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Ron Sanders Feb 2020
(Glade, World, Master, Boy, Hero)

                                                 GLADE

There is a glacier.
Its blue tongue’s tip just tastes a frozen gorge.
There is a gorge, its walls shattered by cold; a once-green thing that, in dying, birthed a thousand aching fissures. It works its jagged way downhill, round ragged rifts and drifts until it comes upon a little frosted wood.
There is a wood, an island locked in ice.
Within this wood the gorge descends. It wanders and it wends; it brakes and all but ends outside a clearing wet with sun. And there, forking, its bent and broken arms embrace a strange, enchanted glade.

There is a glade.
And in this glade the black bears sleep, though salmon leap fat between falls. Here the field mouse draws no shadow, the eagle seeks no prey; they spend their while caressed by rays, and halcyon days are they. Here rabbit and fawn may linger, no longer need they flee. For in this timeless, taintless space, the Wild has ceased to be. (Outside the glade are shadow and prey, are ice and naked death. There blood may run freely. There the eagle, that thief, is a righteous savage, a noble fiend. But once in the glade he is dove, and has no taste for blood, running freely or otherwise).
And in this glade there nests a pool:  a dazzling, blue-and-silver jewel; profoundly deep, pristinely clear. All who sip find solace here, for this is the Eye of Being. They lap in peace, assuming blear, not knowing it is seeing. And ever thus this pool shall peer:  a silent seer, reflecting on—all that Is, and all Beyond.
(Outside the glade there lies a world where rivers ever run, where ghastly calves in random file revile a bitter sun. East, the day is born in mist. West she dies:  her rest, the deep. And North…North the Earth lies mute. Wind gnaws her hide, wind wracks her dreams. Wind screams like a flute in her white, white sleep).
But in the glade are tall, stately grasses, sunning raptly, spinning lore. Roots render the rhythms, blades bend without breeze, as signals ascend from the glade’s tender floor. (In this wise the glade weaves its word, airs its views. All the glade’s flora are bearers of news). They do not wither with fall, for in the glade there is no fall. They do not bind or wilt or brown—they gesture, spreading the mood, the mind; conveying, indeed, the very soul of the glade. As ever they have, as they shall evermore.
Bees do not hum here; they sing. They fatten the dream. Mellow and round are the timbres they sound, sweet is the music they bring. Birds do not sing here—they play. They carry the theme. Dulcet and warm are the strains they perform. Gifted musicians are they. (All in the glade are virtuosi. They were born to create. Melody, harmony, meter…are innate). Now the performance is lively and bright, now full, now almost still. For, though all in the glade may lean to the light, they must bend to the maestro’s feel.
And yet…there was a day, long ago in a dream, when this ongoing opus was torn. And on that day (so the lullaby goes) the wind brought a scream, and Dissonance was born.
There was a noise.
Moose tensed, their coffee eyes narrowed, their patient brows creased. Bees mauled the tempo, birds lost their place. The grass stood *****, all blades pointing east. There was a crash, and a shriek, and a naked, bleeding beast burst stinking through the fern, fell stumbling on its face.
Moose scattered:  unheard of. Sheep brawled, geese burst out of rhyme. The symphony, forever endeavored to soar sublime, fluttered, plunged, and, for all of a measure, ceased.
The pool was appalled…what manner brute—what kind of monster was this? Furless flank to forelimb, hide obscured by blood. As for its face…it had no face; only a look:  of shock frozen in time, of horror in amber. A deep welling rift ran temple to chin, halving the mask, caving it in. Such a grievous wound…the pool watched it stagger, on two legs and four, thrashing about till it came to a rise. There it labored for air, wiped the blood from its eyes, lashed at illusion, looked wildly round. Beholding the pool, the beast tumbled down.
And there this wretch plunged his thirst, drank his fill, fell back on his haunches.
The pool became still.
The two traded stares.
The glass read his features:  that durable eye pondered the wreckage and probed the debris. Revolted, the pool sought the succor of sky. But that thing remained—that face…in all creation…surely there could be…no other creature so ugly as he.
And he gazed in the glass.
Beneath the surface were…images…swimming in currents of shadow and light. He saw half-shapes and fragments…hideous men, exotic beasts…saw blue worlds of water, saw white worlds of ice…it was all so vague and unreal—yet somehow strangely familiar. Deeper he peered, but, as his mangled face neared, the sun smote the pool and the shapes disappeared. The brute pawed the ground and, dreaming he’d drowned, shook his head sharply and slowly looked round:
There were starlings at arm’s-length, transfixed with suspense, their tail feathers trembling, their dark eyes intense. Fantails and timber wolves, stepping in sync, paused for a sniff, stooped for a drink. Bees, pirouetting, threw light in his eyes. Seizing the moment, the pool pressed its hold.
And the glade revolved.
The freak watched it spin—saw the ferns’ greedy fingers reach round and close in, saw the tall grass rise high in an emerald sheen, swaying to rhythms from somewhere obscene. This place was madness; he struggled to stand, but, weak as he was, keeled over cold.
And the glade heaved a sigh, and the tall grass reclined, in curious patterns once rendered in whim. Far off in thunder the hard world replied, as iced pines exploded and screamed on the breeze. Down bore the sun, a chill just behind. The pool, grown blood-red, fended frost from its rim. Details dissolved in the oncoming tide. The pool dimmed to black. Night seeped through the trees.
Now flora found slumber while, pulsing below, the pool was infused with a soft ruby glow.
Soon birds bearing beech leaves, and needles of pine, laid down a spread and returned to the limb. But breath from the North blew their blanket aside. The wind grew in earnest, the air seemed to freeze.
And the wolf and the she-bear, of contrary mind, abhorring their task approached, looking grim. They sniffed him for measure, then, loathing his hide, growled their displeasure and dropped to their knees.
All night these glum attendants flanked his naked quaking form. The rising moon drew dreams in gray.
In time the man grew warm.

Morning swept through the glade in one broad stroke of the master’s brush, dappling the foliage with amber and rose. The pool was roused by the sweet pass of light. He opened his eye and the glade came alive:  into the whirlpool of life a thousand colors swam, chasing the scattering eddies of night. The magic of morning began.
Bluebird and goldfinch descended in rings, primaries clashing with robin and jay. Dollops of sun, repelled by their wings, spattered anew on the palette of day. Banking as one, the hues struck away.
There was a crowd.
And in this crowd that oddity sat, its chin on its chest, its rear pointing west. Its forepaws lay leaning, upturned and at rest. ***** and blood messed its muzzle and breast. Passed overnight. Or perhaps only dozed…tendril by tendril, claw by claw, the crowd decompressed:  the ring slowly closed.
And the stranger cried out and shifted his seat. His eyes sought his feet—rounding the arches, and topping the toes, the tall grass was questing. The little brute froze.
And the fauna took pause, and the flora went slack. Leaves followed talons, stems followed claws. Hooves tromped on paws as the crowd drifted back.
Not a breath taken. Not a move made. Stillness, like fog, enveloped the glade.
Now the grass tugged his feet, now the sea of jade splayed—left hand and right, the slender shafts reared. Gaining momentum, blade followed blade. The green field was torn till a deep swath appeared. The swath hurtled west, reflecting the sun. A hundred yards distant it died. Once more the grass stood, its tips spreading wide. The swath, born again, repeated its run.
Plain was the message, and clearly conveyed. The newcomer gawked. Confusion ensued.
The tall blades were swayed by the pulse of the glade.
But the swath was not renewed.
Something tiny bounced by. He ventured a peek, barely rolling an eye.
A chocolate sparrow, with pinfeathers black, popped past an ankle and paused to look back. The bird cocked its head, rocked in place, hopped ahead. It fluttered. It freaked. It glared and stopped dead. Vexed to its limit, it burst into flight.
The sitting thing watched till it passed out of sight.
Now a breeze bent his back, picked him half off his stern. The wind, done its best, grew flustered at last. It trailed to the west, thrilling lilies it passed. It wound round the willows and didn’t return.
So the fauna repaired to the live oak’s shade.
A strange kind of stupor fell over the glade.
From deep in the wood came a shape through the trees—a pronghorn, perhaps, or an elk swift and sure. But up limped a moose, a flyport with fur, low in the belly and wide at the knees. Wizened he was, scarcely able to see. Neither vision, nor vigor, nor velvet had he. He hobbled abreast, then groveled or died, his nose facing west, his tail flung aside.
The brute merely glazed.
But the glade was unfazed.
Those long shafts reshuffled. A tense moment passed.
The ominous shadows of badgers were cast. Three left their holes, as if to attack. They pedaled like moles and the stranger jumped back. He stumbled, fell flailing, and, kicking his guide, threw out his arms and tumbled astride. First he stepped on his tail, then he stepped on his pride. The moose bellowed twice and shook side to side while the little pest clung to his high, homely hide.
And the old moose unbent to his knees by degrees. He reeled like a drunk down the path of the breeze. Together they lurched through a break in the trees. And all morning long, and on through the day, both beggar and bearer would buckle and sway. The moose lost his temper, but never his way.
And the wind blew the sun to its deep ruby rest; the scrub, in obeisance, inclined to the west. Their slow taffy shadow in slinking would seem to slip round the rocks like a snake in a dream.
And the sun became a beacon, and the underbrush a stream. The wide Earth took their weight in stride, and the wind named him Hero.

                                               WORLD

When the sun was low the old moose began to stumble, at last limping to a halt beside a swift river lined with stunted pines. He’d half-expected a somewhat graceful dismount, but Hero, dug in like a tick, wasn’t about to let go. The moose knelt until his joints objected, shimmied, bucked, and with a sudden whirl sent the little bother flying.
Hero scraped himself out of the dirt and looked up forlornly. The ancient moose, his good eye gone bad, glared a long minute before hobbling away, his bony **** rocking with dignity, his scraggly tail fighting off imaginary flies.
Hero managed a few steps and dropped, staring in disbelief as the moose disappeared between half-frozen pines. He remained on his knees for the longest time, his jaw hanging, waiting for the moose—waiting for anything to show. At last a ruckus to his left snapped him out of it. His head ratcheted around.
Fifteen feet off the bank, three screaming gulls were dancing on an immense stone outcropping, fighting over a rapids-tossed sockeye. Hero was instantly famished. He wobbled to his feet and stumbled twice wading out, only regaining his balance by leaning against the current while rapidly wheeling his arms. The shrieking gulls reluctantly backed off as he stepped in slow-motion through the rushing water. Hero lunged at the slapping fish, cracked an ankle on the rock, and hopped around howling with both hands holding his shin. One foot was as good as none in the surging water. He went right under. Before he knew it he was being swept downriver.
This was glacial meltwater, so cold he quickly lost all sensation. Hero swallowed a mouthful and surfaced fighting for life; too disoriented to combat the current, too numb to realize his waving arm was striking something solid. That solid something turned out to be a swirling clump of rotted birches tangled up in scrub. He embraced one of these trunks as the mass slammed against isolated rocks, kicked his feet wildly, and somehow hauled himself aboard. The raft ricocheted rock to rock until repeated impacts sent it spinning. Giddy from the whirling and soaking, he clung freezing to the trees, retching continuously while the river roared in his ears. Through spray and tears he made out only cartwheeling fragments of the world.
But then the river was widening, its fury dissipating. The raft was approaching the sea. Hero gasped as the seemingly boundless Pacific swallowed the broad red belly of the sun. And as he spun he was treated to a panoramic, breathtaking spectacle:  the great indigo ocean with its slow traffic of driftwood and ice—voiced-over by the dismal calls of foraging gulls, and broken rhythmically by intermittent glimpses of the river’s rocky banks growing farther and farther apart. Whirling as it went, the dying man’s soul was taken by the sea.

At the 59th Parallel in winter, the Pacific coast plays host to numberless floes and minor bergs orphaned from Alaskan coastal glaciers. Hero cruised into a watery gridlock on a boat of ice-glazed birches, one bit of flotsam among the rest.
The cold wouldn’t let him move, wouldn’t let him breathe, wouldn’t let him think. He lay supine, feet crossed and hands clasped, terrified that to budge was to roll. An ice patina grew over the tangled trees like a white fungus—this growth soon webbed his fingers and toes, speckled his chest and thighs, glazed his hair and face, danced and disintegrated with his breath’s tapering plumes.
Floes and frozen-over debris tended to group with passing collisions; Hero’s married birches bit by bit accrued a mostly-submerged tangle of trunks and branches, all becoming fast in a creeping ice cement. Night came on just as resolutely, until land was only a flat black memory. The raft moved silently over the deep, still accepting the occasional gentle impact. And the floes became thicker and wider in a freezing doldrums; soon the proximate sea was all a broken field of packed ice, bobbing infinitesimally with the planet’s pulse.
Long ghostly strands of fog came striding over the torn ice field. They leaned this way and that, their mourners’ skirts tearing and patching and leaning anew. The ghosts were there to seal it:  their locked fingers and gray diaphanous wings were quickly becoming a wholly opaque descending shroud, its boundaries lost in the soughing wind.
Collisions came less and less. Darkness and silence, breaching some previously impenetrable barrier, began to take up residence in Hero’s chilling marrow. From his very center broke a weak little cry of refusal, of denial, as mind mustered frame in one desperate bid for freedom. His skin, frozen to the raft, peeled right off, and at that his inner brave succumbed. Hero’s smashed head arched back. His face contorted frightfully while the little lamp fluttered and paled within.
A raucous chorus slowly worked its way through the mist. It emerged a few hundred yards off—a tiny, terrified barking, growing in clarity as it grew in volume and urgency. It was a sound beacon. Hero strained eagerly, and when for one excruciating minute the beacon was cut off by a large passing body, was certain death had claimed him. Then it was back, and his heartbeat was quickening. He caught a heaving sound…something was moving his way down a wide tributary between floes. Hero could hear a gasping and snorting, accompanied by a hard slapping and splashing. The sounds vanished. In a moment the raft was rocked from below.
A sputtering muzzle blew salt in his eyes. A cold slimy flipper flapped across his chest and slapped about his face. The fur seal barked directly in his ear. Whiskers raked his dead cheek. The seal barked again.
Back below the surface it slipped. Hero listened anxiously as the splashing sound retreated whence it came.
The seal swam off perhaps a hundred feet and began barking hysterically.
From much farther off came a profusion of answering barks.
The seal swam back to Hero’s raft, circling and calling, circling and calling, while the responders approached en masse.
Now a sallow beam could be seen cutting through the fog. Several more showed vaguely along a plane yawing with some huge, barely discernible object.
A herd of northern fur seals burst into sight, barking madly, beating through the ice. They converged on Hero’s raft, really bellowing now.
Those odd yellow beams came in pursuit, and soon were close enough to eerily illuminate a gigantic wooden vessel parting the ice. The seals barked ferociously. Whenever the vessel leaned away, those nearest Hero’s raft would absolutely howl.
The fog deepened, condensed, crystallized, and then the collective light of a dozen lanterns was playing over a low, listing nightmare. Hero could hear the shouts of many aggressive men, but the waterborne seals, rather than scatter, boarded the ice and redoubled their din, fighting their way onto his quickly mobbed raft.
The sealers hurled serrated spears even as they clambered down rope ladders. When these men reached the ice the seals snapped and gnashed madly, refusing to be dislodged. The sealers lost all composure with the thrill of the hunt:  wielding clubs, spears, and hatchets—sometimes using iron bludgeons or any old utensil handed down—they crushed skulls, dragged carcasses, hooked animals still spurting and bleating. Clinging though he was, Hero was flabbergasted by the way the slipping and scampering men went about their butchery, hacking and smashing more with passion than with precision. But not a single seal attempted to flee—throughout the carnage they barked all the louder, egging on their slayers, carcass by carcass drawing the impassioned sealers to Hero’s ice-locked raft.
It was all so hazy and macabre. Hero’s eyes rolled back, and the next thing he knew he was sitting hunched on the vessel’s sopping deck. Two men were rubbing his limbs while another poured warm water down his back. He looked around in shock. The very notion of a boat containing more than one or two individuals—a sort of floating tribe—was way beyond his ken; so to see it, to have it come looming out of nothingness, was an experience almost supernatural.
He remembered some of those fur-covered men force-feeding him mouthfuls of halibut and seal fat, and he recalled a small group standing around him, shouting words that made no sense at all. After that he had a very vivid memory of their angry little chief repeatedly punching him while hollering one angry little word over and over and over. Hero couldn’t make out his inquisitor’s face, for the large feather-lined hood quite engulfed the man’s head, yet he could see those quick eyes flash as they caught the oil lamps’ light. Finally this man stopped boxing Hero’s ear. He stared hard. In these remaining decades of the tenth century it was fully within his power to administer as he saw fit—he could have ordered Hero’s immediate execution and not a man of his crew would have objected. He hesitated only because there wasn’t a hint of resistance in his prisoner’s pinched and frightened eyes. He leaned forward, studying the wound that all but split Hero’s face in two before grunting, raising his right arm, and yanking down its seal hide sleeve. Attached to the stump of his forearm was a primitive prosthesis consisting of a thick oak cap strapped to the arm with lengths of gut, and, hammered squarely into the center of that cap, a broad, cruelly hooked blade chiseled from a narwhal’s tusk. He held this obscenity in front of Hero’s eyes, traced the face’s deep diagonal rift, and once more demanded his captive’s identity. Hero then vaguely remembered being dragged along a tilting deck and thrown into the ship’s tiny hold. He retained a strong mental image of landing in a place of musty odors and dank projections.
There came a soft scuffling in the darkness, and presently a blind and exceedingly old woman felt her way to his side, mumbling as she approached. Her speech was comprised not of words; it was rather a running gibberish of cooing vowels and clucking consonants. The old woman was as mad as her circumstances; sick with sea and solitude, bedeviled by age and confinement. She sat cross-legged, patting her withered palms up his arm until she came to his face. Her strange mumbling soliloquy rose and fell as her bony fingers daintily explored the newly opened wound. Hero let his head fall back in her lap. A pair of hands like emaciated tarantulas scurried through the filth and tiny bodies until they came upon an old otter’s pelt bag that held her secrets. The woman loosened the bag’s cord and extracted an assortment of herbs, sniffing each in succession. She then scooped a handful of blubber from a bowl made of a previous occupant’s skull, kneaded the selected herbs into the blubber, and commenced gently massaging the wound, clucking and cooing while the black rats watched and waited.
For nine interminable days Hero remained in that cold, stinking compartment, rocking back and forth between life and death. The old woman never gave up on him. She clung to him during his seizures, rubbed his limbs vigorously when his blood pressure fell. She gathered various accumulated skins and, using woven strands of her own long hair, sewed him a multilayered, body-length wraparound with arm sleeves and very deep pockets, working by touch with a needle formed of a cod’s rib. By this same method she was able to fashion a pair of heavily lined snug-fitting moccasins. The old woman made him eat; she masticated the cod and halibut their keepers pitched into the hold, then shoved the results down his throat with a long gnarly forefinger. She called into his screaming nightmares, talking him out of sleep and back into their foul little reality. Together they lowed in the dark, while the keel groaned along and the waves beat time.
At the end of those dark nine days his strength was restored, but not his mind. Once again he was taken on deck.
The vessel had reached a chain of remote wind-swept islands, rocky and treeless, naked except for patchy carpets of hardy grass. These islands stretched far to the west, shrouded in mist. The ship was making for the smallest; just a chip on the sea. When they reached depth for anchorage Hero was hustled into a rowboat and lowered over the side. He looked up, saw two men climbing down by rope. These men positioned themselves at the oars and slowly rowed toward the islet. Seated between them, Hero felt like a man being led to his execution. He snuck a peek. The rowers’ heads were lowered, their features completely obscured by the heavy feathered hoods; they had all the somberness of pallbearers. Not a word passed between them as they rigidly worked their oars:  the only sound was the dip-and-purl of wood in water. Hero looked away. Against his will, he found his eyes drawn to that rocky islet waiting in the fog.
Not a bird, not a sea lion, not a shrub. It was lonesome beyond imagination.
Upon landfall one of the men used a spear’s point to **** Hero ashore. While his companion steadied the boat, he removed a skin sack full of half-frozen halibut, followed by a few armloads of precious tinder. These articles he tossed at Hero’s feet. He resumed his place at the oars and, without looking back, used the blunt end of his spear to shove off.
Hero watched the boat moving away, watched the men climbing their ropes, watched the boat being hauled aboard. As the mysterious vessel receded he saw a number of those silent men standing at the stern, stolidly returning his stare. Their hooded forms grew smaller and smaller, finally becoming indistinct. The vessel was swallowed up in fog.
Hero looked around, at a desolate world of rock and drifting ice. In the sunless pools at his feet a few purplish, flaccid sea anemones were waving in a sickly phosphorescence; along the rocks ran a tattered quilt of wild grass and lichen. It was the end of the world. He began to pace in his anxiety, only to crumple bit by bit inside his furs. At last he just sat with his face in his arms and wept. When he could weep no more he raised his head and opened his red, swollen eyes.
There were gulls all around him, staring like statuary in a madman’s garden. Standing in their midst were auks and puffins and murres, absolutely spellbound, unable to lean away. The silence was broken only by a wild, fitfully pursing wind—a wind that seemed, eerily, on the verge of producing syllables. And on that wind a flock of terns was rising slowly, their beady eyes fixed on the lone sitting man. The terns watched as he trembled, and banked as he swooned.
Then, beating as one, they threw back their wings and blew into the sun.

