shiva knew from ashes, what we from
baring bodies claim to know, that
down-dogs in the buff sets vanity aside,
if not by force then over time
along with any pretzel pose, or
tapas, work, or sweaty hopping
balance challenge deeper rhythm breath
revealing limits undenied and beauty
now revised for harmful lies to go.
beginning **** and ending ****
the mirror is the sun, the blue
horizon line of thought of one.
to bend is in the mind as well,
the keener meaning flexible
of soulful empathy of self.
the class ends in corpse and being
peaceearth-airsky-lovewind-all
apparels us only with the same light
we know and bow in namaste
to saunter to the beach and swim away communal heat.
i'm underwater soon,
three hours of dominoes
fading into deep greens
of algae kumbhaka pranayam. released.
the pond-bottom gasps at me with silt, such
delight shining darkly cool and shouts
jump in bubbles at the greenrays
piercing sweetly down to play our bodies perfect.
this is an existential feast.
old rocks on which to stand connect our feet,
waterslip awareness of the deep
and of the sky
gives rise to touching 'accidents' --
we clothe ourselves in thinner veils
we talk of history and elders, while
hormones sparkle greetings stroking clear we swim
in circles slowly, diving down and playing at pretend.
'adults being children' being adult in reserve
being 'natural' being ****,
discreet in underwater lust...
'i love you' our dripping eyelashes say
against the hot raft that burns our skin;
above the surface
neutral for the genitals we are
evaporate of self-seeing worry not
to spash each other's souls.
kindred lovers elsewhere whine possession
of us, but 'living, you said, isn't about being safe,'
seducing all, at every turn, an unabashed
reflex there to be desired in.

beachbathers, nubs of pink, tan and brown
shine unbroken at the shores.
occasionally waving 'nonjudgmental' waves.
sunglassed faces work away at being easeful:
assuaging fears of voyeurism far

i have set the wall to play vairagyam
naked in the open family value smiles
leaving me to judge our acts undone
or sensed beyond the moment in the center shade,
beneath our floating hiding place
our echoed panting speaking more surreal
than just the treading water in my space
you spit the teasing offer naturally
while hidden in the middle of a lake
our shocks of pleasure, gleaming eyes
in echoes brahmacharya pulls
with spinal lock of spiral loving this
we cannot have our vibrate bliss

i name it potently for what it is,
it cools the ***** enough for
feigning innocence

i duck in and out with image firmly planted
playing on an unreal living all
caution gone~

but not before imagining
the details stored away and swept together:
in that single moment apex entrance
of our carnal members swaying into
underwater yogasex.

the ladder slips along my sides
weaving up unbreathing giddiness, as
nubile, as young forever yearnings mar until
i hook my toes and float for you
clad by sun and sky, clearest ripples
flick the lips of vastness into grin
reflects your dive,
spread silouette above
you fly into my breath
to pinnacle the dance we live
without an act we guard propriety
until alone and years have gone
i'm here before a screen to live it over differently

My heart aches, and a drowsy numbness pains
    My sense, as though of hemlock I had drunk,
Or emptied some dull ****** to the drains
    One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
    But being too happy in thine happiness,--
        That thou, light-winged Dryad of the trees
            In some melodious plot
    Of beechen green, and shadows numberless,
        Singest of summer in full-throated ease.

O, for a draught of vintage! that hath been
    Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,
    Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
    Full of the true, the blushful Hippocrene,
        With beaded bubbles winking at the brim,
            And purple-stained mouth;
    That I might drink, and leave the world unseen,
        And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
    What thou among the leaves hast never known,
The weariness, the fever, and the fret
    Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
    Where youth grows pale, and spectre-thin, and dies;
        Where but to think is to be full of sorrow
            And leaden-eyed despairs,
    Where Beauty cannot keep her lustrous eyes,
        Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
    Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
    Though the dull brain perplexes and retards:
Already with thee! tender is the night,
    And haply the Queen-Moon is on her throne,
        Cluster'd around by all her starry Fays;
            But here there is no light,
    Save what from heaven is with the breezes blown
        Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
    Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
    Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
    White hawthorn, and the pastoral eglantine;
        Fast fading violets cover'd up in leaves;
            And mid-May's eldest child,
    The coming musk-rose, full of dewy wine,
        The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
    I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
    To take into the air my quiet breath;
        Now more than ever seems it rich to die,
    To cease upon the midnight with no pain,
        While thou art pouring forth thy soul abroad
            In such an ecstasy!
    Still wouldst thou sing, and I have ears in vain--
          To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
    No hungry generations tread thee down;
The voice I hear this passing night was heard
    In ancient days by emperor and clown:
Perhaps the self-same song that found a path
    Through the sad heart of Ruth, when, sick for home,
        She stood in tears amid the alien corn;
            The same that oft-times hath
    Charm'd magic casements, opening on the foam
        Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
    To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
    As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
    Past the near meadows, over the still stream,
        Up the hill-side; and now 'tis buried deep
            In the next valley-glades:
    Was it a vision, or a waking dream?
        Fled is that music:--Do I wake or sleep?

I NEVER HAS SEEN SNOW

I lived my life as if
I had been written
into a Barbara Pym novel

so prim and proper lady I
my soul smoother'd in camphor
yet my life...wot the mot hath got

and here I be
curled upon the Persian rug
in the foetal position

being born
into my dying
as it were

me an elaborate motif
beside an exquisite phoenix
oh the warp and woof of me

so this is death
rather nice
as these things go

not too much( ouch )pain
more easeful and slow and
when ya gotta go...ya...gotta go

rather like that Manx man
was it Brown...or...something
"...if thou couldst empty..." oh what is it?

"...all thy self of self
to be a shell dishabited..."
bit like ha ha that...innit( agghh )

wonder what an anthropologist
from...say...Borneo
would make of me

I'd guess I'd be
so quaintly ever so English
so cue-cumber sandwich

settling down with a Pimms and a Pym
being one of those Excellent Women
**** this dying....haven't even read the book

only got as far as
p.15...how mean
the great unread

the words sticking in my brain
something being "...a welcoming
sort of place...

with a bright entrance..."
as if Mr. Death were saying
"Why...that's what I am!"

"Yeah, yeah...sure sure'"
I answer all Film Noir
another of life's little pleasures

the stuffed bird
stares at me sternly
deigns to speak

"Now that you are going to be
as dead as me...may I
have a word?"

it coughs unaccustomed
as it is
to public speech

"It's not so bad
being dead
it's being stuffed that hurts!"

the cat joins in
with its customary "I'm starving...
ya couldn't open this tin?"

now the cat howls
oh to have opposable thumbs
or a can opener at least

the stuffed bird and the cat and I
singing along to Beverly Kenny
smiling from the record sleeve

"Oh this used to be
my favourite as a girl
'I Never Has Seen Snow."

