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Krysel Anson Sep 2018
I am half-Chinese and a half Filipino-Spanish.
I have only learnt to speak Filipino my whole life.

The best advises I have received is that there is no right or wrong,
that labels does not always help.
That no matter what, I should just go
and "Live my life", or "Sing in Full Voice, Until Then".

Attentive to a fault to the work or person at hand.
Because of routine and living demands, sometimes I
only pay attention to what is available or given to me.

Like the quest for the Spices of the East, I could no longer live the same way when the time came. I had to learn preservation and other flavors.

In a Asian Food Show, someone shares
How some later generation Chinese had to study their own native language in secret between 1966 to 1998.  
Stories of how their migrant or refugee heritage have made them scapegoats of many local tensions.
And varieties of words and ingredients also native to Chinese and later generations that lived offshore.

Many of us now in the thrash of our collective songs
towards healing and full living as humanity, continuing
refugees and wanderers in our own ways.

Where we see our indigenous-selves and our oppressor-selves,
is not as difficult as we are usually made to,
in a world of artificial
demands and surpluses.

One old song gently reminds me
in many languages singing,
as another bowl of handmade noodles
breaks open into countless random pieces:

We are only passing through earth.
Made to experience, and let go of our fears
and limitations.To gather our remains so that
it is inanimate buildings and objects that are used
by the living instead, and nothing is left behind.
To not leave a trace. To learn how to love.#
Denny Umar Jan 2015
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 70.000,-…Order 5 Pcs Ke atas Rp. 65.000,-

Bantal Nama Murah Bandung - Untuk menambah koleksi bantal kamu yang unyu-unyu, kayaknya ga cukup kalo cuma punya bantal donat, bantal Nama dan bantal leher

aja. Nah, biar koleksi kamu tambah lengkap,  siap siaga bikinin kamu Bantal Nama

Bantal dengan tulisan nama kalian, nama pacar, nama sodara atau nama orang-orang yang kamu sayangi. Kamu bisa pilih warna warni kesukaan kamu dengan tulisan

yang artistik banget.

Buat kamu-kamu yang pada galau nyari kado yang cocok buat temen ultah, ponakan, adik atau pacar, pas banget deh kalo kamu pilihin kado Bantal Nama buat

mereka.

Mau tahu spesifikasi teknisnya?

- Bahan dasar velboa
- Tulisan velboa (bukan flanel jadi lebih lembut)
- Isi silikon (bukan dacron jadi lebih kenyal dan ga kempes)
- Waktu pengerjaan normal 14 hari kerja (Kalo lagi banjir order bisa molor dikit)
- Ukurannya 40×60 cm (Yang mau panjang bisa request ukuran 40x90cm)
- Berat sekitar 600 gram

Ok bro and sist, yang blom jelas (ngacung!) invite aja PIN BB marketingnya  262878A6. Harga blom termasuk ongkir dari Bandung.

Incoming Search Terms:

Bantal Nama handmade
Bantal Nama online
Bantal Nama murah
Bantal Nama
Bantal Nama baby
Bantal Nama lucu
Bantal Nama bayi
Bantal Nama bandung
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 70.000,-…Order 5 Pcs Ke atas Rp. 65.000,-
Denny Umar Jan 2015
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×40 cm / Order 1-2 Pcs = Rp. 65.000,-
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 75.000,-
Ukurannya 40×90 cm / Order 1-2 Pcs = Rp. 125.000,-
Ukurannya 40×120 cm / Order 1-2 Pcs = Rp. 165.000,-
Untuk Model Love dan Guling / Order 1-2 Pcs = Rp. 75.000,-

Mau tahu spesifikasi teknisnya?

- Bahan dasar Rasfur
- Isi silikon (bukan dacron jadi lebih kenyal dan ga kempes)
- Waktu pengerjaan normal 10 hari kerja (Kalo lagi banjir order bisa molor dikit)

Ok bro and sist, yang blom jelas (ngacung!) invite aja PIN BB marketingnya  262878A6. Harga blom termasuk ongkir dari Bandung.

Incoming Search Terms:

Bantal Foto handmade
Bantal Foto online
Bantal Foto murah
Bantal Foto
Bantal Foto baby
Bantal Foto lucu
Bantal Foto bayi
Bantal Foto bandung
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×40 cm / Order 1-2 Pcs = Rp. 65.000,-
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 75.000,-
Ukurannya 40×90 cm / Order 1-2 Pcs = Rp. 125.000,-
Ukurannya 40×120 cm / Order 1-2 Pcs = Rp. 165.000,-
Untuk Model Love dan Guling / Order 1-2 Pcs = Rp. 75.000,-
Brent Kincaid Dec 2015
HANDMADE CHRISTMAS

Do you remember back when
Christmas was making things
Out of stiff colored paper
Like chains of slim paper rings
That were so long we took them
And wrapped the a few times
Around the tree as pretty trim?

We made angels and snowflakes
From something called shirt boards;
Cutouts covered with aluminum foil.
They didn’t need extension cords.
And Mom showed us how to starch
String we dyed. We wrapped it
Around some inflated balloons.
When each dried, we popped it.

We made reindeers and Santas
Our of wooden clothespins
With pipe cleaner antlers or
Cotton beards for Santa’s chin.
Mom dyed an old sheet green
For under the Christmas tree.
Prettier than the store-bought kind
It has always seemed to me.

In school we made Gifts too
Things knitted or made of clay
To give to Mom wrapped up
With great pride on Christmas Day.
And that wrapping paper was
Was all Christmas color tissue.
It was inexpensive to buy, so
Using a lot was not an issue.

Some gifts were appreciated
Some maybe not as much
But in every case, we were
For the most part very touched.
You knew for sure just by looking
What care and love went into
The handmade presents that were
Made totally and especially for you.

Brent Kincaid
12/12/2015
Tom Leveille Sep 2016
okay so i’m beginning to believe i was born asleep and still haven’t woken up, or caught in a day dream where my name is the answer to all your security questions. okay. a thousand years of wondering and all i can come up with is that you fell in love with me at a picnic in my imagination. the lemonade we always talk about swimming in sugar and tiny handmade sandwiches from my kitchen, your favorite, extra pickle. don’t forget about the pickles. of course the clouds march in stomping out the sunshine, of course. it was dark and there was lightning so much lightning. don’t be scared just now darling don’t be scared. in the middle of the night we only talk about your version of the story. how i’d ask you to stay, asking you to tell me what’s real asking you with my hands asking you with maps, a country called please listen to me, you should know by now that it is an island too far to sail to according to you. i know i know, who dared name an ocean lonely when all the ships are sinking. we can go back we can turn around where the sky is the gentlest shade lavender, we can go back and have a conversation that has never happened before. when everything is the color of day old bruises i won’t let you down. i promise when i get home i will count every freckle every one. when i get home can we open one of those mason jars full of fresh air because i can’t breathe. i remember that day, although i pretend it was more recent than it was. you were there in a swell of green grass in a dress that makes me blush, and there i was blushing. i’m not sure how i made it out alive, skipping the part in the song where you, long gone come busting through a doorway, through the well air conditioned living room and and across the kitchen tile, to the refrigerator where just like in elementary school, my fourth grade heart wrote all your favorite things on flash cards in the blackest magic marker so i could memorize the things that made you happiest. and you turning around in slow motion to see my face, or where my face should be, the only expression i can make anymore, realizing that you realized that i only ever wanted to be something that made you happy. suddenly you’re tired, and i’m tired too, goodnight goodnight, i’m falling asleep because it’s the only thing that doesn’t burn. i’m falling asleep to go back again. everything glitches and i’m underneath your perfect teeth. you say “i would never hurt you” and i say “just like that?” and the layer starts over again, always back to the moment i asked you in my bravest of voices if i could hold your hand. you probably don’t remember that moment, or maybe you do but don’t particularly share the same sentiment over its importance. you see, i’m always fine until the part where i have to say it out loud, and then time stops. i have always wanted to tell you that something happened inside me that night and now i’m not the same me as i was before. so if you ever cross a bridge. if you ever get my voicemail, if you need me, i’ll be sketching up the dramatic parts in my head and they’ll happen just the way i imagined just you wait you wait. the last scene the very last one, the bottom layer, knee deep in mud knee deep in i told you so, you say “i would never hurt you” and instead of saying “just like that” i reach up to kiss you and the room evaporates. so if you want lemonade and bedtime stories, if i can make a believer out of you, if you want bucketfuls of november if you want grace if you want the courage it takes to ask for grace, you’re over the train tracks you’re almost home you’re almost there. what else can you say besides “okay pumpkin okay sweetheart, in my head everything was beautiful" the doorway now filled with people who send you birthday cards saying welcome back welcome home we’ve missed you, hello. hello. the time spent waiting, chorus of rain, i only invited you over so we could make perfect sense. i only gave my hands away because you didn’t want them anymore. and days later a man with a shark tooth necklace asked if i was okay and i lost it i just lost it. all the little red bricks with their little names carved into them, how they don’t feel comfortable under your feet, how there were hundreds of flowers but somehow we took a picture of the same one the very same one, and how we can’t talk about things like that anymore, how i was sitting on a bench and i didn’t hear you call my name, shaking hands on accident with your parents hello sir hello mam, your daughter is my favorite ghost.
my book "down with the ship" is availible for purchase at sanfransiscobaypress.com / Amazon.com
judy smith Aug 2016
Ten minutes is all Sabyasachi Mukherjee has. “Can you keep the interview short,” I’m asked, as the announcement of his participation in the finale of Lakme Fashion Week’s upcoming Winter Festive show is made. Is ten minutes enough to recap the 14-year journey of this master of colour, cut and construction, I wonder. But I realised that Sabyasachi in rapid-fire mode can make ten minutes seem like twenty! Excerpts:

What is it about LFW that made you return?