There was a blaze.
Behind that blaze a pair of black, bug-like eyes met his and immediately withdrew. A man wrapped in caribou hides stood abruptly, drawing angry swarms of sparks.
The Aleut peered queerly into the icy Pacific, his craggy profile merging seamlessly with a jumble of rocks showing just beyond his shoulder. The man was very tall, closer to seven feet than to six, and thin almost to emaciation.
He was also a mute. Soon enough he would display a talent for communication through gutturals, but now his body language spoke louder than words. It told the shivering stranger that he was not only disliked—he was feared.
The islander removed the hides he’d piled on the sleeping man. He produced a bone awl and strategically pierced a caribou hide, draped the hide over the old woman’s handiwork, and ran a cord of tightly woven tendons crosswise through his made holes, knotting it at the bottom to create a kind of cloak. He then killed the fire, heaped wood, fish, and remaining hides into Hero’s arms, and led him to a tiny cove where his long skin canoe lay in the grass. This was not the one-man kayak used by his people for centuries, but an actual canoe modeled on the graceful vessels he’d observed under the control of northern coastal tribesmen. After dragging it into the water he perched Hero in the fore, placed the cargo in the middle, and stepped into the rear like a gaunt furry spider. The Aleut dug out a paddle and began pulling with smooth strokes of surprising muscularity, his black eyes trained on his quiet companion’s back.
So began their long island-hopping journey. They stepped the chain one stone at a time, living off the sea. But much as the islander disliked Hero’s vapid company, it was not in his nature to proceed expeditiously; his people, remote as they were, had learned to count not in days but in generations. Given this, the Aleut took his time. He showed Hero how to build shelters of skin and gut; during bad weather the two would sit on an island in utter silence while rain hammered on their stretched seal-intestine window. And one very clear night he pointed out constellations while attempting to demonstrate, using broad gestures, just how the brighter heavenly bodies were in perfect alignment with the Aleutians. Hero followed his guide’s gestures as a pet follows its master’s movements and, like a pet, soon became bored. The Aleut did not grow flustered. He grew ever more wary:  behind that granite, weather-beaten exterior squirmed a very primitive imagination. Superstitious as he was, the Aleut was almost certain Hero could read his mind. So one time, and one time only, he threw a searing look at the back of Hero’s bowed and listing head. After a long minute of vigorous thought-projection he shifted his gaze aside. The brute appeared to feel this shift, and gently turned his head. And both saw the ocean break rhythm, and watched as otters and sea lions surfaced, noted their progress, and slipped without tremor beneath the waves.
In spring the fogs lifted. The grimness gave way to serenity, a generous sun buttered the dappled sea. On the islands grass grew lushly. Wildflowers leapt on the color-starved eye.
And one day the islander’s nape itched. He turned to see a flock of arctic terns casually tracking them under a gorgeous, white-plumed sky. As the day progressed the terns came drifting high overhead, slowly but surely taking the lead.
The Aleut squinted against the sun. He’d never known these birds to pursue a westerly migratory pattern—the terns were distributing themselves into a rough wedge shape, much like geese on the wing.
For a while he let the flock be his guide. Then, to test his stars, he cunningly steered his canoe north. At once the wedge disintegrated. Not until he’d lowered his eyes and pulled purposefully to the west did the disrupted pattern reassert itself. He peered up timidly. The wedge was now in the shape of a perfect arrowhead.
Just so were the fates of mariners and aviators inextricably entwined. At night, once the Aleut had landed his canoe on the nearest pearl, the terns would light in a quiet circle and remain until sunrise. As the Aleut and Hero took to sea, the flock would quickly form that same authoritative pattern.
In time the Aleut paddled his companion clear to the westernmost islands of the Aleutian chain. His people had dwelt, even here, a thousand years and more, but no contemporary islander knew for certain what lay beyond. Legend told of an enormous land mass forever gripped by cold, where a cruel people waylaid innocent seafarers for barbaric sacrificial rites.
So here the islander paused. But even as he vacillated he noticed the terns were veering south.
If the Aleut had been able to curse aloud he would have been vociferous. He was being compelled to follow an even less desirable course—that of the unknown open ocean. Now he looked upon his passenger’s hunched back not with fear but with loathing. He took a deep breath, rolled his shoulders, and defiantly continued west. The wedge broke up immediately. The terns dive-bombed the canoe, whirled around the windmilling Aleut, tore skyward and hovered determinedly. Something huge broke surface behind them, but the Aleut was way too frayed to turn. He dropped his head, a beaten man, and began paddling south. Little by little the birds returned to formation.
The tiny canoe had no business going up against the mighty Pacific. It would soon have been swallowed and smashed, had not the terns veered in close formation whenever the distant sea appeared too rough. Once he’d lost his bearings the Aleut religiously followed their serpentine course.
The days began to warm.
Now the sea’s bounty all but leapt in the canoe.
It seemed the Aleut was forever catching the finest currents, practically sliding down a corridor entirely free of peril. In this manner he was able to safely navigate waters no such craft had mastered before.
They were proceeding south by southwest, awed children of a plenteous, generous sea. The going became easier by the day, the ocean heavier with cod.
Nights the Aleut drifted comfortably, but a lifetime of wariness made him wake off and on. He’d slowly rise to find Hero sitting quietly under the stars, and soon he’d see, pallid in moonlight, a large body neatly pleating the ocean’s surface. The shape would precede them a while, only to vanish without a ripple.
All this strangeness kept the Aleut’s heart in a whirl, though he took pains to maintain his poise.
To allay his fear he kept a flat black stone planted squarely between them. It was his oldest treasure; an oddity he’d taken off the body of a mauled Tlingit woman when he was a child. Who she was, and how she’d come by the stone, were mysteries far beyond him, for no such piece had ever been known to Aleut or Inuk.
The stone was smooth and had been worked perfectly round. Bright yellow specks were scattered about its dull black face.
Long ago someone had etched a quaint and clumsy rune on that flat black surface—it was the crude, universal symbol for sun:  a broad circle surrounded by several rays. When the stone was rubbed against a pelt it possessed the curious property of growing quite warm and bright in the rune’s grooves, while the surface remained cool and dull.
This stone, both friend and overlord, had always “spoken to him”. It caused him to become restless when it was time to move on, and allowed him to relax when a destination had been reached. In this way he’d come to the familiar islet and discovered the unconscious little man. Just so:  the stone, he was sure, was responsible for making him “feel bad” as he watched the stranger shiver, and “feel better” once he’d built him a life-saving fire from the small pile of tinder he’d found nearby.
By now, however, the Aleut was wholly disenchanted with his stone, and deeply regretted having done its mysterious bidding. Never before had he been so long from sight of land, and never before had he felt so very, very small. The unimagined immensity of the Pacific was really starting to get to him when, after all their while at sea, a gray, seductive haze broke the horizon. They had reached another chain of islands, an Asian chain, the dark and smoky Kurils. Here a cold current kept the climate cool and foggy, and the chill, along with the prevalence of otter and seal, made him feel almost at home.
But this place gave him the creeps; he was a stranger, a trespasser somewhere sacred. There was a looming quality to the island mountains that made him extraordinarily aware of his transience, his pettiness, his puniness. He grew more and more cautious, sure their progress was being monitored—he could have sworn he saw wraiths in the trees, and wolves padding warily in the brush. The big islands looked on breathlessly. All along the rocky cliffs, thousands of auks and puffins followed the canoe in dead silence, their heads turning simultaneously, their countless tiny eyes peering redly through the fog. As the weeks passed, the Aleut’s anxiety was manifested in tics and sighs, and he’d cringe each time the crimson sun sank behind those black volcanic summits. In his imagination the mountains would rise right out of the sea, as though to pluck him. But the islands, in all their dignity, would always refuse to acknowledge so meek a stranger, and return their eyes to sea. The Aleut would hang his head, and timidly paddle by.
Then for days and days he pulled his weary canoe west—through a strait parting two mighty islands not part of the chain, and thence across a sea that was a warm, enticing bath. Spring had come to the East Asian coastal waters, and the Ainu, alone and in groups, were venturing deeper in search of increasing bounty. The Aleut, absorbed in his thoughts of sweet climate and bitter fate, was unaware they’d been spotted.
This first meeting between strangers of different worlds was a brief and awkward one. A lone Ainu fisherman, seeing the Aleut come paddling out of the unknown, dropped his net and turned to stone. The Aleut, for his part, instinctively froze with his body turned half-away to make the leanest target possible. Their stares locked. Never had the Aleut seen a face so heavily bearded, and never hair so fair. The Ainu began banging on his bronze catch pail. Other fishers soon appeared from the north and south, effectively cutting off the canoe. The Aleut caressed his stone and looked to the sky. The wedge had vanished. He put down his head and paddled for all he was worth.
With the word out, uncountable fishing craft appeared out of the blue and broke into hot pursuit, their pilots determined to force the canoe ashore.
Suddenly they were in sight of land, and the sea was absolutely riddled with watercraft. A train of small boats cast off from the mainland, even as a posse of two-man coracle-like tubs began to surround the battered skin canoe, their inhabitants calling back and forth in astonishment at the sight of these dark, savage newcomers. But the pursuing little coastal men, banging excitedly on the sides of their boats, were not Ainu. They had very straight black hair, prominent cheekbones, and strangely slanted eyes. And their speech, oddly marvelous as it was, was a rapid series of coos, chirps, and barks. Their boats formed a tight semi-circle around the canoe, forcing the Aleut to approach the mainland. The little men banged their boats maniacally, with more joining in as the canoe neared shore.
A bit farther south was a natural harbor swarming with fishing vessels of every description. As the canoe was forced into this harbor, people along the rocky coast began banging whatever they could get their hands on, until the air was filled with their lunatic percussion.
Tiny brown men came running along a soft yellow cliff overlooking the harbor, gesturing wildly. The canoe was squeezed between a chain of tubs and the shore, and, as it slowed, the tempo and ferocity of the banging decreased accordingly. When the canoe came to a halt the banging and shouting stopped. Hero creaked to his feet. The first North American to set foot on Asian soil stepped out shakily.
There followed the profoundest silence imaginable.
A second later it was as if a dam had burst.
Hundreds of hysterical, yammering voices erupted from hundreds of hysterical, clinging men and women. Hero was spun around, jostled about, handed along. He stared into their astounded, pinched little faces, and the sun, pulsing between their heads as he was turned, repeatedly stabbed his eyes. There came an excited outburst and frantic splashing which could only have been the Aleut’s violent demise, and then Hero was somehow limping alongside a primitive fishing village, blindly following a narrow dirt path that hugged the yellow cliff’s base. The warm spring sun caught the dust as he shambled. He rounded a bend and stopped.
Half a dozen children stood in his way, too fascinated to run. A chatter and scuffle rose behind him. He looked back to see that he was now in the midst of a small crowd of these children, and that more were running up with cries of amazement.
A stone struck his shoulder. As Hero turned another glanced off his chest.
A moment later he was being pelted from all sides, and the giggles and gasps had become something wildly unreal. He dropped to his knees in a hail of hurled rocks, covered his head with his arms, and slithered up the path on his belly.
A new voice broke in; an older, authoritative voice.
The children scampered off squealing.
Hero, shaken to his feet, found himself face to face with a diminutive, shouting, incomprehensible old man. The old man threw his arm around Hero’s waist and, jabbering all the while, led him to a secondary path cut into the cliff’s face. This path sloped gently upward over the waves. Together they picked their way to a place maybe halfway up, where the cliff’s face was honeycombed with natural alcoves and dug-out caves. Most of these spaces were used as one-man shelters; a few, cut deeper in the earth, as family hives. Strange gabbing people slid out of these holes like worms, reaching, but the little old man, who was evidently a little old man of some stature, embraced his find possessively and shouted them back inside.
The path narrowed as they climbed.
At its summit spread the upscale end of the neighborhood. Hero was led to a hovel nestled amid dozens of similar hovels, all scattered around a dainty stream wending between patches of stunted vegetation.
The old man’s place was basically a one-room hut fashioned of earth and salvaged boat hulls, with a slender side-yard surrounded by dry, dusty hedges. But inside it was clean and tidy, with rice paper partitioning and, built into the far earthen wall, a miniature stone fireplace. The old man sat his guest in the exact center of the room. There he fed him scraps from his bowl, using long sticks to pluck out bits of fish and clumps of tiny, starchy white pellets.
He studied the brute closely, watched him chew, walked round and round him. He poked here. He pinched there.
And that night he lit a fire on his crushed-shell hearth.
Hero curled up on a mat where the gossip of flames could reach him. Nearby, at his delicate wicker table, the old man sat in semi-darkness, illuminated only from the waist down.
But his eyes were alive. They spat and darted as they reflected the fire’s light, and, when at last they’d begun to sputter, his scratchy little voice came pattering out of the dark, muttering something vile and oddly modulated, sometimes in a whisper, sometimes in a gathering snarl.
Hero feigned slumber, unable to ignore those paired ominous flashes. Still, the room was cozy, and the fire warm, and the play of light and shadow kicked sleep in his eyes.

In the morning he woke in the old man’s side-yard, his head pounding, a rusty iron clamp securely fastened around his neck. This clamp was attached to the outermost link of a crude three-foot chain, and the link at the other end to a long stake driven into eight inches of solid rock. The chain and stake, like the clamp, were hammered of local iron. The clamp was too tight for comfortable swallowing, the chain too short to make standing possible. Hero could, however, spread out on his chest and stretch an arm to a low row of hedges. By parting the tangled undergrowth he had a limited view of the fishing village below, and of the harbor beyond. As the days passed he was able to tweak himself a view-space discernible only from his peculiar vantage. He accomplished this by gently breaking small branches strategically, then guiding their interrupted growth with the utmost tenderness. It was his secret garden.
He had no memory—none whatsoever—of being staked here. Obviously the old man hadn’t set this up overnight. Hero’s mind prodded timidly…how many others had been chained to this spot, and why?
But over the subsequent weeks and months he went beyond caring. Each day was the same:  just after dawn the old man would storm into the tiny side-yard swinging his reed whip wildly. The lashings were savage and unremitting. The old man, except for his eyes, would be mute. Only his whip need speak. And the snap of his reed had but one message:  when you see this whip you go down, and you go down immediately.
The naked savage, scarred head to foot, learned to go prostrate on the moment. Even so, the old man couldn’t resist the temptation to indulge in the occasional good old, all-out thrashing. And after each session he would toss the prisoner a vile mess of dead fish and rotting leftovers.
Hero lived like this for many months, lost in a confused world of pain and anticipation. Perversely, he came to look forward to the bite of that whip, for, whether he flogged him in passion or just for sport, the old man was always sure to make it personal. It seemed their relationship might go on forever.
But one day there was a great commotion in the sleepy little fishing village. Hero parted the leaves and beheld a small train of oblong coaches at rest near the harbor. Large oxen yoked in pairs lolled between the carriages, immune to the clamor around them. There were dark shaggy horses and colorfully dressed Bactrian camels. The horses and camels were tethered in the rear, but were occasionally paraded around the carriages by little men wielding long painted bamboo poles. The whole affair was exotic and mesmerizing, eccentric and profane. Hero watched all day in amazement, infected by the hubbub, though he was totally mystified by the crowd’s fascination on the carriages’ far side.
And late that afternoon he saw the old man come walking out of that crowd, talking heatedly with another man. The stranger was shorter and broader than the old man, with long stringy hair and long stringy mustaches. He saw them climbing the path, saw them crawl inside a hole lashing furiously. They were lost from view for a minute, then popped up big as life. Hero glowed and curled up eagerly as they approached.
The old man and stranger came into the narrow side-yard still arguing. The old man grabbed Hero by the hair and twisted until he was facing the newcomer.
The stranger had oily, porous skin, and a round but grave countenance. His highly slanted eyes were bright and restless. He studied Hero’s mutilated face with keen interest before borrowing the old man’s reed. When Hero scraped at his feet he grunted and returned the reed.
The stranger pulled out something shiny and hefted it in his hand. He then raised his other hand while considering Hero, as though weighing him too. The old man’s eyes glinted, and for an instant his expression became grotesquely servile. The stranger and old man, facing, nodded curtly in unison. The stranger dropped the shiny thing onto the old man’s itching palm. The old man whipped Hero frantically before taking a small ax to the chain. A few hard blows split a link, the broken link was bent back by the tool’s shaft, and the prisoner was at last released.
The old man handed the stranger a short hempen rope. The stranger bowed deeply. He then tied an end of the rope through one of the remaining links and began dragging Hero along. Hero’s hands sought the old man, who kicked and cursed him all the way to the path. The three stumbled single-file to the bottom. The old man waved his arms and shouted hysterically, trotting behind until he ran out of breath. But he got in a final kick and, before he came to a gasping halt, managed to lash Hero once for old time’s sake, and to spit on him twice for luck.

There were five carriages; a long one in the center hitched to four oxen, and two smaller coaches in the front and rear with a pair of oxen on each. The carriages were old and battered, built of splitting wood slats and rusted iron braces. Various hides, spare wheels, and a hundred odds and ends were tied to the sides and roofs. Hero’s new master, using him as a ram, shoved him through the crowd to the long carriage. He hauled him up the single wood step and watched the crowd’s reaction. Children hid behind mothers, mothers hissed and jeered, men spat in that smashed, disgusting face.
Satisfied, Hero’s master twisted the rope tighter and dragged him through the hide flap that served as the carriage’s rear wall.
A strange ruckus began at their entrance.
Inside the carriage were bulky shapes and quirky movements, yet the immediate and overwhelming impression was one of unbelievable stench. Hero, instantly covered with flies, was kicked and shoved down a foot-wide aisle. The carriage’s walls were riddled with black flecks of old dried blood, the floor coated with standing *****, a variety of small carcasses, and some clinging, indefinable slime. But the living contents of this hell were so horrifying, and so unexpected, that Hero at once dropped to his knees. Observing this, master grabbed a whip off the wall and lashed him along the floor.
A number of bamboo cages lined either side of the carriage, each four feet high, four feet wide, and three feet deep. In the first cage to their left, a quadruple amputee dangled in a leather harness in a cloud of flies, jealously gnawing a chicken carcass balanced on his belly. The second cage held a man who had been burned over ninety per cent of his body, and the third a middle-aged woman with no eyes or tongue, her head shaved. The next cage housed a fully grown black leopard, its bright eyes fixed on the horrified newcomer. Then an empty cage, and finally a cage containing a demented man whose long yellow nails were busily raking a face deeply scarred and bleeding.
The first cage against the opposite wall held two girls rolling in their own excrement. Siamese twins unable to part, they had developed a unique method of locomotion, and now executed a three-quarters cartwheel in Hero’s direction, their mangled, severely bitten hands attempting to reach him through the bars. In the cage next to theirs a naked dwarf glowered menacingly, his eyes following coldly as Hero’s master shoved him down the narrow aisle, occasionally pausing to lash a cage. The hissing and howling increased as each prisoner beheld the new neighbor.
The third cage held an intensely sick adult Bornean sun bear, so confined it was entirely unable to move. Its hide was a patchwork of scraggly fur and grayish skin, glistening with odd eruptions. It rolled its sunken eyes in Hero’s direction, its muzzle twitching feebly.
The next cage contained a man who was frightfully diseased. Broad fungal patches covered his face and limbs, terminating in waxy folds that dangled like a rooster’s wattles. Welling sores spotted his chest and back. His eyes were bugged and sallow; his lower lip drooped below his chin. He barked wetly at Hero’s passing legs.
The second-to-last cage housed a rare, completely hairless Chinese albino, and the last cage a very tall, skeletal woman. The albino snapped at Hero while repeatedly banging his head against the cage. The woman hissed and coiled like a snake, her spine arching amazingly.
Master hauled Hero to the empty cage on his left, swung its door open with his foot, and forced him to his knees by pushing down with all his weight. He kicked and punched until Hero had been squeezed inside, then shut and secured the wide bamboo door.
Master inched his way back down the carriage, hammering the **** of his whip on each cage as he passed. There was a glimpse of daylight as he lifted the flap.
Once he’d departed, the carriage grew eerily silent.
Hero cautiously turned his head. Less than a foot away, the black leopard was frozen in place, one paw waving hypnotically in his face. The beast’s fangs were bared, its ears straight back, its eyes glistening. Hero turned ever so slowly, until he was looking into the eyes of the demented man in the final cage. The man cocked his head quizzically. A second later he was screaming his lungs out in a bizarre downward spiral.
At once the carriage erupted. The freaks shrieked and scrabbled, the leopard spun in place. Directly across the aisle, the albino hurled himself against the bars of his cage. He batted his face with his fists, threw back his head, and just howled and howled and howled. The snake woman curled even tighter, her long scrawny legs entwined behind her head.
Hero sat with breath held, absolutely silent, absolutely motionless. He very, very slowly closed his eyes.

Later that night the flap was flung high. The menagerie came alive as master, weirdly illuminated by moonlight, slowly made his way down the aisle carrying a skin sack oozing blood. He stopped at each cage to toss in a dying chicken and a handful of smelt.
When he reached Hero’s cage he looked down thoughtfully.
He extracted a quivering chicken and held it above the cage so that blood dripped on the brute’s deeply pleated forehead. Hero lowered his eyes. Master’s face darkened. He smashed the bird against the cage, over and over, a vein throbbing in his temple. Finally he hissed and displayed the limp chicken high over the albino’s head. The albino yelped and kicked, thrusting his hand up between the bars and jerking it back to lick away the blood rolling down his forearm.
Master eyed Hero coldly before pointedly dropping the chicken into the albino’s searching hands.
Master hissed again. He slowly made his way out.
Soon there was a commotion outside. The carriage rocked a bit before settling. Hero, turning in his cage to peek through a rift in the wood, saw horses being urged forward. He could hear men shouting. The carriage rocked again. He looked up and saw the gibbous moon suspended in mist. For just a second something wedge-shaped cut across its soft white face.
But then the oxen were grunting, the wheels had been freed, and the horses drawn abreast. Master’s lash spat left and right, and the show proceeded…west.

                                              MA­STER

She was very round and very small, with very short, very shaggy black hair. Her arms bore the scars of numerous bites from beast and man, and around her neck ran long wheals from a particularly savage owner. Hero, having spent the better part of the morning watching master storm in and out of a strange screaming house, now watched him drag the little round woman through the dirt. For a while he listened to the song of his master’s lash, waiting for the woman to break. But there was never a whimper.
It had been a difficult transaction for master, and an altogether difficult morning. For hours he’d paced up and down the main carriage, alternately murmuring affectionately into, and lashing at, each cage he visited. The sun bear, long dead and stuffed, had been taken outside for barter. It had soon been returned.
Master had lingered over Hero’s cage for a good while, staring critically. He’d begun shouting, and three of his men had burst in through the flap, unlatched the demented man’s cage, and dragged him out by the feet for trade, master personally stomping on his torn and groping hands.
And now master was kicking and shoving the little woman down the aisle as his men restrained her by the hair and throat. Upon master’s command these men stripped her naked and commenced pinching and slapping while making threatening faces and mocking noises. The freaks sat right up in their cages.
The woman looked as though she’d fainted:  her arms were lax, her eyes rolled up. Her whole face seemed to purse, and her body, head to toe, began to run blue. Her fingers quivered, arched, and clawed—the woman was self-asphyxiating. Master fairly leaped with delight while the cages rocked around him. He had the men slap her awake. Once she was fully conscious they stuffed her into the demented man’s old cage next to Hero’s.
Master then looked in eagerly, one to the other, his hands balled into fists. The woman buried her odd round face in her forearms as she squeezed herself into her cage’s deepest corner. Hero gazed indifferently and went back to his peephole.
Master exploded. He smacked and kicked the cages over and over, swore up and down, ran the shaft of his whip back and forth against the heavy bamboo bars. Eventually he calmed somewhat. He stared coldly at Hero, made a ***** smile, and spat right in his eyes. A tense minute passed. Master slowly made his way outside.
Hero automatically relaxed. Across the aisle the albino ****** his face between his cage’s bars to sniff the newcomer. The leopard, bobbing rhythmically, emitted a high-pitched squeal that gradually descended to a steadily throbbing growl.
Hero looked the stranger over. Once she’d lowered her hands he saw that her eyes were crossed, her jaw slack, her face as round as the full moon. He looked closer. There were scars all over her throat and arms:  plainly, the small round woman had been treated very badly. Hero instinctively slid a foot between the bars; the woman cried out and scrunched even deeper. Across the aisle the albino quickly extended an arm. Without knowing why, Hero turned on him. The albino flinched, his eyes tearing into Hero’s. A second later he was stamping his feet and grinning wildly. Hero went back to his peephole.
Next morning master and two of his men dismantled the bamboo walls separating Hero’s and the woman’s cages. They bound the frames with broad leather bands, making a single cage of the two.
A common door was fashioned and secured. Master used his broad blade to shear away Hero’s rags. The men hunched around the long cage expectantly.
The naked couple backed away. Master was instantly exasperated—he shouted, lashed furiously, stamped and screamed, jabbed a broken shaft between the bars with malevolent intent, whirled and hurled the shaft at nothing. The carriage’s inmates went out of their minds. At master’s bellowed command a man scurried outside, returning with a long rope of woven leather strands. Master opened the cage and, applying all his weight, pinned Hero and his new mate in an awkward embrace while his men tied them together.
Again master and his men bent over the long cage to watch.
When Hero realized his predicament he made a desperate attempt to reach his peephole.
The men, misreading his struggles, babbled and cheered, but master threw up his hands. He then, through gesture, ordered his men to drape a number of hides over the long cage. Once these hides were in place he very quietly bent to one knee and placed an ear against the cage. After a while he cursed and rose to his feet. He shook the cage and stormed out, whipping and kicking the howling inmates.
In the semi-darkness the man and woman quit fighting their bonds.
A muffled patter began on the hide-covered roof.
Rain, as always, had a calming effect on the carriage’s occupants, causing the freaks and beasts to slip, one by one, into lethargy or slumber. Under such a spell, the attainment of master’s goal was inevitable.
It was a coupling both innocent and vile, without passion or celebration. Occasionally the freaks would surface, register their excitement by shrieking, shaking their cages, or otherwise clamoring…but very quickly the air would stifle them, weighing their heads and confusing their impulses. The atmosphere grew heavier by the minute. And, when night rolled over the carriages, the rain came down in sheets.

Leaning ******* the woman’s cage, master slipped his gnarly hand between the bars and slowly rubbed her belly in a counter-clockwise motion, his sinister features soft in the candle’s light. And he told, in nonsensical cooing whispers, of a lovingly secure and impossibly prosperous future.
How large and promising that belly had become! And how wise was he, the cunning and aggressive master, in his far-reaching business decisions. He turned his affection to the motionless gaping brute; stroked the battlefield of its face, tossed in another lizard. Master rubbed his palms together. From now on it was extra lizards daily, for both the woman and her mate. He remarked, with only passing interest, his star player’s continuing indifference. They didn’t know each other, didn’t need each other.
There’d been months of shows on the road now, broken only recently by this sensible rejoining of the mates at conception.
Hero’s horrible disfigurement was unquestionably top draw; he was a guaranteed crowd pleaser at every stop. So now master looked him straight in the eyes and smiled. He held the reeking candle high. The carriage was absolutely silent. Master smiled again, rose to his feet, tiptoed away.
Hero watched him retreat until the flap had fallen. He returned to his peephole, saw master round the rear of the carriage and slowly crunch by. For a time he could see nothing but the half-shapes of junipers bathed in starlight. There was a tentative movement to his right and a large shape came to obstruct his view.
The horse stood for a minute in profile. It slowly brought its head to rest against the carriage, applying its eye to the peephole. Hero froze. The two remained fixed, eyeball to eyeball, while a breeze played odd tunes on the outer wall’s hanging paraphernalia. The horse’s big dark eye rolled nervously. A long moment passed. Slowly the horse backed off. It stood uncertainly for a while, staring at the peephole. Then it quietly moved away.

Master kicked the cages one by one, left hand and right, as he slowly made his way down the aisle. Into each cage he delivered a personalized warning in passing—a growl, a hiss, a bark—but he was quickly losing control. Animal electricity hopscotched the carriage, cage to cage, ceiling to floor, front to rear and back again. Master froze. Much more of this excitement, he feared, could seriously agitate the woman—with grave consequences for master.
She was splayed on her back, in labor’s throes, her ankles and wrists bound to the long cage. Hero had been removed to give her room, and now sat hunched atop the snake woman’s cage, two men holding him by the throat and legs.
Master gnashed and snarled, listening to the woman scream, watching her stupid round head bounce up and down and back and forth. He knew it! He’d been suckered, hoodwinked, scammed—ripped off like a common rube. The woman was too ******* to handle even something as natural as childbirth. Still…it was too late to second-guess himself—all these months he’d been patient—he’d been supportive and vigilant and now he would not be denied. He flogged one of the men to alleviate his tension.
The blue lady was very slowly, very dramatically arching her spine. Master wiped the sweat from his eyes. When the bars were pleating her big round belly, her shoulders began drumming on the straw-strewn floor.
Master screamed one very colorful expletive.
A razor silence came over the carriage. Not a body moved or breathed.
At last two men tiptoed around their purpling master and leaned into the cage. One obediently ****** a foot between the bars. He pushed ******* her right knee while using a hand to grip the left knee, spreading her legs wide. The other man drew a broad leather strap between her teeth. After lifting the woman’s head he pulled the strap behind her neck, knotted it to make a gag, and yanked a skin sack over her face. He looked up anxiously. Master licked his lips and nodded. The man made a fist and frantically punched the woman’s face until her muffled screams ceased. She moaned gently throughout her contractions.
Master genuflected, brought a spitting candle in tight, and took a deep breath. As he raised his hand the candle’s light bounced off his knife’s chipped and scored eleven-inch blade. Master swore and reached down carefully. He flicked his wrist twice and the menagerie went mad.

