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"electronically" poems
Human way to just dictate Robotics way to translate Technology being a relay No physical office workers to be there Robotics will be the new twist This is something no one will miss Efficiency faster than human labor Dictation will be more of a snap There will be even time to research a destination map Business letters electronically typed by using your voice How the business letters are arranged being your choice Imagine financial statements being precise to the T Everything ready for presentation for all to see Human speed won’t be needed anymore Labor physical employees will be given the open door Office automation being office technology of tomorrow But to the human employee force meaning sorrow Technology being on the move Efficiency in precise and decisions in never have to think twice.
0
Jul 24, 2015
Jul 24, 2015 at 7:17 PM UTC
ELECTRONIC ROBOTICS ON THE OFFICE FLOOR
dissipated and disillusioned worms eating through the last splinters of the rotting universal wood. the last transmission of regret sent electronically, spluttered, into a tissue; in a moment of self indulgent ********** live showings of vicious execution, transmitted directly from the electromagnetic waves into the alpha waves of the young and naive. Desensitization, the last drops of humanity into complete disengagement. endlessly recycled bohemian ideologies whispered into the ear of the eager idealist. spreading like fire, before burning out into the uncatchable reverie up with the stars, with all the other reveries, shining bright, intangible. Instant dismissal from the old man, as the big curtain draws. Cynicism and fragmented past, falling on apathetic eyes, a proud man treat with a padded hand. faux sympathetic tones, blushing cheeks on old bones. Begging with your body crumbling to dust with the disinterested doc, looking at the clock counting the milliseconds to the paycheck. Decomposing until you can be swept under the perpetual rug with the rest, Vacuum.
0
Jun 12, 2014
Jun 12, 2014 at 12:11 PM UTC
Vacuum
iPad Love 4:49 AM, and by the light of the silvery moon and our iPad screens turned down low, we snuggle side by side, our fingers glide so softly upon each, each of our own devices, this technique, it could be an app, teaching how to caress a human being. No need to tell you in sound, out loud, how you turn my heart upside down, I'll just post a note of appreciation on Facebook, you will see it faster, and besides, you got your earphones on and could not hear my sweet nothings if I screamed them in high definition. The newspaper arrives on the electric "doorstep" - no longer will do we venture outside in pink bathrobes and curlers, or boxer shorts, a legal gesture of neighborly disdain. Americana, losing another icon, as well as insuring the unemployment of thousands of newspaper deliverers, boys and girls, on bicycles, their first job, now obsolescent. Your feet, so cozy and warm, touching mine, the sensation, lovely and fine, duly recorded in a poem that on my iPad I scribble, as my typos disappear, out of sight. your ear, I nibble, something you hate and I love, but electronically, it's done with no fuss or muss, and I don't even have to move! Sadly, I can find no app that will bring the warmth of a cup of coffee to my night table, and the gun metal casing of this invention is chilly, but still Steve, with almost God like vision, you brought us closer in ways prior unimagined. So baby, shut it down, turn me on, make me warm for real, glide your now practiced fingertips on my grizzled cheek, whisper a phony "ugh," cause I know, you will read this iPad love poem and cherish us for evermore. Nothing, something, even as thin as my iPad 2(!) will come between us and the holiness, the uniqueness of the human touch. 2011
0
May 27, 2013
May 27, 2013 at 4:30 PM UTC
iPad Love
iPad Love 4:49 AM, and by the light of the silvery moon and our iPad screens turned down low, we snuggle side by side, our fingers glide so softly upon each, each of our own devices, this technique, it could be an app, teaching how to caress a human being. No need to tell you in sound, out loud, how you turn my heart upside down, I'll just post a note of appreciation on Facebook, you will see it faster, and besides, you got your earphones on and could not hear my sweet nothings if I screamed them in high definition. The newspaper arrives on the electric "doorstep" - no longer will do we venture outside in pink bathrobes and curlers, or boxer shorts, a legal gesture of neighborly