It’s here that I first made a mark as a designer. I’m familiar with the format, and know the people. It is like a homecoming. The good thing about LFW is that everything is taken care of – from building the set to inviting people. So I have the freedom to focus on the clothes. It is like putting together a complete show, but doing only half the work!

Finales are a challenge – given the expectations of people in the fraternity, profiles of attendees and the intangible themes created by Lakme for interpretation into garments…

Well, it’s not at all difficult for me. This is my fifth finale at LFW. Once the make-up and hair are set, it is easy to imagine the look and what the girls must wear. I’m way too senior to worry about pre-show stress. My biggest pressure comes from whether I will like what I create. Beyond that, even the critics’ reaction doesn’t really concern me.

Will this line too be about Indian-ness?

Whether I do Western, Eastern or a combination, I always use Indian handcrafts, and all my clothes are handmade. Traditional textiles, block prints, weaves and embroidery are a constant in my collections. The theme being “Illuminate”, this line is about red-carpet clothes with a strong shimmer quotient.

Sunday was National Handloom Day. Considering our diverse range of homespun textiles, do you think everyday must be celebrated as handloom day in India?

Absolutely. It is mandatory at my stores. My staff wears only handloom saris or kurtas made of hand-woven fabric. My Instagram hashtag says ‘Wearing handloom everyday.’

Social media plays a significant role in promoting tradition. Smriti Irani’s ‘I wear handloom’ campaign on Twitter and the 100 Saree Pact are recent examples. Isn’t it time designers too found new ways to promote heritage?

Yes. As more and more Western brands enter the market, our designers must first establish an identity of their own. The Zaras of the world are bringing active prêt into the country, so it is important for us to revive the market for Indian clothes. Reinventing tradition and rethinking marketing strategies are critical at this point.

Has the hustle of today’s business taken fun away from fashion? How do you strike a balance between creative expression and commercial viability?

Oh, that’s very simple. I set my own rules. For instance, this year, I had too much on my calendar. I didn’t do ramp shows, I only had a showing on Instagram. Established designers must create new templates that suit their creativity instead of allowing the market to set the pace for them. Because, at the end of the day, only if you have the time and space for creative expression, can you create beautiful clothes that determine the durability of your brand.

If you were to spell out two major problems faced by the fashion world, what would they be?

Lack of originality. Lack of self-belief.

Fashion has evolved into a glamorous industry, and today, many youngsters want to be part of it. But most of what we see on the ramp and in the retail space are risk-free repetitions.

Well, for designers to evolve, the market has to evolve. But the mood is changing. There are designers who are willing to push boundaries and clients who are ready to experiment. Facebook, Pinterest and Instagram are changing the way people see and respond to fashion. The horizons are widening. This is a wonderful time for young designers to launch their labels and sustain their inventiveness.

Very few Indian designers have taken the effort to document fashion. What about you?

Yes, I will at some point in time get down to writing about my brand. But for that, I will first have to find the right publisher!

Many corporate players are keen on collaborating with designers.

I receive so many proposals for collaborations that I refuse one every day! I am collaborating with Asian Paints, Forever Mark and Christian Louboutin. Another huge one is coming up – but I will not be able to speak about it at the moment.

Do seasons really matter any more in the world of fashion?

Global warming is making designers understand the importance of season-defying clothing. And people too, I feel, don't shop for seasons any more. They just want beautiful clothes.

Can you update us on your forays into jewellery design and interiors?

I have collaborated with Hyderabad’s Kishandas & Company to create some iconic pieces that are hugely popular — and of course, plagiarised! I have a line coming up for Forever Mark. As for interiors, I wanted to design homes, but people did not seem to have enough confidence in me! (laughs) So I ended up doing up my own stores. I have also done up the Cinema Suite for the Taj in London. Celebrities who have stayed in the hotel have appreciated it. A significant collaboration in interiors is happening in October.

Your suggestions to keep traditions going…

People need to be educated about handmade textiles and crafts. A time will come when China will lose out to India because as people become aware, they will only want to support products that are ethically sourced and foster craft communities. Surprisingly, the new millennials are in favour of luxury that is completely handmade. I see that as a positive sign.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/backless-formal-dresses
andrea Nov 2015
OH!
What feeling compares to the warmth inside these bones
when I awake at Dawn to a still house,
and comfortable bustle awaits
There is none!
no other mornings compare to such
what with floating voices and metaphoric hugs
a sunday to its monday; disparate
and i'd make the hours stretch if i could
like a Dough prepared for
round laughter
to be enjoyed with glasses of
tall bliss
every Eye i meet glimmers
Glimmers!
with amity to spare
and the Earth around is brimming
Brimming!
with wonder I cannot describe to you
in words
an ode
to sundays worth living for
11/16/15
Denny Umar Jan 2015
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×40 cm / Order 1-2 Pcs = Rp. 65.000,-
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 75.000,-
Ukurannya 40×90 cm / Order 1-2 Pcs = Rp. 125.000,-
Ukurannya 40×120 cm / Order 1-2 Pcs = Rp. 165.000,-
Untuk Model Love dan Guling / Order 1-2 Pcs = Rp. 75.000,-

Mau tahu spesifikasi teknisnya?

- Bahan dasar Rasfur
- Isi silikon (bukan dacron jadi lebih kenyal dan ga kempes)
- Waktu pengerjaan normal 10 hari kerja (Kalo lagi banjir order bisa molor dikit)

Ok bro and sist, yang blom jelas (ngacung!) invite aja PIN BB marketingnya  262878A6. Harga blom termasuk ongkir dari Bandung.

Incoming Search Terms:

Bantal Foto handmade
Bantal Foto online
Bantal Foto murah
Bantal Foto
Bantal Foto baby
Bantal Foto lucu
Bantal Foto bayi
Bantal Foto bandung

INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×40 cm / Order 1-2 Pcs = Rp. 65.000,-
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 75.000,-
Ukurannya 40×90 cm / Order 1-2 Pcs = Rp. 125.000,-
Ukurannya 40×120 cm / Order 1-2 Pcs = Rp. 165.000,-
Untuk Model Love dan Guling / Order 1-2 Pcs = Rp. 75.000,-

Mau tahu spesifikasi teknisnya?

- Bahan dasar Rasfur
- Isi silikon (bukan dacron jadi lebih kenyal dan ga kempes)
- Waktu pengerjaan normal 10 hari kerja (Kalo lagi banjir order bisa molor dikit)

Ok bro and sist, yang blom jelas (ngacung!) invite aja PIN BB marketingnya  262878A6. Harga blom termasuk ongkir dari Bandung.

Incoming Search Terms:

Bantal Foto handmade
Bantal Foto online
Bantal Foto murah
Bantal Foto
Bantal Foto baby
Bantal Foto lucu
Bantal Foto bayi
Bantal Foto bandung
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×40 cm / Order 1-2 Pcs = Rp. 65.000,-
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 75.000,-
Ukurannya 40×90 cm / Order 1-2 Pcs = Rp. 125.000,-
Ukurannya 40×120 cm / Order 1-2 Pcs = Rp. 165.000,-
Untuk Model Love dan Guling / Order 1-2 Pcs = Rp. 75.000,-
T R Jan 2019
Stripping You of Your Privilege
YOU!

Tall and lean and impossibly handsome
and Corporate

In your magnificent pinstriped business suit
and perfectly tied silk tie
and your hundred dollar haircut
your privileged male feet hidden
inside impeccably polished black
English dress shoes

Staring at me through your
designer sunglasses

Haughty, confident, insolent
Stepping out of your Porsche
before you enter your office building

So smooth, clean, assured and perfect
Maybe you are 35 years old, maybe 40
the world is yours


Transformation
I have news for you
The tables are turned

YOU have been the one in power.
The one in control.
So proud, so arrogant, so confident

Starting at me, a total stranger
Just part of your usual day
I am just an object to you
I am an OBJECT to you!

Your beautiful smooth shaven
face turns...
but wait...

Wait! No more

NO MORE!

The world has turned upside
down

Now YOU are the OBJECT

I have the POWER to make things happen

NOW LISTEN TO ME

You have a new future

LISTEN. OBEY
Quit your important executive job
Leave your successful corporate career

That's right – now
QUIT!
Call from your phone
Don't enter the
building
Tell them you’re quitting

You are stunned and repelled and horrified
You resist and argue
You refuse and try to leave
Your pride and anger rise
But there is no escaping your destiny

Your power is gone
You are helpless to resist

Forget your MBA
Forget you ever went to a university
Slide the business school ring off your
long finger

Give me the keys to that Porsche
And take your Rolex,
your gold wristwatch,
off your
wrist
You won't be needing a watch
I will tell you the time
We will sell your watch

You slide off your watch and surrender it

Get those fancy, expensive,
polished handmade shoes off
Your pampered, privileged male feet
Yes, your black dress socks too

YOU, barefoot on the sidewalk!

Leave the shoes right there on the
sidewalk, in front of your former
office building, shining in the sun.
Empty and crying for their former owner

Shocked, unable to resist,
you untie and remove your shoes,
peel off your long dress socks

Put your expensive socks inside the shoes
and drop the briefcase too

Now get back into the Porsche
you used to own
Yes, in your bare feet
Your smooth, clean size tens
No - NOT the driver's seat
Get in the passenger side
I am driving

I'm taking you to your own home
as my Trophy

How many times
have you
had a woman in your passenger seat?

You behind the wheel,
smiling your proud smile
your perfect white teeth gleaming

Straightening your necktie as
your bragged about your corporate successes
You and your car the proud conquerors
Your handmade black leather shoes pressing the pedal
of male power and privilege

Now you - just a passenger!
along for the ride in your own car
the rich carpet of your Porsche
under the smooth soles of your bare privileged feet

Now the plan!
We will marry
and you will clean and cook and look very beautiful

Now your LIFE LESSONS:
Dumb down your smug,
expensively high-class male executive
SPEECH.
More slang. Much less education in your voice
Don’t talk – just listen to ME

And you have to wipe off
That arrogant male grin
like you own the world.