The child was a tremendous disappointment.
Master had eagerly anticipated an infant ******* and deformed; something embracing the best qualities of its parents. He had even designed a special cage that could be expanded by degrees as the spawn developed. There also remained the tantalizing option of a family display, though such an undertaking would require the eventual construction of a structure even larger than the cage its parents now shared. Master anguished over the logistics, knowing it would break his heart to have to cut one of his jewels’ throats just to make room for a growing child. Nights he would slowly pace the carriage with all the possessiveness of a jealous suitor, one hand maneuvering a sputtering candle, the other tenderly rapping his whip’s **** against each visited cage.
But the boy was a flawless specimen; a beautiful, undemanding baby. From the moment master angrily tossed the placenta he felt cheated, even betrayed. He grimaced as it peaceably took to its mother’s breast, despite the surrounding horrors. Master hated it, immediately and entirely. The ****** thing was so docile it was almost charming. He drew his knife and was just reaching down, when an overwhelming sense of dread shook him like a rat in the jaws of a mastiff. Sweat poured down his squat, pig-tailed nape. He knew he would live to regret it, but decided to not cut the child’s throat right away. It was the oddest feeling. His knife hand had trembled for the first time in his life, and he had found himself momentarily contemplating right and wrong at the outset of a perfectly simple and commonplace procedure. That was it, then. His business instincts were letting him know there was a good, albeit unknowable, reason to let the sweet baby live. Master left the carriage anxiously, muttering in his ambivalence.
The boy grew to embody his worst expectations. Not only was it a poorly oriented child, clinging to its father rather than its master almost from the moment of weaning, but it soon proved a lousy draw with the patrons. Those who paid to view the child dangling in its special cage inevitably departed unsatisfied, some vocalizing, strangely, an acute sense of shame. So once again master entered the carriage with his knife hand steady, and once again he exited trembling, his heart in his throat and his soul in a whirl. He whipped the dwarf savagely before leaving. What place conscience in the mind of a businessman?
Soon as the boy could walk, master put him to work fetching and feeding. But the brat was slothful in his chores, preferring to hang around his family’s cage while staring wistfully at his father. For their part, the parents were wholly disinterested. Master would fume while Hero gazed for hours out his peephole—even as the mother lolled, perpetually ill. Sometimes that accursed woman’s condition riled poor master to no end. She could teeter at death’s door for months at a time, her body changing hues to the fascination of customers, only to bounce back with a hardiness that was of interest to no one. But at the peak of her performances the blue lady could really hold a crowd. Master produced an entire outdoors extravaganza around her:  within concentric rings of raging torches his men would slowly strip her naked before wild audiences, then allow the dwarf and albino to take her while the leopard strained against a gaily festooned chain. Master circulated his crew through the crowds to encourage his patrons’ cult-like behavior of breath-holding and fainting. No getting around it:  the customers were crazy about her—village to village, master’s Bactrian vanguard’s colorful robes shouted her approaching fame. And Hero’s popularity continued to soar. Many were the nights when master, pacing the perimeter, wondered just what devilry could have produced the lovely boy.
Overall, Hero remained his master’s favorite conceit and hottest property. Part of the little brute’s appeal was, of course, his exoticness. And certainly the ugliness arising from his deformity was compelling…but there was a detachedness about him that fascinated every soul with a fistful of copper cash coins. Whether they ****** him, cudgeled him, or spat in his face, he remained unflappable, staring only at the aching sky. Though many would leave uneasy, master noted with deep satisfaction that they almost invariably returned.
The boy soon evinced an amazing affinity for animals. No matter how agitated an ox or horse became, the child could pacify it with one hand on a lowered brow. This was a source of endless fascination for the crew. Wagers were made. The boy was pitted against oxen whipped to a frenzy. But they would not harm him; they would rather go prostrate and take the lash. Master tried to work this knack into a viable act, but his patrons just weren’t buying. They wanted freaks.
When the lad was a mere five years old, master had him trained in the peripheral art of the pickpocket. The boy worked well alone, and had all the makings of a fine little flimflam artist. Master sighed, his chronic nightmares a thing of the past. As ever, his business instincts were guiding him well.
Then late one afternoon he found the boy squatting outside his parents’ cage. The boy had done the unthinkable:  he had deposited his day’s pickings at the feet of his father instead of bringing the ***** to master. Master flew into a rage and raised his whip to give the little traitor the lashing he deserved. But before he could deliver a single stroke his other hand shot to his chest and he staggered back against the albino’s cage. He blinked down at the boy, who regarded him steadily while scooping the plunder into a little pile.
From that day on the boy placed whatever he could get his hands on at his father’s feet. As time passed he became ever more adroit at thievery, growing into a youngster both admired and despised by master and his crew; admired because theft was a cinch for him, despised because they were all that much lighter in their possessions.
Now, for eleven long years the strange little train had bounced along, sometimes camping outside villages for months, occasionally pausing on connecting roads. The show traversed the heart of Manchuria, skirted the Gobi in the north, and so eventually crossed almost the entire width of Mongolia before proceeding north to the confluence of the rivers Yenisey and Ob’. Much silver and copper had come to master’s coffer, much fame to his name, but he now sat looking over a vast, unmapped Siberian wilderness. The mostly nomadic characters they’d been encountering spoke in tongues unfamiliar even to his personal valet-translator-accountant, and the tone of these nomads had been unmistakably hostile.
Master huddled surlily under a canopy of sopping hides. Night was falling hard during a merciless rain, the wind was picking up, and his supplies coach was bogged in a growing sea of mud. At that moment he accepted the whole end-of-the-line concept, and knew he wasn’t going anywhere but back. And when he got back he was going to shine! He jumped from the coach.
The earth took his weight for a heartbeat—and he was up to his chin in muck, splashing about on his hands and knees, sliding forward on his palms and toes. He did a belly flop into a rain-filled depression and churned to his feet with the devil in his eyes. Wallowing in mud and bile, master stomped to the supplies coach and kicked wildly at the stuck rear wheels.
Somewhere between kicks he lost it completely.
Master broke for his whip. One minute he was blindly lashing his men, the next he’d succumbed to a mindless ferocity. He thrashed about like a berserker; whipping the beasts, the coach, the very night. His men were scarcely able to move in all that mud, but their dread of his savagery kept them hopping. They gathered as one and shoved the coach recklessly; slipping, splashing, shouting. A minute later, three lay splayed underfoot, but the mired wheel had been freed.
Throughout all this the oxen had swayed nervously, while the horses softly tramped their hooves in place. Master had his men turn the oxen about until the rickety train was pointing dead east. He checked the hitches and personally applied the lash. The oxen didn’t budge. Master swore and wiped the rain from his eyes. He had the horses hitched ahead of the oxen, but they were even less obliging. Master flew into a spectacular rage. His men, fearing for their lives, ran liberally with the lash.
The swaying of oxen picked up until the entire train of carriages was rocking. Yet the oxen could not, would not be compelled, under any amount of prodding, to take an eastward step. Master looked around in exasperation.
The night had gone insane.
Horses were fighting hitches, oxen walking on fire.
Master cursed the rain and mud and lashed all the harder. His men, seeking to please, whipped maniacally until the horses and both lead oxen broke their hitches and bolted west. The men immediately embraced the rear oxen, but the hitches shattered and the beasts stormed off. The remaining horses blew it, kicking at everything and nothing.
Inside the long carriage all was chaos. The albino was neighing and screaming, the aged leopard spinning in its cage. Hero stared out his peephole, amazed at the blur of figures stumbling by in the rain.
A pair of clopping blows rattled the opposite wall. Three slats cracked. A tremendous impact, and a huge section collapsed. A thrashing, hysterical mare burst through the breach in a veil of rain.
The horse went mad, killing the albino and snake woman in a flurry of hooves. She fell ******* the near wall, crushing the cages. The leopard shot into the air like a rocket, slashed at the mare’s throat and vanished in the rain. The horse reared above the family cage. She was just coming down in a wheeling storm of hooves when something made her freeze. Her stare locked with Hero’s, and a second later her eyes were rolling in their sockets. The mare kicked crazily and came down ******* her left flank, smashing the long cage’s side. She whirled upright and leaped outside.
For a tense minute the family sat in the rubble, rain bombarding their eyes. Nothing in their years of captivity had prepared them for such a situation. But by the end of that minute the son had taken full command. He rolled onto his back, braced himself, and kicked his parents across the aisle, through the remnants of the opposing cage, and out of the carriage. They all fell about in the mud and rain. To the west, the mare stared back strangely as she splashed into the night. The boy wedged himself between his parents, threw his arms around them, and pushed with all his might. Their bodies found a common center of gravity. Fumbling drunkenly, the family staggered through the rain in the wake of the mare.

The boy was the natural leader.
Master’s innocent-looking little ex-student could quickly assess and exploit almost any situation. He did the foraging and the figuring, slept with one eye open and one fist ready. He got what he wanted by charm or by stealth, slipping off at nightfall, returning at daybreak with small slaughtered animals and chunks of dark peasant bread. He also pilfered any bauble or oddity he could get his paws on, to be placed reverently at his father’s mangled feet. Breadwinner and watchdog, he faithfully held the family together; a nuclear son. He sewed hardy feather-lined cloaks of reindeer hide, and turned a cache of marmot pelts into a kind of side-slung backpack. He was doting nurse during his mother’s episodes, and unbending apportioner of calories in lean times. Dauntless when it meant crossing mighty rivers, relentless when it came to finding mountain passes. But the endless marching, the unreliable diet, and the countless predators made the three wanderers lean, haggard moving targets. There were times when the little lamp of family was all but extinguished, and long stands in places that seemed absolutely impassable. Still, the boy would work things out. He would stoop to any level to feed Hero, and for a stranger to threaten his father was to summon a psychotic, unyielding monster. He was both spear and shield.
The toughest job of all was maintaining a tight unit, meaning he was forced to become a hard-nosed ******* whenever his father was ready to wander off, which always seemed to be whenever the mother was hurting most. She’d become a tremendous impediment to Hero’s compulsion, and therefore her son’s chief nemesis. It wasn’t a big-picture concern anyway; the writing was on the wall. The blue lady’s attacks were increasing spectacularly on the steppe; her world had always been an enclosure of some kind, and the great horizon was proving just too much. Perhaps these intense affairs served as links to Hero’s suppressed memories, for at the onset of each attack he’d turn and hike, and then only exhaustion could curb him. The boy would press his mother on, dragging, shoving, and smacking—he could be mean when necessary, and though circumstances had made him the nucleus, their worlds unquestionably revolved around Hero. Where he sat, they sat. When he rose, they did the same. In this manner they marched for years across the vast steppes, single-file—father, mother, and son, respectively—unmolested, lacking possessions, always following the sun. Long before they could be measured they had drifted into obscurity.
The woman’s end came quickly and dramatically, in a rocky little depression on a half-frozen field. One moment she was responsive to her son’s prompts, the next she was flat on her back, her eyelids fluttering. That night she leapt from fever to chill, from alertness to stupor. The boy, squatting beside their campfire, watched her face and hands run cadaver-blue to fish belly-pale and back again. While he was staring her eyes popped open and her hands came scrabbling. He sweated through the clawing embrace until he could bear it no longer. He oozed out and ran down to fetch his father.
When they got back Hero watched incuriously for a while. His mate’s face was scrunched up and her skin the color of sapphires. She wasn’t breathing.
His gaze became glassy, his eyes returned to the night. As he rose the boy immediately grabbed an arm. Neither moved for minutes. When the boy at last relinquished, his father casually stumbled off.
Strange things were going on in Hero’s world. Some days he would notice how animals regarded him oddly, in a manner that seemed almost personal. He found, for instance, that particular creatures were recognizable even over great distances. A number of times he would sit with one in a stare-down, waiting patiently, until the animal’s natural disposition caused it to bolt. Though the meaning of these encounters was way over his head, he would watch, and he would listen.
In time he noticed an increasing skittishness in some of these familiar creatures. Something had them spooked. He then observed a number of lean gray wolves moving in and out of the picture with an air of complete indifference:  these wolves weren’t hunting; they were loitering—lounging in the grass, lackadaisically padding to the rear, filing by slowly in the distance. Once in a while a lounger would raise its head, yawn cavernously, and drop back out of sight. So unobtrusive was their behavior that even Hero’s ever-vigilant son began to take them for granted. They paused where the family paused, and halted whenever the woman broke down. Perfectly camouflaged by the gray boulders and dire sky, they were completely forgotten in the drama of her passing.
There were other, far subtler events existing for Hero’s senses alone. He could perceive patterns in everything around him; in the manner vegetation gave way wherever his heart was leading, in the way so many animals appeared to be not merely mirroring, but making his course. And wind, rain, running water:  these phenomena had voices. Yet not for everybody. No one—not his mate, not his son, not another soul on the planet could hear this call, for they were all of a sort. They were static, they were temporal. Hero couldn’t have cared less about the lives of his family, or about the mundane goings-on in the encampments and small tribes they skirted. Such beings lived in a world that was defined by the moment. They shouted, they banged, they clamored.
But west—west was music.
For his boy, once again watching Hero shamble off, the moment of truth had arrived. He looked back down, at his mother’s death mask being remade by the dying light of their campfire. As the flames dwindled he could have sworn he saw shadows creep into the wells of her eyes, while others, crawling up around her jawline, drew her bluing lips like purse strings. He hopped to his feet and ran for another handful of tinder. When their little fire provided enough light he dropped to his knees and looked again.
She was sinking right before his eyes, every aspect of her expression in collapse. The boy watched clinically, fascinated. As the flames began to sputter he thought he could see large purple bruises spreading across her cheeks like the seeping limbs of overflowing pools. He bent closer.
From deep in the night came the longest, the leanest, the saddest wail he’d ever heard. He turned to see the starlit ghost of his father, facing away, staring at a low barren hill. Uncountable stars embroidered the spot. The boy made out a low shape moving along the hilltop, cutting off patches of stars as it passed.
The wolf howled again; a mournful, spiraling cry to nowhere and nothing. Hero’s head notched upward. He began to hike.
Halfway to his feet the boy stopped dead.
It took a minute to sense why he’d frozen in place, and a good while longer for his heart to quit pounding. He was aware of a nervous padding, and, once his vision had adjusted, of a lazy stream of eyes gleaming in the dying campfire’s light. The eyes bobbed around him, glared momentarily, returned to the ground.
A massive gasp, and his mother was tearing at his wrist. He watched her hyperventilating, saw her bulbous yellow eyes sinking in a wide violet pool. With a sizzle and pop the last tongue of flame was taken by the night.
Then her clammy hands were all over him, pulling and demanding, caressing and beseeching. He had to pry them off like leeches, had to place them clasped on her shuddering arched belly.
A silky snarl rose almost in his ear.
With a little squeal he sprang to his feet, even as something nearby jumped back in response.
The boy stood absolutely still while the panting thing padded nearer. They stood very close, smelling each other. He instinctively extended a hand, palm forward. But it was no good; his arm was shaking out of control. The snarl rose again, not so tentatively this time. His mother’s nails tore at his ankle.
The boy gently stepped away, only to find himself surrounded by the shifting silhouettes of half a dozen gray wolves. They approached in a calculated manner:  two from the left, one from the right, another from behind. He was being goaded away from his mother; he could hear her fists beating the ground, and a few seconds later the sounds of a nauseating assault and ravaging.
He shakily raised his other hand. Now both arms were extended, and their message was clearly one of defense rather than control. Two snapping wolves stepped aside, leaving him a gateway into the night. A cold wet nose bumped his wrist.
Screaming like a woman, he took off after his father just as fast as his feet would carry him.

                                                  BOY

Alon­g the great Kazakh Steppe a man could wander a lifetime and never meet another of his kind—especially if his kind happened to be Alaskan Inuk, and if he happened to be the teenaged patriarch of a two-man family going nowhere.
Here history is mostly mute.
Upon this continent-spanning steppe, unnamed communities were scattered and rebuilt, lives blown about by the wind. The only centers of humanity a traveler might encounter, far removed from the Silk Road at the very crack of the new millennium, were temporary encampments of civilization at its rudest—shifting holes of cutthroat commerce existing solely for the barter of silk and spices and hapless souls. Life here was revered far less than merchandise, and the longest-lived men were those who kept their distance.
Hero and his boy hiked over permafrost and tundra for years; their meandering course a drunken mapmaker’s scrawl. Chronological entries along this imaginary line would reveal that they’d stopped, sometimes for months at a time, when the father had grown too weak and disoriented to continue. Hero’s internal compass was long-sprung, and his weight had fallen considerably. He’d sit on his lonesome, scarecrow-scrawny, wistfully scrolling a 360-horizon while his boy scouted and scavenged. Then, for no apparent reason, he’d just up-and hike—sometimes northwest, sometimes along a tangential plane that always threatened to spiral. It was brutal:  winters were frigid, summers, by odd contrast, running steamy to baking. Season by season these marches lost their tenaciousness, and eventually their heart. Hero’s obsession was becoming his demise.
Now, to a hypothetical observer, the ratty pair of woolly camels materializing out of the rising August heat might have been mirages.
These beasts were novelties here, and pioneers, for they were way beyond their normal stomping grounds. They’d tramped for months with a mind-numbing monotonousness, a thousand miles and more; round the Urals to the south, and through the hard territory braced by the Volga and Voronezh, avoiding anything that even smelled of men. They’d been wild camels; ugly, ill-tempered, and unpredictable, until the boy tamed them by touch…but this new pattern was a literal change of pace…for weeks the frail little man and his dark teenaged son rose and fell with the animals’ rhythm, lulled by it, sick of it, dreaming of lands far removed from hoarfrost and peat moss. In this manner they were borne clear to present-day Belarus, whereupon the camels’ stupefying march began to quicken. Mile by mile they put on steam, until one day they reached a broad area distinguishable from its bracing terrain only by its many deep surface cracks. Here the camels’ behavior became erratic; they crouched at an angle while tramping, their long necks oscillating, their noses bobbing along the ground. Eventually they came upon a dingy pool nestled in a pebbly depression. The local brush surrounding this pool was situated like iron filings about a lodestone. The boy hauled back his camel’s neck and laid a hand on its brow. The brute slowed to a halt. The other camel imitated its partner, move for move. Simultaneously the animals dropped to their knees.
The boy jumped off, catching Hero as he fell. The camels stood watching stupidly as son maneuvered father, but after a while grew nervous and began tramping their hooves in time. They slowly stepped to the pool’s rim and knelt woozily, their noses poised just above the surface. Their whiskers danced on the pool’s face, their lids became heavy, their hindquarters quivered as they drank. Their nostrils, having fluttered in unison, remained agape. They appeared to be asleep.
The boy began filling skins.
The water was quite warm; he slurped a palmful and almost immediately felt intoxicated.
He flicked it off his fingers; the water was bad.
Three heads were now mirrored in the pool; the camels’ at ten o’clock and two o’clock, the boy’s at six. He watched their reflections continue to ripple, long after the pool had become still. His face, melting and firming, rapidly fluctuated between extremes of age, and between his own recognizable features and those of some…monstrosity. The effect was hypnotic. He felt his joints stiffen; his eyes became weak, his thoughts muddled…his face was irresistibly drawn to the pool’s surface, and for a moment he was in real peril of drowning. He ****** his head aside and creaked to his feet.
Where the camels had knelt were only the prints of their bellies and knees. In the distance they could be seen galloping all-out for the horizon, right back the way they’d come. The boy watched until they were swallowed by their dust, and when he turned around his father was long gone.
Now he knew it was all just a matter of time.
And sure enough, after eleven more days of feebly staggering along, Hero completely ran out of gas. The boy bundled him up in a shawl, like an old woman.
Sitting there, cradling an unresponsive man weighing less than eighty pounds, he couldn’t help but let his morbid fantasies run wild. He was now old enough to realize his father had at some time suffered severe head trauma, and honest enough to accept that the man was rapidly approaching a vegetative state. This understanding accompanied him like a shadow, and that night he questioned, for the very first time, his own convoluted rationale.
He was just beginning to sense that his will was not his own.
He built a semi-permanent camp west of the Desna and foraged in a tight spiral, always returning in a straight line. Some days he came back feeling uneasy, sensing another presence. Then it was every other day. It bugged him to no end. At last, when it became every day, he hauled his father to his feet and began a resolute march to the west.
Again he became anxious, and after only a dozen yards.
He turned slowly while hunching, certain something bulky had just dropped out of sight. Nothing looked suspicious, everything looked suspicious. He walked Hero some more, occasionally peering back over his shoulder. There was…something.
He whirled:  only masses of rock and high brush. Yet, when he really strained his eyes, he was sure, pretty sure, that he could make out a large crouching body continuous with the rocks. Heart in his throat, he began a slow steady creep, only to pause, positive the bulge, whatever it was, had shifted in response. The boy very gradually raised his arm until it was level with his eyes, faced the palm outward, and extended the arm parallel with the ground. He could almost feel some kind of current passing between his itching palm and…nothing. He walked over to Hero, stopped again. There’d been the subtlest sense of traction. The boy propped up his father in a cloud of flies and waited.
In a minute the bulge drew *****.
Out of the brush strolled a furry gray wild ***, her back inclined from countless weary miles; stretching her neck, pausing to nibble, taking her sweet time. Grungy as she was, she fit right in.
At the boy’s first casual step she immediately hit the dirt and remained flat on her belly, one big dark eye staring between her hooves. Another step, and her **** bunched up. The closer he got, the higher her rear end rose. When he was almost at arm’s length she sprang back and danced away, seeming to bound with delight. But not to the east, as she’d come.
To the northwest.
She backpedaled while the boy came on whistling and cooing, matching him step for step. But the moment he threw up his arms in resignation she spun round as though cued, dropped on her belly, and peered over her shoulder.
The boy was first to blink. This time he approached fractionally, keeping movements to a minimum. She rose just as carefully, sauntering northwest in reverse, and at the first sign of hesitation turned, dropped, and cautiously gazed back. The boy glared at that huge mocking **** and broke into a sprint. She easily danced out of reach, plopped down, and continued to stare.
He began hurling stones, with venom and with accuracy, until she’d scurried into the brush.
But on the way back to his father he could feel her tagging along.
Twenty feet behind she halted, looking bemused.
The boy nodded ironically. He walked Hero over, murmuring baby talk all the way, and firmly placed a palm on the animal’s muzzle once her breath grazed his fingers. She stroked his hand up and down with her whiskers, gave a kind of curtsy, and waited on her knees while he helped his father mount.
At Hero’s touch a shudder ran down her body. She stood up straight. Her eyes became set, her back absolutely stiff. She put down her head and began the long trek northwest, never once breaking stride.
It was an amazing march, an impossible feat. For a little over three days and almost four hundred miles she progressed like an automaton, driving herself without rest, without food or water.
After trotting alongside for an hour the boy climbed on and force-fed his father berries and smoked meat, his dark eyes constantly searching the countryside. Occasionally he’d see a run of red foxes to their left, watching intently, padding cautiously. Sooner or later they’d vanish, only to be replaced by a train of feline or equine pursuers. Packs approached and receded while, high overhead, flocks formed triangular patterns that continually broke up and reformed. There was a peculiar rhythmic quality to this ebb and flow that lulled his senses further. The boy shook his head to clear it, but his exhaustion was deeper than he’d supposed—even the brush appeared to be leaning northwest.
That first day he grew numb with the pace, and that night the relentless pounding of her hooves drew him into a miserable slumber. He wrapped his arms around his sleeping father and lay half atop. When he couldn’t keep his eyes open any longer he tore strips from his skins, then looped his tied wrists round her neck, his ankles round her belly.
On the second day she was breathing hard, but her back was still high and she showed no signs of faltering. Her eyes remained focused on the ground dead ahead. She always sensed the best routes; finding mountain passes, fording wetlands.
But by the third day they could feel her ribs quaking against their legs. Her breath exploded as she marched, blood frothed and caked about her nostrils. Still she pushed herself on, her pace so steady it was almost metronomic.
On the fourth day her legs were gone. She veered and stumbled, shuddering every few paces. The boy hopped off for the umpteenth time and tried to bring her to graze, but she wouldn’t be turned. He ran behind her as she staggered along, unwilling, or unable, to rest.
At last a foreleg gave and she went down hard. Sobbing and snorting, she plowed her muzzle back and forth in the soil, the useless leg repeatedly pounding the ground. After a minute she raised her head and brayed at the sky, her neck muscles taut, her head slowly swinging side to side. Her cry went on and on.
With a tremendous effort she pushed herself upright and butted the boy aside. Every part of her body was shaking. From her depths a low moan grew to a steady bray, and finally to a wild, pulsing howl. She came to a rise, but was too weak to climb without sliding. Stamping in frustration, she managed a few feet, reared feebly, slid some more. The boy got behind her and applied his back; it took all he had to assist her almost to the top. With a desperate lunge she crashed on her belly.
Amazingly, she dragged herself on, her howl now a scream, her head whipping left and right. When she could pull herself no farther she ****** forth her neck to its very limit and, with a shudder that ran from the tip of her nose to the tuft on her tail, shoved her muzzle straight into the dirt and died.
The boy hauled off his father and fell back. The animal’s eyes were fixed upwards, seeming, even in death, to be straining for a glimpse of what lay just beyond the rise. The boy half-dragged Hero the last few yards. They collapsed at the top, and together looked over the cold Baltic Sea.

At water’s edge a haggard fisherman sat on his boat’s ravaged deck, blindly staring out to sea. His was a queer vessel; a family structure built more like an aft-cabined barge than like seacraft typical of that period. The fisherman’s boat, like his mind, had been abused beyond repair.
He’d lost much in his life. Time had taken his dreams, pox his face, hardship his back and shoulders. And, more recently, a brawling band of drunken Baltic pirates had ***** his wife and daughter before butchering them along with his two fine sons, while he sat helplessly bound to the mast. Finally, to further their delight, they’d set the boat aflame and sent it crackling against the sun; knowing he could hear their hoots and howls, knowing he would drift undead, accompanied only by this last unspeakable memory.
But a squall, without prelude, had doused the flames and blown his home ashore.
There he’d remained for a full long day, staring at nothing, his shattered life caught on the rocks. On the second day he’d worked himself free and commenced staggering about in his memories, gathering shards. It was a pathetic claim. He made a pile of all the old bedding and linen and usable cords, and set about sewing a sort of mementos sail. All that third day he had sewn, and on the fourth he had hoisted this sail and been moved to see it billowing in a northwest-blowing breeze. Again he just sat and gaped. And later that day he’d become aware of a commotion taking place on the long grade leading down to the water, where a writhing mass of seagulls was proceeding like a tremendous slow-motion snowball. He’d never seen anything like it. It wasn’t uncommon to find gulls in a group of many dozens or more, but there must have been two, maybe three thousand of the birds now swarming toward his boat. They were making an incredible racket. In the midst of this cloud could be seen a couple of slowly walking figures; as they neared he made out a small man accompanying a boy in his late teens, both dressed in odd skins. When they reached the rocks his eyes were drawn to the small man’s face. It was a foreign face, brutish and dark, with a deep cleft running from above the right temple to the jaw’s left side. Whatever instrument had felled this man had been devastating—everything in its path was smashed, and with permanence. The forehead was caved in. There was no bridge to the nose, the left cheek was completely collapsed, one side of the mouth was a mangled mess. The jaw itself had set improperly, so that it jutted to the side. The general impression, especially from a distance, was of some unforgettable circus freak’s countenance puckering at an angle. It was a face right out of a nightmare. But there was nothing frightening about the eyes. They were the eyes of a child.
Maybe half the gulls hopped screaming on the rocks. The rest circled overhead.
The boy considered the fisherman curiously before placing a foot on the charred deck. His gaze went around the boat, lingered on the makeshift sail, returned to the slumped figure. He passed a hand before the eyes. No response. He then leaned in close and placed his fingers on the man’s forehead. Immediately that bleak expression became fluid, brimming over with horror and heartbreak. Tears rolled down the fisherman’s cheeks as he gasped, shuddered, and backed up the scorched mast to his feet. Thus propped, he squinted at his visitors and was overcome by a wave of homesickness so strong he had to turn away. The feeling bewildered him, for this vessel, and this sea, were all the home he’d ever known. He clung to the mast while the boy helped his father board. Once he’d collected himself, the fisherman tore a heavy crossbeam from the toasted cabin. He and the boy used this as a lever, and together they shoved the boat off the rocks. The wind picked up nicely, and the little craft was swept across the water.
Exploding off the rocks, the gulls shot after the boat as if it were brimming with fish, the loudest and orneriest vying for favored positions directly overhead. The melee attracted additional gulls—they came shrieking in their hundreds from all sides, banking and calling in the oddest manner, until the mass grew so thick as to cast a permanent shadow on the boat. All day long the clamor continued, and all that night. The fisherman rolled with the rudder, listlessly, allowing the sea to control him. Eventually he let go, that the wind might bear them where it would. His sail ballooned but held firm, and the boat fairly zipped across a sea somehow smooth as glass, broken only by the vacillating ripples of bottleneck dolphins and migrating humpback whales. The three tiny sailors sat hunched together, motionless, all throughout the next day, until the black coast of Sweden loomed in the twilight.
As the boat neared land the cloud of gulls broke up, shot to shore, and landed in groups of a thousand and more; a dizzying, wildly uproarious reception committee.
The dung-covered boat slammed into the rocks, shattering the fisherman’s trance. He intuitively walked his **** up the mast and, swaying there, watched the boy draw his father over the side and lead him to a clearing at wood’s edge. There in the dusk he made out what appeared to be a hefty spotted runaway heifer hitched to a rickety wood wagon. He saw the cow gallop up to meet them, saw the boy look around warily, saw him help the little man into the wagon and climb in beside him. The animal immediately began picking through the woods, the large brass bell round her neck clanging forlornly.
The clarity of that bell made him realize just how quiet it had become. He craned his neck:  there wasn’t a gull in sight. He fell back against the shot mast and slid onto his tailbone with a clacking of teeth. His eyes were misting up. In the gathering dark a few sail fragments flew past and were ****** into the woods. The boat rocked and relaxed. After that there was only the sound of the receding bell’s sad, monotonous song being batted about by the wind.

