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Chanson.

Mimi Pinson est une blonde,
Une blonde que l'on connaît.
Elle n'a qu'une robe au monde,
Landerirette !
Et qu'un bonnet.
Le Grand Turc en a davantage.
Dieu voulut de cette façon
La rendre sage.
On ne peut pas la mettre en gage,
La robe de Mimi Pinson.

Mimi Pinson porte une rose,
Une rose blanche au côté.
Cette fleur dans son coeur éclose,
Landerirette !
C'est la gaieté.
Quand un bon souper la réveille,
Elle fait sortir la chanson
De la bouteille.
Parfois il penche sur l'oreille,
Le bonnet de Mimi Pinson.

Elle a les yeux et la main prestes.
Les carabins, matin et soir,
Usent les manches de leurs vestes,
Landerirette !
A son comptoir.
Quoique sans maltraiter personne,
Mimi leur fait mieux la leçon
Qu'à la Sorbonne.
Il ne faut pas qu'on la chiffonne,
La robe de Mimi Pinson.

Mimi Pinson peut rester fille,
Si Dieu le veut, c'est dans son droit.
Elle aura toujours son aiguille,
Landerirette !
Au bout du doigt.
Pour entreprendre sa conquête,
Ce n'est pas tout qu'un beau garçon :
Faut être honnête ;
Car il n'est pas **** de sa tête,
Le bonnet de Mimi Pinson.

D'un gros bouquet de fleurs d'orange
Si l'amour veut la couronner,
Elle a quelque chose en échange,
Landerirette !
A lui donner.
Ce n'est pas, on se l'imagine,
Un manteau sur un écusson
Fourré d'hermine ;
C'est l'étui d'une perle fine,
La robe de Mimi Pinson.

Mimi n'a pas l'âme vulgaire,
Mais son coeur est républicain :
Aux trois jours elle a fait la guerre,
Landerirette !
En casaquin.
A défaut d'une hallebarde,
On l'a vue avec son poinçon
Monter la garde.
Heureux qui mettra sa cocarde
Au bonnet de Mimi Pinson !
Dorothy A Feb 2015
She yelled out her back porch and into the alley as if one calling home the hogs. “Johnny! Johnny! You get home for supper! John—nyyy! You spend all day in that godforsaken tree that you’re gonna grow branches! Johnny, get home now!”

Up in his friend’s tree house, Johnny slammed his card down from his good hand that he was planning to win from. “****! She always does that to me”, he complained. “Just when I’m right in the middle of—“

Zack laughed. “Your ma’s voice carries down the whole neighborhood—practically to China!”

Everyone laughed. Iris’s daughter, Violet, said to her mom. “Grandma and Dad always butted heads.” She loved when her mom told stories of her childhood, especially when it was amusing.  

Iris’s good friend and neighbor, Bree, asked Iris, “I bet you never thought in a million years that she’d eventually be your mother-in-law”

“No, I sure didn’t”, Iris answered. “I am just glad that she liked me!”

Everyone laughed. Telling that small tale took her back to 1961 when her and her twin brother Isaac—known as Zack to most everyone—would hang out together with his best friend, Johnny Lindstrom. Because Iris was like one of the boys, she fit perfectly in the mix. Zach and she were fifteen and were referred to in good humor by their father as “double trouble”. It was that summer that they lost their dear dad, Ray Collier, and memories of him became as precious as gold. If it wasn’t for her brother and his friend, Iris be lost. Hanging out all day—from dawn til dusk—with Zack and Johnny was her saving grace.  Her mother was glad to have them out of her hair, not enforcing their chores very much.

“I was a tomboy to the fullest”, Iris told everyone. “I had long, beautiful blonde hair that I put back in a pony tail, and the cutest bangs, but I didn’t want to be seen as girly. I wore rolled up jeans and boat shoes with bobby socks, tied the bottom of my boyish shirt in a knot—but I guess I could still get the boys to whistle at me. I think it was my blonde hair that did it.”

“Oh, Mom”, Violet said, “You were beautiful and you know it! Such a gorgeous face!” She’d seen plenty of pictures of her mother when she was younger. Both Iris and Zack were tall and blonde. Zack’s hair could almost turn white in the summertime.

“Were beautiful?” Iris asked, giving Violet a concerned look, her hands on her hips in a playful display of alarm at her daughter’s use of the past tense. She may have been an older woman now, but she didn’t think she has aged too badly.

“Are beautiful”, Violet corrected herself. She leaned over and kissed her mom on the cheek. Iris was nearly seventy, and she aged pretty gracefully, and she was content with herself.  

They all sat in the living room sipping wine or tea and eating finger food. It was a celebration, after all—or just an excuse to get together and have a ladies night out. Not only had Iris had invited her daughter and friend, she had her sister-in-law—Zach’s wife, Franci—and her daughter-in-law, Rowan, married to her youngest son, Adam.

“Weren’t you going to marry someone else?” Bree asked Iris.

“Yes”, Iris responded. “We all wouldn’t be sitting here right now if I did. My life would have been very different.”

“A guy named Frank”, Violet stated. “I used to joke that he was almost my dad.”

Iris said to Violet, “Ha…ha. You know it took both your father and I to make you you. Everyone laughed at how cute that this mother-daughter duo talked. Iris went on, “I actually went on a couple of dates with your dad when I was seventeen. I was starting to get used skirts and dresses and went out of my way to look really nice for guys, but it was just high school stuff. After I graduated, I met a guy named Frank Hautmann, and we were engaged within several months.”

“What happened to him?” Rowan asked.

Iris sipped her tea and seemed a bit melancholy. “We did love each other, but it just didn’t work out. I know he eventually married and moved out of state. I ran into John about two or three years later, and everything just clicked. His family moved several miles away once we all graduated, so being best friends with Zack kind of faded away for him. But once I saw him again, we were really into each other. We took off in our dating as if no time ever lapsed. Soon we were married, and that was that.” There was an expression of “aww” going around the room in unison.  

Bree stood up and raised her wine glass. She announced, “Here’s to true love!” Everyone lifted their glass or cup in response.

Franci stood up next to have her own toast. She said, “Here’s to my husband and father of my three, handsome sons being declared officially cancer free, to Violet’s little bun in the oven soon to be born and also to my *****-in-law, Iris, for finally finding that pink pearl necklace that she thought was hopelessly gone forever! Cheers!”

“Cheers” everyone echoed and sipped on their wine or tea. “That’s some toast and makes this get together even more meaningful”, Iris complemented Franci.

Almost eight months pregnant, Violet restricted her drinking to tea. Her mother was so thrilled that she found out Violet was having a girl. It was equally wonderful that Iris’s beloved brother had recovered from his prostrate cancer, for throat cancer had taken their father’s life when they were young. So really finding the necklace that her mother gave her many years ago—that was misplaced while moving seven years ago—was just the icing on the cake to all the other news.    

Iris said, “My brother being in good health and my daughter having her baby girl is music to my ears. It trumps finding that necklace that I never thought I’d ever see again—even though it was the most precious gift my mother ever gave me.”  

At age thirty-five, Violet had suffered two miscarriages, so having a full-term baby in her womb was such a relief. It would be the first child to her and her husband, Paul, and the first granddaughter to her parents. Iris had three children altogether. Ray was named after her father, and then there was Adam and Violet. Only Adam and Rowan had any children—two sons, Adam Jr. and Jimmy. Ray and his wife, Lorene, lived abroad in London because of his job, and they had never wanted any children.  

“What name have you decided on?” Rowan asked Violet.

All eyes were on Violet who had quite a full belly. “Paul and I have agreed on a few names, but we still aren’t sure.” She turned to her mom and said, “Sorry, Mom, we won’t be keeping up the tradition.”

Iris was puzzled. “What tradition?” she asked.

Violet smiled. “I know it’s not really a tradition”, she admitted, “but didn’t you realize that your mother, you and I all have flower names?”

Everyone laughed at that observation. “That’s hysterical!” Bree noted. “Flower names?”

“That’s news to me” Iris said, not getting it.

“Me, too”, Franci agreed.

“Okay”, Violet explained to her mother “Grandma was Aster, you are Iris and I am Violet. Get my drift?”

The others started laughing, but Iris never even thought of this connection. She responded, “Well, my dad’s nickname out of Aster for my mom was Star.  I never thought of her name as something flowery but more heavenly…I guess. And I never thought of Iris as the flower—more like the colored part of the eye comes to mind. And Violet was my favorite name for a girl and also my favorite color—purple—but you can’t really name your daughter, Purple.”

The others laughed again. Everyone began to get more to eat, mingling by the food.  The gathering lasted for almost two hours, and eventually lost its momentum. Meanwhile, everyone took turns passing around the strand of beautiful, light pink pearls that Iris displayed so proudly in its rediscovery. It was a wedding gift from her mother in 1971, and Iris was painstakingly careful with it, swearing she’d never lose it again. She’d make sure of it. She prized it above anything else she owned, for she had no other special possession from her mother. Her sister got all of their mother’s items of jewelry, for Aster always felt it was the oldest girl’s right to it and this other sister gladly agreed.  Aster was never flashy or showy, and didn’t desire much. Her mother’s wedding ring, silver pendant necklace and an antique emerald ring from generations ago in England was all she wanted. Anything else was up for the grabbing by her two younger sisters.  

Iris learned the hard way to be mindful and not careless about her jewelry. An occasional earring would fall off and be lost, but any other woman could say the same thing. There was only one other incident that happened when she was a teenager that she never shared with anyone other than Zack. If she would confide in anyone, it would be him. Not even her husband knew, and she wasn’t going to tell anyone now. It was too embarrassing to share in the group, especially after tale of the pink pearl necklace that went missing.  

Bree told her, “Keep that in a safe or a safety deposit box—somewhere you know it won’t form legs and walk away.”

“Oh, ha, ha”, Iris remarked, flatly. “I don’t know how it ended up boxed up in the attic with my wedding dress. I sewed that dress myself, by the way. I guess too many hands were involved packing up things, and I am sure I did not put it in that box. Tore this house apart while it was stuck in the attic. Tore that apart, too.”
  
“And yet you didn’t find it until now”, Rowan stated. “It is as if it was hiding on you”.

“Well, I wasn’t even really looking for it when I found it, Iris said. “I was just trying to gather things for my garage sale, and thought of storing my old dress back in the closet. Luck was on my side. It’s odd that I didn’t find it earlier… but it sure did a good job of hiding on me.”

“Like it had a mind of its own”, Franci said, winking, “and didn’t want to be found.”

“Yeah”, Iris agreed. “It was just pure torture for me thinking I may never lay eyes on it ever again. All I had were a few pictures of me wearing it. I was convinced it was gone. ”

After a while, Iris’s friend, sister-in-law and daughter-in-law left one by one, but Violet remained with her mom.  They went in her bedroom to put the necklace back in its original case and in a dresser drawer —or at least that is what Violet had thought.

Iris placed the necklace into the case and handed it to her daughter. She told her, “I’m sure you’ll take good care of it.”

Violet’s jaw dropped as she sat on her parent’s king-sized bed. “Oh, Mom—no!” she exclaimed. “You can’t do that! You just found it, so why? Grandma gave it to you!”

Iris sat down beside her daughter. “I can give it to you, and I just did”, she insisted. “Anyway, it is a tradition to pass down jewelry from a mother to her firstborn daughter. And since you’re my only one, it goes to you. Someday, it can go to your daughter.”