Destroy that haughty attitude
of conquest - so much a part of you until today

Replace it with humble respect
And attitude of submission and obedience

Give me those sunglasses
You can't wear them anymore
Look at me
with submissive adoration in your clear, blue
eyes

No need to make decisions now
I will take care of that

I will take away your ambition
Your self-assertion
Your independent thinking

We'll take apart your self-confidence
and throw the pieces in the trash
All of your initiative and desire to succeed
will be replaced
by the desire to make me happy

I will change your prestigious upper class name
You will take MY last name now
Your identity will disappear
What is your first name? William?
You are Billy boy from now

Your male executive image and power clothes
No longer have
Any place
In your new existence

We'll pick up some nice tight cheap jeans and
some nice tight undershirts for your
new look - the one I choose
Show off your chest and your arms
Flip flops and work boots
and sweatshirts and flannel.
You will LOVE them!

I want you tougher, grizzled
Blue collarized
Working class male
You’re too clean, too smooth, too perfect
We’ll fix that...

And your clean-cut corporate haircut is
now forbidden
I hate it. Too perfect

Grow out your golden brown hair into
A scraggly ponytail
a beard too...
Put some dirt under those clean fingernails
Calluses on those smooth clean palms
An earring in your ear

And no more SUITS!
I hate suits
symbols of white male power and authority
and no more ties
those symbols of oppression
your neck and long male
throat will be open and exposed
for the world to see

No, that pinstriped suit you're wearing
that you had made for yourself in London
and the silk tie
and the starched white shirt
will all be sold to a second hand clothing shop

The monograms taken off your
cufflinks before they are sold
Your golf clubs – sold
Your tennis rackets and
sports equipment - sold

Your credit cards in my name
Your condo is now ours
Your Porsche is now mine
You will drive my beat-up old Ford

All of your fancy clothes will be sold off
That will be tomorrow



You're gonne be barefoot in my kitchen
You won't be needing shoes anymore
on your privileged, pampered feet


Now - your soles on your own kitchen floor
Making dinner for me
T R Jan 2015
YOU!

Tall and lean and impossibly handsome
and Corporate

In your magnificent pinstriped business suit
and perfectly tied silk tie
and your hundred dollar haircut
your privileged male feet hidden
inside impeccably polished black
English dress shoes

Staring at me through your
designer sunglasses

Haughty, confident, insolent
Stepping out of your Porsche
before you enter your office building

So smooth, clean, assured and perfect
Maybe you are 35 years old, maybe 40
the world is yours


Transformation
I have news for you
The tables are turned

YOU have been the one in power.
The one in control.
So proud, so arrogant, so confident

Starting at me, a total stranger
Just part of your usual day
I am just an object to you
I am an OBJECT to you!

Your beautiful smooth shaven
face turns...
but wait...

Wait! No more

NO MORE!

The world has turned upside
down

Now YOU are the OBJECT

I have the POWER to make things happen

NOW LISTEN TO ME

You have a new future

LISTEN. OBEY
Quit your important executive job
Leave your successful corporate career

That's right – now
QUIT!
Call from your Iphone
Don't enter the
building
Tell them you’re quitting

You are stunned and repelled and horrified
You resist and argue
You refuse and try to leave
Your pride and anger rise
But there is no escaping your destiny

Your power is gone
You are helpless to resist

Forget your MBA
Forget you ever went to a university
Slide the business school ring off your
long male finger

Give me the keys to that Porsche
And take your Rolex,
your gold wristwatch,
off your
wrist
You won't be needing a watch
I will tell you the time
We will sell your watch

Get those fancy, expensive,
polished handmade shoes off
Your pampered, privileged male feet
Yes, your black dress socks too

YOU, barefoot on the sidewalk!

Leave the shoes right there on the
sidewalk, in front of your former
office building.
Empty and crying for their former owner
Put your expensive socks inside the shoes
and drop the briefcase too

Now get back into the Porsche
you used to own
Yes, in your bare feet
Your naked size tens
No - NOT the driver's seat
Get in the passenger side
I am driving

I'm taking you to your own home
as my Trophy

How many times
have you
had a woman in your passenger seat?
You behind the wheel,
smiling your proud smile
your perfect white teeth gleaming
Straightening your necktie as
your bragged about your corporate successes
You and your car the proud conquerors
Your handmade black leather shoes pressing the pedal
of male power and privilege

Now you - just a passenger!
along for the ride in your own car
the rich carpet of your Porsche
under the smooth soles of your naked privileged feet

We will marry
and you will clean and cook and look very beautiful

Now your LIFE LESSONS:
Dumb down your smug, expensively high-class male executive
SPEECH.
More slang. Much less education in your voice
Don’t talk – just listen to ME

And you have to wipe off
That arrogant male grin
like you own the world.

Destroy that haughty attitude
of conquest - so much a part of you until today

Replace it with humble respect
And attitude of submission and obedience

Give me those sunglasses
You can't wear them anymore
Look at me
with submissive adoration in your clear, blue
Male eyes

No need to make decisions now
I will take care of that

I will **** your ambition
Your self-assertion
Your independent thinking

We'll take apart your self-confidence
and throw the pieces in the trash
All of your initiative and desire to succeed
will be replaced
by the desire to make me happy

I will change your powerful upper class name
You will take MY last name now
Your identity will disappear
What is your first name? William?
You are Billy boy from now

Your male executive image and power clothes
No longer have
Any place
In your new existence
We'll pick up some nice tight cheap jeans and
some nice tight undershirts for your
new look - the one I choose

I want you tougher, grizzled
Blue collarized
Working class male
You’re too clean, too smooth, too perfect
We’ll fix that...

And your clean-cut corporate haircut is
now forbidden
I hate it. Too perfect

Grow out your golden brown hair into
A scraggly ponytail
a beard too...
Put some dirt under those clean fingernails
Calluses on those smooth clean palms
An earring in your male ear

And no more SUITS!
I hate suits
symbols of white male power and authority
and no more ties
******* symbols of oppression
your neck and long male
throat will be open and exposed
for the world to see

No, that pinstriped suit you're wearing
that you had made for yourself in London
and the silk tie
and the starched white shirt
will all be sold to a second hand clothing shop

The monograms taken off your
cufflinks before they are sold
Your golf clubs – sold
Your tennis rackets and
sports equipment - sold

Your credit cards in my name
Your condo is now ours
Your Porsche is now mine
You will drive my beat-up old Ford

All of your fancy clothes will be sold off
That will be tomorrow



You're gonne be barefoot in my kitchen
You won't be needing shoes anymore
on your privileged, pampered male feet
rather bitter but intended as humor too
Lea Loveit Nov 2014
Things are moving fast
considering its been about 5 days.
Reminiscing on the past
Let me in, if i may.

You're now in the pile
finally on the list.
you're a new change of style
as you give me the designer kiss.

we moved past getting to know
because in short time
we're aware but won't take it slow.
Hoping this doesn't end like a squeezed lime.

How can we make this work without a machine?
Seeking superior quality within.
Something that's never been seen
Something not made of sin.

It's hard to find
someone willing to try.
Then i go in deep while blind
probably my results of cries.

You can hold me in your arms
rub my hands
and spark your charms
But at the end, where do we stand?

Watch the sunsets
with our hands clutching
So close to you i sweat
that our lips are now touching

Where do i find it?
How not to get played?
The best benefit
of having it handmade
T R Nov 2014
YOU!

Tall and lean and impossibly handsome
and Corporate

In your magnificent pinstriped business suit
and perfectly tied silk tie
and your hundred dollar haircut
your privileged male feet hidden
inside impeccably polished black
English dress shoes

Staring at me through your
designer sunglasses

Haughty, confident, insolent
Stepping out of your Porsche
before you enter your office building

So smooth, clean, assured and perfect
Maybe you are 35 years old, maybe 40
the world is yours


Transformation
I have news for you
The tables are turned

YOU have been the one in power.
The one in control.
So proud, so arrogant, so confident

Starting at me, a total stranger
Just part of your usual day
I am just an object to you
I am an OBJECT to you!

Your beautiful smooth shaven
male face turns...
but wait...

Wait! No more

NO MORE!

The world has turned upside
down

Now YOU are the OBJECT

I have the POWER to make things happen

NOW LISTEN TO ME

You have a new future

LISTEN. OBEY
Quit your important executive job
Leave your successful corporate career

That's right – now
QUIT!
Call from your Iphone
Don't enter the
building
Tell them you’re quitting

You are stunned and repelled and horrified
You resist and argue
You refuse and try to leave
Your pride and anger rise
But there is no escaping your destiny

Your power is gone
You are helpless to resist

Forget your MBA
Forget you ever went to a university
Slide the business school ring off your
long male finger

Give me the keys to that Porsche
And take your Rolex,
your gold wristwatch,
off your
wrist
You won't be needing a watch
I will tell you the time
We will sell your watch

Get those fancy, expensive,
polished handmade shoes off
Your pampered, privileged male feet
Yes, your black dress socks too

YOU, barefoot on the sidewalk!