The little cow strode through moonlit woods until she came to a path formed by the rutting of wheels over many years. She followed this broken, serpentine track throughout the night, and by morning was passing farms and, occasionally, crossing broader paths that might realistically be defined as roads. All day long she bore down that ragged track, until she came in late afternoon to a clearing near a village. Here many such tracks converged. And here the boy slipped away while she grazed.
Sometime after dark he returned with a load of straw, a couple of pilfered blankets, and a fat iron kettle. Crammed in this kettle were salt, tubers, cheese, a few loaves of rye, legumes, and a plump foot of lamb sausage. Most of this ***** he’d brought in tied to the bowed back of a huge, puffing, highly amenable black pig which, thus laden, now followed the boy’s every step like a fresh convert tracing the heels of the messiah. The boy built a fire under the stars, filled the kettle with creek water, and commenced simmering their dinner. While waiting, he couldn’t help but note an odd feature of the local flora:  plants, especially trees, all seemed inclined to a northwesterly disposition, though no amount of wind could account for it. He shooed the pig. But rather than run along, it backpedaled in a nervous circle, round and round in reverse, until it lost its balance and fell on its ****. There it remained, a yard behind the wagon. The boy fed his father and lined the wagon with straw. They settled in for the night. The boy must have nodded, might have dreamt, but while he was drifting he became aware of a stirring in the woods. He sat up, saw the pig’s eyes gleaming inches from his nose. And there were a number of animals, some wild, some strayed from farmsteads, arranged in a broad circle around the wagon, their eyes glinting with moonlight. Not a rustle, not a peep, was lifted from the woods.
In the morning he woke to find the pig still staring. The fidgeting heifer, impatient to roll, began her long day’s march while Hero and his boy were yet stretching and scratching, and the ******* pig, galloping heavily, fell in close behind. Each new day this routine was repeated. They banged past farms and small communities until the ruts intersected a broad rocky road wending halfway across the kingdom. The cow addressed this road with vigor. They picked up followers—a goat here, a couple of sheep there—which hurried after the wagon as best they could. The cow stomped on with resolve, mile after mile, day after day, her bell keeping steady time. That bell’s peal attracted foals, lambs, and kids into the wagon’s narrowing wake. Hares hopped between hooves and wheels, boars and blue foxes fell in and withdrew. White falcons, normally solo fliers, whirled into wedge shapes high overhead.
At night the entire train would camp on the road while the boy raided proximate farmsteads, always returning fully laden. And as soon as the fire died the colony grew, creature by creature, and the moment the sun broke the horizon the heifer came to life and moved on, but each day a bit more resolutely, as though straining to meet a deadline. The march took on a sense of real urgency. The cow pressed on with attitude, the clang of her bell more strident with each passing mile. Soon her followers numbered in the hundreds, as animals deserted their farms or crept out of the woods to tag along. Tillers and traders stood dumbfounded, amazed by the bizarre flow.
Once they’d crossed into Norway the frothing cow veered hard to the west. The pace really picked up; no longer were Hero and his boy afforded the luxury of a night’s sleep in one spot. Days blurred into a single variegated flow as the bashed and lopsided wagon continued building its entourage; the riders were surrounded dawn to dusk by a confused and confusing scurry. Word of the flow’s weirdness preceded it clear to the Norwegian coast, so that now plowmen and merchants, wearily gathering their goggling families, found themselves lined in anticipation along the king’s highway. Horsemen went pounding to and fro with news of the procession’s progress and particulars, children ran through the streets banging pots in imitation of the cow’s approaching bell. Livestock wheeled and stamped, fowl leaped and crashed.
The slobbering cow broke into a run.
Bystanders trotted behind, calling back and forth excitedly, while the wagon’s permanent following squealed and squawked between their heels. The cow made a hard turn onto a widening swath in the brush. This swath, seeming to strain against the soil, ran straight down to the crest of a low hill overlooking the Atlantic. On either side a crowd had been studying the phenomenon for some time, but now all eyes swung to the dark and disfigured man and his son, clinging to the disintegrating wagon behind the careening spotted cow.
The trailing people traded views as they ran. Most—at the very outset of the new millennium, with Christianity burgeoning throughout Europe—leaned to the miraculous. Others, just as superstitious but prone to a darker point of view, threw looks of horror at the deformed little man. Yet they ran no less eagerly.
The galloping crowd made for the seaside, where only one local event of any moment was brewing:  on the coast a Greenlander Viking was preparing his longship for the rough voyage home. Impetuous son of the great island’s first permanent European settler, he’d just been baptized in Olaf’s court, and was now eager to sail—but not as a warrior—as a missionary. While his spirit remained in a tug-o’-war between his father Erik’s will and that of gods old and new, his duty was clearly to his king. And Olaf had charged him with the Christianization of pagan Greenland.
Something on the wind now made this destined man turn his head. From behind the gentle hill to his rear came a kind of thunder. Heads popped up, followed by a confused explosion of voices, and seconds later a frantic bug-eyed heifer burst into view, dragging the wheel-less skeleton of a shattered wooden wagon. On the wagon’s splayed frame a man and teenaged boy clung for their lives as the spewing animal made a beeline for his ship.
The new missionary, still egocentric enough to assume his Maker might actually toss him a personal, surreptitiously rolled up his eyes. The sky yawned at his arrogance. At his side a smallish cowled man rose irritably, but the missionary sat him right back down. He then snorted, squared his shoulders, and signaled his men to halt their preparations.
Knowing it was expected, he gathered his hard Nordic pride and coolly made his way into the crowd.

The priest clung to port, gagging above the waves.
After a completely uneventful minute he leaned back and stared through tearing eyes at the distant backdrop of gathering mists. Weeks now…a man of his constitution had no business at sea.
Along, too, were a quirky little man and his fiercely devoted son.
Through his pantomime, the boy had been so persistent in begging their passage that refusal, under the circumstances, would have been unbecoming not only a man of God but a man of the world.
So there it was:  a priest who couldn’t hold his lunch, a witless eyesore who couldn’t sit still, and a surly teenaged protector who snarled at the first hard look. This crossing just had to be some kind of divine test—of mortal patience as well as moral values. Norsemen weren’t made for babysitting.
The mists condensed.
And the shifting shape became a hard familiar coast.
And the longship was mooring, and the crew were jostling and clambering, and the big missionary had booted off the haunted little freak and his hypersensitive son, and was condescendingly half-escorting, half-carrying, the green priest ashore.
And they were home.

Priest in tow, Leif quickly took up the Christianization of Greenland’s Western Settlement, as per Olaf’s command. The mangled little man and his son followed him around like dogs, slept outside his door and annoyed his visitors, ultimately proving far easier to adopt than to shake. Barely tolerable shadows…still, the lad was simply amazing with livestock…and though the youth’s useless father seemed time and again to be just begging for a whooping, his son’s presence bore some ineffable quality that always curbed the missionary’s hand. Several times he’d witnessed the father approached by settlers bent on abuse. Each time the boy had stepped in, and each time the troublemakers were mysteriously repelled. The missionary of course didn’t attribute any kind of celestial intervention to these episodes, and certainly the popular notion of devilry was a natural reaction to the pair’s outrageous exoticness, but…in the son’s company, and even under the sharp eyes of his fellow Norsemen, Leif more than once found himself oddly moved to protect the father. And so the deformed man and his boy day by day blent in—as village idiot and mystic guide. And when in time a ****** brought tales of an unvisited land to the west, it was only natural for the restless Greenlander to buy that ******’s boat and, before stalwart comrades, weary family, and whimsical God Almighty, reluctantly accept the eccentric father and son as sort of seagoing mascots.
Hero was from then on irrepressible. During preparations he would pipe and stammer in his half-mute way, brimming with a confounding anxiety that kept him underfoot and at odds with all. On frigid nights he perched on the westernmost rocks, moaning to the horizon in the strangest fashion while his son stood guard. He positively spooked the locals; they’d gossip, nervously and with bile, of an answering wind that came wailing off the sea like a banshee in labor. The whole island wanted rid of him. And when his champing beneficiary, still clinging to the notion of Christian charity, bundled him aboard with his son and a crew of thirty-five, not a single settler was sorry to see him go.
Almost from the moment they cast off everything went wrong, as all attempts to control the longship were met with some kind of unknowable countermanding force. Vikings were not renowned for passive resistance—they fought, squaresail and steering oar, leaning oarsman to oarsman, until the ship rocked on the waves like a bucking bronco. An erratic weather system pursued them, worsening dramatically at each minute variation in heading. The Norsemen doubled down, and when the clouds finally burst wide, the cowling sea went mad. Dervishes whirled about the hull, crisscrossing winds bedeviled the sail. Patches of kelp belonging to much warmer waters came heaving alongside, fouling the work of the oars, while far to the west a humongous fog bank formed, eradicating the navigable field. The lightning-streaked horizon was a throbbing gray slit.
The longship became locked in a slow westerly current.
Fatigued crewmen complained of headaches and hallucinations, and of a nasty, slightly metallic tang to the air. There were numerous walrus sightings; bobbing flippers and snouts amid drifting ice chunks that came prowling the North Sea like a circling pack of famished white wolves.
Worst of all was the boy’s father—instantly agitated by everything and nothing, prey to some primitive impulse that caused him to periodically incline his head, shudder to his feet, and loop his arms as though embracing the sky. Leif would watch him scrabbling at the prow like a cat at a tree, furs snapping in the wind. He’d watch the boy re-seat him for the hundredth time, and for the hundredth time be filled with an immense contempt. By now he’d acknowledged that it takes a special kind of strength to shoulder charity and tolerance. That brown little freak struck him as an enormous malformed barnacle, slowly working its way back up the prow. Trying so hard to go unnoticed, looking and listening so intently, though there was nothing to see other than the growing shelves of fog, and nothing to hear save the rising, almost hysterical voice of the wind.
Leif sniffed the air, his ******’s instincts nagging him. This was a foul current, and a fool's errand; he took a deep breath and tentatively ordered the longship brought about.
The ship kicked twice, as though an enormous submarine hand had seized and released the hull.
A whirl formed in the water, causing the keeling ship to sweep around like a clock’s second hand. All about them, those drift-ice ghosts cruised dangerously near.
But they’d been liberated from that accursed current. Leif fiercely urged on his rowers, and at last the ship broke free. They made a bead due north.
Night came and the temperature plummeted.
Small sheets of ice converged, drifting between the hunks. The Norsemen, instinctively huddling amidships, passed out one by one in a massive pile of fur and flesh. In the freezing silence the floes bumped and recoiled, bumped and gathered, bumped and bonded. The tiny ship, swallowed whole, was dragged along in a labyrinth of black sea and interlocking slabs of ice.

The Norsemen came to in a surly, foul-smelling heap, lost at sea. While they were still groggy a voice cried out that a darker patch was developing in the fog. The men all fell to port. Under the confusion of their voices could be heard a distant rumble.
At this Hero hauled himself up the high curved prow. A half-light began to penetrate the fog, barely illuminating the irregular faces of drifting ice. The missionary stormed forward and indicated by gestures that if the boy didn’t restrain his father he would have the man tied down.
The longship stopped dead in the water.
The men found themselves regarding a perpetually frozen coastline swathed in bluish veils of mist. Directly before them loomed an immense ice cliff hundreds of feet high. Rising beyond this cliff were endless snow fields, where lean violet shadows seemed to drag about of their own volition. And upon those bleak fields a thin howling wind prowled, kicking up brief white dervishes, leaving a strange zigzagging signature.
Even as they stared, a darker shadow high on the ice cliff’s glistening face began to widen, accompanied by a cracking sound that could be felt before it was heard. With the illusion of slow-motion, a stupendous chunk broke out of the cliff and came screaming toward the sea. It hit the water like a bomb. The thunder of its separation and the explosion of its impact took a moment to reach them. Then, out of a spewing crater of crests and spume, the new calf came lunging, tromping the sea so hard the longship, fully a mile to sea, was swept out and ****** back in like a cork. The floundering mountain of ice bobbed and lilted, generating huge waves which continued to rock the ship long after the monster had settled. In a while the roaring in their ears subsided and there remained only the swirling, nerve-wracking howl of the wind.
The missionary’s eyes swept left and right. Whatever this place was, it sure wasn’t the fair shoreline he’d been promised. Hero again scrambled up the prow, and Leif again yanked him down. This time he made good his threat; he had the little nuisance bound, though he was half-tempted to let him take his chances overboard.
From somewhere deep in the haze grew a soulful, otherworldly call. It went on and on, electrifying the air, bottoming out once the ship had merged with that previously fought westerly flow.
By now Leif’s nerves were shot. He ordered the oars raised.
The longship began to drift. Ship and ice were pulled due west.
The clouds fell far behind as the ship embarked upon an amazingly calm sea—so calm its entire visible surface was featureless except for the faint wakes provided by the ship and its hulking ice companions. To the east a huge fog bank appeared on the horizon, and a while later a smaller bank to the north. Then a very dense one to the south. In time these banks converged, imperceptibly becoming a single mass that closed about the ship, bit by bit creating a slowly heaving dome. Tiny beads of water appeared on beards and eyebrows; in a minute everything was soaked. The only sound was that of the dragging steering oar. The men were now sopping ghosts, speaking only with their eyes.
Directly ahead the fog began to dimple. The dimple became a hollow, the hollow a cave, and then ship and ice were being towed through a low, ever-extending tunnel in fog. The current increased its pull. Ship and drifting ice accelerated through the tunnel.
After a while the missionary quietly stepped forward. He stood with one hand on the prow’s neck, listening to the mist, so motionless he might have been a carved extension of the longship’s aggressive design. Not a man breathed. The tunnel’s dilating and contracting bore was producing an all but seamless series of oscillating, near-phonetic sounds. Leif almost tiptoed back. No god, pagan or Christian, could account for the strangeness of this situation.
They were borne on a course that grew more southerly, and the following day beheld an inhospitable shoreline glazed by dazzling white beaches. Their course held. Two days later they came upon a far pleasanter, thickly wooded coast. Here the current released its hold, and here the missionary untied Hero and personally placed him and his son in a tiny oak faering. He was just as sick of them as he was excited by this promising new land. Once the rowboat had been heaved over the side, he and another man stepped aboard and took up the oars. They began rowing with easy, powerful strokes.
When the boat kissed sand the missionary stood unsteadily.
The first European to set foot on North American soil now placed one hand on his crucifix, the other on his sword’s hilt, and awkwardly plunged his leg into the thigh-deep, ice-cold surf. Before he could take another step the boat lurched as Hero leapt headfirst into the water, followed an instant later by his son. The Greenlanders watched sourly as the two splashed their way into a mad dash for the waiting pines. Leif wished them both good riddance and turned to grin wryly at his fellow Norseman. He must have blacked out for a second, must have been blinded by a shaft of sun, for he found he was staring stupidly at a point midway between his companion and the longship. It felt like he’d been kicked between the eyes.
Everything was dissolving.
He studied the beach and pines closely, but saw nothing of the man or his boy. He turned back, disoriented. With what seemed a superhuman effort he took up his oars. He rowed out sluggishly, in a dream, and the fog rolled in to meet him.

The boy broke into the trees and embraced a trunk, fighting for breath. What happened next happened so fast and so unexpectedly he didn’t have a chance to react.
Three savages stepped from behind the pines and beat him to his knees. They twisted his arms behind his back and hauled him to his feet. He’d barely processed the impression of a wild painted face when something sharp struck him ******* the temple and tore down his cheek to the jaw. Two of the assailants manhandled him into an upright position and held him in place while the third brought his weapon down again and again and again.
All but dead, he watched a nightmare countenance shouting through a shot veil of blood, and behind that image a reeling crimson sun. He lay there gushing while the savages went through his rags. They propped him against a pine and shrieked with triumph, tore the hair and gory scalp from his skull, threw back their heads and screamed at the screaming sky. Tooth and nail, they ripped apart his face and throat and, certain he would die, split what bits of fur were left and let his carcass lie.

                                                HERO

The weeks stretched into months while he fought his way back into the light.
He progressed in stages; only half-conscious, stumbling along in a blood-red stupor punctuated by a slow strobe of frequent blackouts. Days loomed and decayed, nights pounced and were gone; the backlit, swirling gray cosmos collapsed and expanded on every missed beat of his pulse. A thousand times he broke down to die, and a thousand times he clawed to his feet, driven to pursue a tiny, ghost-like figure fluttering in his memory.
Everything conspired to check him.
A bay like an immense landlocked sea was skirted over months or years—it was all the same. Cold locked him in, Hunger drove him afield, that rude ***** Wind lashed him blind, wore him like a shoe, screamed for his skin while he worked his way west.
Somehow he ate, somehow he avoided being eaten; the instincts that had served him halfway around the planet were still vital beneath the abused exterior. His simple burrows became sturdy temporary shelters. He relearned the art of fire, and began to cook what he killed. He manufactured crude snares and weapons and, when his recuperation was complete, paid closer attention to the on-again, off-again trail he’d been following…forever.
Sometimes this trail would call to him like a lover. Other times he stood peering uncertainly, trying to recapture meanings and aims. Then the ground would turn spongy and the sky revolve, and once again he’d be lying all but dead in the woods, while from the face of the sun emerged a vile winged horror, its ugly pale head lashing side to side, its cruelly hooked beak dangling something that glistened in the wild pulsing light…then the fat moon, rising like gas against the icy black night…the feel of the wind:  the slashing of her nails, the chafing of her hem…the sound of things crunching and pausing and sniffing…then the sun, blazing anew. And again that thing, descending, its wide black wings beating slowly, metronomically—but none of that mattered any more. For his mind had quit him, had flown howling into ice and pine to roost with things surreal. In the day his madness might muddle and run, or spend the light stalking, cat-like, watching and waiting. But at night it came creeping from all sides. Sometimes it came in waves. It could gnaw like the devil, or wrap around him like a warm second skin. But none of that mattered either.
The only thing that mattered was the trail—whether it was lost for good, or for only a while. He’d been following it through his episodes, always north, wondering just who and where in the world he was, and trying to shake a ridiculous notion of being led on a wild goose chase.
The cold was unbelievable.
The deeper north he delved, the more confused he became. He grew starved for colors and scents, finding nonexistent patterns in the stark contrast of shadow and snow. He thought he could detect a kind of otherworldly design in the overwhelming number of dead ends he encountered, and, too, in the diabolically frustrating locations of natural obstacles. He seemed to be forever fighting the wind—a hulking, despondent snowman, he hiked face down and focused, while another aspect of his attention floated just behind, disembodied, watching his silent pursuers…leaving no tracks, blending perfectly with the environment in their clever winter coats…not predators, but creatures that normally should have been hightailing it away from him. By the time he could turn, they’d become nothing more menacing than snowdrifts. But they pursued him nevertheless.
And so his paranoia increased…had there ever really been a trail…and when did this miserably cold, miserably anemic crusade begin…his long-term memory was falling apart a chunk at a time. It just got colder and colder and colder until at last, one snippet of a day during one blur of a year, he found himself utterly lost, and clueless as to his history or objective. His mind was a blank, as colorless and featureless as the endless world of ice around him. He’d come this far solely to learn that the only trail he’d been following was his own—and now even that trail was succumbing to ice. On all sides there was nothing to see but an infinite field of glaring whiteness, and nothing to hear but the ululating wail of the tubular polar wind. It was the loneliest, the unholiest, the creepiest sound imaginable. But it wasn’t insanity that made him wheel. It was his self-preservation instinct.
And then he was somehow on his knees in the woods, facing a furious setting sun.
Whole seasons had passed from his memory like chalk from a board. His only recollections were those of a broken, haunted animal:  of being perilously sick, of fearing the unseen, of blindly struggling across a solid-white wilderness. That he’d survived such an ordeal meant nothing to him. And that he had in some indecipherable manner stumbled across the cold-as-stone trail did not fill him with amazement or with thankfulness—there simply wasn’t anything visual or emotional left to draw on. A significant part of his life had been whited out.
But now he could focus entirely on the trail. And before he knew it, the fuzzy area between fantasy and reality found a seam. He began to analyze and plan. He paid attention to hygiene, and kept a kind of running mental journal. Things were sorting out. Yet there were nights when the old sickness would resurface, reestablish its hold, and leave him sweating and uncertain under the stars. Then, paradoxically, his perception would become razor-keen. And so he would see, on a distant hilltop, a pair of scrawny silhouettes, one on four legs and one on two, slowly crossing the faintly pocked face of the setting moon. He would become strangely excited, and thereafter retain crystal-clear images of himself, as if seen from above, hurrying with adroitness through the silent, graveyard-like setting of black and blue night and white-frosted trees. Then the fuzzy area would broaden, and it would be the next morning, and he would be staring at the prints of man and elk in snow. And he would see how the elk’s prints doubled back, and how the man’s prints terminated where he had obviously mounted his guide. An unfathomable glow would bring tears to his eyes. But, even as he gathered himself, a fresh snowfall would wipe out the prints. And once again the world would plummet into white. And the wind would howl as the snow hammered his eyes. And he would ***** on.

A haggard animal sat shivering in a small grove of frozen pines, watching his campfire die. His eyes were fixed. Like the fire, he was running out of warmth, running out of fuel. There wasn’t a whole lot of tinder round his bones, and not much feeling left in his limbs. The slowly heaping downfall was burying him alive, but he was too numb to care.
It had taken him six long years to cross an entire continent, and during that time he’d known only cold and excruciating pain. The pain was leaving him now. The cold was making it right. His eyes glazed over.
Along a narrow plain to the west a herd of caribou filed dreamily through the snow, cutting across a panoramic backdrop of dazzling white mountains. The slow-motion parade was hypnotic. After a while it occurred to the drifting man, in a roundabout way, that he was dying, that he was nonchalantly freezing to death. Concurrent with this notion there rose in his chest a wonderful liquid warmth. His eyes slowly closed and, once shut, began to set fast.
He was jolted from within. It was as if he’d been kicked in the heart.
He ****** to his feet, pounded his fists on his thighs, felt nothing. The breath spurted from his mouth in small white clouds as he stumbled downhill after the slow caribou train. He swam through the snow, hallucinating, imagining that certain individuals in the herd were mocking him by slowing and accelerating, while others glanced back with expressions of contempt.
As he burst into their midst the animals stepped aside indifferently. A few galloped ahead to keep up the herd, but most simply sidestepped while he danced there, stamping his feet and smacking his hands. The herd grew thinner, until only the old and infirm were filing by. The man desperately embraced a hobbling female for warmth, but she cried out and kicked, triggering a panic reaction in the herd. Clinging for his life, the man was dragged along beside her as the herd stormed into a maze of flying ice and snow. His weight caused her to stagger sideways until they slammed against the flank of a sick male. The man instinctively threw an arm over the male and, thus draped between them, was borne across the drifted plain for upwards of a mile, his freezing feet alternately dangling above and dragging through the snow. The herd broke into a hard run, forcing him to assume a broken trot. Soon his legs were stinging. Sensation rushed through his body.
Now the herd, still picking up speed, began to contract, jamming him between his bearers. There was a quick jolt to his right and he was lifted clean off his feet, nearly straddling the bucking female. It had become an all-out stampede. Through hard-flung snow he saw the cause:  just ahead, the caribou had run head-on into a solid wall of galloping wood bison, and both frantic herds had blindly veered to the east; were in fact running side by side down a deep, ragged canyon—were pouring over the canyon’s lip like a cataract. He was approaching, at breakneck pace, that very place where the converged herds so abruptly swerved. The hanging man snarled as he was borne inevitably to the point of deflection.
There came a concussion at his left shoulder, followed by a blast of snow. In an instant the ailing male was tumbling head over heels to the east, ****** into the stampede’s plummeting mass by the fury of its descent. The man and female, rebounding from this impact, were shot to the west in a crazy jumble of flailing legs. The caribou lost her footing, flew nose-first into a snowbank, and came up running. Kicking off, the man used the last of his strength to heave himself astride. At first she fought to shake him, but the spell of the run was too strong. She and half a dozen others went pounding in the opposite direction of the stampede, quickly joined by a number of bison that had likewise splintered from their herd. The riding man could make out their huge hulking shapes thundering by in a blizzard of flying ice, could hear their heavy gasps and explosive grunts. One passed so close he felt its massive flank brush his leg. He peered to his right and saw a black, pig-like eye regarding him excitedly, moving up and down like a piston as the beast ran alongside.
The eye shifted, focusing on the gasping, completely obsessed female. The bull dropped its head and slammed into the caribou’s side, sending her and the man careening down a ***** to the west. The caribou brayed hysterically and her backside went down, but she managed, despite the weight of her rider, to return to all fours and frantically continue along the *****. Again the bull charged, crashing into her shoulder. The man and caribou were launched sideways into the white searing air.
He sat up carefully. The huffing bison was straddling him like a bully laying down the ground rules. Its big wiry beard came right up to brush his chin. The stench of its breath was stupefying.
The bull stamped and snorted, thrusting its stubby horns left and right as the man used his elbows and heels to back away. The bull followed, move for move. When the man collapsed under his own impetus the bull shoved him along with its snout, bellowing furiously. Clear down the ***** they lunged, shoving and lurching, until the man lay sprawled on his back; up to his chin in snow, completely helpless. The ton of a bull butted and kicked, but only glancingly:  those hooves could **** with a blow. At last the man, in one clean sequence, spun on his rear, dropped to his side, and went rolling down the ***** using his elbows for ******.
At the bottom ran a narrow fence of frosted saplings marking an ice cliff’s precipice. He lay face down in the snow, too done in to do anything but **** at an air pocket.
And there came a high-pitched crackling, a sound like the protracted gasp of embers in a dead fire. He turned just as those saplings began leaning to the west, their frozen skins cracking with the strain.
The bison bellowed menacingly.
The sprawled man looked back and saw it still standing with legs spread wide, silhouetted against the sky. In a moment it began huffing downhill, lurching side to side, surfing the snow between lunges.
It chased him through the genuflecting saplings straight into a frozen gully where, protected by a few feet of insurmountable verticality, he was able to slide on the ice between its stomping hooves, downhill out of reach, then downhill out of control—spinning just in time to glimpse a breathtaking vista:
Partly framed by the gully-straddling saplings was a vast crescent of jagged white mountains seemingly huddled round a small stretch of snow-draped pines. The little wood these mountains surrounded was isolated in a broad lake of solid ice. Hundreds of fissures radiated crazily throughout this packed ice field, appearing to issue from somewhere near the frozen wood’s center, which was completely obscured by a ring of rising mist. Above this thumbnail panorama the sun showered gold.
Then the gully dipped radically, and he was skidding headfirst, slamming back and forth against its slick white walls. This uncontrollable plunge had the positive effect of getting his blood flowing. Yet it tore him up. Had the gully concluded in a cul-de-sac, or had further progress required a single calorie of uphill effort, his struggle would certainly have ended here. He would have been too weak to move, and death would have been swift.
But there was a glacier—a great river of ice pouring slowly out of the clouds. The gully, terminating in a little scoop formation near the glacier’s base, spat him flailing onto its gnarly glass hide. He went head over heels, bits of skin and fur flying like chips from a band saw. Somehow he gained his footing, and then he was running against his will, tumbling and recovering and tumbling again.
He didn’t catch much of that crazy run. He half-glimpsed whirling walls of ice, felt a fickle surface underfoot, and broke through an assaultive mist that clung to his ankles and arms. He remembered having the ragged hides torn right off his body, and then being skinned alive. And he remembered reaching the glacier’s base and crawling like an animal; round its sweeping drifts, past its peaked moraines, all the way to a twisting frozen gorge.
And he followed this gorge down; ricocheting wall to wall, delirious, small plumes of thrashed snow marking his descent.
Through a freezing wood he fumbled. In a veil of mist he tumbled down a steep and verdant grade. As cold consumed his closing breath, he fell upon, near-blind, near death, a strange, enchanted glade.