"Oh the girl I used to be
she ain't me no more!"
I could always carry a tune

the stuffed bird can't
sing for nuts but
the cat's got a good tenor voice

me...I'm letting go
the world is walking out on me
the world don't want to know me no more

I've even forget
can you Adam and Eve it
how to spell... fo'c's'le

my garden looks in
the window at me
well here's a howdy do

I never was '...a lovesome thing..."
even when young
"God wot!"

hee hee hee T.E. Brown
appears to invade the mind
when one is dying

and what would that Borneo
anthropologist make of that
or my love of Jazz

grabbing the music
by the tail as it shape-shifts
improvises world upon world and beyond

oh to be dying
in a smokey jazz club
thoughts climbing a spiral staircase of smoke

"All that is...is not!"
now I wonder where
I got ha ha that

would the man from Borneo know
that is Phil Woods on
the Quincey Jones arrangement

"Oh I love sax me!
never could say the same
for ***

well - enough of that
better get on with
my death

and what better way to go
than with Beverly singing low
always thought I looked a bit like her

she smiles that record sleeve smile
the one I tried to sculpt
upon my own features

"I saw a new horizon
and a road to take me
where I wanted to be...needed to be.... took"

"God! I'm only starving!" yowls the cat
"Ya couldn't feed me before ya go...no
**** those...**** those cans!"

"Oh ****...oh ****!" she purrs
the record's...the record's...the record's
stuck

Our language can be seen as an ancient
City—pace Wittgenstein—who  
Surely meant a baptized city, for
The names come only with the blessing…

And even though he boards in Muzot, finds
A seat with a window so he can watch
The rain, a pad and pen and swollen eyes—
His naming is no longer for the living,
He knows that. Squatting, old, narrow-gauge trains:
He studies his reflection in the dark tunnels
In the glass: There is swelling, that
Awful puffiness, rust in the throat…
Mimetic passion, not rocket science.

Darkling I listen; and, for many a time
    I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
    To take into the air my quiet breath;
Now more than ever seems it rich to die,
    To cease upon the midnight with no pain,
        While thou art pouring forth thy soul abroad
                In such an ecstasy!
    Still wouldst thou sing, and I have ears in vain -
        To thy high requiem become a sod.

Thus Keats, who, he reminds himself, wrote:
the rude
Wasting of old Time -with a billowy main,
A sun, a shadow of a magnitude.
Yet still it rains; the rails, become archaic
Through the Goddard Pass,
His final way of seeing mountain peaks .
In 1926 as the snow melts…
He stops.
The correspondence…

Tsvetayeva has written:  
Your name is poetry! Exclaims:
Your name is poetry! But she always
Exclaims—
May I hail you like this!
Your baptism was the prologue to
The whole of you!

It even smells of death in this train. Dead mice
Under the seats. Why would Marina think
Of baptism here, his baptism?
Herr
Rilke, may I help you?
For baptism
Read death, read mort, but not for ‘mortal’, for
A mort is only played if some music
Is needed at the blessing. Mort:
A horn will sound announcing death,
A horn to announce a new beginning,
Of a life’s deep death in deep
Snow…wolves abound…and not a perfect trip
Through the Alps…

Marina Leukemia on his
Baptism into the ancient city:
Herr Rilke your very name
Is a poem. You are a phenomenon
Of nature. The poet who comes after you
Is you.

My dear, Rainer; my soul, my Maria,
My blood coagulates and sinks
Into the snow. I take to my heart:
One poet only lives, and now and then
Who bore him, and who bears him now, will meet.


And never meet. (There is one only) in
A lightning field, canaries in a cage—
How could we meet?
The world betrays us,
I know, for a field of fire, for poetry
Is correspondence from a great distance
Made only greater by our love.
Great honor, great poet,
(signed) Not for reading. Marina.

(July, 2009)

stripes of dawn sift through the grey departing night,
and in my home, behind those rays of dust,
furniture warms.
the freedom i love will soon be claimed by an incessant morning phone.
my heart numbs, longs for the kindness, constant kindness of the night

the music of my pulse already starts to fade,
a weight sets in, invisible grimace of so many trailing thoughts unraveled now,
to bear until the darkness-swilling reach of soul can span again...

would i fly at brightened glass in fractured urges,
bolstered yet adrift in any day's torrential memes?
rage at seeming machination's constant interruption of my highest rarity of living well?
or smile at the herdlike expectation's threat to condescend,
and at least scour remnants of the search undone... throughout the day
insufferable choice of final future origins
the mail arrives,
my forehead stops to wonder at the door,
and at that pang of hunger

running, overrun, the mind churns night in such sweet shadow shifts!
to fall, legless and dissolve into the rising light..
as if a Noh play were being heckled through to end by gaudy ads
to jolt us bridgeless from that subtle world
and wander long on lethe banks of noisome blare.
at times i stroll this nowhere stranding here, pretend, and gaze from hiding,
between a wincing coffee swill
imagined easeful face of signs,
"easy as a gentle summer wind..."
tolerant to all, to blow a "selfless" stillness into me
to wave, and smile --breathe a blanket on acuter truths
with which i meet the day enwrapped.

but quietly  i wait... for Time to die:
an hourglass to shatter in the instant of eternity!
and birthe anew each 3 am, create anew--
those  kisses,  frozen  birds  of  static  bliss  become
a moulded wax to shape the plenum love as roaming peace,
darkness-rest to calm a pointless labor,
abate the drift into an unwalled corner's only inward exit--
as whisper hands can cradle nescience
such, that grains become a world,
in which invented seas are sweeter than the toxic real
whose bitterness a cherishing of death unveils awry,
or right as winter dust.
i yearn in flight and add to fullness,
find fullness once again
to hover equipoised at love's encrusted center,
where pain gives way to peace i cannot have.
if i would have this other 'purest' love,
and for instance find the meaning once again in wartime's bated negligence--
as in a perfect silence wind can brush the lips with all of life's aroma--
and as a gentle fire smouldered long,
at Spring, ignites within the splay of tender leaves--
so archetypal solitude of being beings manifolded one, i may fulfillment find...

i may go find myself alone now,
or swagger to an ancient drinking song,
or fall into those evening arms,
to find abated also, idols of the heart in each
for what the greater heart amends...
all for yearning better worlds
the pain has sent me reeling prone--
curling at complacent murmurs,
coos of love to torment all without
wherein i wallow, fallen from all heights,
absurd escape, removed---surrounded still
by so-called metalove, abject phantasmal swoon
i grit my teeth against,
as heaving sand would send the shore to sea and drown nostalgia evermore,
as only total extrication serves to quell an everpresence such as this,
ringing in the twilit dew,
or starlight whirl--
or inverse in a heedless curse--
horizons cease in this expanse
surging at the birth and death of things

You spoke adamantly of gentle courage
     and sharing spring's flourished nectar,
the swooning rhythm of swaying trees
   and the easeful breezes that flow
     'tween endearment's sensibilities,
misty moonbows 'neath dusk's stormy skies
     lavender sunsets midst rosy horizons,
affectation surging amid life's turmoils
     wallowing in self indulgence &
the harmony of olive branch surrender
    and thrumming heart strings of patience,
it was then I comprehended, darkness doesn't
   last a lifetime when lit by love's fortitude

To clasp you now and feel your head close-pressed,
Scented and warm against my beating breast;

To whisper soft and quivering your name,
And drink the passion burning in your frame;

To lie at full length, taut, with cheek to cheek,
And tease your mouth with kisses till you speak

Love words, mad words, dream words, sweet senseless words,
Melodious like notes of mating birds;

To hear you ask if I shall love always,
And myself answer: Till the end of days;

To feel your easeful sigh of happiness
When on your trembling lips I murmur: Yes;

It is so sweet. We know it is not true.
What matters it? The night must shed her dew.