Leave the shoes right there on the
sidewalk, in front of your former
office building.
Empty and crying for their former owner
Put your expensive socks inside the shoes
and drop the briefcase too

Now get back into the Porsche
you used to own
Yes, in your bare feet
Your naked size tens
No - NOT the driver's seat
Get in the passenger side
I am driving

I'm taking you to your own home
as my Trophy

How many times
have you
had a woman in your passenger seat?
You behind the wheel,
smiling your proud smile
your perfect white teeth gleaming
Straightening your necktie as
your bragged about your corporate successes
You and your car the proud conquerors
Your handmade black leather shoes pressing the pedal
of male power and privilege

Now you - just a passenger!
along for the ride in your own car
the rich carpet of your Porsche
under the smooth soles of your naked privileged feet

We will marry
and you will clean and cook and look very beautiful

Now your LIFE LESSONS:
Dumb down your smug, expensively high-class male executive
SPEECH.
More slang. Much less education in your voice
Don’t talk – just listen to ME

And you have to wipe off
That arrogant male grin
like you own the world.

Destroy that haughty attitude
of conquest - so much a part of you until today

Replace it with humble respect
And attitude of submission and obedience

Give me those sunglasses
You can't wear them anymore
Look at me
with submissive adoration in your clear, blue
Male eyes

No need to make decisions now
I will take care of that

I will **** your ambition
Your self-assertion
Your independent thinking

We'll take apart your self-confidence
and throw the pieces in the trash
All of your initiative and desire to succeed
will be replaced
by the desire to make me happy

I will change your powerful upper class name
You will take MY last name now
Your identity will disappear
What is your first name? William?
You are Billy boy from now

Your male executive image and power clothes
No longer have
Any place
In your new existence
We'll pick up some nice tight cheap jeans and
some nice tight undershirts for your
new look - the one I choose

I want you tougher, grizzled
Blue collarized
Working class male
You’re too clean, too smooth, too perfect
We’ll fix that...

And your clean-cut corporate haircut is
now forbidden
I hate it. Too perfect

Grow out your golden brown hair into
A scraggly ponytail
a beard too...
Put some dirt under those clean fingernails
Calluses on those smooth clean palms
An earring in your male ear

And no more SUITS!
I hate suits
symbols of white male power and authority
and no more ties
******* symbols of oppression
your neck and long male
throat will be open and exposed
for the world to see

No, that pinstriped suit you're wearing
that you had made for yourself in London
and the silk tie
and the starched white shirt
will all be sold to a second hand clothing shop

The monograms taken off your
cufflinks before they are sold
Your golf clubs – sold
Your tennis rackets and
sports equipment - sold

Your credit cards in my name
Your condo is now ours
Your Porsche is now mine
You will drive my beat-up old Ford

All of your fancy clothes will be sold off
That will be tomorrow



You're gonne be barefoot in my kitchen
You won't be needing shoes anymore
on your privileged, pampered male feet
an angry feminist takes over a man's life
Samiha Oct 2014
My beautiful blue skein of yarn,
Here in my bag you sit,
I'd love to pick you up to knit,
If only for a bit.

But clothes need washing and babes need baths,
And food needs cooking too,
Besides, I'd have a hard time choosing,
What to make of you.

You see, my stitches were not even,
My gauge, no one could guess,
My beautiful blue skein of yarn,
You would not have been impressed.

But oh how I've practiced, how I've improved,  I'm sure you'll find it so,
My stitches fly right off my needles and sit in pretty rows.
My gauge is constant, my edges neat, now I am ready for you,
But still that nagging question comes, what with you will I do?

Maybe I will make of you a felted wooly bonnet,
And everyone would stop and gaze and cast their eyes upon it.
I'll wear you on holiday, we'll march in a parade,
I'll prance so proudly, show you off, and say, "yes, you're handmade".

Maybe I will make of you, a purse, like those I see in Vogue,
I'll put in you my favorite things, and then, we'll hit the rode!
We'll travel round the city, and everyone will see,
How beautiful and remarkable a skein of yarn can be.

Maybe I will make you gloves,
My baby's hands to cover,
And everyone who saw her'd say,
"her mother must really love her".

A hat, a purse, a pair of gloves, your beauty for all to see,
But, only if I stop and knit,
Now look what you've made of me,
Your potential's not all I see...
Denny Umar Jan 2015
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 70.000,-…Order 5 Pcs Ke atas Rp. 65.000,-

Bantal Nama Murah Bandung - Untuk menambah koleksi bantal kamu yang unyu-unyu, kayaknya ga cukup kalo cuma punya bantal donat, bantal Nama dan bantal leher aja. Nah, biar koleksi kamu tambah lengkap,  siap siaga bikinin kamu Bantal Nama

Bantal dengan tulisan nama kalian, nama pacar, nama sodara atau nama orang-orang yang kamu sayangi. Kamu bisa pilih warna warni kesukaan kamu dengan tulisan yang artistik banget.

Buat kamu-kamu yang pada galau nyari kado yang cocok buat temen ultah, ponakan, adik atau pacar, pas banget deh kalo kamu pilihin kado Bantal Nama buat mereka.

Mau tahu spesifikasi teknisnya?

- Bahan dasar velboa
- Tulisan velboa (bukan flanel jadi lebih lembut)
- Isi silikon (bukan dacron jadi lebih kenyal dan ga kempes)
- Waktu pengerjaan normal 14 hari kerja (Kalo lagi banjir order bisa molor dikit)
- Ukurannya 40×60 cm (Yang mau panjang bisa request ukuran 40x90cm)
- Berat sekitar 600 gram

Ok bro and sist, yang blom jelas (ngacung!) invite aja PIN BB marketingnya  262878A6. Harga blom termasuk ongkir dari Bandung.

Incoming Search Terms:

Bantal Nama handmade
Bantal Nama online
Bantal Nama murah
Bantal Nama
Bantal Nama baby
Bantal Nama lucu
Bantal Nama bayi
Bantal Nama bandung
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 70.000,-…Order 5 Pcs Ke atas Rp. 65.000,-
Denny Umar Jan 2015
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×40 cm / Order 1-2 Pcs = Rp. 65.000,-
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 75.000,-
Ukurannya 40×90 cm / Order 1-2 Pcs = Rp. 125.000,-
Ukurannya 40×120 cm / Order 1-2 Pcs = Rp. 165.000,-
Untuk Model Love dan Guling / Order 1-2 Pcs = Rp. 75.000,-

Mau tahu spesifikasi teknisnya?

- Bahan dasar Rasfur
- Isi silikon (bukan dacron jadi lebih kenyal dan ga kempes)
- Waktu pengerjaan normal 10 hari kerja (Kalo lagi banjir order bisa molor dikit)

Ok bro and sist, yang blom jelas (ngacung!) invite aja PIN BB marketingnya  262878A6. Harga blom termasuk ongkir dari Bandung.

Incoming Search Terms:

Bantal Foto handmade
Bantal Foto online
Bantal Foto murah
Bantal Foto
Bantal Foto baby
Bantal Foto lucu
Bantal Foto bayi
Bantal Foto bandung
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×40 cm / Order 1-2 Pcs = Rp. 65.000,-
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 75.000,-
Ukurannya 40×90 cm / Order 1-2 Pcs = Rp. 125.000,-
Ukurannya 40×120 cm / Order 1-2 Pcs = Rp. 165.000,-
Untuk Model Love dan Guling / Order 1-2 Pcs = Rp. 75.000,-
All winter the fire devoured everything --
tear-stained elegies, old letters, diaries, dead flowers.
When April finally arrived,
I opened the woodstove one last time
and shoveled the remains of those long cold nights
into a bucket, ash rising
through shafts of sunlight,
as swirling in bright, angelic eddies.
I shoveled out the charred end of an oak log,
black and pointed like a pencil;
half-burnt pages
sacrificed
in the making of poems;
old, square handmade nails
liberated from weathered planks
split for kindling.
I buried my hands in the bucket,
found the nails, lifted them,
the phoenix of my right hand
shielded with soot and tar,
my left hand shrouded in soft white ash --
nails in both fists like forged lightning.
I smeared black lines on my face,
drew crosses on my chest with the nails,
raised my arms and stomped my feet,
dancing in honor of spring
and rebirth, dancing
in honor of winter and death.
I hauled the heavy bucket to the garden,
spread ashes over the ground,
asked the earth to be good.
I gave the earth everything
that pulled me through the lonely winter --
oak trees, barns, poems.
I picked up my shovel
and turned hard, gray dirt,
the blade splitting winter
from spring.  With *** and rake,
I cultivated soil,
tilling row after row,
the earth now loose and black.
Tearing seed packets with my teeth,
I sowed spinach with my right hand,
planted petunias with my left.
Lifting clumps of dirt,
I crumbled them in my fists,
loving each dark letter that fell from my fingers.
And when I carried my empty bucket to the lake for water,
a few last ashes rose into spring-morning air,
ash drifting over fields
dew-covered
and lightly dusted green.
Juliana Aug 2013
You have stars in your hands
and you hold them like grenades.
The boats tattooed on your thighs
spread out like finger placements of the G major chord.
Synthetic drugs make chains
tying your first and second fingers
around the mechanically rolled paper,
canvasing your throat like too much sea water,
each breath as rough as the veins in your arms.
Close your eyes
there’s pollen in the air
spread out like imperfections on the skin of an apple.
Solar countries keep foreign coins
sewed into their cotton sails,
they put their money into the navy.
You have a comet in your circulatory system
leaving bright spots under your skin
a reminder to gather the sunshine back under your eyelashes.
Hand soap in ketchup packets
make bubble bath islands
and unhappy lips.
You’re as talkative as a poem and
as expensive as a poppy
with homemade constellations on your back,
staining your lumbar muscles with cherries.
I can’t wash off your fingerprints
with my favourite shampoo.
I’ll swim across the Georgia Strait,
dodge your dinghies and
make a home in handmade ships
where I’ll practice erasing scars from my arms
and washing the soap from my hair.
Richard Riddle Aug 2013
I wish to share a story
of when I nearly met my fate-
A tale of an adventure,
and a quest I had to make

A story of an abandoned mine-
A search for silver and gold-
Of prospectors, and the miners-
And the secrets they must hold

My father used to pan for gold
in the mountains and their streams-
And found enough of the elusive stuff
to make my mother's wedding rings.

