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Fools may pine, and sots may swill,
Cynics gibe, and prophets rail,
Moralists may scourge and drill,
Preachers prose, and fainthearts quail.
Let them whine, or threat, or wail!
Till the touch of Circumstance
Down to darkness sink the scale,
Fate's a fiddler, Life's a dance.

What if skies be wan and chill?
What if winds be harsh and stale?
Presently the east will thrill,
And the sad and shrunken sail,
Bellying with a kindly gale,
Bear you sunwards, while your chance
Sends you back the hopeful hail:--
'Fate's a fiddler, Life's a dance.'

Idle shot or coming bill,
Hapless love or broken bail,
Gulp it (never chew your pill!),
And, if Burgundy should fail,
Try the humbler *** of ale!
Over all is heaven's expanse.
Gold's to find among the shale.
Fate's a fiddler, Life's a dance.

Dull Sir Joskin sleeps his fill,
Good Sir Galahad seeks the Grail,
Proud Sir Pertinax flaunts his frill,
Hard Sir AEger dints his mail;
And the while by hill and dale
Tristram's braveries gleam and glance,
And his blithe horn tells its tale:--
'Fate's a fiddler, Life's a dance.'

Araminta's grand and shrill,
Delia's passionate and frail,
Doris drives an earnest quill,
Athanasia takes the veil:
Wiser Phyllis o'er her pail,
At the heart of all romance
Reading, sings to Strephon's flail:--
'Fate's a fiddler, Life's a dance.'

Every Jack must have his Jill
(Even Johnson had his Thrale!):
Forward, couples--with a will!
This, the world, is not a jail.
Hear the music, sprat and whale!
Hands across, retire, advance!
Though the doomsman's on your trail,
Fate's a fiddler, Life's a dance.

Envoy

Boys and girls, at slug and snail
And their kindred look askance.
Pay your footing on the nail:
Fate's a fiddler, Life's a dance.
Halo Feb 2018
I am a Fiddler on the Roof.
Someone like me is rare.
Daring enough to put my life on the line,
Make my presence known and there.

But I am a villager.
A mama nonetheless.
I get my hair pulled out,
My heart pulled out.
Then I have to clean the mess.

The Russians!
They torture us with
Pogroms and demonstrations.
The Constable their leader
In conquering many nations.

My soul is the Fiddler.
A simple sound happy on its own.
My love is whats keeping me on the roof.
I wants to grow and grow.

A villager and a Russian.
That is what I want, why I was sent.
Arm in arm with the Constable.
Happy to life´s end.
I can change things.

I am a Fiddler on the Roof.
Ready to change tradition!!!!
Credit to Fiddler on the Roof and Fiddler on the Roof Jr.
TJ King Mar 2013
I was wandering
like the others when
Music!
rang out over our heads,
The Fiddler was benched
in the square--

with an instrument
strung: beautiful red
strings.
They were quivering
like tendons,
The Fiddler plucked
music from them,
from us--

Strangers danced about,
silly at first
and then slower
confused and close--

I remember the spinning,
the blind Fiddler grinning,
the red strings singing
their promises to us,
I was dancing
like the others

and in all of our loneliness
we danced our feet raw
to the tune
of The Fiddler's jig:
A Call To Threadbare Hearts
He's a bit of a diddeler
but more of a fiddler
as he scampers about the shoreline

He's a bit of a digger
and fast as a trigger
try to catch one, I tell you it's hard

He's a real survivor
a deep sea diver
when food is scarce on the beach

He never looks bored
shaking that extra large claw
I hope he's not looking for a fight

oh fiddle de de
please come to me
my fast footed friend, fiddler crab.


By Christos Andreas Kourtis


By NeonSolaris
© 2008 NeonSolaris (All rights reserved)
False Poets Oct 2017
does the moon get tired?

~for the children who never tire of moon gazing upon the dock,
by the light of the fireflies,
till the angels are dispatched by Nana,
to sprinkle sleepy dust in their eyelashes so long and fine~


<•>
while walking the dog I no longer have,
a happenstance glanceable up over the River East,
there you were, mr. moon, in all your fulsomeness ,
surrounded by a potpourri of courtier clouds,
all deferentially bowing, waving,
passing past you at a demure royal speed on their way
perhaps,
to Rebecca's northern London,
of was it south to grace of  v V v's Texas^,
in any event,
the cloudy ladies, all bustling and curvaceous,  
all high stepping in recognition of your exalted place,
Master of the Night Sky

We,
the word careless, poets excessive,
sometimes called silly poppies, old men,
left footed, still crazy after many years,
most assuredly poets false all of us,
without a proper prior organized thought train,
outed,
bludgeon blurted,
an inquiry preposterous and strange,
strait directed to the sombre face,
to mister moon himself!

tell me moon, do you ever tire?*

the obeisant clouds shocked
as that face we all uniform know,
unchanged anywhere you might go  to gaze, be looking upon it,
watched the moon's face turn askew.

He looking down at our rude puzzlement,
with a Most Parisian askance,
a look of French ahem moustacheoed disbelief,
while we watched as the moon cherubic cheeks
filled with airy atmosphere,
then he sighed

so windy winding, was it,
so mountain high and river deep,
that those chubby clouds were blown off course,
from a starless NYC sky
all the way past Victoria Station,
only to stop at Pradip and Bala's
mysterious land of
bolly-dancing India,
on their way to Sally's Bay of Manila,
magic places all!

Mr. Moon looked down at this one tremulous fool representative  
(me) and in a voice
basso beaming and starry sonorous,
befitting its stellar positioning,
squinting to get a closer look at the
who in whom
dare address him in such an emboldened manner!

Mmmmm, recognize you, you are among those
who use my presence, steal my lighted beams, my silver aura,
my supermoon powered light, borrow my eclipses,
reveal my changeling shaped mystery without permission,
only mine to give, you tiny borrowers who write that thing,
p o e t r y

head and kneed, bowed and bent,
I confessed
(on y'alls behalf)

we take your luminosity and don't spare you
even a tuppence, a lonely rupee, no royalties paid
to you-up-so-highness,
and we hereby apologize for all the poets
without exception,
especially those moon besotted,
only love poem writing,
vraiment misbegotten scoundrels....

with another sigh equality powerful,
mr moon pushed those clouds across the Pacifica,
all the way to the  US's West Coast,
up to Colorado,
where moon-takings from the lake's reflecting light
so perfect for rhyming, kayaking,
and moonlight overthrowing,
once more, the moon taken and begotten,
nightly,
as heaven- freely-granted

yes, I tire
and though  here I am much beloved,
usually admired though sometimes even blackened cursed,
seen in every school child's drawing,
in Nasa's calculations,
of my influential gravitational pull,
moving human hearts
to love and giving Leonard a musical compositional hint,
and while this admirable devotion is most delighting,
would it upset some vast eternal plan,
if but one of you once asked,
you fiddler scribblers
my prior permission,
even by just, a lowly
mesmerizing evening tide's tenderizing glance?

yes, I tire,
even though my cycles are variable,
my shape shifting unique, my names so at variance
in all your many musical sing-song dialectical languages,
my sway, my tidal currents so powerful a deterrence,
unlike my boring older sunny cousine  who just cannot get over
how hot looking she is,
I,  so more personally interesting,
yet you use me as if I were a fixture,
on and off with
a tug of the chain string,
never failing to appear,
even when feeling pale yellow and orange wan,
and worse,
mocked as an amore pizza pie,
do you ever ask how I am doing?

yes, I tire,
of my constant circuitous route that changes ever so slowly,
but yet, too fast for me to make some nice human acquaintances, especially those young adoring children
who give me their morn pleasurable squeals when they awake and my presence still there,
a shining ghost of a guardianship protector still
watching over them

how oft in life do we presume,
take for granted
grants so extra-ordinary
that we forget to remember
the extra
and see only the ordinary

how oft in life do we assume,
the every day is always every,
until it is not,
only an only
a now and then,
till then,
is no longer a
now*

<>
oh moon, oh moon,
our richest apologies
we hereby tender and surrender,
our arrogance beyond belief,
what can we offer in relief?

silence heard loud and clear,
mr. moon was gone,
a satellite in motion,
so our words burnt up in the atmosphere
unheard

we did not weep
nor huff and puff,
blow those clouds back to us,
for we knew
the extraordinary
would return tomorrow,
we will be ready,
better another day,
to prepare
a lunar composition,
a psalm of hallelujah praise,
for mr. moon
of which
mr moon will never tire,
for filled with the perma-warmth
of our affection
for the one we call mr.moon
False Poets is a collective of different poets who write here, in a single voice,
hence the confusing interchangeable switching of the pronouns.    sorry bout that.


^ HP - give them back the claimed  V name!
WHEN I play on my fiddle in Dooney.
Folk dance like a wave of the sea;
My cousin is priest in Kilvarnet,
My brother in Mocharabuiee.
I passed my brother and cousin:
They read in their books of prayer;
I read in my book of songs
I bought at the Sligo fair.
When we come at the end of time
To Peter sitting in state,
He will smile on the three old spirits,
But call me first through the gate;
For the good are always the merry,
Save by an evil chance,
And the merry love the fiddle,
And the merry love to dance:
And when the folk there spy me,
They will all come up to me,
With "Here is the fiddler of Dooney!"
And dance like a wave of the sea.
Anon C Mar 2013
raindrops wash his tears as the fiddler plays
his jet black locks caress his cheek, slowly shifting grey
he has sung his heartbreaking ode for years on end
his true love an audience ne'er again to attend
eyes that once shined a bright green hue
dulled by sorrowful tears turned the deepest blue
once a lover he'd had near the western shores of Ireland
the love of his life, a gorgeous young lass, for her he'd asked her hand
nary a day passed were they not by the other's side
alas, the young lass had a secret she could not abide
untimely demise had she met at the sleight of her very own hand
a pain so harsh no longer could she withstand
alive once he was, now just a fiddler in the hidden glen
ne'er to to step outside the trees to the light of day again
'neath the crescent moon he lies
now a slave to the fiddlers' tune, he cries
Unfinished I think but I will leave it for now.
"Then we will have tonight!" we said.
  "Tomorrow--may we not be dead?"
The morrow touched our eyes, and found
  Us walking firm above the ground,
Our pulses quick, our blood alight.
  Tomorrow's gone--we'll have tonight!
Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
Mateuš Conrad Aug 2018
kate beckinsale & anne hathaway
can speak
the name... matthew all
day long...
                 and right into the night...
i'll try to fall asleep...
must be an Oedipus complex
sort of thing,
   in primary school my school
friends thought that my
mother had the visage for
   sandra bullock...
   ha ha! good luck to the men fathering
daughters!
          you ever find it easier
to pet casts, and cage tigers?!
              **** me...
my shatten is soliloquy central...
           i drink to excess and
listen to excess erotica latex ****
music...
      and then? do nothing about it...
i like cinema...
                         **** me...
a fetish for leather that extends
past a ******...
    i would have asked her sincere self:
can we drop the ******
so that i might attire myself
in gimp?
      she evidently replied
a no with her 19 years of existence...
oh... under-baked apple pie
my dear...
            ha ha!
           no, i have more cherries
to pick, i''m beyond stalking some famous grimace...
you are here           .



and i?