Violet had tears in her eyes. She opened the box and smoothed her fingers over the pearls.
“Mom, you won’t lose it again. I am sure you won’t!”

“Because I’m giving it to you, dear. I know I can see it again so don’t look so guilty!” Violet gave her mom a huge hug, her growing belly pressing against her. The deed was done, for Violet knew that she couldn’t talk her mother out of things once her mind was set.

Iris shared with her, “You know that when I was born—Uncle Zack, too—my parents thought they were done with having children. My sister and brother were about the same level to each other as me and Zack were. It was like two, different families.”

Iris’s sister, Miriam, known to everyone as Mimi, was fifteen years older than the twins, and Ray Jr. was almost thirteen years older. Being nearly grown, Mimi and Ray were out on their own in a few years after the twins were born. Mimi married at nineteen and had three sons and two daughters, very much content in her role as a homemaker. Ray went into the army and remained a bachelor for the rest of his life.

“I never knew I was any different from Mimi or Ray until I overheard my Aunt Gerty talking to my mother”, she told Violet. “I mean I knew they were much older, but that was normal to me.”

“What did she say?” Violet had wondered.

“Well”, Iris explained, “I was going into the kitchen when I stopped to listen to something I had a feeling that I shouldn’t be hearing.”

Her mother was washing dishes, and Aunt Gerty was drying them with a towel and putting them away. Gerty said in her judgmental tone, “You’ve ended up just like Mother. You entered your forties and got stuck with more children to care for. How you got yourself in this mess…well…nothing you can do about it now. Those children are going to wear you down!”

Gerty was two years younger than Aster, and considered the family old maid, never walking down the aisle, herself.  She prided having her own freedom, unrestricted from a husband’s demands or the constant needs of crying or whiny children.

Aster replied to her sister, with defensive sternness, “Yes, I’ve made my bed and I’m lying in it! Do you have to be so high and mighty about it?”

“I couldn’t even move”, Iris told Violet. “I was frozen in my tracks. Probably was about eight or nine—no older than ten. I heard it loud and clear. For the first time in my life, I felt unwanted. It just never occurred to me before that my mother ever felt this way. Now I heard her admit to it. She didn’t say to my aunt that she was dead wrong.”

Iris’s mother came from a big family—the third of eight children and the oldest daughter—so she saw her mother having to bring up children well into her forties and older, and it wasn’t very appealing. Her mother never acted burdened by it, but Aster probably viewed her mother as stuck.

“That’s terrible. I don’t have to ask if that hurt.  I can see how hurt you are just in telling me”, Violet told her with sadness and compassion. “I don’t remember Aunt Gerty. I barely remember Grandma. She wasn’t ever mean to me, but she seemed like a very strict, no-nonsense woman.”  

“Oh, she was, Iris admitted. “I don’t even know how her and my father ever connected—complete opposites. Unless she changed from a young, happy lady to hard, bitter one. I don’t know. You would have loved your grandfather, though, Violet. He liked to crack jokes and was fun to be around. My mother was so stern that she never knew how to tell a joke or a funny story. Dutiful—that’s how I’d describe her. She was dutiful in her role—she did her job right—but I began to realize that she wasn’t affectionate. Except for your Aunt Mimi—their bond was there and wished I had it. Mimi was more ladylike and more like a mother’s shadow. Their personalities suited each other, I suppose.”  

Iris pulled out an old photo album out of a drawer. There was a black and white, head and shoulders portrait of her mother in her most typical look in Iris’s childhood. She had a short, stiff 1950s style bob of silvery gray hair and wore cat eye glasses. Not a hint of a smile was upon her lips—like she never knew how.

“Do you really think Grandma resented you and Uncle Zack?” Violet asked.

Iris responded, “Well, I’m sure my mother preferred having one child of each and didn’t wake up one day and say, ‘I’d like to have twins now’. I mean, she had a perfect set and my mom liked perfection. That’s all it was going to be—at least she thought. Nobody waits over a dozen years to have more. If my mother really resented getting pregnant again, now she had to deal with two screaming babies instead of one.  Must have come as quite a shock and she was about to turn forty.”

“It’s a shame, but woman have children past that age”, Violet pointed out.

“Sure, and some wait to start families until they have done some of the things they always wanted to do. But if I was to ask my mother if she wanted children that time in her life—which I never dared to—I think she’d have wanted to say, ‘not at all.’”

“It’s a shame”, Violet repeated. “Grandma should never have treated you two any differently.” Iris wasn’t trying to knock her mother, but Violet felt the need to be very protective for her against this grandmother that she barely remembered. Aster has been dead since Violet was six-years-old, and she had a foggy memory of her in her coffin, cold to the touch and very matriarchal in her navy blue dress.

Iris admitted, “I knew Mimi was her favorite, and I was my father’s favorite because I was the youngest girl. Zack and I we
Cyril Blythe Aug 2012
He had a red raised bump from writing too long
Now, I feel a proud resistance from my 36 ‘o clock shadow’s frill
Summer cicadas, on Cranfield Road, always sang their song
and the sun set behind our blue Appalachian foothill

Now, I feel a proud resistance from my 36 ‘o clock shadow’s frill
I got to shoot Dad’s 30/30 rifle when I was fourteen
and the sun set behind our blue Appalachian foothill
No other Bayless has ever seen Peru’s countryside eaten in fire and morphine

I got to shoot Dad’s 30/30 rifle when I was fourteen
but Mom has always been a vegetarian (except for some fish)
No other Bayless has ever seen Peru’s countryside eaten in fire and morphine
Cheese, fruit, and silence is our favorite family dish

But mom has always been a vegetarian (except for some fish)
Mimi and Leiron love cats and Pops and I on ink relied
Cheese, fruit, and silence is our favorite family dish
Mimi’s glasses, shaken by sobs and laughter, fell off when he died

Mimi and Leiron love cats and Pops and I on ink relied
his dead lips were painted a shade too red, inexcusably
Mimi’s glasses, shaken by sobs and laughter, fell off when he died
The trashcan in my room was filled with murdered versions of his eulogy

his dead lips were painted a shade too pink, inexcusably
Summer cicadas, on Cranfield Road, always sang their song
The trashcan in my room was filled with murdered versions of his eulogy
He has a red raised bump from writing too long.
little ladies
than dead exactly dance
in my head,precisely
dance where danced la guerre.

Mimi à
la voix fragile
qui chatouille Des
Italiens

the putain with the ivory throat
Marie Louise Lallemand
n’est-ce pas que je suis belle
chéri? les anglais m’aiment
tous,les américains
aussi….”bon dos, bon cul de Paris”(Marie
Vierge
Priez
Pour
Nous)

with the
long lips of
Lucienne which dangle
the old men and hot
men se promènent
doucement le soir(ladies

accurately dead les anglais
sont gentils et les américains
aussi,ils payent bien les américains dance

exactly in my brain voulez
vous coucher avec
moi? Non? pourquoi?)

ladies skilfully
dead precisely dance
where has danced la
guerre j’m'appelle
Manon,cinq rue Henri Mounier
voulez-vous coucher avec moi?
te ferai Mimi
te ferai Minette,
dead exactly dance
si vous voulez
chatouiller
mon lézard ladies suddenly
j’m'en fous des nègres

                        (in the twilight of Paris
Marie Louise with queenly
legs cinq rue Henri
Mounier a little love
begs,Mimi with the body
like une boîte à joujoux, want nice sleep?
toutes les petites femmes exactes
qui dansent toujours in my
head dis donc,Paris

ta gorge mystérieuse
pourquoi se promène-t-elle,pourquoi
éclate ta voix
fragile couleur de pivoine?)

                                with the
long lips of Lucienne which
dangle the old men and hot men
precisely dance in my head
ladies carefully dead
Arya Sayadi Aug 2014
My dear Mimi,
     Hey baby, are you an electron cause I feel a covalent bond between us. Did you fall from heaven? Because you're the only ten I see. Wanna know my favorite color? Its you. Hey girl, how about me and you go to Tennessee because when you fell from heaven it hurt. Smooth. I'm a genius. All these pickup lines and I'm still on the floor. All these chargers and you're still not a lithium battery. Why the **** is this so cheesy and inaccurate? Maybe its because Everytime I'm near you I get nervous. I start to shake. I start to become anxious. I start to worry. I start becoming self conscious and insecure because I want to be perfect for you. I want you to want me all the way. I want you. I just want to look at you because I see the stars in your eyes. I want to hold you because I feel the burn of your beauty and wonder on my fingertips and up my arms through my shoulders and down to my appendix, because to end at the heart has been said before. I can't explain it. I guess I just...love youuuuu. *kissy faceheart*****
IN A CHANG’AA DRINKING SPREE

(ONE ACT PLAY)

BY

ALEXANDER   K   OPICHO










CASTE
Advocate; self-styled advocate, his real job is insurance agent
Sampaza-changaa drunkard
Teacher-brother to Sampaza, also a changaa taker
Monica-changaa seller
Austeen-a lad, son to Monica
Watchman-changaa drunkard
Rono-friend to watchman
Njeri-friend to Monica, single mother
Atieno-friend to Monica, single mother
Driver- changaa taker and a smoker
Barasa-changaa taker and electrician
Ndhiwa- changaa taker, brother to barasa
Yator-changaa taker brother to barasa
Mavachi-changaa taker, with a fallen out wife
Mandila-relative to mavachi
Agnesi-wife to teacher
Music
*chang’aa is homemade alcoholic spirit consumed by the peasants in east and central Africa.