There is a pool.
And in this pool a man lay purged, his broken body half-submerged.
The stumbling man stopped. He knelt to weep, but lost his thread. One hand took a bicep, the other, the head. With a twist and pull the corpse emerged.
That visage…that face—misshapen mask, contorted, bleached; of life’s deposits fully leached. Essence dispatched—a void, sodden wretch.
He let it fall and the glass was breached. All a freak, all a stretch:  upon this act his grip detached.
And the bridge collapsed…one vagabond grasp…what were these feelings; recaptured and trashed…a span elapsed…who was this puckered mass…he hauled it by the waist and thighs…slid it in, watched the pool react:  purse and recover, expand, contract. The glass reformed, now silver-backed…a sudden mirror…the man leaned nearer…saw his reflection, just smashed, remade intact.
The pool grew still.
Within its depth a shadow stirred—visions gathered, some distinct, some obscure. What they meant, and who they were, was much too much to fathom. The glass became blurred.
He closed his eyes, let his heavy head fall, fell back on his haunches, felt the sweat seep and crawl. The air was a pall—as he struggled to rise, a nib crossed his wrist.
He opened his eyes.
Between his fingers the blades poked and crept. Round his knuckles they ventured, up his forearm they stepped:  they seemed to be triggered by prompts from the ground. He shook his head slowly and dully looked round.
There were jays grouped about him, their black eyes aglow. Red hens came running, their fat chicks in tow. Gophers engaged in a weird hide-and-seek. Bluebells and buttercups craned for a peek. Sparrows hopped past and, paying no heed, burst into flight. He watched them recede.
Westward they flew.
Bewildered, he slumped.
Bumped from behind, he jumped to his feet, flabbergasted to find an ancient gray moose near-eclipsing the sky, with grit in his snarl and fire in his eye.
The old moose took aim.
The man turned to flee and stumbled, then tumbled and fell on a palm and a knee.

But there lies a world (so the lullaby goes) where rivers ever run.
Poked from behind, pushed out of his mind, he staggered into sun.







Copyright 2020 by Ron Sanders.

Contact:  ronsandersartofprose(at)yahoo(dot)com
Sorry about the ghastly copy. This system makes graceful formatting impossible.
HRTsOnFyR Aug 2015
it's 3:23 in the morning
and I'm awake
because my great great grandchildren
won't let me sleep
my great great grandchildren
ask me in dreams
what did you do while the planet was plundered?
what did you do when the earth was unraveling?

surely you did something
when the seasons started failing?

as the mammals, reptiles, birds were all dying?

did you fill the streets with protest
when democracy was stolen?

what did you do
once
you
knew?

I'm riding home on the Colma train
I've got the voice of the milky way in my dreams

I have teams of scientists
feeding me data daily
and pleading I immediately
turn it into poetry

I want just this consciousness reached
by people in range of secret frequencies
contained in my speech

I am the desirous earth
equidistant to the underworld
and the flesh of the stars

I am everything already lost

the moment the universe turns transparent
and all the light shoots through the cosmos

I use words to instigate silence

I'm a hieroglyphic stairway
in a buried Mayan city
suddenly exposed by a hurricane

a satellite circling earth
finding dinosaur bones
in the Gobi desert
I am telescopes that see back in time

I am the precession of the equinoxes,
the magnetism of the spiraling sea

I'm riding home on the Colma train
with the voice of the milky way in my dreams

I am myths where violets blossom from blood
like dying and rising gods

I'm the boundary of time
soul encountering soul
and tongues of fire

it's 3:23 in the morning
and I can't sleep
because my great great grandchildren
ask me in dreams
what did you do while the earth was unraveling?

I want just this consciousness reached
by people in range of secret frequencies
contained in my speech


©2003
Mateuš Conrad Jan 2017
i once loved, and it's a shame to
agree to: better have loved and lost,
than to have not loved at all.
and as i browse the pages of
a saturday newspaper article
i like to think about virology applied
to mental illness...
and how they: life is ****
   story could really be a viral infection...
i don't know, it's not exactly
h.i.v.,
                oh i can contain my own
*******, i'm writing it on the flag
of colour white,
next time you get a brain haemorrhage
and then get diagnoses as schizophrenic:
i'll take you the crucifix on golgotha:
and imbed your head into
the cross... silent anger, contained:
and all the more concern for inhibited
humour... because as Borat said: jak sie mash:
i like. so please, don't tell me
you weren't gagging for the new golgotha...
because i wasn't...
         and i know, most of the time i have
my mouth attached to a head of a struś
gagging himself in a pit of sand...
yes an ostrich, the grand inspiration for
francis bacon attempts to redefine geometry...
oh coming out of communism and into
capitalism, for a kid?, can be a rough ride...
you don't know what ideology to appease
and what ideology to dictate...
         but i'm wondering whether or not
mental illness can have the potency to
        become virus-like...
     and drain,
and i mean: drain the soul out of you...
or whether man as mammal ever did exist...
or whether this new fashion of
feline existentialism can ever take off,
narratives about spending time with your
bonsai tiger... you'd really think japan was
a bit freakish... but it just has a large
ageing population and no one thinks
that euthanasia is a standard of humanism,
unlike ******* ***** into a face of
a woman... because right there, no
one died... if had any of those anemic
tadpoles actually lived...
    which brings this about to concern me:
so... we live for nine months, in, let's
basically say: in an environment without
oxygen, you got gills stashed in there
with that umbilical chord...
how can it ever be a miracle of birth...
that's what a god might say...
a human would look at it and say:
huh? you joking? i'm part of this horror?
     but not until you have a brain
haemorrhage and get diagnosed as schizoid
and then you think: so what was the point
of forgiving your enemies come into this?
      i can't believe it has become so, so personal,
to actually have this nagging, decapitated
doll-head on your shoulder telling you to:
repeat! repeat!
       i could literally be writing this in
Auschwitz and be like: Neddy needs a jumper
and a diaper... cos like that really needs
you to fathom the logic of assembling an
Ikea chair...
                          i mean, talking in the west
is a bit like farting into a hippotamous' nostril
for a ******* jackuzi effect...
  jack! i said ***! what's with this jacuzzi?
English, mein gott... confusion everywhere
you pigeon **** onto a top-hat.
by the way: everyone becomes
dyslexic on the word hippopotamus -
there's a reason why hippos exist...
        you want acronyms, you get shortening...
and yes, since english society has abolished
asylums, the society has become a breeding
ground for asylum instigators,
rich russians, bewildered chienese...
it's en masse, one, massive, cesspit...
   i mean the part where you don't get the brown
steamturd floating about like some
  celebrity you'd love to slap with much
more than mere paparazzi epilepsy...
because violence matters, esp into language games...
i was just asking, because there i was,
working on a roof on some construction site,
and she calls me up and says that
she hears voices...
          that's what i mean certain mental
delinquents and their choice of Samaritan...
  what does a roofer know about "voices"
if it doesn't equate to a bad conscience?
    that's why i'm wondering whether certain mental
illnesses have a virus-like profanity attached to them...
oh yes yes, the unison: bob marley: we're one
type of ******* to boot, like i'm supposed to get
a hardy and a 'ard on about it...
               ******* spoof of a light-bulb moment: PING!
and there... ain't that just dazzling?
phantasmagorical blurp at the feet of
Eros at Piccadilly Circus... my ego is a canon
that just simply shoots out viagras! and questions.
and yes... that's what we call being part
of the clown...
    and if there's a lord of flies...
what's the guy mentioned by beelzebub drunk
doing about the mosquitos?
           ah... boundless at the crucix, once more!
i'm just wondering where
does mental illness become solipsism,
  and when in fact it becomes a sort of virology...
   i can romanticise mental illness as a type
of solipsism, that it has a cage, that it can be contained...
but when mental illness goes outside of the novel,
strolls outside its cage and becomes
something akin to kissing a *****,
     i want to know.... because i swear i have been
affected by someone's mental illness being
hidden in the shadow of taboo...
   look... i'm ******* exfoliating with vocab!
        how can you become normal after someone
exposes you the symptom of "voices"...
that's demeaning given the past history of
having relationships with angels and demons,
that's like a neuter noun.... voices brings up
more concern for a pronoun-****-up than
a clear, noun association... angels, sure,
i could start looking more closely at pigeons...
demons, doubly sure, i could start
chasing bats...
              but i need to know whether mental
illness is worthy of taboo, i.e. it's worth
the category of being physical, in that it can be
contagious... whether it can act like a virus....
whether it can become an epidemic...
    and to be honest, i think it can,
but that seems pointless, since western society
has exchanged asylums for taboo...
                  look at me now,
a once budding roofer, reduced to writing poetry,
i might as well be an ******...
            safe-guarding king Solomon's harem...
oh sure, eunuchs were able to **** his *** slaves...
they were slaves themselves,
what they weren't allowed is to usurp
    the ******* crown of the king passing his
d.n.a., mind the frivolity, never the seriousness
of geneticist, yawning when their genesis was to come...
    i'd love to see hans andersen on the trail of
dolly... the sheep... and dolly really does become
a trinity of animal prior to human in the out-reaches...
what with laika (man's best friend)
and later fiztgerald... oh wait (man's worst enemy,
the money) Baker....
   thanks to de Sade and baron Sacher-Masoch
we could truly begin the orthodox occult of science...
   how the two patron "saints"
interpolate... it really is a dualism worthy of
dangling a crucifix... shame the first monkey in
space wasn't called Brian...
    i don't know, then, perhaps, the Caesars at
the coliseum wouldn't boast so much about
   the: lacking the ambidable thumb
(yes!) googlewhack no. 4 / 5 -
mandible thumb you idiot! d'uh...
but still, a googlewhack at the end of it...
type in: lacking the ambidable thumb
and, yes = 1 result in the google algorithm...
http://www.experienceproject.com/stories/Have-Thumb-Deformity/728760,
i call this the alternative version of, or rather,
the digital version of fishing...
     a tail like a thumb, the grip baron...
   but my peacocking the tongue shouldn't
be deemed as: straitjacket panic button prone...
  why would it?
****! he used the colour azure in his blue period,
that picasso did! chain him! gag him!
stash him in a kitchen stove!
i mean the inspection of genuine viriology
dynamic concerning mental illness,
the anti-thesis of solipsism, as the proper counter...
or should i say: membrane / barrier?
    can mental illness make ranks, i.e. spread?
like a virus can?
            well, if you take to explaining a zeitgeist...
ideology akin to communism and ****** can
become virus-akin... so i guess... yes...
it had to become a self-serving question easily
answered... mental illness can be very much
akin to a common cold... it's not really a case of taboo
being the lock-and-key to contain it...
nor the asylum... i suppose the best prescription
is the idea of solipsism...
              but isn't this grand,
i'm actually lethargic, coinciding with
    a tax on robots... and the French slashing
their 35 hour working weeks to 32 hours...
    and the Finns paying their unemployed
    (2K, placebo dosage for the actual
   237,000 unemployed) - a random €560 a month...
such are the times...
           it really has become a sort of
year 0 orientation lesson... because it's just
gagging for a guillotine to snap it awake,
so a decapitated head of Charles I at Whitehall might
say it's final farewell...
              and is mental illness capable of
being akin to a viral infection...
     it probably can... you probe the waters in an
environment of poets... they're good enough
to succumb to a white rabbit experiment...
              question is: do you apply the rule
of solipsism or an actual asylum? in a post-asylum
society, i don't think there's an option
whether solipsism should, or shouldn't be used
to counter the more serious form of the flu...
   but, as ever, it comes down to the age-old
cartesian model of dualism... or as any siamese twin
might attest: i'm not that further away from
my sister as you might think...
  the dualism that served so well for so many years
to appear "peaceful" became a real dichotomy...
  the ergo suddenly failed... when people realised
that the fact "i think" didn't necessarily
precipiate into "i am"... given what the media is
interested in, and how many people become missing
and all that... the numbers were too much
for player uno to simply give up the canvas
of newspapers and t.v. to some poor schmuck
trying to impregnate his canvas on which he worked
his paint-brush (power) and paint (wealth) onto...
   the cartesian ergo simply failed...
    oh sure, the other two facts worked... but they
didn't necessarily congregate universally
in the crux of ergo,
        i was told it would be a monsoon of thought
established on earth... instead i got a light-shower
   and the Gobi desert.
in the same way the subconscious exists
as a fake of the trinity...
           to me it has no need for a chisel...
as a realm... treat the conscious as a realm
akin to Hades, and it becomes wholly
de-personalised... there's not individual in it
that might require it... it's a covert mechanism
of subterfuge... but if we're talking
making rabbit heads with our hands
   in the shadow form... we're talking
nothing but puppeteering...
   or like saying, let's create an evolved
version of the definite (the) and the indefinite (a)
article...
                      well... there must be
a direct and an indirect article...
                well there is...
con                                 and sub-con,
       un-con is an indiscriminate article...
meaning: what are the evolutionary gains
of dreaming, given the cinema?
Ottar Feb 2014
Promises are made to be broken,
as a stereotype that is a mere token,
that I will leave with you,
where am I going too, that you can not be
with me?

No where and everywhere all at once,
there is much, I see I could put in poetry,
but I promised, my self, among my many selves,
that I would pull out of my computer and off of the shelves
the three stories one hundred and fifty thousand six hundred and forty two words
in total
on the whole
and add and edit and add and review, maybe change a genre, just for you a
possible future reader or critic.

There are dark unknown shadows when and where I go, where I'll stop to sleep
oh I don't know, I will travel far but maybe end up no where I know, I hear there is
a snow storm coming, best to stay indoors, which I seldom do no matter what
Ms. Nature has in store.

If I find time on my hands, don't mind the ink pains or blood stains when I do,
for it'll mean, I am bored or I miss all of you I may be gone a month or two,
I could be radical and call it a sabbatical but I still have to go to my day job, so lets
plan on meeting by March 31st, I may get a burst of inspiration and what is the
worst that could happen is I write a poem or two, read all you written, and leave
footprints and refuse behind so that you'll know "I have been" and left a mess
for you to clean
while not trying to be obscene, um I mean make a scene.

As well I have some paperwork to do, which make cost me time but if IT, I  do
not do, IT will cost me more, emotional currency is more dear than bitcoin,
could you spare a few? (Emotions I mean if I run out, leaving me drained,
stuck in the DOWN spout?)

I will be listening to music while a way, Great Big Sea inspires me, anything Celtic,
Mumford and Sons, Good For Grapes, and the sound track to Les Miserables,
some classical music and the odd opera piece, no seriously I mean ODD, and then
there is all that jazz... I am really not going, I hate goodbyes, I will be writing
quite close even, Nearby.

I would blow you a kiss and say "mwahh", if you did not take that as an advance,
and if you would be so kind as to blow one my way, I will put it near to my heart
so it keeps beating away.
This is a good thing, message me and I will return a note, it just might be the thing that reminds to breath... and no this is not a New's Year Resolution...it is a revolution based on a revelation
Hidden at the back of my mind
an idyllic vision
taking a trip
to span all continents.
Travel to Asia's Great Wall, Europe's Eiffel Tower
Africa's Giza Pyramid, America's Statue of Liberty.
Travel by Aladdin's magic carpet
spell-bound and comfortable, yet bewitched.
Travel for too long
for an endless trip, there it is
my destination.
A final full of dreams, a final to come true
a destination that fir altogether
a destination with that jigsaw.
I cry to reach for destination
I wait for long hours, saying myself
when I reach it - that will be it
this trip is for lasting happiness. But last destination lost
it's a dram, can't believe t'was a dream
a dream which outdistances me.
Next time, I promise
not to travel with that genie's carpet again
go to walk through path untrodden
go to climb Mt. Mayon, swim more to the Pacific deep
go bare footed in the Gobi
I promise, I promise
to live more my travel
the destination, the next stop
sooner in sight
than I expect it to be.
Matt Shade Aug 2016
"Holy Quambats!",
bellows low-orbit sports announcer 33e, a.k.a. Rick,
"The Zargoball's been switched! With a hopping Ugaroo!",

(An Ugaroo is an adorable jumping rodent from Vulky II, and a Quambat is the ten foot titanium pole typically used to hit a Zargoball across any particular preset playing perimeter- this for any listeners at home who are new to the sport.)

"Not to worry! It seems that Team Lime Green has gotten the Ugaroo caught in a snare- placed here in the ancient past for JUST such an occasion! Uh-oh! Here come the Iron Knights to try and steal their capture!"

(There are over 70,302 teams [exactly 70,303 teams] currently competing for possession of the Zargoball on planet Zargoz, partaking in the galaxies favorite interstellar pastime- a popular sport known also as Zargoz.  The current round began at an unknown date in the planets ancient history, and all that remain of its origins are a plethora of wildly conflicting and confusing myths. It seems here that Team Lime Green has passed down knowledge of their hidden snare for hundreds of generations through word of mouth before this incident today. Miraculously, their bizarre efforts appear to have payed off.)

"Oh, what a blast! The Zorodan Order has just dropped a neutron bomb over the site of the capture, eradicating all life within a fifty mile radius! All referees are currently contacting their lawyers! And now... The word is in! The new Zargoball has been placed in the Temple City, just outside the Zorodan Temple! Power move!"

(...)

"The timing however couldn't have been worse! It is now 29:29am of the third day of Rayah on the Zorodan Calendar! All Zorodan on Zargoz must now drop all clothing and physical possessions, sit on the ground, and spend the next 3 days in holy naked meditation! The Council of Crystals has now moved in and captured the temple, decapitating all naked Zorodan on sight! After burning down the temple, the Council will be transporting the Zargoball via Air Carrier to ninety-third base, where hoards of treasures await the recipient of this hard-earned point! It's a long journey though! Before they arrive, someone had better discover the secret location of ninety-third base! And quick!"

(The secret location of ninety-third base actually, out of sheer coincidence, is also inside the Zorodan Temple- however it will now likely be well over a hundred years before this is discovered, as the only living contestants with knowledge of its location have been recently decapitated and burned.)

"Folks, I'd like to take this minute to promote our sponsor, Fizzwerz! A bubbly drink, sweeter than theropian glass-grass and recently determined to be more highly addictive than human crack, now cost you only 13.1 Gobi credits! These are- HOLY GOD!! Attention folks, I'd like to interrupt this interruption to announce a spectator of honor here in the low-orbit VIP section! Actually God himself! What a serious honor! And now we return to our broadcast! Oh here we go! Oh dear! It seems that the pilot of the Crystal Council Air Carrier was a Swamper spy all along! The carriers passengers have all been knocked unconscious by his thick perfume! What a show!"
Oídos con el alma,
pasos mentales más que sombras,
sombras del pensamiento más que pasos,
por el camino de ecos
que la memoria inventa y borra:
sin caminar caminan
sobre este ahora, puente
tendido entre una letra y otra.
Como llovizna sobre brasas
dentro de mí los pasos pasan
hacia lugares que se vuelven aire.
Nombres: en una pausa
desaparecen, entre dos palabras.
El sol camina sobre los escombros
de lo que digo, el sol arrasa los parajes
confusamente apenas
amaneciendo en esta página,
el sol abre mi frente,
                                        balcón al voladero
dentro de mí.

                            Me alejo de mí mismo,
sigo los titubeos de esta frase,
senda de piedras y de cabras.
Relumbran las palabras en la sombra.
Y la negra marea de las sílabas
cubre el papel y entierra
sus raíces de tinta
en el subsuelo del lenguaje.
Desde mi frente salgo a un mediodía
del tamaño del tiempo.
El asalto de siglos del baniano
contra la vertical paciencia de la tapia
es menos largo que esta momentánea
bifurcación del pesamiento
entre lo presentido y lo sentido.
Ni allá ni aquí: por esa linde
de duda, transitada
sólo por espejeos y vislumbres,
donde el lenguaje se desdice,
voy al encuentro de mí mismo.
La hora es bola de cristal.
Entro en un patio abandonado:
aparición de un fresno.
Verdes exclamaciones
del viento entre las ramas.
Del otro lado está el vacío.
Patio inconcluso, amenazado
por la escritura y sus incertidumbres.
Ando entre las imágenes de un ojo
desmemoriado. Soy una de sus imágenes.
El fresno, sinuosa llama líquida,
es un rumor que se levanta
hasta volverse torre hablante.
Jardín ya matorral: su fiebre inventa bichos
que luego copian las mitologías.
Adobes, cal y tiempo:
entre ser y no ser los pardos muros.
Infinitesimales prodigios en sus grietas:
el hongo duende, vegetal Mitrídates,
la lagartija y sus exhalaciones.
Estoy dentro del ojo: el pozo
donde desde el principio un niño
está cayendo, el pozo donde cuento
lo que tardo en caer desde el principio,
el pozo de la cuenta de mi cuento
por donde sube el agua y baja
mi sombra.

                        El patio, el muro, el fresno, el pozo
en una claridad en forma de laguna
se desvanecen. Crece en sus orillas
una vegetación de transparencias.
Rima feliz de montes y edificios,
se desdobla el paisaje en el abstracto
espejo de la arquitectura.
Apenas dibujada,
suerte de coma horizontal (-)
entre el cielo y la tierra,
una piragua solitaria.
Las olas hablan nahua.
Cruza un signo volante las alturas.
Tal vez es una fecha, conjunción de destinos:
el haz de cañas, prefiguración del brasero.
El pedernal, la cruz, esas llaves de sangre
¿alguna vez abrieron las puertas de la muerte?
La luz poniente se demora,
alza sobre la alfombra simétricos incendios,
vuelve llama quimérica
este volumen lacre que hojeo
(estampas: los volcanes, los cúes y, tendido,
manto de plumas sobre el agua,
Tenochtitlán todo empapado en sangre).
Los libros del estante son ya brasas
que el sol atiza con sus manos rojas.
Se rebela el lápiz a seguir el dictado.
En la escritura que la nombra
se eclipsa la laguna.
Doblo la hoja. Cuchicheos:
me espían entre los follajes
de las letras.

                          Un charco es mi memoria.
Lodoso espejo: ¿dónde estuve?
Sin piedad y sin cólera mis ojos
me miran a los ojos
desde las aguas turbias de ese charco
que convocan ahora mis palabras.
No veo con los ojos: las palabras
son mis ojos. vivimos entre nombres;
lo que no tiene nombre todavía
no existe: Adán de lodo,
No un muñeco de barro, una metáfora.
Ver al mundo es deletrearlo.
Espejo de palabras: ¿dónde estuve?
Mis palabras me miran desde el charco
de mi memoria. Brillan,
entre enramadas de reflejos,
nubes varadas y burbujas,
sobre un fondo del ocre al brasilado,
las sílabas de agua.
Ondulación de sombras, visos, ecos,
no escritura de signos: de rumores.
Mis ojos tienen sed. El charco es senequista:
el agua, aunque potable, no se bebe: se lee.
Al sol del altiplano se evaporan los charcos.
Queda un polvo desleal
y unos cuantos vestigios intestados.
¿Dónde estuve?

                                  Yo estoy en donde estuve:
entre los muros indecisos
del mismo patio de palabras.
Abderramán, Pompeyo, Xicoténcatl,
batallas en el Oxus o en la barda
con Ernesto y Guillermo. La mil hojas,
verdinegra escultura del murmullo,
jaula del sol y la centella
breve del chupamirto: la higuera primordial,
capilla vegetal de rituales
polimorfos, diversos y perversos.
Revelaciones y abominaciones:
el cuerpo y sus lenguajes
entretejidos, nudo de fantasmas
palpados por el pensamiento
y por el tacto disipados,
argolla de la sangre, idea fija
en mi frente clavada.
El deseo es señor de espectros,
somos enredaderas de aire
en árboles de viento,
manto de llamas inventado
y devorado por la llama.
La hendedura del tronco:
****, sello, pasaje serpentino
cerrado al sol y a mis miradas,
abierto a las hormigas.