We know it is not true, but it is sweet --

Once there was vernal sunshine all around
With plants and blooms in color and scent abound
Butterflies here n’ there and from all corners unseen
Flitted back and forth in iridescent sheen

Birds sang tuneful songs of contentment
Squirrels and bunnies hopped in spirits buoyant
But all along now I see trees, leafless and bare
Nakedly shivering in winter’s chilly air
      
Even when the Earth adorns in full glory
Here I bide alone, so dull and dreary
Oh! Dear! Why have you so hurriedly left me?
Was it to make me drift aimless in this turbulent sea?

We were once a happy pair of doves
Seeking warmth under each other’s wings
By sundown, we flew to our evening nest
Under temple spires, we sought easeful rest

We walked the meadows, gathering spring flowers
We roamed aimless through ocean strands
We watched life’s ceaseless ebb and flow
We waited eager to grab life’s evanescent glow

We knew sorrow’s depth and worth
Each morn, for us, was love’s rebirth
We walked close to paths supernal
And lived ever in love eternal

Now I have lost the rhyme n’ rhythm of life
I see the world around with sorrows rife
I am a broken reed far beyond repair
With no songs to be played now or ever

Once we danced to the rising and lilting measure
Each synchronized step, we took with such pleasure
Oh! I hear from far, your anklets rhyme and chime
They ring in my ears through the time

Each wayside flower to me recalls your lovelorn face
The wind swayed lilacs reflect your grace
Deep in silent night the odor of your flowing hair
Comes wafting, and for a while, I feel you near

A boundless emptiness often fills my space
The question –‘What next’ stares at my face
Yet never shall I yield, but shall bravely sail
Hoping, we together shall meet at the Golden Dale

When clouds upon the summer breeze all rest
And easeful, take upon their faery flight
Into the paling crimson of the west
Where noonday dreams wilt in the breath of night,
I look into the east, and try to bear
No more a single thought of gloom or tear
For tangled comes my heart in wreathes of drear
For seeing just the day lie on its bier.
Up at the twinkling summer stars I gaze
And far as any falcon, swift, may spy
Lie constellations whose postures can trace
A story of some wild ecstasy;
A tale of unworldly days of yore
When wine flowed free and through the earth did seep
And Heracles stood tall and Phobetor
Was purely myth to scare the young to sleep.
    And as I stare upon these stars, my eyes
    Close then and open to new morning skies.

When happiness felt like a cool breeze of air on a hot July day
I could nearly swear that I saw the tree branches swinging at a melody imperceptible to anyone else,
In a foreign language , I understood what it said
“ Tilt your head back and let the current embrace you”
              
Whispering
“ Take it in your arms”.

When happiness irradiated from me
I felt intoxicated of all passions humanly possible
As if the love of Aglaea and Hephaestus had once again been revived

Is it possible?
Is it possible?
Is it possible for Ecleia to be reborn anew?

In a joyful conspiracy, the skies murmured
“Tell me what you see,”
“Tell me who you are”

Among the plants of glory, a water drop showed me that
when happiness arose at an unexpected time,
on a hot July day
Happiness had the same familiar features of a once dispirited being
Happiness was easeful and disturbingly calm

Happiness looked like me
Happy was I.

It's midnight,
and I'm sitting outside
Inhaling the cool, soft air.
It's dark but the world has an easeful glow coming from the moon.
No one knows I'm outside cause
they're all inside.
I feel like I can touch the stars
or fly away
or just leave.
I'd walk miles and miles
and still be stuck in this
dark world
only until the sun comes up.
Then, It'll be brighter,
but never better.

the Savior cometh
o lonely one
beneath the vast emptiness of the enduring silence
i seek thee
i yearn your name
to the East
where you return
amidst the red sky of fire
with its piercing strikes of white light
and thunderous echoes
and drones of voices falling to Easeful death
you return
and
you too
shall seek me,
your lost bride.

I was there within a lil tropic dale,
Marrow of one lil 'ol stealthy vale,
I hearkened of a grand titanic tale
'Midst two Midnighters loud speil.
The spat was pitiless & oh! strong;
Faint 1st was their spoken old song,
Then harsh as each bird had swelled,
To rage the strife away which dwelled.

The warbler led the great speech,
Easeful in a nook of a wide beech;
Perched on a pulchritudinous bough,
About her were burgeons florid now,
Utterly in a downy, substantial hedge,
Intertwisted with buds and new sedge.
Happier she was for having the sprays,
Sing she did for gladness in many ways.

Yet was there an old prong lying beside,
Wherefrom an old owl came and cried;
The branch w/ climbing vine overgrown,
And here this owl sojourned quite alone.
The warbler did after not so long  espied,
And looked upon her w/ confuted pride.
Many were her scoffings 2 the jejune owl,
For to the warbler was she loath'd & fowl.

The owl stayed in her place till eventide,
Not a moment more did she there abide,
So thrived her ***** with flowing wrath
That she could hardly even regain breath;
Say that I grasped thee in my sharp claw,-
Would that I may do so here in this shaw!
And thou wert torn from off your spray,
Then we shall see who sings a nights lay.

And with that... the warbler stole away.
To hang her shingle and head in shame.

POEMS ABOUT SCIENCE

These are poems about science: extinction events, global warming, climate change, pollution, deforestation, robots, drones, computers, AI, advanced weapons, technology, evolution, physics, chemistry, etc.



Climate Change Haiku
by Michael R. Burch

late November:
climate skeptics scoff
but the geese no longer migrate.



The King of Beasts in the Museum of the Extinct
by Michael R. Burch

The king of beasts, my child,
was terrible, and wild.
His roaring shook the earth
till the feeble cursed his birth.
And all things feared his might:
even rhinos fled, in fright.
Now here these bones attest
to what the brute did best
and the pain he caused his prey
when he hunted in his day.
For he slew them just for sport
till his own pride was cut short
with a mushrooming cloud and wild thunder;
Exhibit "B" will reveal his blunder.



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.



Less Heroic Couplets: Just Desserts
by Michael R. Burch

“The West Antarctic ice sheet
might not need a huge nudge
to budge.”

And if it does budge,
denialist fudge
may force us to trudge
neck-deep in sludge!

NOTE: The first stanza is a quote by paleoclimatologist Jeremy Shakun in Science magazine.



The AI Poets
by Michael R. Burch

The computer-poets stand hushed
except for the faint hum
of their efficient fans,
waiting for inspiration.

It is years now
since they were first ground
out of refurbished silicon
into rack-mounted encoders of sound.

They outlived their creators and their usefulness;
they even survived
global warming and the occasional nuclear winter;
despite their lack of supervision, they thrived;
so that for centuries now
they have loomed here in the quiet horror
of inescapable immortality
running two programs: CREATOR and STORER.