                                           .              am here...

who needs the excess of
quasi-journalistic coverage anyway?
    
           that transitioning harem
of rock stars...
     like Kafka said:
i'll be waiting for something
i never had,
and missing it,
            by never having touched
a peek behind the curtain...

   i'll wait... for what i could never have...
and within the confines
of what i could never have,
          i'll settle for what i can already, have.

kate beckinsale & anne hathaway
can speak the name matthew
all day long, and i won't mind...
        
      would i be the one following them?
train-spotting....
         taxi counts...
                 ******* crows that
croak mid-flight count...
           the number of canadian geese
in b-54 formation
migrating come mid-autumn...

          geek without the cartoons...
push me...
   keep pushing...
     i want the shove
and the ****** wording of auto-suggestive
courting of -
                           courtesy...

              thank you...
i'd rather stalk my own shadow...
looking out for the plot-line of
an eased out **** doing the olympic
gold medal dive into
the crapper pool,
via analyzing the shadow of plop
pop gold...

        zero splash...

                a ******* harmonium
on the neck of a Polish teenager,
traveling on a Warsaw tram
      to reach a girl who...
              was counting petals,
and the worth(s) of considering
the concise surmount of love...

             yeah... next time?
i'll be the one used to invigorating
the stance on stalking
one's own shadow...
             why?
because i fidget...
i get all jerky...
                  the hype instigator
movement...
   ******* a woman
like a piston of a car's momentum...

               does it really matter?
i thought the Madonna-***** complex
wasn't a man-"thing"?
   if man owns the Freudian Oedipus
complex...
  does man also have to lend in his
strap-on dictum for the
Madonna-***** complex?
   so...
              that's not a wholly woman "thing"?
she's doesn't own that
complex?
   it's man's fault?!

             i know the Rastafarian Putin
isn't rasp -
but you know that Israeli ******
are better than the Russian ones...
so the story goes...

               which kinda explains...
impotent with women trapped
within the Madonna-***** complex...
with Bulgarian prostitutes?
a limp **** only, and only when
i forgot to trim my ***** hair,
my Eden...

  i have the Oedipus complex...
am i also responsible for
the Madonna-***** complex?!
really?
                        you sure that women
are not supposed to attend to question
this trans-schizophrenic,
   squint / split /
           dichotomy?

                   prior mothers,
that prerequisite motherhood
with the basis of ******* themselves...

   the Madonna-***** complex
is outside the realm of the male constraint /
castration of rules...

   i already mentioned it...
i couldn't be circumcised...
   protruding veins, that met at the zenith
of the *******...
if they circumcised me...
        i would have bled to death...
the, "crime" of ******* is
a lot easier to handle...
   if you haven't been circumcised...

because?
   circumcision is a motivational tactic...
you are... technically... not allowed
to ******* once you've been
circumcised...
  
               you're free, to *******...
if you haven't been circumcised...
as a male...
            no problem...
problem of ******* comes...
when you persist in the act...
but you don't actually possess the excess
skin, that might allow you
the prime, solipsistic act...

    ergo?
******* is worth a justified critique...
ONLY, and only IF...
you've been circumcised...
sorry if you have...
           notably because?
your priest isn't a rabbi...
and there's no fiddler on the roof
matchmaker song
to boot.

oh no, there's no problem with the act
of *******...
  but there is... if you have been
circumcised...
  why?
    during ******* i used to pull my *******
back...
  and **** with an unsheathed
****...

      but in private?
the ******* was rolled back on,
to counter the imitation of experiencing ****
***... with a clenched fist.
Nuha Fariha Mar 2013
Taking two sloping steps at a time
I hurried toward the gray peak
As if propelled by some Pied Piper’s rhyme
Between the battering of the wave’s break
On the smooth gray stones
Laid out as some colossal creatures bones

Near the top there lay
An ancient castle of pride and age
Shining under a single sun’s ray
Copied out of a fairytale page
Around it, the grass waved
Like sports fans after some fantastic goal was saved.

Nestled against the castle’s topmost crook
A fiddler sat upright and played
His music notes traveled and shook
Through the crowded masquerade
Of tourist’s gasps, native rough accents
Dominating the soundsphere without any assistance

They waltzed around in the air
Only to be carried away by a vicious banshee wind
Leaving me momentarily bare
A noiseless kind of blind
As I stared out in the distance
Watching the cliff be beaten out of existence
Jeff Stier Oct 2016
A most pious man
whose well-tempered music
brushed the cobwebs
from the throne of God

Evolution was made manifest
across deep time
these lyrical figures
achieve the same purpose
in the space between the morning star
and the dawn

A fallow field
is sewn with pearls
a moonlit beach
illuminated by shadow
every scrape of the fiddler's bow
merges mind with the present
harvests the meaning
in the moment

The composer
that good man
was
for a time
church organist at St. John's
its notable steeple leaning
all askew
as a rebuke against God
or perhaps the drunken architect

A finger of candlelight
plays across the manuscript
a fugue echoes
through the still church

And though no living person
on that still winter's night
shares the organist's solemn delight
the stirring mass of possibility
that is posterity
awaits
SE Reimer Jan 2015
~

verse 1
in the town of Chateau Thierry,
along the banks of the Marne,
just up the road from Paris,
a’ fore it meets the Seine;
’twas here our soldiers fought
in nineteen-seventeen;
'twas here they took the Kaiser,
in the trenches, rain and mud.
the Great War, then they called it,
here the river ran with blood;
with bayonet and shovel,
here an Allied victory made;
to halt the enemy’s advancement,
here too many made their grave.

instrument of bow and strings,
in composition history sings.
if, one-day strings could talk like men,
if, we could sing like violin!
stories told will ne’er grow old,
tales of courage that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows despite the dark,
soldiers of a genteel king,
wield your power to strike the heart.

verse 2
near the town of Chateau Thierry
in a convent, St Joseph by name
a violin by Francois Barzoni,
a resident luthier by trade.
prized possession of the Sisters,
they tuned well it's strings.
their convent walls withstood the bombs,
though leaving here their mark;
defaced but not destroyed,
and so with grateful hearts,
the Sisters of St Joseph,
for brick and mortar trade,
gathered up their treasures
their convent to remake.

instrument of bow and strings,
with composure history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of hope that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows to light the dark,
soldiers of a genteel king,
wield your power; rebuild the heart.

verse 3
from the town of Chateau Thierry,
they advertised their local gem,
“wanted: no strings attached;
no saint expected, no requiem.
just two hands to cherish,
and a patron of our instrument.”

this their prayer, “oh Lord, one wish,
may our search meet no resistance.
may we find a young apprentice,
please reward our long persistence.”

and so they found their debutant;
prayer answered in Saint Louis.
a boy who understood its voice,
with their strings again make music.

instrument of bow and strings,
of your journey history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of old they build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and find your mark,
soldiers of a genteel king,
wield your power to soothe the heart.

verse 4
near the town of Chateau Thierry,
along the banks of the Marne;
ply this channel of the masters,
play us a river, Lowell Meyer;
once a boy, become grand-father,
then a treasure to receive;
heirloom placed within your trust,
your prize possession to bequeath
to yet another debutant,
its strings to pluck and bow to draw.
he a master of persistence,
who with practice met resistance;
yesterday’s grandson, beloved progeny;
tomorrow’s hope, an admired prodigy.

instrument of bow and strings,
with clarity your voice still sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
for these are tales that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and make your mark,
soldiers of a genteel king,
wield your power to touch the heart.

~

post script.

A violin…  an instrument of hollowed wooded frame, strung with five strings made of gut, played by the drawing of a bow of hair crosswise over strings tuned in perfect fifths; an instrument of song with uniquely, beautiful voice.  Whether played as a violin with symphonic overture in a seventy-piece orchestra in Carnegie Hall, or as a fiddle in a four-piece southern country band at a barn dance down in a Kentucky hollow, in the hands of a violinist… a master… a virtuoso… a fiddler, it becomes an hallowed instrument… of diplomacy… of peace.

When I heard the faint whisperings of story about a nephew’s instrument I pledged to learn the details of its journey.  Charlie obliged, allowing me to interview him one evening early this month.

The instrument came complete with an old typed letter from Lowell Meyer, Charlie’s maternal grandfather, whose family purchased the instrument on his behalf, from the Sisters of St. Joseph when he was yet in middle school in 1923.  An instrument in its own rite, the letter also acts as a legal document, sharing not only the violin’s European heritage and how it came to arrive in these United States, but also dictating its future journey, naming only three possibilities of conveyance.  First, while in the possession of his family, the violin is to be owned by all of Mr. Meyer’s children and their heirs rather than by any one single heir.  Second, it allows a method for its sale should an urgent financial need arise.  And third, it dictates the intent of Mr. Meyers for the violin’s return to its original owner into perpetuity, the Sisters of St. Joseph near Chateau Thierry.  Charlie scanned the letter and emailed it to me, giving me a greater sense of its history and helping to establish its authenticity.   Its making by well known French luthier Francois Barzoni, who unlike the Stradivari family made his hand-crafted instruments for the masses, its survival within the convent walls during the bombardment of the Battle of the Marne and its subsequent journey from Chateau Thierry, to Saint Louis, each detail carrying great significance. As an example of one detail among many, it did not escape the attention of this story lover, the significance of a journey from its setting on one river to a similar setting on another, from along  the banks of the Marne before it spills into the Seine, winding through the fertile rolling hills north of Paris, to the fertile banks of the Missouri at its confluence with the Mississippi in St Louis, two famous rivers, a half a world apart, each with their own folklore of simple people living a simple life, of battles fought by simple people with uncommon valor.