ACT ONE
In a slum area of Eldoret town, very many ramshackle muddy walled houses are seen; the setting takes place in the house of Monica the Changaa seller. There is low tone music humming from the DVD, playing Vincent Ongidi’s ‘mother is better than father.’
Music; Bakeni Nebekhale, bukula indika,
           Bukula indika samwana, Udimake kungeni
          Khusoko busia, bukula indika omusumba,
          Bakhwee nebechile, bukula indika
          Udimake khusoko yaya, bukula indika….
Driver; (dancing with a tumbler of chang’aa in his hand) let me dance! This is my best Sunday, let me dance, I am son of a woman. Sing! Sing! Sing! For us Vincent, you son of Ongidi, (pointing at the DVD).
Advocate; the problem you are only dancing with your class a half empty, moreover, you are not following the rhythm , I thought you dance to this song by shaking your shoulders, but instead you are gyrating your waistline.
Driver; (still dancing) let me dance because when I will go to the grave I will not get another chance to dance.
Advocate; (gulps from his tumbler) will you buy me chang’aa of ten shillings?
Driver; let me finish dancing first, I will see what to do about it.
(Enters Sampaza and teacher, as music goes off)
Sampaza; why are you dudes stopping the music on my entering?
Driver; it is not us who have stopped the music; you go and ask Vincent Ongidi why he did not sing a long song.
Sampaza; (sits at the old couch) where is Monica?
Driver; you burn us a cigarette before you ask for Monica, were you not with Monica upto the mid of last night?
Sampaza; why were you spying on me upto the mid of the night?
Advocate; (to Driver) give Sampaza time to introduce his friend to us
Sampaza; (to teacher) sit on this stool, forget about this drunkards.
Teacher; will this stool not break and sent me down like humpty dumpty? (Shakes the stool and sits on it)
Sampaza; It cannot even Monica herself sits on it and she is more huge than you do
Advocate; (to Sampaza) this is your brother?
Sampaza; now listen all off you
All; Sampaza we are listening to you all of us
Sampaza; had I killed our mother, he could not have born, (pointing to teacher).
Driver; if someone had not told me, there is no way I could know that this man is your brother. You are totally different from one another. Look, he is fat, strong, clean, well shaven and groomed brown and is like he took a bathe in the morning before he came here to chang’aa place, but you Sampaza tell us when you last washed your clothes? Even forget of washing your body.
Sampaza; (to driver) if you want to beg chang’aa from teacher just beg without using your desperate tricks of false praises.
Advocate; but me, I could easily know that teacher is a brother to Sampaza by simply comparing the shape of their heads, they look alike.
Teacher; who is serving chang’aa today?  I want to buy some for you guys.
Driver; it is Austeen, let me call him for you (goes at the door shouting) Austeen! Austeen! Aha! This boy is as earless as a female monitor lizard, (comes back) I have called him for you.
Teacher; thanks, let me believe he won’t take time, I am really thirsty.
Advocate; you can mitigate your thirst with this one of mine (gives teacher a tumbler).
Teacher; (sips) it was not a bad stuff (passes the tumbler to Sampaza)
Sampaza; (takes a full swig) uhm! The stuff is really the tears of the lion.
(Enters Austeen)
Austeen; My God, Sampaza is here again! Sampaza, why did you run away with my money last time? You take the beer and run away, even you made my mother to quarrel me yester night.
Driver; (to Austeen) you boy manage your mouths, don’t you see Sampaza is the age of your mother?
Austeen; wait! Sampaza must give me the money, give me the money you Sampaza!
Teacher; let me pay for him, how much was it?
Austeen; imagine Sampaza took off running into the darkness of the night after taking chang’aa of fifty shillings. Imagine a whole tumbler of fifty shillings.
Teacher; that was bad, Sampaza you did something very bad. You know Monica is a single parent and you run away with her money. This chang’aa is like Monica’s husband, so please let us be honest and pay our bills;
Austeen ;( to teacher) are you paying for Sampaza?
Teacher; yes, but before that; pour a tumbler of chang’aa worthy fifty shillings for each of these elders, including Sampaza. I am going to pay that one myself. But serve me with a tumbler of chang’aa that goes for a hundred shillings. May be it can quench my thirst.
Driver; brother you are a man (shakes teacher’s hand).
Austeen; (to Advocate) stand up for some minutes; I want to remove a grenade from your chair.
Advocate; you mean I was just sitting on the tears of the lion?
Austeen; yes (he fishes out a yellow plastic container, feels each tumbler as required).
Sampaza; you boy! What are you doing? Fill my tumbler to the brim, why are you now conning me off my chang’aa?
Austeen; (politely) Sampaza listen, you know my hands always shake when I am holding something. I didn’t want to spill chang’aa by struggling to fill your tumbler to the brim.
Teacher; (sipping, closing his eyes) Austeen now play for us another music.
Driver; yaah! The music, play for us Marashi ya karafu.
Austeen; my mother has not yet bought the DVD for Marashi ya karafu, let me play for you this one (shows him the DVD), it will thrill you to your bone marrow, (inserts the DVD in to the player).
Music ;( playing) ukiwa wa enda nyubani kwangu heee,
                          Umwambie stella mimi  sitakucha,
                         Umwambie stella mimi nimefungwa jela,
                      Anisalie mtoto mama nitaleaaaa!
Driver; ndio hiyo! (Stands up to gyrate his waist swiftly) that is my best song from Tanzania. How I wish I was still in prison on Christmas day of last year.
Sampaza; (sipping at his tumbler) if you want to be in prison go and make love to your goat and call people to help you.
Driver; look at you, with all this women, why should I go for a goat?
Sampaza; (standing up to dance, shaking his shoulders) because you want to be in
Prison.
Austeen; (giggling and shouting) look! Look! Look at Sampaza, he does not know how to dance, he is waving his hands like wings of a chicken.
Sampaza; you dance and I see (daring Austeen)
Austeen ;( dancing) look! Look! Fire! Fire! Fire! (He goes to sit)
All; (laughing loudly and clapping) Austeen! Austeen!
Advocate; this boy Austeen, became old while in his mother’s womb
                     (Enters Monica, Rono and watchman)
Driver; here comes Monica, (provokes Monica for a dance, they both dance).
Advocate; (joins Monica and driver to dance) Monica! Monica! Daughter of Zinjathropus, Waa!
Monica; I am an early woman, yaani! Womanopithecus africanus (dancing).
Driver ;( pushing away advocate), dance away from here, why are you bringing here this evil smelling sweater of yours?
Advocate; I am sorry.
Driver; that is empty jealousy, you only saw Monica’s pelvis touching mine and you jumped here to disrupt my gusto.
                               (Music stops and they all get sited)
Monica; (to Austeen) give watchman and his friend chang’aa of twenty bob, I will pay myself.
Austeen; yes mama (serves watchman and Rono chang’aa)
Rono; Kongoi, I mean thank you Monica, you are such a generous woman? (Takes a full swig).
Monica; Karibu, don’t mind I am always and I will be always an early woman.
Sampaza; (to watchman) when you came in I thought you were the crow.
Watchman; (sipping) who? Me, I was a policeman ten years ago but I was ******.
Driver; (to Sampaza) this man is not a muriakole, he is not a cop. This is a D.D.O.
Advocate; meaning?
Driver; daily drinking officer, hmmm! The DDO.
All; laughing loudly.
Monica; (to advocate) how is your brother and his witchdoctor of a wife?
Advocate; Monica, just keep quiet, my brother is in problems.
Monica; which problems? I told him to marry me and he refused because I did not have book education.  I am now making more money from chang’aa in a day than even he does from his education. Let that man, that brother of yours, chew the full scale of his misfortune. Now tell me which problem has he?
Advocate; today very early in the morning I heard my brother screaming, of course from his house. Out of anxiety I rushed there to find out what was happening. Jesus! What I so…..
Driver; what was it? Just say.
Monica; a man has nothing to fear just say.
Teacher; where is Austeen?
Austeen; I am here
Teacher; serve each of us chang’aa of fifty shillings, start with him (pointing at the advocate) give Monica, your mother a tumbler, that one of a hundred shillings.
Austeen ;( serving as he sings) how long will they ****,
              Our brothers, while we stand watching them,
                Redemption songs, Bob Marley! Sons of ghetto!
Sampaza; Austeen you are always not measuring my chang’aa to the money given, now look, does this grasshoppers spittle qualify to be chang’aa of fifty shillings?
Austeen; Sampaza, I told you my hands are not steady, they always shake whenever I am holding something.
Sampaza; (to Monica) I will bring a medicine man to give some manyasi to this son of yours, so that he stops shaking his hands like an epileptic.
Monica; Sampaza, you drink your chang’aa and to hell with your medicine-man. Let us listen to what happened to the brother of advocate.
Advocate; now, as I was saying I found my brother’s wife had swollen my brothers ***** to its base, the ***** was full deep in her mouth, my brother was screaming but the was dead silent ******* the *****, her teeth tightly gripping it at the same time.
All; laughing loudly
Teacher; Maybe it was oral ***, but not domestic violence
Monica; oral ***!?
Teacher; yes, it is possible
Advocate; but why was he crying?
Monica; because his wife was ******* his *****
Teacher; that is the case
Advocate; if at all it was pleasurable then why was my brother screaming?
Teacher;  maybe he was on ******* ecstasy, the same way a woman can be when you suckle or even ****** her *****.
Monica; but I can’t allow a man to suckle the eye of my breast.
Driver; even me, I can’t suckle my wife
Teacher; why?
Driver; even also, in my culture, one is not allowed to suckle a woman’s ****
Teacher; is that sexuology or culture?
Watchman ;( to driver) yes, answer that! Answer that question from teacher.
Monica; but it is only a foolish woman who can allow a man to suckle her *****, or if she can then she is not serious with that man.
Teacher; (to Monica) then which man do you like? Sampaza?
Monica; Me do love Sampaza?
Teacher; yes, Sampaza
Monica; this Sampaza, is always as miserable as a corpse in the grave without a coffin.
Advocate; you are as miserable as a corpse in the grave without a coffin.
Sampaza; I am not, I know am great
Teacher; yes, and capable to love the early woman like Monica.
Sampaza; (to Austeen) play for us some better music.
Austeen; which one mama? Which music can I play?
Monica; play for them Pamela Nkutha (sings) Nakula ebusi,
                  Nakula ewunwa, lalalaa! Lalalaa! Laaaa!
Austeen; Mama, that one we don’t have. Let me play for them Brenda *****.
Music; (playing) Songea nikubambe, songea nikubusu,
                          Nakupenda, nakubusu ehee monica eheee!
Austeen; Kula Ngoma; he who does not have chic let him embrace a stone (exits)
All; (dancing violently) Monica! Monica waaaaaaa!
Watchman; (dancing) Sampaza can you suckle the ***** of a woman?
Sampaza; ask driver that question.
Driver; I cannot suckle the ***** of my wife.
Teacher; I depend with nature of a woman you are in the bed with.
Watchman; correct , some women has fallen ******* like chapattis, but if a chic has ***** and pointed breast, I  can ****** and suckle her like nothing else in this world. I can even suckle her *******.
Teacher; by the way, ******* are the fountain of pleasure to a woman, when you suckle her she will just moan; Sampaza! Sampaza! Sampazaaaaa!
All; laugh raucously
Monica; these men are drunk.
Driver; no, they are now happy, pick one of them for yourself.
Monica; the man that I can love now must be having a death certificate.
Teacher; what does it mean? Me I thought you need a dark skinned man like Sampaza, you know the dark the skin of a man the greater the ****** pleasure ehee…
                       (Enters Njeri and Atieno)
Njeri; Monica, are you not aware that were are late for Chama? Look you are still *****, you have not even combed you hair.
Monica; Njeri come in why are rioting at the door, look at Atieno she is as miserable as usual.
Njeri; she was flogged by the husband.
Atieno; (to Njeri) you! Watch your mouths, I don’t have a husband.
All; laugh, (Njeri and Atieno sits).
Sampaza; look at this one (pointing to Njeri) can I give you some money so that you do me a favour.
Njeri; which favour?
Sampaza; of this…(Makes a sign of *** with his fist).
Njeri; I don’t sleep with chang’aa drunkards
Atieno; even me
Sampaza; (staggering, and then falling on Njeri’s laps) I want! Truly I want!
Advocate; Sampaza is drunk, let me take him home (pulls Sampaza).
Sampaza; (resisting, avoiding to be pulled out by advocate) leave me alone! You thief! You are an insurance thief! Who told you that you are an advocate? You are not! You want to steal my money. No, all these people are thieves, Monica is a big thief, and they want to steal my brother’s money!  Teacher! Come out of here! This is a den of pickpockets! They will still your wallet, come we go! Thieves! Thieves!
                        (Advocate pulls Sampaza out, as they both exit)
Driver; Sampaza does not have manners.
Njeri; Imagine he fell on my laps, what if my husband found him?
Monica; He would have now divorced you for eating rats.
Njeri; When I have not eaten any rat, it was only a drunkard supporting himself on my legs.
Atieno; he has spoken a lot of words.
Driver; and all the words were total lies.
Monica; no, whatever is in the inner heart of a sober man is always on the tongue of the drunkard man.
Teacher; to mean what? Anyway, forget about Sampaza.
Watchman; by the way
Rono; I am also off my senses, I am seeing each of you having seven heads, and the heads are a
around age 7 or 8 Odysseus adopts role of doctor to girls of his generation fascinated even driven by their differences from him especially  advanced development of ***** hair he examines their genitals once he misdiagnoses Junie Porter gets soap in her urethra Junie cries then forgives Odysseus apologizes she continues returning as patient also brings her curious sister and neighborhood friend who wants to be examined as well on another occasion Mimi Greer and her mom Ida stop by house for visit Mom and Ida are close friends Odysseus and Mimi are same age he has crush on her they go off play in kid’s bedroom after Greers have gone Mom receives phone call from Mimi’s mom Ida complains alarmed because she found toy soldiers in her daughter’s ******* Mom shrugs thinks it's funny

