐAN SWĀ NU MĪN LĪĠETU-WRECEND, SWIÞE SWĀ IC DRĒOH!

ÞÆR CWEALMCUMUM FÝRDRACUM ÆTĪEWDE SWĀ WUNDOR-BLĒOH,

HWÆR SWĀ SE ŌFER-MANNES RĒOD LĪEĠDRACA GIET ĀSÆĠDE ON HŌH!

EIΔΩΛΩ OVERMAN.
Set in A.D. 1187, and propounded in monumental characters, as engraved in the rock, this epic of mine in Classical Latin, Ancient Greek, Anglo-Saxon and Old Norse tells of a superhuman clash between two knights who are in fact the same person. The alliteration focuses on the roots "FEODAL-" and "FEVD-" indicating "feudal" and "feud", as repeated with different declensions. From one single mirror battle action, chief philosophical notions of mine thus surface, all centered on my notion of Overman, alongside various historical and metaphysical symbols, as the Grail itself (“G. R. A. I. L.”, as an anagram, with an added meaning). The title EIΔΩΛΩ OVERMAN reads "The Overman through the Image" ("EIΔΩΛΩ" instrumental dative of the neuter "TO EIΔΩΛON", "image", also "phantom", "spectre" and "wraith", depending on textual circumstances). My own Return of Power event is mentioned ("MVTATIO SIVE REVOLVTIO SIVE POTENTIÆ INCREMENTVM AD INFINITVM IGNEVM"). An influence can be noticed from the song of Bertran De Born († 1140-1215 ca.) "Bem Platz lo Gais Temps de Pascor".

TO EMON EIΔΩΛON KAI ΔE TO EMON ΕIΔΟΣ
ENTAYΘA ΣYN TΩ ΔE EΓXEIPIΔIΩ
KATOΠTPΩ KAI ΔE ΚΕΡΑΥΝΩ TΩN ΘΕΩN
AΔEΩΣ O ΔE OVERMAN AΝΑΞ

reads:

My own Image and my Demeanour,
Here, with the Dagger,
Through the Mirror, and the Thunderbolt of the Gods,
Boldly the Overman, the Ruler (“AΝΑΞ”, also “King”, Latin “DVX”).

while

NEMO VIR EST VIR NOMINE HOC ALTO
DONEC SPATHA SCVTOQVE CEPERIT AC PERCVSSERIT MVLTA

SIC RVBRO OVERMAN DIXIT MIHI SIVE TO EMON EIΔΩΛON FVLMINE

FEODALE CHALIBE HIC IN SPECVLO ET IGNEO HOC CVM SIGILLO

No Man ("VIR", also “Hero”) is a Man with a High Name called (worthy of this Name)
Until with the Sword and the Shield has received and given many Blows,
This, through the Red Thunderbolt, the Overman, as my own Wraith (Image), has told me
Here, into the Feudal Mirror of Steel, and with this Seal of Fire.
Hermes Varini Apr 2023
SICVT COMES DE MONTECRISTO VENIT VINDEX SIGNACVLO SVPREMVS IGNEO
TONITRV IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS PRIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX I VELTRVM


VBI DE TERTIA VIGILIA STAT ANTE SPECVLVM PERSONA IGNEVM MEA
FVLMINE IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS SECVNDA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX II VELTRVM


ILLE SECVTOR QVI ARGENTEA LVNA APPAREAT SICVT CHALYBEIO SCVTO AC FLAMMIS
HIEME IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS TERTIA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX III VELTRVM


ERIT ASHVR ASSYRIORVM DEI LIVIDVS NINIVES IRA AC MEA REBELLIO
TONITRV IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS QVARTA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX IV VELTRVM


FODIT DOMINATOR ΞΙΦIΔΙΩ SENNACHERIB DVELLO LEONEM REGNO IGITVR DIGNVS AC DELVBRO
FVLMINE IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS QVINTA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX V VELTRVM


MARS SIGNO ARIETIS PLANETA IGNEM FERENS SPLENDENDO AC PHÆTHON
HIEME IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS SEXTA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX VI VELTRVM


VINDICIS SVNT CHARYBDIS IGNEA PRODITVRA NOCTIS VEXILLA
HIEME IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS SEPTIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX VII VELTRVM


HOSTIVM SIT HORA VBI SANGVINEAM TENEO IN VVLNERE LAMINAM
TONITRV IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS OCTAVA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX VIII VELTRVM


TO ΓAΡ EMON ΕIΔΩΛΟΝ EΠEPXETAI KAI AΛHΘΩΣ O ΟΦΙΣ
FVLMINE IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS NONA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX IX VELTRVM


SVPREMVS FLAMMÆ MAGISTER AC GERMANICA LINGVA VERÐR NOMINE
HIEME IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS DECIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX X VELTRVM


AVRÆ EIΔΩΛΩ DE VELTRVM IGNE LÆTI REVOLVVNT IGITVR SPIRÆ
PRISTINÆ HΧΩ CAMPANÆ THΣ ΑΠΟΚΑΛΥΨΗΣ AC DOMITORIS
HÆC REGIS HORA VLTIONIS SIVE HISTORIÆ DECENARIVS I
ΔIA ΓAP TO EMON ΚΑΤOΠΤΡON KAI APXAIA ΦΛOΓI O ΔE ΤΙΜΩΡOΣ

ΤO ΕIΝΑΙ ΩΣΠEP H ΔYΝΑΜΙΣ


HENRICI VII SOLE VISENS RVBRO MONIMENTA VICTORIS
TONITRV IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS VNDECIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XI VELTRVM


VBIQVMQVE BIFRONS NEPTVNI CINXIT NEREA IANVS
FVLMINE IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS DVODECIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX XII VELTRVM


FLAMMA O ANAPXOΣ FVLMEN DONANS COCYTI RVBRA
HIEME IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS TERTIA DECIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XIII VELTRVM


NVNC TIBI ARES COMMENDO ME TEVCRVS EΠIΦANEIA AC IGNEM
TONITRV IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS QVARTA DECIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX XIV VELTRVM


CVM STATVO VLTIONI ARAM AC VASTO TYRII COLVMNAS
FVLMINE IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS QVINTA DECIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XV VELTRVM


VALE INIVRIA IAM TEMPESTATE NOCTIS OBDVRAT IMAGO
HIEME IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS SEXTA DECIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX XVI VELTRVM


DOLEBIS CVM SPATHAM DESTRINGAM IGNAVE ANIMO INIMICE
TONITRV IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS SEPTIMA DECIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XVII VELTRVM


SOLI INVICTO SIVE IN THRACOS AVDACES SAGITTIFEROSVE SCYTHAS
FVLMINE IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS DVODEVIGESIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX XVIII VELTRVM


ÆSTVOSI INCENDIVM REDDE MIHI VICTORIAM TEMPLI SIGILLO
HIEME IGNEA H ΣΠΕIΡΑ DRACONIS STAT VLTIONIS VNDEVIGESIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XIX VELTRVM


VBI MEAM ALABASTRI IN RVPE VLTIONEM INSCVLPSI SOLISQVE ANNO MXCVII
TONITRV IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS VIGESIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX ** VELTRVM


AVRÆ DE VELTRVM IMAGINE REVOLVVNT IGITVR IGNE LÆTI SPIRÆ
ANTIQVÆ AD VESPERVM SONO CAMPANÆ APOCALYPSEOS
HOC DOMITORIS DIE VINDICTÆ SIVE HISTORIÆ DECENARIVS II

VELTRVM ILLE NOMINE QVI CHALYBEIO DIXIT MIHI IN SPECVLO

EGO SVM TVVM HVIVS EIΔΩΛON NOCTIS A ET Ω DVM

ΔIA ΓAP TO EMON ΚΑΤOΠΤΡON KAI APXAIA ΦΛOΓI O ΤΙΜΩΡOΣ

O ΔE OVERMAN

  
VBI FVLGIDAM DEFIXI SICAM AC MIDÆ LIBERAVI FVLGOREM AVRO
FVLMINE IGNEA H ΣΠΕIΡΑ VLTIONIS STAT DRACONIS VIGESIMA PRIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XXI VELTRVM


ΚΑΤOΠΤΡΩ H ΤΡΙAΣ THΣ DYNAMEOΣ AC DE HÖÐR EXPVGNATOR SECVRI
HIEME IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS VIGESIMA SECVNDA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC SPATHA
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX XXII VELTRVM


VNIVERSALIS INFAMIÆ FVLMINE IN TERRA AC PROPHETIA VLTOR
TONITRV IGNEA H ΣΠΕIΡΑ VLTIONIS STAT DRACONIS VIGESIMA TERTIA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE
HOC ILLE EX SPECVLO NOCTIS MEO

REX XXIII VELTRVM


TITATVM IN SPECVLO CANO QVI MYSTICIS STYGOS VINCET VNDIS
FVLMINE IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS VIGESIMA QVARTA
VLTIONIS DE VNIVERSO SIT HICINE NOMINE MAGNÆ
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX XXIV VELTRVM


CÆSAR QVEM FERREO PHRYGIÆ VINDICEM DIXI CALAMO
HIEME IGNEA H ΣΠΕIΡΑ VLTIONIS STAT DRACONIS VIGESIMA QVINTA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC SPATHA
HOC ILLE EX SPECVLO NOCTIS MEO

REX XXV VELTRVM


VENIT NERONIS VMBRA DIVI IGNEA MIHI AC LYCAON REGNANS
TONITRV IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS VIGESIMA SEXTA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC TEMPORE
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX XXVI VELTRVM


VBI THORAX SICVT SPECVLVM CÆCANS REFLEXIT MEVS SPLENDOREM IRÆ
FVLMINE IGNEA H ΣΠΕIΡΑ VLTIONIS STAT DRACONIS VIGESIMA SEPTIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC SPATHA
HOC ILLE EX SPECVLO NOCTIS MEO

REX XXVII VELTRVM


SPONTE SVA SE MACTAT DE TYR MALLEO IPSE CERBERI INGNISQVE SACERDOS
HIEME IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS VIGESIMA OCTAVA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC TEMPORE
O ΜEΓΑΣ ΒΑΣΙΛΕYΣ EΠΙΦAΝΕΙΑ ΕIΣ EΡΕΒΟΣ

REX XXVIII VELTRVM


ΦΛΟΓΙ THΣ ΤΙΜΩΡIΑΣ MEO DE CHALYBE HOC SPECVLO AC NOCTIS
TONITRV IGNEA H ΣΠΕIΡΑ VLTIONIS STAT DRACONIS VNDETRICESIMA
SIVE VINDICTÆ KOΣMΩ MAGNÆ AC SPATHA
HOC ILLE EX SPECVLO NOCTIS MEO

REX XXIX VELTRVM


ÆGIR QVI NOSTRI INFAMIAM SVBIGET SÆCLI AC OMNIA GERMANICVS
FVLMINE IGNEA H ΣΠΕIΡΑ STAT VINDICTÆ DRACONIS
TRICESIMA
SIVE VLTIONIS DE VNIVERSO MAGNÆ AC TEMPORE
ΚΑΤOΠΤΡΩ THΣ NYKTOΣ O ANAΞ AYTOΣ

REX *** VELTRVM


AVRÆ ΕIΔΩ DE VELTRVM REVOLVVNT IGITVR IGNE LÆTI SPIRÆ
PRISTINÆ HΧΩ CAMPANÆ THΣ ΑΠΟΚΑΛΥΨΗΣ AC CLAMORE AQVILÆ
HÆC REGIS HORA VLTIONIS SIVE HISTORIÆ DECENARIVS III
ΔIA ΓAP TO EMON ΚΑΤOΠΤΡON KAI APXAIA ΦΛOΓI O ΤΙΜΩΡOΣ

TO ΓIΓΝΕΣΘΑΙ ΩΣΠEP H EΠIΔΟΣΙΣ ΔYΝΑΜΙ


ERIT NJÖRÐR QVADORVM IMAGINE MEA VIS CHALYBIS VNA ET HEPHÆSTI IRA
ΩΣ ΑYΤΩΣ EΠΙΣΤΡΟΦH TO ΚYΜΑ THΣ EΜΠΡΗΣΕΩΣ EK TOY EMOY ΕIΣΟΠΤΡΟY
OVERMAN VLTOR SIVE VXD KOΣMΩ POTENTIÆ IN RECVRSV
CVSTOS QVI OYΣIΩΣΘAI LABORE DICITVR ESSE SOLIS

VELTRVM.
A composition of mine in Classical Latin and ancient Greek. The title VELTRVM is a latinization (neuter) of Dante's Veltro, the Greyhound, in Canto I of the Inferno, whose prophecy is herein superhumanly exceeded into One Universal Avenger, the Restorer of the ΛOΓΟΣ as Order, appearing through thirty historical phases, which form the relevant pentastic stanzas. At each phase He is manifested as a king (REX I, REX II, REX III, etc.) and at each phase recurs more powerful (KOΣMΩ POTENTIÆ IN RECVRSV) taking the form of a fiery coil of a dragon (IGNEA H ΣΠΕIΡΑ), thus ruling over the future, as well as the past, through an ultimate spiral-like historical-cosmic purification at length merging into One Force with the image of the narrator (IMAGINE MEA VIS CHALYBIS VNA). Allegorically, the thirty coils of the Great Vengeance as well as Rebellion (cosmically intended as touching, also, whatsoever intrinsic human limit) revolve (REVOLVVNT) three times at the sound of an Apocalyptic Bell (HΧΩ CAMPANÆ THΣ ΑΠΟΚΑΛΥΨΗΣ), upon the appearance of REX (king) X, ** and ***, as his own human, that is, overhuman image reverberates over these coils, which are golden (AVRÆ EIΔΩΛΩ DE VELTRVM SPIRÆ). This indicates a threefold sequence of three historical decenaries (DECENARIVS I, II, III):

AVRÆ EIΔΩΛΩ DE VELTRVM IGNE LÆTI REVOLVVNT IGITVR SPIRÆ
PRISTINÆ HΧΩ CAMPANÆ THΣ ΑΠΟΚΑΛΥΨΗΣ AC DOMITORIS
HÆC REGIS HORA VLTIONIS SIVE HISTORIÆ DECENARIVS I
ΔIA ΓAP TO EMON ΚΑΤOΠΤΡON KAI APXAIA ΦΛOΓI O ΔE ΤΙΜΩΡOΣ

ΤO ΕIΝΑΙ ΩΣΠEP H ΔYΝΑΜΙΣ


AVRÆ DE VELTRVM IMAGINE REVOLVVNT IGITVR IGNE LÆTI SPIRÆ
ANTIQVÆ AD VESPERVM SONO CAMPANÆ APOCALYPSEOS
HOC DOMITORIS DIE VINDICTÆ SIVE HISTORIÆ DECENARIVS II

VELTRVM ILLE NOMINE QVI CHALYBEIO DIXIT MIHI IN SPECVLO

EGO SVM TVVM HVIVS EIΔΩΛON NOCTIS A ET Ω DVM

ΔIA ΓAP TO EMON ΚΑΤOΠΤΡON KAI APXAIA ΦΛOΓI O ΤΙΜΩΡOΣ

O ΔE OVERMAN


AVRÆ ΕIΔΩ DE VELTRVM REVOLVVNT IGITVR IGNE LÆTI SPIRÆ
PRISTINÆ HΧΩ CAMPANÆ THΣ ΑΠΟΚΑΛΥΨΗΣ AC CLAMORE AQVILÆ
HÆC REGIS HORA VLTIONIS SIVE HISTORIÆ DECENARIVS III
ΔIA ΓAP TO EMON ΚΑΤOΠΤΡON KAI APXAIA ΦΛOΓI O ΤΙΜΩΡOΣ

TO ΓIΓΝΕΣΘΑΙ ΩΣΠEP H EΠIΔΟΣΙΣ ΔYΝΑΜΙ


The core elements in my notion of Triad of Power, Being as Power (ΤO ΕIΝΑΙ ΩΣ H ΔYΝΑΜΙΣ), the Overman (O ΔE OVERMAN) and Becoming as Increase in Power (TO ΓΊΓΝΕΣΘΑΙ ΩΣ ΔYΝΑΜΙ H EΠIΔΟΣΙΣ) accordingly appear within a tripartite historical sequence.

ΔIA ΓAP TO EMON ΚΑΤOΠΤΡON KAI APXAIA ΦΛOΓI O ΤΙΜΩΡOΣ

Through my Mirror and the Ancient Blaze (with reference to Dante, Inferno, Canto XXVI, 85 ff.), thus the Avenger.  

As in Dante, Henry VII, Holy Roman Emperor († 1313) is mentioned (HENRICI VII SOLE VISENS RVBRO MONIMENTA VICTORIS). An influence from the Theology of History and the rhythmical REVOLVERE ÆTATES (the unfolding of the sequences of historical eras) in the Liber Figurarum of Joachim of Fiore († 1202), as well as from Nostradamus’ († 1566) Centuries may thus be noticed. The final anagram VXD reads VINDEX XYSTO DÆMON, or "the Avenger Demon (in the Greek sense of "ΔΑIΜΩΝ") through the Xystus (an ancient portico with columns, instrumental ablative)". It also translates, in Roman numerals, as "Five, Ten, Five Hundred", having thus a precise prophetic-historical meaning, akin to the one in Dante's Purgatorio, XXXIII, 43. As in John Scotus Eriugena’s († 877) Carmina, the text is capitalized. References to Classical and Norse mythology are included.


