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Grahame Jun 2014
A  MOONLIT  KNIGHT.

Fern rises and looks out of her window.
Silver shards of moonlight lick the lawn.
She who once felt gay and oh so joyous,
Now feels oh so desolate and lorn.

Will she ever find true love again?
She before has never felt so low.
Should she, for love, continue searching?
Or give up by ending it here and now?

Outside, all is monochrome and still,
Inside, Fern is still and very sad.
Will she feel happiness again?
Who knows how long she’ll feel this bad?

At the stroke of midnight, there’s a change,
There seems to be a disturbance in the air.
Gradually something seems to materialise
On the lawn, a shape, come from where?

It is a knight, armoured cap-à-pie,
On a horse, for war caparisoned.
From his saddle hangs a jousting shield,
A silver moon on it is designed.

A white plume is mounted on his helmet,
On his lance a white pennon is tied.
The knight looks at her, at her window,
Silently he sits and does bide.

He raises a gauntleted hand and beckons,
Should she stay in, or venture out?
In her white nightdress she goes downstairs,
Deciding to see what it’s all about.

Cautiously she opens up the door,
And putting her head out, looks outside.
The knight still sits, patiently waiting.
Fern wonders what might now betide.

Slipping on an old pair of shoes,
She slowly walks over to the knight.
In her wake she leaves a dewy trail,
And as she nears, the knight fades from sight.

Fern wonders what this all might mean,
Is she dreaming or is she awake?
Is, what she has seen, been real?
Or has she made a big mistake?

Then, whilst standing there in wonder,
She happens to look down at the ground.
Where the knight was, the grass is trampled,
As though a horse has curvetted around.

Then she hears a sound from behind her,
And startled, Fern quickly turns round.
Her house no longer seems to be there,
In its stead, a keep there is stound.

The sound she hears is a woman calling,
“My Lady, please come back here inside.
You shouldn’t be alone out in the dark,
Please come back and in your chamber bide.”

The woman, from a window, looks at Fern.
“Excuse me, are you addressing me?”
Fern directs the question at the woman,
Who replies to her, “Of course, my Lady.”

“’Tis not safe out at this time of night,
And you are in your night attire dight,
So if someone, of you, catches sight,
You’ll not be seen in a good light.”

Before Fern can think of what to say,
She hears the sound of a galloping horse.
It is getting nearer in the dark.
She hopes that things will now not get worse.

“My Lady, quickly, please get you inside,
Do not just stand there as if dazed.
Hurry now, before it it too late.”
Fern, though, does stand there amazed.

Approaching through the night is a horse,
The one she’d seen before on her lawn,
The same knight is seated on its back,
Though now the pennant on his lance is torn.

The horse stops right next to Fern,
And caracoles to bring them face-to-face.
The knight lowers his lance to show his pennant,
Which Fern sees is a torn fragment of white lace.

The knight again does sit in stilly silence,
He waits, and does not make any demand.
Then lowers his lance to touch her nightdress’s hem,
When suddenly, Fern does understand.

The hem of her nightdress is lace trimmed,
So Fern bends, and seizes it in hand.
Then with a sharp tug she tears it off,
Removing it in a single strand.

The knight raises up his lance higher,
The old lace, from the lance, Fern does remove.
Then ties the furbelow on very tightly,
Saying, “Please take this favour with my love.”

The knight dips his lance in salute,
Then turns his horse, back down the road to face.
His spurs lightly touch the horse’s flanks,
Which straight away gallops off at pace.

Fern walks across to the keep.
The woman opens the main door wide.
Fern steps across the threshold,
And now, in her own house is inside.

She turns to look back across the lawn,
Which is still lit by the silver moon’s light.
The lawn is now smooth and unblemished,
With no marks caused by the steed of the knight.

Fern goes upstairs to her bedroom.
Has this all been a dream ere now?
Then, as she gets back into bed,
She sees her nightdress lacks its furbelow.

Fern remembers her nightdress has a pocket,
And into it, her hand she does place,
Then, to her utter amazement,
She pulls out a fragment of torn lace.