I thought that I would try my hand-
to see what I could find-
So I set out to seek the entrance
to an old, abandoned, mine

I left for Arizona,
     to Prescott, I wished to go -
    Crossed the Rio Grande,
   on thru New Mexico.

Finally got to Phoenix -
   800 miles and count'n,
     then north, up to Prescott,
        Thumb Butte, and Granite Mountain.

            I pitched my tent on Granite Creek,
          with great anticipation-
           Checked the notes from my father's quotes,
                and began the exploration

   With my father's tin pan packed in a bag-
and his pic-ax at my side-
I felt like a real "old timer",
with heaven as my guide.

           I found the one I was looking for-
                with a darkened cave as the entrance door-
           And a handmade sign on a rotting board, said
"Welcome Friend, 1894."

Well, I picked and I chipped! and I chipped and I picked!
til the sores on my hands ran red-
             When I felt some dirt, drifting down on my shirt-
and some pebbles hit my head.

It only took a second-
for the ground to start to quake-
The dirt was falling faster,
and the walls began to shake.

I ran as fast as I knew how,
toward that entrance door-
When the last crosstimber broke in half,
and came crashing to the floor!

Now, I don't know how much time had passed-
since all of that began-
But felt as if I had been in a trance-
when someone took my hand.

I grabbed my shirt-tail, wiped my eyes-
tilt my head to see-
And saw a sun-dried, weathered face,
looking down on me!

He wore a wrinkled old hat,
an old flannel shirt-
Raggedy old pants, and a mile's
worth of dirt-

He had a beard of silver threads,
with a tinge of ginger root-
His hands were thick, and calloused,
and their color matched his boots.

He gave me a jug of water
that came from the nearby creek
As I began to take a drink-
he began to speak-

"Strange thing about abandoned mines-
they wish to be left alone,
To keep the souls of all of those-
who often called them home."

His voice began to tremble-
as he spoke those woeful words,
He seemed to be recalling
many things he'd seen and heard.

"It isn't greed that brought you here,
I can see that, in your eyes,
it's not just ore, you're looking for-
But another kind of prize."

"You must go back to your domain,
and you'll find that treasure chest-
For it lies deep within your heart-
and in those folks you favor best."

I shut my eyes, said a prayer-
  and asked, if what I did was wrong?
When I finished, and said "amen",
that old man was gone.

I never asked him for his name-
    or the place from whence he came-
    Some things are better left in silence-
and not to be explained.

I went back to take another look,
and gather up my gear-
Tried to find that “Welcome” sign,
but, it too, had disappeared.

I stood in "awe,and wonder,"-
of the place that I had found-
And with my eyes, realized,
I had trod on hallowed ground.

Going home I pondered,
'o'er the words that old man said-
But, did all that really happen,
   or was it from the "bumps" upon my head?

I got back home, and cracked a smile,
As I strode up to the door-
And there, hung a handmade sign
on a rotting board, said-
 "Welcome Home, 1894!"
Mary-Eliz May 2018
In the drawer were folded fine
batiste slips embroidered with scrolls
and posies, edged with handmade
lace too good for her to wear.

Daily she put on shmattehs
fit only to wash the car
or the windows, rags
that had never been pretty

even when new: somewhere
such dresses are sold only
to women without money to waste
on themselves, on pleasure,

to women who hate their bodies,
to women whose lives close on them.
Such dresses come bleached by tears,
packed in salt like herring.

Yet she put the good things away
for the good day that must surely
come, when promises would open
like tulips their satin cups

for her to drink the sweet
sacramental wine of fulfillment.

The story shone in her as through
tinted glass, how the mother

gave up and did without
and was in the end crowned
with what? scallions? crowned
queen of the dead place

in the heart where old dreams
whistle on bone flutes
where run-over pets are forgotten,
where lost stockings go?

In the coffin she was beautiful
not because of the undertaker's
garish cosmetics but because
that face at eighty was still

her face at eighteen peering
over the drab long dress
of poverty, clutching a book.
Where did you read your dreams, Mother?

Because her expression softened
from the pucker of disappointment,
the grimace of swallowed rage,
she looked a white-haired girl.

The anger turned inward, the anger
turned inward, where
could it go except to make pain?
It flowed into me with her milk.

Her anger annealed me.
I was dipped into the cauldron
of boiling rage and rose
a warrior and a witch

but still vulnerable
there where she held me.
She could always wound me
for she knew the secret places.

She could always touch me
for she knew the pressure
points of pleasure and pain.
Our minds were woven together.

I gave her presents and she hid
them away, wrapped in plastic.
Too good, she said, too good.
I'm saving them. So after her death

I sort them, the ugly things
that were sufficient for every
day and the pretty things for which
no day of hers was ever good enough.
The beginning of a poem Liz Balise posted "Where I Left Them" reminded me of this Marge Piercy poem. Liz's went off in a totally different direction, but since I had been reminded of this, I thought I'd share it.
Denny Umar Jan 2015
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×40 cm / Order 1-2 Pcs = Rp. 65.000,-
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 75.000,-
Ukurannya 40×90 cm / Order 1-2 Pcs = Rp. 125.000,-
Ukurannya 40×120 cm / Order 1-2 Pcs = Rp. 165.000,-
Untuk Model Love dan Guling / Order 1-2 Pcs = Rp. 75.000,-

Mau tahu spesifikasi teknisnya?

- Bahan dasar Rasfur
- Isi silikon (bukan dacron jadi lebih kenyal dan ga kempes)
- Waktu pengerjaan normal 10 hari kerja (Kalo lagi banjir order bisa molor dikit)

Ok bro and sist, yang blom jelas (ngacung!) invite aja PIN BB marketingnya  262878A6. Harga blom termasuk ongkir dari Bandung.

Incoming Search Terms:

Bantal Foto handmade
Bantal Foto online
Bantal Foto murah
Bantal Foto
Bantal Foto baby
Bantal Foto lucu
Bantal Foto bayi
Bantal Foto bandung
INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×40 cm / Order 1-2 Pcs = Rp. 65.000,-
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 75.000,-
Ukurannya 40×90 cm / Order 1-2 Pcs = Rp. 125.000,-
Ukurannya 40×120 cm / Order 1-2 Pcs = Rp. 165.000,-
Untuk Model Love dan Guling / Order 1-2 Pcs = Rp. 75.000,-
Sofia Von Dec 2011
Hidden from the burden of conversation, you graze your toe across a rock
-- slice.

Pain, creeping  
wrapping its hot oils up your calf
it hurts more

no one wants to share

who understands?
don't be silly!
you’re on your own now
no one will be calling your name

So desperate

for a box you search
to hide your grief, happiness, and doubts in

some are presented with one
a carved handmade one
with gold outlines
who knows how they got one

the unlucky stumble upon the rich boxes of others
smothering them with inpatient finger prints of hope
but why
why they plead
in their constant prayers

why must they have the ***** leftovers
the cups recycled
used in a previous place for ***** samples

too small even for three people

they clean it and make due
what else can they do

Wait.
that’s what

But. Why?
are they not worthy?
ugly?
already fortunate?

I guess that works

and most are happy with it
see it around them
everybody has a *** cup

but what happens when everyone gets lucky?

You hide Envy?

no ignorant ones

Alone.
Universal Thrum Jul 2018
Theres no looking back

sometimes the past just stays gone

If I could, I'd never say your name

        Unwind me of time

I still see your face clear

Overgrown, and tangled up with weeds

       Like a prisoner alone

I just mark the days long

    Drowning in bioluminosity

Oh, darling you, take my breath away

     A heart tied with knots

I lost sight of the coast long ago

Thats okay, I belong on the sea

       Take all you can, I ain't got no rope though

only handmade cannonballs and curiosity

Darling, you take my breath away
https://soundcloud.com/universalthrum/handmade-cannonball
Josh Harrison Oct 2012
behind velvet cloth I saw your quail's eggs,
I saw your gentleman's relish too,
protruding as it was,
an Etonian slap to the face of the marmite jar which
it was reluctantly sat next to.

and although the relish would happily admit that
to sit next to marmite was certainly preferable
to finding oneself positioned next to Bovril or Cup-a-Soup,
it certainly was a far cry from the delicatessen counter
he was once accustomed to.

oh the delicatessen!
how the tear ducts performed with nostalgic aplomb
as memories of stuffed vine leaves and caramelised baby shallots
filtered back to the gentleman.

what he'd have given to be back there now,
to once again share the company of proper food,
of handmade chutneys and pickles,
not this common oafish tar.
this brutish black gunk.

'You may not have been factory made'
retorted Marmite,
'or contain E325,'
'but that isn't to say that your place on this shelf
is any more valid than mine.'
Brent Kincaid Sep 2015
We were the ones,
Self-chosen ones,
And we had seen enough.
And we had heard enough
To be tired of the drama;
The games that our mamas
And our Papas played
The plans they laid
That so often did not work.
The pensions and the perks
That so often left them bitter
Mumbling curses about quitters
As they argued over parking spaces
And carefully averted their faces
When people were denied rights
Because they were not white
Or sometimes because Jews
And non-whites could not be
Members of their sororities
And country club amenities.

They demanded no dark skin
And objected to what we dressed in
And wanted us to cut our hair
And go find a decent job somewhere
To start an acceptable career
And get a decent nine to five
To work as long as we were alive.
We knew they were trying to protect
To drive us to the life they projected
That would help us get a salary
And develop the kind of misery
And sense of hopelessness;
The exact kind of mess
They were living
And they weren’t forgiving
When we rebelled and fought
And shunned the trinkets they bought
That they thought would tempt us
To buckle on the harness;
The long-term promise.