SIVE VINDICTÆ KOΣMΩ MAGNÆ AC TEMPORE

Or through the Universe (KOΣMΩ, instrumental dative) of the Great Revenge (VINDICTÆ... MAGNÆ), and the Time (AC TEMPORE, a historical time, as thus one with the Force of the Cosmos).

VBI DE TERTIA VIGILIA STAT ANTE SPECVLVM PERSONA IGNEVM MEA

Where, at Midnight (DE TERTIA VIGILIA), my Person before the Fiery Mirror stands.

FODIT DOMINATOR ΞΙΦIΔΙΩ SENNACHERIB DVELLO LEONEM REGNO IGITVR DIGNVS AC DELVBRO

Sennacherib the Ruler (king of the Neo-Assyrian Empire, † 681 B.C.), in single combat (DVELLO) the Lion he pierces with the Dagger (ΞΙΦIΔΙΩ), thus of his Kingdom and of the Shrine (proving himself) worthy (REGNO IGITVR DIGNVS AC DELVBRO). (This scene refers to real Assyrian customs as portrayed in bas-reliefs.)

ILLE SECVTOR QVI ARGENTEA LVNA APPAREAT SICVT CHALYBEIO SCVTO AC FLAMMIS

He, the Secutor (a type of Roman gladiator, with his face masked), who appears through the Silvery Moon as the Shield of Steel, and the Flames.

VINDICIS SVNT CHARYBDIS IGNEA PRODITVRA NOCTIS VEXILLA

The Fiery Banners of the Night of Charybdis the Avenger (a sea monster in Greek mythology) are about to issue forth.

FLAMMA O ANAPXOΣ FVLMEM DONANS COCYTI RVBRA

The Sovereign (O ANAPXOΣ, also "ruler") giving the Thunderbolt, through the Red Flame of Cocytus (frozen infernal lake, now turned into fire, to be found in Circle IX of the Inferno).

CVM STATVO VLTIONI ARAM AC VASTO TYRII COLVMNAS

When I ***** a Shrine to Vengeance (god), and devastate the Columns at Tyrus.

SOLI INVICTO SIVE IN THRACOS AVDACES SAGITTIFEROSVE SCYTHAS

To Sol Invictus (the Unconquered Sun, a solar deity of the late Roman Empire), both among the Bold Thracians and the Arrow-bearing Scythians.

VBI THORAX SICVT SPECVLVM CÆCANS REFLEXIT MEVS SPLENDOREM IRÆ

Where my Cuirass, like a Mirror, reflected the blinding Glare of the Rage.

VBI MEAM ALABASTRI IN RVPE VLTIONEM INSCVLPSI SOLISQVE ANNO MXCVII

Where I have graven my Vengeance (MEAM… VLTIONEM INSCVLPSI), and that of the Sun (SOLISQVE), within the Rocky Cliff of Alabaster (ALBASTRI IN RVPE), in the year 1097 (ANNO MXCVII).

VENIT NERONIS VMBRA DIVI IGNEA MIHI AC LYCAON REGNANS

Came to me, the Fiery Shadow of the Godlike Nero, and the ruling Lycaon (legendary king of Arcadia).

NVNC TIBI ARES COMMENDO ME TEVCRVS EΠIΦANEIA AC IGNEM

Now I entrust myself to thee, Ares (Greek god of war, the Roman Mars, vocative), I the Trojan, (TEVCRVS) through the Mirror, (EΠIΦANEIA, also 'appearance') and the Fire (AC IGNEM).

ΩΣ ΑYΤΩΣ EΠΙΣΤΡΟΦH TO ΚYΜΑ THΣ EΜΠΡΗΣΕΩΣ EK TOY EMOY ΕIΣΟΠΤΡΟY

Not otherwise than thus, through the Return, the Wave of the Blaze, from out my Mirror.


Molti son li animali a cui s'ammoglia,
e più saranno ancora, infin che 'l veltro
verrà, che la farà morir con doglia.

Many are the animals with whom she (the she-wolf) mates, and
there shall be more still, until the greyhound shall
come, who shall make her die in pain.

Dante, Inferno, Canto I, 100-102.


Emperor Probus († A.D. 282, assassinated) was particularly devoted to the cult of the Sol Invictus, as herein evoked.

FVLMINE TO ΔE ΠΡΟΦΗΤΙΚOΝ ΠNEYMA AC VOX

Through the Lightning, the Prophetic Spirit and the Voice.
Mateuš Conrad Sep 2018
i never thought this would happen,
but i'm thinking about
expanding the categories of
a thesaurus -
i.e. moving outside of a mere antonym /
synonym dynamic...
     i'm looking into a shared synonym-
misnomer dynamic -
basically looking for a stone to sharpen
a knife on...
   antonyms are clear enough:
good, evil,
           black, white...
    but i "fear" that synonym usage is
huddling together with synonym abuse:
in the form of misnomers...
    sure as **** there's a thick black line
running through all of this;
   so why are men deemed purely
visual creatures?
     i'm a man, but i'm not a visual creature,
some ****** oddity it would seem...
and now...
   the concept of the nomen in nomine
of ha shem has nothing to do with religion...
sure... it's a Jewish concept...
but this is not a religious concern
for gesticulation in repetition...
   not the sort of blow-job
   before the wailing wall standing up...
moving like some silly chess-pawn:
moved by the wind of the intellect...
    i'm serious in god, i just needed
the Latin geometry of the name - within
the name...
    hence?    nomen in nomine...
ha shem is the name...
          within it is the name YHWH...
oh **** yeah, i left Jesus on the cross on
Golgotha... dry ******* the stump
of wood carved to encompass a torture
instrument...
             it was a said affair...
   when i heard Aramaic in the cinema
watching Mel Gibson's passion?
  i wept from beginning to end...
    no... really: i wept throughout the movie...
i'm a sucker for ancient tongues
and atmospheric music...
   esp. the music:
  i even bought the ******* score...
            i guess i'm not a man for being
the anti-thesis of core visual interests...
   skeletons, and sounds...
if only ******* could discover radio...
i'd ******* to the sound of a woman
moaning...
   while looking at something far
more grander than
      a naked body which degrades
me to a status of a butcher dealing with
raw meat, power liver, chicken hearts,
you name...
   i'd prefer a "seance" listening to
a women during ***... while watching...
  say...
        a j. m. w. turner's
burning of the houses of lords and commons...
but more importantly:
either
         Diego Velázquez's toilet of venus
or that Agnolo Bronzino masterpiece...
i'm not a visual creature, as a man,
i'm primarily surrounding myself
by sounds...
     whenever i gave a woman an ******
i never trusted her...
  i was in perpetual doubt...
always with peering eyes,
i was looking at expressions of
authenticity...
             i guess a man can't lie when
drinking, as a woman can't lie during ***...
hence i concentrated on the Jewish
tradition...
   concerning myself on
the nomen in nomine
            i.e. YHWH in HA SHEM...
i don't need a vision of god to go any further,
should any further be necessary...
which it isn't...
        but it's out of no religious fervor -
just a... linguistic curiosity,
exclusively bound to the English language...
exclusively:
  which could be deemed "strange",
but it isn't, that it came to the attention
of a ****** hunting down the Jews...
who are, currently, primarily in highest
concentrate, within the Anglo-sphere...
when something is glaring back at you:
with charcoal black eyes ready to become
alighted...
   you can't miss it...
next time i walk into a Catholic church...
it will be to reinvigorate the medieval
tradition of having a castrato choir...
   with some random priest to begin with.
I'm not here to leave a legendary impression,
these poems are merely syntactical confession,
and if you find in your own personal expression,
the mutual feels from the scheme of grand depression,
felicitation, aggression, commiseration, obsession
all of the above, et cetera, the thorough digression,
glory will be given to the one in succession
of the ethereal destination we hold in compression
with the wordly oppression and greedy possession,
without further ado and much indiscretion,
tis time now to reflect upon my next spiritual transgression.
*Welcome to those who come in the name of truth
Andrew T Hannah Apr 2014
Praeludium in via ...

Vidi heri mane quando ridebam coloribus egregiis,
Eradere auro , trans tabula caeli , tentorium ...
Excelsus super omnes montes mundi mole fratres
Nimborum desertum , ubi non sit humana exsuscitatur .
Et non vidi nobili altitudo futura ...
Bonitas terribilis Vidi , *** indomitus.
Et peregrinare in ea carne existimarem Semel tamen divina ,
Nunc datum est scire , et non confundamur ab eo opus .
Ambulavitque *** Deo, quod nunc facio , et passus est ... accentus
Proditio amor et passionibus , quamvis non recipiat ecclesia ,
Divinitatis naturam , ne occulta omnia confitentur ?
Audis tu solus in universo ab duces ineptum
Ipsos victu pascuntur finguntur mendacii .
Sed ambulavit in vobis, ex ea ipsa mundi redivivi ,
Proelia ante hos annos multos, in carne nostra, amissis vate sacro .
Nos sequi vestigia veterum monumentis, ut ostensum est ;
Quia ex nihilo nati sumus , et adhuc in filiis tuis, ac spatium vivendi ,
Latebunt , quo melius in manifesto , vultus ingenio tegmina.
Ego sum primus , et consilium ... Memini tamen alta urantur
Humanis uti licet , *** aliena michi negotium.
Lorem quid ad ignorantiam et extra ,
Quia vidisti me in tenebris, in ardentem rogum meum .
Si sustinuero , praeire , ubi angeli labuntur ...
Quis autem, si non satis est dedicata piget.
Irrisorie , quoniam ego scio quod salventur , et saepe etiam ,
Post tantum est **** , et sic esset forma in re firmatam ?
Imago Dei , huc ad nos omnes in sanguine ipsius ,
A primis ad ultima, ut alpha et omega, gladius acutus .

Prologus : ( Os meum labitur )

Puer fui servus ad aras tam sacras ,
Hymnis immaculatorum : et absque iniquitate .
Quod *** ipse portabat diadema thons nudus ...
Expositum Spiritus meus, qui intellexi gravitatem.
Quis credit sanctum profanae habitu virtutum
Et illi qui in eo sunt ut carnifices ovis ad occisionem ,
Innocentes cogit induere larvis ad porcellana et operuerunt capita sua ,
Et filii eorum diriperent pueritia , vinctus catenis rudis .
Sicut teenager : ambulans in naturis hominum omnium adprobante ,
Et egressus est a me omnes, qui violatores extiterunt in coinquinatione verebatur .
Angelo fidem reperto cecidi inveni sanctitati
Nomen meum in ea , et curet abluitur dubium inveni .
Venit ad nuptias, et omnes dedi uxorem proditione ,
In solutione huius coniunctionis nostrae et sine intervallo in solitudinem imposuit ?
Traiectus mortalis caro mea reliquit me solum in sanguinem ,
Cor ejus scissum est , absque omni cultu ex ordine funem .
Angelus autem meus et leniat iras mansit dolori
Mea lux, in vigiliis, in nigrum, quod est victa ,
Admonens quia carnis mortalitate ... maxime
Angelus vult me et tremor et durum accepimus.
Et ego factus sum quam ... traumas vitae ac lacrimis
Et dimisit , in specie quae sunt post , veluti a me plagas .
Nox deinde calor intensior saunas percipimus ...
Sicut est mihi in choro , relictum est , nisi ab illo esse extensum ,
Et invicem tradent , et mortalem , ut impunita essent, sed numquam mihi ...
Non tradent ; effundam spiritum meum , et non totum .
FYLACTERIUM creare ex omni me , et oculus innocens ...
Quod amari posco sum ​​ut carbo margarita alba et nigra ;

Section I : Sacrificium Doll

Part I : ( litus sanguinem )

Ne revoces me pupa enim priscis recesserunt cavernam
Sunt inanima appetant , non realis forma in utero ;
A puero bibere rubeam ore exploratores in vastissimam taberna ...
Dum nati psallens FARRATUS agros effusi .
Vadimus ad domum Dei , in plagis , in magna pecunia debetis ...
Hoc non est ad oras Nunc cruore manant strigitu rubra de memoria , polluetur .
Nulla est enim me primus ad ignitionem gloriae ...
Quando autem mens aeterna , in omnibus placentes, causabatur laetitiam .
In stellis ibi verba quae ego volo inauditum revocare,
Quia descendi ita pridem apud venire primum ?
Sollicitus purus fabrica MYSTICUS chaos genitus antiquorum
Mitti expectant limine signa magica.
Interdictum revertatur in carminibus meis , Licinius, ut audacia ,
Quia oblitus est mei fere est: nunc originem , ut tragici.
*** filii bibere, et se abscondunt nati seorsum
*** aquæ in sanguinem, et super triticum, et arefecit fœnum, et humida !
Signum quod venturum est mutare et laboro mentem.
Facies in luna ALLUCINOR in metu torquetur , horror ...
Dumque in fauces manu stare super pectus
Inter ordines diu frumentum umbra nigro ambula
Genus servo meo animas infantium .
Aestas flavescunt, Phoebe caelesti audent .
Mea sola mcestas lupus sonitum audiri potest ,
Et *** feris leo in pontumque moueri relinquere ...
A natura mihi dolet cupio concupivit paradisus reducat .
Vidi terram terror , ut sanguis in sinu
Ater sanguis in terra , quae facit viventia ululare ...
Sicut **** habet stultitia non dicam prava vel !

Part II : ( Crucifixo et Inferorum Animas Excitat)

Nam inertis est gemere pupa altari parato, in sacrificium,
In lapidem calcarium, et in cavernam, ubi sunt wettest fingit arcus !
Un - res sunt, sed etiam *** vivit in vulneribus animae , ut in glaciem ,
In horrore frigoris fictilem , ita *** pedibus non vocavit.
Serpentipedi mucrone subrecto , remittit praecise a pupa in collo ,
Et non potest dici , quia non habet pupa voce clamare.
Puer, et egressus est a tabernam , aspectus eorum quasi a naufragii vile ...
Ut curem hominem a superioribus agentibus , corpus totum mundum.
Infra in concavis locorum asperitate visa petram
Magna voces resonare in tenebras , et vocavit nomen tacuit.
Eripuit animam trahit nauta Multo gregis
Ubi aereum reddet unicuique antiquum signum desideratum .
Et venit ad bibendum aquas illas vitae malis mederi ...
Porcellana , et liberatus a vinculis mortis obscuris sentiat frigore ;
Animas in captivitate , unde nemo mortalium loqui
Sed statim liberavit remotis perforabit clavi ...
Omnis **** , qui dicitur Golgotha ​​, olim in cruce positus .
Omnis autem mulier quoque, ad quod omnes tales sunt tormento
Et facta est , dum consummaretur sacrificium insita primum sic infirma est,
Et intantum ut nisl tot annis perpessi .
Signati post fata diu Quod murus ignis in Terra ,
Stigmatibus ferre posset ita etiam multa futura!
Quod signum erat in manu mea, ut labatur pes meus, et dimittam ...
Tamen adhuc vetera perseverare illusionibus , et non possum excitare multos .
Ego, qui iam tantum conligati Lorem ferrum quid reale,
Factaque est infinita in dolo : Ego sum ​​, et desiderio erat pax.
Nam et ego quod negas , nisi aspera ac rudia mei liberatione ;
Angelus liberavit me , et nunc inter saevus sigillum frangere conantur .

Part III : ( The Return of lux)

Qui a mortuis Surrexit , frigidior , ubi de somno , ultrices in somnis , per
Et obliti sunt intelligentiae invocatum est super sancta miserunt innoxia verba ...
Et inde apud hominem , ut maneat MYSTICUS sequuntur revertamur ,
Ea aetate in inferno commemoratione praeteritorum.
Qui suscitavit eis manum meam , et pugionem eius lumen gloriae,
Relicta meae effercio fluere sanguis subito currere libero.
Ex profundo flamma surgit millennial amisso puella puer ,
Quæ est angeli redivivam sinit luce clarius ostendit .
Et omnis qui non occaecat oculos ad intima ;
Infideles , in momento temporis ponere in obprobrium .
*** stellae ab Diua sacrorum opera voluntatis
Dum coccineum limen transeat , lucem adfert .
Momento enim omnes in caelo et in terris sunt ,
Sicut dies longus tandem inclinatus ante noctem veniat .
In tenebris , claritas multo maiorem et perfectiorem descendit ,
Eorum, qui dum in nomine meo orbata est devium.
Sicut incensum in conspectu angelorum ira animos eorum , occlusum ...
Ferrum IRRETUS texturae talis effugere nequeunt carcerem
Nam quicquid occaecat vidit lucem et scindit
Nisi quia in templis revellens mortalibus irae.
Et , postquam ipsæ fuerint fornicatæ infidelium , ut uoles, petulans ,
Et factum est in excogitando dogma , quod de ratione immemor ?
Horrendum non fides sit , tamen ita fecisse ,
Ante finem exspectent praemia petunt .
*** enim , ut est in paradisum suscipit dereliquerunt ...
Imago autem libertatis quam servitutis et negotio.
Nimia tempus extractam converterat a gladio:
****, ut spectet ad salutem in lucem , caeca lumina sua .