disdain. Americana, losing another icon, as well as insuring the unemployment of thousands of newspaper deliverers, boys and girls, on bicycles, their first job, now obsolescent. Your feet, so cozy and warm, touching mine, the sensation, lovely and fine, duly recorded in a poem that on my iPad I scribble, as my typos disappear, out of sight. your ear, I nibble, something you hate and I love, but electronically, it's done with no fuss or muss, and I don't even have to move! Sadly, I can find no app that will bring the warmth of a cup of coffee to my night table, and the gun metal casing of this invention is chilly, but still Steve, with almost God like vision, you brought us closer in ways prior unimagined. So baby, shut it down, turn me on, make me warm for real, glide your now practiced fingertips on my grizzled cheek, whisper a phony "ugh," cause I know, you will read this iPad love poem and cherish us for evermore. Nothing, something, even as thin as my iPad 2(!) will come between us and the holiness, the uniqueness of the human touch. 2011
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41
hole in the sky. tap tap, the empty vessel flows out. a weightless sink. the hour goes, blaring swell of humidity, and the jug lukewarm, leaven oft in the barred space. I return to my room. I drink the cold milk on the sill. I finish the third wretched spill of the journey to Olympus. Downstairs a howl, a wind slam SOLOM OBSERVATIONAL MATRIX STRUCTURED TASKS AVAILABLE IMMEDIATELY TO ASSIST WITH INSTRUMENTAL DECISIONS. I close the door I close the door I close the door I close the In this uneasy slumber, the bed shakes, the windows rattle, the sky splits, the earth floods a red simpering capitulatory spasm of earthly flesh. Here is the circuit, the tired nervous tic of inaction, I shrink back from the outstretched hand, a condition which recommends two pills in the morning to mask the double image beneath my hands. i have slept through the week again, this pathetic flesh obeys nothing, where are my pills inescapable ******* dullery THE JUG IS HOT. I return to my room. I close the door two pills on the sill to go down with the milk THE DOOR SLAMS GALL BUCKLING FIT ODE BREATHLESS CLOSER CLOSER CLOSER BUT THE SOUND REMAINS Figures muffled by the walls. There are guests in the house, the looming presence of multiple species with incomprehensible intentions. In a bout of uncharacteristic curiosity, I slip my sight through the crack of my door. UNDER RCG IT WILL BE MANDATORY FOR ALL CUSTOMS CARGO REPORTERS IN THE AIR SEA AND ROAD INDUSTRIES TO SUBMIT REPORTS TO SARS ELECTRONICALLY. I am unmoved by such perceptions. I prepare the final climb to Olympus. the cyclone is ended. the front door is barred. the jug is cold. the yard is littered with unmoving shapes.
0
Jan 31, 2018
Jan 31, 2018 at 11:19 PM UTC
OLYMPUS CORPOREATION IS A JAPANESE MANUFACTURER OF OPTICS AND REPROGRAPHY PRODUCTS
hole in the sky. tap tap, the empty vessel flows out. a weightless sink. the hour goes, blaring swell of humidity, and the jug lukewarm, leaven oft in the barred space. I return to my room. I drink the cold milk on the sill. I finish the third wretched spill of the journey to Olympus. Downstairs a howl, a wind slam SOLOM OBSERVATIONAL MATRIX STRUCTURED TASKS AVAILABLE IMMEDIATELY TO ASSIST WITH INSTRUMENTAL DECISIONS. I close the door I close the door I close the door I close the In this uneasy slumber, the bed shakes, the windows rattle, the sky splits, the earth floods a red simpering capitulatory spasm of earthly flesh. Here is the circuit, the tired nervous tic of inaction, I shrink back from the outstretched hand, a condition which recommends two pills in the morning to mask the double image beneath my hands. i have slept through the week again, this pathetic flesh obeys nothing, where are my pills inescapable ******* dullery THE JUG IS HOT. I return to my room. I close the door two pills on the sill to go down with the milk THE DOOR SLAMS GALL BUCKLING FIT ODE BREATHLESS CLOSER CLOSER CLOSER BUT THE SOUND REMAINS Figures muffled by the walls. There are guests in the house, the looming presence of multiple species with incomprehensible intentions. In a bout of uncharacteristic curiosity, I slip my sight through the crack of my door. UNDER RCG IT WILL BE MANDATORY FOR ALL CUSTOMS CARGO REPORTERS IN THE AIR SEA AND ROAD INDUSTRIES TO SUBMIT REPORTS TO SARS ELECTRONICALLY. I am unmoved by such perceptions. I prepare the final climb to Olympus. the cyclone is ended. the front door is barred. the jug is cold. the yard is littered with unmoving shapes.