Aunt Rita and cousin Patsy who is two years older than Odysseus come to house for visit Aunt Rita gossips with Mom in bedroom Penelope and Patsy call Odysseus into kid’s bedroom Patsy is very pretty delicate features light tan skin thick brown hair she pulls down her ******* shows newly grown ***** mound she offers “you can pet me there if you want see how mature i am” Penelope briefly acknowledges Patsy’s sparse growth Odysseus begins to pet scrutinize both girls see his fixation they begin to giggle and go wild attack Odysseus with their hands tickling his sides crotch unbuttoning his jeans it is utterly innocent play but Odysseus feels something astonishing thinking he is about to *** or release he cries out at them to stop hearing commotion Mom calls out “what’s going on in there? you kids settle down get in here right now!”  girls run off laughing Odysseus feels incredible tingling sensation between his legs looks down sees he has made mess clear sticky not *** does not understand what happened wipes himself clean later asks Patsy when he can pet her again she answers “when you grow some hair of your own down there” he says “promise?” she says “yeah i guess i promise” Odysseus never forgets Patsy’s vow he waits for ***** hair to grow several years pass Odysseus often sleeps over at his cousin’s house in suburbs Patsy has grown into flowering beauty petite cheerleader physique Odysseus is in awkward stage bones jutting pimples on his face back braces on his teeth he approaches Patsy in her bedroom “i finally grew some strands down there remember your promise? can i pet you again?” Patsy scoffs “no way! i completely forgot that childish pact you don’t know anything” Odysseus replies “yes i do!” Patsy’s hands grip her waist “you don’t even know what the word **** means do you?” Odysseus answers “yeah sure i do uh maybe what does **** mean? tell me please” Patsy shrugs nods “you’re so childish now run along Odys you are such a little dip-****” he begs “Patsy please tell me what does **** mean” she points her forefinger to the door and yells “get out of here you little creep!” he feels trampled after imagining desiring for years early next morning still dark he tiptoes from cousin Chris’s bedroom sneaks into Patsy’s bed pets her furry mound while she seems to sleep later Aunt Rita calls Odysseus into her bedroom closes door sternly addresses him “Patsy told to me what you did how dare you? you should be ashamed of yourself i’m worried about you Odys i’m not going to tell your Mom and Dad because i know your father will blow his top and i won’t say anything to Uncle Burt but if i ever hear of anything like this again you will be severely punished! understand?” his chin drops down to his chest “yes Aunt Rita i promise never to touch Patsy again i’m sorry please forgive me”

Odysseus runs into Lynnie Sultan on back stairs at Harper he thinks she is very good-looking wants to play doctor Lynnie is fair-haired taller a grade higher than Odysseus pushes himself on her she growls “you little ****” yet reluctantly gives in he reaches inside her ******* pets her ***** hairs gently caresses soft mound smells feels wetness pulls out two hairs Lynnie cries out “ouch! why did you do that?” Odysseus answers “keepsake” suddenly math teacher Mr. McClennan appears catching them in act Lynnie is dismissed school principal calls Mom demanding conference Odysseus is detained in principal’s office waiting room Mom arrives apologetic to principal “what mischief did Odys do this time?” principal insists they speak behind closed doors when she walks out of office she flashes fuming glare at Odysseus driving home she questions “how dare you do this to me? what were you thinking? answer me! what’s the matter with you?” she guns gas pedal silently he considers how provoked Dad will get stomach claws once they arrive inside house Mom slaps his face yells "you’re sick weak selfish ******* up in your head! you need psychiatric treatment!" tears run from her eyes down her cheeks Odysseus hates himself for making Mom be so upset with him he feels guilt desperation nothing in this world is more upsetting than watching Mom cry because of his actions
Terry Collett Mar 2012
You purloin books from
Monsieur Marteau’s large
Library; you like

The slightly saucy
Ones best; the books he
Hides from his wife. You

Can smell his sweaty
Palms all over them.
He has an eye for

You; you can tell by
The way he follows
You around the room

As you slowly dust
And polish around
The shelves, removing

Books and wiping them
Clean. You are very
Thorough Mimi, he

Says, not all maids are
As dedicated
As you, and he laughs

And you laugh with him
Putting on one of
Your pretend blushes.

Madame Marteau has
The face of a smacked
Bottom; her thin lips

Seldom spread into
A smile; her eyes are
As olives in snow.

Don’t be too long with
That dusting, girl, there
Is much to do and

When are you going
To tidy yourself
Up, you are so slow

And slovenly; not
What I expect from
A maid at all, she

Moans, her haughty voice
Echoing around
The hall. You love to

Read his saucy books,
His fingerprints are
On the edges, dark

And oily; his pipe
Tobacco stinky
Smell escapes from each

Page and you as you leave
The library and
Pull the door behind

You with a gentle
Click, you imagine
Him alone in there

Scanning over the
Saucy books; his lips
Drooling, his dull eyes

Being feed ****
Images and his
Sad wife elsewhere, now

Forgotten or too
Busy or moaning
At you; and while you

Snuggle up in bed
At night with the book’s
Thrilling dark pages,

His wife lies in her
Bed untouched, unloved,
Unkissed and cold and
Has been for ages.
Butterflies were her favorite thing.
Her pillows had Monarchs in full winged flight
Needlepointed by an artful hand.

One perched on a perfume bottle’s cap
It’s crystal wings composed for rest.

Her jewelry box was full of them
In precious stones and colored glass
In every size and metal base.
If they all rose in magic flight
The air would shine with rainbows.
                               §
Today I found a tiny golden brooch,
Set with green and yellow stones
With tiny diamonds for the eyes.

It was dropped by someone rushing home
From entertainments where I do my work.
Will it be missed and my phone ring,
Or is this a message from my Mimi.

The minute that I saw it
She was in my mind
As gentle as the butterflies she loved.
She settled on the flower of my heart
And cocooned the little moth of me
And wrapped it up to metamorph
Into the unique butterfly I will be.
ljm
Mimi Weber was my mentor, my best friend, my almost big sister.  She introduced me to the 'wonderful' world of show business. and taught me many words of Yiddish.  When she died,  a lot of butterflies disappeared from the Earth.
K Mae Sep 2014
when Mimi died
I stayed in my state  
dug in the earth
loving her well
looking skyward
to see comet beauty
true face of owl
body papoose wrapped
again
*birth I celebrate
Mimi and Meme, common names for grandma in Ameri-French families
Martina Ngose Oct 2015
Dear World,
Ooh how you treat me like a Robot
I'm forced to act and work like a machine almost
every other day
When will all these pressures end?

Dear Africa,
Ooh how you make me feel like Clown
I'm forced to smile at the things i don't want to
almost every other day
When will all these pressures end?

Dear School,
Ooh how you treat me like a modern slave
I'm forced to memorize lots of dates and words
almost every other day
When will all these pressures end?

Dear Work,
Ooh how you treat me like your "errand girl"
I'm forced to show up in snow or rain or sunshine
almost every other day
When will all these pressures end?

Dear Parents,
Ooh how you treat me like a prisoner
I'm forced to tell you wherever i'm going to
almost every other day
When will all these pressures end?

Dear Mimi...
We got all your letters
Love;
World, Africa, School, Work and Parents!
Thoughts, growing up, Challenges, Children, Pressures, Life, World, School, Work, Parents, Letters, Writing, Thinking out Loud
Mimi Jan 2012
I wonder how I got here, secluded in a grimy apartment filled with smoke. We drink gin and tonics with mint like it’s the ‘20s; we sit and talk pop culture because we know. Taj has somehow become the effective authority on all of these things, paid to social network and connected to Hollywood; he’s very skilled at playing to people’s wants. My Cadillac sits intent next to me markering in a recent drawing for his newest class. He’s already famous for his graffiti, one day I’ll bet you this extra credit project will be worth money. He drew me a fox for Christmas. Valentines day is coming up. He never tells me he loves me. Jack is watching me watch him out of the corner of his eye while putting on a new remix of an old song. He leans over and asks if I like it and I nod. I feel bubbled up with *** smoke, frozen in time and vaguely uncomfortable. I’d guess this is what it’s like to be “too high.” I want Caddy to notice, but it’s Jack that’s pushing my hair back and telling me to drink more water. It’s sweet. Despite his need to be seen as a womanizer, Jack respects Caddy too much to even try with me, he looks but he doesn’t put on any faces for me. Everyone thinks so hard about how they’re seen.
Jack says his New Year’s resolution is to do less *******, even though no one asked. Everyone hears but no one reacts. I try to keep moving my toes and stop shivering. Across from me Ky and Nate are reading the encyclopedia in open-mouthed awe. In a room full of intellectual up and comers I feel like Hemmingway did when he was my age, how all the minds gravitate to each other and sit in a ***** room by the beach and let the creativity go. Like Mary Shelly and the whole gang writing Frankenstein and Dracula in the same trip.  After a while I think Taj is going to make it, Jack will be a politician and Caddy will be lost and with another woman. Ky and Nate will still be smoking and reading the encyclopedia, all the way down to ‘z’. I am like my mother: attracting the company of smart successful men who pay her selective attention.
The door burst open and the cold air stayed in my pores after it was closed. Rodger invited himself over. It would have been all right but when Rodger is wasted he forgets his manners. In his animated state he managed to kick over Caddy’s favorite smoking piece, insult Jack and look at me a little too hard. His girlfriend had immediately passed out on the couch, but she never smiled or spoke to me anyway. Her head was cradled in the lap of a girl I hadn’t noticed. Her hair was perfect and her eyes shadowed, the liner and mascara smudging its way slowly onto her high cheekbones. She stared at me but didn’t speak. I tried to smile, but didn’t want to give away the champagne sensation covering my skin, still too up to speak. She had already formed her opinion of me, some young ******* the arm of an older boy. She was once in my position, I’m sure of it, we are the same kind of beautiful and empty eyed. That doesn’t stop her from judging, in the total of 15 seconds she looked at me. Her self is tamed and mine is wild still. Unintroduced and unnoticed by the men in the room, we have an understanding and a mutual dislike of each other, only to defend ourselves.
The room takes time to settle, a bowl has been packed for an entitled Rodger, and now that everyone is calm, Cad sits back down and puts his arm around me again. I lean into him, protected and anchored, whereas I had been floating or about to puke a minute ago. I don’t know what I said but Caddy seemed annoyed when he said “Just let it happen, embrace the feeling,” and so I kept quiet for ten minutes or so. The high was infected with guilt. Next time he looked at me-- it could have been an hour—I whispered, “I can’t” and finally he heard me, and stood up.
Cad came back into my vision with a glass of water and turned on Drive, prompting Rodger, Mrs. Rodger and my pretty enemy to leave. Ky and Nate had gone long before I could focus on noticing. Taj left for trivia night down at the bar and no doubt some girl; wrapped up in a cashmere scarf and cardigan he kissed my cheek before he went. Jack also took his graceful leave with the Rodger group to woo some girl who knew exactly what she was doing to herself. He did have a straight nosed charm, Jack. I could not blame this girl, one of many (I am embarrassed for her; I have been like this ******* many occasions).  
Taj had been sent the advanced copy of Drive in blu-ray, so we snuck it from his room and watched it that way (the only way Taj would see movies now, it is the future (for now)). Kavinsky came through Cad’s new speakers the boys had spent half an hour trying to wire earlier in the night. “They’re taking about you boy/but you’re still the same” crooned Lovefoxxx as Ryan Gosling cruised down a street, ****** intense in driving gloves. Gears shifting and motors growling are very ****, I tell Cadillac so into his ear, as he pulls me into his arms and covers me up with a blanket.
The movie was perfect, maybe because it made me feel less dizzy and sickguilty (Cad knew it would) and maybe because Ryan Gosling can wear a white satin jacket. I loved it, hardly noticing when the absent roommate Travis strolled in with Taj and tacos somewhere around 2am.  Colder as Caddy got up for a burrito, left me alone on the couch for the kitchen table. Registering Taj taking his place, playing with my curls and talking Hollywood to me. I’m staring over at Cad in his chair, he makes eye contact once or twice and I blow him a kiss before Taj repositions my head toward the television and my ear back where he can speak into it.
Eventually Cadillac taps Taj on the shoulder and motions for him to get up. With Cad back I can relax and I fall into sleep just as the movie ends. Taj and Trav have gone to their own beds and Cad leans over me, picks me up and takes me to bed knocking my elbow on the doorframe along the way. He apologizes and kisses my head but I am too tired to care. He lays me down on the bed with crimson sheets and takes off my boots but then sternly says, “Mimi, you are not a child.” and so I must get up and undress myself. He wraps me in a duvet missing its cover and his arms. I trust him long enough to fall asleep.