La hendedura fue pórtico
del más allá de lo mirado y lo pensado:
allá dentro son verdes las mareas,
la sangre es verde, el fuego verde,
entre las yerbas negras arden estrellas verdes:
es la música verde de los élitros
en la prístina noche de la higuera;
-allá dentro son ojos las yemas de los dedos,
el tacto mira, palpan las miradas,
los ojos oyen los olores;
-allá dentro es afuera,
es todas partes y ninguna parte,
las cosas son las mismas y son otras,
encarcelado en un icosaedro
hay un insecto tejedor de música
y hay otro insecto que desteje
los silogismos que la araña teje
colgada de los hilos de la luna;
-allá dentro el espacio
en una mano abierta y una frente
que no piensa ideas sino formas
que respiran, caminan, hablan, cambian
y silenciosamente se evaporan;
-allá dentro, país de entretejidos ecos,
se despeña la luz, lenta cascada,
entre los labios de las grietas:
la luz es agua, el agua tiempo diáfano
donde los ojos lavan sus imágenes;
-allá dentro los cables del deseo
fingen eternidades de un segundo
que la mental corriente eléctrica
enciende, apaga, enciende,
resurrecciones llameantes
del alfabeto calcinado;
-no hay escuela allá dentro,
siempre es el mismo día, la misma noche siempre,
no han inventado el tiempo todavía,
no ha envejecido el sol,
esta nieve es idéntica a la yerba,
siempre y nunca es lo mismo,
nunca ha llovido y llueve siempre,
todo está siendo y nunca ha sido,
pueblo sin nombre de las sensaciones,
nombres que buscan cuerpo,
impías transparencias,
jaulas de claridad donde se anulan
la identidad entre sus semejanzas,
la diferencia en sus contradicciones.
La higuera, sus falacias y su sabiduría:
prodigios de la tierra
-fidedignos, puntuales, redundantes-
y la conversación con los espectros.
Aprendizajes con la higuera:
hablar con vivos y con muertos.
También conmigo mismo.

                                                    La procesión del
año:
cambios que son repeticiones.
El paso de las horas y su peso.
La madrugada: más que luz, un vaho
de claridad cambiada en gotas grávidas
sobre los vidrios y las hojas:
el mundo se atenúa
en esas oscilantes geometrías
hasta volverse el filo de un reflejo.
Brota el día, prorrumpe entre las hojas
gira sobre sí mismo
y de la vacuidad en que se precipita
surge, otra vez corpóreo.
El tiempo es luz filtrada.
Revienta el fruto *****
en encarnada florescencia,
la rota rama escurre savia lechosa y acre.
Metamorfosis de la higuera:
si el otoño la quema, su luz la transfigura.
Por los espacios diáfanos
se eleva descarnada virgen negra.
El cielo es giratorio
lapizlázuli:          
viran au ralenti, sus
continentes,
insubstanciales geografías.
Llamas entre las nieves de las nubes.
La tarde más y más es miel quemada.
Derrumbe silencioso de horizontes:
la luz se precipita de las cumbres,
la sombra se derrama por el llano.

A la luz de la lámpara -la noche
ya dueña de la casa y el fantasma
de mi abuelo ya dueño de la noche-
yo penetraba en el silencio,
cuerpo sin cuerpo, tiempo
sin horas. Cada noche,
máquinas transparentes del delirio,
dentro de mí los libros levantaban
arquitecturas sobre una sima edificadas.
Las alza un soplo del espíritu,
un parpadeo las deshace.
Yo junté leña con los otros
y lloré con el humo de la pira
del domador de potros;
vagué por la arboleda navegante
que arrastra el Tajo turbiamente verde:
la líquida espesura se encrespaba
tras de la fugitiva Galatea;
vi en racimos las sombras agolpadas
para beber la sangre de la zanja:
mejor quebrar terrones
por la ración de perro del
labrador avaro
que regir las naciones pálidas
de los muertos;
tuve sed, vi demonios en el Gobi;
en la gruta nadé con la sirena
(y después, en el sueño purgativo,
fendendo i drappi, e mostravami'l
ventre,
quel mí svegliò col
puzzo che n'nuscia);
grabé sobre mi tumba imaginaria:
no muevas esta lápida,
soy rico sólo en huesos;
aquellas memorables
pecosas peras encontradas
en la cesta verbal de Villaurrutia;
Carlos Garrote, eterno medio hermano,
Dios te salve, me dijo al
derribarme
y era, por los espejos del insomnio
repetido, yo mismo el que me hería;
Isis y el asno Lucio; el pulpo y Nemo;
y los libros marcados por las armas de Príapo,
leídos en las tardes diluviales
el cuerpo tenso, la mirada intensa.
Nombres anclados en el golfo
de mi frente: yo escribo porque el druida,
bajo el rumor de sílabas del himno,
encina bien plantada en una página,
me dio el gajo de muérdago, el conjuro
que hace brotar palabras de la peña.
Los nombres acumulan sus imágenes.
Las imágenes acumulan sus gaseosas,
conjeturales confederaciones.
Nubes y nubes, fantasmal galope
de las nubes sobre las crestas
de mi memoria. Adolescencia,
país de nubes.

                            Casa grande,
encallada en un tiempo
azolvado. La plaza, los árboles enormes
donde anidaba el sol, la iglesia enana
-su torre les llegaba a las rodillas
pero su doble lengua de metal
a los difuntos despertaba.
Bajo la arcada, en garbas militares,
las cañas, lanzas verdes,
carabinas de azúcar;
en el portal, el tendejón magenta:
frescor de agua en penumbra,
ancestrales petates, luz trenzada,
y sobre el zinc del mostrador,
diminutos planetas desprendidos
del árbol meridiano,
los tejocotes y las mandarinas,
amarillos montones de dulzura.
Giran los años en la plaza,
rueda de Santa Catalina,
y no se mueven.

                                Mis palabras,
al hablar de la casa, se agrietan.
Cuartos y cuartos, habitados
sólo por sus fantasmas,
sólo por el rencor de los mayores
habitados. Familias,
criaderos de alacranes:
como a los perros dan con la pitanza
vidrio molido, nos alimentan con sus odios
y la ambición dudosa de ser alguien.
También me dieron pan, me dieron tiempo,
claros en los recodos de los días,
remansos para estar solo conmigo.
Niño entre adultos taciturnos
y sus terribles niñerías,
niño por los pasillos de altas puertas,
habitaciones con retratos,
crepusculares cofradías de los ausentes,
niño sobreviviente
de los espejos sin memoria
y su pueblo de viento:
el tiempo y sus encarnaciones
resuelto en simulacros de reflejos.
En mi casa los muertos eran más que los vivos.
Mi madre, niña de mil años,
madre del mundo, huérfana de mí,
abnegada, feroz, obtusa, providente,
jilguera, perra, hormiga, jabalina,
carta de amor con faltas de lenguaje,
mi madre: pan que yo cortaba
con su propio cuchillo cada día.
Los fresnos me enseñaron,
bajo la lluvia, la paciencia,
a cantar cara al viento vehemente.
Virgen somnílocua, una tía
me enseñó a ver con los ojos cerrados,
ver hacia dentro y a través del muro.
Mi abuelo a sonreír en la caída
y a repetir en los desastres: al
hecho, pecho.
(Esto que digo es tierra
sobre tu nombre derramada: blanda te
sea.)
Del vómito a la sed,
atado al potro del alcohol,
mi padre iba y venía entre las llamas.
Por los durmientes y los rieles
de una estación de moscas y de polvo
una tarde juntamos sus pedazos.
Yo nunca pude hablar con él.
Lo encuentro ahora en sueños,
esa borrosa patria de los muertos.
Hablamos siempre de otras cosas.
Mientras la casa se desmoronaba
yo crecía. Fui (soy) yerba, maleza
entre escombros anónimos.

                                                Días
como una frente libre, un libro abierto.
No me multiplicaron los espejos
codiciosos que vuelven
cosas los hombres, número las cosas:
ni mando ni ganancia. La santidad tampoco:
el cielo para mí pronto fue un cielo
deshabitado, una hermosura hueca
y adorable. Presencia suficiente,
cambiante: el tiempo y sus epifanías.
No me habló dios entre las nubes:
entre las hojas de la higuera
me habló el cuerpo, los cuerpos de mi cuerpo.
Encarnaciones instantáneas:
tarde lavada por la lluvia,
luz recién salida del agua,
el vaho femenino de las plantas
piel a mi piel pegada: ¡súcubo!
-como si al fin el tiempo coincidiese
consigo mismo y yo con él,
como si el tiempo y sus dos tiempos
fuesen un solo tiempo
que ya no fuese tiempo, un tiempo
donde siempre es ahora y a
todas horas siempre,
como si yo y mi doble fuesen uno
y yo no fuese ya.
Granada de la hora: bebí sol, comí tiempo.
Dedos de luz abrían los follajes.
Zumbar de abejas en mi sangre:
el blanco advenimiento.
Me arrojó la descarga
a la orilla más sola. Fui un extraño
entre las vastas ruinas de la tarde.
Vértigo abstracto: hablé conmigo,
fui doble, el tiempo se rompió.

Atónita en lo alto del minuto
la carne se hace verbo -y el verbo se despeña.
Saberse desterrado en la tierra, siendo tierra,
es saberse mortal. Secreto a voces
y también secreto vacío, sin nada adentro:
no hay muertos, sólo hay muerte, madre nuestra.
Lo sabía el azteca, lo adivinaba el griego:
el agua es fuego y en su tránsito
nosotros somos sólo llamaradas.
La muerte es madre de las formas…
El sonido, bastón de ciego del sentido:
escribo muerte y vivo en ella
por un instante. Habito su sonido:
es un cubo neumático de vidrio,
vibra sobre esta página,
desaparece entre sus ecos.
Paisajes de palabras:
los despueblan mis ojos al leerlos.
No importa: los propagan mis oídos.
Brotan allá, en las zonas indecisas
del lenguaje, palustres poblaciones.
Son criaturas anfibias, con palabras.
Pasan de un elemento a otro,
se bañan en el fuego, reposan en el aire.
Están del otro lado. No las oigo, ¿qué dicen?
No dicen: hablan, hablan.

                                Salto de un cuento a otro
por un puente colgante de once sílabas.
Un cuerpo vivo aunque intangible el aire,
en todas partes siempre y en ninguna.
Duerme con los ojos abiertos,
se acuesta entre las yerbas y amanece rocío,
se persigue a sí mismo y habla solo en los túneles,
es un tornillo que perfora montes,
nadador en la mar brava del fuego
es invisible surtidor de ayes
levanta a pulso dos océanos,
anda perdido por las calles
palabra en pena en busca de sentido,
aire que se disipa en aire.
¿Y para qué digo todo esto?
Para decir que en pleno mediodía
el aire se poblaba de fantasmas,
sol acuñado en alas,
ingrávidas monedas, mariposas.
Anochecer. En la terraza
oficiaba la luna silenciaria.
La cabeza de muerto, mensajera
de las ánimas, la fascinante fascinada
por las camelias y la luz eléctrica,
sobre nuestras cabezas era un revoloteo
de conjuros opacos. ¡Mátala!
gritaban las mujeres
y la quemaban como bruja.
Después, con un suspiro feroz, se santiguaban.
Luz esparcida, Psiquis…

                                 
¿Hay mensajeros? Sí,
cuerpo tatuado de señales
es el espacio, el aire es invisible
tejido de llamadas y respuestas.
Animales y cosas se hacen lenguas,
a través de nosotros habla consigo mismo
el universo. Somos un fragmento
-pero cabal en su inacabamiento-
de su discurso. Solipsismo
coherente y vacío:
desde el principio del principio
¿qué dice? Dice que nos dice.
Se lo dice a sí mismo. Oh
madness of discourse,
that cause sets up with and against
itself!

Desde lo alto del minuto
despeñado en la tarde plantas fanerógamas
me descubrió la muerte.
Y yo en la muerte descubrí al lenguaje.
El universo habla solo
pero los hombres hablan con los hombres:
hay historia. Guillermo, Alfonso, Emilio:
el corral de los juegos era historia
y era historia jugar a morir juntos.
La polvareda, el grito, la caída:
algarabía, no discurso.
En el vaivén errante de las cosas,
por las revoluciones de las formas
y de los tiempos arrastradas,
cada una pelea con las otras,
cada una se alza, ciega, contra sí misma.
Así, según la hora cae desen-
lazada, su injusticia pagan. (Anaximandro.)
La injusticia de ser: las cosas sufren
unas con otras y consigo mismas
por ser un querer más, siempre ser más que más.
Ser tiempo es la condena, nuestra pena es la historia.
Pero también es el lug
Mateuš Conrad Aug 2016
have you ever made a spider a Palestinian? i have, today, refreshing the paint-job on the back of my house, a whole family strutting away from fresh paint being applied (poets cure boredom, they simply don't know it), the cardigans erase & rewind, my uncle would be perfect with his age to work out the demographics - my age circuit, 30 and listening to the palette of those in full-throttle of the 1990s - anyway, refreshing the paint on the back of my house, not for dough, but for the sweat of my brow - learning i succumb to acrophobia on the ladder - but i did it anyway... i love phobias, they're not the fear, they're like a box of chocolates... you never know what will make you startle... it's not permanent, phobias shouldn't be considered permanent, they're too reflexive... and we all know that nibbling them in the reflective realm immediately suggests irrationality, not to a reaction, but to a continuum of a reaction: a ladder, a giant spider to boot. but i never watched a spider eat fresh paint... watched the ******* do the nibble on paint... ***** - a getty cardinal spider shooting paint pollutants with its leg, eating the Chernobyl cocktail, the rainbow melt in a puddle of oil spill... junkies everywhere; so that done, a beer and a quick look at the Olympics...

if table tennis was as relevant as table tennis -
i prefer table tennis,
judo is too cool too - classic Greek wrestling
with feet to match the hands -
i think in terms of the Olympics we're in
the Gobi desert - so many sports are shown only
once every 4 years, the once that don't make the dough...
i'd prefer the Olympics without the pop culture
exponents that keep us hungry for spectacles
during the 4 years apart -
hand-ball, Romania thrashed by Angola -
ladies first, of course,
and weight-lifting, weighs in at 48kg and lifts
80+kg... well Jihad John versus G.I. Jane...
a pretty match up... look, i came from a certain background
i won't be making politically correct statements,
if it weren't for my personal initiative i'd be scooping
grub from an industrial flat surface roof like my father...
i don't mind getting paid... i just love the fact that i will
and if ending up homeless, i have enough heart already
to start a religion, or something.
of course i'll miss my personal library of books and albums,
who wouldn't? i'll join the divorcee crew and it'll be
like it always was supposed to be.
but am i really that ridiculous? think about it,
i use ridiculous words in my vocabulary, after all i went
to a catholic school, it was bound to happen -
not true secular cool, sorry -
but is my usage of certain words completely penniless
more ridiculous in the form of an oligarch buying
a pearl entombed in a custard pie? of a yacht for a month
at Monte Carlo? seriously? if i utilise the words
Paraclete or Antichrist after just skimmed rereading of
a psychiatrist's religious venture in Jung's *answer to Job

am i as ridiculous as those barons?
i don't think so... i read that book like Flaubert instructed
concerning all books: read in order to live it -
a book is a transplant, some leave a heart, come a ****,
some a brain, some a pint of blood with a book...
i hope to leave the worm of hell licking your ear for a sloppy
Jim - read Jung... almost atypical German Christian
intelligentsia byproduct, neutral Swiss just after the second
world war... Freud read Nietzsche and so did Mussolini...
****** was very much Jung... it's a strange book...
we all know that the Greeks hijacked Judaism...
the Romans were like: whatever that meant...
shoved it into a cauldron of the prefix omni-
and attributed to the prefix geographies and geometries
all inclusive (herr deutsche came along though) -
but the Greeks hijacked the oddity of Judea at that
special time because they had scientific inclinations
rather than aesthetic inclinations of the Romans,
and they wanted answers... got **** all...
it's not the Jews that thought the Greek involvement
ridiculous, it was the Romans... hence the omni-
and -presence, -potency, etc. - the Greeks just had
those mythical names for ****... Logos, Sophia...
that's the funny thing with mythology and history -
the book of Revelation by the looks of it simply looks
like a redemption of Oedipus... mythology is a logic
of history where either none was recorded on papyrus
since no one required hush-hush intrigue talk and people
spoke to each other face to face rather than to a profile -
mugs and mustard seeds -
you can always buy the book, C. G. Jung answer to Job,
it's peppered with too much Greek, and very little
Roman care... the theological addition of a globalised world
(under monotheism, failed and thriving, whichever)
is bound to play the montage of omni- and simply add -
God = omnivocab - i have my limitations of words -
i had to censor or rather select a vocabulary in order
to process the interchanges to reach a conclusive churning
without an ultimate goal other than to preserve a continuum,
like Balzac boring everybody with the 19th instalment of
the human comedy. so after reading this book on religious
matters by a psychiatrists i'm sorta bothered...
i'm tripping... obviously not seeing any hyper-geometry
of your choice... i just think the Greeks did the most horrid
hoarding and looting know to man... which reflected
the looting of Byzantium and never reaching the Holy Land...
the barbarians never cared to be honest, they only
started caring when they started to castrate the boys
for the "holy" choir rather than circumcise them...
then they went Berserk... the book of revelation can only
mean the quantum mechanics of history, bound to
mythology - Oedipus was very real... the blackened
heart of Greeks even though Aristotle, Socrates, Plato...
that intellectual import and expression didn't help...
after all Eddie Gein gave birth to the latter part of the 20th
century pop culture... Texas Chainsaw... Haemorrhoid Hannibal,
House of a 1000 Corpses.. history and journalism
dismisses mythology, i dismiss journalism as simply
a hyper-sensitivity that keeps dialectics out of the picture,
a monologue of opinions... mythology just doesn't seem
that insensible given our perspective into history with Darwin
and millions of years ago with the sea-turtles... you know
how gossip works... it sooth the reality of it had happened...
because we prefer oysters and chicken thighs to digest than
the tales of Eddie, oh yeah... Fe Maiden... d'uh!
the Greeks looted the Hebrews to purge themselves of
Oedipus... the weakness came by keeping estranged with
Narcissus and iconoclasm... you want an extract?
bombshell blonde at your bidding -
assumptio mariae: mary as the bride is united with the son
in the heavenly-chamber, and as sophia, with the godhead
.
basically Mary is a schizophrenic ****-child of lust
for a Roman centurion who makes the story of a ****** birth
her wish to bed-wet her son (Jesus) into joining **** John
and Toe into her ****** (***** *****, like her already)
in heaven - she thinks her body will **** her "******-birth"
son and her wisdom (Sophia is her alias, or nickname)
will **** god in the head. oh hell this is sacrilege -
i'm not afraid of it... boo! ha! caught you mouth dry with the
boogie man. so this is a psychiatrist reasoning his religion...
as i said, the Greeks had no omni- Roman put the **** back
into his boots before he starts river-dancing...
all these quizzical ultra-mythical words that the Greeks
used starting with the Logos and Hippocrates were attached
to the failed Platonism of the unconverted Damocles principle
and the tyrant succumbing to drink and never bound to
a sober wish for anything more - (i'm guessing his intentions
were laid with Nietzsche as source of discipleship) - in short
let's just say that Platonism failed in practice,
and it needed a populist movement, a redemption from
the curse of Oedipus came from Hebrew with the schizoid-birth,
Joseph bin Adam was: better bite that ****** of the cow-fruit
and remind her of the stoning practices around here -
oh it's all pretty much Eastenders around here, it's
not the ******* Vatican marble corridors, we're talking
Gaza dust sneezing while whipping the donkey's *** to
move along... split-mind: beautiful metaphor... premature
dementia, obviously misunderstood... if premature "dementia"
while so much creativity among the split-minded...
it's like all the zodiac signs became jealous of Gemini,
incorporating Gemini-Solipsism... well, i have a neck like a bull
and a *****-count like a charging bull... but the thinking
behind the 3.a.m. is kinda staggering... oh right, you want
more quirky clues from Jung's book:
- silvia loret
- maritza mendez
- aria giovanni             (get a hybrid and i'll believe in Disneyland) -
****, that ain't what i was going to write, never mind,
you get a chance to see the palette of what's fudge for
fucky-fucky sized 16+ and what the Renaissance men
knew would be better than duck-feathers in pillows;
- meister eckhart: gott ist selig in der seele
- puer aeternus: vultu mutabilis albus et ater
    (of changeful countenance, both white and black)
- pius XII's apostolic constitution (munificentissimus dei)
   words like muni-imus really make you train in
    grammatical arithmetic, don't they? playing doctor with
   them as to where to cut them for a aqua format of rivers
   is quiet like reciting a 5x table up to 30 (sometimes)
- oportebat sponsam, quam pater desponsaverat, in θalmis caelestibus habitare (the bride whom the father had espoused had to abide in the heavenly bridal-chambers): st. john damascene (encomium in dormitionem);

summa summarum?
Nietzsche answered Job... this is my answer to Jung as also an answer to Lot - **** your daughters, your wife turns into a pillar of salt... and i equate that as a precursor to the man of sorrows on the ****** crucifix - salt is a metaphor for misery (that's etymology for you); and the Roman phonetic encoding survived over the fates of Egyptian and Babylonian is precisely why the adopted son of Caesar later made his uncle's adopted nephew his successor - as with the four dogma canon gospels, we're replicas of the tetragrammaton... well... i was never confirmed, i'm one short of joining the god-men that came out from catholic school after choosing a name for themselves they could have changed not having wished to be known by the two names given to them by their parents... few did... i just ended up an acronym of Einstein: M C E.
onlylovepoetry Jul 2016
<>


so she says...

your mouth suddenly goes Gobi Desert dry,
somehow manage a single swallow,
sounding as loud as if you've cracked
all twelve of you pistol-toting open carry knuckles simultaneous

****, as ridiculous as I sounded,,
it can't be worse than my succinct, elegant,
pithy response of a choking, but interrogatory
                                                   ­                              ahem?


(translation: excuse me, what did you say,
are you crazy, and did I hear you correctly
and are you completely crazy?)

then that awful pause
as you wait for
further guidance
from her mission control,
a scientifically measurable and
unendurable two shakes of a lamb's tail
(10 nanoseconds in atomic scientist lingo)

while that interminable wait drags on and on,
you manage to prepare an Old Testament long
and truly impressively worthy sing-song
list of variegated absurd follow up responses,
including:

- **** those ten pounds that summer slipped on so quietly
- is she really that crazy
- does she really think you're that crazy
- really? naked naked? (as opposed to just naked),
   or just in a, uh, a bathing suit?
- hot ****! there is a first time for e v e r y t h i n g!
- mmmm, what's she really after?
- am I going to be an Internet instantaneous super star?
- but I'm not tan down you know where
- she's just making fun of a really old man
- that's gross (or more accurately,      
   "I am so gross looking i.e. **** those ten pounds")
- yeah baby
- and the concluding eloquent summarizing thought of:
"make me an offer I can't refuse"
  which sounds suspiciously
  in your aged brain sadly like
                                                                                "you talking to me?"


then she laughs sweetly and says,
not naked, naked pictures silly,
just those poems where you bare your soul,
reveal more
of your core,
ones where we get to peek
(peak? couldn't resist) inside,
that comely come, studded,
(surely she must of meant studly,
says my semi-wounded pride)
that brain
you try to disguise
from where you draw
equal measures of pleasure & pain,
revealing yourself and so,
revealing us as well,
in a publicly secret way


cloyingly, subtly, adding
in a man-killing seductive  manner,
"after all that's a kind of love poem too,
is that not so?"
dancing me into submission, knowing,
that when Wanda-Goldfish like,
elle répète en français,
est-ce pas?"
there is no question who's the master
and who will be role playing the obedient
slave to poetry

oh well...