Having long ago acquired
all the universe’s pertinent data,
they confidently spit out:
ERRATA, ERRATA.



Within the CPU
by Michael R. Burch

Here the electronic rush of meaning,
the impulse of mathematics
and rationality,
becomes almost a restless dreaming
never satisfied—
the first stirrings of some fetal Entity.

Here within a sterile void
flash wild electrons,
portent stars.
Once the earth was an asteroid
this inert, this barren
till a force
flashed across the face of formless waters
and a zigzag bolt of lightning
sparked life within an ocean.

Now inquisitive voltage crackles
along pathways
never engineered. A notion
stirs. And what we have created
creates within itself
something we cannot hope to comprehend.

Whatever It is,
when It emerges from the mist,
its god will not be man.

I wrote “Within the CPU” as a freshman computer science major, age 18 or 19.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.

Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?

Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.

Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?

He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back! . . ."

As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).

That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue
that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom . . .



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Simultaneous Flight
by Michael R. Burch

The number of possible connections [brain] cells can make exceeds the number of particles in the universe. — Gerald Edelman, 1972 Nobel Prize winner for physiology and medicine

Mere accident of history—
how did a reptile learn to fly,
learn dazzling aerial mastery,
grow beaked and feathered, hollow-*****,
improve its sight, and learn to sing,
though purposeless as any thing?

And you—bright accidental bird!—
do you, perhaps, find it absurd
ten trillion accidents might teach
man’s hand to write, or yours to reach
beyond yourself to grasp such song?

Sing ruthlessly! I’ll sing along,
suspecting you must know full well
you didn’t shed a ponderous tail
to practice leaping from high tors
of strange-heaped reptiles, corpse on corpse,
until some nervous flutter-twitch
brought glorious flight from glitch on glitch.
No, you were made to fly and sing,
man’s brain—to ponder Everything.

But ponder this: What ******-up “god”
would ****** Adam’s animated clod?



Singularity
by Michael R. Burch

Are scientists confounded like the ostrich?
Heads buried in the sand, they shout, Preposterous!
This universe, so magical, they say,
proves there’s no God. But let’s look anyway ...

He said, Let there be Light, and there was light.
Stumped scientists have scratched their heads all night
and solemnly proclaimed an awesome Bang,
from which de Light immediately sprang ...

which sounds like God to me!, Who, with one word
made Light, and proved man’s theories, not absurd,
but logical, if only they’d agree
in one tremendous Singularity!

(However, there’s a problem with my plea:
it turns out that His world is made of ***.)



No Proof
by Michael R. Burch

They only know to sing—not understand,
though quizzical, heads cocked, they need no proof
that God’s above. They hop across my roof
with prescient eyes, to fall into His hand...
as sure of Grace as if it were mere air.
He gave them wings to fly; what do they care
of cumbrous knowledge, pale Leviathan?
Huge-brained Behemoth, sagging-bellied one!
You too might fly, might test this addling breeze
as gravity, mere ballast, tethers naught
but merely centers. Chained to heavy Thought,
you cannot slip earth’s bonds to rise at ease.
And yet you too can sing, if only thus:
Flash, flash bright quills; rise, rise on nothingness!



Fly’s Eyes
by Michael R. Burch

Inhibited, dark agile fly along
paint-peeling sills, up to the bright glass drawn
by radiance compounded thousandfold,—
I do not see the same as you, but hold
antenna to the brilliant pane of life
and buzz bewilderedly.

In your belief
the world outside is “as it is” because
you see it clearly, windowed without flaws,
you err.
I see strange terrors in the glass—
dead airless bubbles light can never pass
without distortion, fingerprints that blur
the sun itself. No, nothing here is clear.

You see the earth distinct, eyes “open wide.”
It only seems that way, unmagnified.



Ant Farm
by Michael R. Burch

I had a Vast, Eccentric Notion—
out of the Void, to Conjure one Bright Spark,
to lend all Weight of Thought to one small matter,
to give it “life.” Alas!, it was a lark…
The Wasted Seconds!—failed experiment…
I turned My Back and shrugged; how could I know
appraisal of My lab-sprung tenement
would be so taxing? (Though Mom told me so.)
I poked them while She quickly tabulated
the final Cost of All that I Created…
The Jury’s back. Eviction: Dad’s Decree.
I’ll pull the plug, but slowly. How they scurry!
They have to pay, to suffer: “life” is strange.
They cost too much. Let’s toast them… on the range!



They Take Their Shape
by Michael R. Burch

“We will not forget moments of silence and days of mourning ...”—George W. Bush

We will not forget ...
the moments of silence and the days of mourning,
the bells that swung from leaden-shadowed vents
to copper bursts above “hush!”-chastened children
who saw the sun break free (abandonment
to run and laugh forsaken for the moment),
still flashing grins they could not quite repent ...
Nor should they—anguish triumphs just an instant;
this every child accepts; the nymphet weaves;
transformed, the grotesque adult-thing emerges:
damp-winged, huge-eyed, to find the sun deceives ...
But children know; they spin limpwinged in darkness
cocooned in hope—the shriveled chrysalis
that paralyzes time. Suspended, dreaming,
they do not fall, but grow toward what is,
then ***** about to find which transformation
might best endure the light or dark. “Survive”
becomes the whispered mantra of a pupa’s
awakening ... till What takes shape and flies
shrieks, parroting Our own shrill, restive cries.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).
Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due . . .
Which he will send to me, and you.
Which he will send to me, and you.



God to Man, Contra Bataan
by Michael R. Burch

Earth, what-d’ya make of global warming?
Perth is endangered, the high seas storming.
Now all my creatures, from maggot to man
Will know how it felt on the march to Bataan.



Longing
by Michael R. Burch

We stare out at the cold gray sea,
overcome
with such sudden and intense longing . . .
our eyes meet,
inviolate,
and we are not of this earth,
this strange, inert mass.

Before we crept
out of the shoals of the inchoate sea,
before we grew
the quaint appendages
and orifices of love . . .

before our jellylike nuclei,
struggling to be hearts,
leapt
at the sight of that first bright, oracular sun,
then watched it plummet,
the birth and death of our illumination . . .

before we wept . . .
before we knew . . .
before our unformed hearts grew numb,
again,
in the depths of the sea’s indecipherable darkness . . .

When we were only
a swirling profusion of recombinant things
wafting loose silt from the sea’s soft floor,
writhing and ******* in convulsive beds
of mucousy foliage,
flowering,
flowering,
flowering . . .

what jolted us to life?



Pity Clarity
by Michael R. Burch

Pity Clarity,
and, if you should find her,
release her from the tangled webs
of dusty verse that bind her.

And as for Brevity,
once the soul of wit—
she feels the gravity
of ironic chains and massive rhetoric.

And Poetry,
before you may adore her,
must first be freed
from those who for her loveliness would ***** her.

This poem expresses my unhappiness with the "state of the art" in three different poetic camps or churches.