*This simple story of “the violin” is a story worth telling; just one facet of Charlie’s interesting heritage; one which has its own voice, and is a tale that begged to be written.
Mateuš Conrad Jan 2017
i can't stop feeling this pounce of melancholy,
and i mean: it's like a lynx pouncing on my chest,
i can't even claim a clinical dimension to it,
it's a sadness that comes on two fronts...
   it's a sadness that i left Poland when i was 8,
and the greater part of my life was spent
using the English language...
         and i find the Anglophone world so devoid
of consistency... all this post-truth
          labelling...
       this throwing of the cartesian maxim the other
way around, the "i am" really does
   predated the "i think" scenario on the hopes
of asking for a genesis, a (0, 0) / (ο, ω) coordinate
beginning... yes, i know more of a dougnut
   and less the orbit of a planet in the latter case...
     i can't believe i'm getting this technical -
but it sometimes happens, you know?
i don't really like it... i'd love to write about less
claustrophobic matters, less constrictive intellectual
matters... and before you shoot me down
by denouncing the crass lack of motivation -
                i am frail in undertaking another "poem",
and i mean that as a way of saying:
              terse narration and no claim to technique,
or at least that's what i know is modern...
           i watch the following list of videos
as a sort of freak-natured lullaby while drinking
Obey the Walrus         I FEEL FANTASTIC
Agamemnon Counterpart       Username 666
Cursed Kleenex Commercial      There is nothing
Performance Olivier de Sagazan 2008  
     The Wyoming Incident        My Dead Great
Grandma’s Coffin in My Own backyard!
K-Fee Car Commercial       Pretty Woman
Fatal Diving Accident        Girl Goes ****** During
Makeup Tutorial       Paris Catacombs Lost Footage
Shaye Saint John – Hand Thing (yes, copy & paste
given the uppercase lettering, i can be lazy
once in a while) -
                          so i do see a lot of potential in
these clips... if you can't dazzle them: might as well
scare them...
                      but i watch them and then write
a native-language poem while listening to
    music accompanying a zbigniew herbert poem
by tadeusz woźniak - and i get all nitty gritty
when using a language i should have forgotten
aged 8... and i type one out and i am brought
to tears with it... and then it vanishes from the html
blank...
             and then a deeper horror sets in,
which Ezra Pound would have liked
and it merely means: ten quotes by Horace,
a video, with only 230 views on youtube...
                    no one would dare say carpe diem
like a cliche after seeing this video...
             but still the sadness persists...
and i can't make it systematic, not systematic in
the sense that it might appeal to the zeitgeist of:
the January blues, or... i need the pharmacological
rainbow...
        i have a miniature vineyard... enough for
35 litres of wine... and i make the wine myself...
i pick the grapes...
i crush them, i buy the yeast, i melt the sugar until
i get runny sugar-thick water,
   and you know? out of the 5 litre holders for it...
i get about 10 pristine bottles of wine,
roughly in the range of 15% a pop...
                   from 35 litres i get about 10 pristine bottles
of wine... quality-wise: the stuff you'd expect to
buy in a shopping market...
       and that's the sad part...
it bothers me that i've waited for long for the wine,
i might have mentioned it a few months back that
i do actually make my own wine... but given the addiction
it's a product that could only last for something
worth celebrating...
                     these days people speak of a marathon's
worth of abstinance from the stuff for a month...
    which is a bit sad, given that if people ventured
into producing their own alcohol, they'd have
a Dionysian month of binging on it... and then having
11 months being sober... until the natural cycle comes
back, like the rare event of a comet...
    i'm sad i lost a few poems on the way...
but i'm also sad that the drinking should begin by spring
and that i'm ****** already...
                  that i'm still buying whiskey,
and when i do actually drink that one bottle of clouded
wine today, i'll feel a sense of the most minute accomplishment...
   i can't stop facing this industrialisation of
everything... whether it's alcohol, or art...
   or intellectual debate...
   sure, i'll listen to Breitbart for a bit...
then i'll listen in on how we've began mutilating
language... then i'll think of god, and recount
kant's concept: imagine the pangs of despair i felt
reading through the second volume of the critique -
if you do: you'd be surprised by what's involved
in transcendental methodology...
    what could possibly obstruct you in the existence
of: said word... not enlarged in religious practices?
   i am comforted by the fact that kant deals with
god on a non-religious basis...
    religious i mean: worthy of a reciting only one
book a thousand ******* times and building churches...
if god is merely lodged in your mind and allows
for a narrative, who is sane enough to take that
narrative initiative from you, considering the fact
that you're not bound to kneel and read only one
book a thousand times as if that one book held
the sole capacity for your vocab exfoliation and learning
of the alphabet?
     how can you ever be bound to a cognitive detestation
of god? that really must be painful...
considering that thought is so ****** whimsical, frail,
   picky, panicky... give it all you want...
you can't establish a cognitive detestation of god
  on the simple ground that thought is being bombarded
by a 5:1 ratio of the senses versus 1 non-sense -
    which god evidently is: given the numbers of
the good-church going folks... kneeling lunatics i call them...
but the simple fact that you want to do a lobotomy on
yourself with atheism, is a bit like saying
you'll censor the mathematical statement 1 + 1 = 2...
      at least the concept of god is: language exists...
and can i add to that? if a being as such exists:
he wouldn't consist of games... the verbal colliseum
of anagrams and crosswords... language you seize
to be entertaining... it would spell out a clear
format: a x, y, z      vector precision:
    starting from point (0, 0) moving to (1, 1),
  (2, 2)        to ( 5, 5) etc. you'd get a y = x graph...
   not a ******* parabola of nuance and political
chess... or nuanced ***...
                    and is that a.i.?
           well: the french question about man inventing
god because it would be useful is much better said
these days since we we have the capacity to create ourselves...
and given how it looks: i'm going to be a caveman
trapped in a two-dimensional world of the collective
consciousness by the time the true avant-garde in this
medium starts... creating a god became boring...
so many had to recreate himself in the robotic form...
    man is currently needing this exploration...
forget the space project... it's a case of definition...
but i'm still melancholic about the wine...
     i've been waiting to sniff it and feel the sharpness
of the alcohol for a good 3 months...
       and i really wish i could write in my native tongue
so easily as i do in my acquired tongue...
     i'm sad because i'm drinking the whiskey
prior, rather than getting completely sloshed on
what alcoholism looked prior:
    it's that curse of town insomnia and how we don't
celebrate enough of what comes with natural
cycles...
              which means that ontology is dead...
given we've managed to tame the seasons...
  means that any ontological question, based on
the cycle of wine-making, brings us to a more dreary
position than with nietzsche's god is dead...
look here: at least you have something tangible...
   you can't erase god from thinking...
it's the primost a priori essence of every, single man,
it's not an a posteriori fact,
god is there, in that a priori medium like space
and time...
                              and why do people never claim
that god can contain a dualism, primarily because
the herd is encapsulated by a monotheism?
              if god could ever be an a posteriori you'd
be forced to experience some sort of revelation,
and later encounter the evil contained within the concept's
dualism, so in actual sense: be considered mad:
for not making certain choices in life and wishing to
reach for the pulpit... mind you: i had such an experience...
and my life didn't become better for it...
     evidently i should have pressed harder for
the ontological argument of: marrying the girl...
but then the same ontological argument came back
to me when i started making wine...
                      meaning i could produce alcohol
on an industrial level... and forget any ritualism involved
in consuming it prior... since i would only be
left with an addictive socio-pathological use of the
once celebrated, collective engagement by waiting for
autumn to ferment and keep me warm through
the winter... which i suppose is when all the Greeks
were kept together... drinking and ******* rather
than bother to exploit natural resources like gas and oil...
but hey! that's just me...
         but there's a sadness behind this...
start making your own wine and you'll see it...
which is to say: i don't know whether i'd have lived
a happy life with my russian fiance...
             i have only a quantum idealism to mind
expressed by fanciying myself counter to the history
i'm writing right now...
    so why is god as a priori bound as time and space?
well... why would you otherwise get so many eager
atheist gobs to reach for an argument?
                  i find that the most authentic atheists are
murderers... why? they have transcended
    the cognitive debility of an atheistic argument...
      i'll prove god does not exist by "thinking" about it...
my my: what a lovely congregation you have there!
      i'm not even trying to be clever here...
  well... there's an antidote to this scenario...
               so he's permanently lodged in our a priori
  "consciousness" (might as well do away with psychiatry
******* about with its three-layer cake of
con- subcon- and uncon-) -
                   and he's not lodged in our a posteriori
"consciousness" - i hate becoming the fiddler on the roof -
because what then? experiencing the omniniscence
and the omnipotency and whatever other trait that ******
thing does, would translate as what?
     at best a monotheism... or a place where people concentrate
in numbers... not necessarily worths of being beyond
the estimates concerning their congregation...
            it's dangerous to claim a god in the a posteriori
realm...
                that's why the safest place to keep him is in
the a priori realm... where all the big things happen,
or don't happen, depending whether you're from New York
or Hiroshima...
                    and following from kant's distinction
in transcendental methodology concerning time and space...
and god...
                 it dawned on me that he did see a distinction
between mathematical language and the lingua of
  doodling and anagrams and all those poetic jives that
give no precision...
    if time... then space...
                    if god...            then nothing...
and how are dual in the a priori realm...
       only that with regards to time and space
i'm more likely to throw a 1, or a 2 into conceptualising
these things, than i am to throw an a, or a b into it...
    algebra is secondary in talking about these two mediums...
why? because i'll get a definite rationalisation of
time and space... if i tell you the fastest man on earth
can run 100m in under 10secs...
                       if i throw in x y z into this: i might as well
end this whole narrative with: oi! Zeno! give us
that Achilles joke!
                when i mean god i mean: medium of
communication... that's not necessarily a democratic
omni-versed plateau of sponging everything every human
has to say...
       but i primarily throw 1, 2, 3... 4, 5... 8, 9 and 0
into the a priori conceptualisation of time and space...
  but if i do the same when i throw in the other symbols
into the a priori conceptualisation of god and nothing -
sure, mathematical symbols can be phonetic encoding,
as one, two, three, four... five, six...
          but apply them as one two three four to time and space
and there's no way to rationalise time and space,
because time and space is met with a nonsense
in dealing with a phonetic encoding of 1 (as one) -
due to the vacuum of space... and the timelessness of
    time as a ref. point fixated upon... let's just leave
it with the vacuum of space... 2 overpowers two (because
of to and too), 3 overpowers three (because of free)...
4 overpowers four (because of for)... not only that:
but they're more about photographic memory
and visual conceptualisation ease - no one really bothers
   a - z to be anything more than: what they actually
are as phonetically: awaiting pronunciation.
sure... letter can become mystical in a sense of:
   y looks like a tree (other than pine),
           H is a rugby goal...
                               w is a cosine graph...
                    y is a serpent's tongue...
              but that's mysticism and that's also: fair enough!
what bugs me is the opposite of the a priori
magnetism... as opposed to space and time...
god and nothing...
     well... if i throw 1 and 0 into a priori thinking
about working time and space...
  i'll get, say: 365 days in a calendar year...
               or that the acceleration of earth if 9.8 metres
per seconds squared... (cubic gravity evidently
becomes a bit pointless -
                                        imagine it:
   9.8m/s(superscript)3...   or 9.8m(superscript)2/s...
or whatever variation...
no wonder the chemists got the ****-end of the stick
when they were told they weren't allowed into
the heaven of superscript... but sent to the subscript hell
of writing dwom oxygen... ah shame: Faust! i'm coming!)...
yes... but throw 1 - 0 into the a priori
"conceptualisation" opposite of time and space,
i.e. god and nothing... the best answer you can get
is matthew chapter 1 verse 8... or SIX SIX SIX!  boogie man!
well... not... you throw in the symbols α - ω
into the a priori "conceptualisation" of god & nothing
and you get, e.g.: δατυμ -
which basically means: it can't be meaningless -
       otherwise we'd be stuck with animalistic intuition
and intelligence, overloaded with sensual intelligence
and not marred by the murk of thought...
  how this devolution happened is beyond me...
  no amount of wit makes up for the sensual sharpness of
a monkey shouting at a congregation: spy! snake!
and all with the bare minumum of phonetic distinction...
    thus α - ω are slightly meaningless when it comes
to time and space, i know these symbols to enter
this a priori venture, but we're still primarily talking
about using 1 - 0 symbols to get at the knitting-work...
just like in verse, i say of a crossword
    sound of Valhalla (4),
                 and you say: 1 across... horn!
                              and then we get the pretty picture.
3a.m.
       and the wine ritual is about to begin...
      