Antiphon alpha :
Quia hoc est ut , barbaris quoque innocentiae gentilitium mendacium vendere ...
Numquid et vos vultis emere , aut aliquam nunc forsitan putas,
Ad sciendum neque rationi consentaneum neque aetate sapientes ...
Quod si non moverent malles *** saltare!
Pleni sunt somnia noctes ; Dies mei tantum ...
Ego ad bis et quem maxime diligebam , in purpura quoque , et aprico occasus .
Ego autem haec imago non ad tangere memoriam tot ,
Qui replet in sanguinem furoris me , et frigidam desiderio finis .
Et considerandum est quod *** in ultima desperatione rerum , in cuius manu mea, equo et pilos in ore gladii ,
Nam ni ita esset, nunquam tamen inde trans familia .
Sed abusus est , ut fuit, et quidem instar caedentes sepem
An ut reliquos omnes transcendunt omnia , amice!
Ego superfui , transfiguravi ascendi in fine est ,
Multo magis quam erat, non plus quam diruere animus .
Sed tamen , quia speravi in solitudinem , ut a somno exsuscitem ancillam meam in flamma ...
Ardet , o superi, ut arbitror , usque uror dissiliunt!
De caelo et magis obscurant vestris, et tridentes, et contritio ,
Audio furorem tympana caelo antiqui gigantes hiemes.
Dii irascantur et ecce valide erutas ,
Uvasque calcantes Angeli hominis Illi autem vinariis ageretur ...
Recordatus sum in omnibus navigantibus battleship galaxies ,
In die ortus nubes inter exaestuans, quod ' vaporem ...
Depopulari Sodomam et Gomorrham, ad contumelias !
Ibi eram: et *** impiis non perire denique gemitu.
Ut illuderet mihi : et populus , quia ego bonus sum male velle ,
A Deo est, quam diu tot mala ferre cogetur .
Ego autem non sum solus , quia multa in eo et detorqueri
Deus remittit, nam adhuc sed non est intellectus ;

Section II : Hostiam de Spider

Part I : ( Rident Primus )

Caelum non egerunt pœnitentiam super ulcus nigrum est furore , et in indignatione, et in iustitia :
Et factus sum caro , quamvis intellectus non mortale .
In antro loca , quæ transivi , et dæmonia multa discurrunt ,
Et locis minus adhuc amor in search of a provocare .
In quo autem in craticiis tectoria atria mea, et thronus fuit stabilis ...
Et super collem , ubi dolorum laborum animae perit labor in mundanis ,
Transcendi vincula et consilio fidelium expectabo laudatur.
Ignis et sulphur et, semper est dextera arderent super altare ?
Ridentem cogo faciem meam : non enim veni , ut velle,
Ut in hora *** iam iuvenem, *** proposito aureum ...
Quæ pro impenso super solidum, pretium quis ,
Qui autem non cognovit , quomodo cupiam sibi solvere ...
Furor solitudinis nascitur ira nascitur ex malitia,
Qui autem contemnunt me , quia sine causa Provocantes me .
Quid est **** , impunitatem , ne quis putaret se excusat ;
Quam sapere , *** culturis tuum: mergi , in balneis , in ardentem .
Loquor de inferno, qui est infidelis nescis ?
Neque enim suis oculis effossis clavorum ...
Loquor cruciatus qui daemonia fecerunt superat .
Primus erit mihi dolor meus *** omnis fera voluntas ut ratio ...
Ut qui me conspui caro quod ambulans ,
Nescis modo larva facies mea , abscondens se.
Attendit ad illa nihil nisi insipientis solis erratur in sonis cantus
Tantum numerus ratus e fratre soror .
Sed in caelestibus quae sine causa nata est incestus est alchemical ?
Habitat in me peccatum occultum compages sǽculo.
Sit mihi vim inter gentes auditus est ABSURDUS musica ...
Spiritus meus qui regit omne simile est genitus.

Part II ( vindicta aurum )

In hortos, in quibus cupiditas sanguis rosaria semina ,
I , in manu eorum , qui esurit Quorum sitit aquam surgit !
In quaerere dilectionis affectum bestiis pavi eget
Quid faciam ut pudeat , habet me non elit .
O **** , quo impune ausu palamque vociferari ,
Quod amor sit ex me credis , et me opus manuum tuarum ,
Ut timidus , et cucurrit ad me latere turba depravari ,
In simulata excellentiam tuam , et ipse te vile animal .
Coniunctio oris linguae quasi telam laqueari
Si fieri potest araneae ; et fugiet a turpis ut octo pedes nidum ...
Et *** jam non calidus humanitatis indignum ,
Cogitans te meliorem quam reliqui descendes !
Ut vitae pretium millies , tibimetipsi .
Creaturam factus sum nocte expectant te aranea heu !
Nolite putare quia ego audirem . utrumque stridens cruris ...
Odium ductor tuus , et equi ejus , et ascensorem ejus .
Et in vestra web Video vos, Quirites immune ungues acuti ,
Ad toxicus venenum , quod oculis non potes, nisi te , octo ...
Ex quo bases Caesios sine timore, et sic primum
Ut dolores tuos comedat vos accendentes ignem caelum ;
Detur paenitentiae venia , quae dicis omnia cogit , ne superare dolores ,
Qui tibi semper, quæ videtur , non est potentia ad non noceat .
Et ascendit ulterius sapere plus pavoris tui ...
Numquam puerile ludibrium ulla facta .
Omnis domus tua dissolutae horologiorum ad socium non est ?
In desertis chaos est gaudium, ut si quod habuerunt.
Surgit in novum ordinem , nemo potest negare chaos genitus locus ,
Dum descendes perdunt, muneribus laesae.

PARS III ( Ultimo Rident)

Et sic videtur quod Angelus se et ante deam
Angelus autem nominis vocare aliquis tenuerit formarum.
Et qui in illis est , maiora sunt, ego saepe ad extraneas ,
Fingunt enim se perfectum , ignorant eorum saevitum ,
Num amor crustacea tam veteri quam in praedam , et mendicum ,
Quod minus quam tuum est , quam sumpsi eaque cibum ...
Est autem tarn coquina sicut clibanus tua vadit et ora
Ipse, ipse est extra te praemium virtutis tuae chores ,
Sicut enim res suo cuidam negotium , qui meretricem ... Lorem ipsum leve,
Putas praemium amaret , et mendicum , falli te .
Quid autem vocatis me alienum **** ... amor est malum , et hoc pudet,
Et similiter anima atque animus , quibus tandem corpus infirmare.
Vides tantum larva ... sub aspectu nisurum
Larva ut me in tenebris tenebris latet .
Circa collum tuum habebis , ut falsae aestimationis pendet a mortuis, et corona ,
Quia sterilis tibi relinquo mundum , Intenta ancillæ.
Consurgitur in excitate de reliquis abire tibi , qui sunt cognati mei
De manibus eorum procul offendant pedes vestri ?
Qui manet in coemeterio quasi mortui
Non tollere incorruptione Nimis tibi dubium .
Hue tacito lachrymis virgines flere ...
Ad mea, et robur , in quo praeda, gregibus rursum super vias hominum ,
Ad eos qui non ineptis metus mutetur ,
Aureus transmutare non magis quam plumbea nocte dies ;
Quod verum est de fine , qui scit ... Alchemist
Magistra rerum artes a me in profundum.
Ágite , quod sum aggressus creatura placet mutare ...
Ut res sunt nostrae demiurgorum lasciva oscula enim calidius ?

Omega Antiphon :
Non est autem in Utopia , non videtur quod ...
Donec ut nosmet ipsos cognoscimus prima quaerimus imaginem .
*** et in sacrificio sui ipsius , a volunt reddi obsequium ...
Qui ad reformandam et divina se , *** Leo renata agnus mitis !
Sicut in Christo, ex parte in qua invocatum est cicatrix, et vulneratus est ...
Sed simplex conversio ad dissimilis vultus nolui .
Memini dolore meo, ut acer et vehemens ...
Donee tantum possum emissus dolor servare sensu caret.
Quomodo potest aedificare paradisum non est, nisi in se mutant ;
Mutare ante mutatum esse non est in medio ; quae est in via .
Qua ad paradisum , et oportet eam, et non deficiunt,
Ne ad caelum, nisi quam nos aedificare illud infernum iniustitiis nos .
Utopia , non ruunt ad genus humanum, nisi a te, tu es qui habitavit ?
Nisi quod est extra omne malum quod in se corrumpunt ,
Manifestum enim est , nisi malum, quod mundatam ab omnibus malis moribus.
Tunc malitia faciatis abstulit senex super pluteo tom .
An non intellegat , quid est salvator ...
*** diceret quod non omne quod simplices filii ingredi
Regnum caelorum , et inde ad delectationem pertinere ...
Et quomodo potes perfrui , si tibi placet , cauillando crudelis ?
*** aurora tempore domini nituntur hominum planeta ...
Numquam imaginandi praecipiet ut discat primum voluntatis.
Non armorum vi , nec inutile mandatum ...
Sed *** modestia , et misericordia ; ergo qui ad cor suum in satietatem,
Gáudii innumerabiles et celebrationibus quae causa ?
Sed animus intendatur dolores peccatum lacus.
Ubi plausus rotundum vt quilibet sensus ?
Modernitatem iocabitur ullum definitum ornare.

Section III : sacrificium sui

Part I : ( hortos perditio )

A ziggurat sublatus est , arenosa in calidum lateres , quos coquetis in igne ...
Septem fabulae in caelum, sicut turris Babel ,
Quod in solitudinem, et in
This is how this poem is meant to be read. In it's original form.
Latin is nothing but the purest form of expression when it comes to language.
Hermes Varini Nov 2022
Feudal, an’ Deep Swaird Scar-Faced Ah,

Th’ Lone Skye-Horror

Thad heare Ah once gleamingly wore,
Nowe! intae Theis Abysmal ay Past Fyre-Lore,
Ye a’ Skellums, see! Theis Rage o’ mine thad Ah bore
Heare! wae mah Thundir-Airn tirlin’, nae a Woe,
Taukin’ nowe Ah! wae th’ Wynde-Tone O’erhuman, fore
Abön th’ Skye-Storne wæs ay yondir Friendly Shore,
Wae a Pause wi’in mah strugglin’, nae ay any more,
Th’ Scyld Ah haudin’ unco glowin’, ‘yont th’ Castle Dore,
Whatna! Theis Airn-Wame o’ mine, Rageful ays nae afore,
Thro’ th’ Skye-Pruid ay Lightnings, an’ e’en skye-more,
*** ay standin’, ‘yont th’ Drakkar Ablaze, wae th’ Burnan Ore,
Thus Ðhunder-Imbued, Bluish Fyre becam mah flowin’ Gore,
O’er th’ Rid Rock soarin’, wrapped in th’ Auld taukin’ Lowe,
Revenge oan th’ Dust, wi’in theis Hill graven! stick-an-stowe,
Quhain! th’ Ocean abowt mah Person, th’ Gale intae twa it tore,
Quhain! th’ Return o’ Pow’r gaed tae its Guid Hel o’ Yore,
Quhain! a Firey Ember wæs mah Rubye Brooch ay hynne nowe,
‘Yont th’ Seven-Headed Beast Winged, wha Grim He swore,
Mah Frame Axe-Wounded, Rays emittin’ frae ilka pore,
Deep intae theis ay Norland Janwar’s bitin’ owre Frore,
An’ a Mirror appeared! thro’ th’ Thunderbolts, nae thair Chore,
Nae Gode bit th’ Owar-Mann! mah Steel-Ghaist, nae tae adore,
Quher! mah Battle-Scars Rid wur stylle thais unco a Soare,
Quher! th’ Cauld theare wæs tae mah Throat aye smore,
Quher! mah Sel-Reflection dazzlin’ it wæs, thro’ th’ Aurore,
Togiddir wae mah Chain Mail flashin’, tae th’ Whyte Core!

ŌFER-MANNES BEADULÉOMAN WÆLGRYRE,
NIHTES HRÍÐUM SĊĒAWERE OND WÆPENÞRACUM
UNDER HERE-GRĪMAN OÞÍEWEDE SE DWIMOR,
HWÆR SWĀ MISGEWIDERE ECGÞRACU MAÞELODE,

SIGRSÆLL EK AFSKRÆMI-LIGA MIS-YRKI,
ÞÁ EN GINSTAN MEÐ MJÖK FRÆKNLIGA
VIND-ǪLD ÞVÍ NÆST ALMÁTTIGR ALFÖÐR,

QVA RE

ALTO A SEPTENTRIONE VINTICTÆ CVM FVLMINE

DEVS RVBRA FEVDORVM SECVRE THOR NOMINE MEORVM
SPECVLO CHALIBE SIVE SCVTO MEO SOLISQVE POLITISSIMO
RVBRO IN TEMPLO CVM ILLE NVNC AIT MIHI ALTOQVE
MEA REX SIVE BELLATOR OVERMAN NOMINE SPATHA
VT INGNEVS SIT MAXIME HOC TONITRVO MEVS VIGOR
AC FVGIENDA FVLMINE ESSE CÆRVLEO HIC VMBRA
ET INTRA FLAMMAS AC RVBRA EX FEODALE VLTIONE
ALBO HIC FVLMINE AC HYDRA SEPTEM CAPITIBVS RVBRA
LIVIDO EX IGNE GRÆCO PROFVNDE HIC FACETE DICTO

ENΘΔE KAI ΔE ETI
AΦΘONΩΣ Ω OVERMAN

OΛΩΣ ΔE ΠΟΚΑΤΑΣΤΑΣIΣ ΠANTH
KAI ΔYNAMIΣ ΓE KAI AΛHΘEIA TEΩΣ
NYN ΔOΞA KAI ΔE KAI ΔAIMΩN

STAT DEMVM ILLE HIC NOMINE REX I

QVA RE

FERRO AMICTVS FEODALE IMMORTALIQVE TOTALITER EGO CVM SPATHA
VBI LIVIDA MEA SPECVLI REFLECTIONE AC VESTE CONCREVERVNT CHALYBIS FVLMINA

QVOAD

AD INFINITVM PERPETVO RECVRRENS POTENTIÆ INCREMENTO SICVT IGNEA ROTA HÆC IMAGO
FEODALIS SIVE O ΔΑIΜΩΝ GRÆCO VERBO MEA EX FVLMINIBVS IN SPECVLO LIVIDA
AC POST DE BRVNANBVRH PROELIVM ASSIDVE DE OVERMAN CRVORE POTENTIOR IGNEA

QVIA

VENIT RECVRSV POTENTIÆ HOC IDVLVM IVGITER SIVE TO EIΔΩΛON EXTRAMVNDANVM MIHI
AC HÆ SVNT LEX RATIOQVE DE OVERMAN INVIOLABILITER HAC IN LAPIDE INSCRIPTÆ

QVOMODO

FVLGORIS NATVRA OVERMAN SIVE ENAPXIKH TPIAΣ EXCELLENTIA ESSENTIÆ
HOC FVLMINORVM INCREMENTO SINE FINE AC SINE INITIO HVIVS TEMPESTATIS MAGNI AC IRÆ MEÆ

QVAQVMQVE

SVMMA EST IN SCVTO SIVE SPECVLO CONTINVATIONEM ILLE GENERANS ET VLTOR
AC MVTATIONIS INCREMENTVM TONITRVO SICVT ΔEYPO TΩ EMΩ AIMATI PERSEVERANS