Fern wonders at what’s just happened,
Was it real, or only in her mind?
If it was just her imagination,
Why has she been able, the fragment to find?

Eventually Fern drifts off to sleep,
Waking with the chorus of the dawn.
Although she doesn’t think she has changed,
She no longer feels quite so forlorn.

“Why does the knight appear to me?
Why has he only come at night?
Is he trying to find out if he’s wanted?
Is he trying to make something right?”

Later on that day Fern walks to town,
And heads for the library to find,
If there are any references to knights
That might help to ease her troubled mind.

Fern does find a story of a knight,
Who had a moon device on his shield.
He was very brave in the fight,
And to a foe would never yield.

He had been commissioned to take a message,
To a lord, by order of the king.
It was to be delivered urgently,
And he was not to stop for anything.

He was nearly there when something happened.
By the side of the highway lay a maid.
Being a chivalrous knight, he should have stopped,
Instead, he carried on, not giving aid.

He delivered the message to the lord,
And later was seated, drinking in the hall,
When there entered in some serving men,
Carrying on their shoulders a shrouded pall.

They lay down their burden on the floor,
And without having said a word,
Reverently uncovered the face of a body.
It was the lady of the lord.

Then entered in another knight,
Who stepped up to the lord, and said,
“On our way here, we found your lady.
She was wounded, and now, alas, she’s dead.”

The other knight continued with his story,
“Seemingly, she had been robbed and *****.
There was no sign of the perpetrators,
We think they’d been disturbed, and then escaped.”

“Perhaps if we had managed to come sooner,
We might have been there to prevent this crime.
However, it seems the Fates conspired against us,
So we were not there to help in time.”

The Knight of the Moon sat there horror-struck,
He knew if he’d not been so keen to arrive,
Though helped, as his conscience had dictated,
The lady might yet even be alive.

Instead of speaking up, he stayed silent,
And never about this matter spoke a word.
Then he rose, and gave his condolence,
And went out from the presence of the lord.

The lady was removed to lie in state,
The Knight of the Moon went, to look at her face.
He knelt there in silent prayer awhile,
Then, from her dress, removed a length of lace.

He accoutred himself in his full armour,
Then rode from the keep that very night.
He left a note, stating his omission,
And of him, no-one ever saw a sight.

Fern is very sad to read this story.
What had then been in the knight’s mind?
Had he ridden off to end his disgrace,
Or the perpetrators, gone to find?

Fern now makes her thoughtful way home,
Hoping he’d found surcease from his torment,
Wondering what to him had befallen,
And if, for his lapse, he’d made atonement.

Fern reaches home rather tired,
So lies down on her bed, then falls asleep.
She dreams of knights in armour and fair damsels,
And jousting in the grounds of the keep.

Eventually, Fern wakens from her slumber.
She lies for a moment in her bed.
Yet again she thinks about her dream.
Was it real, or made up in her head.

“Perhaps,” she thinks, “I’m just on the rebound,
Because I’m still in mourning for my love.
And being of a romantic nature,
Dreaming of knights this does this prove.”

“Knights should have been chivalrous and kind,
Treating damsels in distress with care.
Except, when a knight I truly needed,
As it happened, there was not one there.”

“On that night, if we’d had some help,
My husband might still be alive.
Now, he has been taken from me,
And I feel that alone I cannot thrive.”

“However, life must go on as usual,
I should carry on, if just for him,
And so, perhaps, I should cease this moping,
And try to get on with my life again.”

So Fern gets up, refreshed from her nap,
Then decides, after eating, to go out.
That she must now get herself together,
Fern is not left in any doubt.

“Perhaps a short drive into the country,
And to stretch my legs, a gentle walk.
However, I will get on much quicker,
If I do not, to myself, talk.”

Fern puts on her coat and gets her bag,
Then goes out and walks to her car.
This is the first time that she’s driven
Since losing him, so she’ll not go too far.