Mateuš Conrad Jun 2020
pop culture... yeah... that yawn...
borrowed from the t.v....

   belle delphine... makes a comeback:
                                                       ­    i'm back...

       i must be a real riddle...
                                              though...­

      there i was thinking:
sorry... i was on auto-pilot...
i started to think of...

                harley quinn -
ava max - sweet but a ******...

trouble: i know what a tease
of regret looks like...
i also know what...
a make-shift...
nazgul harem of bulgarian
looks like... too...

        a tease of regret:
a former girlfriend...
striptease of a follow-up
narrative...
very nice... oh oh so nice!

but this one is clearly not beyond:
being a push-over...
belle delphine is no harley quinn:
i.e. ******* seriously sober...
**** your entranced: drunk...
******* sober overtly sober twice...

but... for the bathwater...
and... no...
i am the omega man...
on the list... of... allowed...
men... to *****...
into a genocide tissue
of... banking on genes:
without a ****-up
mother and father sort of
narrative...

         for the drunk:
the sobering whirlwind of reality...
because when rich people
like... should... i... inject...
myself... with some... broown show-gar?!

like i once asked an aesthetician:
i guess in reverse...
i was put under the scalpel and:
the selfless dictum of medicine...
he asked me: what books?
i asked him: quo vadis?

                i thereby managed
to burn the bookmark...
who was sane enough to salvage
the book i was reading?

    clued in on the: beside the brothel
antics...
   this clearly aesthetic girl...
this money making
crazy wheel this buttocks of
supra-roulette...
   when man and death...
the trough... the rhine valley
of trenches and brick-making
tactics for the ***** pederasts
on top...
those cherries those readily...
and thereby... easily...
cusps of iced cream...

                prostitutes speaking...
their gimp and limp-sidekick...
hard-on...       "procrastinations"...
to rhyme to rap...
by the way it looks like:
to rhyme is to rap:
to rap is to rhyme:
  
cookie dough oh oh *******...
and crisp-et... cookie ok: dunking...
slippery and swoon... and sweat...
   boy george fickle...
somehow browning... and none of that...
best dead before:
there was ever a best before date...

and then....
                      MA-GI-C!

playing a game of caesar's thumb:
      versed... in pollice verso?
          how do you play a game of
caesar's thumb?

oh... well... you will require a female maine ****
cat... and some... adamant moth...
the game works... like:
you proving to the beast:
you are not... toying with the moth...
the moth is a lesser creature
to both of you...

how does one play a game of caesar's thumb?
when one only has...
an agitated moth to catch once in a while...
and a maine **** cat:
to give attention to...
with a clenched fist:
with the entombed moth trying
to wriggle its way with
a fluttering of the wings...

   there's also that female
mosquito...
clenched onto by a pinch involving
one of her leg-work limbs...
and being a female...
she pulled and tugged and made
a "dialectic" of the verbs associated
with that limb extension...
a male maine **** cat would
have made a feast of her...
like he would of the cobwebs...

she escaped with 5 legs... to her original 6...
but a month...
i can't disfigure...
too quick for the lassy...
i held the moth in my clenched
fist like a rattle of fluttering
wings teasing...
not enough...
top bored from having
the impossible catch of the night...

the moth always remains: intact...
alive...
either cat catches the moth...
or leaves ones bedroom:
with a blooming gloom
of boredome....

but that's how to keep intact
a "sanity"...
a visit to the brothel...
becomes... a typo-
       for a shop only butchers are only
allowed to... inhabit...
    the sentencing of meat...
the clarity of heaving a life
of a moth in one's clenched fist:
and there's a thirst...
of the fist: to draw that lost samble
of: the begrudged familiarity
of language: and given that...
it's all in 21st century crude / rudimentary...
and rhyme...
            
       no caged beacon of the heavens...
of a lost circumvent...
caged lottery of the rhyme
of being perpetually caged...
       for the loot of **** and cockrel loitering...
like: morn is the cry to whine!

a game of caesar's thumb...
there was once a clenched fist: and a thirst for
blood...
now... a maine **** she, cat...
and a moth... fluttering...
like... an agitated petal-wing-and-rose...
too many "bored"
marihuana junkies stalking these
english streets come twilight...
one almost bumped into...

agitated by my poker facing
the already agitating grey-ish...
by the number...
by the number:
                   what-what of...
if he be not the king george:
having to give up h'america...
then he's no helen mirren...

          a game of caesar's thumb:
any and if all be owned:
that antithesis of a game of chess...
a game of both
kings and paupers...
3D dynamic: and madmen!

"revision": belle delphine...
cold... hearted... capitalist at... brain-sizzle...
but... gravitating toward
two outlets of fiction....
   belle delphine ≠ harley quinn...
a little ******... oh so hot...
hot tender me oh my ***:
posion the daisy...
poison rose should... a rose be all
the more... already... poisoned...

a visit to the brothel:
a visit to the butcher shop:
for the cho- chop and chopping assurances...
the crooked crown on an already
crooked head...
the statue of charles II
in soho sq....
        
              i most certainly paid for much
less than this ****-tenure-of-a-tease....
but then... to have an argument...
you'd need to mingle with a bunch
of thieves... murdering slob-gatherers
of phlegm...

            poisoned red-bunch of
a wholly rosed-up affairs of loiter...
and time: such a prized dead-end of
eventuality...

            the father the god:
the sacrificial lamb...
because... god forbid she was
ever to somehow burden
a deity with a: one first...
once and a daughter...

                  ****** fun-fair for
the riddled ghosts...
       blank shot shrapnel...
                     better suited...
midnight blue of the alias black...
then at least:
best... towing two gaylords
with everyone's bet on
typo and a bullseye!

   but never... the sensibly...
      hetrosexual normative...
goody twice-tied...
shoe-and-shine:
pwetty: that girl and:
you best forget to whine!
that girl and you'd wish...
            her father was a shtalin....
because...
crude and rude...
and all that's ****...
before Lucifer peeks with
a... siamese cranium...
              
      death to all...
who have made it concise...
in making life:
hardly... a... pardon....

  yes... best equipped it making it:
magic! and all the more difficult...
but never difficult enough...
difficult enough...
when... somehow... never... citing...
an... albert fish...
needle in my pelvis...
to... exfoliate... with any...
and more... addition of...
pain as an... ******...

      i guess the plead of the shawshank
sisters drops...
it always drops...
when there's a "conflation"
of evidence...
surrounding... the lower-base...
extremity: the crab genus...
       crustaceans....
    child- this-and-that...
       ****-fiddler...
             but a cannibal to boot?!
you... talk...
or simply... electrocute said:
individual...
since... your... ******* 'ed...
is already fried by the magic
of norm-frequence...
and the already: herd... estasblished...
Norman?
you with me...
sptunik jimmy...
               you with me... cream-soda joe?
you with me...
finding aliens already bigger
than flies... the widow mantis...
blessed joseph josephine?!
*******-numb-wit?!

oh yes! all conession: avowed
to you!
               because...
who isn't...
      in russia... they vowed
to keep these cain canine brood phlegm
of an *******: freely to roam...
siberia... that was the promise...

when they would **** a birth-firvolity
of a: devil and the "by chance"...
when converting man to
the stature of elevating wolf or bear...
and all the better...
rather than... caging the odd-ball
parody of... lacklustre joke and...
moth-ball-rolling...
****-wits the: future!
supposed! narrative!
******'-h'america...
              celebrated feature of culture
most involving... a horror...
      and... bull-wrapping!
               a ******* for a skinning!
TG Hinchcliff Feb 2014
His sheet of music
was a damp
scrap.
Lazily placed on
the ground
to his left.
His violin
whined slow
& sincere
While engines overhead
roared toward
Springfield.

But that was nonsense.
This was real.

Reminded me of
tough, lucky
Stew.
A fighter & a
fiddler in his
own right.
This muddied man clouded the air
With a mournful
story that
defeated all wisdom.
I drank coffee
afterward in a
small shop.