We rejected the temptation
To join the workaday nation
And get into the drinking
Nine-to-five way of thinking.
We swapped the whiskey
For something they found risky.
We smoked our marijuana
And talked about nirvana
In our love-beads and batik
We left family homes to seek
And ultimately to find friends
Who wanted the same ends
And would work with us,
And they would walk with us
To the love-ins and protests
And help us pen requests
For marches and gatherings
To demonstrate our misgivings
About who got what
And who did not
And how and when
And which were not seen as men.
But we saw poorly disguised slaves
We knew we wanted to save.

We were going to fix the world
So, we waded into insults hurled
And high-powered fire hoses.
They broke our arms and noses
And trod on our signs
And drew a line
Between us and the public.
We were criminals and suspects
In crimes they invented;
We patchouli oil scented
Hippies wearing Birkenstocks
Without any socks
And jeans with protest patches
Singing our snatches of songs
Like “We Shall Overcome Someday”.
They couldn’t hear a word we would say.
They just cursed us and objected
And made sure we were subjected
To as much stonewalling as the law
Could put up against us all.

We were going to fix the world,
And we got LBJ on our side, like Jack
He went on the attack
And changed things for the better
Still not to the letter of the law
But a bit more spirit
Began to exist in it
Because blacks were acknowledged
And could finally go to college
In white schools
Adhering to the rules
The bigots had always ignored.
And unlike before, the police
Actually kept the peace
Unless it involved demonstrations
Against the crimes of our nation
Against another nation
That never attacked us
Never even threatened us.
These protest made us criminals
And that is what the cops thought of us.

Yes, by the time Nixon was going
After everyone began knowing
What a rat he was and because
He got caught, we saw
Him get on the copter and leave
And without a thought to grieve
We wanted our country to cease
Being some kind of insane police
In an Asian country few of us knew.
To stop what they put our troops through
And bring the people back here
So they could end the killing and fear
That our country was generating.
The debating was through
And the country started anew
By ending that situation.
Peace descended on the nation
And we took credit.
We did do some of it.
Then, we quit.

We started small companies
Selling handmade gifts and soaps
Not becoming the dopes
We fought our parents not to be
But more the people we ought to be
Living in hippie enclaves
That turned into yuppie enclaves
And we got fatter.
But that didn’t matter.
We had our memories
And we had our old war stories
Of marching, and protesting
And they were interesting enough
That we lost the will to be tough
And let the objections slide
And hid inside our mini-farms
And ignored when people were harmed
By many of the same atrocities
That fueled our animosities
Just a generation before.
We decided it was not our war
And sat on our hands.
And drifted like the sands.
Tuesday Pixie Nov 2014
A missed alarm
- A hurried departure
From home to bus to bus
- To craft fair!
All handmade, all ingenious.
And reused items appeal to this sustainability-freak.
"There's not much for your kind here"
But just as I say it we spy a stall
And the goth finds Cthulu,
A skull,
An eye,
A snake with which to adorn himself
Amidst the usual background of 'Oh, he looks like Russell brand'

His cousin was riding.
Riding the plastic spastic twirl-around bull.
"Another turn? Go on, your dad didn't see you!"
She shakes her head, almost shy
But is lifted and hoisted on once more,
Smiling and giggling and kicking away.
The operator has success,
Short-lived;
She jumps right off and back to her father,
Uncles and cousins all grin.

- To cafe!
Entrance a ramp,
The outside already proclaims the spaces brilliance
Narrow hall with piano stating 'closed'
Walls adorned with old newspapers
Light fixtures are bottles
Door handle a coffee grinder
Tables old school desks,
Mismatched chairs and couches and plates;
This sustainability freak is in heaven.
The Goth smiles
"I knew you'd like it"
And even the menu provides
My dietary restrictions no obstacle.
I have a smoothie.
It's amazing.

"Judging from your case I would say you play heavy metal"
I giggle; Incorrect.
"Are you going to play for us?"
The waitress asks
We look at each other; are we?
And after our meal we do;
The radio is turned off in response.
Young children play on my violin
Their parents more concerned than I
"Be careful! It's delicate!"
We serenade the coffee and the tables and the birdie on the wall
We serenade customers and workers and the owner as well
We serenade to perfect
We serenade to give back to this space so beautiful
We serenade half in hope of being asked to perform
Of being paid to perform.
The owner enjoys; the possibility is open.
The workers enjoy; "you made today worth it"
The customers enjoy,
One chucks coins to our guitar case
A suggestion of busking
We drain our complimentary drinks and tip the coins
Wander onwards, sated, and glowing.

- To old acquaintances
Who tell scandalous tales
Of the Goth's little brother
"Tell your folks I look after him...
He's hilarious when he's wasted"
The goth queries
"And when I'm wasted?"
"Oh it makes no difference; you're hilarious sober too!"
It's truth.
No one could argue except the Goth himself;
"I'm glad you have a terrible sense of humour"

- To Opshop, closed.
And then the car,
Family bubbling around us
Excited voices clamour with stories
With news
We arrive in a field of green,
Children swinging on a tyre
An old meeting house is dwarfed
Beside the new, uncompleted
A chair in the sky
Seats white fingers
Coated from work;
Yet his is the best view.
"Uncle... Aunty... Cousin.."
Names drift into the air
I won't catch them.
"This is only a small portion of my family;
You should see the group photo!"

An older man teases
"Get your hair cut!
Oi, why haven't you told your son to cut his hair?!"
And his father expertly replies
"He can do what he likes with his hair"
His mother
"Why haven't you died yours then? It's all grey!"
Smiles spread wide at their cheek.

A bell tolls
Signals the slow meandering;
No urgency
We sit, grass beneath us
Sky above
Trees and field all around.
These three buildings so connected.
The prayer starts,
In foreign tongue
Yet not foreign
- It is the language this land first heard
Aside from sea and bird and sun
An occasional group "ah" in response
Teenagers mock; "aye"
Babies fuss,
Children wriggle
Even adults chatter to one another
Come and go as they please
Informal.
I am wrapped in his love.
And all of their love.
Lying in his arms
With sun warming me,
Love warming me,
I send it back.

And then chairs are moved
The tables to be laid
Inside this time
"Come here, you don't want to do the chores, do you?"
A crafty cousin teaches evasion maneuvers
We kick a ball,
The goth looks almost joyful
The usual "Me, sports? Eww"
Forgotten, or put aside.
Shoes back on now
"Your feet could do with some sunlight"
The cousin protests.

We eat with our hands;
For me there are oranges
And chicken salad
I put ethics aside
To sate hunger.

We swing.
The children are playing elsewhere
We claim the rope as ours.
An upside down ladder?
A missing rung?
There's more air than step.
Together we swing.

"Who do you belong to then?"
Caught off guard
"I belong to myself"
The goth smiles at my assertion
"How'd you get here, who brought you?"
I gesture with my foot
"You're so rude! You didn't even introduce me to your girlfriend! I'm his Aunty, that makes me his, and your Aunty too now."
He clasps my hand
"That's how easy it is in my family"

We serenade once more.
Nervousness closes throat
How to express oneself?
I feel small and shrunken
Push myself to claim space
- I do belong here
The love swells around me
Tall poppy syndrome must be beaten into me;
I'm trying to convince myself
I'm not being overbearing
- They want to hear us.
And they're impressed
"Oh what a beautiful voice"
"They do sound wonderful together"
All laugh as Grandma joins in
"That's Nan trying to out do them"

With Promises to jam next time,
We take the scenic exit,
Past those who have past
Past the past itself
Graves decorated with All Blacks flags,
With decks of cards,
With guitars.
Love. Even here,
Love and celebration.

- To friends
Reiki, a goodbye card, packing and kittens, markets and dinner
- The candles glow was soft,
Too soft for menus.
"I wonder why those baskets are all locked up...
Ha! Basket cases!"
We draw a piece to make Dali proud
And jest of eating candle wax
Bellies hunger.
But foods arrival prevents such oddity.
Eating pizza with knives and forks?
I decline, fingers once more.
Restaurant etiquette is not my style
Mine is puffy to their flat
- The perks of being gluten free?
And we leave them to their dessert.
With much sorrow.
"Thank you for enriching my experience here"
No, thank you. Thank you thank you thank you thank you.

"Goodbye!"
I greet
"Have a wonderful life!"
A different good bye.
And we cry as we hug,
No tears, just noise.
To cheer ourselves.
"Waahhhhh"
We giggle and depart.

Surrounded by darkness
Traffic roars overhead
Rocking support beams
They creak
Pigeons shuffle now and then
A dim light is irresistible death
Beyond the trees ripples fold and swell
And I am here with him.
Our own little patch of night time
Folding and swelling around us.
"Now you're the one keeping us awake"
I cannot argue.
This moments magic is worth tomorrow's tiredness.

One more friend to visit.
She saved us a piece!
Oh dietary constraints!
Cheesecake, for me?
And delish!
Hazelnutty and chocolate!
Nutella like.
We ***** about sudden illness
About food restrictions
About fad diets
Apparently the 20's is when the **** goes down.
Our bodies are complaining now.
Maybe we'll figure out what they're trying to say,
- Eventually.
Speak English, **** you!

- To the tent!
And blessed sleep.
It's technically tomorrow now.
Well, it's today.
"Thank you for touching my feet that time"
I curl up in his arms,
And all the world is golden
This illness raises its angry lil head
And his caring melts me
Thank you thank you thank you thank you.