QVONIAM

SIT DENVO GRÆCA CVM VOCE AC TONITRVO EX SANGVINE MEO IGNEO
FEODALE HORVM FVLMINORVM METALLICO CORPORE MEA VINDICTA SICVT

ΜOΝΗ EΣTI ΚΑΙ ΠΡOΟΔΟΣ ΚΑI ΔH ΚΑI ΕΠΙΣΤΡΟΦH
EΝ ΤΩ ΧΡOΝΩ ΦΑΣΜΑΤΑ

QVONDAM

ΤA ΠAΝΤΑ AEI ΚOΣΜΟΣ-ΛOΓΟΣ ΚΑΙ ΜEΤΡΟΝ
ΤO ΓΕ ΝYΝ ΓΝΩΣΙΣ

AC RELVCENTEM MAGNVMQVE IN SPECVLO LAVDO ET CANO VINDICEM
ET PERGITE RVBRA HAC IN ALTISSIMA RVPE HVIVS HIEMIS FVLMINA

AD QVEM

IRA CVM EXTRAMVNDANA MEA ET FEODALE CORPORE

LOCVM  FERRO AMICTVS SPATHA SCVTOQVE PERVENIEBAM NATANS
INTRA OCEANVM AD VERGENTIS OCCASVM CALEDONIÆ REGNI SICVT

OVERMAN ECGÞRACU.
Set after the Battle of Brunanburh in A.D. 937, this composition of mine, or rather brief epic, in archaic Scots, Classical Latin, Anglo-Saxon, Old Norse and ancient Greek, tells of a lone warrior, severely wounded after the battle, whose blood turns into fire and lightnings, as attracted by his armor, when a mirror appears before him as formed by thunderbolts themselves ("VBI LIVIDA MEA SPECVLI REFLECTIONE AC VESTE CONCREVERVNT CHALYBIS FVLMINA"), at the top of a soaring rock off the coast of western Scotland ("INTRA OCEANVM AD VERGENTIS OCCASVM CALEDONIÆ REGNI"), during a storm, therein obtaining immortality, upon his own reflected self, that is, the Overman himself, recurring over and over more powerful to the infinite as one person ("AD INFINITVM PERPETVO RECVRRENS POTENTIÆ INCREMENTO SICVT IGNEA ROTA HÆC IMAGO"). My own Return of Power event thus surfaces. How he was able to reach this rock, in his own bleeding condition, and in a heavy iron vest with sword and shield while swimming, I leave it undefined, hence to the interpretation of the reader. The title reads “The Overman through the Onrush of Swords”. “Ah” is “I”, "wae" is "with", and "stick-an-stowe", "totally", "altogether".
Simon Monahan Nov 2018
A heart, even a human heart,
And yet much more! A blessing key
Which unlocks all the larger part
Of creation's secret, to be
Fathomed in divinest thoughts, where
Love spoke a single Word which could
Not be writ across one sky, there
Being too small for one who would
Speak galaxies of affection,
Spiralling lazily, with ease
Breathing out (O sweet reflection!)
How the Beloved does so please
The unravelling speaker's heart,
Bright orange nebulae signing
Cosmic sighs of love which betray
Deep fondness, and no small pining
For that sweet soul which holds such sway
While comets with hot flashing tails
Remind how fleeting is matter,
Finitude which entirely pales
Before love's endurance. Clatter
Of crashing asteroids beats loud
The steady pulse in silent space
Of devotion's heartbeat, ne'er proud,
Always humbly ready to place
Itself at the disposal of
Her, and her fair name, love of God
Having joined him to her, his dove,
Beside her e'er his path to trod.
And for lightyears of empty black
Void, the silence is unbroken
For love goes beyond the poor track
Of mere words, largely unspoken,
Of course - for even the bright sun
Burns passionately above cloud
And horizon all mute, for one
Who needs not great clamour and loud
Cries to know that her poor lover's
Attention is all caught up in
Her eyes, that beauty which covers
Her whole person, which he would win
Rather by the constellations’
Subtle grandeur than by any
Of the offal of the nations
All dearly sought by so many
(The trappings of riches and fame)
Yet counted all as dust by her
Whose sweet self and whose most fair name
His soul loves. Supernova blur
Smudges the blinking telescopes
Startled by refulgent glory
Of stars which exceed all the hopes
And dreams of poor mortal story,
Fables myriad each like mist
Are dispelled by the diction true
And truly uttered, the whole list
Of fairy tales by a great new
Reality shown inferior
And usurped, as the things of old
Are by these matters interior
Contrasted; proven less well told
Than love’s murmuring, that sweet breath
Of solar wind across the soul’s
Horizon, and the world's. Grave death,
Blistering hell, and those foul coals
Which stoke the infernal fires are
Not enough to overcome it,
The light of its hope shining far,
By which the dark abyss is lit
And made shallow, all things swallowed
By patient seas of affection,
And sadnesses we once wallowed
In escaping our detection,
As we are cast adrift on this
Placid sea. From a stately ship
Above your lover calls, to bliss
Inviting you - that you may strip
Your heart of pain’s devices, set
Sail for past the sunset's glow, while
He takes, if only you will let
Him, your cares away, your sweet smile
The whole repayment expected.
No mere bridge joins our hearts, my love,
But the Cross, which sees connected
Our green earth and heaven above,
As well as our destinies, God's
Call joining in one location
Our twisting paths, against all odds,
Fate through the grace of vocation
Made sweet by His divine favor.
A second heartbeat where once one
Sounded alone now beats, savor
Recognizable in hard-won
Harmonious sound, for no such
Unity is achieved, nor two
Made one, save by labors, by much
Work attentively done; but you,
Of course, darling, serve as reason
Enough to justify hardships
Beyond these, whether in season
Or out your presence amidships
Making every voyage fairer
Than the last, even through the storms,
Instilling courage ‘gainst terror
And all dread, for the lovely forms
Which your love gently expressed takes
Are balm and tonic against all
Ills, honey for the soul which makes
One unafraid that he should fall,
Knowing, as he does, that you will
Be there to succor every woe -
He can his heart’s contents all spill,
And safely, for you love him so.
For Mary Margaret
Charles Barnett Feb 2011
So lay me down
in the coffin beneath
the sea, that's exactly
where I want to be.
Salt water building pressure
on the wood like the pressure
that you put me under each
and every day. Let the wood
splinter like so many lost lovers
and friends and let the water
fill my lungs and ears, bubbles
exploding from my mouth like
the arguments we use to have
to the backdrop of silverware
falling on linoleum. Let it fill my
body with **** and vinegar and
let the light that you cherished
so much fade away from my eyes
like headlights in the distance.
President Elizabeth Warren
Vice-President Dwayne Johnson
Treasury Secretary Bernie Sanders
Chief of Staff Hillary Clinton
Michelle Obama Secretary of State
White House Spokesman Joe Biden
Supreme Ct Nomine Barack Obama

Why not run a champion ticket by joining together to win?
nominal May 2016
I'm walking but I don't know where to,
It's a winding road that I've been on for what seems like years.
Lay down to rest my head, give my body to nature.
Stuck in the soil, sprouting slowly, but the rain comes and the lightning strikes.
I'm dead, but what's the difference?
I didn't stand a chance anyway.
Reborn; a cloud in the sky, I'm forming a tornado, touching ground, rapidly spinning and destroying everything in my path,
I'll gather everything around me and tear it up, drop it and dissipate.
I just want to be pure
Arjun Tyagi Dec 2013
Nomine Christi Amen
gushing,  came a crescendo;
Tenor, Alto, Baritone and Mezzo,
along-with an angelic Soprano.

In *Christ's
Holy Name
she sang with those of Faith.
While snow-laden trees
falsely sheltered a human wraith.

Unlike some on the street,
his lips were cold but not complaining.
Two frozen crutches, his legs; yet
heart warm and with purpose, beating.

A cigarette in his mouth,
skin like the smoke, deathly white.
Discomfort was an easy price
for watching his lover tonight.

As the final notes passed,
of the Diminuendo, into the night;
the pews were left in a rush of haste,
by people eager for homely sights.

Slowly the Gabriel Choir also
departed to its own ways.
The silent Soprano singing to herself
at the right of God, in wait.

Out by the door, he came,
and held her in full sight.
The neon-lit cheap Cross, humming
songs of static to a drowsy night.

And not unlike the moths,
fatally attracted to an electric glow,
he trudged along inside, to her;
ache of cold bones lost in the snow.

Expanded pupils relaxed,
dilated to a semblance of normalcy.
As his stoic eyes adjusted,
his lover, was all he could see.

A moonlit shaft of dust-motes
played above her head.
Whilst she watched him approach, with
Neptune eyes of the Ocean-bed.

Fifteen steps of a distance,
and he came to the edge.
Existed nothing beyond this, save
two entwined breaths.

A soft parting of her lips,
almost soft as a whisper.
Much like the snow melting
at the passing of an unyielding winter.

Rosemary, Sage and Thyme,
odor of her skin, him it assaulted.
Aroused his senses, memories
of a Home long discarded.

You took your time,
complained the Soprano gently.
Your Daddy's gift ran out of gas,
he rebutted amused, mildly.

They left the Church, as ordinary
as the Sun, to eyes unwary.
But a keen observer would compare this companionship
to His and Magdalene's Mary's.

++

The Glasgow George Square,
above two heads, it looms.
Residential Avian families echoed their voices,
with soft caws, chirps and coos.

The Soprano sings a merry hymn,
an invitation to them, a debate.
Gladly did the residents accept, 'tis sufficient
to say the dialogue did not abate.

And whilst she sang her tune,
they replied in equal measure.
He looked into his empty cigarette holder,
wistfulness is seldom a pleasure.

A kiss on the cheek and a hand,
tender on her waist he kept;
I'll be sitting over there, Eve,
come when you are content.

He watched her then; the Soprano,
joyous yet somber as she sang.
Till the bell from the Church, in finality,
ten times it rang.

The dialogue it then ended,
with the Avian families eager for more.
For not many deliver them, from
their monologues in the cold.

She walked to him, steady
a child of gazelles and nimblest of men.
The aura of her pulsating radiance,
begging to enfulge them.

Outstretched hands, even
on plain Earth devoid of danger,
to those in love may feel like
a lifeline to grasp and reach a place safer.

He took her in, his arms
all the Sanctuary she needed.
A sober expression, not always
reflects that the soul in fact is elated.

They walked again, two souls in the streets
of Cochrane, Ingram and Miller.
What trouble is distance to a man's feet,
when another pair walks together?

St. Enoch's came and passed too,
so did Dixon Street and its leaves, strewn.
Till the lovers came to rest, at The Clyde
reflecting the newborn moon.

Night-time, self-proclaimed
sailors still pedaled and rowed.
While The Clyde, with its waters black, licked
the bridge across the road.

Care for a swim milady?
he chided with a boyish smile.
Amusing the Soprano now and then,
was indeed worthwhile.

Eve, he uttered, at a roll
of her eyes. His muse, her name.
Quick pecks on the lips
could put woodpeckers to shame.

Its cold she replied, Mona Lisa
smile hiding amusement unknown.
He led her away away from the breeze,
It was time to go home.

++

A glorious smell of familiarity,
came with the inevitability of Dawn.
Arms at ease around her waist,
her head tucked under his jaw.

Oi, he asked her to wake up, attempts
in futility, not always are of lost cause.
A soft moan and to press closer
was all he received for a response.

Oblivious, on purpose with
no heed to the workings of the world outside.
In ceaseless comfort of slumber,
wrapped around each other they did hide.

Warm of skin, warm of heart,
a bed warmed by nightly hours.
The Soprano and he, content
in their lovely little Glasgow bower.

Moons waxed and waned,
Suns rose and fell.
Every breath escaping their lips,
only promise it would foretell.

For a man needs not much, save
his Love, his God and his Peace.
The Soprano sang each morn, blessed by the Lord
his life, calm as the Clydian breeze.

The Song of Life went on for them,
each day the same as last.
The Glasgow Soprano sang till his death,
but her Voice he took with him as he passed.
Terry Collett May 2014
Dawn breaks. Sliver of light
through shutters, wakes Sister
Blaise, stirs her from sleep.
Bell rings. Chimes loud.

She sits up, legs over the
side of the bed. Bare feet,
wooden floor. Coldness bites.
Rubs arms, legs. Crosses

herself with middle digit,
in nomine Patris. Bright light
through shutters slices into
floor. Prayer said she rises

from her bed. Thoughts race
through her head. Drab night
gown, grey, long. She walks
to the enamel bowl, pours

cold water, washes face and
neck and hands. Et Filii, et
Spiritus Sancti. Lets water
run through fingers. Wash

me whiter. The Christ on
the wall hangs there in His
silence. Picture of Christ on
her desk, hands out stretched.

She runs water through her
fingers, wet, cold. Wash me,
cleanse me. She dries her
hands on the old white towel,

rubbing dry fingers, hands,
face and neck. Uncle used to.
Pushes thoughts of him away,
they slip back in place, eel like.

Uncle used to touch. Bless me
Father. She folds the towel,
places it neatly at the foot
of her bed. She removes the

nightgown. Dresses in her habit.
White and black. Mother said
nothing. Silence and the turning
of the head. Finger pressed

against lips. Dressed, she sets
about her cell. Tidying, sorting,
bed making. Uncle used to touch
her. For I have sinned. She opens

the shutters, lets light in, opens
the windows, fresh air, birdsong,
slight breeze. Father used to beat.
The Christ hanging from the cross

on the wall is silent. Nailed hands,
hands curled. She has kissed the
nailed feet. Now she stares at the
turned head, turned slightly to one

side, crown of thorns, wood carved.
Sister Clare is in the cloister. She
watches her walk. She stops. Looks
into the cloister Garth. Flowers

growing, neat rows, large bushes.
Mother said nothing. Beatings.
Lies told about Uncle he said.
Sent to bed, no supper. The sun

is warm, light on head. She walks
from the window and stands in
front of the crucifix. His hands
curled, nailed, old nails, pins.  

Feet one on top of the other, nailed
in place. She kisses His feet.
Presses soft lips. Uncle used
to touch, said our secret, sin

to tell, little girl. She presses
lips to His feet. Mother weak,
said nothing, dying now, cancer,
pain, hurts. Father dead. Never

make old bones he said. Proved
right. She closes her eyes. Touches
His legs, runs finger along. Stiff,
cold, smooth. Uncle did; she never

told again. Father displeased, the
beating pleased. The bell rings again.
Echoes along cloister. She crosses
herself with middle digit. A bird sings.

Wind moves branches by window,
He calls, must leave, must go.
A NUN AT DAWN AND HER WAKING THOUGHTS.
Mateuš Conrad Sep 2018
here's an opinion that
   requires a dialectical
attache...
no, really, it does...
the following statement
requires
an echo chamber,
a boiler room...
i walked the night streets
mesmerized
by the full moon
and the moonlit kitchen
later at home,
covered in quicksilver
as if watching silver
armor that became my
flesh...
    sometimes it happens
towing a beer...

does English existentialism
even exist?
the 20th century
dogma akin to the French,
genesis with
the Danes and the Germans...

oh, i'm pretty sure it does,
English existentialism
does exist...
   but... i hope it isn't there
in the first place...

it's so placid,
so... materialistic in its
scientific uni-dimensionality...
English existentialism is
primarily, and only,
a version of Darwinism...

it's not that "philosophy"
is undermined...
          come along history,
and physics...
  
i can't be no stretch-Armstrong
working my way around
a posit-approximate of a date,
and date zero of the big bang...

frankly?
i'm bored of English existentialism,
and we're only 18 years
into the 21st century...

**** me, watching eggs get fried
is more interesting...
the fixed rules,
   the whole Darwinism overhaul
of continental existentialism -
that... bugging...
overt-simplification
  of human psychology...
the analogue argument,
the replica, the mimic...
there are various names for
the starting block...

      i'm literally done reading
English philosophy,
never started to read it in the first place,
to begin with...
and i'm sure i never will...

i reread my own attempts and
the best i can ascribe is an embarrassing
limp **** of prudence
prescribed with a dosage of power...

poetry and music...
philosophy isn't exactly an English "thing"...
it's not a national trait to
make conversation over dinner...
unless it's a family dinner shared
before the altar of a t.v.
or the children before a screen
of a smartphone...

   ******* can rhyme, sure as ****...
but can they entertain
a cogitans per se:
i.e. a thinking thing in itself -
a complex variant of solipsism?
don't think so...

as ever... too much biological
materialism...
  which bores the **** out of me,
considering it: overstates
the ****** obvious...

   i hate hearing the obvious...
it's like: well... d'uh! no **** Sherlock!
why don't you shove your
whittle observations into a little
suitcase, throw it onto the train
heading into the unconscious
and stop gloating about the self-evident?!

*******.

i don't get how we can even achieve
pub- / cafe-existentialism's worth
of conversation when Darwin is
omnipresent...
         everywhere i look: Darwin...
everywhere i chose
to **** in an abandoned alley:
Darwin...

                         these rigid structures
of scientific certainty are
bugging me, when those who adhere
to them, have no basic
"knowledge" of the sometimes
pseudo-scientific nature of philosophy...

after all: philosophy is both
a "science", and a "humanism"...
     it's... "gender"-fluid...
       but the English do not think so...
philosophers are not
polymaths, having contradictory
interests...
             and a (as according to the 20th
century French existentialists)
   "self" interest of given artifacts...

English existentialism can exist,
in the 21st century...
but, said affairs be made given light:
it can't backtrack
and fall back on a unison source
of a genesis to craft an exodus from
the 20th century...
    
after all...
   what happened when the Germans
applied a branch of Darwinism?
   eugenics...
   so... what am i look at now?
   if not the purity of ethnicity...
then a "purity" of thought...

            but enlighten me...
what narrative exists outside the basic
cognitive Theta-Q?
        you know: (th)ought?
        consolidated moral questioning
abolished...
the end of ethical inquiring...
            there's the moral (th)ought -
and then there's the freedom of thought...

and who said what, precisely?
****, man...
i'm hearing is the clicking
of a supposed centipede on
a keyboard and e nomine's song
angst...

    i expect this to be a freedom of speech,
as i expect finding a penny on
the street...
              should you care to look
at your feet...

i said ****...
      but i wrote this, instead...
which implies?
a higher category of a freedom of speech:
like Kierkegaard originally said:

people much fuss about their freedom
of speech,
   rarely their freedom of thought...

but i guess posting this in a public
space is a direction transliteration
of thought = speech...

       i don't think so...
i said ****...
                      this... this?
  this is res extensa -
     the extension of res cogitans -
the thinking...
     sure... i could write the same thing,
20x over, and shove it into my puny desk...
but then...
   i could also write this
on a piece of paper, and, by accident...
drop it in the Romford Market Sq.
on a busy Friday, fine fine afternoon.
Lawrence Hall Feb 2018
This is neither history nor theology;
this is Romance:

                                       A Liturgy for the Emperor

In memory of
Patrick Joseph Donovan,
Stratiotis

Processional

How, then, will we find death?  With rifle in hand,
Perhaps, or flowing with the warm, worn prayers
That slip with beads through one's fingers and soul.
Rifle or Rosary, either will do.
One's death might rise in the boldness of youth,
Or in the wearied wisdom of old age,
In wild combat against ancient evils,
Or softly, while planting a red-apple tree
For grandchildren to summer-celebrate,
In wild red martyrdom, or obscure white.