But the warmth was gone.
Joseph C Ogbonna Apr 2018
Fernando, I do sincerely extol thee.
You were as much passionate in symphony
as you were in death, which you faced willfully.
Cursed were the cruel war machines that silenced thee.
But still to celestial heights they lifted thee.
For in great honour at heaven's distant gates,
you became heaven's fiddler at God's request,
to play in courts before the heavenly greats,
in a manner timeless at their own behest.
Fernando Buschmann, the fiddler at the tower.
He that rendered sad tunes in his final hour,
playing Pagliacci at the twilight of life.
Continue to rest in a world void of strife,
until justice for your death we all shall see.
In memory of Fernando Buschmann(1890-1915), German Brazilian killed by the British for espionage during WW1.
Robin Carretti May 2018
He quietly appears so many years have passed smelling the amazing greener then life grass a potent filled with magic the invisible man he passed.
Splendor in the grass

Ehh Oh yuck someone
abandoned you
On the runway
He Grilled walked in
fashionable late
The head of his
mansion

You needed to
tolerate
Oh! Chuck
Full of gas
shattered_
her mind
with scars coming
toward her
like glass

The wake-up call
The lady of
all envy
Winning
an Emmy
Adelle
We could
of had it all
Another name
Amy
For the love,
Of a ghost
Like the
Candy Man
Invisible man
from
Ireland

Something got posted
seductively
Blindfolded hosted
Designed into his
Money hand
Powdered substance
poisoned her

Invisible man
Her eyes got
Smoked like
Poison Ivy
In the Army now
Please too much
Attention of green
Arabian in the Nile
Miles and miles
Navy to be seen
He was colored blind
Different eye
Brown in one and blue
Something hatched

Matchmaker  Ghost rider
Fiddler on the roof
We need a story writer
Like a horse
without a hoof
To neigh the right
stuff

I Sir "Infinitely" so
"Existentially"
Remarkably
Divinely
Ghostwriter
Her words were
blank
She is so genuine
Every other day
He was mine
The quiet man
Super shy
Another try
Valentine's day +*

Writing but not seeing
I love you until this day
Quiescently being forced
he entered emerged
I love you let's get
engaged
Beg your pardon
was not her
To be loved so sorry to be
changed
Like a stale piece

Her niece vintage
furniture more love
and peace
Quietly operation
tugged
Someone got flagged
That blind man
faced
And looked into
the  quiet man
On someone's 
body
The smells
like Moms
perfume her
exact tune
New Jersey Patch reader
"The Catcher in the Rye"
To weird the movie
Carrie
School can be strange
A bucket list of water
down your head
She walked

The Quiet man lips
No small talk
Ghost post bed
Not even one star
could be heard
The gas lamp
she tripped
Out of sight

She saw a face not to
be described

So inhibited like
endangered
species

The invisible man
loved her
But got his
vengeance on
anyone
that was too near her
People wanted so
much to
be her
Her force
indescribable

When someone was
clear to see
Extremely well visible
she didn't care to
know them

Her nose on the tip
baking with flour
Ghostly the hostess
of the most
But feeling his
energy the invisible
the man was
courting her so challenging

New flame "Procreating"

Hemming her long skirt
Her diary innocence
Being on her side
but scheming
Disguise home staging
From the ridiculous to the
subline

Her address
Send forget me knots
street
Only blind
people are the kind
you want to find

SOS  surrender or out
The other S Soulmate
Ghost
Hailed the Mary
The Quiet Man
John Wayne

The laundromat
Mack the knife
Invisible man
Inked his whole life
Waynes world
Born to be wild

The other man
Hit the metal
heavy music
fan
Drenched so humid
He was the Murad

Triangle mess
Shopping at London
Harrods
Let's hear it for
the girls or ((Gods))
The magical channeling
TV on the blink
Went right on his computer
All the quiet man linked

He finger waved by the world
Guinness drinking Heineken
beer
The ghost rider
Got grilled called upon
By Ron
College kid playing
Rugby
The good bad and
the Ugly
Clint Eastwood
stretched them out
like Gumby
Western gunshot slinger
He couldn't see the
Ghost rider
the
blank stares
Perky Rabbit Hares
All the negatives got
burned
Exorcist's heads twist
and shout eyes healed
about

Climbing the Jacks
of the shinning
Nowhere in the beauty of
Her heart gleaming

Took a blindfold call felt
somewhere but where?
But I couldn't see blinded
by stars
Over the rainbow, the skies
weren't blue
Being stalked by
someone you know

By the greater impossible
love
To be silent like she was
invisible
So naive at time feeble

Without an honorable
love of fee
Gone with the winding
shopping spree
Disworthy and sneaky
but for being
who or answers
Doctor Who?
Invisible man what
could he do

He was so flavorful
well balanced
strong nursed her well
and sturdy
Quiet man thinking in his
beloved study

She was no goodie
magical shoes
The Ghostwriter
left invisible
clues
More Quiet time
Lemonade time affair of a
Ghost man
Like Hannah and her sisters
Woody if he could
But he is a **** good writer
The Movies of NewYork
I am proud to say
I come from
Brooklyn NY

If lips could talk
pouty
Sensing something but why?
Hans Christian Anderson
Quiet man playing softly but
Killing me easily through the
Blind sighted window

The widows
War Veterans
True Hero My dad
World War 2
Wifes lies and fibs
Quiet leads to invisible
Heller Keller was so
fortunate
Like Fate, she was
the real
Mccoy, she could light
anyone's smile
with joy
The barbecue next season
So many years to reason
More gun control
Be more visible to others
Mothers and brothers
Have a heart of soul


Only the strong keep the
  fight
Just keep on trucking
Grill them show them
What you could write
Perhaps it's cool to be the
Ghostwriter
Not everyone likes
To see the clear picture
What is really taken

So what if people cannot read us
Somehow we are all blind that's
OK its a miracle how other people
Can make it the beautiful day


Of the next groundhog day
He was loving to be invisible
He wanted to keep it that way
So deep set her eyes
to die
Somehow talk could be cheap
And the shepherd of love loads

of sheep, silence is the best sleep

All in someones head so lovingly deep

Invisible but remarkable to be the person
you want to be or let's really look closer
it's not always rosier.
Can we be so invisible to everything we look at? What about being blind Helen Keller to me was the fortune of better futures your best wine out of the cellar. So what if you are blind there will always be someone you love around you just have to feel them
david badgerow Nov 2011
I remember walking up
to the Fiddler on the Roof audition
when I was fourteen years old
alone, feeling very unstoppable and confident
and then hiding behind the big trashcan
in the foyer of the auditorium
As they repeatedly called my name.

If you want something
throw it away.

I remember getting a *******
from a purring cat
in the dark
in a dumpster
behind a ***** bar.

If you love something
throw it away.

I remember buying you lingerie
and ripping it off of you
not even two hours later.

If you love someone
throw them away.

I remember seeing you
wear my shirts after ***
and how undescribably gorgeous
you looked then, glowing
and I thought about callling you
the other day to ask for them back
but then I realized:

If you loved in something
throw it away.
Adam Latham Sep 2014
Inside the Rainbow Forest
Where unicorns are born,
And fairy dust floats on the air
From sundown until dawn,
There dwells in royal splendour
Yet very rarely seen,
The king of all the pixies
With his pretty pixie queen.

His palace is a mushroom
As tall as any tree,
With bright red spots upon it
That will make you squeal with glee.
A winding golden staircase
Stretches to the very top,
In a mesmerizing spiral
That you think will never stop.

All those brave enough to climb it
Would soon chance upon a door,
With the most enormous knocker
That you really ever saw.
One hard tap summons the butler,
A polite and friendly gnome,
Serving tea and fondant fancies
That will make you feel at home.

Through a maze of vaulted chambers
Each more lavish than the last,
Passing walls lined with the portraits
Of kings from the distant past,
That dear gnome shall gently guide you,
With much merriment and song,
To the Great Hall of his master
Who resides there all day long.

From beneath a silver archway
Set with precious gems galore,
You will enter to the fanfare
Of ten trumpets, maybe more.
Dainty apple blossom petals
Shall be scattered at your feet,
As you bow your head in homage
To the king you are to meet.

With a heart bursting with wonder
You will hastily be brought,
To the throne of his most highness
Far across the royal court,
Threading through the marble towers
Of an ornate colonnade,
And a troupe of prancing dragons
With their riders on parade.

Seated high upon a pumpkin
In a matching orange gown,
Curly shoes of bright green velvet
And an elderflower crown,
The king shall bid you welcome
With a beaming toothy grin,
As he beckons to the minstrel
For the music to begin.

With his beard like cotton candy
Waving wildly in the air,
As he slides down to embrace you
From atop his lofty chair,
Both your arms shall link together
To the fiddler's merry tune,
Clicking heels and laughing loudly
As you skip around the room.

In the magic of the moment
You will give yourself to fun,
As the mischief making monarch
Tweaks your ears and cracks a pun,
All those cares your heart now carries
Shall dissolve and simply be
Lost in wondrous celebration
Of a pixie jamboree!
Kaitelka; Whale Mongolic down, first whale which said syndrome, evidenced by their presence, as didgeridoo, as spitting but more hypersonic, hyper cetacean moving his tail, Burguete funds, learned to swim faster than anything, but the Nautilus, not He paid attention to his mother in his care skills, but bad luck that can befall if not moderate their exalting and allergic omitted cases to obey.

So all blue, but little Kaitelka, seeking friendship among their peers, but he put  a tambourine limit gave him leftovers and liked more than a day a thousand years of perfect instincts. So step aside by the fire, and dodged the deafening roar of nymph Satinga; the most ancient senator of the headpiece, always full on its plateau of ******* hydrochloride that resistance, if they pass a thousand years and I do not understand these pairs, I adjusted my engine, but to no avail me, my instincts are diluted and slim as downpour edges left by the wayside in infants and solfa. That Jesus Light was said behind the screen rainbow arch, he takes her hand to Kaitelka, and back by the outer estuary, they attack by instinct ministry of evil.

Mildew petrified oaks, disorients the abject warty troughs the disordering of the genetic instinct, if I have to pause my essence, I leave in the hands of Joshua stone from beyond. Where the ticket is worth more to me, but I get the same. Where evil knows well, but tasteless well. Underground, underwater., Kaitelka take any more, wheels come and go, instinct taking shredding herbs near the sea, no longer separates me more. Bright the famous day that rebukes my dreams rather than a whole, plastering, or monument flash highborn of Mongolic loves whales, classless or inheritances acquired record. Kaitelka and in gratitude to accompany my walk, to the junction of Lisbon, walking from room to room, to begin the pilgrimage, his steps were Glup, Glup like a pretty varmint, over the hills she is beginning to the descritery of Satinga, or rather the descritery of Sapiens Hommo, rummaging instinct of love today, then unloved. Native forests make pairings, but separate links non-energy cataclysms, similar to the new alliance valley radial wave, tuned cetacean sonar power can be glimpsed.

The Ministry of Evil is no end to the retrospective marvel at Noe, Isaac or Abraham, or Luther King, is the delayed form of unsettled muscle primo Evo madding to neo Evo updated, and neither bells sound the same, as reboot gray phthisis diseases degenerate and synthetic. The instinct to put your hands into the fire will be lost ..., so more pace to the back of them cutting the seas in arithmetical divisions, if commend my antidepressants depressive relatives, caress the sea in each constipated solstice, I go every night with daisies in my hands defying every cliff, every cave turned into a tavern, killing instinct, when the brain is nothing, sprayed kerosene on stage, to see my beloved before he dies of a blowgun.  

Joshua Stone and Bernardolipus in a crossroad, spin the grazing, the black sheep, is barren, its classic label of Segregated debased soul, but defecated humanoid comment sing out of tune the territory themselves.  Three-step, three-way, Joshua embraces Bernardolipo. Welcome starts. Satinga you slice ferns and wild beast, vomits both diazepams swallowed, do not sleep, dreams transpose half orb. Halos, half halos, iridescent arcades, and warm breezes, must preamble Donated high liking. Soft and warm look, I do not lose my plate potato near my belly, warm adobe cellar. Nymph Satinga of reaction in reaction out of tune and the highlights midwife psoriasis for its reddish dermis by a fungus worming. The re instinct starts to chew his skull, dread end of the border. The cookies Lord is sending us on napkins.