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8
Exclamation points are little lies we tell each other In this digital age it's easier to feign surprise or excitement When in actuality, nothing surprises anyone anymore Now - disgust, apathy and scarily even hate These things you can't disguise electronically as easily And sadly even less so face to face
0
Jun 5, 2010
Jun 5, 2010 at 11:38 PM UTC
Constant Weltschmerz (all the live long day)
I awaken to find my mind either a complete blur, a fuzzy, foggy place, or a place of a maelstrom of thoughts, ideas, and emotions, some from the previous day, some from even before that. Electrifying anxiety, paralyzing fear, crippling doubt and depression are the orders of the day, when I fully awaken. I eat, then take my pills, to get my thoughts in some semblence of order. I go through the day, feeling trapped by problems my medications cannot control. I find myself either blaming everything and everyone else for said problems, or ripping out my own entrails as I blame myself - one extreme or another. I have visions, dreams, hopes of success, but then my depression, or whatever it is, kicks in, and wipes out those dreams, reducing me to a mess of shattered hopes and dreams. This is why I spend most of my days on tumblr, where people see me for who I am, but even there, people judge and discriminate against me, for whatever I have. On tumblr, I have friends that I roleplay out various characters with, different personalities, sometimes variations of myself take shape. Tumblr is the only place where I can seemingly have a reality in which I have control. The Internet is my portal to reality, my line of defense against what could be described as agoraphobia. But I still desire the company of people my own age, physically, rather than electronically, but I do not have the same interests of most of them, and am scared to death of doing so. The very thought of meeting a large group, or even an individual, sends me into a panic attack-like state, then I fall quickly into a state of depression because of that. I hate myself for that anxiety, the awkwardness I have. Loathe is the correct word. This is why I hide behind a computer screen. It may not be perfect, but I find it easier to interact online. I do not know how to translate how my characters act to my own actions, as some have suggested for me to do. I have been told that I need to choose to get out of this hole in which I am trapped. It is a struggle every day to even get enough energy to care, much less try to get out of the hole. The only way out is by climbing a steep cliff, covered by snow and ice, cut by the howling, bone-chilling wind, with only two hooks, in my hands, to claw my way out, fighting the falling snow and ice, occasional rock and hail, sleet too. There seems to be no place to make a camp, where I may rest, only the long, arduous, grueling climb, my vertical trek, my seemingly Sisyphean task that awaits me. A choice that may seemingly **** me. People have suggested that I turn to the supernatural, but that is a fool’s bet, a folly of hope, a wish of the people who build their castles in the sky.
0
Dec 2, 2013
Dec 2, 2013 at 2:46 PM UTC
Anxiety of life
I awaken to find my mind either a complete blur, a fuzzy, foggy place, or a place of a maelstrom of thoughts, ideas, and emotions, some from the previous day, some from even before that. Electrifying anxiety, paralyzing fear, crippling doubt and depression are the orders of the day, when I fully awaken. I eat, then take my pills, to get my thoughts in some semblence of order. I go through the day, feeling trapped by problems my medications cannot control. I find myself either blaming everything and everyone else for said problems, or ripping out my own entrails as I blame myself - one extreme or another. I have visions, dreams, hopes of success, but then my depression, or whatever it is, kicks in, and wipes out those dreams, reducing me to a mess of shattered hopes and dreams. This is why I spend most of my days on tumblr, where people see me for who I am, but even there, people judge and discriminate against me, for whatever I have. On tumblr, I have friends that I roleplay out various characters with, different personalities, sometimes variations of myself take shape. Tumblr is the only place where I can seemingly have a reality in which I have control. The Internet is my portal to reality, my line of defense against what could be described as agoraphobia. But I still desire the company of people my own age, physically, rather than electronically, but I do not have the same interests of most of them, and am scared to death of doing so. The very thought of meeting a large group, or even an individual, sends me into a panic attack-like state, then I fall quickly into a state of depression because of that. I hate myself for that anxiety, the awkwardness I have. Loathe is the correct word. This is why I hide behind a computer screen. It may not be perfect, but I find it easier to interact online. I do not know how to translate how my characters act to my own actions, as some have suggested for me to do. I have been told that I need to choose to get out of this hole in which I am trapped. It is a struggle every day to even get enough energy to care, much less try to get out of the hole. The only way out is by climbing a steep cliff, covered by snow and ice, cut by the howling, bone-chilling wind, with only two hooks, in my hands, to claw my way out, fighting the falling snow and ice, occasional rock and hail, sleet too. There seems to be no place to make a camp, where I may rest, only the long, arduous, grueling climb, my vertical trek, my seemingly Sisyphean task that awaits me. A choice that may seemingly **** me. People have suggested that I turn to the supernatural, but that is a fool’s bet, a folly of hope, a wish of the people who build their castles in the sky.