-

Standing in front of the stove it was hot, but I am easily overheated. He came up behind me and said in my ear, “you’re lovely” watching me put the last piece of French toast on the large stack, getting ready to scramble eggs. He kissed my cheek. Then my neck and then my lips, taking me away from my cooking to be pulled against him, for a sweet short minute and went back to the living room with his friends. Jack had mysteriously reappeared in the night; he said he locked himself out of his apartment after leaving to see one of his girls. Taj just sat and blasted Radiohead over the new speakers, shouting something relevant at me. I scramble the eggs and make up plates, two pieces of toast each and a nice healthy pile of eggs. It is gone very quickly and no one says thank you, except for a smile from Caddy and a kiss on the forehead. It’s usually enough for me, knowing he likes to show me off to his friends. I sit down with my cup of coffee and plate, within a few minutes Cad suggests he takes me home. I resentfully take time to finish my coffee. But we are both busy and he is right, so I say goodbye to the boys and gather my things. We drive with the “best MC on the game these days” (so I am told) over the weak speakers of the car. Cad drives with his arm around me always. Cruising into my building’s parking lot I lean over for a kiss on my forehead, nose, lips. He says go, but his hand still sits on my shoulder so I stay for a little longer. “You’ll probably have to let go of me if it’s time for me to go Cad,” I say quietly, with a tentative smile on my face. He grins back and lifts his arm. I slide out of the suicide seat and smile at him, but he’s looking at the radio dials. Then my face. His eyes give him away, softened around the edges with affection. Maybe love, but he’d never say it and I refuse to say it until he does. I try not to think about it much as he drives away to smoke up again with his friends. I wonder if this is how it will always be, but then I realize our kind of “always” is only the next few months. I turned unsteadily and walked up the stairs to my empty room—dark and overheated smelling heavily of sugar and spice candles-- with the geese outside my window for company. I haven’t slept here for days.
Sarafæl Jul 2021
My kitchen is yellow
Ugly and faded
My kitchen is where
Late at night
I traded
Crumbs with a monster
A tiny little thing
That grows and grows
With growls and grumblings
She does not like the yellow
And neither say do I
Sometimes the hideous color
Makes her want to cry
So I placate her with cookies
Brownies and more
But my little monster
Throws tantrums on the floor
No amount of Nutella
Can get her off her knees
For my little monster
Has a minds disease
And I’m too busy fighting
That I can not see
The empty cartons of ice cream
Will bring her no true ease
People of the heart>word>book>screen>
The digital streams scroll before us
Form, electricity, ai
Form, energy, intelligence,
biomimicry, they cried

(Is consciousness the code/key we seek?)

What do we do with our silence
In a world populated by sound
Are we bound to making noises
Or should we liberate our voices
By refusing to participate at all
Donall Dempsey Feb 2018
ICH RUF ZU DIR. . .
( for Mimi )

1.

brushes her hair in the mirror
she stares Death full in the face
the heart attack catching her off guard

11.

Dusk walks off
into the distance
Night speaks slowly….quietly

111.

Green shadows
lilac shadows
never just
black

1V.

gooseberries…geraniums…sherbet
those things of childhood
she both liked & didn’t

V.

I only half listen to them, smug in their snug, poets scoring points off each other over the odd pint or two or more. . .

“Ahhh now Jaysus...your oyster always gives me the collywobbles. Every time I encounter an oyster I think of Chekov’s corpse and sure the appetite goes off of me!”

“Is that right?”

“That’ right so it is!”

“Sure when poor Chekov became a corpse...he was kept on ice with the oysters and shipped to Moscow. So it’s always Chekov’s auld face I see( ya see )when I come face to face with an oyster. I think of him being extracted from his shell and slipping slowly down Death’s throat.

“Ahhh Jaysus...Jaysus sure isn’t Death a terrible man altogether for the poets and such like. But come here to me when I’m talking to ya...have ya ever heard tell of a fella called.. if memory serves me well. . .Qui ****-Haung-ti?”

“Qui ****-Haung-ti? Eh, let’s see now...ahh...no...now…I don’t believe I have had that pleasure? Who he? For God’s sake!

“ Sure wasn’t yer man only the first supreme ruler of China!”

“He wasn’t..!”

“He was...I declare to God!”

“And sure for 9 months, 9 months now I tell ya, after his death he continued to reign seated upon his throne...surrounded by fish!”

“Well, that’s as posthumous as ya can get! But, why...the fish?”

“To disguise the smell...ya ejit!”

“And that’s why I can’t stand either sight or sound of our scaly friends.  It gives me the creep I tell ya!”

“Fair enough!”

“Will ya have another?”

“Ahhh sure, I will so!”

V1.

bitter gooseberries

V11.

I pray to my granny’s apron full of stars and flowers…only a rag now for shining shoes; to my uncle’s auld hat that that sat for years and years on the brown dresser like a dried up soul.
To my other uncle’s battered boots still caked with mud from summer’s long long ago which now houses a kitten that can’t get out mewing pitifully its plight:

V111.

the gooseberry’s bitterness

Solaris...was it
floating in space
back to Bach...ich ruf zu dir...

1X.

she holds the gooseberry
between finger and thumb
her eyes devouring it

X.

the sun shone through it
a prism of living light

snow is falling
in the room

from which she first
saw snow
falling

she stands outside
falling through time

X1.

she listens to the wheat
the wheat listens to her listening
the wind moves them both

X11.

in the story of her
childhood there are
always gooseberries

X111.

the words dress themselves up
walk around in stories
showing off

X1V.

she prays to the green light
of the gooseberry that is
the God of living things

XV.
the mirror holds her reflection
even when she’s gone
Death hums its little tune

XV1.

“They’re better fed than read...”
as my grandmother said
about anyone other than our selves

XV11.

he thought the good idea...was his
she thought the good idea...was hers

XV111.

he said he will( but he won’t )
she said she won’t( but she will )

X1X.

the mirror can’t find her
anywhere
she’s fallen off the edge of a flat world
The title emerges from Bach's BWV 177 - "Ich ruf zu dir, Herr Jesu Christ"

Cantata for the Fourth Sunday after Trinity

Ich ruf zu dir, Herr Jesu Christ,
Ich bitt, erhör mein Klagen,
Verleih mir Gnad zu dieser Frist,
Laß mich doch nicht verzagen;

I call to You, Lord Jesus Christ,
I beg You, hear my cries,
grant me mercy at this time,
do not let me despair;

The soundtrack of SOLARIS features Johann Sebastian Bach's chorale prelude for *****, Ich ruf' zu dir, Herr Jesu Christ, BWV 639, played by Leonid Roizman, and an electronic score by Eduard Artemyev. The prelude is the film's central musical theme.

Tarkovsky initially wanted the film to be devoid of music and asked composer Artemyev to orchestrate ambient sounds as a musical score. The latter proposed subtly introducing orchestral music. In counterpoint to classical music as Earth's theme is fluid electronic music as the theme for the planet Solaris.

The character of Hari has her own subtheme, a cantus firmus based upon J. S. Bach's music featuring Artemyev's composition atop it; it is heard at Hari's death and at story's end.

The memory of the movie...of the two drunks in the pub....of the music...her childhood memories of gooseberries all hail the prelude to her...death.... memories lie shattered and scattered like the hand mirror fallen from her hand...reflecting all and nothing.

A sequence poem that attempts to mimic the strands of the choral movements sustained by a single voice a la Mr. Bach.

Whatever is in the head when Mr. Death comes calling.
Molly Smithson May 2014
Moving amidst my Ramona chapter books,
I make out your movement, M, the moody turns
Of your mounts and valleys, the moniker of

Family names, you marked me like a maternal
Emblem of the generation’s matriarch,
You mingled amid reminiscences of former matrons  

Maria Helena from the Midwest,
Who crossed the mountains in a wagon,
Madeleine, a migrant from Marseilles,

Who baked warm loaves in San Francisco,
And her own daughter, my Mimi,
Who muttered merde while she drank martinis.

In my own time, you materialized in
Marjorie, my nana, and Maria, my mom,
The women in which I knew you growing up,

Then Molly, who made dreams out of
Magic and Movies and Marie Antoinette,
You embellished my most favorite things.

In my monogram, you aimed my impulses
in your masts’ diametric directions
Towards competence, towards imagination.

In your middle ‘s mysterious compartment I make snug
With magazines and novels and mugs of hot milk.
You nuzzled me in moments of melancholy, then motivated me

To meander among your fundamental family,
The sumptuous L of melt and mélange,
The meticulous N of man or monk or money.

Even W, which matches your mien in mirror
It warped wicked witch while you
Milled maidens and damsels, so I imagined

The mutilation of those two majuscules formed
My image of womanhood. M, Molly Smithson materialized
From a meek mademoiselle into the mistress of mischief.
Donall Dempsey Feb 2019
ICH RUF ZU DIR. . .
( for Mimi )

1.

brushes her hair in the mirror
she stares Death full in the face
the heart attack catching her off guard

11.

Dusk walks off
into the distance
Night speaks slowly….quietly

111.

Green shadows
lilac shadows
never just
black

1V.

gooseberries…geraniums…sherbet
those things of childhood
she both liked & didn’t

V.