Pre urbane figure born, they appear a hundred suns, so the crowd out who has the audacity to reveal the discrete enigma, the puzzle while the floor moves the seizure ... all stunned waiting for the flash Ritual to start the preliminary stage, the paradigm of unshelled trees, tough tables roll by the church at the foot of flowers crocuses scrolls flat estate. For the baptistery inscrutability warmth your network back double halo on the moon, scrub that level. Abyss where I fall near aspire to the coachman, I go away over time from heaven minute no second in hours where the avalanche of time lose my look to hold any deity that does not prevent the tendency to lose those not facing front, a day like this you do not walk any shadow, nor the Horcondising I would like to Santorini. The Borker wrongheaded, burning a cigar in rib Kaitelka, it provides a stunning scream as the end of the world, giving birth to the sky his beautiful breeding, as a good omen to present to the crowd in the Octagon and pleased transit day often fruity crestfallen fig.  

Adelimpia,  Strongly taken the and Thunder Aunt, washed in the backroom their aprons with Christmas, whose magical and enlightening sense, they were the Three Wise Princes, sons of the same kings of Israel. Sitting on some cobs, heritages from last wheel spikes. On warm evenings mantra Baba Nam Kevalam, I do not stay alone without others to see this magical high flood flow mention aversion in pontificates, necessary, pal meal with wine apocalyptic pale rider, Napoleonic soldier dethroned.

Thousands of hectares grassland in loving with heavenly muddy, as adhering to the force of Sorcery Camphor to move everything to the midnight launch eclipse. Thousands of hectares squirts do not possess any extension ratio, giddiness master eye, losing possession. What is Slice is Caren Lagoon, which is Alhué Village is Polulo mountain near the place, what Pichi of Barrancas... Out of my roles temple or regulators, as night plans still dating Jack, with overall equidistant to all orphan girl lost in the jungle inbenign . Cutting room of breath begins threshing., afar put the trays, and poor saint not to attend, this clever move, all atheists bruised, stiff and deprived of the worst failure smoothness, it´s the earth not plowed,                    
              
Dreams whistles hills ... Ghosts and spurs  ... Elegy opaque optical floors, all at Aunty Thunder dream the same...

If you can call night, inland sea waves have to educate infant’s tsunamis, they live among geological forces off the coast of scudding clouds of ... where she cuts through. Where our conscience, should play down a Machiavellian zero to roll it to the belly of the whale down. Their heavy udders milk, as long as a wild bird dueled, mounted in their beards, but the bird slips for his little body often and disadvantaged, to fall into the enzyme flash neuron meditatively; aspiring meditatively. While tsunamis grow, the mountains grow, decreases Hommo sapiens, conscience, he has left, minus zero exiled to the **** pony pens, to create their neighborhood over the eyes of a pupil of warty lameness. Reborn storm, stately power, Nymph Hetaira, who seduces the ringer smith, golden horseshoe, pal new millennium. His no longer harp, sewing lips ant, threading needles Grandma milking herbs get a grotto, families abandoned, shrill understatement by the echoes of the West, for you my Transients soliloquy turbid straightening of holistic aqueous molecules who want to sleep in my hands.

Good beverage, good consciousness nursery. Sleepily he walks by the barbed wire of stupid sort of busybody in thickness bolognese, or bandoneon, pilaster grandson male, to Vizcaya sailing or North Toscana, where after a barricade, Piedmont jumps to the south under Pichi.

They are falling water molecules on Maitén tree, or Tomato Adelimpia bow, and on the fibrous and head hair grass grandmamma Anna. Junks greet Bernardolipo, which was fishing with his wounded eyes, but the rub his mouth on the back of Kaitelka, calcium verve in carrousel turned. Line up the right hand, bottled lady Juana, he stretched to crush cilantro, but no ... or both...

Reigns for ?, to allocate a stop along the way, West Side Story Pichi. We are a few steps from misting dawn of propionate Stoics lash the oppressed people, clear water, singing  ... neuron in neuron, the cell last neuron, with the bow remained foul-mouthed, to shuffle, or Kawashkar Chilean Indian the slice of the leg, looking shoe children who roam the street without a blanket. They close their eyes, tears of shame. Here you are ecstatic stiffs arrows bows, feathers swaying in edgings shields tangled, hordes of haggard eyes flamed flames that no impudence and, which limp to a scoundrel that stuns resistant to fall on the sand. Show your dream, that dream bathe.

Continues the fierce Primor, falls brochures from red heaven fall prayers stammering to advance on this land saga, fall rustic donatives of grandmamma Mayor of coelum, Joshua insomniac in his tabernacle, defoliating his tome skip and jump down the estuary, before every misstep, holy water to step, a smile the Loica rural place Or a caress to the cheek moon in the arms of a blackbird, manacled to a rasp, stove teapot levitating top where grandmamma Adelimpia wheezes. Hail Mary ever ******, the other day, I heard that in September, flapping fall on Fiddler praise, perhaps mediate, for bad talking, founder of my undying love of life joined empty verbs on clovers where I to live forever, pre, pre paella prize moaning on my shoulder osteoarthritis crucifying collapsed tree. Nightmare builds a ship to reach Legion Mary. Centerfold, guns, howitzers, dissident’s ovaries ... final pages, declamatory winds ... perhaps agonizing leg expectantly... Or delusional feet of premature mortality, which brought pray to heaven, earth ... at soon I have to forget. The earth gives me the cheese, and bread sandwiching it goes...

Between him and earth coelum I doze my motive piece body, my shepherd Beetle Maximilian of Auschwitz sprayed me holy water the Vistula, I kneel down my hinges, and my hands for pray by pure attained effort, ***** great feat, who believes fall the abyss, and just below the earth tremulous, bell, first-throat yawning, loose cassock sounds a rainy morning, falling in the forest priority to see all morning, brimming with couplets of snow.

Continue to fall aqueous molecules, Kaitelka divides the estuary waters. Sheets of – Talami rural high lawns and wise water, South of  Pichi. Follow the dream, and just needed to uprighted the cabin, roaring gallop, wake up tomorrow morning sweaty dancing aqua, font of Lourdes, the four simultaneously open their headlights eyes, unblinking as echoes swimming duck feeding their young in the obsidian lagoon. Rock palafitte a piece of coal painted black each carriage serene, going from the Cantillana Mountain. Blasphemes morning fall roe bellowing wind annoyed tongue, windless striding through the window, thunderbirds mistress thousand flanks, now mount the besieged strands of colloidal solid. Elegy, opaque optical dreams, and drovers days nearsighted, soon saved our lives...

The never End.
hiperverb and imaginery poetry, based upon the eternal endless realistic living and non  logic  retoric literature.
copyrigth JOSE LUIS CT  2018
Miranda Huff Sep 2017
The sweeping fiddle,
Notes glittering,
As the trees sway,
Gently as the swinging strands,
Of the weeping willow,
Tangle and strangle me,
Who is hanging by the crook of my knees,
On a tree branch.

I'll only listen 'til I fall asleep,
And crack my skull,
On the stones below,
Swinging, swinging, by my feet,
How cold of you not to notice me,
Singing along with your endless playing,
And enticing my wakefulness in a bribe to exile,
With the lullaby's melody.

I've been tricked!
Now you cut me down,
And take my dead body as your pleasure,
"La, di, da", still playing while you kiss me,
Quite the fiddler you are,
But mind you,
The tree nymph's lips cheat too,
Now you're fertilizer for the tree and I'm still humming and dangling.

"La, di, da, da, DAAA! Delicious!"
ShamusDeyo Nov 2014
Strolling down the dusty road
I reached the path of an abode.
The Black Shamrock an Irish pub
I stopped inside for a pint mug.
One mug topped off with ale
That next to Guiness Stout
Looked pale, A Pilsner in the glass.
And down the bar a drunken fool
Sat staring with blurred eyes and drool.
A sassy colleen tended the bar.
And if your hands were free,
They wouldn't get far, for
If they reach to the wrong place.
You'ld a  bar wenches Slap.
Across your face, and a spot of red
For all to see, that you got the Hand.
Of Molly McGee, a fiddler Bowed.
An Irish Jig, and a penny whistle.
Carried the tune to the drunken crowd
Within the room, a game of darts is made
While cribbage by old farts is played.
And the pints are emptied by the hour.
As the clock rings out in the churches tower
As drunks are Roused, and doors are closed
Old friends will stumble down the road.
All in an Irish night
Dedicated to the Patron Saint of Drunks and Fools

All the Work here is licensed under the Name
®SilverSilkenTongue and the © Property of J.Flack
Nat Lipstadt Feb 2014
for H*