Fern unlocks her car, and sits inside,
Then she is overcome with fear.
“Suppose, now, I am too scared to drive.
Perhaps I’d feel better if help was near.”

“Come on Fern, pull yourself together!
Feel the fear and do it anyway!
If you don’t do it now, then when?
Start the car, and let’s be on our way.”

So having given herself a little lecture,
Fern belts up, and pulls out of her drive.
Then, not really knowing where she’s headed,
Off she goes to see where she’ll arrive.

Fern motors out into the country,
And following a lane, drives up a hill.
At the top she parks and gets out.
Everything seems peaceful and so still.

She aimlessly ambles round the hill top,
And reads a notice saying it was a fort.
Then, Fern drifts off into a daydream,
And views the panorama without thought.

In her mind’s eye she sees a castle,
Decorated with many banners bright.
A tournament seems to be in progress,
And the winner is, of course, her moonlit knight.

Eventually, Fern becomes aware,
That she has gone some distance from her car.
So she slowly makes her way back to it.
She hadn’t meant to walk quite so far.

The shades of night are now falling fast,
And everything is starting to look grey.
So Fern unlocks her car and gets inside,
Ready to be getting on her way.

Slowly, she starts off down the hill,
The lane is very narrow with high hedges,
The moon is hidden behind some lowering clouds,
The track’s overgrown with grass and sedges.

Somehow, she’s gone a different way.
In the dark, everything seems wrong.
Fern is now starting to get worried,
And wonders why the track seems so long.

Eventually, she debouches onto a road,
Though she is not sure exactly where.
Fern is by now really anxious,
Then suddenly, gets an awful scare.

It looks just like the road they had been travelling,
When her husband lost control of the car.
It had skidded, spun and then rolled over,
The door had opened, and Fern had been flung far.

Her husband had still been trapped inside,
When it suddenly erupted into flame.
Fern could only stand and helplessly watch,
All the while loudly screaming his name.

No-one was around at that moment,
Perhaps someone might have pulled him out.
Then, as other motorists arrived,
They phoned for help, while listening to Fern shout.

Quite soon, a fire-engine came,
Closely followed by an ambulance.
The fire was eventually put out,
And Fern driven off still in a trance.

That had been several weeks ago,
And Fern has not since passed that place.
Now, it looks as if she is there,
And will, her darkest moment, have to face.

Then, to her horror, she sees a shape,
Dimly lit by her headlamps’ light.
It is a fallen motorcycle,
And the rider’s lying by it, just in sight.

Fern stops her car, and runs up to him.
Perhaps she can be of some aid.
As she approaches, the man gets up,
While a voice behind her says, “Don’t be afraid.”

“You just do exactly as we tell you.
We only want your money, and some fun.
Then, you can be on your way.
Do not even think of trying to run.”

The first man picks up the bike,
And pushes it to the road’s side.
The other man comes up close to Fern,
Who wonders again what might betide.

The wind blows the clouds across the sky,
Bringing the bright moon into sight.
The road that ’til then was hidden in darkness,
Is now lit with shards of silver light.

Fern then hears the sound of a horse,
Approaching through the wild and windy night.
The jingling of trappings can be heard,
And Fern thinks that now all will be right.

The courser slowly comes into view,
With the same knight seated on its back.
His lance is not couched, it’s held *****,
And the reins are loosely held, and quite slack.

Casually the steed comes to a stop,
And lowers his head to nibble at some grass.
The men, uncertain, both watch the knight,
While each wonders what might now pass.

One of them goes up to the bike,
And opens up the box on the back,
Then takes from it two crash helmets,
And a length of chain, which dangles slack.

He throws a helmet to his crony,
And they each fasten one upon their head.
Then they both turn to face the knight,
Who has not a word utteréd.

The one with the chain lifts it up,
And menacingly starts to whirl it around,
Then slowly walks towards the knight,
Who casually sits, not giving ground.

The other man reaches into his pocket,
Pulling out a wicked flick-knife,
And then, letting the blade spring open,
Prepares to join in with the strife.