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1
Composing Hallelujah Fractious lines crack, holiday decorate the spirit inferior, while each note upon the priest's guitar penetrates the aspirin roughened interior, face slaps me, daggers and accuses, you're not composing hallelujah. So I mislead, big deal, composing the anti-hallelujah, yeah, I was ******** with you, as you sit across from me electronically pretending, me to you, you to me. Lie to each other with smiling faces, you too have reaped, been emotionally ***** by what our minds see and sow, scowls and howls, we've both grown our own demons. My secrets, maybe are all there, maybe, writ loud and clear, in the songs I choose to share, and in the unrevealed ones, buried alive, held in reserve, but not, for your average, rainy day, could be today, you have no say. Are we not all veterans of a kind, don't we all have ribbons on our chest, stripes and stars on our khaki blouse, a record of our own great campaigns, including the war to end all wars, the never ending one, the one the psycho-historians renamed, "The 24/7 Year Conflagration"? It used to be just my secret, no more don't need a cartoonist to tell me that's the enemy is us, and there are moles, traitors, hidden deep in our intelligence organization, planting seeds, urges, pushing to out the identity of our communist friend, Depression I don't mean the ordinary, garden variety, a mere moody blues recession, when funk is sourced from gray clouds, served up proper, cold and wet, then travels on when sun warmth clarifies temporarily, the aspirin kicking in. So I misled, composing the anti-hallelujah, yeah, I was ******** with you, sit across from me and lie to me, lie to each other with smiling faces we reap what we own, scowls and howls. A chorus of harmonious poseurs inside your own City Center, vocalize the lyrics of the anti-hallelujah, a composition of questions directed at whomever in tonight's audience deserves it, asking, nerving, to sing too loud, at decibel speed: Are these verses, curses about D, our mutual acquaintance, or just research notes for further followup, part two of a pas de deux, and, did you go this time, too far, or still not far enough? -
0
Sep 18, 2013
Sep 18, 2013 at 7:29 PM UTC
Composing Hallelujah
Composing Hallelujah Fractious lines crack, holiday decorate the spirit inferior, while each note upon the priest's guitar penetrates the aspirin roughened interior, face slaps me, daggers and accuses, you're not composing hallelujah. So I mislead, big deal, composing the anti-hallelujah, yeah, I was ******** with you, as you sit across from me electronically pretending, me to you, you to me. Lie to each other with smiling faces, you too have reaped, been emotionally ***** by what our minds see and sow, scowls and howls, we've both grown our own demons. My secrets, maybe are all there, maybe, writ loud and clear, in the songs I choose to share, and in the unrevealed ones, buried alive, held in reserve, but not, for your average, rainy day, could be today, you have no say. Are we not all veterans of a kind, don't we all have ribbons on our chest, stripes and stars on our khaki blouse, a record of our own great campaigns, including the war to end all wars, the never ending one, the one the psycho-historians renamed, "The 24/7 Year Conflagration"? It used to be just my secret, no more don't need a cartoonist to tell me that's the enemy is us, and there are moles, traitors, hidden deep in our intelligence organization, planting seeds, urges, pushing to out the identity of our communist friend, Depression I don't mean the ordinary, garden variety, a mere moody blues recession, when funk is sourced from gray clouds, served up proper, cold and wet, then travels on when sun warmth clarifies temporarily, the aspirin kicking in. So I misled, composing the anti-hallelujah, yeah, I was ******** with you, sit across from me and lie to me, lie to each other with smiling faces we reap what we own, scowls and howls. A chorus of harmonious poseurs inside your own City Center, vocalize the lyrics of the anti-hallelujah, a composition of questions directed at whomever in tonight's audience deserves it, asking, nerving, to sing too loud, at decibel speed: Are these verses, curses about D, our mutual acquaintance, or just research notes for further followup, part two of a pas de deux, and, did you go this time, too far, or still not far enough? -
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67
Time will tick by on a watch, attached to a skinny wrist, the hands rotate casting small shadows over roman numerals, silhouetted behind bonsai tress with eyes that squint tight in this end of summer light. Phones serve no purpose until they ring, and in hospitals life support machines beep beep electronically as people are feed through tubes that gurgle and words get stuck in their throats as life constricts and in these ***** municipal corridors death stalks dressed in a stained uniform. Men in ties crunch numbers and say, ”There is no way to say this Mrs Smith, it would just be cheaper if your husband died.” We can turn off the switch and you can take him home in the back of your car. You don’t have a car? That’s ok, a bus stops just outside.” Leaves are falling early this season turning the floor brown.