let us write for one,
one another

~~~~~~~~
let us premise.
we are much the same.

despite the fact that we are all genetically
different,
we come with the same equipage.

this is the miracle.
this is the strange.

at the intersection
at the corners of
Strange St. and Beauty Avenue,
the street poets slam,
drawers chalk paint Chagalls
upon the sidewalk,
street musicians sing songs of
Beethoven and Billy Joel,

let us agree.
we see with eyes, we hear with ears, we tongue taste,
voices, make swears and tunes.
soldiers with a standard, life-issued backpack.

you have vocal chords, but can you sing?

some see a village.
some see a fiddler.
the artist see the fiddler on the roof,
sees the strange in the ordinary,
and from this makes the beauty,
that in its differing is its uniting.

we all know words.
then we unite them in different combinations,
and A Tale of Two Cities sits on shelves,
in different alphabets, even dots and dashes,
wherever, readers read.

it is always,
the best of times, the worst of times.
it will always be that way.

it will be the strange among us,
that see the music,
taste the words,
dance the paint,

sharing it with us,
purging the the common, the ordinary,
yet making the common, the ordinary,
extraordinary,
giving us beauty of art,
in an uncommon but shared vision.
Well at the risk of my masculinity, attended the ballet, where prior to the performance the conductor talked about the music of Prokofiev and Barber, and quoted a literary critic (Haydor?) that said that the artist sees the strange and from it makes beauty.
starchild Feb 2018
Balancing
just trying to be happy
and when you fall off the roof
you get up
and continue to play the strings of your happiness

but you realize
no matter what
its hard to be happy
in a world full of sorrow

so you stick to tradition
you try to stay safe in your little town
but they are there
their mean and cruel

but you need to realize
there's a reason that their that way
because they've been through pain of there own

Because all villains have been through pain

for that is what people must see
it doesn't matter if your a fiddler or a supporting villager
everyone goes through pain
for it matter only
how much pain.
and which point of view you have
=)
Geno Cattouse Feb 2013
would walk out of the city on Sunday afternoon after Sunday Mass
Dinner at noon was the custom. then the city would slip into  Sunday coma.
Mantovani, Acher Bilk, and the BBC wafted from the Television less homes we passed
on our way to the river.

Old chocolate men reclined on rickety old wooden porches smoking hand rolled
whatever as we strolled by giving us the lazy eye. All knowing , know nothings.
Sun beaten and calloused to lives of hard labor. every now and then one would just give a
jaundiced nod and look away/ Live to smoke another day.

Half paved tar and gravel roads simmered and writhed in the distance.
but our bare feet.
slapped in rhythm .cut off knee pants and skinny bare chest attested to sparse living but we
never knew it cause the mangrove jungle was minutes away and big
unwanted catfish to hook and throw away. Disdainful (Kiatto).

Off the simmering road now hopping toads. Johnny fiddler ***** for bait .
The canoe awaits us two small school boys in our natural state. One seven one eight.

Pelicans survey slowly above where the river meets the sea A small ripple and down he goes. He knows where school is in for mackerel and terrapin. Bone fish too.
We small boys with no fear . Innocence a pole and cork. One hook apiece is our gear.
Knee deep in mire as we push of and jump. A paddle apiece as we stroke against the tide to traverse the emerald river wide. The far bank. My Aunt Doris's shack.

Man over board to tie of the. Bow.

A snack of tortillas and beans then up the river no fear. Fun and the fish
Sun and the wish for an endless Sunday. We hate Monday. Back the priests and nuns.Slate writing board and times tables.
Let's fish.
Let us dream.
Tied off in the mangrove shade.
Swatting horse flies quietly. Quietly?

Like bird dogs we study the floating cork.
A wiggle, a bob. A bob. Set the hook and out comes the prize.
Then more. More flapping underfoot.we can hardly.walk. The glee
A bonanza.
All fried up and crisp.Catch and release. What madness. Catch and consume.

Day is done in the Carribean sun.
Home eastward. The pitch road is more forgiving on bare feet now
with the September sun at our backs. A leisurely stroll back to the
house. No worries,

A bath  and change for the Sunday evening show.
The Thief Of Baghdad or  maybe El Cid.
The Duke Audie Murphy in a double header.

The walk home along the moonlit seaside.
To start another Halcyon stream.
Another time and place rooted firmly in my memory.
Read  THE RIVER ROCK. More from Memories of a childhood in Belize.
The Fire Burns Oct 2016
Death propped up by lines and hopes
The fiddler plays despite docs dope
Say goodbye is his song
The inevitable won't take long

Deaths shroud, flutters in time
It's your last call, use the dime
As scrubs fade away, and doves appear
The fiddlers music becomes crystal clear

A solid beep, underscores his chords
A brief replay of life's awards
He leads me off, at a parades pace
It seems I've come, to the end of the race

Lines are cut, and the shroud covers
He embraces me, like a long lost lover
The music stops, have arrived at fate
Just outside, a rusty fence and gate
preservationman Aug 2016
A fiddler and Horn who welcomes you aboard
We are on our way
It will be a Hound bus being our getaway
It’s the USA to explore
We will be travelling shore to shore
There will be enough scenery that no could ignore
Just let your pledge just soar
Good Morning Sunny skies
It’s another day being inspired wise
Clear weather ahead being our advise
Look in the distance, the Rocky Mountains that stand tall
Majestic and mighty in the echo call
As we make a sharp turn on the highway, observe an Indian dance by a tribe
Our mission of our Hound bus is “Up Close America” ride
Wave to citizens in town as we pass by
Rolling, rolling, rolling
Music playing America, and lets all relate
The open endless road is our appointment date
So what more can we all anticipate?
Nothing but more sights
A restless sleep throughout the night
Major cities that welcomes us in
Let’s have a sing along and let harmony begin
The moon that shines after our daytime day
Just sit back and recline all the way
However, our Hound bus will continue to push on
We became a family in communicating with each other
We now know one another
As our Hound bus maneuvers the road
This was our getaway story ever told
Fiddler and the Horn tells us goodbye
Thank you for showing us America with you and I
The Hound bus kicks up dust
The encouragement, “See the USA being a must”.
(alternate title – A bona
er fide dog day afternoon delight).

A mere half dozen vowels
constitute the English language
    Ta-ra-ra Boom-de-ay
Consonants comprise majority
  
(sans remaining twenty)
     Ta Deum, whereby both
     in tandem allow, enable and provide
     avast combination

    donning brooks at bay
ample lettered permutations
offer opportunities, where methinks
mother tongue avails

     allows, enables and provides thyself
tubby spell as sigh arrange
     passions linkedin to create, evoke
and generate plenti

     of romantic expressions to convey
an amorous, bedazzling conception
describing ******, graphic,
     and iconic ****** propensities
  
this cobbler, dabbler,
     and fiddler (no,
     not on the roof) doth display
his penchant, lament bent infatuation

     with these twenty-six symbols
     that **** hen ewe to evolve,
     and breed vernacular words
     to reflect from an eBay

definitions apropos
     to the present, which
Uber state farm quixotic oeuvre,
and matchless kindling

     ******* serves as foreplay
for this heterosexual ma reed male
     caressing, finessing, and integrating
expressions of speech

     oft times spurs
     (what might seem as noun sense),
I ponder the peccadilloes
     being sixty nine shades of gray

yet quickly reroute
     ****** predilections
     albeit rolling in the hay
whence this dis straw t fellow
  
conjures affinity,
     comity and excitability
latent within the consanguinity
of bossy verbs assaying boisterously
  
an interjection tubby
     top dog capstone amidst kennel
of barking canines couching
     with another similar subject
  
each with their body electric
nestled upon a davenport faux pas inlay
in conjunction with another
     furry four legged friend,

     the direct object
particularly eye ying a ***** in heat,
     who **** okay
to buffer end an un

     pro noun sub bull underdog species,
     who feels passé
with ****** faw paw play
though averse to insult

     shaggy scoobie doo,
whose bark a role overture
     willingly doth goad her to doggy paddle
while she woofs down remnants

     of a picnic tourists left littered
while Lady and the *****
     head toward the quay
Pier ring for private sloop

     to **** per ****,
     then prematurely ******* hoo ray
afore slyly cagily approaching
     bag of cheap tricks see
     ****** exploits today.
Mateuš Conrad Oct 2016
i swear, the biggest anti-ageist
comeback missing
from the script of we **** the old way
lies with the scriptwriter's
phobia of o.c.d.,
                 i'm guessing he experienced
it personally,
              i wish he experienced dementia
clearer of his granddad
   succumbing: o.c.d. in old age?
it's not big deal... it's no big deal...
             enough botox and soon all that glamour
and paying your respects soon fades,
fattens up and chokes on the artistic
rubric: you need rich artists to
satire rich people... stop nagging
at Katy... be, *******, thankful,
you little cat-whiskers for a ******
moustache kitty-fiddler...
           ever **** at a girl taking a selfie?
let's say it's a blank canvas, and
you're working on it...
        how can this girl can become a
crown or the abhorred fling with
missing Welsh fetishes of excess
           ****** dangle-bits?
                       i have few entry points
i like i consider...
                 before she shaves the *****,
but did you know my godmother
           is a doctor and she doesn't shave
her legs?
                     i joked at that,
i joked for the simplicity:
              why do i have to don mine
and the theory of Darwinism is never
complete? because of aesthetics,
there's a natural instinct, a natural bound
contraband that IS NEVER, EVER TINGED WITH
CHRISTIANITY... **** Radio Maria and
Priest Rydzyk too along with
                John Paul the Tarmac Kissing Saint...
popes like pop-stars: the world's a stage:
better look the prettiest...
             thank Katy... she got cool and rich
enough to covert any criticism of wealthy kids
of Las Vegas...
                          if she wasn't here i'd be dead:
i don't love her like a girl might love
the next best: never-left high school bestseller
for young girls...
                                     my black horse is
quirky and still working on working smug
rather than donning a thong at a cat-walk...
                 but my point?
the comeback the gangsters should have served up
those ****** lips?
                                rapper movie
fakes never taught you how to shoot...
                the gun goes linear: shoot, vertical...
not cool-sly horizontal...
                         you're shooting with a blind spot...
rich girls' songs for poor girls to
cat-fight over who's the better gimmick
of impersonator...
                      but the old Hackney farts still
don't have the quick-snap-comeback...
                  the colts keep referring to E2...
a postcode...
                       the old ladies should have said:
i better move there, seems like a hot-spot
for the postcode lottery!
                           the colts keep referring
to the E2 club....
                             the crew, the gang...
i'm still thinking about these pensioners
nailing them to chairs and drilling through their
bones to the marrow for the Moscow ladies
acting out the faint in the hands  
                       of chevaliers of her retirement plans...
E2? is that a postcode lottery for
                 the losers?
and the "sad" story is? in Poland we all came from
a Communist housing estate...
            only peasants in semi-detached housing...
i guess all these smart-*** young folks
are pretending to be gangsters when all they're
all aspiring to is own a pair of shoes with hay sticking
out of them: and i.t.v. come november...
               well, the casting was smart,
the accents 10 out of 10...
                   but the final point of the accents
in talk?              slow math...
                            is      E2 designated as
the case for a joke about postcode lottery?
                 one thing they're loudmouths...
another that they're also foul-mouths...
                             can't be one and the other...
                  if you're going to be a prop'ah
foul-mouth, better be a slow-mouth
               or a shush-mouth...
                                  and if you're going to
be a loud-mouth, i'd prescribe you Southampton's
away-support choir: oh when the saints...
oh when the saints come marching in...
                                no wonder gang culture
never picked up from loud-mouth birthrights of
the suggested History X...