He circles round the knight to the rear,
As the other man comes in from the side,
When the knight drops his lance into rest,
And suddenly, off he does ride.

He charges away from the men,
And gallops right past Fern at full speed.
Then, his lance aimed at the motorcycle,
He urges on his racing steed.

The lance pierces into the fuel tank,
And knocks the bike over in the road.
Petrol gushes out in a torrent,
And soon over the tarmac it has flowed.

The lance is broken in twain, the knight drops it,
And very quickly turns his horse about,
Then as he gallops back past the bike,
Both of the men start to shout.

Sparks from the horse’s hoofs come flying,
Igniting the petrol on the road.
Fern gives a shrill scream in panic,
Thinking that the bike might now explode.

The man with the chain wildly flails it,
Desperately trying to hit the horse’s head.
The knight strikes the man with a morning-star,
Who drops down, just like one who’s dead.

The knight then dismounts, drawing his sword,
And silently strides towards the other man,
Who flings away his knife, and starts running,
Fleeing just as fast as ever he can.

Fern sees the fallen man get up,
Rising groggily to stagger to his feet.
He looks at them, and then he turns away,
Slowly stumbling off, not yet too fleet.

Suddenly, the night becomes quite dark.
Clouds again, do the moon obscure.
Fern turns to try to thank the knight.
He’s gone, though she now feels secure.

Confidently she walks towards the bike,
And sees the lance by the fire’s light.
Fern bends and unties the lace from the lance,
And slowly walks back with it through the night.

She reaches her car, and gets inside,
Then starts driving off to get back home.
Belatedly thinking of her husband,
And wondering what next to her will come.

Safely arriving home, Fern parks the car,
And getting out, she sees on the lawn,
A pavilion has there been erected,
Turned rosaceous by the coming dawn.

The horse is also there, grazing tackless,
And by the entrance hangs a well-known targe.
Fern carefully goes and looks inside.
The pavilion’s quite small, not very large.

She sees the knight, kneeling on the ground,
His head bowed, as like one in prayer.
He holds his sword in front, just like a cross,
Of her, he seems not to be aware.

Quietly, Fern withdraws from the pavilion,
Then thinks, of the horse, to get a sight.
It’s nowhere to be seen, she turns around,
The pavilion’s now bathed in golden light.

As Fern stares at it in wonder,
See thinks that she can hear an ætherial sound,
Like a choir of heavenly angels singing,
And the pavilion vanishes from the ground.

Fern sees only a sword, stuck in the lawn,
And hanging from a nearby tree, the shield.
Then reliving what occurred in the night,
To tears of relief, Fern does yield.

She wonders if the knight has been translated,
Having now atoned for his mistake,
And Fern hopes that he’s managed to find peace,
For risking his life for her sake.

Fern hangs the sword above her bed,
And fastens the shield over her door.
She feels much more confidant now,
And is able to do so much more.

Sometimes though, when the moon is full,
Fern goes outside at midnight,
Carrying in her hand a strip of lace,
And seems just to vanish from sight.

At that time, if anyone was around,
They might then hear an unusual sound,
As though a fully accoutred
Crony capitalism is not capitalism at all.
Rather, it's the justification of the act of stealing
even more money
from the poor and middle classes
and giving it to the people
**that least deserve it.
KILLME Nov 2013
Octavian Octopus
lives In the sea
with eight long tentacles
to hug you and me

He spends his days
with Seahorse Sabrina
who dreams longingly
of being a ballerina

Octavian wants so much
to be like his crony
but sadly, all of his
dance moves are bologna.