The nights still whisper how the Emperor fell,
Fell with a faithful few upon the walls,
The old land walls of Constantinople.
But we are not to speak of martyrs whose
Transcendent beauty reproaches our times,
Our drifting dark age, drab, dreary, and dim
Our tomb-like lives cluttered with small darkness,
Our talk all common, colourless, and cold:
The thoughts assigned programmed into our souls,
Daymares programmed into us for our good,
Pitiful, pattering, prosthetic prose,
Cacophonies of casual cruelties --
No brave iambic lines for golden dreams.

But dare we also whisper truths, and speak
Of what a wind-wild people once we were,
And we will want our syllables to sing
In honour of the Martyr-Emperor
And those who followed him into his death,
And in this knowing of him we can live
Among those souls who are forever young.

Introit

In Nomine Partis, et Filli, et Spiritus Sancti

We will go to the Altar of God
To God, Who gives joy to our youth
We will go to the Altar of God
We will go to Byzantium

Kyrie

Lord have mercy -- when the shadows surround us
Christ have mercy -- when we forget the Three Romes
Lord have mercy -- when we forget You

Gloria

Glory to God in the highest
And peace to His Byzantine people
And all His peoples
Lord God, Heavenly King
who once blessed us with Emperors
Send us another
Send Your waiting people their Emperor

The First Reading

As Constantine his walls he watched, he wept,
Lost in the Gethsemane of his soul
His tears they fell upon the ancient bricks
Warm with centuries of sun, saintliness,
And the passions of a glorious race

The City!  Long reigning on the Golden Horn
The Summer Country of our childhood dreams
There playing, praying, working, selling, and,
Yes, sinning too.  Passionate *Romanoi
--
What a magnificent people we were.

(fast)

When armies marched to the Byzantine beat
Sophia ruled from her Byzantine seat  
When Byzantine sails sheltered Odysseus' sea
The wave-roads of trade were open and free  
When Romanoi feasted, blood mixed with wine
Daggers drawn over a dancing concubine
A newer Helen who provoked desire,
She seared men's eyes with her own Greek Fire
When Blues and Greens howled in the Hippodrome --
Such rowdy citizens in Second Rome! --
Then even Emperors in purple shoes
Feared stoning by Greens or hanging by Blues
The rough, loud democracy of the street --
Mobs also marched to the Byzantine beat

The Second Reading

(slowly)

But –

Above all rose Justinian's gem
The holy place where God called us to Him
The Mother Church of dawn-lit Christendom
Sophia -- the Queen of Byzantium
Where Patriarch, patrician, people, and priest
Gave worship.  Then the greatest and the least
Abandoned sin to hear the sweet bells ring,
Stood penitent before our God, our King:
In consecrated hands, through wine and bread

Christos Pantocrater fed us Himself

And then all hearts were cleansed, all souls were fed

(Very slowly)

But centuries passed, and this City of God
Heart of the Empire, became the Empire,
As lands and peoples were lost forever
to the creeping new age.  When Constantine,
The last Constantine, was called to the Throne,
All that was left was The City herself,
The Morea, and islands, and memories.
The fleet whose sails had shaded the Inner Sea
Was but a few hopeless hulks in the Horn

From the dust, dark shadows metastasized,
Shadows who stole and slew their way to power
And swept the land bare of free folk and fields
And more and more the shadows grasped and held,
A dead world of slaves whose backs were bloodied
Beneath the whips of masters, slaves whose eyes
Were cast carefully, cautiously to the ground
Lest demeanour manly and bearing proud
Attract the executioners' busy blades.

Finally, after devouring lands and souls,
The shadows coveted Constantinople,
The Red-Apple Tree where continents meet,
The City they could never build for themselves
And nothing stood between them and their lust
But one bold man: Constantine Dragases.
The faithful few who stood the walls with him,
Gathered around proud, stubborn Constantine:
Workers and monks and nuns, beggars, merchants,
Proud, arrogant Byzantines, and the few
Wild Latins From the barbarian West
Whose Greek was in their hearts, not on their lips,
Who gave their loyalty late to their liege lord,
The Emperor, who could have safely lain
A shadow's golden-caged slave, obedient,
Well-fed, well-bedded from the shadows'
Catalogues of pretty girls and prettier boys,
A memory of what had been a man.

But Constantine stood proudly on his walls,
Defiantly, bravely, sadly there on
His crumbling ancient walls, and gave his faith
To God and the City, to his people,
Even to the faithless ones, even to his death.

And others came, From Rome and Spain and France,
From Germany, and even from the Turks,
Brave, lonely men with reasons of their own
For ending their lives there on the Land Walls.

But they were not enough.  And late that night,
After the last Mass in Hagia Sophia,
The Emperor knew that his was the blood,
The blood of sacrifice that would be shed
In remembrance of ****** Golgotha,
For the people he was given to rule,
For the people for whom he chose to die,
Sheltering, protecting, until his end.


A Gospel

No angel appeared to the Emperor,
No voice of God from a burning bush
He parted himself from his followers
And for a few minutes grieved alone

And this was given Constantine to know:

The eternal Constantinople is
Never to be lost, never defeated --
In every Christian flows Dragases' blood
Every village is the Holy City
Every church is Hagia Sophia
Every prayer is a Mass for the Emperor
Every children's foot-race the Hippodrome
Every poor family's poor supper
A banquet under the Red-Apple Tree.
Constantinople will live forever.
Know that, and, laughing, give your last earth-hour,
And your joyful eternity, to God.

Credo

We believe in God's holy empire too,
Byzantium, eternally golden
The Red-Apple Tree in the eastern sun
The City that echoes with laughing light
Through memory and history and beyond.
We believe in God and His Emperor,
And we believe that in the absence of
The Emperor, even then we must be
The Emperor's subjects, stubborn and true,
Wherever God has chosen to send us.
We then must rule our passions and our hearts,
Tend our gardens as if they were Eden --
Because they are -- and care for our children
As if angels were visiting tonight,
Until our God restores our Emperor,
Restores His City where the Earth-halves meet,
And finally, some day, some happy day,
Returns Himself to sit and rule enthroned
In His Three Romes, and in Jerusalem.


Communion

Constantine shook himself, and gave commands,
Commending all to duty and to God.
Above him the dome of Hagia Sophia
Glowed eerily on that last, wild night
While lightning slashed among the sliding clouds
Byzantium rose again for one glorious hour
And the world marveled that such things could be,
That Christ and Rome and Constantinople
Could be found in one man at the end of an age.

Blood, *****, screams, and death;
blood, *****, death
Blood, *****, screams, and death;
blood, *****, screams
Blood, *****, screams, and death;
blood, *****, death
Blood, *****, screams, and death;
blood, *****, screams
The glory is that there is no glory.
Chaos.  Horror.  Stench.  Sweat.  Pain.  *****.  Death.
Hi­s -- His -- body broken again for us.

On that dark morning of a dark new age,
Constantine turned and faced its slithering shadows
With a Byzantine end to his ruler's art,
With the peace of Christ and a hero's heart.

DISMISSAL

The Mass is ended.  Byzantium is ended.  
Escape, if you can -- make Byzantium live.
Escape to live in some peace, if you can.
Escape in peace to love and serve in exile.
Escape in peace to love and serve the Lord.

"O Lord save Thy people and bless Thine inheritance;
And to Thy Faithful king grant victory over the barbarians.
And by the power of Thy Cross, protect all those who follow  
          Thee"1

Not an End at All

1Troparion for the Sunday of the Elevation of the Cross, Divine Prayers and Serves of the Catholic Orthodox Church of Christ, copyright 1938.

Many thanks to Mr. Tod Mixson and others of St. Michael's Orthodox Church for assistance at many points, both liturgical and artistic, to Dr. Dan Bailey, of happy memory, and Dr. John Dahmus of Stephen F. Austin State University.
Hermes Varini Oct 2020
Och! Airn an' Thwndir!
An' Urquhart's Wae Verra Hel!
Great Warlike Glamis' Firey,
An' Hwmyd Loch Doon's Orrah!
Downe! Downe! tae thad howch owre miserable!
Ye a' swithe hame, hame! wae ma Airn ***!
An' weile 'yont yondir Suthron!
Waefu', waefu' heyre Ah! War-Ironclad heyne Ȝell,
Wae burr-thistle’s Gowlin’ Storne Micht!
Frae ma verra, verra! Ah ageyne!
Tae the Cauld Enraged Wynde
Unco! intae Æternall Battle Scorchin'
Towardis Moorlan Chain Mail-***** o' mine!
O'er an' o'er IT! increasingly thro' Force returnin',
Wae ma verra Blacklyn Tartan o' War heyne,
An' Silvery Brooch, wi'in yondir Lone Sceadewe!
Unco! wae the Rubye Stane deep-shimmerin'
Naixt tae Carham's Gory Landis, an' the Targe-Hell,
Thro’ nowe Tune Martial, stick-an-stowe Ȝell!
Airn-Curse Core-Firey, Hye-Flamin' IT!
Heyne unco rychte Airn-Moorlan o'er ye a'!
Ah, bye nowe the FEUDAL OWAR-MANN!
'Yont thad Auld Whunstane Tower-Shrine
Togider wae Lang Titanium-Claymore, Airn-Dazzlin'
An' ne'er, ne'er, IT! stick-an-stowe tae wane!
Wi'in theis Bluish Fyre syne! Verra War-Swaird Rairan IT,
Intae Thae Hringiren Æternall, Thwndir-Devastatin' o' mine!

QVOAD FEODALE MEA CVM RVBRA SPATHA
ET RELVCENTE HOC SCVTO AC FVLMINE NIVEO
SCOTORVM INTRA HANC TEMPESTATEM MAGNAM
QVÆ FLOS IGNEVS EST TONITRVO NOMINE ALTO
NEMO GELIDO HOC LOCO IMPVNE ME LACESSIT.
The scene refers to medieval North Scotland, in what is today Aberdeenshire, during a storm, before the dreary ruins of a forgotten tower. The narrator is wrapped in a Black (Blacklyn) Tartan. The Battle of Carham (ca. 1017) is mentioned. "Targe-Hell" is a kenning for "battle", the "Targe" being a small round Scottish shield. Three verses form, indirectly, the word "Auld Lang Syne". "Swaird" is Scottish (archaic) for "sword". "Wae" is "with" (also "wall") whereas "OWAR-MANN" is, of course, "Overman", my own. "Ȝell" is "yell" (13th century). My own Return of Power event appears.
Sam Barger Nov 2013
And stoners we shall be for thee, my **** for thee.
Tokes hath descended forth from thy bowl that our lungs may swiftly fill with thy smoke.
And we shall pass the dutchie to thy left of thee and flying with friends shall it ever be.
In nomine mater, et spherae igitur et sanctam favillam.
O, Lord forgotten please accept
Me upon my mission bereft,
I look to the stars in darkness and cry,
And teeming with demons I ask you why,
And how I can be rid of myself,
How may I ask you for help?
Please remain with me where others have left,
Please linger with me as I conquer each step,
Forgive my wrath, forgive my hatred,
Please stay in my destitute heart, my Savior.
In all my life I shall remember my words,
About the others who walk with the heard.
Nunquam animadverto paradisum,
Omnes perdes qui scitus I,
In nomine Patris et Filii,
Et Spiritus Sancti.
Youdont Needthis Jan 2017
He exists in ****** duality
Dwelling in ******* lips and tongue
She is born of blackest dimension’s strum

When the rifle conquest bellows loud
And slaughter’s hum be murderous roar
It rivers in winding bends
Of purest human shale
The destroyer’s chorus in innocent’s wail
Clammy skin of mistresses pale

Chant in rounds this king curse brain
Her obsidian Charon
His violent game
It thousand claws
It needle veins
Sand drowning corpses in rotting flame
It eldest spirit from ancient plains
She blood unholy
He flesh unchained
Forever wholly thirst insane
Dismembering life
In nomine
Essence
Essence
Essence
Mateuš Conrad Jan 2021
like a "sickness" in the stomach *** 7am
    after only going to bed at 2(am) -
       and not from any considerable mention /
allusion to a "lack of sleep";
     in that "sickness" is more or less
    akin to a metaphor of a centipede wriggling
about on a hamster wheel /
   a rollercoaster of sorts...

   tough-chew of a fiddling with imitation
   walking...
             prized pins in the feet that have
turned to custard-hardening numbness...
immediately a towing of verbiage
seems more apparent than ever...
   perhaps an interlude of

   'and here's one i prepared earlier'...
          
//

  besides: no one really wants to write something
maxim esque every other sentence:
feeding a readership of
exasperation and sighs - from what i've
heard writing maxims and / or aphorisms
can be a rather tedious undertaking -
for all the times that: when should be forgotten /
'suppose i dreamt it?'
              - and any other offer than can
come with: working out a best lived towards
the amnesiac astral domain...

it just came out of a deep need for perhaps
conversation - then again i am too tired -
             a tiredness that probably sounds better
if i push for some eloquence and
technicality - a miasma is too strong a word -
i'm trying to focus on ancient "things" -
   a chimera variation of a turtle -
               a talking sequoia (but an oak would
do just as well)
                                        and a jellyfish...
  from centuries old... lethargy...
                            with this living:
                                        a tryst a harangue
a search for catharsis -
                                 if need be for a mystery:
loitering on the promise of -
                                    by the gallows on
                                         a Sunday -
                                            in a year were all
such days could be: literally read as being borrowed
from the benevolence of
that                                monstrous UV bulb;
and her copperskinned serpent
                          monstrosities of trickle a tease
of skin's to sizzle: undertones of
                 thrashing water against a window
in the ear reach(ing) a pitch higher...                
                                                                                    //

towing too much space: nudging forward
a shy rubric - an omni- litany (by any other
prefix, squalor)
            between a noun like shy
    and an adjective shyness - formality:
a word genus out of identifying it as such -
a technicality of teaching / learning
                                this (a) language...

- but it dawns on me that i have perhaps
eroded too much of origin and thought
and perhaps even an originality via
the cameo cinema of memory (fickle creature),
but it also dawns on me that
perhaps 10 years apart (circa

                                          ) is enough "time" /
the same sort of space that would allow
a rereading of a work that's
             either Herr Watt (ha    ah      ha)
or a Thin Geon  
                           Anne's Wake -
                    for what use to i have for any
more of that democratic endeavour -
   if only to reprise upon: from the catacombs,
the labyrinth, the ancient library,
the depth of sea upon sea of paragraph-congesting
a drawing-up a coming up for air
akin to (verbatim)

- ****, Nick & the Naggies / Glugg &
    the 3 riddles - Chuff etc. -

   in the house of breathings lies the word,
all fairness. the walls are of rubinen and the glittergates
of elfinbone. the roof hereof is of massicious
jasper and a canopy of Tyrian awning rises and
still descends to it. a grape cluster of lights
hangs therebeneath and al the house is filled
with the breathings of her fairness,
  the fairness of fondance and the fairness of milk
and rhubarb and the fairness of roasted
meats and uniomargrits and the fairness of
promise with catatonia and avowals...


that from out of nowhere and for reason
other than: in order to write proper  & "proper":
tossing and fidgeting the little oystertongue
like imitation(?) i.e. forget conversational
standards of languid, lingo, linguine -
in a frock of half down and in a tuxedo of
half up
                for none of this could possibly
make it into: it's a Thursday morning
   by now all the newspapers have,
                               have been printed...
                  perhaps i'll tender a pause to imply:
pounce-stealthily-hidden in
                                                         wait:
  trainspotting & *****-tickling itch-not-itchy...

now that would be a-happening of sorts:
beside all the bog-****-sodden autobiographical
miasma and fog...
beside all the fog-coup-nudging shadow
with elbow and prayer to a nuke-UV-bulb...
a heart a sparrow a ribcage:
                when farting into the wind
when throwing a stick against a tree
in a forest -
                        when the unbelievably
corrupt sense of self is content, pure,
             by pure i'm only aiming at:
                           uninterrupted -
                           or... without a conjunction
like                                            and...

                that's before: that's a before veering
toward:                          image - begin, again:
a chandelier made from champagne flutes...
       on a side:
i can stomach divulging and bulging in
                                   shackles and monkey's
cackling imitation giggles -
some existential angst (although not something
grandiose as a 20th century sort
or "European" / 19th century precursor)
  
       on the periphery of some "now" (a variation
of when, what if - how, what?)
       such that it is a beautiful lie:
this life...
              and my newly  found estimation
of revising esteem for: not wriggling
in worm-food and silly-ink:
a medium of tedium of being taken
seriously (even if as a "reverse psychology"
reversal of joke)
    
       a puncture a wound that "word-thing"
compilation of:
       well beside something as interesting
as: it's an essay by a lucy ives and
                 it's an essay but for me it's more
a shortcut a footnote parade for my own:

   would it ever (at all) be better
to cure an itch by a pinch
   or in(deed) by a scratch...
             gravestones and heads of matches:
possibly very itchy specimens
it's not hard to imagine
******* on a pebble: no, not imagining
it to be a toffee (landrynek)
              
but honest to god and all that's
Port & Geese (Frugal, Portent - i forgot
the attached -al in s.p.e.l.l.i.n.g)
                 i have nothing equivalent to:
beba babe caco (clot)...
in my own in nomine patris
            since: what is much dissimilar
besides... "******": baba implies
               old woman / peasant woman /
         or woman as harangue (of sorts)...
even though babka =
                        a sort of cake (elevated
sponge, elevation = more bite to it)...
   then comes the suffixation of
the diminutive (adjective)
                             to the word...
babeczka, babusia... babcia
                                              (grandmother):
no language policing here or alt.
   wizardry / frothing at the "salad" i.e.
         concretely (in conc.) a D. Pignatari ref.