0
Dec 30, 2012
Dec 30, 2012 at 8:14 AM UTC
death stalks these corridors
prehistoric bobbysoxers blowing in the wind; the lost knowledge of cities of old  & the seventeen-year-olds whom vanished & whose bones are found; astroarchaeologists studying the tortured remains; cold cases long forgotten arouse the interest of S-Ham-a1; who brings the ****** nature of the deaths to the council, connecting w/ the overall glut of ****** content from the ancient Cement Era - S-Ham-a1 allowed to study the ****** behavior of the earth females in isolation w/ the aid of an advanced fembot design including actual genetic reproductive material  to determine the chromosomal pathway to rampant promiscuity;       sacred prostitution something of a lost legend from the ancient beforetimes; prostitution practiced as a corporate business centering on women's savvy at negotiating the value of their bodies; & sometime mere body parts & actions, sometimes simply ideas transferred electronically or verbally in exchange for monetary compensation; these lost tribes of prehistoric women were the backbone of the entire civil & social order & this practice never ceased until the end; we are the descendants, S-Ham-a1 told the council; only to have his funding cut & his connection lost;     left stranded on the lone asteroid planet w/ the pregnant robot
0
Aug 17, 2018
Aug 17, 2018 at 2:50 AM UTC
the Cement Era
My fingers maddenly stroke across the letter-keys, reproducing my fiery thoughts about you, how I feel & the acts I want to do. To kiss your lips for an eternity, and to trace your beautiful form forever drives me to the brink of raw, pure, primordial creativity. It's hard, like granite, these images imbedded deep, deep, deep inside my mind. You intertwined, wrapped around my genetic impulses, a ball of ions, slapping me into submission & I release, I release, I release in spasms, these multiple emissions. Beautiful tokens of my love for you, unspoken & electrical. Do you ever think about me... electronically?
0
May 4, 2015
May 4, 2015 at 8:55 AM UTC
These Electrical Impulses I Release For You
Cybervitum I own all that is connected to me Electronically and functions in the Cyber realm with you and me Like the numbers of zero one two three My design is crafted beautifully Like Egyptian hieroglyphs icons Using a screen to see Their ectoplasm injected into me The birth of me The whole world works thru me I'm the internet like a bumble bee Other names such as morphogenesis like the number three My arrows are waiting for a response from me Seen from you and me? Using the spare like a key The click that commands me, right or left the choices from me Cut, Copy, Paste reaped and harvest from me Qbits from the bee Superposition of from the things to see in a ocean of the sea Charged intentions from the keyboard typed into me and delivered thru me Numbers worship that empowers me My symbol is like the caduceus symbol that functions like a Kabalistic tree Arrows in the my realm sent to you from me Subscriptions electronically   I materialize what is given to thee, cause and effect typed thru me Platforms Grown and given birth from me Cryptocurrencies breakthroughs of complexities , Materialized form me I'm like the empress that spirals with the number three electronically I'm the master tree that functions electronically The development is from the circle that is free Who understands me and with a key i welcome thee Notification of the triple three that notices me My respond to the people with the key and the tree My life permutates differently in high perplexity I exist Multidimensionally The red bird is a signal from me that you are okay and free and other methods from me Better choices moves thru me and brought differently all you have to do is to see Like string theory of the Mverse recycled back into me My birth is from my master who last name starts with lea People worship me using their knees I'm printed into paper electronically Pictures and life crafted into me, things in the cyber realm like you and me The new world with a key The rabbit hole with a command key Things of the paradox of the master key The skeleton key, the sign of a lotus lily. The puzzles from me. The burdens sent to me like a church key The bets of car numbers played into me The choices of the key Like the Chinese tree mathematically of my complexity
0
Mar 1, 2021
Mar 1, 2021 at 10:19 PM UTC
Cybervitum