Still he felt that
he needed to impress
his funky fresh pal
in the pretty pink dress

so for hours, Octavian
practiced his spins and his twirls
he even got a costume
with glittery frills


So came the day
of the big talent show
He could show old Sabrina
that he too, was a pro

But alas,
half way through his act
his big squirmy arms
got caught in a crack

He tripped and he stumbled
and fell off the platform
tears started to fall
and away, he started to storm

"Stop!" a voice shouted at him
and he turned around to see
his best friend Sabrina
giggling with glee

"the very best dancer,
you don't need to be
if you really want to
be friends with me"

He smiled and she laughed
"you're very cool, you silly-old-goof,
but just be yourself,
not a stumbling doof"
my little sister asked me to write her something about an octopus and seahorse, not exactly what im used to writing, but i gave it my best shot.
i think its pretty **** cute <3
A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
Homunculus Jan 2015
**** the religion,
**** the division,
**** the crony capitalism,
**** the drug war,
**** the shady cops, and
**** all the prisons,
**** the suits,
**** the boots,
**** the watches,
**** the rings, and for that matter,
**** the foolish pursuit of material things,
**** monopolies on property
**** this country's fake democracy,
**** the corporate aristocracy, and
**** the leaders' proud hypocrisy
**** the layered social classes,
**** the non-apportioned taxes,
**** the cars that run on gas, its 2015, aren't we past this?
**** mortgage debt,
**** student loans, and
**** the tanks, and
**** the drones
**** Wall Street,
**** stocks and bonds
**** the wars and
**** the bombs, and
**** indoctrination,
**** the public education, and
**** the institutional racism,
**** my mind for always racing, and
**** the American Dream, the one that's sold in magazines, and
**** me having to say **** a bunch, so I can vent some steam, but
Is this the best that we can do? I look around, it can't be true, but
If the answer to that question's 'yes,' I'll kindly say:

'*******!'
LET me be monosyllabic to-day, O Lord.
Yesterday I loosed a snarl of words on a fool,
        on a child.
To-day, let me be monosyllabic ... a crony of old men
        who wash sunlight in their fingers and
        enjoy slow-pacing clocks.
Just think how perfect it all seems.
Examine, if you will, Plants.
If you won’t, “****-You.”
I am not your Cabaret floorshow.
Shall we begin again?
Examine the Plant Kingdom.
And let’s focus on Water—H2O for
You of the Walking/Talking Chemistry Set—
Water: a precise, covalent compound.
And what does it take?
A ***** molecule of hydrogen,
Pulling a 3-way with some pathetic,
Starved for affection,
Me-so-lonely
Me-so-***** atom of
Oxygen.
The rest—as they say--is History.
(CUE my readers—
My sweet, effervescent readers—
They come chiming in,
Avenging my Line 3 *******:
“No, Joe, the rest is actually Chemistry.”)
Although I may lack respect for my readers,
I am certainly not dealing with idiots.
This is Interactive Poetry, Kemosabe:
Life lyrics for the Chorus,
Of thee I sing.
Of thee I am one.
But I digress.

The subject was Water.
Water gets ****** up—&
That has got to feel really good—
Into a vast & elaborate network,
Dispensing itself, climbing to
Leaf-height by mid-morning,
Given that big, white-hot bocce ball in the sky
First warming, then igniting a thousand-million
Stoma/Stomata: Choose One.

Difference Between Stoma & Stomata: Stoma and stomata are similar words, so it's easy to get the two confused. The difference between them is easy to remember, however, as stomata is  just the plural for stoma. A plant uses its stomata to take in and release gases, according to EOEarth.org.... More »

Verdant Stomata?
Sounds like an Italian Pizza Queen,
As defined by Rhode Islanders,
According to Ronnie Conheim,
A crony of my early 20s,
Who has dis-appeared off the
****-cheeks of our planet.
Again, I digress.

LEAVES: the passion pit of our
Randy **** atmosphere.
Manufacturing oxygen for those
On the CO2 side of the equation,
Whatever that means.
Leaves: a reciprocal source & target.
For those of us in these parts who
Exhale carbon dioxide.
And just so we get this straight:
We are the Plant Kingdom’s archenemy,
Their bête noire, their Lex Luther incarnate,
Anathema, slugging & wheezing its way,
Through an eternally ebonic Worm Hole.