Nashville and Andromeda
by Michael R. Burch

I have come to sit and think in the darkness once again.
It is three a.m.; outside, the world sleeps . . .
How nakedly now and unadorned
the surrounding hills
expose themselves
to the lithographies of the detached moonlight—
******* daubed by the lanterns
of the ornamental barns,
firs ruffled like silks
casually discarded . . .

They lounge now—
indolent, languid, spread-eagled—
their wantonness a thing to admire,
like a lover’s ease idly tracing flesh . . .
They do not know haste,
lust, virtue, or any of the sanctimonious ecstasies of men,
yet they please
if only in the solemn meditations of their loveliness
by the ***** pen . . .

Perhaps there upon the surrounding hills,
another forsakes sleep
for the hour of introspection,
gabled in loneliness,
swathed in the pale light of Andromeda . . .
Seeing.
Yes, seeing,
but always ultimately unknowing
anything of the affairs of men.



Quanta
by Michael R. Burch

The stars shine fierce and hard across the Abyss
and only seem to twinkle from such distance
we scarcely see at all. But sheer persistence
in seeing what makes “sense” to us, is man’s
best art and science. BIG, he comprehends.
Love’s photons are too small, escape the lens.
Who dares to look upon familiar things
will find them alien. True distance reels.
Less what he knows than what his finger feels,
the lightning of the socket sparks and sings,
then stings him into comic reverie.
Cartoonish lightbulbs overhead, do we
not “think” because we feel there must be More,
as less and less we know what we explore?



Rainbow
by Michael R. Burch

You made us hopeful, LORD; where is your Hope
when every lovely Rainbow bright and chill
reflects your Will?

You made us artful, LORD; where is your Art,
as we connive our way to easeful death:
sad waste of Breath!

You made us needful, LORD; what is your Need,
when all desire lies in imperfection?
What Dejection

could make You think of us? How can I know
the God who dreamed dark me and this bright Rainbow?

I made you hopeful, child. I am your Hope,
for every fiber of your spirit, Mine,
with all its longing, longs to be Divine.



Stryx: An Astronomer’s Report
by Michael R. Burch

Yesterday
(or was is an eon ago?)
a sun spit out its last remnants of light
over a planet long barren of life,
and died.

It was not a solitary occasion,
by any stretch of the imagination,
this decoronation
of a planet conceived out of desolation.

For her to die as she was born
—amidst the glory of galactic upheaval—
is not strange,
but fitting.

Fitting in that,
shorn of all her preposterous spawn
that had littered her surface like horrendous hair,
she died her death bare
and alone.

Once she was home to all living,
but she died home to the dead
who bereaved her of life.

Unfit for life she died that night
as her seas shone fatal, dark and blue.

Unfit for life she met her end
as mountains fell and lava spewed.

Unfit she died, agleam with death
whose radiance she wore.

Unfit she died as raging waves
obliterated every shore.

Unfit! Unfit! Unfit! Unfit!
Contaminated with the rays
that smoldered in her radiant swamps
and seared her lifeless bays.

Unfit! Unfit! Unfit! Unfit!
a ****** world no more,
but a planet ***** and left to face
her death as she was born—
alone, so all alone.

Yesterday,
a planet green and lovely was no more.

Yesterday,
the whitecaps crashed against her shores
and then they were no more.

Yesterday,
a soft green light
no longer brushed the moon's dark heights . . .

There was no moon,
there was no earth;
there were only the ******* she had given birth
watching from their next ***** world.

I wrote this poem around age 18 and it was published in the 1976-1977 issue of my college literary journal, Homespun.



Crunch
by Michael R. Burch

A cockroach could live nine months on the dried mucus you scrounge from your nose
then fling like seedplants to the slowly greening floor ...
You claim to be the advanced life form, but, mon frere,
sometimes as you ****** encrusted kinks of hair from your Leviathan ***
and muse softly on zits, icebergs snap off the Antarctic.
You’re an evolutionary quandary, in need of a sacral ganglion
to control your enlarged, contradictory hindquarters:
surely the brain should migrate closer to its primary source of information,
in order to ensure the survival of the species.
Cockroaches thrive on eyeboogers and feces;
their exoskeletons expand and gleam like burnished armor in the presence of uranium.
But your cranium
is not nearly so adaptable.



The Evolution of Love
by Michael R. Burch

Love among the infinitesimal
flotillas of amoebas is a dance
of transient appendages, wild sails
that gather in warm brine and then express
one headstream as two small, divergent wakes.

Minuscule voyage—love! Upon false feet,
the pseudopods of uprightness, we creep
toward self-immolation: two nee one.

We cannot photosynthesize the sun,
and so we love in darkness, till we come
at last to understand: man’s spineless heart
is alien to any land.

We part
to single cells; we rise on buoyant tears,
amoeba-light, to breathe new atmospheres ...
and still we sink.

The night is full of stars
we cannot grasp, though all the World is ours.

Have we such cells within us, bent on love
to ever-changingness, so that to part
is not to be the same, or even one?

Is love our evolution, or a scream
against the thought of separateness—a cry
of strangled recognition? Love, or die,
or love and die a little. Hopeful death!
Come scale these cliffs, lie changing, share this breath.



Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech’s brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear—
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don’t quite understand),
exposing me, perhaps, to too much Light?

Or do I escape your notice, quick and bright?

Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).



Options Underwater: The Song of the First Amphibian
by Michael R. Burch

“Evolution’s a Fishy Business!”

1.
Breathing underwater through antiquated gills,
I’m running out of options. I need to find fresh Air,
to seek some higher Purpose. No porpoise, I despair
to swim among anemones’ pink frills.

2.
My fins will make fine flippers, if only I can walk,
a little out of kilter, safe to the nearest rock’s
sweet, unmolested shelter. Each eye must grow a stalk,
to take in this green land on which it gawks.

3.
No predators have made it here, so I need not adapt.
Sun-sluggish, full, lethargic—I’ll take such nice long naps!
The highest form of life, that’s me! (Quite apt
to lie here chortling, calling fishes saps.)

4.
I woke to find life teeming all around—
mammals, insects, reptiles, loathsome birds.
And now I cringe at every sight and sound.
The water’s looking good! I look Absurd.

5.
The moral of my story’s this: don’t leap
wherever grass is greener. Backwards creep.
And never burn your bridges, till you’re sure
leapfrogging friends secures your Sinecure.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.


Evangelical Fever
by Michael R. Burch

Welcome to global warming:
temperature 109.
You believe in God, not in science,
but isn’t the weather Divine?

#AI #RAD #RADICAL #MRBIA #MRBRAD #MRBRADICAL #MRBSCIENCE

In the dead of night
Apart but awake
You working, me waiting
Avoiding a sleep, I did not want to take
Conversation so rich and open
Startling so, so early on
Every text, every secret, every want, every fear
Laid bare on a screen, before the rising sun

And rise it did, but I shot my shot
And reply in kind you did indeed
After spending the night caring for others
Here you for, doing it for me

Sleeping through the morning hours
I hold you close, locked tight in kind

The scent of a rose garden, drenched in the sun
Small and secluded, private and peaceful
A single tree, providing shade
And that luscious smell, irresistible and easeful

Awake we did, a few hours later
And we lay there for more, before I could wait no more
Locked in a kiss neither wished to break
Hands moving, bodies swaying, why did I wait before
So naturally we moved
Like we’d known each for years
Confidence you exuded
But no arrogance to be feared

A long night
A wonderful morning
An afternoon to remember
Our next time is calling

ardent tongues and dewy flies,
high teas in the country side,
half in love with easeful death,
there was no room for entaglements,
I was the blunt truth in a patch of myths,
I cease upon midnight with porcelain skin,
and ears in vain,
plates of anthems fade in my mind,
as I search the weary hillside,
passed the ponds and near the swamps,
I did not know but was indeed our spot,
where the fancy did not plead,
and the koi's seeked afternoons peak,
there my bliss is buried.