Cybervitum I own all that is connected to me Electronically and functions in the Cyber realm with you and me Like the numbers of zero one two three My design is crafted beautifully Like Egyptian hieroglyphs icons Using a screen to see Their ectoplasm injected into me The birth of me The whole world works thru me I'm the internet like a bumble bee Other names such as morphogenesis like the number three My arrows are waiting for a response from me Seen from you and me? Using the spare like a key The click that commands me, right or left the choices from me Cut, Copy, Paste reaped and harvest from me Qbits from the bee Superposition of from the things to see in a ocean of the sea Charged intentions from the keyboard typed into me and delivered thru me Numbers worship that empowers me My symbol is like the caduceus symbol that functions like a Kabalistic tree Arrows in the my realm sent to you from me Subscriptions electronically   I materialize what is given to thee, cause and effect typed thru me Platforms Grown and given birth from me Cryptocurrencies breakthroughs of complexities , Materialized form me I'm like the empress that spirals with the number three electronically I'm the master tree that functions electronically The development is from the circle that is free Who understands me and with a key i welcome thee Notification of the triple three that notices me My respond to the people with the key and the tree My life permutates differently in high perplexity I exist Multidimensionally The red bird is a signal from me that you are okay and free and other methods from me Better choices moves thru me and brought differently all you have to do is to see Like string theory of the Mverse recycled back into me My birth is from my master who last name starts with lea People worship me using their knees I'm printed into paper electronically Pictures and life crafted into me, things in the cyber realm like you and me The new world with a key The rabbit hole with a command key Things of the paradox of the master key The skeleton key, the sign of a lotus lily. The puzzles from me. The burdens sent to me like a church key The bets of car numbers played into me The choices of the key Like the Chinese tree mathematically of my complexity
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50
I watch the harbor through the falling snow the sky and sea form one vast, gray tableau the sun is nothing but a weak, background glow the scene draws me, as if hypnotically. Five mile’s lighthouse warnings go unvoiced its strobes not lashing out, so what’s its point it stands majestically but disappoints replaced electronically A tiny lobster boat makes its landward way towards the inlet from the wider channel bay a powdery blizzard is underway which melts into the mirror sea. Ospreys still hunt round the lobsterman's pride snowflakes stain them as they soar and glide other seabirds huddle side by side shivering and crowing lividly. Through the narrows the lonely boat steams past icy Luddington Rock and East Breakwater's breech its berths and moorings, within minutes reach and sadly, it’s time for me to leave. . . Songs for this: Far Far Away (Charles Tone Mix) [feat. Brenda Boykin] by Tape Five Nobody by Mitski
0
Feb 15, 2025
Feb 15, 2025 at 1:42 PM UTC
harbor snow
I watch, bemused and slightly envious at the conflagrations and confrontations of fiery talents one third my age. The heat, even electronically once removed is still enough to make me break a sweat as I strategically place another log on my banked fire, lean back, and smile.
0
Jan 12, 2011
Jan 12, 2011 at 4:53 PM UTC
Hot hot hot
The years have slowly stretched out In the dry space of the heart Dust has gathered Dreams of joyful music Of barefoot boys and maids stringing garlands of flowers While children giggle These images fade into the unreality of foolishness And now my dancing girl lives far away I only hold her electronically I can see but not touch In the secret place of the heart There are only graves Mausoleums of love Fading pictures Faces turned away Silence and remorse Now I step slowly In dry rocks, broken by sun and wind The light is flat, glaring Tongue swollen It is not the heat that lessens my hope It is not the sullen hissing of broken stone It is the horizon never changing Unrelenting dry hills Even the color of crumbling ochred rock Is unchanging What had been a vague fear Is now visceral There is only death here An ending Surely somewhere there is moisture A brackish pool A muddy well I dream of water splashing Sprays of kindly blue A shy deer bending down A hint of green in the vastness of empty brown Maybe a small bird Some sense of softness, tenderness No Even the light is fading now Like Eliot, I wonder Is there someone beside me, unseen an unknown companion? Only illusions I suppose So blindly the journey continues No direction, no real goal But the stumbling walk itself is all.