Plants & Animals:
These two would **** us both off.
So an ecological truce gets hammered out,
“The Paris Agreement on Climate Change,”
They are calling it, perhaps the most profound
Meeting of the Earth’s collected minds.
EV-VAH, in History or Chemistry . . .
(CUE BRANDO, Sky Masterson,
Guys & Dolls: “YEAH, CHEMISTRY!”
A shrewdly negotiated fairy tale,
With fine print out the yin-yang,
Explaining why only 144 of the 197
Parties to the convention have
Ratified (what rats do when organized?)
Ratified a document fatter than Manhattan’s
White page telephone book:
Behold BTW a species of literature,
Beginning to resemble a dead carcass,
Nearly an anachronism for a once
Vast & potent paper publishing industry.

Plant & Animals: these two
Will **** each other.
The Peace: a fragile trip wire.
The Accord?
A case of hyped ecological stagecraft,
The threshold celebration
Staged in--of all places—
Marrakech, Morocco:
The Hashish Capital of the Eastern Hemisphere.

Marrakesh Express - Wikipedia
https://en.wikipedia.org/wiki/Marrakesh_Express“Marrakesh Express” is a song written by Graham Nash and Performed by the band Crosby, Stills and Nash (CSN). It was first released in May of 1969 on the...

C.S.N Marrakech Express-YouTube/www.youtube.com/watch?
v=0AkYLtegF1MDec 14, 2009 ... Crosby, Stills, Nash & Young – Marrakesh Express (Live at Farm Aid 2000) - Duration: 3:56. Farm Aid 36,976 views · 3:56. CSN - Crosby, Stills...
(www.ads-right-in-******* poem.com)

That’s right! The poet finally figuring out
What it takes to avoid dying diseased &
Psychotic in the gutter.)
THAT’S RIGHT: $$$$ SELL ADS $$$$
RIGHT IN THE $KA-CHING$
MIDDLE OF THE ******* POEM!)

The Big Picture?
Plants & Animals:
These two will **** us all off.
And we'll watch the whole thing on Reality TV.
If it is only *** spirited and jolly
That gives utter joy in fading life;
Then that priest pious and holy,
Who must not have a darling wife--
Seeing he hath pledged to celibacy--
Will never experience earthly ecstacsy.

And if it is alone gluts of money
That do ensure the soul's bliss
And peace; then that ascetic crony--
The friar--who did willingly kiss
And vowed wholly to worldly poverty,
Neither will know also prosperity.

But, nay; it's neither cash nor coitus
That gives the heart satisfaction surplus.
Rather it be Jesus supreme and superior
That guarantees man intense joy interior.
wordvango Aug 2016
lazily lost
to crony capitalism
corporate cobwebs
hunger
unsatisfied
first come served
rich get richer
walls get bigger
the river deeper
the gap is wider
the poor get
poorer
the black get blacker
the rift grows wider
the police get narrower
shootings
more common
more people dying
politicians
appear more frequent
on the TV
and nothing gets better
solved
are the next elections
nothing more
CORNEL PUNK Oct 2014
Your departure kept me in lovelorn.
Am I of tears born?
Whenever I behold your face
I find no place to trace.
Should I trace the Indians.
Indians are but ordinary comedians.
Your smile drive me crazy.
To let you go means I'm lazy.
Anytime I view your fine figure
I vowed "our love I must secure"
You will always be my beautiful lily
that often drive me silly.
My strength,my comfort,my prize.
Love gleams in your glittery eyes.
Yet you don't want to be my crony.
It is an unbelievable
irony.
To separate was never your wish.
It was friends and relatives that dish me out without a cause.
But they don't want theirs to pause.
With deep love,we will offer them back.
Then happiness we shall never lack.
But if you claimed so shall it be
then remove the love seed you sow in me.
Of which you can't,it has mature.
It was bestowed by nature.
We grew up with the seed.
So please be my beautiful bead.
CORNEL PUNK Oct 2014
This is the greatest non-fiction.
Who on earth will believe her action?
My chick,who was
like my security agent;
who strengthened me at lent.
Now became a jackal.
Desiring me a basal
Is this not the highest form of irony?
My friend,companion and crony,
at my back "bless" my name
by gossiping an extra negative fame
about me,her lover.
I thought she is a real flower.
Even Abraham will not believe;
this kind,type,form and category of deceive.
It sounds chinese film in nature.
Ananians is the feature.
Someone I hugged and kissed.
Now to me,she hissed.
Ah! I am theliving dead
the suffer head,the poor head.
Eureka wasnt as surprised as me.
Earnestness love should be.
Yesterday,my sweet sugarcane
that took away my pain.
Today,the number one antagonist,
who attack me,the protagonist.
Tomorrow is transparent darkness.
It either be happiness or still sadness.
CHECK IT