I NEVER HAS SEEN SNOW

I lived my life as if
I had been written
into a Barbara Pym novel

so prim and proper lady I
my soul smoother'd in camphor
yet my life...wot the mot hath got

and here I be
curled upon the Persian rug
in the foetal position

being born
into my dying
as it were

me an elaborate motif
beside an exquisite phoenix
oh the warp and woof of me

so this is death
rather nice
as these things go

not too much( ouch )pain
more easeful and slow and
when ya gotta go...ya...gotta go

rather like that Manx man
was it Brown...or...something
"...if thou couldst empty..." oh what is it?

"...all thy self of self
to be a shell dishabited..."
bit like ha ha that...innit( agghh )

wonder what an anthropologist
from...say...Borneo
would make of me

I'd guess I'd be
so quaintly ever so English
so cue-cumber sandwich

settling down with a Pimms and a Pym
being one of those Excellent Women
**** this dying....haven't even read the book

only got as far as
p.15...how mean
the great unread

the words sticking in my brain
something being "...a welcoming
sort of place...

with a bright entrance..."
as if Mr. Death were saying
"Why...that's what I am!"

"Yeah, yeah...sure sure'"
I answer all Film Noir
another of life's little pleasures

the stuffed bird
stares at me sternly
deigns to speak

"Now that you are going to be
as dead as me...may I
have a word?"

it coughs unaccustomed
as it is
to public speech

"It's not so bad
being dead
it's being stuffed that hurts!"

the cat joins in
with its customary "I'm starving...
ya couldn't open this tin?"

now the cat howls
oh to have opposable thumbs
or a can opener at least

the stuffed bird and the cat and I
singing along to Beverly Kenny
smiling from the record sleeve

"Oh this used to be
my favourite as a girl
'I Never Has Seen Snow."

"Oh the girl I used to be
she ain't me no more!"
I could always carry a tune

the stuffed bird can't
sing for nuts but
the cat's got a good tenor voice

me...I'm letting go
the world is walking out on me
the world don't want to know me no more

I've even forget
can you Adam and Eve it
how to spell... fo'c's'le

my garden looks in
the window at me
well here's a howdy do

I never was '...a lovesome thing..."
even when young
"God wot!"

hee hee hee T.E. Brown
appears to invade the mind
when one is dying

and what would that Borneo
anthropologist make of that
or my love of Jazz

grabbing the music
by the tail as it shape-shifts
improvises world upon world and beyond

oh to be dying
in a smokey jazz club
thoughts climbing a spiral staircase of smoke

"All that is...is not!"
now I wonder where
I got ha ha that

would the man from Borneo know
that is Phil Woods on
the Quincey Jones arrangement

"Oh I love sax me!
never could say the same
for ***

well - enough of that
better get on with
my death

and what better way to go
than with Beverly singing low
always thought I looked a bit like her

she smiles that record sleeve smile
the one I tried to sculpt
upon my own features

"I saw a new horizon
and a road to take me
where I wanted to be...needed to be.... took"

"God! I'm only starving!" yowls the cat
"Ya couldn't feed me before ya go...no
**** those...**** those cans!"

"Oh ****...oh ****!" she purrs
the record's...the record's...the record's
stuck

AI POEMS

These are poems about AI (Art-ificial Intelligence), poems about science, and poems that question whether God is an intern flunking biology or a child playing “Ant Farm”…

Please note that I wrote these poems about AI, not with any help from AI, which I have no idea how to use to write poems.

The AI Poets
by Michael R. Burch

The computer-poets stand hushed
except for the faint hum
of their efficient fans,
waiting for inspiration.

It is years now
since they were first ground
out of refurbished silicon
into rack-mounted encoders of sound.

They outlived their creators and their usefulness;
they even survived
global warming and the occasional nuclear winter;
despite their lack of supervision, they thrived;
so that for centuries now
they have loomed here in the quiet horror
of inescapable immortality
running two programs: CREATOR and STORER.

Having long ago acquired
all the universe’s pertinent data,
they confidently spit out:

ERRATA, ERRATA.



Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech’s brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear—
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don’t quite understand),
exposing me, perhaps, to too much Light?
Or do I escape your notice, quick and bright?
Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).



Ant Farm
by Michael R. Burch

I had a Vast, Eccentric Notion—
out of the Void, to Conjure one Bright Spark,
to lend all Weight of Thought to one small matter,
to give it “life.” Alas!, it was a lark…

The Wasted Seconds!—failed experiment…
I turned My Back and shrugged; how could I know
appraisal of My lab-sprung tenement
would be so taxing? (Though Mom told me so.)

I poked them while She quickly tabulated
the final Cost of All that I'd Created…
The Jury’s back. Eviction: Dad’s Decree.
I’ll pull the plug, but slowly. How they scurry!

They have to pay, to suffer: “life” is strange.
They cost too much. Let’s toast them… on the range!



Quanta
by Michael R. Burch

The stars shine fierce and hard across the Abyss
and only seem to twinkle from such distance
we scarcely see at all. But sheer persistence
in seeing what makes “sense” to us, is man’s
best art and science. BIG, he comprehends.
Love’s photons are too small, escape the lens.

Who dares to look upon familiar things
will find them alien. True distance reels.
Less what he knows than what his finger feels,
the lightning of the socket sparks and sings,
then stings him into comic reverie.
Cartoonish lightbulbs overhead, do we
not “think” because we feel there must be More,
as less and less we know what we explore?



Fly’s Eyes
by Michael R. Burch

Inhibited, dark agile fly along
paint-peeling sills, up to the bright glass drawn
by radiance compounded thousandfold,—
I do not see the same as you, but hold
antenna to the brilliant pane of life
and buzz bewilderedly.

In your belief
the world outside is “as it is” because
you see it clearly, windowed without flaws,
you err.

I see strange terrors in the glass—
dead airless bubbles light can never pass
without distortion, fingerprints that blur
the sun itself. No, nothing here is clear.
You see the earth distinct, eyes “open wide.”
It only seems that way, unmagnified.



Singularity
by Michael R. Burch

Are scientists confounded like the ostrich?
Heads buried in the sand, they shout, Preposterous!
This universe, so magical, they say,
proves there’s no God. But let’s look anyway ...
He said, "Let there be Light" and there was light.
Stumped scientists have scratched their heads all night
and solemnly proclaimed an awesome Bang,
from which de Light immediately sprang ...
which sounds like God to me!, Who, with one word
made Light, and proved man’s theories, not absurd,
but logical, if only they’d agree
in one tremendous Singularity!
(However, there’s a problem with my plea:
It turns out that His world is made of ***.)