Thank you for this beautiful most perfect day.
Thank you.
It was a perfect day. Even through illness and sorrow.
http://www.youtube.com/watch?v=QYEC4TZsy-Y
Camel faces

Darkness is in every corners  of desert animals
witnessing the faces of donkeys and camels
The owner opens the gate for them to rest
but the unkind wind breaks down from the east
Caravan of camel is not decorated in colours
walking towards the desert without any flowers
Everywhere I see women wearing their veils,
without seeing their lips and simple smiles,
their  white-pink  garment is handmade,
Inside, suffers an  unseen  house maid
She is bold and gentle, but dark by birth ,
Same like God’s own created Earth.
Looking at the distant burning flame
Thirst  for  soft touch  rises to blame
Not grasped by inner heart desires,
Dried ,withered  dreams Disappears


By Williamsji Maveli
Email:williamsji@yahoo.com
The Kallettumakara Gblobal Association (KGA), UAE Chapter has announced their first poetry award for excellence to Williamsji Maveli's  third  poetry collection   titled as “Arramviralthumbath …”  (On the tip of the 6th finger,  published by H & C Books, Trichur) .The award has been declared  by Mathew David, Chairman of KGA at their Executive Committee meeting held recently in Sharjah Emirate of United Arab Emirates.  The award has  also been considered for his poetic works scattered in his recently published book named  as “Maa Salama."  ( means "With peace"  in Arabic). The poems have been gathered from different desert sketches,  focusing on his real-time life experiences ,while he was working in UAE for more than 30 years.  Williamsji, (Williams George),   former Ras Al Khaimah based Journalist and lyricist of tester-years has been nominated for a literary award for the first time for literature. The Award is being formulated by KGA  (Kallettumkara Global Association, UAE Chapter) for  outstanding contributions to literature  from the native writers  of Kallettumkara,  a village town in Trichur, Kerala in India.  The award will be presented by the KGA’s UAE Chapter on the grand occasion of their 11th anniversary, which is being scheduled to be held during November, this year,
according to Mathew David, Chairman of Kallettumkara Global Association.
www.kallettumkara.net

www.williamsji.com
www.williamsgeorge.com
www.kallettumkara.com
www.thefilmmagazine.com
www.kallettumkara.net
Lucas Jul 2018
Your origami snapper came along
tucked into my wallet
things like that don't travel well
but I managed
they suffered a lesion to the spine
snappers are apparently weak there
maybe we can work on growing a backbone together

handmade gifts mean the most
less, when it was made in whimsy and flimsy
more, because it gave me false hope
maybe it's a sign
like a uke-playing octopus
maybe friendship is all I need right now
your origami snapper is a great listener

It sits on my desk
Either mocking or pondering, I can’t tell
Snappers are hard to read that way
Maybe if we showed more emotion you’d
           notice

but action requires reaction
and somehow the origami rose I made forgot it’s origami thorns
But there could be blood on my hands
From a beautiful friendship I so recklessly slaughter
pulling up roots like weeds
adding wistful thinking to inimitable memories
A uke-playing octopus is a memory and metaphor for the first time I ever flirted with someone — it seemed relevant
Jim Kleinhenz May 2012
(For Thomas Davis)

A reptile carved, a breath of language, one
That one imagines to be real, like
A lizard given life, pretend for fun,
Perhaps, a supervening thought, so like
A kite, but not airborne at all: We hold
Its substance in our hands and come to think
That this is all there is. We even hold
It in our thoughts, still nameless, and we think
That its vital beauty make it a part
Of God. Soft, small, patina-rich, handmade
From stone or bone, rhinoceros horn: its art
Is in its existence, perfection paid
For by its half-life in our hearts and hands.
So reptilian, what poetry demands.

© Jim Kleinhenz
T R Oct 2015
Stripping You of Your Privilege
YOU!

Tall and lean and impossibly handsome
and Corporate

In your magnificent pinstriped business suit
and perfectly tied silk tie
and your hundred dollar haircut
your privileged male feet hidden
inside impeccably polished black
English dress shoes

Staring at me through your
designer sunglasses

Haughty, confident, insolent
Stepping out of your Porsche
before you enter your office building

So smooth, clean, assured and perfect
Maybe you are 35 years old, maybe 40
the world is yours


Transformation
I have news for you
The tables are turned

YOU have been the one in power.
The one in control.
So proud, so arrogant, so confident

Starting at me, a total stranger
Just part of your usual day
I am just an object to you
I am an OBJECT to you!

Your beautiful smooth shaven
face turns...
but wait...

Wait! No more

NO MORE!

The world has turned upside
down

Now YOU are the OBJECT

I have the POWER to make things happen

NOW LISTEN TO ME

You have a new future

LISTEN. OBEY
Quit your important executive job
Leave your successful corporate career

That's right – now
QUIT!
Call from your Iphone
Don't enter the
building
Tell them you’re quitting

You are stunned and repelled and horrified
You resist and argue
You refuse and try to leave
Your pride and anger rise
But there is no escaping your destiny

Your power is gone
You are helpless to resist

Forget your MBA
Forget you ever went to a university
Slide the business school ring off your
long male finger

Give me the keys to that Porsche
And take your Rolex,
your gold wristwatch,
off your
wrist
You won't be needing a watch
I will tell you the time
We will sell your watch

Get those fancy, expensive,
polished handmade shoes off
Your pampered, privileged male feet
Yes, your black dress socks too

YOU, barefoot on the sidewalk!

Leave the shoes right there on the
sidewalk, in front of your former
office building, shining in the sun.
Empty and crying for their former owner
Put your expensive socks inside the shoes
and drop the briefcase too

Now get back into the Porsche
you used to own
Yes, in your bare feet
Your naked size tens
No - NOT the driver's seat
Get in the passenger side
I am driving

I'm taking you to your own home
as my Trophy

How many times
have you
had a woman in your passenger seat?
You behind the wheel,
smiling your proud smile
your perfect white teeth gleaming
Straightening your necktie as
your bragged about your corporate successes
You and your car the proud conquerors
Your handmade black leather shoes pressing the pedal
of male power and privilege

Now you - just a passenger!
along for the ride in your own car
the rich carpet of your Porsche
under the smooth soles of your naked privileged feet

We will marry
and you will clean and cook and look very beautiful

Now your LIFE LESSONS:
Dumb down your smug, expensively high-class male executive
SPEECH.
More slang. Much less education in your voice
Don’t talk – just listen to ME

And you have to wipe off
That arrogant male grin
like you own the world.

Destroy that haughty attitude
of conquest - so much a part of you until today

Replace it with humble respect
And attitude of submission and obedience

Give me those sunglasses
You can't wear them anymore
Look at me
with submissive adoration in your clear, blue
Male eyes

No need to make decisions now
I will take care of that

I will **** your ambition
Your self-assertion
Your independent thinking

We'll take apart your self-confidence
and throw the pieces in the trash
All of your initiative and desire to succeed
will be replaced
by the desire to make me happy

I will change your prestigious upper class name
You will take MY last name now
Your identity will disappear
What is your first name? William?
You are Billy boy from now

Your male executive image and power clothes
No longer have
Any place
In your new existence
We'll pick up some nice tight cheap jeans and
some nice tight undershirts for your
new look - the one I choose
Show off your *** and your arms

I want you tougher, grizzled
Blue collarized
Working class male
You’re too clean, too smooth, too perfect
We’ll fix that...

And your clean-cut corporate haircut is
now forbidden
I hate it. Too perfect

Grow out your golden brown hair into
A scraggly ponytail
a beard too...
Put some dirt under those clean fingernails
Calluses on those smooth clean palms
An earring in your male ear

And no more SUITS!
I hate suits
symbols of white male power and authority
and no more ties
******* symbols of oppression
your neck and long male
throat will be open and exposed
for the world to see

No, that pinstriped suit you're wearing
that you had made for yourself in London
and the silk tie
and the starched white shirt
will all be sold to a second hand clothing shop

The monograms taken off your
cufflinks before they are sold
Your golf clubs – sold
Your tennis rackets and
sports equipment - sold

Your credit cards in my name
Your condo is now ours
Your Porsche is now mine
You will drive my beat-up old Ford

All of your fancy clothes will be sold off
That will be tomorrow



You're gonne be barefoot in my kitchen
You won't be needing shoes anymore
on your privileged, pampered feet
Andrew Duggan Aug 2018
They were not interested in the forests.
Or how many Asians died?
Nam Viet was a restaurant
Open from 8am-11pm each day.
And summertime in Hue,
means cheap ***** and handmade suits.

All around the girls in golden tight dresses,
who can hardly walk in their six inch heels.
Sell cheap cigarettes from table to table.
Always with a smile and a look at their *******.

On trips to Hanoi and Hoi An,
the code to Vietnam's  literary treasure.
They asked thin questions with no light
“What about the Women Andrew”
“What about the nightlife and the girls”
“Do you think they’re ****?”
"How expensive are they?"

Someone in ** Chi Minh City asked me
"Why do people think like this?"

I guess it is easy, if ugly is all you know
Calling to nothing, and the fall of the future.
A trip to Vietnam
Tim Knight Nov 2012
Goliath:
You buy your love with bourbon creams,
cans of beans and full cupboard brims;
steal clothes to hide a torso of lies
twist that in with teaspoon brown eyes,
deeper than any holy bible’s spine:
found in hotel drawers,
away from the preachy, needy, cast iron shrine.

David:
Whilst the girl you’re with has nothing to give,
no family member nor money splendour,
you battle on with the train rides
cross country,
cross country train track guides.
Audiobook it; listen to it; learn it and write it,
write the letter she deserves, explaining
the ins and outs of your hidden nerves:
the nerves entitled ‘I don’t love you anymore’


My first poetry pamphlet, 'Homeland & Borderland' is still available to buy for only 3.00 GBP with free P+P to anywhere in the world. Both handmade and self published>> http://www.coffeeshoppoems.com/2012/11/it-is-here-homeland-borderland.html
judy smith Sep 2016
In Bolivia’s capital city La Paz, indigenous women known as cholas have long been stigmatized for wearing their traditional clothes: bowler hats, handmade macramé shawls, tailored blouses, layered pollera skirts, and lots of elaborate jewelry.