My flows orbit more than the earth around the sun the holiest one
My gun even pack a gun
Cuz im so ruthless
Even left the devil toothless true rebel
Underground king
Make enemies sing
war cries
my intellectual  lyrics
Beyond the sky
Off the aurora enticin euphoria
Psychedelic illusions
Mastermind of the confusion
Abusin
Master of the ceremonies
My mic be my crony
So when ya see me act like ya know me
Homie
Dont play that never been wack
Ill smack ya so hard ull end
Up back in ya birth sack
Smokin' rat packs blastin' gats
Causin' much chaos
Calamities all over the earth
I been born for the mic since my birth
No girth
Can withstand
The infrastructure of my tactics
Worldwide mobbin'
Figures messages get delivered
When they hear
So many spirits get quivered
Lost in the time zone
If ya dial my phone
approach caution
cuz it might be ya final home
Funeral home another addendum to my tome
servicin' drones
so i bet yall leave me alone
make scrilla thats leave splits
like reciprocals
Residue income battle
any individual
subliminal military minded
criminal
Makin' more space than a black hole
Leave all competiton in a fold
.A foe may become a friend,
And a buddy can turn an enemy
Morrow; man knows not the very end,
Not a fig, of his earthly journey.

With smirk abide, from smiles flee.
Take gall rather than honey,
For things bitter turn later to juice.
Life cannot be fathomed clear, crony.
Àŧùl Sep 2019
The BJP has impressed me,
Welfare is their priority,
They have improved as a political party.

They used to be the capitalist kind,
Completely rightwinger it used to be,
They used to be crony capitalists.

But they have improved,
Their worth they proved,
India administrated by them will be happy.

They have made sacrifices,
Who can forget Shyama Prasad Mukherjee?
Once they know him - they can't.

Who can forget Atal Bihari Vajpayee ji,
Or the living legend, Lal Krishna Advani ji,
Or the fallen soldiers, Sushma ji or Arun ji?

We have many more leaders,
All distinguished in their spirit of Indianness,
Narendra Damodardas Modi, their scion.

They used to be plain capitalists, yes,
But now they are very different,
They are the Left of Right.
India, as a majority, is very happy and positive.

My HP Poem #1773
©Atul Kaushal
Filmore Townsend Dec 2012
she grip'd my hand
in front of her boy. between the
two there were four kids,
she age'd in at twenty-six and
i never caught his. twenty-nine
he call'd me, and thirty
thrown at crony -
come on man,
just ask for a cigarette.
conversation ensued in air of
reeking oil and acrid smoke,
thankful for the backs of chairs.
Jester Andre Aug 2018
Finally;
They finally learned how to love me;
I can now feel them care and worry;
And see them giving me attention—how merry!

Some gave me thanks, while some kept saying sorry;
Why do you aplogize, dear crony?
You never did anything faulty
Can't you see? I'm finally happy.

For I can now feel their love for me
As I lie in this coffin, lifeless, and devoid of any vitality;
One by one, they walked in just to see my body
Now I feel like a famous celebrity.

The corners of my lips curled up; smiling bitterly
Wanting to shout and scream so loudly
Why didn't you tell me those words that might have made me happy
When I was still living in this world full of negativity?