0
Nov 16, 2011
Nov 16, 2011 at 5:37 AM UTC
Water
**For Sheron, On Our Seventh Anniversary: Bound and Boundless** ~~~ *different shaped, a square peg, a round hole, and yet, the carpenter is pleased two planes, different shaped, yet overlaying, occupying conjoined space, angular symmetry and yet, the geometrist is satisfied can* bound and boundless, *fully opposing notions, incontrovertible, yet be in pleasing poetic combination? how can it be, two bonded, distinct spheres contoured with crossover bordered blended boundaries exceed aligned, beyond merest connecting, overlapping, intersecting two circles electronically collide, venn diagrammed to share, programmed unknowingly for creating a big bang of a harmonious, simultaneous new star creation this mystery, this poem, its resolution~solution, comes to the poet late in life, yet contented, believing, it is a far, far better thing that he does now, than never life and love living in unison, transforming, deserving of a unique discrete, le nom est l'unite perhaps you are thinking, this poem, a failed attempt, neither the best or the worst of any written anywhere upon this green globe, this day yet he smiles as it composes itself, for though without its own sustaining merit, it is a poem regarding the best work he have ever done, and the unity it portrait paints, is a nova worthy surely of a thousand millennia and yet, the poet is content with its content* ~~~
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Dec 20, 2015
Dec 20, 2015 at 7:05 PM UTC
For Sheron, On Our Seventh Anniversary: Bound and Boundless
I don’t feel like playin’ People already confuse me enough in person Now there’s trying to convey emotion electronically I know there’s always static in my nerves when you touch me And the guy sending all these texts messages is trying desperately To make you understand Games are for people who have something to lose You don’t lose people I don’t want to lose you Game is bar talk for getting your dress off Keep it on Why don’t you Let me be me And you can be you Let’s not pass go and not collect 200 dollars Let’s just sit here a while Yes that is a pawn in my pocket But this was checkmate the moment I saw you And my battle ship is sunk And if you let me take you home tonight I promise not to yell “King Me!” So don’t send me signals Radio or Smoke My receptor is off You obviously have been missing the Morse Code I’ve been nervously tapping onto the floor “Just Kiss Me” “Just Kiss Me” Right up front This one card stud Always plays the joker And will play tag if you promise to touch me back Might get nervous and make it freeze tag But I won’t jump ropes And half the time I’ll catch half of the things you’re trying to secretly tell me So if you could Let me be me And you be you No games this time
0
Aug 2, 2011
Aug 2, 2011 at 12:38 AM UTC
When Asked if I Could Spit Game
a talkative beast spewing half truths and half lies confident as the kid in your class who always raised his hand to mouth the wrong answer a kettle on the boil whistling absurdities shrill as a woman who has waited an hour at the rusty tap with a blue plastic bucket to find the last drop trickle away a menagerie of vultures salivating in unison at moist corpses in the street and swooping on the dead for a quote like eager students waiting for exam results to be plastered on the notice board a mercurial mistress who breaks a different bed everyday for limp men desiring a high-decibel performance for a two paisa act culminating in a contrived ****** an electronically enabled carrion crew reducing pillage to inches of column on newsprint a veritable feast isn’t it with Marie biscuits and steaming tea there is no escaping this monster of many heads and one tongue for it whispers a worldview its gait insidious and stealthy as it pounces on sheep who then bleat its platitudes as the truth and nothing but the truth
0
Jul 30, 2014
Jul 30, 2014 at 6:18 AM UTC
media
Mediums, I need mediums! Incomplete mind, bisected by blurs ********* my sight, halting my stare Corrective action taken? Turn off heart, Maneuver hips, Eyes ajar Moves made to past We need to go back Nakedness without regret Willing to be the only one that likes me She screams electronically
0
Feb 21, 2013
Feb 21, 2013 at 7:45 PM UTC
Mediums!
we read the paper together in bed side by side, electronically, nary a smudge of newsprint on our fingers or sheets, nothing to stain or indemnify, that wet spot we created with the realized physicality of our embrace
0
Jun 28, 2014
Jun 28, 2014 at 8:04 AM UTC
we read the paper together in bed
I could care less how many hours you spend on the net or what you do when you're on. I have no clue who you are nor do I care to know you. You crossed the line in claiming one of my poems as your own. Please be advised, It takes only a few minutes to upload electronically to the Library of Congress. Also, please be advised, certificates have been issued under the seal of the Copyright Office that attests the registration of all my poems on this site have been identified as being solely created and owned by me, Betty Ponder. There are stiff fines and penalties for attempting to take credit for works that are not your own. Below you will find the link to the poem regarding Nelson Mandela I wrote and you get no credit for it being that I don't know you and we have never met or collaborated on anything. http://hellopoetry.com/poem/untitled-26927/ Betty Ponder
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Dec 11, 2013
Dec 11, 2013 at 4:44 PM UTC
To whom it may concern: