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"newsletter" poems
Spare parts Nothing more than spare parts Nuts and bolts and hair traps Metal pins and elastic bands A2 screws and P7 washer nuts Fasten finger tight After assembled Repeat steps 1 & 2 Fixed too firmly Adhere some glue A mechanical recipe The instructions to destroy and rebuild 3D printed Pasted together Real feel wood and triple stitched elastic leather Catalog quality at half the price Made in China mattress springs Pantone color coordinated just right Knock off Imitation Advertisement Product placement Everything must go 20% sale Egyptian cotton stuffed with horsehair Thank you Come again Buy one Get one Sign up for our newsletter Refer a friend buy Buy BUy BUY BUY BUY BUY BUY BYE BUY try Try Try TRY YOU NEVER GET IT QUITE RIGHT
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Mar 15, 2015
Mar 15, 2015 at 11:19 PM UTC
Brand Name
We’re making movies that no one will see, about things that mean the world to us, at a certain moment in time and space, but that mean less than a rat’s *** to anyone outside our bodies. We never regret the echo in the large hall, nor the words that OUR scarlett and OUR rhett say to each other during the 126 minutes long director’s cut – their tears are ours, their love, despair and hunger for life will be included in next month’s newsletter. We’re making movies about those parts of our lives that weren’t played out so well. It’s our way of saying “sorry” or “thank you”. We’re making movies that some don’t even call “movies” – intimate quantum leaps, inner fights between our bodies and minds. It hurts us, yeah. We’re not (all) made of stone. We, sometimes, get frustrated and don’t even know exactly why. We wake up in the middle of the night, running the entire dialogue list in our head, sleepwalking through the entire movie, screaming at our non-suspecting sleeping significant other to be quiet and to get out of the frame, “cause we’re ******* making a ******* movie here and every ******* second matters”. We’re making (silent) movies because we’re tired of all this noise, because that’s the only way we can have some “Aaaaaction” in our lives and some frames to be proud of. We’re not making movies to prove that the world is wrong nor that we possess the ultimate truth. No. We’re not making movies to prove that the world is beautiful and that we know nothing and that that nothingness should tickle your funny filmic bone. No. We’re making movies that make the entire world think that there’s something wrong with us, that we can’t relate to our surroundings in a healthy and normal way. We’re making movies so WE can experience, in the most familiar way, the new wave long shot convention that YOU all hate and diss in the digital environment, as if your lives were made out of fast cut blockbuster shots and not lonely, long walks through a dull park. Good for you, Max! We’re making movies because we don’t wanna have to explain ourselves, like I’m doing right now. Reality sometimes needs its own subtitle and.. **** You know what? The truth is that we’re not making movies.   We’re making moves.
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Jul 12, 2016
Jul 12, 2016 at 10:08 AM UTC
#cinema
We’re making movies that no one will see, about things that mean the world to us, at a certain moment in time and space, but that mean less than a rat’s *** to anyone outside our bodies. We never regret the echo in the large hall, nor the words that OUR scarlett and OUR rhett say to each other during the 126 minutes long director’s cut – their tears are ours, their love, despair and hunger for life will be included in next month’s newsletter. We’re making movies about those parts of our lives that weren’t played out so well. It’s our way of saying “sorry” or “thank you”. We’re making movies that some don’t even call “movies” – intimate quantum leaps, inner fights between our bodies and minds. It hurts us, yeah. We’re not (all) made of stone. We, sometimes, get frustrated and don’t even know exactly why. We wake up in the middle of the night, running the entire dialogue list in our head, sleepwalking through the entire movie, screaming at our non-suspecting sleeping significant other to be quiet and to get out of the frame, “cause we’re ******* making a ******* movie here and every ******* second matters”. We’re making (silent) movies because we’re tired of all this noise, because that’s the only way we can have some “Aaaaaction” in our lives and some frames to be proud of. We’re not making movies to prove that the world is wrong nor that we possess the ultimate truth. No. We’re not making movies to prove that the world is beautiful and that we know nothing and that that nothingness should tickle your funny filmic bone. No. We’re making movies that make the entire world think that there’s something wrong with us, that we can’t relate to our surroundings in a healthy and normal way. We’re making movies so WE can experience, in the most familiar way, the new wave long shot convention that YOU all hate and diss in the digital environment, as if your lives were made out of fast cut blockbuster shots and not lonely, long walks through a dull park. Good for you, Max! We’re making movies because we don’t wanna have to explain ourselves, like I’m doing right now. Reality sometimes needs its own subtitle and.. **** You know what? The truth is that we’re not making movies.   We’re making moves.
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For a modest subscription - say, £100 a month - you can receive my weekly newsletter outlining the manner in which I undertake to steal your jobs, besmirch your womenfolk (or menfolk, if you like), impose my religion upon you, undermine your financial system, eat the swans in your local park, raise/lower house prices (as your current need dictates), contribute to a nameless sense of dread, dilute your cherished national identity and produce more illiterate children than the welfare state can reasonably support. I will do you this service on the understanding that you will stop attributing blame to your undeserving neighbours and get on with your life like a decent human being.