But I do know the answer, honestly;
For regret is stronger than any emotionality
Oh, look how much they regret their insensibility
As they lost me, yet learned to love me—finally.
There Once was a Grand father ,
whose only Crony was his Grand daughter ,
He was Old and Swoony ,
She was Bold yet Funny ,
Together they made the World Brighter.
Limerick #distinctive rhythm{AABBA}#one stanza ##humorous verse#in remembrance #of #my#  grand pa # happy memories#15.04.19
First of all congrats to my city
But **** all those bandwagon suckers
Leechin' on the city
I pity those who was in envy
Now claim in the astros they crony
Take a seat
"When life becomes your biggest foe,
Death becomes you best crony"
exposing hypocrites
that hide in
the darkness mark this
day and aeon
far from a peon
can't fade the Don
the only one feelin'
holy but no holes in me
never will I die lonely
enemies be my crony
follow me why don't you
allow me to introduce to you
my gun crew
we got mr Mack 11 mini 14 double m 9
givin' visions of a flatline as ya rewind
the stages of ya life
bumpin" out strife
standing with pride
like Malcolm X
who's next to plex
catch bullets in they chest
peace to those who rest
my enemies I see in a flee
cuz they know the soldiers never plea
**** the courts of course
taking elites down under
no corpse
cuz I'm burned em all
downfall
to Babylon and their imperial
clockin my own serials
revolution two point 0
busting at the systems
cuz I can't take no more
pain suffered since I was kid mayne
puffs of Mary Jane
to keep me sane
can't let the vision go blurry
when I die
I'll be face to face
with hells jury
full of fury
thoughts exposed on a tv screens
makin me a villians
out of everything
cuz I see the way
the world and it really is
**** puttin in the bids
it's all rigged
numbers reserved for yo ***
don't be a *****
chasin the cash
cuz you cop out no doubt
america on verge of a shootout
with Russia and North Korea
ain't hearing ya
no fearin tha
dark side cuz the powers that be
two faced like Jekyll and Hyde
feel this ****
as I bump in ya ride
soon to be homicide
ain't no testing no guessing
guised as a blessing
to the systems I be stressing
trying to bury me
but they don't scare me
citizens arm yo weapons
get ready for Armageddon
huh it's seems like they gonna breakdown
leave em in a frown
as clown with my hallow point rounds
punishment for sins
is back in town
fool as I get around
Dave Williams Jul 2018
it's not lonely
it's death
because nobody knows

it's not only
my breath
because i need it

it's not next week, or last month or whatever you said
omega to aleph
sleep til next week
i don't mind
i don't care
i do what i want
and say what i should

one last crony
is left
and now we know
now we know
Clay Face Mar 2020
Disconnected, self destructive,
every moment alone and soon out of time.
Don’t desperately pull anything to breast.
But clocks run out, and panic will a set.

Hold your breath now, what’s the hurry,
these things cannot be forced.
Step on your toes, around this blushing rose.
Your stomping will bring the end of time.

Once distant, infancy blinded me.
I pushed you away, before so evilly.
Reality will wash away the falsify of order.
The fatuousness of lonesome is round the corner.

Ego and fear sublimated away!
I’ve seared you, now honest and vulnerable.
I hope this state can repair a path so dismal.
Constructed with puberal malice and discontent.
Apologies I can give, but actions scream.
Let me love incontinent.

Far too long, we’ve sat in complacence.
Now youth has boiled away we can see.
I’ve been dilating connection to a crony.
One I clench so profoundly.

Connected like roots to soil.
Far past our old toil.
Juxtaposed, we are paradoxical.
But we’re both connected to nobody.
Kanak Kashyup May 2018
From first desolation to last agony
Whole life with conflicted ceremony
Doubt became the hardest chain
Suffocating the precious tied crony

The wonder of thoughts along the word
Distrust and misguiding gave birth to nerd
Doubt blocks the million ways to knock
By leaving the never filled voids in heart

The castle of dreams, palace of fantasy
Embedded with the feelings of ecstasy
Doubt the cruel again vanished the route
Blocking the turnstile left in state of leprosy
Some doubts **** the precious relations and left with emptiness.

— The End —