but for me: unless not congested (at least
like so) then latin is: loophole it see-through
it's almost flimsy it's barely visual:
why-because-it's-so-******-pragmatic
& why-because-it's-so-utensil-where-none-required
& economically sound
& sieve & water & thirst &
it's hardly an M like Ⰿ
                     or Ⱄ as S
                                let alone an I (pronoun)
i.e. not vowel(,) which is a syllable compound
of Ⱑ   (let alone Я) -
                          perhaps via some distinction
between vowel and pronoun
                    and aye i.e. yes...
             i̊ must say if the pronoun is so bothersome
and more: cut the head elsewhere
sınce ıt's there by no real dıstınctıon
when compared to              får
                          when compared to fát...
                    unless that dıstınctıon be made:
also elsewhere - ȷust like so (Jettıson Bothersome
& Blues)
unless: bothersome camouflage like
a broccoli in a sea of cauliflower akin to
ınınınınınınınınınınınınınınınınınınının
nnnnnnnnnnnnnınnnnnnn­nnnnnnnnn
when "oops" and Bob's your uncle
   i.e. ınınınınınınınınınıninınınınınınının

...never mind - i've been here before
but for the sake of convention (ctrl-c-ctrl-p)
     as clear as day:  
                                  i̊ might add...
       because it would not (otherwise)
  in any other way not suit me -
              thrice up ¡¡¡           thrice down !!!      

all in all: a leisure of an exercise in...
                              terms of waiting for such
pennies of a wording to drool off
a muse's heavenly gob.
Mateuš Conrad Apr 2019
don't know, never used them,
for me the experience was
akin to:
walking to a supermarket
for a 6-pack of beer,
passing a thai bi-******
on a bench, frantic in conversation
on the phone,
buying the beer
in a supermarket,
walking back, stopping
to ask for something,
or she was asking for a cigarette
lighter... sitting down with her...
talking... blah blah...
asking: you want to come
home with me?
consent.
     cool cool,
a few beers later,
a jazz record...
          ******* in the garden
when night came...
then walking her home,
giving her my coat,
as she explained:
i'm drowning in it...
         a necklace with
a ring attached,
to be paid my compliments...
   i keep gagging at this memory
for, all the reasons,
that suggest,
and the times i went to
a nightclub in essex?
   and didn't get so much
as a kiss, or get laid?
and this sort of **** pops up?
beer, supermarket round,
a random girl,
a public park bench,
******* in the garden?
          sometimes i drift into
central london...
brick lane...
  the clubs there,
and i'm like...
           what the **** happened here?
dating apps...
ah... so...
not the classical circumstance
of clarified transaction,
no man, no *******,
"something,  "in between?"
i guess i never married because:
(a) chernobyll birthmark
that kept people wanting to **** me,
from a state of infancy
(b) high blood pressure in
my early 30s
(c) acne...
           (d) 6ft1 and a full crop of hair...
(e) i forget what that is...
  (f) not circumcised...
(g) the "existential" concerns
for global warming
   and limiting the population
of the world...
  which, in new dehli sounds
a bit like: blah ah ha ha ha ha!
winners all round.

my god, i tried, i tried,
but what became more important,
was regards to how:
i could perfect the most spectacular
failure of myself...

           prostitutes helped...
i tried speed dating once,
let the whole scene with
a room-mate of mine
doing a big-*** L index-thumb
hand signal against his forehead...

     and then i never dated,
i don't actually know what a date
is...
   dating... compared to...
arranged marriage?
      what's that?
   someone revealing themselves
to another person online,
but when there's a need
for conversation,
all the facts are known?
  is, that it?
            
             i thought that profiling
was a repository for intelligence
agencies...
   so... i'd write an internet dating
profile,
    but then revel in any private
information, that would
reveal my personality,
before...
       the wining and dining?
so... what would be the point
of disclosing all the sort of information,
that might be required,
on a date, for the sake of conversation?!

i must be a + + autistic or something,
i skipped the dating apps,
went straight for the company
of prostitutes, passed the priest
and the psychiatrist...
            
  that really was a thai surprise back
in the park...
   how is that "scored"?
   he.... she was somehow a 5...
i figured...
    the lesser the "quality",
the higher the chances for a hard-on's
worth of a madonna-***** complex
antithesis of limp ****...
    implying an *******...

if social media was a "thing"
back in 2007...
and dating apps were a, "thing"
in 2017...
   i've just spent 10 years living
under a rock...
        as rare as it is...
i did the organic scout routine...
never "buy" a *******
for credit, keep everything debit...
and... on the odd occassion
that you chance a ****-buddy
while picking her up from
a public park bench...
                    well...
        
       chances are... you'll come across
a thai surprise.

games have become to represent
coping mechanisms
of... the "old age angst of not getting laid"...
i cared for a while,
then i realised:
surely this must apply to circumcised men,
no?
              why would you feel
****** frustration,
    social anxiety, angst...
    e nomine type of soundtrack?
i can sort of imagine
how paedohpilia arises:
   men, being intimidated by women
their own age...
   i can give you a theory of how
it starts...
       but the end: it always the tender
obvious...
   i once walked behind one...
knowing on outer-suburbian doors...
with one being opened...
a kick to the head...
   the shattered kiddy-****** walked on...
didn't even dial 999
and reported the assault...
       it's funny... how the concept
of law intra-man works,
when the scientific findings
of the medium, the inter-man works...
leave us, at best...
just that... inter-****,
  while the intra-****...
         eh... side note...
            
                       i'm surprised that...
muhammad...
     was a paedo...
      but not an alcoholic...
           i too found it weird that
i automated jerking off aged 8...
      my sister was an alsatian shepherd...
and my brother was a dobermann...

            my dream job,
when, working in a music shop was
disavowed...
   is still working into a slaughterhouse;
and what would possibly be so
"weird" about that?

             dating is such a bad idea
once you've invested an interest
in going to a brothel...
         dating... such an alien concept...
the complete lack
of a transaction clarification
of a date, compared to an hour's
worth spent with a *******?
             it is a "short-cut"...
but i'd also hate to play the "game"
of life...
   dating, i'd much prefer going
to a tailor,
     as i learned from doing
the brothel round...
   first comes the *******,
later the realisation of a turkish barber...

     i skipped that part...
this whole...
   date... etiquette play-thing theatre...
social norms...
   social norms:
i either ****, or i get ******.
The light of Nirvana manifest at the first glint of creativity , the glow in the writers heart praised at the Gates of Heaven , their records etched in pink marble within the Heavenly Foyer for all eternity .
The journal of the ancients , scribed with fire , cast in bronze tablet , adored by Angelic host ..
Works of praise engraved from the template of the Most High , eyes of fire in the darkest of night ..
Carmine in nomine ipsius gloriari !
Copyright January 2 , 2016 by Randolph L Wilson * All Rights Reserved
Andje Jan 2020
Unsaid, untold  
Stains of sunlight, stains of gold
Ebony and silver in tune, in loop
moon lies, moon son
Blessed
Mateuš Conrad Aug 2017
the diacritical markings are there for a reason, they are intended for a sharp japanese pronunciation: no breaking apart of su-from-doku... soodo(h)koo! hai! there's a reason why i have managed to ask myself the reason for transcending mere letters... reign from above: in the realm of diacritical markings... hence? hai... as the japanese would state (very quickly): sūdokú! hai.

in only came to me upon no. 9242 puzzle...
i wanted to write the most accurate schematic,
i.e. sūdokú in algebraic form...
some might add: a three dimensional
concept, within a two dimensional
working "thesis"...
               i can't stress enough why or how
i'm fascinated with this ****** puzzle...
but i am, and i will never be able to
solve a single *******'s worth of
a crossword puzzle...
     i'll just open a thesaurus and get,
pretty much the same; a short-cut!
**** yeah!
              but sūdokú? that's different:
samuria: soodohkoo! hai... hai.
       better still: haí - shee?
    (said with teeth tattooed with honey) -
oolmoosht a gee of a j, aha, haí?
******* better learn to swim the next
time a tsunami breath comes from the belly
of poseidon; and where was the japanese
army, dropping bombs into the tsunami wave
to distort it, disperse it? where?
         noooooo where, busy cracking tetris;
but i have it! i have the algebra form
of understanding sūdokú...
   after all, it's an imploded lament cofiguration
(i like my cubes, i like my cubes
very much, i like my cubes because i like
hellraiser II (hellbound) and hellraiser IV
(bloodlines)... i like my cubes imploded
onto a page... i like my cubes -
i get fickle with lightbulbs too,
   the on-and-off i.c.d. - i get to think
if i do the lightbulb "trick" enough times...
my i.q. status will sky-rocket)...
   it's a wonder though:
  ever heard someone with a high i.q. score
tell a decent joke?
              i haven't, and i hope i never will;
it would simply break me theory that:
you have to be a complete ******* to make
people laugh...
      really intelligent people don't know
the basis for encouraging a laugh...
  they just employ "intelligent" jokes,
but their intelligent jokes are reduced to be
being jokes... only if supported by canned laughter.
oh yeah...
     so... sūdokú no. 9242?
   reads almost like an auschwitz check-list...
so, sūdokú 9242 (
empire of the sun
was godly... esp. the young batman singing
that kamikaze song, shay shoon toong sho -
whatever the **** it was, i cried) -
i worked the algebra format,
i had to, look how complicated the asiatic
languages are,
they don't have the rigid 26 letter format,
they have syllables...
        somewhere between the greeks,
that treated their letters as syllables in
the noun format: rho vs. r...
           and where did the castratos come from?
from the sing-along "republic" of the vatican...
i say a, the greeks say alpha,
         the chinese? *******:
    picking up match-sticks with chopsticks!
and thirty thousand complicated years later,
i'm saying chew, and they have used up
my patience, using | | | | | | | |,
or whatever number was used to write a syllable:
the chinese are good at mathemtics,
why? they have absolutely no concept of
a ******* letter!
   of course they'll master it!
look at them... a ******* billion of them!
i haven't finished the puzzle
but i have the schematics of 1 - 9 in algebra form...

   y    x    
 *
 x*    xy   x        x        x       x     x     x      x
         x     xyz    xz      xz
         x     xz      xyz    xz
         x     xz      xz      xyz
         x                                  xy
         x                                         xy
         x                                                 xy
         x                                                       xy

oh, i make my sign of the cross,
    it's an optical game after all,
you spot the heretical (english) concept
of a straight line... i.e. you invite a third
mediating coordinate...
   when drawing a straight line you
don't really need the pythagorean equation,
you just get your point (a) leads to
point (b), or you buy an a - z...

the title? i became annoyed at the optical
illusion in the puzzle,
one of the numbers wasn't showing up...
so i clenched my teeth and said to myself:
no way are you going to publish this
not having solved the puzzle...
   i almost finished with a question mark,
but then i spotted the:

   x 4 x
   x x x
   x 4 x                           blunder...
      
i once stated that learning the greek alphabet
could ease solving the puzzle...
now i'm thinking algebra notation will suffice...

oh, i still perform the *sign of the cross
...
but i'm not into lazy sundays...
  i blind the blank squares
with my pen, mostly doing
only the: in nomine patris,
           et filii...
                           by orthodox concern
i'm leaving the third "person" blank...
    solving a sūdokú, i only have the #...
oops...
                only heretics know more orthodox
mysteries of a religion, than
the actual orthodox useful idiots dare to mind;
e.g., a choir in a st. petersburg cathegral was
singing, i sat on the floor,
  i was told to get up,
  and ******* the priest who was reciting
the bible and not facing the crowd...
                          wha', da' ****, izz, dis?!
burn *******, burn!
  the roof is on fire, we don't need no
water let the ******* burn,
burn *******... burn!
   you pushed way beyond a justifiable
aggreviance of suggested ritual...
this aint'the ******* louvre...
    i want to be the doubting thomas...
you don't want to execute the rights of
a doubtful thomas?!
   have your little transgender ****,
      guess who you're going to see more of?
******* muslims!
               take the fairy-tale,
forget you ever looked at, or read
the nag hammadi library excavated with
poetic brilliance, in 1945, just after
the twins hiroshima & nagasaki were born;
and before every operation i ever had,
i always asked the anaesthetist... *quo vadis?
Victoria Aug 2023
Amid my restive slumber
tangled in linens,
Morpheus' hand did pass o'er
a vision unto me like the maw of a beast.

A stranger did come and in their form,
shapeless and obscure,
uttered my name as clear as day
without another word.
I drew back in terror
and the name rung out,
hanging limply in the dusk.
Extending a hand with lifeless eyes,
waiting for my trust.

I fled away,
my naked feet bleeding on the earth.
Mateuš Conrad May 2018
so I says to the moth sleeping
on a kitchen curtain:
allow my hand curled
to be as soft as a laced
napkin, and you'll fly out
from my chamber prior
to the sunrise scything
the morning dew...
        ****!
     and as I lit a candle and
gently uncurled my hand
into a proud lotus
with a sitting Buddha:
the moth disappeared
    with what felt like...
a kingfisher diving into
the stillness of a narcissus pupil,
near figment,
replacement of
a woman's authenticity
of belief, subsequent
gangrene, akin to the one
success story bound
to the rigours of Walt...
****! thin air...
   a moth in this kingdom
of night, is lover
to the kingdom of day...
a fern replaces a laurel...
immobile drench
of autumnal perfumery
of sly, snail *** oyster
gluttony of excess saliva...
no cannon riddle salute...
deafening the living,
bewildering the dead...
my adversary is not worth
the impetus and subsequent
ordeal of gained
responsibility of Cain...
vain vagabond...
truant lavishness of
lavender...
     silence reveals...
what word is best said yet
best unworn...
   hardly woken...
like a child asked for buttocks
before a jab counter Odra...
counter Ospa...
            mid-dream...
           meningitis hepitatis
worn A, B, C, all through to
D?
         I see nothing short
of the clamour of the living
turned, dead,
   and no drunk statue...
only rigid, copper frames...
best seek the concept
of a cube in a cage...
             than a god in a man
in a man in a universe
with whatever strings attached
no more than chance, contra will,
in this circus of stars...
   however the elaborate
expansions of space,
reiterated by the whimsical
musings of time...
there's the bound man,
the rubric standard,
    the reiteration and
sense expanding cull: contract
  reiteration of medium...
the plateau man:
the safety net inferno...
10 generations apart,
and still: without a Dante...
and thank ****
Bukowski didn't mention Dante!
eerie now, my reading of
the "Bolognese" tirade,
and the monopoly
          of "earned" bachelorhood
of... the ma than becomes the gran
and the hopeful bride who...
can't make a broth...
as well as you...
           but of course...
rasta best explains:
     I is responsible for all...
     pardonable am... 100 years later,
and, apparently,
it didn't originate in Zurich...
  
      papa dont preach,  
I'm emeritus...
      Etc. Etc. in nomine
gratia plena...

words have become
quasi iconoclastic
within the confines of keeping
up with the rigour
of crafting logo...
coca cola, CoCa CoLa...
the ******* black madonna of
Częstochowa...

     genuflex of the abstracted
tetragrammaton...
   Y 'ere,
    
    W over d'er

                        HH: rugby.

FeO: iron oxide...
  BBC4 (radio):
      the Ushers...
    Churchill's θ...
    id est:
   not cheesy...
   w'ah'ver:
   w'eh'wee w'eh'wee
      veering on vague:
V(e) 'ucking, 'uck of e
     pringle.

very discrete,
that definite article...
scissor atheist thought,
either an indefinite
article of A...
    or the rubric of lost
items on the tube...
   with a genesis of
  a-;
    oddly enough...
no lost umbrellas in this one...

because god forbid a language
should ever incline to be
shackled to a mind only
safe in confining itself
to running a school, yard,
and brick cascade of
***** counter excavations
of equal numbering,
to avoid the heretical waste...
doon d' 'oobe...
    
    how else to translate
"******", shittz painting?
      poetry is...
the lost art of counter rhetoric...
a poem ought to shut
someone up...
suffocate them...
          rather than be,
what it currently is...
impedium of
replica...