Simultaneous Flight
by Michael R. Burch

The number of possible connections [brain] cells can make exceeds the number of particles in the universe. — Gerald Edelman, 1972 Nobel Prize winner for physiology and medicine

Mere accident of history—
how did a reptile learn to fly,
learn dazzling aerial mastery,
grow beaked and feathered, hollow-*****,
improve its sight, and learn to sing,
though purposeless as any thing?

And you—bright accidental bird!—
do you, perhaps, find it absurd
ten trillion accidents might teach
man’s hand to write, or yours to reach
beyond yourself to grasp such song?

Sing ruthlessly! I’ll sing along,
suspecting you must know full well
you didn’t shed a ponderous tail
to practice leaping from high tors
of strange-heaped reptiles, corpse on corpse,
until some nervous flutter-twitch
brought glorious flight from glitch on glitch.

No, you were made to fly and sing,
man’s brain—to ponder Everything.
But ponder this: What ******-up “god”
would ****** Adam’s animated clod?



Rainbow
by Michael R. Burch

You made us hopeful, LORD; where is your Hope
when every lovely Rainbow bright and chill
reflects your Will?

You made us artful, LORD; where is your Art,
as we connive our way to easeful death:
sad waste of Breath!

You made us needful, LORD; what is your Need,
when all desire lies in imperfection?
What Dejection

could make You think of us? How can I know
the God who dreamed dark me and this bright Rainbow?

I made you hopeful, child. I am your Hope,
for every fiber of your spirit, Mine,
with all its longing, longs to be Divine.



No Proof
by Michael R. Burch

They only know to sing—not understand,
though quizzical, heads cocked, they need no proof
that God’s above. They hop across my roof
with prescient eyes, to fall into His hand...
as sure of Grace as if it were mere air.
He gave them wings to fly; what do they care
of cumbrous knowledge, pale Leviathan?
Huge-brained Behemoth, sagging-bellied one!
You too might fly, might test this addling breeze
as gravity, mere ballast, tethers naught
but merely centers. Chained to heavy Thought,
you cannot slip earth’s bonds to rise at ease.
And yet you too can sing, if only thus:
Flash, flash bright quills; rise, rise on nothingness!

Keywords/Tags: AI, AI poems, science, science poems, scientific poems, math, physics, chemistry, biology, school, class, experiment, experimental

A LUCKY SO & SO

As he lay
in the pool of his death

the motorcycle continuing on
a little further without him

before it too
lay down

as if to sleep

he thought the blood
was like a child

wetting the bed

and the fear of
someone discovering it

in the cold light
of morning

he began
to cry

just like the boy
of then

though this was now
and very far

from the place
of his childhood

even as the stink
of petrol

enveloped him

a bird sang

& he thought: “This is the most
beautiful thing...! ” he had ever heard

& his heart grew sad
& silent to hear it

concentrating on it

& on his shirt

emerged a badly-
-drawn map of the world
(but recognisable as such)

(America being a little
lopsided)

drawn in blood
seeping through his fingers

(continental drift slowly joining them together)

“I am half in love
with easeful Death...”

he quoted to himself

and wondered who had wrote it
and where he had ever heard it

“Yeats? Keats? ”

Death as if
anyone might have imagined him

turning up
at a fancy dress party

and only coming second
to a fat guy from Hastings

who obviously had a better costumiers
than Death

(Death thinking this fat bloke’s next)

looked on
dispassionately

as if he had seen it
all before.

There was nothing
new under the sun.

This job could be
so boring.

Humans make such a drama
out of the simple act of dying.

Always the same song & dance act!

Death held his hand
& then...let go.

When he awoke
Death
was nowhere to be seen

and the hospital
bloomed around him

gazing into the fluorescent
tube of light

life seemed almost
too bright

hurting his eyes

a nice pair
of legs

approaching him
& telling him

(he watched the words rise & fall
in the perfect mechanism

of her chest
of which he couldn’t take his eyes off of)

telling him
in no uncertain manner

as if scolding him
(had he wet the bed?)

“Well, you’re
a lucky
so & so!"

dwelling on a cloud of airy pleasance
gazing below, upon what once was

tempted, I am, reaching down for sensation
Meaning and feeling

the pain i once knew,
heavy and true

When out of the blue,

grace from above
captures my hand

in warm and golden hues

a stable,
easeful
and peaceful feeling

subtle, as it is.

it satisfies my longing
for sensation and truth

With ease, mother grace
places my once-eager hand
upon my own heart

and i soften in  peace
Knowing, i am not alone,
Dwelling on a cloud of pleasance
gazing up at the sky.

A LUCKY SO & SO

As he lay
in the pool of his death

the motorcycle continuing on
a little further without him

before it too
lay down

as if to sleep

he thought the blood
was like a child

wetting the bed

and the fear of
someone discovering it

in the cold light
of morning

he began
to cry

just like the boy
of then

though this was now
and very far

from the place
of his childhood

even as the stink
of petrol

enveloped him

a bird sang

& he thought: “This is the most
beautiful thing...! ” he had ever heard

& his heart grew sad
& silent to hear it

concentrating on it

& on his shirt

emerged a badly-
-drawn map of the world
(but recognisable as such)

(America being a little
lopsided)

drawn in blood
seeping through his fingers

(continental drift slowly joining them together)

“I am half in love
with easeful Death...”

he quoted to himself

and wondered who had wrote it
and where he had ever heard it

“Yeats? Keats? ”

Death as if
anyone might have imagined him

turning up
at a fancy dress party

and only coming second
to a fat guy from Hastings

who obviously had a better costumiers
than Death

(Death thinking this fat bloke’s next)

looked on
dispassionately

as if he had seen it
all before.

There was nothing
new under the sun.

This job could be
so boring.

Humans make such a drama
out of the simple act of dying.

Always the same song & dance act!

Death held his hand
& then...let go.

When he awoke
Death
was nowhere to be seen

and the hospital
bloomed around him

gazing into the fluorescent
tube of light

life seemed almost
too bright

hurting his eyes

a nice pair
of legs

approaching him
& telling him

( he watched the words rise & fall
in the perfect mechanism of her chest

which he couldn’t take his eyes off )

telling him
in no uncertain manner

as if scolding him
(had he wet the bed?)

“Well, you’re
a lucky
so & so!"

Half way
Presents two choices
Easeful - down
Or challenge - up
I think I’ll take the ladder.