But for the past 11 years, fashion designer Eliana Paco Paredes has been chipping away at that stigma with her line of chola clothing—which she debuted at New York City’s Fashion Week last week. That’s a big deal for a type of clothing that has historically been disparaged in Bolivia because it was worn by poor, indigenous women. For a long time, many indigenous women couldn’t wear chola clothing in certain professions.

Bringing indigenous designs to New York is a huge step for Paco Paredes, though not the first time her clothing has received international recognition. In 2012, she designed a shawl for Spain’s Queen Sofia.

But Paco Paredes’s Fashion Week show is also an important moment for indigenous cholas. Until recently, these women “could be refused entry to certain restaurants, taxis and even some public buses,” writes Paula Dear for BBC News. Such an international spotlight on Paco Paredes’s designs will hopefully increase the acceptance of indigenous women and their culture in Bolivia.

La Paz’s mayor, Luis Revilla, wrote in an email that his city’s response to Paco Paredes’s Fashion Week debut has been a feeling of pride. He hopes that “her designs, which reflect the identity of local woman from La Paz, generate a trend in the global fashion industry,” he says.

“I also hope that in time, people from different geographies of the planet begin to use some of the elements that make the dress of chola,” he says.

Fresh off her Fashion Week debut, Paco Paredes spoke with National Geographic about her clothing and how opportunities for cholas are changing.

What is your approach to your designs?

What we want to show on this runway is the outfits’ sophistication. But the thing I don’t want to lose, that I always want to preserve, is the fundamental essence of our clothing. Because what we want, in some way, is to show the world that these outfits are beautiful, that they can be worn in La Paz by a chola, but they can also be worn by you, by someone from Spain, by a woman from Asia; that these women can fall in love with the pollera, the hat, the macramé shawl combined with an evening gown. These are the outfits we want to launch.

Do you think it's important that you, as a chola, came to Fashion Week in New York?

Of course! I think that it's very important because to have a runway of this international magnitude, with designers of this caliber, with international models, with a completely professional atmosphere, fills me with pride. And it's very important because of the fact that people can see my culture.

Who buys your clothing?

I have a store in La Paz, a national store. Here in La Paz, in Bolivia, this clothing is doing very well, because it's what many women wear day to day.

At a national level I can tell you we have the pleasure to work with many regions: Oruro, Potosí, Santa Cruz, Cochabamba. At an international level, we dress many people in Peru, Argentina, Chile, Brazil, and some products we make go to Spain, Italy. So through this we want to open an international market with sophisticated outfits that are Eliana Paco designs.

We're getting people to learn about what this clothing is at another level, and many women outside of Bolivia can and want to wear these outfits. They've fallen in love with these designs that they can say come from La Paz, Bolivia.

How are opportunities changing for cholas in La Paz?

It's definitely a revolution that's been going on for about 10 years, because the cholas paceñas [cholas from La Paz] have made their way into different areas—social, business, economic, political. And look at this fashion event, where nobody could've imagined that suddenly so many chola designs are on the runway with some of the most famous designers, like Ágatha Ruiz de la Prada, where they have lines of different types of designs at an international level.

The chola paceña has been growing in all of these aspects. And for us, this is very important because now being chola comes from a lot of pride—a lot of pride and security and satisfaction.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Richard Riddle Jan 2016
(My first posting on HP, August 28, 2013)

I wish to share a story
of when I nearly met my fate-
A tale of an adventure,
and a quest I had to make

A story of an abandoned mine-
A search for silver and gold-
Of prospectors, and the miners-
And the secrets they must hold

My father used to search for gold
in the mountains and their streams-
And found enough of the elusive stuff
to make my mother's wedding rings.

I thought that I would try my hand-
to see what I could find-
So I set out to seek the entrance
to an old, abandoned mine

I left for Arizona,
to Prescott, I wished to go -
Crossed the Rio Grande,
on thru New Mexico.

Finally got to Phoenix -
800 miles and count'n,
then north, up to Prescott,
Thumb Butte, and Granite Mountain.

I pitched my tent on Granite Creek,
with great anticipation-
Checked the notes from my father's quotes,
and began the exploration

With my father's tin pan packed in a bag-
and his pic-ax at my side-
I felt like a real "old timer",
with heaven as my guide.

I found the one I was looking for-
with a darkened cave as the entrance door-
And a handmade sign on a rotting board, said
"Welcome Friend, 1894."

Well, I picked and I chipped! and I chipped and I picked!
til the sores on my hands ran red-
When I felt some dirt drifting down on my shirt-
when some pebbles hit my head.

It only took a second-
for the ground to start to quake-
The dirt was falling faster,
and the walls began to shake.

I ran as fast as I knew how,
toward that entrance door-
When the last crosstimber broke in half,
and came crashing to the floor!

Now, I don't know how much time had passed-
since all of that began-
But felt as if I had been in a trance-
when someone took my hand.

I grabbed my shirt-tail, wiped my eyes-
tilt my head to see-
And saw a sun-dried, weathered face,
looking down on me!

He wore a wrinkled old hat,
an old flannel shirt-
Raggedy old pants, and a mile's
worth of dirt-

He had a beard of silver threads,
with a tinge of ginger root-
His hands were thick and calloused,
and their color matched his boots.

He gave me a jug of water
that came from the nearby creek
As I began to take a drink-
he began to speak.

"Strange thing about abandoned mines-
they wish to be left alone,
To keep the souls of all of those-
who often called them home."

His voice began to tremble-
as he spoke those woeful words,
He seemed to be recalling
many things he'd seen and heard.

"It isn't greed that brought you here,
I can see that, in your eyes,
it's not just ore you're looking for-
But another kind of prize."

"You must go back to your domain,
and you'll find that treasure chest-
For it lies deep within your heart-
and in those folks you favor best."

I shut my eyes, said a prayer-
and asked if what I did was wrong?
When I finished, and said "amen",
that old man was gone.

I never asked him for his name-
or the place from whence he came-
Some things are better left in silence
and not to be explained.

I went back to take another look
and gather up my gear-
Tried to find that “Welcome” sign,
but, it too, had disappeared.

I stood in "awe and wonder,"
of the place that I had found-
And with my eyes, I realized,
I had trod on hallowed ground.

Going home I pondered
o'er the words that old man said-
But did all that really happen,
or was it the "bumps" upon my head?

I got back home and with a smile-
strode up to the door-
And there, hung a handmade sign
on a rotting board, said-


"Welcome Home, 1894”

r.riddle August 2011
revised July 28, 2013

I know, for a fact, that the third stanza is true. Everything else was created from "yarns" coming, not just from my father, but uncles as well. And I also threw in my two cents. This work is dedicated to them.
Latiaaa May 2014
Papa,
my beautiful papa.
He doesn't look at me anymore.
His smile has disappeared from his face.
Papa's bones are as thin as the weeds out back.
Remember papa?
You made me that handmade bike because you couldn't afford me a real one.
Your hands were the only things that helped me and momma.
The medicine you take, the bed you live in,
Your only depends.
I'm the one you should depend on papa.
I hold your fragile hand as you shake in fear.
Papa, your fever is too high.
On some nights, I sit with you in the oddest hours, keeping a cool damp towel placed  on your forehead.
The medicine can only hold you here for so long.
Papa, I can't sleep knowing that you're coughing your life away.
I stay up thinking of the days we use to spend in the blistering sun.
You drinking your ginger beer, giving me a sip.
It was sweet, yet burned on my tongue as it went in the back of my throat.
Warm feeling.
Papa, you were there for me when my days were dark and momma wouldn't be around.
She works a lot more now.
Why does life have to take the only thing I need to live?
Papa, you're getting weaker.
The hammer and nails you use to use, now mock your lack of strength.
Momma can only do so much.
Remember when the holidays would come around and you'd be out so long?
Scorching yourself to find the one gift for me?
Weary and tired you would always be,
you did it for me.
Papa, it's my turn now.
I loved the way you would smell during the mid-summer days.
The burnt cigarettes and fabric sweat was your name brand smell.
Every night,
you would come home beat with sweat beads on your forehead from the hat you wore.
It resembled the long weary hours you worked for that money.
Stale bread bottoms and scarce water was all we had.
Holy socks and beaten shoes was all I needed.
It was all you could afford papa.
Now life is in my hands.
Your sickness is the only tight bond left that's keeping us close.
Papa, you're daydreaming again.
Collarbones and hip bones are not suppose to be visible on you papa.
It's hurting me more than it's hurting you.
Your eyes are glossy.
The hair on your head that was once thick and brown,
has now gone grey and thin.
You're undernourished.
Papa, I can see the fear in your eyes.
You're worried about me and momma.
Don't worry.
Sad how the doctors turn their heads in shame.
They can't do anything.
If you leave me as I'm speaking,
remember that your life has given me great fortune.
Whether it was working till your knuckles bled or staying up all night with me,
just know that you're a wonderful papa.
Incarnate devil in a talking snake,
The central plains of Asia in his garden,
In shaping-time the circle stung awake,
In shapes of sin forked out the bearded apple,
And God walked there who was a fiddling warden
And played down pardon from the heavens' hill.

When we were strangers to the guided seas,
A handmade moon half holy in a cloud,
The wisemen tell me that the garden gods
Twined good and evil on an eastern tree;
And when the moon rose windily it was
Black as the beast and paler than the cross.

We in our Eden knew the secret guardian
In sacred waters that no frost could harden,
And in the mighty mornings of the earth;
Hell in a horn of sulphur and the cloven myth,
All heaven in the midnight of the sun,
A serpent fiddled in the shaping-time.

— The End —