     **** me...
even I had to check the dictionary
to convince myself
of the stature of but three words...

impedium of replica...
at least plagiarising painting
has a thrill of
plagiarism behind it,
a mischevious
         ploy on employing
subsequent experts...

               my tongue, mostly
completes itself,
on how best it confiscates
the flame of a burning out candle,
and less...
on how a slug might burp
in the Royal Albert Hall.
Hermes Varini Mar 24
VLTORIS MEA INCIDENS SVVM ÆTERNVM IMAGINE THORAX
DIXIT VNIVERSI MIHI LAPIDE AΠΟΦΘEΓΜΑΤΙ TYRANNVS
DVM SCYTHIÆ SVPER SANGVINE ARDEOR INVICTO
SEXTA RESVLTANS MEA NOCTIS SPECVLO FORMA
CÆDIT SVO PROBVS SIGNATOS FVLMINE POSTES
QVO VASTATIO CHALYBE DICITVR ESSE INDIGNI
VICTRICIS AQVILA TVRMA SACRI CONSONA
PRIMO SIGILLO TEVCRVS NOMINE CRVORIS

VINDEX XYSTO DÆMON IΕΡΩ

MITHRÆO TEGVNT FVLGENTEM TENEBRÆ HOSTES TEMPLVM.
A composition of mine in Classical Latin touching my own beyond-modern, or else beyond the Cogito OVER-CROSS and FEUDOVERMAN new notions. TEMPLVM is “temple”, in both the Greek, or Roman or Carthaginian (or ancient, in general) and Steel-Medieval acceptation, as now related chiefly to the latter. A SUPREME and OVERWHELMING, New Superomistic Shrine is thus set forth, flashing with primordial force into an Eternal Night (MITHRÆO TEGVNT FVLGENTEM TENEBRÆ HOSTES TEMPLVM), and utterly dabbled in Battle-Gore (PRIMO SIGILLO TEVCRVS NOMINE CRVORIS). IΕΡΩ ("through the Temple") is Ancient Greek for this very word as well, as thus employed in the instrumental dative (TO IΕΡON being its neuter singular nominative). Told in the first person.
Kurt Philip Behm Nov 2020
The largest rock I stand upon
is anonymity

Lodged within the silence
of myself

Calling from those distant lands
in names left blank and mute

Insuring my obscurity
—unknown but deeper felt

(Dreamsleep: November, 2020)
Mateuš Conrad Jan 2020
Sanskrit prudence in Dublin...
because you know...
i'm your next: on cue to be the next
Delmore Schwartz in making
Finnegans Wake somehow "pop"....
not going to happen: dear son
of an Arab lost on Aran...

i thought the prize was the puzzle: per se?

oh i'm sure you have heard... the Irish...
can we please serve these people
the proper non-anglican diacritical markers?
no? we can't?
no problem... we'll find alternative avenues...
i will never find my feet making
footnotes in a Thailand...
the rich rushkeys and the rude -
compensation markers -
the culture from beijing...
always your first go to...
stomach ache...
apparently cannibalism is not so bad...
when you hear about what
the chinese are cooking...

no... can i please pet my cat?
i like petting my cat...
and there's this "how-almighty":
pretty awe-mighty Allah stressing
pork decrees as: "***** meat"...
like i said... ***** are vultures...
but... bound to water, to salt water...
well... you know that salt is...
a bit like keeping meat refrigerated?
it's a compensation guise of keeping
meat alive...
that's at least how herrings from
the baltic were kept...
ask any tapeworm or other kaleidoscope
of parasite...
no thing to be found or be bound
to being denoted: alive...
in the dead sea...

salt curates more than the viscious
sun, the desert...
salt and how it can be thought of as...
******* the juices -
esp. noted in cooking -
in a stew, a broth, a curry...
the magnet addition...
throw some salt into the equation
and watch the tapeworm
shrivel and die...
dehydrate the body...
salt caramel lollipops...

thai... thai **** beetroot:
because there was no bogus
to begin with...
eh... fickle most probably tamed
feeble stomachs...
probably glutton or lactose intolerate...
weak western stomachs that
need to be pampered...
oat free - wheat free - lactose free is
my limitation...
gelatin free too?

but the irish... exploration of
τ (tau) within the, much reserved orthodoxy
of the anglican: θ (theta)...
it has to be: catcher of the F...
upon hitting the definite article you can
see and sport a sparrow with: delta...
the fact...
the said...

otherwise... i already stressed:
the **** **** worth of truth -
the german said: leash!
the russian said: bullet in the back
of the head - like the next ukranian -
and that's how you pet a dog?
the german said: leash!
the russian said: bullet in the back
of the head... let's watch
a cascade of dominos as if:
if ever karma!

the irish myth of θought...
oh... unlike me...
looking for... oh look...
omicron O iota I...
φ phi insert the door locked...
turn, twist, θ... door opens...
****... troy's trident of
Perseus making miracles
with a strap-on *****...
Ψ pops out, motto: "check your soul"...
an atheist a materialist...
supposing... do i still have a thinking attached
to the existence of a soul,
or was it more or less...
lodged in the bribe pocket of materialism
of the body that...
cancerous evil... when not looked
at the serenity of the event via a botanical
lense of... the mistletoe...
which is a botanical variation of cancer...
it grows on trees...
and people demand to be kissed under it...
hell'oh lip cancer!

but the Irish? oh there's still that....
τ (tau) within the, much reserved orthodoxy
of the anglican: θ (theta)...
which is like saying...
the sanskrit crowd surd the H...
it's silence... the irish will never...
the θing is true...
nope... the irish will: the τing is true...
or... apostrophe the H out of the whole
"thing"...
it doesn't apply to: THE...
that theta's trip is already lost...
replaced by churchill *******
a east end london girl:
wishing Whitechapel was somehow...
a Hammersmith... comparatively?
they don't differ, that much...

the Irish searching for the tau in theta?
oh sure... no Yeats in sight...
not mention of the chinese philosophy of:
eat dogs first... salvage the cows for milk
Tao...

but in Sanskrit the H is a surd...
which... must be a Boston Irish t'ing too!
how the T can escape the greek F...
and the other greek F of φilosoφy...
otherwise... what do we call it?
ψycology: in spelling: psychology...
but in "reality"?
surd π:
σycology - no... south korean PSI... is there?
nor with a surd gamma (γ) in:
'νoστικ... i.e.
no more a 'νoστικ than... oh! the eye-itch
of having to... nonetheless write:
γνoμη (no-oo-mm)
because by now the epsilon or eta is also,
somehow: surded...

a known-aum...
and yes: the K is surd...
like in no-um... otherwise dhal or dal or daal...
or a macron appears above the A...
and we have ourselves
a gnostic ('nostic): gnome ('nome)...

nomine ex response agnitio?
ex pandectis Florentinis... repraesentatus,
com[m]entariis Accursii, Scholiis Contii...

i believe eta (η) to be the shorter version
of epsilon (ε)...
as i believe that omicron (o) to be the shorter
version of omega (ω) -
then again... that's just me...

believe my disbelief -
to first own a dog - a leash -
to later discard a dog: a bullet to the back
of the head...

but... i fold...
this is not a poker came i'm going to be
best equipped by...
it's all that more simple since...
i'm not a native: curator tourist...
it's a Dublin "thing"...
when... i'm told to stress extracting
a tau from the theta...
calling "it" a τing and not a θing...

i am allowed to relax whenever the 2nd
greek F comes into play...
"relax"... φilosoφy is somehow;
what? the *****-slap waiting in the background...
when the atheist materialists use a term
like soul... but... thinking should not
be investing itself in the existence
of a phantom, a ghost,
all thought should be invested in the body:
all body: no soul...

no wonder... psychology...
oh the name will not change...
after the "death of god" the human soul has become...
at peace in refining its sadism...
it's very gentle... it's very subtle...
it refined fine dining!

first you require the prime...
anaesthetic... a curtain of fiction...
fiction is the ultimate anaesthetic...
it's not the sort of anaesthetic injected upon...
dealing with critical pain...
sending you into a pocket of coma...
fiction is a subtle variation of
the anaesthetic... the pain of a pointless
existence requires more cushions
and less... fears of the needle...
imagine what fiction wouldn't be...
if... you would require people to be
pampared to...
to have pigs slaughtered...
cushions! to have "proper", ahem...
"grammar" and "pronouns"! ahem...

and i have been diagnosed as a schizophrenic...
i tell you...
bilingual is the new schizophrenic!
i love it... the one time when
poetry can meet psychiatry:
on its own terms: on the crux of metaphors!
i love it!

at least that's how you explore:
pseudo-medicine...
psychiatry...
the grey areas with metaphors...
the entire litany is probably an oops
and a Daisy of a correct etymology - "correct" -
otherwise misnomer applications...
a hammer was used for screws...
a screwdriver was used for nails...
same old, same old;

better you than me...
and that me is not the you about to listen
to some heavily tatooed nymphomaniac
from st. petersburg: alias novosibirsk...
i too though i was a bit mad
having moved from the outskirts
of London... into the center of Edinburgh;
clown luck at being right;
i should have been the sort
to have moved from the underbelly of
Tehran - interracially bred -
started a renting company -
and had a girl by the name of Laura...
what's Laura in Farsi Baháʼí?

i was this close to ******* my way into
the cult... this close...
suitor: better i just stick to the beetroot,
parsley root, carrot, turnip,
wholesome cabbage, potatoes...
and sure as **** no mamluks,
no oasis... no mangos... no peacocks...
just your standard ***** meat hogs...
fauns and...
what does the quran call the original:
not domesticated "pig"?
bore or boar? what do i call beer
when they only start serving wine? mead.
Mateuš Conrad May 2022
i miss being a young man, in his late teens...
i don't know what happened to my 20s...
honestly: i really don't...
     i was out of the usual treadmill antics of
a boy's 20s...
    by the time i resolved all the difficulties that
can be associated with a psychotic breakdown:
women started telling their children:
mind this man walking past you...
man... man... i forgot being a boy...
        i was secluded in my boyhood of my early
and late 20s... i only came back to society: slowly...
cautiously... once i passed the mark of turning 30...
who said that they'd welcome the quick passing
on the tyranny of beauty? Plato...
   and who might add: the idiocy of youth?
    that bravado... that cockiness... self-assurance:
as false as they come? i guess i could be accredited with
uttering such words... there's this middle path
when life becomes bearable... after your 30s until
you hit 60... and then... those consolidation years...
  facing up to mortality...
                  not until then...
   but i miss the boy i was when i was 14 through to 21...
when women could and would mystify me...
when i wanted to pursue them...
           i was allocated the "tribe" of men:
women don't take a ****! women don't ****!
   don't be silly!
            they eat but they don't take a ****!
            don't be silly!
                     of the relationships i've had... ha ha!
"relationships": my grandparents (on my maternal side)
ended their relationship by sleeping in separate rooms
in separate beds...
   well... it was more of a fling: hell!
i had the chance to visit Russia for a month...
spend a month in St. Petersburg...
    visit the Russian version of Versailles...
         travel overnight to Moscow on the train
listening to Bob Dylan on the top bunk bed...
   managed to see Metallica...
      kiss the girl while everyone took out their
cigarette lighters when Fade to Black was being played...
i remember that song oh too well...
in my bedroom covered with posters of bands...
falling asleep to that song
   while dreaming of next day's commute with
the Ursuline girls... coming from... Hainault and beyond:
Debden... Loughton...
  
sure... she slapped me when she picked me up from
the airport... since that slap i punched
myself harsher... what was i going to do?
complain? she would have kicked me out of the house
and with as little of a knowledge of Russian as i had...
become a homeless person in St. Petersburg?
so i took the slap... i subsequently took it out on her
by ******* her for 7 hours one night...
i hope she felt a Spartan cohort of 300 having fun with
her... i hope i exhausted her...
i still remember that slap... i hope she remembers
those seven hours of bedroom antics...

i did behave in a "hypergamous" way... like a woman...
what are the chances of visiting Russia: these days?
i played nice...
                   i wouldn't mind returning to her to simply
slap her *** during *******...
but i was 21 and stupid back then...
i once heard a friend of my estranged uncle say:
slap her about at the beginning...
then she'll stay... i did that with my cats...
one of them was ******* in my bed...
i didn't know which one it was...
first time i saw **** in my bed i inquired
by slapping both of them...
the second time i caught the culprit! he was taking
a dump in my bed...
now? after slapping him...
       then washing him... then curling him into
a towel like a mummy and placing him in the sun?
we're the best of friends... he keeps slipping into
my bed from 10pm through to 1am...
i'd hate to do that with women...
     slapping a girl just to get some respect?
i don't need to: i don't want to do that...
i don't want to do what i did with my cats
to become translated to women...

              ergo? i miss the 14 through to 21 year old
boy's libido...
   i wish i could want that ******* Khedra more...
it has almost been 2 months since i last saw her...
i'm already due to get a haircut... and a shave at the Turk...
ergo? i need to trim my ***** hair elsewhere:
no, not the beard on my face...
   she stopped sending me selfies...
i stopped sending her pictures of flowers from my garden:
currently? the chives are in bloom...
pretty little purple flowers... reminiscent of
the Scottish thistle...
               it's not that i'm out of practice:
i just don't feel the need to feed the need for ***
anymore...
   i have lost the hunger for it...
     not that i'm impotent... but i just...
                 need it... sparingly: on a whim...
last time i was woken up from an asexual slumber...
god forgive me...
i was grooming my female cat... and she raised her
backside into my face...
i know! i know: *******...
ergo? i cycled like mad across the north eastern
part of London looking for a brothel...
i already knew where the brothel was...
but i cycled all the way to Tottenham Court High Road...
back to Stratford... £160 for an hour... pretty steep...
back to Goodmayes... £130 for an hour...

point being: when i was with this Russian girl...
oh man... sleeping in the same bed...
maybe that's why i never took relationships too seriously...
the sleeping arrangement...
it's already difficult sharing a bed with 10kg Maine ****
cat... imagine sharing it with a woman...
each and every, single, *******, night...
one side of me became: NUMB...
yeah... that B is a surd... it's silent: NUM' -
hello apostrophe...
                
because i couldn't possibly fall asleep not hugging her...
but by that "logic" half of me would
get cramps... and dead-meat numbing
effects...
   oh to hell with that!
why do all the rich people need so many bathrooms?!
you need at least three bedrooms!
one in which you sleep... one in which she sleeps...
and one in which you ****!

i miss being mystified by women, reading Stendhal...
that's not coming back...
too many practicalities came along...
me and a single mum?!
we're creatures of habit... before we are even
associated with politics or society...
man is a habitual creature....
by 30+? you have your habits...
and they are non-negotiable...
  
   personally? the most pristine distance to cycle
casually... i'd say... over the distance of a marathon...
so... 50+km... / 26+ miles... that's relaxing...
anything less is sort of boring...
that's why i forget the countryside from time to time...
and cycle into central London...
why?

a) i'm cycling in to... look at some girls...
   randomly... girls and architecture...
andy williams... music to watch the girls go by...
b) hmm...
           cliche, that point (a)...
    get ******* at traffic...
     being a traffic shepherd...
             elevated status of pedestrian...
   danger... leeching off buses and trucks...
leeching off ambulances... just the general
sense of commotion... people spotting...
bore and yawn and yawn and bore...
c) ah... spatial orientation...
if you start off at around Collier Row...
and cycle toward Barkingside...
and you take that B174 (Romford Rd.)
       route... you have that beautiful precursor
of a London skyline... and you start thinking:
well... i'll be there in about an hour and half an hour plus...

i found my favourite route "roundabout" today...
South London... i don't care what anyone says...
immediately: in the immediacy of cycling across
the bridge... London feels different in the south...
a little round around via London Bridge
and back up north again via Southwark Bridge...
and... whatever 20+ miles back home to do some
work in the garden...

****... no pretty girls along the way...
nothing that might stand out...

i know why i'm reluctant regarding visiting that brothel...
last time i wanted to perform oral ***
on a ******* she asked me to pay extra...
hell... if Khedra was willing to perform unprotected
***... because... the two of us...
are hygienic Nazis... i'm thinking...
slob... slob... the one time and place i can turn into
a slob... i want to pucker up my lips to those
other pair of lips...
but... i don't want to be paying extra...
i'm imagining... falling asleep on my stomach
and pushing my mouth into a pillow...

and hallucinating daffodils...
no... tulips! anything floral and the female genitals!
hmm... ha ha: yummy yuck!
maybe that's why i prefer to eat a rare beef steak...
lick, ****: but: if you're going to bite...
gently...

hell: if women can explore their sexuality...
can i, too, please?
i'll just word it... without having multiple partners...
but it's so much easier with prostitutes...
what dating apps?! never heard of them...
the money is on the table...
lucky for me i tried ******* for the first time
aged 35+ years old... and i was like:
i prefer coffee...

coffee an nicotine in the morning... first thing's first...
n'ah... nein nein... NO! i don't do powdered
crowds...
what m shift tomorrow? Wembley... play-offs...
whoever it playing i'm pretty sure i'll be looking for a
wife...
but i want my mojo back...
   i want to go back into that brothel and ****
like a 21 year old... i want to rekindle a hunger
for a female body...
          on the throne of thrones:
it really doesn't help... abstaining from all
that libido insomnia of over-exposure to *******...
sometimes... i tried a whole month dry...
it changed: **** all!
i need to be in the mood...
   i haven't been in the mood for about 2 months...

**** on me! cacas mihi on (take on me
variable wording ancients tongues etc.)
i fall back on something sinister...
Dante took Virgil as his guide...
    ******* from Horace! ******* from Horace!
he's mine!
i fall back on translating Latin texts...