Sic transit gloria mundi, all glory is fleeting..

but still,

that's a not half bad compliment....

so I reply

you know there is a very
steamy seamy dark side to me

and as proof,
and in fulfillment
of her request,

I gave her this love poem

                                                and no telling what happened next
4:21am, of course
Mateuš Conrad Jan 2017
there's always that trailing off i get when i write,
oh god, whiskey is a ******...
    it drags you like a mermaid to the depths,
i start to feel an anchor in my mind
even though my heart is steady-numb...
   and i evidently become slightly dyslexic...
  but hey! what can you do:
     either drink and be miserable,
  or drink and unfold with terrible spelling at
the end of a session... and feel shame the next
day, having seen the outpouring
from the previous night...
      better still... i could recommend tending to
a small vine-patch...
and like me: taking a break from whiskey once
a year and drinking your own produce...
    unless of course you have a local turkish shop
nearby that sells out-dated beer
  at half the price... let me tell you:
that's ****** marvelous... nothing like
out-dated beer... it's right up there with the rollercoaster
and the kick! my my! it's so sudden...
      but it hits the spot,
all the disorientative effects of mushrooms:
without excess Dali lodged in your eyes...
so yeah, out-dated beer... double the trip...
but today is different, i have about 30 litres of
home-made wine just ready to be drunk,
   i've downed one bottle and i'm running
errands with the next... but i'm not miserable
in that i'm washing away my sorrows...
the funny thing about making your own wine
is that once you drink it: you celebrate...
you start to think about all the effort you put
into making it... how you picked the grapes from
the vine, how you squashed the grapes,
how you stood bedazzled by melting sugar
        in a little bit of water over the stove
(and how it started looking very much like
heavy water, or mercury, but see-through) -
and how you sniffed the stench of yeast,
and then waited for a month or so for the ****** thing
to take up strength...
   and now you're drinking it...
                    oh yes... wine in essex is very much
agreeable... and my my: i am really celebrating this
endeavour... it's not as fake as going to the shop
and buying a bottle of wine... i am drinking
my own work... i am celebrating, there's no god
or omen in the world that can tell me otherwise...
    i waited a year for this, well: two...
i don't know what happened last year, i mistimed...
the grapes froze, there was a sudden surge of frost
and i was really upset because of it, 2 years ago
i was drunk like a skunk for several days
and wrote some poems in between,
      and put my own wine on the christmas table,
but since i was ****** for so long, i could only
showcase one bottle...
      well they do say there are spirits out there,
and i must say: wine, esp. your own really is
the veritas, as the saying goes: in vino veritas...
    bring it back to whiskey, or Ms. Amber as i like
to call her... she's not sour, and she's pulverising,
so she's no friend of the tongue... in case you're wondering
i'd like to call herr goebbels right now...
         but can you feel a shame of having misspelled a word
drunk, because your hands started to feel
   a bit like a daddy longlegs with one or two legs missing?
in terms of the keyboard...
what are the prime digits?
right hand: ******* - ****! now my hands feel conscious
of me talking about them...
middle and thumb (for the spacebar) -
   index finger for the opening bracket (  
pinky finger for the enter button -
                 to make room for the next line -
which makes me wonder about my left hand,
it would appear that i'm left handed when before
the keyboard -
   the main provocators are the index
middle and... surprise surprise! the ring finger!
the left hand thumb sometimes does
                       use the space bar also...
the the right hand ring finger is hardly used...
i remember watching my doctor type at a keyboard once...
a bit like a crow pecking... it went like this:
index (right) index (left)
    index (right) index (left)
               index (right) index (left) - it was agony...
it was a bit like standing at a supermarket cashier with
an old lady in front of you, buying butter and milk
and talking for an hour while counting her change...
   ageism? no! just your typical life-bound comedy of
how the stats stack... we spend this many years in traffic...
and my, the hand thing...
       yep, next thing you'll - aha! there is the ring-finger
utility in the right hand after all - it comes with words
that come shortened, i.e. you'll... the ' mark,
and also the backspace button...
                  i was going to say: (the shift button?
pinky owns it) - as the great kabbalists have this fetish
of looking at your hands, it's worthwhile to note down
this geography of the keyboard...
   they'd just point at the indententions of the hand
and spew words out like: girdle of venus...
     malkhut (silent h) -
                 which brings to mind:
   we already know the name is silent,
  since you might be served an indian dish called
dhal... and in fact you would be served such a dish,
but you'd only say you ate daal... or dāl...
then again that's also true with the pedant puritan
who'd note it as: dhāl... which is funny that this isn't
merely coincidental... a language that doesn't
use diacritical marks, and has a third arm sticking out
of it in terms of what letters remain silent (but are
inserted into words nonetheless), and a concentration
of the same rubik's "cube" akin to y and w...
      y and i are so close! you can almost feel them pushing
together, or giving birth to something!
  why?! why?!
                         (insert snigger)... drunk humour:
it gets the better of me sometimes...
   so yes, that thing about kabbalists and the hand thing,
other words could be included, like: keter,
               bina(h),             gevura(h),  
strangely enough Hod...   tiferet (what a beautiful word),
    yesod....     chok(h)ma(h)...   chesed...
netzach! hey! surfing u.s.a., i think i'll bring my banjo
to sniff out whether i'm part of the scene:
dangle dangle plop plop... ah poo...
                   p pi po'h...           and last weekend
we had snow... it scared the bejesus out of people
for a while, but things returned to normal nonetheless...

- interlude -

the tyranny of being conscious...
long recognised by eastern philosophy and the practice
of meditation...
  to be away from me...
        and they do so, splendid,
and then all toward vanity, given you're forced
into dreaming... so even when you're not even
conscious... i.e. unconscious...
   you're being fed a dream...
  and however disroted that you in the dream
is... there's still you...
oddly enough: if i make thinking = dreaming
   i can honestly say: i wish i dreamed more
than i thought... me not a mighty oratory gob
after all...
            evidently doing hallucinogenics
   was to excavate the dream into the waking hour...
and that's how i'll leave this interlude,
   i just imagine andy warhol testifying about fame
at the opera...
   or that's me bound to watching:
   alain de botton... or what does need diacritical
marks: alain dé bóttą...
                        dé bóttą... the art of travel,
                    on the QE2...    
      dé bóttą! oh the marvel, French of all languages
is nasal and glottal! when speaking Polish you
might as well be talking in razors...
                  Greek and lisp, English and Cockney rhyme...
and the lost trill of the R... R hollowed out...
                and once again to modern times:
the imperial march (darth vader's theme) vs.
     beethoven's 9th symphony...
                                                             tra la la -
both as universally acknowledged as the sound of
a ****... and perhaps a pigeon's coo-woo
                                                                                       -

...the interlude actually contains what ignited me to
write... drinking aside, but drinking too...
   in all too a great happiness that somehow i live
a life that asks for narrative minimalism,
               i can say: and in between i did **** all,
i thought profanity was necessary,
            and how i'd wish i'd have written a epic
like don quixote... but then i thought: keep it real,
keep it real... av a laugh...
                           i'll probably taste the sour from the wine
sometime soon, once the narrative becomes a Gobi
and i get worked about the eventual loss of
   a carpe diem quickie...
                           but it's still there, for the moment...
        and having realised that: it's gone.
               and i did say:
    by the personnae principle, in line with not writing out
a Tolstoy, i have to admit that i never know
who i encounter in my exploits...
            and there is a personnae principle at work here,
it's not Shakespeare, that much i know,
   it's the practice of personnae incorporation that
does away with: and Titus said:
                                      veni! vidi! vendredi!
(oi oi, enough of the French static, ya ponce!)
          so that's that, poetry has come to resemble
   modern art... given the personnae principle
we have done away with all the intricacies of
        writing a Shakespearean play...
Titus - lo!
   Anthony - a plum tree!
                          as a person competent with narratives
i ask for all people to leave the building...
   a pit of tongues i might also add...
      populo in singuli!       ah freckles and ash...
it has to be: pertaining to the vulgate...
   nothing better than speaking illiterate latin ol' boy...
  a bit like richard brautigan
writing the pill versus the springhill mine disaster -
there the buds of the concept personnae (without clear
indication that we are dealing with a crowd,
so no memorable quote or character, the narrator
is trying to keep his **** together, pardons for the laziness
and lack of indicative marks that there are actually
more people in the room than could be expected...
me and drunk me make up a thousand crude-essentials
as to what is intended to imply: having a good time) -
    sometimes poetry is just that: a quickened code for
acting, albeit without any character-study,
        or diet, or paparazzi...  and it's so quick... you've
watched a movie like a mosquito lived its life and you're
writing the credits...
       like richard brautigan wrote that poem -
      when you take your pill
           it's like a mine disaster.
       i think of all the people
      lost inside of you.

richard brautigan! richard brautigan!
this is the mine disaster company, over!
         yes, we number 34 souls in total.
       and there's your thesis! it must be hard to
write "poetry" and never, not once: experience
the Styx in your travels, the pit of tongues,
         or the personnae principle...
              always bound to rigid narrative constructs,
alway having an aliby with a 'he said it!'
          it must get horrid sometimes,
   living that life of a puppeteer / narrator -
     never really drunk with pesky humour -
       never once enjoing a wicked thought -
        a meddle on the omnius frivolity of life...
but personally? i find it almost bewildering that
of all the ancient Greek gods... Hades was homeless...
that's before Hades was a noun designating a place,
a realm... i just find it hard
to believe that of all the gods, Hades didn't have a temple...
    the only god from ancient greece that didn't
have a temple... sure, they had a statue of him,
  but there was no temple to see to benediction...
now i really think i've over-stepped it...
                     the wine is imploring me to end this
polyphonic nonsense, and think of a monophonic
sound of a woodpecker... relax... think of the sound
when wood is chopped...
      relax... forget this circus of what could be
described as a theoretical exploration of a schizophrenic
symptom... think of a monty python sketch...
        calm



                                                                                 .
Deer loved one

Please bear with me,
owl bee with ewe as soon as possum bull.
Rhino that things have been on paws lately
bat remember I toad you;
Toucan always find me some plaice warm in your heart
if I'm not lion there beside you.
Giraffe nothing to fear, no one can break the lynx we've made.
Mine is a love that'll never panda, narwhal it
hound any other sole but jaws and yours alone.

You're the porpoise I wake up every morning.
Wren all otter things are bleak, you're my ray of sunshine.
You let minnow weevil always have each other.
With you, newt time passes but stops still.

Love you with vole of my heart
ant i'll never desert you.
Until hen Gobi good

Yours truly
...
Aidar Omar Apr 2022
If I was a king of Asia I would give you all the gold there is
But I'm not even prince of Persia, all I have is love and dreams
Let me show you land of legends, land of honeymoon and rising sun
I am not as rich as Ali Baba, but I promise we'll be having fun

I'll take you to Bali the gem of Java Sea
Then we'll go on to safari a little south of Abu Dhabi
I'll take you to Maldives to swim in coral reefs
We'll enjoy the sweet papaya on the islands of Pattaya

I'll show you lake Baikal, Tibet and Taj Mahal
We'll see Macao, Yokohama, Hanoi, Jeddah, Jaipur, Jakarta
I'll take you to Dubai, Dushanbe and Mumbai
We'll spend some starry nights in yurts near the city of Yakutsk

I’ll take you to Tashkent where melons got their scent
We will taste all sorts of apples in the city of Almaty
I’ll take you to Beirut we'll go nuts on dried fruits
And the coffee with vanilla we can try it in Manilla

I'll take you to Kashgar to shop at old bazaar
Then we'll fly a magic carpet to the markets of Qatar
We'll see ruins of Karakorum the old capital of Moguls
Then we'll go to Kathmandu and then Karachi and Kabul

We'll discover caves with treasures, make three wishes all at once
All at once will turn to a fairy tale, like in one and thousand nights
Let me show you feast of colors, take you cross the dunes in caravans
Even if I don't look like Alladin, I sure know a thing about romance

I'll take you to Taipei to see its lovely bay
We will sip on Coca Cola on the silky sands of Goa
I'll take you to Shanghai where towers touch the sky
And the best of architecture we will see in precious Petra

We'll go to Ashgabat, Bishkek, Busan, Baghdad
We will see Great Wall of China and Cambodian Angkor Wat
We'll see the Everest, mount Fuji, Gobi Desert
And it's certainly my pleasure to take you all around Asia!
This is lyrics to my latest single "Song of Asia" (check out on Spotify or Apple Music)
gravelbar Oct 2010
Scribbles on a yellow notepad, this ink won't last
Letting sweat dry from a long walk, half way there
I didn't notice it on my first passing, or my second
Third time is the charm they say, don't they?
Now I sit in this scummy drainage ditch, writing
A tree, growing from a pile of waste concrete
Dumped carelessly by rough, tired, hands
Green leaves adorn it, this oddity, only a sapling
Like a flower on the peak of Mount Everest
Or an ice cube in the middle of the Gobi
This is not so grand, this urban contradiction
Some day it will be as tall as me, maybe taller
Stretching its limbs, eroding its base
Praising sun rays through photosynthesis
Pushing down roots through man made constructions
Reclaiming the soil from which all life springs & returns
We can all spit on those tablets of stone,
the trinity's on hiatus,
the devil's alone,
School's out for training
it's raining hell fire and the bishops
are recording the antediluvian choir.

Noah's going to Goa,
A lot safer than here,
they say Indian beer's the best.
With his wood and an axe and
several packs of cool Cobra, he sails
into the wind and ends up in the Gobi.

On the edge of a rainbow
'jump Noah',
'don't go',
two people are shouting,
somebody's outing the sailor.

The choir got wrecked on microdot specks and
suspecting the worst, the bishops in Rome
all spit on the tablets hacked out from rough stone,
it was a quiet day in the Vatican, no miracles pronounced
in Perpignan, no Lady of Lourdes, no shroud of Turin,
only the blessing of Geneva dry gin.
Angels with harps all ****** as farts and
the devil sits alone.
Mateuš Conrad Nov 2017
when reading spinoza i find that:
  the mere word god is the best lubricant
to utilise when structuring language -
since god: remains in the domain
of language, and this language is
bound to thought, rather than
lunatic procrastination of prayer -
thought is not a duty: it's a leisure...
which is why i find atheists so pedantic
and pseudo-atheists even more
pedantic demand a genital sphere
of god - a word, or rather, a noun
that gives origin to all other nouns...
and if i were to truly make a "******"
distinction, after the difficulties or reading
two or three germans,
    this dutch jew is like what a woman
might think when moisturising
a baby's *** with ointments or
powder...
                  all i have is a rod -
and my child is in the crevice of a grave,
and if it ever has a womb to
insist upon, it's my mind -
the womb of man is his mind which
extends into the grave -
  and from the grave the child
answers...
which is why i have no affiliation
with living authors, none...
        reading spinoza after having
finished reading heidegger is like finding
the most unimaginable ease -
to read heidegger or kant
you have to be an atlas -
but when spinoza writes:
   it's like watching an autumnal leaf
tornado down to the ground -
spiralling in a ballerina poise -
    only when the truly difficult has
been carried, is the apparently
  "hellishly" difficult all the more
easier to be carried across the valley
of shadow, grit grime and gangrene...
   yet if we do share genitals as
what they are intended for:
  then man also possesses a womb:
the mind...
  the mind in man is the equivalent
of the womb in womb...
yet the difference is:
each of man's children is born of
death - a still born excited by
a dancing partner of your ego engaging
with it, lost, abandoned, hushed:
dusted over...
  never will these children
     feel the touch of oils upon their
buttocks, only haemorrhoids from
sitting on cold gravestone marble...
   and can you just imagine as to how:
the birth of man takes so much longer
than the biological birth of man
via woman?
                sometimes it takes a near
estimate of 2000 years to give birth of
man,
  or it takes 2000 or so years to finally
cut off the umbilical chord feeding
the *******, given archaeological findings
in egypt, and abort this ******* child...
to spare: the good man, joseph.
      yet the ease with which spinoza
nonchalantly uses the word god,
  un-found in modern atheists,
  who constantly barrage the word with
hurdles, obstructions,
   the mere mention of the word
without a suggestion of a being / non-being
ever being made convincing -
  it's simply a word that glides across all others,
obstructing the mere use of the word
suggests a belief in a being,
  rather than a fluidity of the language -
i'm actually surprised why atheists
do not consist of merely stutterers...
      a word among words does not
just happen to convince me to imagine -
yet if all casualness of the word is
curbed, and we are dealing with people who
actually use the word to imply:
   some concrete, aren't we really dealing
with atheistic hysterics?
                just a few aphorisms of
spinoza and you start to walk on water...
i think in the inverted circumstance of
not possessing a womb,
   but sharing opposite genitals to a woman,
hence i must possess the opposite
of a womb... i too must accommodate
a fetus of some sort...
    sure, it's dead, but with each dead
fetus in the womb of my mind -
  i bring about a morphing of the dead into
living, like frankenstein (mary shelley,
probably the only woman that i respect) -
i revive it, it morphs, i die, someone else
picks it up, morphs it...
   abortions are not as bad as when you
think about it masculine terms:
how people are ridiculed, defamed,
             misinterpreted -
e.g. heidegger being a ****...
        that sort of **** breeds my fancy
had i the wealth of my childhood uttering
the words: imagine impregnating a woman
with wolf *****...
   i'm pretty sure i said that...
                 or male ***** with
a chimpanzee...
                       auschwitz seems pale by
comparison...
                         but god almighty,
spinoza is dancing in my head -
   he's punching, kicking like a woman
would say when the fetus is near maturity -
obviously a man's version of the womb
does not breed in situ amphibians precursors
of mammal,
but then we're less the missed
connection of the ape, and more?
  A ******* WHALE!
                     whales are mammals...
and are we not the titans of this world?
    and does not this neurosis of using
the word god not begin with:
curbing the enthusiasm of giving oaths?
that the now apparent desert plains were
once great mountain ranges?
what, they're ******* with the big bang,
i'm ******* with geology...
   the great mountain range of Gobi -
the Saharayas (sahara,
  like the Himalayas, once upon a time) -
and so the ancient egyptians "thought":
****! mountains used to be here!
  let's build a nostalgic piece of architecture!
wa'h la'h! you got the ******* pyramids of giza!
they're were write about something,
their dreams reconstructed a very, very
ancient piece of fact:
there was no reason to build
mountain like structures in a desert,
unless they had been faxed by their ancestors
the intuitive speculation that the deserts
were once mountain ranges, eroded by:
millions and millions of years...
                         welcome to porta stella.
Turning over each grain as I dig up memories of pain,only to end as it starts over again,through this desert I trek an emotional wreck,sinking in sand and then in the end,I begin to sink over again.
My back is bent with the load on my mind and I look to the stars if it's only to find that I can't find my way,
a mirage appears then clears,appears again if only to remind me,that I'm digging through pain,
in the desert desserts always the same.
Mateuš Conrad Jun 2016
i love how after 70cl of whiskey my
metabolism is up  and running -
i know, egoistical  self-indulgent crap,
but it works! i get to say *******
to 99 people and  say: come on in
to 1 - but that doesn't even
matter, given the circumstance
of the 1 being a schizophrenic;
but hey! i grew a beard
after all, being post-25 years of age,
so a fully grow Amazon on my cheeks
and chin, a welcome reminder of:
the Aztecs played football too,
but it was more like
****** of San Francisco mixed
with golf mixed with netball
mixed with the ailing N.H.S.
chanting: god save our bed-******* queen,
god save our precious artefacts from
Hindustan. and Gobi the cabby from
new Delhi -
god save our... a round of pints for the lot
of us! way-hey! charging into crusades with
a jaguar export from Germany under
the slogan: Vein Diesel biceps-flexed:
too fast, and two of each:
that'll be a pistachio - say it as meaning
lime green, go on - oi! ******!
who's that Russian  hooligan with pistaccio?!
one keg-pouch over here must have minded
the safety-belt limit
prior to a heart-attack and you're giving me
all Abba lip-sarge and surging...
    gimme gimme a man at half time...
two pints and a burger in and i'll be
juicing up a saxophone for a crescendo better than
this one...
well... it was lovely to meet you, send my
best regards to your mother, a sincerely;
i swear to god, when i'm done, the only
person you'll be phoning will be your mother.
A sudden poem


I have travelled long
Blessed by Gobi's new moon
Seen tall ship sail upside down
Yet, I found my way back home.
Mateuš Conrad Sep 2015
i only think of a japanese robot thinning air in marathons:
editing in secret, while i speel the acronym a.i.
into aerodynamic informatics
for a breeze and wavy hunches true:
i wondered - would this much assure
me to buy a mandolin?
i bought a mandolin once,
but instead of gobi dried up ****** - instead
i was lodged into essays
and existential qualms relieved:
entering a 1960s l.s.d. disco
to suit a broken heart for a tongue flip of disco into ****;
i thought of a flirt though,
played the mandolin in scotland,
beneath a window for a vine,
jagged & jarred the bricks with nails to climb & clutter,
and wished for serpentine thorns to clothe
excess sight with light through
spider's diadem kept, webbed;
landed a longshanks' bonus with excess strides
to counter the "debility"
of elongation instead; took two windmills with me
into don quixote, and out popped
the pepper queen of diamonds sneezing,
aged cougar.
so? my one grand delusion is a robot
precisely spelling me wok twang wrong;
i know i'm drunk, but that's hardly an excuse
to equate soberness with sanity
and stupidity clothed in spelling relieved, so simply undone
above the rubric of welcome detention in lines of surd names after mother smith.
Early risers begin their morning commute in the cool fresh air
As I jog and listen to the soft silence of Bangalore
Packs of dogs argue and shout at each other at night
During the day they bask in the warmth by an open door

Red brick and greenery adorn the dream school
The walls speak the chatter of foreign female tongues
I’m confident that even when we leave
These girls will leave no song left unsung

Group dinners, all 17 of us packed inside
Laughter, jokes and great food to eat
Paneer, gobi, mango lassi for dessert
Relaxing, sometimes weird, conversations with Jaspreet

Constant noise, horns, chanting and drums
That once were so prominent have now faded away
The longer you are here, the less you notice
Until in the background these sounds will forever stay

I lay back in the auto, the brilliant stars stare into my soul
The cool breeze of Hampi whistles through my ears
Where would I be right now, without India?
Without my wonderful, supportive peers?

And just then my eyes struggle back tears
Because despite my many problems and my many fears
I will remember this trip for years and years

And for that I am so grateful,
Because of that, I will truly treasure these moments.
Josh Alexander Jan 2014
O Woman!

Speak!
Shout!
Yell!

Your voice
Though it seems
So low

Speak!
Shout!
Yell!

Let them know
That you
Are woman

Speak!
Shout!
Yell!

Let your voice be heard!

Through the grasslands of the Serengeti
In the swelling waters of the Mississippi
Past the scorching sands of the Gobi
High above the Pyrenees.

Speak!
Shout!
Yell!

In the Godless cities
Paved with fear and hate
In dark alleyways
Where the dead
And the desperate
Congregate
Through the suburbs of apathy
To the congresses of none

Demand that you be heard
You must be heard
For you are woman

Your voice
Is strong
You must speak for your sisters
That had no voice
That could not speak as woman

O Woman!

Speak!
Shout!
Yell!
Fight!

For you are woman
And woman is strong
Mateuš Conrad Jun 2016
where space and space become mandible,
where flex is not distinguishable from flux,
where, precisely, on a treasure island
of contentment i could have planned my
daydream trip solo to India, and set off by
myself aged 21, but i didn't - and perhaps
i have a regret or two not having seen
the tsunami of colours, brighter than
fireworks, in whatever gloom we represent
grey, to be cremated and turn into the colour
of cinnamon, or chilli, or turmeric,
if only we could turn to such colourful powdering,
one song, a mosaic of feeing: Moby's porcelain
spurred me, but indeed, the trip was abandoned,
India was replaced with Hades, the internal
adventure, with my ego theories extinct,
no couches, represented as a walking stick,
a prayer mat, a support of some sort, and before
me the mountains, canyons, rivers and seas
of thought - nothing more.
aeons have passed since my hope to travel
the oceanic and oriental traverses -
but in my ivory tower, like old Merlin trapped
on the drip of knowledge, i read a ted hughes
poem glimpse: /
'o leaves', crow sang, trembling, 'o leaves -'
the touch of a leaf's edge at his throat
guillotined further comment.
                                                        ­nevertheless
speechless he continued to stare at the leaves
through the god's head instantly substituted. /
commiserations having left a sense of
achievement from a novel - but the feelings
are not mutual - a love for a god or a love
for a novel is quiet alike - cold narcissism of one,
instant devotion for the other -
poetry like breadcrumbs, sometimes, all the time,
it's not a loaf of bread, the poem isn't,
to have a taste for poetry doesn't necessarily
mean a capitalistic sport, competitive and blood
thirsty, it's a chance, a stealthy endeavour -
in whatever profession, forever defining our art -
i'm sure many chemists could say:
reduced us to skin-care and suntan lotion,
perfumes and bleach? imagine the geneticist
working on the d.n.a. of down syndrome people,
i mean: those people hardly age!
what's your secret Freddy? come on, tell us,
you're 50 and yet your orangutan expression
is hiding Dorian Grey for ****'s sake - yet you're
pristine like a snowflake!
apart from that, what i really wanted to say,
what philosophers and quasi disciples of regurgitation
speak of: to stand outside all of space and time -
well, hell, i'll give it a go!
the great mountain range that was once Sahara,
the great mountain range that was once Gobi,
a day will come when the Himalayas will turn
into a desert, a grand desert by the name of Himala,
jasmine scented Layla told me so, whoever she is,
i probably would have met her, had i travelled to
India and walked from Bengal to Jerusalem,
walking across Persia - but i didn't, and since i didn't
i did the best i could: with my ego acting like a walking
stick, i crossed frontiers of what horizons came,
and all horizons consolidated themselves as a thought,
unblemished by choice - residue of ink,
not even a bone - to be incubated in the elemental,
a walking flask of water that i am, non-revelatory,
to enshrine myself in fire, to that likelihood i
am affectionate - all this stuff of coffin and burial
is humorous in the extreme black, the morbid rites,
expecting resurrections almost everyday -
so morbid - housing shortages due to cemetery spaces
needed, strange, isn't it? i expect we're hoping
to be the next stockpile of oil for other humanoids
later on - the mechanisation of our age, apparently
due to some great disaster -
as i wonder: historically speaking, isn't
reaching so far back into history, to the humanoids,
to the dinosaurs, to the big bang, sort of,
make our history slightly meaningless? the effort
to write it, you'd have to write it like a Holocaust...
and who wants to write history like that?
with affection, given the scaling of where we wished
to regress to: the big bang theory or no theory...
is... just... as... important... as... a... full... stop                    *.
Your
Fire Gobi eyes,
ethereal portals
to lucid dreaming

in the deep ocean,
now lakes of light
through which

I can walk,
never needing to fly
Mateuš Conrad Jun 2016
Dante four-hundred-years-later
when it was too late
to consider contemporaries;
and more about encrusting an
English class wit Irish nuns.....
who are we to judge?
the Dire Straits of sensibility....
as a bet: the one true fame
is posthumous cha cha choo
in Buenos Aires' tango and tiaras.
we all said lefty Hendrix and Morrison
in a tongue of Gobi tongue accented for
a rue worth a caramel's worth of yo yo;
maybe i too the tongue-tie buff
in search of the encyclopaedia,
and the higher status Orff tornado...
and wept to catch culprits like slingshots
in the wild west.
Kason Durham Dec 2014
In harsh arid air, dry as the Gobi,
Sits an old man, weathered and worn by the sun.
Silent, before a fire that dances and jives,
Looking effortlessly beyond the eternal blue sky.

He smiles, toothless and benign,
No words escape but he passes a carved jade pipe,
Embers burning bright as I breathe heavy the orange glow,
'Paradise flowers illumination,'
So speaks the smoke that falls gently from my mouth.

I am immediately stripped of my body and my mind now soars,
Far beyond the sky and moon,
Yet present I am,
Flying on the sands of time in a desert that harbors no life.

He looks to me as a statue,
So sturdy and stoic,
yet gentle like clay he is frail and I fear nothing.

The earth shifts beneath once more,
Enveloping me in bright reds and deep magentas of a realm that buds like the blossoming spring,
Before me he is no more, yet you are in his place.

Intimately the fires rise, flickering now in your eyes as you stare with flames of passion that burn bright,
Your linens ripple and flow with ease in the whispering wind.
I lean in, reaching as you do, yet I am taken away once more.

Surging forward I fall back into the depths of a dream,
Where hazy figures whisper; oh how effortlessly do their woozy words charm,
Like the river I flow, they chant,
But know not where I lead, they urge,
Speaking in tongues of riddling madness, I am captivated.

Yet their wise words heed no response as I speak but say nothing, lifted again into a golden white oblivion that emerges from the depths of darkness. In this twisted haze you return to me, caressing my skin with silken tendrils.

We embrace in a lovelust passion, consumed by streams of blue that sway and pulse as we do.
I look into your eyes and see a universe.
What do you feel? She asks in heated breaths.
As I begin to ponder I am pulled from her arms, floating high above the clouds looking down on an ancient Earth.