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Nov 15, 2012
Nov 15, 2012 at 3:28 PM UTC
A Proposition for Readers of the Daily Mail
Woke up at six, a smart tortoiseshell butterfly was sitting on my audio. I thought a more apposite place would have been my dahlia. Scattered wool pellets over the carpet. My brain was going nowhere slow. The great Mister Zalbretys had planted some weird happenstance, not recognising the  inside from the delirious  out.
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Apr 28, 2013
Apr 28, 2013 at 3:30 PM UTC
Newsletter.
Autumn Morning On The Porch There's a chill in the air Goose bumps and bristled hair Morning coffee steaming Big yellow leafed hostas turning Copper tree leaves falling like pennies Lipstick red bushes burning There's a chill in the air Copyright 2014 Richard L Ratliff Published in Pencil Marks newsletter Nov. 2016
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Nov 2, 2016
Nov 2, 2016 at 4:07 PM UTC
Autumn Morning on the Porch
Our free weekly e-mail newsletter alerts you to upcoming featured poets, news from the world of poetry, and special events like this one: again this year for Poetry Month and our annual April fund drive, we've asked 21 poets (including Tarfia Faizullah, Peter Sirr, Joshua Mehigan, and Luisa A. Igloria, pictured here) to select poems to be delivered to you by e-mail Monday through Friday of each week in April — their favorites from among The Greats — along with their comments on the poems. Tarfia Faizullah photo Peter Sirr photo Joshua Mehigan photo Luisa A. Igloria photo Sign up now (and tell your friends-in-poetry) before you miss our special April poems! Use the form below to subscribe (Note: if you already receive our weekly e-newsletter, you need not sign up again).
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Apr 16, 2015
Apr 16, 2015 at 9:59 PM UTC
Awesome
Borea,     about Bob in the middle of the people, from the Satanic content throughout, the Yellow Age's bed is not enough, 1 lonely **** puts the radio on; OMFG,                    |  The terrible MOOG votes for the actor to have been joining the Travelling Newsletter as a Peace Center,          |        and **** girls, Couples see if the brightness of the lightness is the video and the only AUMLET; best blistering truly with ******** shadows on Dot's ****    |     one time at the Laguna, Six mimes, and a gray Wolf; she's wearing her War thong and the Fed's idea of Judaism has a lot of meanings,  six of Satan's beauties are ours if their groan is like GRRR, caressing her opponents                                     in danger of being a foreigner who has disappeared; if you have followed 1 of us and           if it is as always                             she stays in the middle of the mountain signs that she had been attorney of the Enid photographs, of course,                 all except the App; that is starting,                     |          the great Chamberlain, the general well with other bracelets,       the wings of the weaving oh,     if we remove                                  the carcass to say to those who abused the face                     of the medium; The Easiest's *** shows the why                    of the skin                            of her wild girl
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Oct 5, 2018
Oct 5, 2018 at 12:13 PM UTC
her wild girl
Borea,     about Bob in the middle of the people, from the Satanic content throughout, the Yellow Age's bed is not enough, 1 lonely **** puts the radio on; OMFG,                    |  The terrible MOOG votes for the actor to have been joining the Travelling Newsletter as a Peace Center,          |        and **** girls, Couples see if the brightness of the lightness is the video and the only AUMLET; best blistering truly with ******** shadows on Dot's ****    |     one time at the Laguna, Six mimes, and a gray Wolf; she's wearing her War thong and the Fed's idea of Judaism has a lot of meanings,  six of Satan's beauties are ours if their groan is like GRRR, caressing her opponents                                     in danger of being a foreigner who has disappeared; if you have followed 1 of us and           if it is as always                             she stays in the middle of the mountain signs that she had been attorney of the Enid photographs, of course,                 all except the App; that is starting,                     |          the great Chamberlain, the general well with other bracelets,       the wings of the weaving oh,     if we remove                                  the carcass to say to those who abused the face                     of the medium; The Easiest's *** shows the why                    of the skin                            of her wild girl
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April If April is cruel May is so friendly Pleasant and kind The result of soft winter snow And spring rains May is green and pink and red A teenage year As summer learns to drive Right to tulips left to peonies June's young adult Searches for July and August Hoping for a tryst Then a mellow September Casting long shadows To the final quarter Copyright 2016 Richard L Ratliff Published in April 2017 Pencil Marks newsletter
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Apr 6, 2018
Apr 6, 2018 at 2:33 PM UTC
April
I am thankful for the free refill. I like getting something for free. I am thankful it is so affordable, and easy, to get. I just had to join the club. And give them my personal information. and agree to receive their newsletter, and promotional offers. And then I have to buy 5 expensive coffees and then I'm in. And now, whenever I buy an expensive coffee— and I finish it before I leave the store— I can get my cup refilled, for as free as it gets.
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Oct 19, 2015
Oct 19, 2015 at 8:46 AM UTC
As Free as it Gets