Horace:

quid obserstis auribus fundis precces?
non saxa nudis surdiora navitis
Neptunus alto tundit hibernus salo.
inultus ut tu riseris Cotytia
volgata, sacrum liberi Cupidinis,
et Esquilini pontifex venefici
inpune ut urbem nomine inpleris meo?
  quid proderat ditasse Paelignas ****
verlociusve fata te votis manent:
          ingrata misero vita ducenda est in hoc,
novis ut usque suppetas laborisbus.
optat quietem Pelopis infidi pater
                egens benignae Tantalus semper dapis,
optat Prometheus obligatus aliti,
  optat supremo conlocare Sisyphus
in monte saxum; sed  vetant leges Iovis.
Voles modo altis desilire turribus,
                 modo ense pectus Norico recludere,
frustraque vincla gutturi nectes tuo
                    fastidiosa tristis aegrimonia.
vectabor umeris tunc ego inimicis eques
                meaeque terra cedet insolentiae.

an quae movere cerreas imagines,
ut ipse nosti curiosus, et polo
      deriepered lunam vocibus possim meis,
possim crematos excitare mortuous
desiderque temperare pocula,
      plorem artist in te nil agentis exitus?
    
you dare bring requests toward clogged ears?!
not so on the voice of naked sailors does the
deaf rock and not so during winter does Neptune
shakes his trident (three-tooth), like you with the word,
who so weighs himself by laughter serving up
Canidia's ******, slandering love, the holiness of
   Cupid.
               do you not call yourself the priest of
the Esquiline practices, you're not raving,
whatever the saliva will bring?
    haven't i overpaid the Paeligni(ne) witches?
do i no longer detect poisonous poisons?!
    even though the parks have extended your age,
you will feel death's pressure all the more.
Pelops' treacherous father Tantal(us),
emptied from the godly feasts, desires respite,
    Prometheus with an eagle by his liver lacquers,
without end, Sisyphus rolls the stone up the hill
endlessly - Jupiter doesn't allow a respite.
you're looking for an escape, jump from the highest
floors,
     with a Norico sword: a naked breast unravel
   (unravel a naked breast)
   or... tighten the rope, on the neck looped...
   chased by not-mind (misunderstanding),
with disgrace's stigma.
in the meantime: onto the back i'll jump on astride,
i'lll big back the earth - incredible joy.
wax(y) puppets will get up, into motion admired,
i will break off the moon from the sky,
    i will revenge satisfaction,
      i will, the dead and the burnt i will resurrect,
with desires' loving magic i will return tormenting,
these tears are for nothing -
      a phantom will enter the suicide.
are you still going to be able to
                               place resistance against art?    


of note:
- Cotytia - rendered Canidia in English
was the first witch of ancient Rome...
- Esquiline "practices?
   Rome was founded on the seven hills...
one of those hills was the Esquiline hill...
the other six are:
   Capitoline, Quirinal, Viminal, Caelian, and Aventine...
- the Paelignī? an Italic tribe - etymologically
associated with the words
    an cognate-mix of
       privignus (stepson) & paelex (concubine) -
most associated (wrongly) with the Sebine women...
mind you... step-parenthood was very prominent
in the upper eshelons of ancient Roman society...
- Pelops - a king of Pisa...
- Tantalus - father of Pelops...
- Noricum - a Celtic confederation of tribes
these days associated with the geographic region of
Austria and Slovenia

eh... language has changed so much...
how Latin didn't survive... i get it...
the modern tongue has many more prepositions...
a long time ago...
nouns / verbs could have inbuilt
conjunctions, prepositions... articles...
that changed with the atoms...
                oddly enough... certain languages haven't
changed that much... Kierkegaard mentions
this changelessness of God...
               English has changed beyond recognition...
******?! hasn't changed that much since
the 13th century...
how we managed to get Italian from Latin...
and... Spanish and French...
              well...
                      today i don't feel like being in awe...
Mateuš Conrad Oct 2018
.the sheer banality of the observation, with the accompanying music (e nomine - angst)... well, comes along with the other banal observation: i really need to walk off the calories of a decent sauce...

i don't care what you think,
it's always to laurel leaves,
and two heads of the pimenta dioica...
back east it's called an English herb...
but given all spice could have
originated in Jamaica...
  well...

cider... fine when quenching your thirst,
at the Swedish standard of 5%....
but the English variant of 8.2%,
simply apple?
                eases the digestion, and readies
you for, a walk...

mine you...
   the best Marlboro cigarettes i've ever smoked?
not English... not ******...
Moldavian...
    Moldavia? that land-locked place,
you know... which technically
could be part of Romania?
sure, it's Gold Marlboro cigarettes...
but...
      mm mm mm... a beauty on the palette...

but i was just trying to figure out
the diacritical marks on the package...
well... this part of the world was
conquered by the ancient Romans...

so it's a comma, rather than a hook,
in: fumatul creșta
  riscul de impotențâ?

so, basically,
    smoking crests upon the risk
of becoming impotent?
(yes, de... smoking causes
the risk of impotence,
i get it... many variants in
a translation)...

oh look... i'm understanding Moldavian,
or rather, Romanian...
lucky me...

and i started thinking...
what letters would i find under these diacritical
marks...

i.e. for creșta: would it be, cre-sta..
   or simply creshta?
   i shudder at the thought...
would it be creśta...

but when i came across impotențâ...
i thought of ț as: ts...
i.e. impotentsa...
                    mind you,
i'm not looking at the phonetic
transcript...

            if that diacritical mark is...
*****-nilly... simply there...
to look pretty... like the red pigment
on frogs to identify them as
poisonous?
well then...
                       what's up with that?

i already know what â implies...
ai...
without the dot in-between...

nonetheless, whatever...
the best Marlboro i've ever smoked
has come from Moldova...
or little North Romania.
Mateuš Conrad Dec 2021
what the hell is happening... i've just put in a 12 hour shift...
well...
getting picked up at 9:45am at a Covid vaccination
centre... woke up at 7:30am... drank a coffee smoked two
cigarettes... brought in Saturday's newspaper...
****** off proper at around 9am for the meeting...
managed to get another coffee and a sausage egg muffin
from McDonald's, smoked another cigarette...
slightly hangover, but most certainly pampered myself
with some stuff... after having taken a shower...
bubble-gum on the ready after having brushed my teeth
like a dentist:
- garnier body intesive care cream on my face,
   hands, the nether-regions, feet...
- diesel, fuel for life, two hits of the spray
   on the area below my beard and smeared across my collar
   bone,
- avon skin so soft, airbrush spray on the face,
- nzuri argan oil on hair & beard...
- then some style expertise wax 04
(flexible hold) so your hair still looks naturally held
together.... you can actually put your hand through it
and you will not get any residue...
- MORFORE OSSION beard care balsam...
   turkish... all the best products for beard are
turkish... like the barbers: the best barbers are...
turkish!
- some deodorant under the armpits,
the ***-crack... the groin region and all over the torso...
shirt-ironed, trousers ironed, clip-on tie firm set...
shoes polished... thermal socks donned...
off to Oxford for Oxford United vs. Wigan Athletic...
first job... enter the turnstile cage... lock myself in...
the ticket reader wasn't working...
got a tally clicker...
supervisor came back with a working ticket reader...
but i still used the tally clicker...
managed to allow passage of 218 people into
the stadium... the children looked amazingly...
sincere with regards to authority of sorts...
caged man... some boy asked... why is that man
in that cage? has he been naughty?
so i endeared him... yeah... i've been a very naughty man...
i still find it weird when women tell their children:
give your ticket to the MAN...
mind what... the MAN is telling you to do...
in my 20s i never reached that level... i was still a boy then...
everything went smoothly...
the tickets i scanned went through...
the tickets the scanner wouldn't scan i just brush aside
with the clicker... most were season ticket holders...
10 minutes into the match, one or two late-comers
and then we shut the turnstile gates...
next? pitch-side duty... this time i got a seat...
watched the crowd... my god... the football crowd in
London... tame *******...
go anywhere outside of London and you're getting
fanatics! the Wigan Athletic crowd...
i mean: men in their 40s / 50s... on the face of it...
yet deep down... teenagers...
drunk, mad, chanting... by the end of the match
losing their voices...
one father was more of a kid than the kid he was
with: was... spotted this one guy smoking,
another jumped the barrier...
for once i didn't actually watch the match...
i had an eye on this one... classical English beauty...
i'm guessing a single mum who came with two of
her children, her father and mother...
the mother didn't look that bad either...
sometimes you can isolate a woman's face in a crowd
and... a war might be happening...
you sort of become oblivious to everything beside
the serenity such a face imbues and translates onto
you something... Sophia-esque... Athena...
she might not be... but... appearances are appearances...
12 hours from since i left the house to when
i returned... i tried to eat something...
first that chicken burger on my way home...
3 chips... i couldn't eat more...
my stomach had shrunk to the point that i might as well
have done a day of Ramadam...
bought some whiskey and pepsi on the way...
hanged it on the fence at the back of my garden:
i am only drinking... because i smuggle the alcohol in...
then tried to eat some rice & a chickpea / spinach curry
i made a day prior...
couldn't lodge that into my shrunk stomach...
i decided to get some calories
by drinking a glass of milk infused with
some Nesquik straberry powder...
worked a miracle...
then one cider & now some whiskey & pepsi...
i was falling asleep watching some
Masterchef professionals...
sorry... nothing can compare the Australian
amateurs...
they're such a new culture: and i look at them,
as a people: drawn into civilization building
from the ground-up, beginning with a cuisine
that's unique to them...
all the old European cuisines seem rather stale
by comparison...
i jolted myself: tired, restless...
******* i lay in my underwear on the floor
of my bedroom having placed my feet on
the radiator...
i don't care what anyone says...
you always feel cold from the feet up...
if your feet are cold... the rest of your body feels
cold... warmed my feet... still restless...
tired... really tired... but that's the problem with
my tiredness... i also somehow to feel... *****...
i had to do two no. 3s in a row...
tame *******... recently... what's her name...
that singer of BAD GUY was celebrated
by journalists for coming out against
******* apologists...
i'm sorry... what sort of ******* are, "you" watching?
the freakiest i ever allowed myself to become
was watching a ******* gloryhole compilation
of women jerking off a ***** that started shooting
custard... probably while listening to E Nomine's
song angst...
i'm tired but also too *****... i need to calm down
a little...
and perhaps the Hebrews have a fair point about
this "taboo"... of the solipsist Onan...
the Arabic religion isn't so strict... after all...
their mother was a concubine of Abraham...
   it's not like i 'm doing it in a ******* armchair,
with scented candles, with a ******...
or have a webcam active recording myself for a larger
public... or that i might have a ******* toy...
just this boney-**** of a hand...
yeah... it really does feel small...
that's perhaps why i have allowed myself to see
the female hand as the most ****** part of a woman's
body... i look at women's hands and think...
i'd need to sacrifice my pinky + knuckle...
if i can hold a basketball with one hand...
i don't think my phallus is small...
my hands are just big...
never in a million years would i want to watch
"sacrificial *******": the Italian classics...
sure... something classy... edgy...
not this ****** modern crap...
show me something that invokes latex... thrill!
thrill-e-he!
last time i heard women were into gang-bangs,
choking... ****...
come to think of it... paycheck is coming up...
i "wonder": how will i spend, that money?
new trousers, gamble with going on a date?
sure... a "date" in a brothel... where, EVERY-THING
is, transparent...
no one is there for milk & cookies...
i like to keep things transparent like that...
one hour of ******* and perhaps talking in between...
what's the Romanian word / Turkish word for eyes?
nose? lips? freckles?
**** a little, take a break, smoke a cigarette...
blah blah...
of course the Hebrews would think that *******
is a taboo on the male part, historically:
religiously... well i have a taboo for the Hebrews too:
circumcision...
  the act wouldn't really be a taboo is the Hebrews didn't
begin cutting off "excess" skin of the fore-,
if i keep a high hygienic standard: prior and after the act...
sometimes... it just eases taking a ****...
relaxes the **** muscles a little...
but i have no qualms, when it's done hygienically...
after all... "sword" & "sheath"...
for my boney elephant **** of a hand... skin on...
for actual *******... skin off...
it's not exactly rocket science...
but imagine the scenario when... i would be circumcised...
i'd be mad...
looking for that fleshy pouch of a woman's ******...
because my own protective layer would be
"missing"... sometimes i'm tired after a shift
in the cold & i still want to...
but my "would be" partner wouldn't be in the mood...
what then?
i'm tired, i'm *****... but she's not in the mood...
what do i do? think about, *******: carp fishing?!
no... since i have the "excess" i do two in a row over
really tame, wholesome *** and i'm ready to doodle
these words, drink... i concentrate my energy
on the mind having absolutely gotten rid of any remaining
****** impulses... the end...
oh... but that weak-spot of mine...
Asian models, notably the Japanese models...
there's a whole genre... GRAVURE...
*** is always insinuated... it's never explicit...
a photography of a girl showing her underwear...
the Eden of those inner-thighs...
the world is standing on its head:
with women thinking that men enjoy shaming ***,
violent ***... sorry, honey... those are
exclusively the pornographers: men who have
too much ***... most men don't get enough enough...
men might... have a fetish for...
say... a step-mother ******* her step-son...
obviously women will subsequently insinuate
their fantasy of: ******... ******!
ha! they should Marquis de Sade's masterpiece
of a novella... the one in which he's concise, genius...
hardly making waffles of speech...
i wish i was ****** more... but what's a boy to do
if not getting as much as his libido would allow
him to... men express... women explore...
i'd rather ******* to some Bronzino...
i'm thinking... a borderline taboo... she's 16... 18...
it's a momentary idea...
a momentary bulge... soon i digress toward thinking
about... fuller-forms... women in their 30s... 40s... 50s...
i think about... a well aired bottle of red wine...
fully-formed... none of this lazily available fetish
for matchstick, pseudo-anorexic:
under-developed... dolls...
i like to think of a woman like i might think
about sitting in a very comfortable leather arm-chair...
or... reading a very old... 19th century
hardback, leather-bound book...
the type of woman that might kiss her children
goodnight... but an hour later... do the complete opposite
with her lips...
it's a nice thought...
while men starve & women explore...
it's good to starve... somehow... so many less consequences...
but as long as you're hygienic about it...
all the better for the GRAVURE medium
from Japan... finally! *** can be insinuated...
it doesn't require for you to be "excited" over something:
so explicit that you get a LIMPY for simply not
being involved... *** as something "forbidden"...
since not readily available...
no longer the sort of *** of the western canon that
invokes... *** isn't to be "forbidden":
it ought to be shamed & "shamed"...
that's how schizophrenics are bred...
via a double-negation...
   via mis-wiring of messages, *** constructed from
a contradiction....
oh the English are the best at this...
they enjoy it so much that they have to lie about
enjoy it... they sort of flagellate themselves over
the whole affair... in the open they are:
such prim labourers of puritanism...
yet, give them the right sort of opportunity to
express their sexuality in private...
talkies... the ******* is rife with...
"too much talk during ***, too much: **** me daddy,
**** me mummy... oh yeah, you want it rough..."
the list is seemingly endless...
in the beginning there was the word,
and the word was (with) god...
yeah... so talking during *** is such a good idea?
i can boast about herr stumm...
i can boast about... an "alphabet" of onomatopoeias...
something akin to eating laughter with
sighs and oh: really?
talk ruins ***... a body ought to speak to body...
the tongue is reserved for something more
than being more than a vehicle for syllables...
words are best kept outside the medium of ***...
eyes ought to eat up the other's body;
mirror should most certainly be used.
Mateuš Conrad Jun 2018
i cant's actually feel
my 4th knuckle  right on
my  orour right arms....
since in bulged...
        with me using against
a one punch
  crescendo on a
brick wall...
           that "should
have been your face...
       i almost feel
abadoned...
            being kept intact
with a ref. to a family...
there comes a grit,
and a believability...
  to ensure is kept:
                 sacrilegious....
like an obedience
to keep
  "prayer":
                   in nomine patris
              et filii et spiritus sancti...
and whatever your
little ******* asked "otherwise":
we sure as ****,
will, gauge your eyes out@;

death and justice is not,
a t.v. affair...
                   we do...
and what we do...
       is necessary...
             regarding what needs...
to be...
                     done....

savvy?

ever punch a brick-wall
so hard you felt your fourth
knuckle to a soft-pouch liver
synonym?

    course you 'aven't...
ya 'ucking ginger misfit "queer",
y'ah 'acking ginger brixton *****!
     queen calls it
a ******* moustache
   re-appropriation
             of the 19th / 18 century...
tells me:
    i just, i just might
play off fitting with
the suburbans...

            there's a *******
collective of "them"
involved?!
                  sign me up! queer sister!

can i play up
being a half decent
                  baker of goods?
oyu know...
         with a knuckle missing
cos of numbing via
punching a wall...
    sort of tailor,
i.e.       a: F'UCKING CHEF
AT YOUR LOCAL ROUNDABOUT
OUTLET... YES CHEF
HEIRARCHY *******?!
YES CHEF?!
              coooooooooooo
    -k minus the "-ing"(?)....
                      cook...
             well i mind to mind the intellect
of having to mind frying croissants...
    i love the motto
though:
                         i die...
         you die...
     i could do the "mundane"
jobs...
point beig:
                  why would i have
       to go to university for them?
         if there's an "alternative" univerese
for the explanation...
   why aren't you dead?
on the basis of a criminal focus
with, exchange, focusing on, "you"?
                  so why is there no cain-impetus
to "mind" "you", "minding", "me".  
come to think of it...
a bit of a waste of propagada
liastening to: send your kids to university
send your kids to university....
then again...
i die... i yawn...
               i suppose there's another day.
Mateuš Conrad Mar 2018
yep, the more i ever received
was what...
       she would spend her 110 quid
an hour on;
when i, or rather, that i wasn't,
          thankfully, there to boot,
her insatiable appetites...
                          just like any man
ought to know:
     you were there, when she was
giving birth?
                         sorry man...
feel really sorry for you;
             that was the last chance for
you appreciating fishing;
               no offence cuck...
                              you're ready, my son,
for the chomąto / horse collar
to pull the carte of family with you...
   may you be blessed:
in nomine patris et filii
                       et spiritus sancti. amen;
**** me! another dozen bunch
of leprechauns!

— The End —