I only half listen to them, smug in their snug, poets scoring points off each other over the odd pint or two or more. . .

“Ahhh now Jaysus...your oyster always gives me the collywobbles. Every time I encounter an oyster I think of Chekov’s corpse and sure the appetite goes off of me!”

“Is that right?”

“That’ right so it is!”

“Sure when poor Chekov became a corpse...he was kept on ice with the oysters and shipped to Moscow. So it’s always Chekov’s auld face I see( ya see )when I come face to face with an oyster. I think of him being extracted from his shell and slipping slowly down Death’s throat.

“Ahhh Jaysus...Jaysus sure isn’t Death a terrible man altogether for the poets and such like. But come here to me when I’m talking to ya...have ya ever heard tell of a fella called.. if memory serves me well. . .Qui ****-Haung-ti?”

“Qui ****-Haung-ti? Eh, let’s see now...ahh...no...now…I don’t believe I have had that pleasure? Who he? For God’s sake!

“ Sure wasn’t yer man only the first supreme ruler of China!”

“He wasn’t..!”

“He was...I declare to God!”

“And sure for 9 months, 9 months now I tell ya, after his death he continued to reign seated upon his throne...surrounded by fish!”

“Well, that’s as posthumous as ya can get! But, why...the fish?”

“To disguise the smell...ya ejit!”

“And that’s why I can’t stand either sight or sound of our scaly friends.  It gives me the creep I tell ya!”

“Fair enough!”

“Will ya have another?”

“Ahhh sure, I will so!”

V1.

bitter gooseberries

V11.

I pray to my granny’s apron full of stars and flowers…only a rag now for shining shoes; to my uncle’s auld hat that that sat for years and years on the brown dresser like a dried up soul.
To my other uncle’s battered boots still caked with mud from summer’s long long ago which now houses a kitten that can’t get out mewing pitifully its plight:

V111.

the gooseberry’s bitterness

Solaris...was it
floating in space
back to Bach...ich ruf zu dir...

1X.

she holds the gooseberry
between finger and thumb
her eyes devouring it

X.

the sun shone through it
a prism of living light

snow is falling
in the room

from which she first
saw snow
falling

she stands outside
falling through time

X1.

she listens to the wheat
the wheat listens to her listening
the wind moves them both

X11.

in the story of her
childhood there are
always gooseberries

X111.

the words dress themselves up
walk around in stories
showing off

X1V.

she prays to the green light
of the gooseberry that is
the God of living things

XV.
the mirror holds her reflection
even when she’s gone
Death hums its little tune

XV1.

“They’re better fed than read...”
as my grandmother said
about anyone other than our selves

XV11.

he thought the good idea...was his
she thought the good idea...was hers

XV111.

he said he will( but he won’t )
she said she won’t( but she will )

X1X.

the mirror can’t find her
anywhere
she’s fallen off the edge of a flat world

*

The title emerges from Bach's BWV 177 - "Ich ruf zu dir, Herr Jesu Christ"

Cantata for the Fourth Sunday after Trinity

Ich ruf zu dir, Herr Jesu Christ,
Ich bitt, erhör mein Klagen,
Verleih mir Gnad zu dieser Frist,
Laß mich doch nicht verzagen;

I call to You, Lord Jesus Christ,
I beg You, hear my cries,
grant me mercy at this time,
do not let me despair;

The soundtrack of SOLARIS features Johann Sebastian Bach's chorale prelude for *****, Ich ruf' zu dir, Herr Jesu Christ, BWV 639, played by Leonid Roizman, and an electronic score by Eduard Artemyev. The prelude is the film's central musical theme.

Tarkovsky initially wanted the film to be devoid of music and asked composer Artemyev to orchestrate ambient sounds as a musical score. The latter proposed subtly introducing orchestral music. In counterpoint to classical music as Earth's theme is fluid electronic music as the theme for the planet Solaris.

The character of Hari has her own subtheme, a cantus firmus based upon J. S. Bach's music featuring Artemyev's composition atop it; it is heard at Hari's death and at story's end.

The memory of the movie...of the two drunks in the pub....of the music...her childhood memories of gooseberries all hail the prelude to her...death.... memories lie shattered and scattered like the hand mirror fallen from her hand...reflecting all and nothing.

A sequence poem that attempts to mimic the strands of the choral movements sustained by a single voice a la Mr. Bach.

Whatever is in the head when Mr. Death comes calling.
I heard that you were feeling blue,
So here's a little poem for you:

I light up every time I see your smiling face,
You waltz through life with such grace.
I wish you could wrap you in paper and lace
and send you to a special place.

Where you and I could play the day away
Picnic and sing and I could say
"I love you" and we'd stay
Until we're both ready to face the day.

Although that place is just a dream,
despite all that, it would seem,
that from our heads can stream
just such a place that we will deem

Our place to be.
Just you and me.
And we'll go sailing out to sea.
Later, have a cup of tea.

No worries and no fears.
No stresses and no tears.
No anger and no jeers.
Just sunshine and wooden piers.

Although I can't see your face,
come meet me in our special place,

Our place to be.
Just you and me.
Our little haven by the sea.
I wrote this for my grandma because she's sick and I miss her a lot now that I'm away at college. This poem was my attempt to help her feel better.
Poemasabi May 2013
I remember Buffalo-
Amherst actually, but the suburb not the college town
My nephew lives in Amherst
But the college town not the suburb

My grandmother lived in Buffalo
Amherst really
and my dad too
My grandfather died there, before I was born

We never said we were going to Amherst
We said Buffalo
Like someone from Los Alamitos might say
they were from Los Angeles

But Buffalo was where grandmother was
But not the fun one
The fun one lived in Gloversville
Which is near Amsterdam, my mom used to tell us it was Amstergosh

Still, Amherst had soft boiled eggs for breakfast
a giant oriental rug on which a small boy could play
but just with his Matchbox cars
and a blow-up Sinclair dinosaur

There was the garage with doors at both ends
Perfect for hiding a car
From brothers-in-law
On a wedding day

There was the giant Chrysler
light green as I recall
In the driveway past which the neighbors lived
with their iced tea with mint and lemon

There were Uncle John and aunt Mimi
Who were like my great uncle and aunt
Except they weren't
Just really close family friends

Uncle John was the one who told me at the age of five
"Always tell a woman you need to leave an hour before you actually have to leave"
We were waiting for Mimi to "get ready" so we could go somewhere
She was taking forever

I do remember Buffalo
Amherst really
But I know there is so much more
that I've forgotten
Gavin Paul Boehm Jul 2013
Snap, crackle and pop go the synapses in my brain
Snap, crackle, pop
Snap, crackle, pop
Snap... fizzle, fizzle
****... that information's stuck in my frontal lobe again
With no dopamine to stimulate the bridge to my hippocampus.
And so, long term memory eludes me once again
Always burning on my fingertips
But never within my grasp
Floating away like dandelion seeds in the wind
Leaving me with an ugly, empty stem of information without meaning.
Determination means nothing
No will power will help me
Thoughts of mind over matter won't matter
When my mind fights off its own process of learning
By never allowing a still moment
My foot tapping, fingers drumming
Eyes snapping to their peripherals
Searching for movement that isn't there
Ears hearing sounds without decibels
Constantly keeping my attention divide
United in a cacophony of sights and sounds
So vibrant that I can't help but leave my task at hand
To follow the Pied Piper in my mind.
It's childhood exuberance
Turned into adolescent antics
And adulthood issues.
My loose lips will sink ships
When my mouth trips over every word and thought
A sturdy hull cannot be bought
When holes rot whether I like it or not
Efforts go for naught
When I can't tie a knot
Around my thoughts to keep my mind anchored.
When the flutter of a butterfly
Steals my eye for the umpteenth time
I could cry tears of joy and sadness
For the beauty and the madness of distractions
Reactions to each refraction of light
Fracture my productivity
Producing a hollow shell of what could be
If only this dopamine would not evade me.
I feel like I'm crazy
Lazy because my memories are hazy
My words escape me
Fading from my tongue like camera flashes
My thought process dashes from crash to crash
Trying to bridge the gaps between my synapses.
My shoulders are nearly collapsing under the weight
From the dead space hidden behind my oft red face
Embarrassed that I can't sit in place
Long enough to have the outlines of my memories traced
My poems can't keep pace
With the rate at which my pages are erased
So I must gauge my progress with a broken meter and cracked mirrors.
Crooked fears look at me while lurking in the sides of my eyesight
Spying on me and reminding me
Why I'm afraid to let these letters see the light of day in the first place.
I could do better
If this pressure would just stop thumping
With each and every word I say.
The cadence is clumsy
And the syntax, sloppy
But even adderall can't stop these thoughts from adding up and coming to solutions
Crudely hummed out of tune
And to the off beat of a thousand drunken drums.
The blunts can keep it quiet
But they have little tact
And can't keep the foundations of my thoughts in tact
Attacks are made at my hippocampus
Each time a new rhyme finds its way into articulation
My hands thirst for the corruption
Of a clean white page
But there's a knock at the door
And my concentration erupts
Forgetting the verbal seduction that was rushing through my head
Instead, letting the lines that could change her mind
Tango off into oblivion
Entwined with potential that I'm too blind to harness.
Maybe I'm just wasting time
Waiting to be part of the harvest
But, honestly... I would never part with this mind
Even with all those parts missing.
Still, I find myself wishing that it didn't have to be this way
I shouldn't have to struggle to remember my Mimi's voice each day.
I don't really know what else to say
Except that I hope beyond hope...
That... uh... ****.
Snap, crackle, fizzle.
Mateuš Conrad May 2016
.you should really see the two comments left, and the 700+ views to begin with.

mind you, i did write an ode to the gods
(yes, that infantile pleasure,
not associated with cosmopolitan new york
atheists)...
how the roman plagiarißm of the the greek
pantheon happened too soon,
how the semite god ate up ba'al
and beelzebub "too quickly"
   turning them into fallen angels...
      like how he infiltrated the roman empire
due to their close-up plagiarißm so early...
father Zeus, father Odin remained...
as did their phonetic encoding...
as did the glagolitic script turned cyrillic...
sorry... where was the african phonetic
encoding? beside the hieroglyphs?
  what's swahili for:
red earth, gave birth to me?
   nyekundu dunia, alitoa kuzaliwa kwa mimi!
see... that's african speech:
but what are the letters behind it?
last time i checked... there aren't any!
and i came from africa?
maybe the anglo-deutsche did...
i didn't... i source my origins
in india... after all... indo-european
is my higher category, the mongols...
i don't care if the germanic people "think"
they originated in africa, i've come from india...
people who minded phonetic encoding,
had an alphabet,
              i'm still stuck with germanic
people with african stereotypes not being
able to swim...
   heavy bones they say...
    **** that and the whole i.q. "conundrum"...
i still watch t.v.,
       after all, after prometheus
brought down the flame from olympus...
some demigod had to bring down /
steal the rod of zeus / electricity...
and turn the t.v. into the modern fireplace...
the b.b.c. had this 2nd season running,
killing eve...
             sandra oh and jodie comer...
there's this instance in season two,
when jodie comer, villanelle...
  is interrogated by aaron peel...
                and "kind" aaron is asking villanelle
all this philosophical quips...
anselm's ontological argument...
    occam's razor (i wish)...
            he has so many books on his
bookshelf...
   yeah... books you look at like comic
book strips, books you don't actually read...
books you look at...
            and what does villanelle do in the end?
she brushes aaron's nose with one of
these books "he's read"... what is it?
ha ha!   a dictionary of philosophy...
a... dictionary...
basically short-script...
                     cheat...
         you really want a dictionary
definition of philosophy? a philosophy dictionary
definition, a sound-bite?
you know... last time i checked...
i read bertnard russell,
kierkegaard, kant, heidegger...
not for a dictionary definition...
or regurgitating rubrics akin to
a university lecturer...
        i hate regurgitation...
                i read for myself,
  in the end, hoping, my narrative could
find expansive ground for work-arounds...
i don't like playing the happy
harpsicord dancing monkey...
    to give "proofs"...
              i don't like people,
akin to villanelle, when questioned
on a university entrance critique...
               like i might "know my ****",
or not "know my ****"...
                                       pretty boring...
i am starting to resound in the conviction...
there's no point in knowing other people,
there's only one person worth knowing,
yourself...
       mind you, i'm still waiting for the alternative
phonetic encoding system to come
from africa, as an alternative counter
to the egyptian hieroglyphs...
i'm not seeing it...