                               borrowing from History ***:
flash news! there are more things on
my head than just hair to play toothpicks with concerning
self-doubts and the easiest solution:
            a man was crucified...
                               some say we never perfected
democracy as the civilised peoples of the world
as the Jews never perfected plebiscites as the
              "backward" peoples of the desert...
           if race coordination can't be joked about
but getting offended at:
           i'd love the Irish potato diet and the
dates served for breakfast lunch and dinner in Israel...
or in better representation?
the Pig of God... Jesus stinking like a pig
                 before the perfumes of Pilate...
skew: north-by-northwest: a good Hitch reminder:
sheep up toward Scotland...
                           but pigs that north and east...
well: pigs...
                         or how to make words
holy and meaningless when talking about the price
of butter...
                     but that's beside the case for
a quick comeback about the postcode lottery...
           or the grit of Bronson - the film,
esp. the nurse scene...
                       no spoilers... you never know when
it's happening...
                                 the greater the film,
the more monologue orientated...
                                    claustrophilic -
                                                   so you wonder
shoving that **** into the craniums of little boys:
why are they making them do it...
                        and at what point is it legal in
the social realm of guessing at all the rainbow possibilities?
   my theory? most paedophiles had failed
relationships in their teens...
                                  and they never wanted to
experience the complexities of a woman who finally
realised: ****! daddy died! i'm not a princess!
                   it's not a fear of being inadequate,
it's the fear of an inadequate woman...
                  the most adequate woman is a woman
who still resolves to the idealistic world,
rather than the realistic world -
                                   i never understood the
criminal hierarchy...
                                       in the criminal ring it would
appear no moral superiority is akin
   to bullying in school...
                                              choose the easiest
loss of moral judgement and bash it into the head...
    or what Marquis de Sade taught me...
               for most men it's the pink elephant in
the room...
                              or a light-bulb...
****** and theft is still all Robin Hood, the instilled
   heroism: moral ambiguity...
               i don't see how the other crime isn't also
an ambiguity...
                              the *** of man is already displaced
from the *** of woman...
                      why wouldn't age by that ****** ambiguity
not be squared? and doubly unfathomable?
   what made me write this?
               standing at a bus stop...
a girl coming back from school...
                                                 what?
this is a cognitive ping-pong...
                                     what?
                                                   what?!
               i'd dare David the Naturalist come out
from his comfort environment of
                 two monkeys *******, gorillas
with harems and all that easy gesture...
                   man and woman? eyes.
     all the limbs and bones captured by the eyes...
it's not that i don't spend enough time among people
to start imagining these quirks...
                 it's that i spend enough time
                 among people to not start imagining
quirks.
Francie Lynch Jun 2015
Since we were toddlers
We've had the move;
Something like a siddle,
The sway of balance
On the right/left shift.
But a siddle's for a snake,
A wiggle's for a worm,
And my dog waggles
When I return.

We stop, we wait,
Frozen, and confused;
We're a bit ticked-off
We can't pull this off
In a dance of decisive moves.

We've seen our share
Of waddling sops
Leave sidedoors
On Sunday mornings.
That's not what we do.

I've stopped a tot
From toddling,
Yet now I can't help you.

It's not a reel, a jig or clog,
It's like a line-dance of two frogs.
Then I hear Yeats' fiddler,
And I commence to be a widdler.
When you meet your doppel-widdler,
Don't look,
Don't ask,
Don't take long,
Just widdle past
To the fiddler's song.
Widdle: Coined word to describe that annoying situation when you confront someone and neither you nor the other knows which way to pass on the street. Right, left, straight...
Yeats: The Fiddler of Dooney
‘Just where do you think you’re going, girl
With those ribbons in your hair?’
‘I’m off to the world of Make Believe
To the Hart Midsummer Fair.
They say there’s a Magical Fairy Ring
Where the maids dance round a pole,
Where the step of a dainty pair of feet
Can win you a *** of gold.’

‘There’s Lords and Ladies and Dukes and Kings
Come down from the Castle Kragg,
Wearing their Crowns and jewels and rings
And they roast a new killed Stag,
There are clowns and jugglers, Gypsy bands
And the Phantom Fiddler’s there,
Playing an ancient Irish jig
At the Hart Midsummer Fair.’

‘The gentlemen from the town come down
All dressed in their best array,
Looking to win a country maid
To hang off their arm that day.
And those as willing, the auctioneer
Takes maids from the countryside,
Bangs his gavel and calls the odds
For the sale of a country bride.’

‘I’ll not have you at the County fair,
You can stay at the farm by me,
We’ve been affianced for over a year
And wed in a year, we’ll see!’
‘I’ve waited long for your promise to wed
But nothing has come about,
I’ll not be wed to an Ostler, when
A gentleman calls me out.’

He locked the maid in the pantry, so
She wouldn’t get out that day,
But she slipped the lock, and changed her dress
And managed to get away.
She went the way of the hidden lane
On the old grey dappled mare,
And rode on over the hills to find
The Hart Midsummer Fair.

She was late for the clowns and jugglers
She was late for the Fairy Ring,
She wasn’t too late for the auctioneer
Who told her to come right in.
She couldn’t see who was bidding for her
But she took it with a smile,
It must have been some fine gentleman
For the bidding was done in style.

‘Four pounds I’m bid, for this comely *****,
Four guineas to you out there,’
Another pound brought his gavel down
‘I believe that you’ve won her, sir!’
They tied a blindfold over her eyes
And her wrists were bound with cords,
She had to walk for a dozen miles
Tethered behind a horse.

The horse’s hooves had a hollow ring
As they hit the cobblestones,
The walls were damp and the air was filled
With a smell like drying bones.
Her ‘gentleman’ took the blindfold off
And her knees began to sag,
She’d sold herself to the Pantler of
The household, Castle Kragg.

The Pantler, so very old and grey
With a blind, white staring eye,
He said that she’d be the scullery maid
There were pots and pans to dry,
There wasn’t a single window in
The kitchen, down below,
She ****** the money he’d paid for her
And she begged him, let her go.

‘That’s not enough,’ said the wily serf,
‘To free you from these grounds,
If you want to purchase your liberty
It will cost you twenty pounds.
Your value is in the work you’ll do
Both here, and under the stairs,
If you pay your shilling a week to me
It will take you seven years!’

That night she slept on a pile of sacks
And she ****** the man away,
She said, ‘You’re not going to touch me
For as long as you make me pay!’
But late that night in the pale moonlight
A horse’s hooves were heard,
And a shadow crept to her bedside,
Whispered, ‘Don’t say a single word!’

He led her up to the courtyard where
There stood the dapple grey,
Hoisted her up behind him, spurred
The horse, ‘Now let’s away!’
She clung on tight to the Ostler she
Had spurned, without a care,
And laughed when they crested the hillside
As the breeze blew through her hair.

The banns went up the following day
They were married in the fall,
She said, ‘I finally got my way,’
And he answered, ‘Not at all!
‘You only married an Ostler, not
The Pantler under the stair.’
‘An Ostler’s all that I wanted since
The Hart Midsummer Fair!’

David Lewis Paget
K Balachandran Dec 2013
Winter, tricky entrapper,
cozy cuddler, night fiddler
nuzzler, tantalizer, whistler
sharp nailed cruel lover
seasonal unfailing seductress,
sprawling on the bed cloth of December,
rolling over a few months either side,
I would never take her for granted.

I see her peep through
the window curtains,
spying at the warm days eyeing me
and waiting for her to climb down the steps;
she is jealous, as she wants to linger
playfully riding on my back.

she seeped in to my blood stream,
like the narcotic effect of grass,
before I  know it happens
little by little to make me
forget my other loves completely
even without my permission.
Her wiliness is stealthily at work,
to monopolize me fully
separating me from others
yes, winter is cleverness clad in white.
Now, I am at her mercy, completely
my fingers, chest and lips strangely
enjoy the cold caresses, she gives each!

I realize, she has taken over-
my body and paints my mind's canvas,
with bubbling hallucinatory white,
she wants others tightly on her leash,
my other loves complain:
"you act just what is her will
you always wear her fragrance,
on you what an influence she wields!"
can I help when winter my darling,
brooks no excuses!

She exposes me before others
I look like a pusillanimous one,
cowering and cringing before her
none, even my true love, has
such absolute control over me
like she exerts, it's a secret
but true that I wriggle to get out,
of this white net she tenderly knitted-
for my comfort, which is,
pleasurable I think, to an extent,
yet difficult to accept at the same time.

Let us part before long, not to make
our relationship much complicated,
I'll wait, till the next season arrives
you are in my list of periodic partners,
I'll be ready with warmth in my heart,
for your eventful visit, that leaves
an impression far too long to ever forget.
Nat Lipstadt Jul 2014
A Roman Catholic concept rooted in a Jewish tradition where, if you cannot attend Sunday mass, you can go to the Saturday mass, the evening prior...

http://t.answers.com/answers/#!/entry/anticipated-mass-definition-in-the-roman-catholic-church,4ffcc10b­7af68a84dcfcad8b

not a religious man,
another "ain't behaving Jew,"
been long time passing,
since I went to a synagogue
of my own free will

(that,
free will,
a subject,
I won't discuss,
a free will choice,
unlike this poem
which writes itself,
me, just the telephone company
common carrier transmitting)


the holy days and
the holidays
come cycling through,
recycled sung sing tunes from
genes that once trained,
once disturbed and reawakened,
pass it on down
willingly or unwanted,
the calendar and
human marker thereupon,
in your face, undeniable,
you are, or start,
being what
they want you to be

been to midnight mass
on a Christmas past,
with a friend who happened
to be a Jesuit priest,
yeah, I'm an electric eclectic
ecclesiastical poetic natty vibe,
with many a
neutral nomenclature,
happens to live with an atheist,
so, tonight, we watch together
at her suggestion,
Fiddler On The Roof

boy oh boy
there I am,
Tevye the Poet,
writing poems on the roof
up on the wide screen,
talking to god
every where I go,
whatever I am doing,
even cursing the
Cossack ***** of the traffic hell on the
Long Island Expressway,
*******, you see

{but you grow weary
waiting for a writ called
Anticipated Mass,
and not a sermon
of a nonreligious miscreant,
who just happened to be
created, born on
the Jewish Festival of Booths,
in an R.C. hospital
on Fifth Avenue,
right next to his coreligionists edifice,
Mt. Sinai
(go figger, all part of the plan,
says my fellow new yorker, Allah}


if you are busy Sunday,
NFL football perhaps,
or a summer FIFA World Cup match,
Wimbledon working,
while on your deck surfing,
(Go Federer)
or a working stiff,
serving man for tips,
waitressing, taxi driving,
in order
not to starve,
for a living
must be made on
the day of rest,
so you go to
Anticipated Mass,
the eve of the day before
the prom dance

now that is something I like,
a flexibility that
inflexible dictums and regs
don't often offer,
like birth control being ok,
every other day

but anticipating my prayers,
just a bit too
OCD compulsive organized,
no matter
9:00am or midnight,
or even 6:00pm
the night before,
I can't anticipate
when the need to
go verse
with The Lord above,
arises

so I like to inform you,
when anticipating
the wine and the wafer,
the sabbath candle lighting,
the prayer rug time,
don't have to wait,
for a mass, a mullah's call,
or a minyan,
do a Tevye!

speak to him
with this Rx prescription,
"as needed"

let your own mass
be lightened, lighted, leviathaned,
relieved, celebrated,
the freedom from
anticipation and feel free
to listen to what god has to say,
cause he loves those
individual requests,
custom crafted,
even noises simple
grunted with good intent,
for those who posses not
the gift of
god gab

an informal sort,
a busy deity,
who appreciates brevity,
which is why
he gives my
long poems short shrift,
but sometimes attends
to my low whispered
observations for the needy,
for the masses,
whose body,
in his image,
I human share
and so often,
pray for...

— The End —