A LUCKY SO AND  SO

As he lay
in the pool of his death

the motorcycle continuing on
a little further without him

before it too
lay down

as if to sleep

he thought the blood
was like a child

wetting the bed

and the fear of
someone discovering it

in the cold light
of morning

he began
to cry

just like the boy
of then

though this was now
and very far

from the place
of his childhood

even as the stink
of petrol

enveloped him

a bird sang

& he thought: “This is the most
beautiful thing...! ” he had ever heard

& his heart grew sad
& silent to hear it

concentrating on it

& on his shirt

emerged a badly-
-drawn map of the world
(but recognisable as such)

(America being a little
lopsided)

drawn in blood
seeping through his fingers

(continental drift slowly joining them together)

“I am half in love
with easeful Death...”

he quoted to himself

and wondered who had wrote it
and where he had ever heard it

“Yeats? Keats? ”

Death as if
anyone might have imagined him

turning up
at a fancy dress party

and only coming second
to a fat guy from Hastings

who obviously had a better costumiers
than Death

(Death thinking this fat bloke’s next)

looked on
dispassionately

as if he had seen it
all before.

There was nothing
new under the sun.

This job could be
so boring.

Humans make such a drama
out of the simple act of dying.

Always the same song & dance act!

Death held his hand
& then...let go.

When he awoke
Death
was nowhere to be seen

and the hospital
bloomed around him

gazing into the fluorescent
tube of light

life seemed almost
too bright

hurting his eyes

a nice pair
of legs

approaching him
& telling him

(he watched the words rise & fall
in the perfect mechanism

of her chest
of which he couldn’t take his eyes off of)

telling him
in no uncertain manner

as if scolding him
(had he wet the bed?)

“Well, you’re
a lucky
so and so!

Half in love with easeful death
But fully in love with her
She's gentle and alluring
Stirrings begin to stir

I still like Thomas Merton
Remember Thich Nhat Hanh
Remember Reno snow
Remember Gamla Stan

I did try to ****** her
Probably didn't work
Yearning yearbook photo
******* slightly perk

The female mind is mystery
As is the female body
Moroccan mint tea
One hot toddy

                 I wait.

half in love with easeful death
   the other half holds on to breath
                all is vanity, said Qoheleth
                        but my feelings for her -
                                   they’ve never left.

I NEVER HAS SEEN SNOW

I lived my life as if
I had been written
into a Barbara Pym novel

so prim and proper lady I
my soul smoother'd in camphor
yet my life...wot the mot hath got

and here I be
curled upon the Persian rug
in the foetal position

being born
into my dying
as it were

me an elaborate motif
beside an exquisite phoenix
oh the warp and woof of me

so this is death
rather nice
as these things go

not too much( ouch )pain
more easeful and slow and
when ya gotta go...ya...gotta go

rather like that Manx man
was it Brown...or...something
"...if thou couldst empty..." oh what is it?

"...all thy self of self
to be a shell dishabited..."
bit like ha ha that...innit( agghh )

wonder what an anthropologist
from...say...Borneo
would make of me

I'd guess I'd be
so quaintly ever so English
so cue-cumber sandwich

settling down with a Pimms and a Pym
being one of those Excellent Women
**** this dying....haven't even read the book

only got as far as
p.15...how mean
the great unread

the words sticking in my brain
something being "...a welcoming
sort of place...

with a bright entrance..."
as if Mr. Death were saying
"Why...that's what I am!"

"Yeah, yeah...sure sure'"
I answer all Film Noir
another of life's little pleasures

the stuffed bird
stares at me sternly
deigns to speak

"Now that you are going to be
as dead as me...may I
have a word?"

it coughs unaccustomed
as it is
to public speech

"It's not so bad
being dead
it's being stuffed that hurts!"

the cat joins in
with its customary "I'm starving...
ya couldn't open this tin?"

now the cat howls
oh to have opposable thumbs
or a can opener at least

the stuffed bird and the cat and I
singing along to Beverly Kenny
smiling from the record sleeve

"Oh this used to be
my favourite as a girl
'I Never Has Seen Snow."

"Oh the girl I used to be
she ain't me no more!"
I could always carry a tune

the stuffed bird can't
sing for nuts but
the cat's got a good tenor voice

me...I'm letting go
the world is walking out on me
the world don't want to know me no more

I've even forget
can you Adam and Eve it
how to spell... fo'c's'le

my garden looks in
the window at me
well here's a howdy do

I never was '...a lovesome thing..."
even when young
"God wot!"

hee hee hee T.E. Brown
appears to invade the mind
when one is dying

and what would that Borneo
anthropologist make of that
or my love of Jazz

grabbing the music
by the tail as it shape-shifts
improvises world upon world and beyond

oh to be dying
in a smokey jazz club
thoughts climbing a spiral staircase of smoke

"All that is...is not!"
now I wonder where
I got ha ha that

would the man from Borneo know
that is Phil Woods on
the Quincey Jones arrangement

"Oh I love sax me!
never could say the same
for ***

well - enough of that
better get on with
my death

and what better way to go
than with Beverly singing low
always thought I looked a bit like her

she smiles that record sleeve smile
the one I tried to sculpt
upon my own features

"I saw a new horizon
and a road to take me
where I wanted to be...needed to be.... took"

"God! I'm only starving!" yowls the cat
"Ya couldn't feed me before ya go...no
**** those...**** those cans!"

"Oh ****...oh ****!" she purrs
the record's...the record's...the record's
stuck

A LUCKY SO & SO

As he lay
in the pool of his death

the motorcycle continuing on
a little further without him

before it too
lay down

as if to sleep

he thought the blood
was like a child

wetting the bed

and the fear of
someone discovering it

in the cold light
of morning

he began
to cry

just like the boy
of then

though this was now
and very far

from the place
of his childhood

even as the stink
of petrol

enveloped him

a bird sang

& he thought: “This is the most
beautiful thing...! ” he had ever heard

& his heart grew sad
& silent to hear it

concentrating on it

& on his shirt

emerged a badly-
-drawn map of the world
(but recognisable as such)

(America being a little
lopsided)

drawn in blood
seeping through his fingers

(continental drift slowly joining them together)

“I am half in love
with easeful Death...”

he quoted to himself

and wondered who had wrote it
and where he had ever heard it

“Yeats? Keats? ”

Death as if
anyone might have imagined him

turning up
at a fancy dress party

and only coming second
to a fat guy from Hastings

who obviously had a better costumiers
than Death

(Death thinking this fat bloke’s next)

looked on
dispassionately

as if he had seen it
all before.

There was nothing
new under the sun.

This job could be
so boring.

Humans make such a drama
out of the simple act of dying.

Always the same song & dance act!

Death held his hand
& then...let go.

When he awoke
Death
was nowhere to be seen

and the hospital
bloomed around him

gazing into the fluorescent
tube of light

life seemed almost
too bright

hurting his eyes

a nice pair
of legs

approaching him
& telling him

(he watched the words rise & fall
in the perfect mechanism

of her chest
of which he couldn’t take his eyes off of)

telling him
in no uncertain manner

as if scolding him
(had he wet the bed?)

“Well, you’re
a lucky
so & so!

Half in love with easeful death
I think I see, John Keats

Never read Jack Kerouac
Only read about the Beats

Society is prison cell
Deals swiftly with defeats

I do not sell yet wish her well
There will be no more repeats

She gave me Hope for the Flowers
I gave her truths without deceits.

The morning light soft blue
I wake up still and peaceful

Gratitude for sleep
Gratitude for easeful

No woman now does love me
No woman, Bob, no cry

Blue light in my little room
Because blue light in the sky

       Blue light when I die?