   tender skin: the moon does see...
     zabuni ngozi: ya mwezi haina tazama...

eh, chinese script is all syllables and no
letters...
        glagolitic - Ⰿ
        rune - ᛗ
        roman - M
        greek - μ
        hebrai - מ
        devanagari - म
        arabic - م
        hieroglyph - owl
        mandarin - 冊
        hiragana - ま(a) み(i) む(u) め(e) も(o)

didn't i mention this already,
interchangeable, between a letter and
a syllable... given the hiragana example...
depending on what vowel
you attach to the base sound (consonant),
the vowel modifies the base (consonant)...
five ******* variations of the consonant / syllable...

           ergo? no atomic reality in these languages...
syllable understanding...
the mendeleev table...
                He: helium...
             Xn: xenon...
                          Na: sodium... etc.,

            depends...
   after all... a base letter (consonant) in hiragana
looks like the following schematic:
i.e. no one really knows what M looks like,
like mmm-humming...
without an added vowel...

                                     ま(a)
                                      |
                   め(e) ----- "x" ----- む(u)      
                                   /    \
                                 /        \
                          み(i)          も(o)
                                                            
.Nietzsche was wrong about dialectics, he suggested that the non practice of dialectics, even the anti presupposes a polite society, he invoked that comparative tenet of a society in saying: a polite society does not engage in dialectics (finding the truth of opinions).

which is akin to the slander against Voltaire,
that not engaging in dialectics
one has a chance to have an opinion about almost
everything, there's no chance these days
to have a polite society as there is no chance
to establish a Utopia... the way dialectics is
avoided like some surreal horror movie
is to have many opinions, to not engage in
dialectics is to be opinionated, hence Nietzsche's
style of utilising aphorisms and as many
maxims as possible, without useful applicability;
it's like that metaphor for a venomous bite,
the carousel of the many many thoughts,
likewise, no truth are established, since many
truths are proposed - hence the paradoxical
venture into nothing, simply walking in circles
on plateau nihil, it's polite, well of course it's
politeness! politeness by having many opinions
readied for a quick change of subject or
the simple act of shame and shutting up.
all this? with regards to a woman writing about
her abortion: we, the great reverse-amphibians,
so she's writing about it... 4 weeks in she's ready
to erase the dot... they tell her to come back 12
weeks later (sadists... why not remove the dot
rather than wait for the geometry to construct itself?),
again... why not remove the dot and the abstract?
she mentions a dot... remove the ******* dot!
the tadpole outside the gooey yoke is fastened
to maturing in the fresh water stream or lake,
i can hardly be a human being inside the ******
if my **** and bladder muscles are not matured,
i'm an abstract in that sense, tadpoles ahoy!
now see how living in a "polite" society i can't
engage in dialectics but have to reverse the process
of discussion and engage in picturesque comparatives
using toads? it's called applying anaesthetics - well,
an anaesthetic, or a placebo - in polite society people
get over-excited, unconditionally so, over-stimulated,
unconditionally so, with having to muster having
many opinions, politics can become a circus de facto,
de facto as in: detached from rural England.
so if we'll never attack the status quo with dialectics,
will be constantly multi-opinionated, changing the
subject all the time, and when challenging, we'll
only feed an anaesthetic, an anaesthetic that will become
a confession booth in a catholic church:
a quasi-solipsism, the listener and the other person
talking, mono-dialectics, so well entrenched these days
that there's even a good reason for practising
psychiatry rather than a catholic confession in church,
psychiatry is, after all, a secular version of the catholic
practice - more intimidating though, since you're
facing each other, rather than sitting at parallel positions,
shrouded in secrecy of the wooden mosaic wall of
the booth... i'm just wondering if this attempt to feel
the naked soul does not intimidate the clothed body
more to later undress itself in ***.
K J Mar 2014
Raised in the midst of war
You stubborn, tenacious, little girl
You saved your friends
and lost your family
You rode on the top of trains
to make room for the sick
and the elderly

You met an American Soldier
Who had a big mustache and
a long face
You didn't know English, but
you fell in love with him

The odds were against you
but still you moved across
the ocean
To a place that didn't
understand you or
the way you spoke, or the way
you looked.

You had a little girl who died
and your racist Mother-in-law
crudely said,
"Wake up, your baby is dead."

You had four more daughters
Your husband was always away
And yet you had time to make
Hot breakfast every morning
sew 17 dresses in one summer
and never complain

Your daughters grew up
and gave you 8 grandchildren
we were your light
and you made us laugh
and taught us how to be strong
in the face of adversity

For 7 years you fought this illness
and in all those 7 years
of over 60 blood transfusions
and practically living
from hospital to hospital
you were patient and you never
once lost your spirit.

Even in our last day together
You held my hand with so much strength
though your body was weak and failing you
In your hand I felt all the love you had for me
All the love you had for our family
and I know you did everything for us

I miss the way you swear
your tenacious strength
your incredible tenderness
holding your hand
feeling comfort in your quiet presence

Even though you're gone
and I will never see you again,
I feel you. I feel you in my heart
I feel you in my hands, I feel you
in my soul. I feel you every time
I stand up to some one and tell them
No.

You always said, "I'm a rich woman"
because you had us. You told me,
"If I asked for anything more,
I would be greedy."
The reality is, we were all rich because
we had you.
I am so grateful for you. I miss you.
I love you.
My Grandmother, who immigrated to America from South Korea in the 50s, passed away on March 1st, 2014. She was the strongest, feistiest person I knew. I wanted to capture her spirit.
Mimi Oct 2011
Tonight I married a graffiti artist.
This is the third time I’ve been proposed to
at some ***** house party.
This time there was an ordained all-faith minister
on the porch smoking a cigarette. That was enough.
I said yes.
We’re all strictly first-name-basis here, nicknames are even better.
So to him I’m just Mimi. Focused intently on my hand,
he draws my wedding ring with a permanent marker
and kisses each finger as he finishes.
There is a tiny replica of his tattoo on the underside of my finger
in addition to my gigantic drawn-on diamond.
It is my favorite part.
We talk politics and eventually art.
Turns out he’s sort of an amazing artist.
He said he’d put my name up on a wall but I don’t believe him.
Intricate, passionate, and thoughtful.
His smile is adventure.
That’s why I married him.
He asked to read my poetry and in my fuzzy judgment I let him.
Maybe he even liked a few phrases.
And he was polite as a hopped up boy can be.
Getting me home before three,
lending me his jacket without me asking.
I know he’ll forget to call, or that he even has my number.
and that we won’t watch Pulp Fiction
tomorrow.
That I was really just a glorified
snort of some white powder,
I am like all the glitter that fades in the morning
like smiles do, or permanent marker
after a few washes.
(he called the next day)
Leah Rae Dec 2012
I Decided That I'm Going To Write A Love Poem About You.*

Something I've Been Battling With For A Long Time, Like A Empty War In My Chest.
I'm Not Sure Who Brought The Trojan Horse Into My Heart And Defiled Me From The Inside Out,

But I Know That I've Decided On The Final Solution..

Some Nuclear Weaponry To End This Once And For All.

I Had This Idea In My Head That Writing A Love Poem About You Would Somehow Make Me Less Of A Poet. Instead Two Quarters Sell-Out, One Half Wannabe, One Seventh Cop-Out, And Now You're Probably Laughing At Me Because There Is No Way That Adds Up To One Whole Of Anything.

But This Is What You've Made Me Into.

We Used To Make Fun of The Girls With Their Boyfriend's Name Tattooed Across Their Collarbones, But Now I'm Sketching Out Your Initials On The Cover Of Every One Of My Notebooks, Wishing It Was My Skin.

And When I Can't Answer The Next Question In Class Because Of You, I Can't Help But Laugh, Because Suddenly I'm The Ridiculous One Now.

And That Makes Me Love You Like I Love Concerts. Being Smashed Against Seven Hundred Screaming Bodies, To Get A Glimpse At The Heartbroken Hero Who Is Singing Just For Me. The Next Morning, Every Single Part Of My Body Is On Fire, And I'd Tell Myself It Was Somehow All Worth It.

Because You See, You're  Somehow All Worth It.

Worth Being Called Every Single Cliche I've Been Battling.

I Pledged When I Was Twelve Years Old That I Would Never Cry Over A Boy. But I've Shed More Tears Between Us Then I'm Capable Of Counting. And Even Openly In Front Of You, Which Is Something I've Never Been Very Good At.

And I've Written Apologies Letters To The Both Of Us, For Not Being Everything I Could Be.

And You've Made Me Want To Make A List Of Our Every Occurrence, July Seventh, 2010,  August 14th 7:53pm, January 19th, October 29th 3:14pm, March 10th, Like A Date Book Of Every Important Moment Because I'm Afraid I Might File Them Away In The Back Of My Mind

And Then Forget Where I Put Them.  

And By Now You've Probably Noticed That I Haven't Been Able To Stick With One Single Metaphor During This Entire Poem And I'm Several Shades Of Scarlet, Because Somehow You Make It Impossible To Be Anything Except A Mess.

And That's Coming From The Girl Who Color Coordinates Her Underwear Drawer.*

You've Also Probably Noticed That My Usual Over Emotional, Polished And Perfect Poetry Of Pretty Words Has Completely Gone Missing In This Piece. And Instead All I'm Left With Is This Awkward Imagery Of Something Much Less Honorable Then What I'm Usually Referencing.

But Somehow I'm Still Smiling.

And I've Been Wearing My Heart On My Sleeve For So Long Now That I Can't Remember What Part Of My Body It Belongs In Anymore. I've Been Listening To Your Voice On Repeat So Often That It Has Became My Soundtrack.

I've Decided To Give My Empty Parts, My Fingertips, My Shoulder Blades To You As Gifts, Make-Shift Wrapped In Newspaper, Because I Didn't Have Anything Else Left.

You Took Them As Yours
Took Me As Yours

Now I Spend Every Night Connecting The Constellations In The Spackle Patterns Of The Ceiling Above My Bed, Wondering What Stars You're Staring At.

And Suddenly This Love Poem Doesn't Feel So Terrifying Anymore.

Because You've Scared Away The Sorrow, Put Hello-Kitty Band-Aids On All My Old Scars.
You Make Me Want To Make You Chocolate Chip Pancakes In Bed And, And, Read Shakespeare For Fun!
Because If I'm Sally, Then You're Jack, Rodger To My Mimi, Princess Buttercup And Wesley, Hermione Granger And Ron Weasley, Allie And Noah..