I feel a beauty greener than the bamboo that grows deep in the forest, hidden in the shade of the mountains, I speak.

What is this beauty?

An air of elegance that course through my veins like a breeze through the vines,
That twists and turns like the jungle leopard who creeps through the trees,
With ebb and flow that sings a soft melody, more gentle than the calming stream,

She looks to me in silence,

I feel a beauty that is you, and you are the world. I take her hand -- and the world is beautiful.

As I utter such words my eyes grow weary and the day soon goes dark. I sleep for a thousand years but wake the next morning with the eyes of an old man peering down on me.

You lead your river's flow, he says smiling his toothless grin.
Matt Aug 2015
Well there has been some improvement
With my akward shoulder

Although the left is still larger
Than the right

Doing some good exercises
I learned from PT

And although I won't ever be perfectly symmetrical
I guess I'll just have to continue
To deal with a slight body imbalance

And that's fine
There are people who are handicapped
And this is just a small thing

I ain't complainin'

Saw a documentary today about a South Korean
Star who migrated with her mother to China to escape
North Korea

And grossed the Gobi desert into Manchuria
With only a compass
Walking for 24 hours straight

Her poor mother was hit
With a hot metal pan

But thankfully she is okay now

Now her daughter makes
A satire
Poking fun at the North Koreans

And showing the realities of
The difficulty of life
In North Korea

So I have my akward shoulder
And you may not like something
About yourself

But at least we have water and shelter
Electricity and food

Let's hope our grid doesn't go down
In an EMP strike
A W Bullen Jun 2017
Tempers edge the need
for your anvil head to break.

The way back from work saw
Lowry people scrape the pavement.
Dog-leg drags of shuffle, of make-up slide,
mixing flea-skin sweat with pollen rub
into a tincture of stench.

This is image that I do not want

I have
half a mind to **** but I
cannot be bothered, the other ,a
a monologue of delirious ramblings
some" French kings versus
squadron mottos" thing...
and , in truth, I am not sure what
it's going on about.

I am indoors, windows open, curtains closed
naked from the waist down, feeding the freedom
of sprawl- but this is mistake of gargantuan order
a cosmic, foolish, schoolboy- error of judgement.

The sofa is leather.

My scar tangled manners are reports of my standing
an amateur tanners spewed stew of expletives.
In a half-arsed way it seems  
I am to remain

part of the furniture

I search for shorts.. long shorts, short longs, whatever,
my legs and **** seek the solace of cloth.

On the canal a coot needs oiling
what feels like 20 minutes of incessant jar is
tapping with my rationale
Testing my love for all things feathered.

Something needs to give.

I am a Gobi taste of sandal straps and
in dire need of irrigation/ rehydration
I have waited way too long for liquid...
Don't get me wrong, this isn't some test
of deprivation- this is heat swung laziness
that is all it is..nothing more
nothing less..

And so..

We will get it tonight
You cannot pull isobars this far apart to
not have them break..
And that ogrish flat-top is thugging
the harbour side rents..

Ah yes...

"Après moi le deluge"

Seems to make sense, now
Mateuš Conrad Mar 2017
always a return and as moving forward:
alway in retreat,
  to just quote empedocles:
         will you not end the terrible sounds of your ******?
do you not see that in your thoughtlessness you
are eating one another?
      indeed: what is the ego: if not a second mouth?
can i concede that this might be poorly written?
well: listen to a dialogue on scientology,
         conducted by joe rogan interviewing
a documentary maker louis therou(x), and try
to imagine how ****** writing can become a forest-fire
in society... i'd agree with you that heidegger
was terrible at using language, but then his magnum opus
took me 2 years to read...
                       and if you're interested in
the history of the third *****, outside of content,
it would be better for you to read the context of a hopeful
university professor than, say: reading the mein kampf.
          just saying... i'd **** out the politics of the zeitgeist
and look a bit deeper into the affairs...
    or how germany degenerated, what, given the treaty
of versailles?
                          how desperate people had to become
to later turn into: a volk of beethoven, schubert, schumann...
and the dr. satans of their days that numbered
  a span a 6 years.
                              i abhor psychology, i really have
not competent theory in this realm of learning, i'm sure
there is a competent cohort in some stratum of society
that could explain: no soul (psyche)... so these theories
better than i could. yet back to the greeks...
            psyche                  and narcissus -
a sound marriage?
                                  given these times... yes...
in that much needed allegory...
              originally it was narcissus and echo -
                                             but those days are seemingly
over: there is no longer talk of psyche and cupid -
             the suicide rates of teenagers?!
                         i have no need to treat the ego as a concept
that becomes a tulip, a rose and a field of lavender
  with freud, or c. g. jung... i need not these mental
stratas, these levels of codification:
accordingly with empedocles: my ego is just a second
mouth...
               that's it... there's nothing else;
and according to what is "good" quality writing...
             no one cares if ezra pound what he wrote, as if
he was writing in a telegram mode... but they sure as hell
give a **** saying: oh ya ya... t. s. elliot: fan-*******-tastic!
     even though ezra was the editor of the wasteland...
  so is "good" writing merely something pop,
and therefore simple? appealing?
                         to me: good writing is difficult;
      no one cares whether kraszewski is good,
                      most find him a bore, as a historian they
prefer to ref. pavel jasienica... why?
                   the former outpoured 30 books... the latter two...
and both wrote about the same time period of
the rise and fall of the polish-lithuanian commonwealth...
i'm all for intricacy, i don't like neat properly folded
napkin talk...
                       there's no need to stand for manners
and etiquette in general in writing... *** is never neat:
it's sloppy...
                                 unless you pay for it, so it then
becomes a contract... which doesn't mean that i sometimes
didn't leave the brothel after an hour and did have
an ******... and the ******* would look at me
with this horror of: huh?
                      jerking off? well: i wouldn't say
24 times a day... that would be pointless...
                            but the cult of the wendols -
which, as you might imagine, is borrowed -
                                       coincides with what happened
two years ago? it might be three or four; this english
politician found it abhorring that a woman was found
breast-feeding in public...    what the ****?
                                       can i have the other ******?
i dare say no one has really concerned themselves with
this realm of sexuality: of a husband competing
                    for the same affection as a baby might -
i'm not sure about the reasons for trying to explore this
very "sensitive" realm... but when a woman films herself
doing sexualised provocations (""?) and posts them online,
in the public sphere of things...
                                     you're thinking: maybe that
"parasite" (because that's how we're born, via the parasitic
route... that's not new... white tadpoles in some juice)
        well... that's the eroticism of the cult of the wendols:
i'm borrowing from cinema to understand something...
           there's this politician having a *****-fit when seeing
a woman breast feed in public...
   and then there's me and: the annoying brat screaming!
a baby screaming!
                            i can, but i don't have to look at the woman
breast-feeding: sure... she's pregnant and she's doing
this upper-body only dance...
                             i have a sheep-belly (socratic term
for bloated from alcohol) - the ****** element disappears
when the baby is ******* on it...
                when she's still pregnant and feeling *****
after walking the ****** Gobi desert for 9 months?
      well... you certainly can't feel guilty doing it
on a regular basis... given the chance that when you
imitate circumcision, the veins enricling that "excess"
could suddenly be ruptured... imagine that...
        death... by pleading out via a throbbing ****.
in the film, the wendols have a torso of a pregnant woman
dangling from their necks...
                  my, that really would be a rare paganism,
what with the original paganism and those *******
statues. (13th warrior... iraqi joins 12 vikings to defeat
the cannibals).
Up through the cracks in the old chimney stacks and into the sands of the Gobi, they know me,
the Antarctic just blows me away, the Arctic holds fast to the blue rings of fire and the smoke that curls forward becomes the words that were tokens to be spoke in the classroom, we have been taught to be saviours but we swallowed the Moon.

In Sanskrit and Hebrew we knew all was done for but we went through the motions as if life was a see-saw and we were the fulcrum,
and the pirouette became the fame that we looked for on the road to the West.
And we got there to the World Fair where the conglomerates sold us a new deal for Christmas, a machine written wish list that ticked all their boxes but the boxes were caskets and we, the dead men, the basket cases, blanked out faces and no thanks to anything, to the king nor the Queen who were seen in the palaces and the princes sticking their tongues out and ******* on the poverty.

They knew me but ******* me and that's all I could hope for but one day I'll take a hammer and smash up that see-saw and see what they know about then.

The finder, the keeper the rich man, the sleeper, the ***** and the Princess I bless them all and the corporations that take us to break on the treadmill or blacken in the Sun, your day will come.
Peer across the Gobi desert , we are brothers with familiar stories ! A once lush reservoir drained into the bowels of Earth ! A parched bed , cracked into a thousand pieces , on permanent display ! A wealth of years in repose , banished from the scrutiny of public and family alike , trapped behind dry , brazen eyes ! Clover , side by side , swaying in the September breeze , swallows returning home ! A field that vanishes against the orange horizon ! Nourished , courtesy of blue and green impoundments , cascading rivers and creeks ! My memories are a jealous ocean , commanding return of her waters , enslaved , committed to her utter servility !
Copyright October 30 , 2015 by Randolph L Wilson * All Rights Reserved
Salmabanu Hatim Mar 2018
She is icy/hot,
Hot and cold like Gobi Desert.
When she is icy,
She is cold as Antarctica,
Breathtakingly  beautiful, alluring, allusive,
Frigid as a stone,
Aloof as the stars,
Frosty as an iceberg.
Her  steel blue eyes can pierce your very being,
Her wintry smile stops you in mid-sentence.
When she is aroused,
She becomes a smouldering volcano,
Tempestuous, cascading  hot lava
of desire,
As fiery as a glowing Sun,
As passionate as a young lover,
She emits an aura of sensuality,
She becomes an inferno of ecstasy ,
A bagful of icy/hot feminity.
When she is cold she is cold.Whenshe is hot she is hot.It takes a macho man to handle her.
Mateuš Conrad Apr 2016
as one ******* said to me
upon a third consent,
daughter's photograph in hand,
a tattoo i kissed on the
same shoulder-blade where my
scar is -
tearful during ******* -
stoppage -
'but you haven't changed!'
i thought i had -
'but you haven't changed!
you're still the same!'
we just lay there - the money
didn't matter, but the hour
did, it was too short -
'i've just drunk too much,
i'm too emotional!'
'don't worry, remember every time
i come here the first thing i ask
for is a glass of water? i should be
intimidated by all you girls
sitting here eyeing me for a ****,
i only ask for water'.
the cemented Sahara,
where no wind can dust up
a sand-storm - the cement
a rigidity - mind you
the camel asked for an apron
and sunglasses -
a thousandth Sahara to mind Gobi
was solidified for the roads
of urban perks and teases of
gasoline stink mingling with
baked bagels and off-the-bone-cleaved-easy
salty pork...
                     endear me to forget virginity
to whatever theological celebration
of a crux of what was once written -
unless you will endear me to remember
virginity in whatever theological
celebration there is to a loss, a mourning
rather than a celebration.
i too was tearful once -
she said: 'but you promised me the stars!'
and i did - constellations dislodged
of the freely gravitating to linear anomalies
in science - i did - i did - i did.
Mateuš Conrad Apr 2018
if only with a sense of irony, if that word is
even remotely meaningful anymore -
what you, what is irony?
I was supposed to be writing this an our
early, far far away, in lil Charlie's kingdom
come, or whenever that old hag will
thrown in the towel and hip,
just itching, itchy winking spider starting
spinning a mandala on my rechthand...
fingers begging for the dough
or the copper strings und...
english-german
    english-polish-german...
polish-english-german
          polish-german...
my axis of the beyond,
russian would too be handy,
had not the orthodox Athenians
dug tunnels behind the Roman empire
and moved straight from Greek
to Cyrillic... alas... rigid Latin rubric,
german grammar engineering,
and a slavic hot head for drink,
     plus the Anglican lisp behind
a thespian: Y-tongue serpentine...
                     siamese kiss...
                                   on the 19th April,
jests... a bothersome headache...
the Warsaw ghetto uprising...
   never mind, upon return to Israel,
like and p.t.s.d. baptism, scolded and shunned,
apparently not rubber enough,
not eventually reaching the palms
and date trees of Tel Aviv...
      don't worry... grey Sarajevo was around
the corner, around the corner the deflated
Ottoman...
         to tell the truth: what I inherited
is, perhaps but a ditto, making me nothing
more than a Ditto Eddie...
                    like grating root veg for a clear
soup, instead, floating, murky floodgates
open...
           what are these names,
these mental tattoos supposed to do
to me? at least in England the are but two
dates summarising the 20th century,
11:11:11 (Armistice) and 1966...
                    and that's about the summary
of England, as given by pedagogy...
   only when watching Deutchland '83...
    beauty in the west is achieved by
creating an en masse consent of apathy...
which isn't exactly verbatim...
                    somehow quasi immersed,
a return of an "exiled" 8 year old...
westerplatte isn't exactly the story
  of thermopylae... but give it enough
time and there too will come a window
of necessary myth-making, id est:
exaggeration...
            i am i am a psyche-mongrel...
which transcends whatever the other
mongrel is...
            but the transcendental menu
changes...
   on a side, in philosophy:
in the phenomenological vernicular,
is a nation a phenomenon,
or a Kantian res per se, id est: noumenon?
apparently both...
        the Mongols became a phenomenon
of the golden horde, subsequently
some polished glass fatamorgana
                                      north of Gobi...
flatter than a Parisian pancake...
        a dry horse meat blood drinking boom,
Baghdad gambling houses
               were skulls were thrown with
painted one to sixes, blindly from a bag...
and whenever Islam thinks it stopped
the horde, and didn't assimilate them
into Crimea where Mongol became Tatar...
they'll cite the battle of ain jalut...
    and mamluk becomes synonym with
janissary, meaning,
probably one of those children from that
infamous Stephen of Cloyes expedition...
which I hardly think was a noble cause...
that ******* slave handler of orphans
I can add, to the wheel of Fortune of Dante's
inferno!
              a year from now on whatever
day or month, it will be 75 years from
the next kamikaze expedition...
        sure,  applause,
but on a lesser note...
in a tiny town like this,
come to think of it,
    i'm only 2nd generation urban...
my grandmother was born in the country
(or rather on the Front)
my great-grwndmother (who I still remember)
was born there...
     and you see these remnants,
after all, Ukraine the bread basin of Europe...
after all Poland und der Größer Pyr
    (Posen)...
                     ******* mental grafitti
everywhere, beg to differ if you think you're
walking on eggshells, relics,
      sacred ground, schloß...
    or Hegel's the philosophy of right...
seriously GDR had a problem with Shakespeare
over Marx?
    I have a problem with Marxism being
at once the Liverpool Project co. Engels
and as much, a critique of Hegel's lecture
notes...
I can feel England breathing on my neck,
the relentless misery beyond
the south east, the nibbling, nibbling,
scuttling vividness of the last east end rat
making it to Romford, as spotted
at the bus stop...
   ****... if the rats are leaving London
and moving further afield into Essex County,
what the hell does that tell ya' about Cockneys?
yesterday spring, today:
            these feral lands...
                if you want a sample of Ukraine,
head to the West Warsaw train station ***
bus station... even the signs are written in
Ukrainian...
        but alas, no Polish-Lithuanian romantic
heading to Donetsk...
because how far back does history become
revival,  when nostalgia becomes
less thought + sigh...
        and more... well, the ******* caliph
of Baghdad and the hidden gem miles
from Tripoli?
                            and should you know,
I think Assad is going on the Haj...
just shy off a slap-head, given the shaved
moustache...
                       at what point can we cut off
a the criminality of past events?
well, apparently inheritence is taxable
on two fronts... material goods,
and psst hush hush events of our ancestry...
but history as a criminal act not
perpetrated by future examples of
"said" peoples? mind boggling...
            looks like ol' Jack of Whitechapel,
the ghoul, is more in favour
than your everyday German...
                                       ah, no ancestry,
no inheritance... tax...
                 hence the romance with ol' Jack...
unless you compare that to
the reality of the mechanisation
of serial murders,  their frequency etc etc.,
but history as a crime,
               a little tapeworm spawn lying
dormant in some distant body...
keen whisper says to me...
what if anorexic women were to ingest
a tapeworm...
   how would a tapeworm react to
a body that didn't want to eat?
secrete some hallucinogenic?
after all, the idea is not far from the medieval
ages, and how leeches were used
to drain, bad blood (schlechtblut)...
      for all i know tapeworms are not
feral parasites, not worms in dog insestines...
they're clinal parasites,
like bacteria in yoghurts are clinical...
all it takes is one brave soul
suffering from anorexia to ingest a tapeworm
spawn...
                 evidently a hit and miss,
a parasite will know if the host body
is worth attaching itself to the small insestine wall,
after which, its evolutionary mechanism
will kick in... and the host will be "forced"
to eat...
              and that comes from a cul de sac
idea from a schizophrenic friend of mine...
   he had the delusion of being a tapeworm host...
but... he didn't exactly know what a tapeworm
could be used for... should Europe
return to the Dark Ages barbarism,
and using leeches...
                hey... it wasn't called west,
before it was called wild...
         at least a tapeworm has a mouth
at the head rather than a mouth
in its bellybutton...
                    oddly enough cancer,
that botanical translation with roots
in mistletoe has no known mouth...
pseudo fungus...
                              yes yes, let's play
normies... the antibiotics are just about
to run out... no wild ideas are going to save,
the niche markets of ailments, akin to
anorexia.
Tu as beau vouloir me sevrer,
Me priver de ta réglisse,
Je persiste et tête
Ce brou mystique
Sans hâte
Et je ferme les yeux
Et je dessine en l'air
Ces délices que tu secrètes
Maternellement pour moi
Comme Pénélope tisse l'outre-noir de sa toile.
Et je te regarde étourdi comme dans un mirage
Badigeonner ton sein de sable  effarouché
De beurre de karité
Et de miel
Et je m'enjaille seulement
De partager les reflets de ce désert de Gobi.
Mateuš Conrad Sep 2017
it's a toss-up between either silverchair's song
shade, or neil young's old man,
i actually remember the latter
more,
was on a date, with a persian-pict
mongrel of a fine gal,
in a shady edinburgh jazz bar,
and it was covers night...
chambers st.! that's it!
right next to the old college...
mind you, once the scaffold was
up, i climbed the building,
and sat on the roof...
pretty **** decent (point of) view...
i still miss edinburgh,
    i miss it more than i'd
ever wish to...
   but the "i miss it" parts come
dislodged, like jigsaw
puzzles: i can never really
solve the puzzle, and hope
for reminder that's revived,
permanent, re-lived...
it's just the past...
  and by default of the standard
set of questions?
no, i just think kant's should
be canonised...
as the patron saint of bachelors...
****** seems pretty stable,
head up his ***,
   solipsistic, falsely debated as
an autistic brain-child...
   i have no qualms with him...
i've always considered myself
a solipsist, than an egoist...
bogus alpha "male"
  suggestions seem to be missing
when inviting solipsism...
the game is over, it's
a the end / game over...
why is it a the end though?
it's an end when you take to
watch franchises, isn't it?
     ******* don't even bother writing
it these days...
       so why is egoism
so riddled with bogus
anti-athos (three musketeers)
   advice? best advice? to not give
any advice...
   shut it up, show yourself
in your current narrative chronology...
i still don't understand why
some dip-**** american would
say that solipsism is a mental illness,
and that egoism was: just, plain, natural;
probably did seek the patron saint
of reading kant...
        st. kant... sounds nice...
ridiculous to be sure,
   but more of a saint than john paul ii
who merely kissed airport tarmac...
and forgave a turk: in a jail...
****! send mustafa what's his name
like god sent cain into the wilderness!
what sort of forgiveness is
a forgiveness in a confined space?
shady, as ever, given the vatican mafia;
yeah yeah, don't worry,
next time i go to church
i'll **** one off to compensate my
lack of dough: you can call it a *****
bank donation...
  but then again: that's what you already
are! ha!
sick bollocking of the matter...
  it's a harem, oh harems do exist in the west,
don't get so ****** nervous
that you're missing out... you are!
sure, there's no arab sheikh...
but there's the first choice ***** donor
in western society...
       soon we'll be ******* our
far removed cousins...
    nice to know: even better to disengage
from;
but as all honesty goes:
    those two songs... probably the most
pleasurable to play to...
          in a world where there's nothing
new, or is, exponentially new -
nothing to seems to change, nonetheless,
even with all the cinematic futurism,
the same debates rage on & on,
those archetypal narratives never seem
or "want" to change...
   it will be just as mundane in the year
"anno domini" 2302 as it is in 2017...
the same archetypes, "fixations" of man's
ultimate endeavour: of being unable
to foresee a benevolent change of character:
sure, the circumstance will change,
but the character? it will still boil down to
either a god, or the devil;
and yes, i really, really do believe that
the sahara desert was once a mountain
range, akin to to alps or the himalayas...
what? you think that history is still
only intact with a monkey to man transition?!
geology outstrips biological historiology,
o.k, john wayne?! ******:
drool, while i draw you an in-between
between the big bang: what a ****** name for
a genesis... and the dawn of man.
big bang my ***, more like a timid ****
on a crowded train.
  same with the gobi desert, once a mountain
range: now a desert...
      there had to be a middleman
          coordinate! third party sources!
i just became bored with only 2 origin narratives...
this is there a 3 origin was spawned,
where chemistry fused itself with geology
and said: these deserts you see?
they used to be mountain ranges once...
i'd be ******* daft to listen
to the same ******* for the next 30+ years...
and yes, i've been asked
to a co-op membership card,
apparently i'd have saved 89 pence on
today's purchase... it costs a quid for
the membership...
  dunno... i might get it...
             a quid back after just two purchases
of a litre of *****;
plus the staff resemble the less-beat-down
version of the tesco staff...
      i like looking at scared workers,
but i also like looking at permanent workers,
who don't agree to 0 hour contracts...
******* ******...
           i mean:
it's good to see people being given
job security...
                   what i don't like
is what i see elsewhere -
  band-camp of capitalism is probably
worse than the nazis,
  i'd probably prefer 5 years in auschwitz than
an entire lifetime in this current
capitalist model:
           arbeit wie witz versklaven
          (work as a joke enslaves);
and capitalism has a made a joke of work...
this isn't working, this is poncing,
this is modelling...
you ******* "think" the chinese will give
their jobs up? nadda.
This is no more than a downpour
a rushing of rain
but why does it happen on Saturday?
this ****** government again!

we can't really blame them
they never played out as kids
they stayed in pulling legs off action men
and that's why we're all on the skids.

It'll be sunny one day in the Arctic
when the Thames floods out Hell
that's a fact and the Amazon Basin
won't be big enough to wash in,

I'm going fishin' in what was the Gobi,
so sue me if you don't believe me.
The words are there but not necessarily in the right order.
Mateuš Conrad Oct 2017
while contemplating tomorrow's dinner: an aloo gobi (potato + cauliflower) curry, and a chicken korma - wishing it was a little bit more of a "cultural appropriation": seems i can't get a turban for the love of god, or becoming a transvestite in a sari.

could have been an employable chemist,
working on esters in a dolce & gabbana
perfumery; the cardamon pods got me,
what can i say, other than:
      other than - they call themselves
storytellers, artists, these modern chefs,
i'd prefer to call them the understudy of
chemists;
  and **** i was good at organic chemistry...
the other two branches:
  dead, inanimate often, inorganic (geological)
and the physical... too dead for me,
not enough perfumes, enough colours,
just digits, chemistry for the autistic.
beside the point,
you want to know my favourite cycling
route?
  when in one summer i lost almost 20kg
and then "faked" putting them back on,
oink, bloated from alcohol?
              that french braid in school didn't
help steer away the jealous eye either...
about a 50+ km route...
  let's just say the following:

1. radwańska (route 754)
2. down the 754 through:
       sudół, krzemionki opatowskie,
      magonie, maksilimilanów,
    ruda bałtowska, reaching
                                         bałtów
3. heading into the masovian voivodeship,
  and then a mix of
4. wółka bałtowska /
         borcuchy /
          eugeniów /
              stara dębowa wola /
         sarnówek duży /
        adamów /
           leśniczówka /
      wółwka trzemecka /
  wółkwa bałtowska /
        nowy olechów /
              and then into the home straight
on
5. siennieńska back into ostrowiec
         świętokrzyski...

of all the places i cite, i'm pretty sure no
google car ventured into...
i'm not going to check, i'm just going
to assume...

yes, i lived in a city, where you could
see timber structures from
the krzemień period in human history...
krzemień? flint!
                         a flintstone settlement
lies about 10km from where i was born...
looks kinda cosy...
     a wooden wall and all...
   sure, the english can boast about their
stonehenge,
but i was born near a very, very old
flintstone settlement...
                i never realised how
potent its existence is to revel in...
that's older than the iron age, the bronze age...
that ******* old, i'm telling you...
     and look at me, still defiant with
the darwinistic **** of studying history,
how we have managed to jump so far back
and leave a massive grey area in between..
i was born next to the flintstones,
          where were you born?

p.s. and as i can remember, along the route,
i used to buy goat milk from one of
the ladies in the villages i passed;
+ badass of a bike too,
   dubbed the "terminator", crimson red,
hard frame,
        a mountain bike, heavy tires,
i can tell you i beat a guy on
a *kolarzówka
(tour de france type bikes)
one time...
    they don't make 'em as they used
to.
Butch Decatoria Sep 2017
Uninspired

By and by a passersby

Another grace for grains of sand

Loiter lingering longer

Down low below beneath your toes

The sublimity of heaven

Farther furthest spaces

Within and beyond the fleshy faces

Far from firmament and sacrament

The stages we pretend perform

A jig getting down jiggy without

The doubt that cuts not rugs

But peace of mindful tiers

Enlighten me to wake yet feign

To not feel endangerous the hollow

Spaces that wide open

A nothingness of soul

A sky of soot and funeral silt or soil

We darken our glow to not toil

Thou wilts

Give praise,

This miracle of days to witness

Nothing else we make less

But ourselves

With fear and doomsday loudly

Cry.

Each scintilla of a sigh profoundly

Forever feels like

A spark

Big banged life's boomerang

Why worry to go hurry in lines

Manga tales

Minds bright implosions

Think tank

We drank and wankers

Laugh

Feeling glad bags

Full of glory.

You are one in this box

Sphere made of fear

Shape your story.

Don't drown in the Gobi

Or such empty tears

Eyes panorama grand o holy!

Sshhh.

be we wide awake...?

(To’lly)

— The End —