And Now I'm Rambling.

And You're Probably Smiling Again.

What I'm Trying To Say Is That I Want You To Know That I Will Spend The Rest Of The Forever You Give Me Listening To Your Voice.

Singing In The Shower, Humming In The Back Of My Mind, Whispering It To Me Late At Night, All Those Songs Of Longing.

I'll Lay Wide Awake And Listen, Repeating It Myself How Incredibly Deep You Are.

So Deep I Could Throw Myself Into You And Drown Inside You, Before I Ever Have The Chance To Come Up For Air.

And That Aching In My Chest Would Somehow Make Me Feel Like I Was Finally Home.
Seven "Wire" girls
One after the other,
Before being blessed
With our baby brother,

Seven "Wire" girls
The first was Elise,
Followed by Annie
Before Margaret made three,

Ruby arrived in the middle
As the case may be,
Not to be left behind
Along came Mimi,

Sweet Stella and Mary
Brought up the rear,
Before the appearance
Of brother D.G. so dear,

All the children
Of Maggie and J.B.,
Now you know as much as me
About our family genealogy.


August 8, 1995
Celestite Oct 2018
We pulled up in the drive way
If it weren't for my hello kitty flip flops, my feet would've melted into the cracks of the pavement.
Running up to ring the doorbell, and the smell of home rushing through my nose as I am greeted by hugs.
Kicking off my kicks, and letting the beige colored carpet mingle with the bottoms of my feet.
Leaping on to a couch that was stained with strawberry ice cream and memories.
The lace that trailed off the ends of the curtains danced as the breeze from an open winow came to say, "hello."
Splashing in a wading pool while grandma looked through Avon catalouges
sipping lemonade that we made prior, in a Disney Princess Sippy Cup.
I run up the stair into my room; sparkly purple bed sheets cover my bed and I crash.
All snuggled up in an ocean of blankets while everyone else watches the Steelers game downstairs.
As I dose off, half way through a dream filled with pink, grandpa woke me up; he said we were going out for ice cream!
I put on my favorite Little Mermaid shirt on and ran downstairs.
We all pile into an old BMW and start our journey to Sarris.
Nostalgia and city lights fill my eyes with wanderlust.
We park the car and rush to hop in line. When we order our ice cream we sit down in a red diner-hop booth.
Everyone together, MiMi, Papap, Mom, Dad, Victoria, Patty, G-G, and me.
And I don't know if it was eating powdered donuts on Sunday mornings
Or the way that Fresca tasted after eating a happy meal,
but visiting your house
in that small town in Pittsburgh
Is the only way that I can describe "home."
Emily Larrabee Dec 2013
Mimi her name was
roams the halls
ever since she took that fall
eating lunch with her friends
talking about the latest trends
her cheer leading skirt was stuck
she fell to her death that very day
she now haunts the place where she died
at least we now know she couldn't fly
it was quite some time ago she passed
people say she was quite a pest
she is still searching for her future
to get out of that place
she was in high school
but they tore it away
now its an elementary school
i don't think she knew
she now has to stay there not be able
to move on
how are you supposed to graduate
from high school
if it isn't that
poor Mimi
poor girl
A humid night
filled with magic and marijuana
laced pumpkin pie

Capped off with kids
singing Richard and Mimi Farina
on the back porch, alone

An acoustic guitar,
dreadlocks and harmony
found in the sticky air

Electric girl,
Pack Up Your Sorrows
and give them all to me

Put your circuits in the sea,
do what you feel now,
and give them all to me
Had a good night. As it started to wind down the last few of us went out to the back porch to play guitar and sing together. One of the songs (Electric Feel by MGMT) I recognized, even though it was acoustic. The other (Pack Up Your Sorrows by Richard and Mimi Farina) was something I had never heard before, but instantly fell in love with.
John F McCullagh Jun 2018
Mtu mweusi mweusi, katika mwezi mkali wa moto,
ameketi katika kivuli cha mti wa Baobab.
Majani yaliyomo mara moja
walikuwa kavu na ukame,
waathirika wa upepo wa mabadiliko.

"Wazee, wananiita zamani." Alidhani,
"Majira ya joto ya sabini yanigeuka kijivu,
lakini mti huu wa Baobab ulikua mrefu na wenye nguvu
Wakati majeshi ya Kirumi yalipitia njia hii. "

Mzee huyo alitafuta matunda ya baobab
na akaingia kwenye hali kama hali.
Alikuwa katika hali ya akili;
Sio usingizi, sio macho kabisa.

Aliposikia sauti: "Nina kiu." Ilisema,
Ingawa alikuwa na uhakika alikuwa peke yake.
Ilionekana si sauti ya binadamu:
monotone kavu ya ubongo.

"Kwa vizazi, wanaume kama wewe
Walitaka makazi yangu kutoka kwenye jua,
Lakini sasa imekamilika; nchi imeharibika
Na mimi nina kufa, mdogo. "

Mtu mzee alilia kusikia maneno haya
Kwa maana miti hizi zinapokufa, kama lazima,
Wao huanguka juu ya ardhi yenye ubongo
Hivyo haraka kurudi kwenye Vumbi.

"Dunia imebadilika kwa wewe na mimi,
Upepo ni kavu chini ya jua.
Ninasamehe ulimwengu wa wanadamu
Kwa maana hawajui waliyofanya. "

Mtu mzee aliamka na mwanzo
na akainua na miwa yake.
Alilia kwa kufikiri mti huu utafa

lakini machozi hawezi kuchukua nafasi ya mvua.
Mti Baobab huitwa "Mti wa Uzima" kwa ajili ya matunda mengi ya virutubisho ambayo hutoa wakati wa kavu Afrika. Kama hali ya hewa ya bara inabadilika na uharibifu wa jangwa unafanyika, miti ya zamani zaidi ya miti inakufa kwa kiu
SøułSurvivør Mar 2015
^~~~~^~~~^


poets are in love
with things of pathos fair
the lure that draws the moth
to the flame's despair

the insect caught in amber
the mateless bird that sings
the colors of the sun that's died
the fairie with no wings

the gnarled, lifeless tree
grass o'r grave's slight swell
the stream that's choked with bracken
the sound of empty shells

the sweetness of the voice
that sings the doom'd femme
the consumptive Mimi
in Puchini's La Boheme

butterflies on velvet
stricken, gently spread
affixed with a pin
tho lovely, they are dead

the vampire is so sensual
tho their victims end is dreer
the eye that is the brightest blue

always sheds the tear


SoulSurvivor
(C) 2014
^~~~^~~~^
Gavin Paul Boehm Jul 2013
Lately I’ve been considering clarifying my spirituality while trying to get a hold on my reality. My days are surreal as I peel away from the human race, putting on ratty clothes to save face and change pace to obtain grace in a place where it can only be found in a name anymore.
I’ve been bound to the imaginary floor of my conscious by fending off faith like false accusations. Thoughtlessness is the root of this mess, as I’ve yet to reboot my less than sincere concept of what steers me down the road of apathy and godlessness. It could be nothing more than arrogance that causes belief in the chance that we learned this dance of existence all on our own; but from what we’ve been shown, nothing can be known without a doubt.
So I strut with a straight spine and my head held high, staring into space while glaring at the sky. I shout at the darkness to get out of my substance so my stance can beckon light toward me to explore my soul and implore me to roll my stone away… but it’s grown accustomed to the moss.
Now, accustomed leads to stagnant and stagnant leads to combustion, which is something I can’t stand for; so I strive towards infinity by growing my affinity for aesthetic authenticity at a constant rate.
The debate rages outside my tarnished gates: Religion teaches hate, but faith can be great when man’s meddlings are left on cutting room floor. Love each other. Treat each man as your brother, each woman your mother. These preachings reach to our basic decencies, but detrimental thoughts are spread through our frequencies, interrupting the harmonious symphonies to which our species dances to each day.
Our hearts know the way, but our brains overcompensate for the seemingly irrational, natural compulsions pulsing us towards our actual emotions.
The notion that we were grown out of the unknown isn’t easy to swallow when the thought of being so along leaves you feeling hollow, but I find it hard to follow along when the almighty one smites men for placing their faith in the wrong plans.
The idle hands of man have branded faith with scandalous standards for eternal happiness, which is why I’m happy to dismiss what some call bliss. But seeing as I can no longer identify as an atheist, I want whatever god will listen to understand me when I say this:
We all miss our respective Mimi’s each and every day, and I hope that mine will see me again one day. But going to church each and every Sunday should hold no sway as to whether or not that is the case. Amen.
Ayman Zain Nov 2014
Do not stand at my grave and weep,
I am not there, I do not sleep,
I am in a thousand winds that blow,
I am the softly falling snow,
I am the gentle showers of rain,
I am the fields of ripening grain,
I am in the morning push,
I am in the graceful rush,
Of beautiful birds in circling flight,
I am the star line of the night,
I am in the flowers that bloom,
I am in a quite room,
I am in the birds that sing,
I am in each lovely thing,
Do not stand at my grave and cry,
I am not there,
I have not left.
Mimi never left us, as she is everywhere
In the loving memory of my aunt Mimi who was loved by everone who knew her. We love you and miss you.
Mimi May 2012
Last night I held a dinner party
The boyfriends smoked on the balcony
while the girlfriends cooked.
I orchestrated three courses:
spinach salad,
lemon rosemary chicken and mushroom cream risotto,
and strawberry pie.
We even had three whole bottles of wine to match each one.

It takes a sophisticated finesse to throw one of these things,
the mess of an apartment is filled with wine-tipsy giggles
and shouts of "look I'm domestic!" when the chicken comes out of the oven.
We set the table with a white cloth and tried to match all the plates.

To sit with friends and food,
I feel, are the two most important things in the world.
We gathered at the table but we did not pray.
Instead, a toast!
To friends like family, job offers on both coasts,
boyfriends, girlfriends, to be so lucky in love,
to little Mimi, she's done so well here. For those
graduating, we're sad to leave, for those returning
we look forward to another year
with her cooking!
Rowan Jack Nov 2015
I am from a Saturday afternoon living room overflowing with the sounds of Fleetwood Mac, John Lennon and Bob Dylan.
I am from home cooked meals, roaring laughter at the dinner table and short tempered Italians.
I am from Frank Sinatra singalongs, Lifetime movies and swimming lessons from my Mimi.
I am from my Pop’s war stories, tomato picking and ***** jokes.
I am from the grandparents that didn’t want my dad and the grandparents that did.
I am from the stoic grandmother that wasn’t involved in my mom’s life and the deadbeat grandad that didn’t seem to exist.
I am from the ten years of Catholic school, plaid skirts and polo shirts.
I am from spoon-fed customs of Catholicism every day except (coincidentally) Sunday mornings.
I am from rose scented mornings because of regretted whiskey words from the night before.
I am from words muttered impulsively, apologizes not offered graciously and too many family nights turned into family fights.
I am from cigarette infused hugs, plastered smiles and “I’ll quit tomorrow”.
I am from twenty-six years of handholding, couch cuddling and kitchen dancing.
I am from goodnight kisses, chocolate chip cookies in my lunch and red heart emoji’s in a text.
I am from love and anger and happiness and remorse.
I am from memories in the making and a future unknown.

— The End —