Happy Cleaners having a quality name
They get dirt out that doesn’t remain
Clean Clean Clean
Keen Keen Keen
Happy Cleaners being every sense of the word
But just in case you haven’t heard
Happy Cleaners in snappy
The customer is never ******
Your clothes won’t be given back the way it was given in
Just simple and precise
The charge is the right price
I don’t need to give advice
Try Happy Cleaners and you will never have to think twice
So bring your clothes in as they are
They are located in the heart of midtown, so they are not far
Yet don’t be surprised as your clean clothes compliment your car
Value you will certainly cherish
Be prepared to look distinguished
So stop hoping your clothes get clean being a wish
Let Happy Cleaners turn dirt into swish.

Happy Cleaners having a quality name
They get dirt out that doesn’t remain
It’s simply Clean, Clean, Clean
Satisfaction of Ken n, Keen, Keen
Happy Cleaners being every sense of the word
But just in case you haven’t heard
Happy Cleaners in snappy
The customer is never ******
Your clothes won’t be given back the way it was given
Just simple and precise
The charge is the right price
I don’t need to give advice
Try Happy Cleaners and you will never have to think twice
So bring your clothes in as they are
They are located in the heart of midtown, so they are not far
Yet don’t be surprised as your clean clothes compliment your car
Value you will certainly cherish
Be prepared to look distinguished
So stop hoping your clothes get clean being a wish
Let Happy Cleaners turn dirt into swish.

Goodbye Prague, to a city I never thought I'd know.
Goodbye Prague, to a heaven that is lined with shattered beer bottles and stamped out cigarettes the junkies and the hobo's here still manage to get a  few puffs out of.
Goodbye Prague, to a hell that was once hovering with the feelings of control, manipulation, and more control, but now is twirling top speed to a land unknown.
Goodbye Prague, you seductive ***** with your cheap liquor, beer, and cigarettes, smelling of aged mahogany mixed finely with an acidic burst of fresh *****.
Goodbye Prague, I do not know when I will see you again, but I hope that I do and that I never grow so old that I forget you.
Goodbye to your abstract animals smeared black, screaming in the exploding summer sun. Goodbye to freshly cut pigs heads and cow flesh, hanging in your storefront window, tempting every passerby like the *****'s of Amsterdam.
Goodbye to every cobblestone that shines after a fresh rain or snow, slippery to the newcomer, an annoyance to the amateur, thoughtless to the old timer.
Goodbye to the potraviny's stocked with two crown marked up ***** and space vegetables shaped and colored in a one and only kind of vernacular; without you, I would have half-drunkenly stumbled home towards dreams of menial headaches and shadowy beer or perhaps to The Oak to drink alone.
I scream so long through faint puffs of carbon nicotine clouds made illuminated by the icy orange street lamps 800 years old glow!
I scream so long to late metro's and early trams!
I scream so long to the roaring rocks who reflect the faces of aging clocks!
So long to passed out bums and unforgiving metro officers. So long to dollar fifty beers and the fear of getting deported. So long with counting silver crown to make even, seeing my math prowess has lessened. So long embedded needles and bottle caps deep within the snowy cobble. So long listless wanders all their money thrown away until the month of May comes to knock on their door. So long alleyway romance 100 crown notes and old men in their rickety fishermen boats. So long sad masked faces who in their forward march sit stunned seeing fortune picks only some. So long through the grey mist stabbed with neon signs that attract the youth and the mad. So long to the feeling everything I had to say was the wrong thing. So long to feelings of foreign familiarity whose ball and chain were slowly starting to rust away. So long in song to the player's of Riegrovy hill whose voices I just couldn't stand. So long I've come to understand everyone's got a choice to live or wish they did. So long to the wide swept hills of Petrin, where angel's of lore go to rest atop dusted fresh snow, among the dotted new born vine. So long to the sound of wet metal against metal, a scream of order carried on the blue man's shoulder. So long to a city whose architecture reminds me of old men's faces and whose color reminds me of elderly women's dresses. So long to smoking in front of children without a second thought for their health. So long to racism that is wicked, but grunted genially - the executioner smiles at the accused - the gravedigger's weep for the dead - the ant makes a break for a hill not his. So long forlorn love whose only remedy for a cure is the beer sitting in front of you. So long to wondering what's going on in the world, when all I want and got is what's right in front of me.
Farewell Prague, you shadowed street walker, a cloak of stars around you, finding all that owe you  your due.
Farewell Prague, you in the morning eyes half mast, snow crunching underneath stony white.
Farewell Prague, miss-handler of crooked time pieces stating the obvious, ignoring to blame bluntly on youthful alcohol abuse.
Farewell Prague, you took me up the hill and through the woods where ravens, black as gutter ice, crackled down at me like showers of New Year's fireworks.
Farewell Prague, you gave me peace where I once thought I was unable to have.
Farewell Prague, you befriended me, then ordered me a shot that made me cough, then ordered me a beer so we could sit and truly feel what it is to sit and wallow in our time here.
Farewell Prague, you entranced me with view after view to a city to stubborn to die.
Farewell Prague, I leave you like you would leave me.
Farewell Prague, to your fat snow flakes that drop into wide eyed children mouths, tasting of iron whiskey rye, though they do not flinch at the taste.
Farewell Prague, I leave you with a hush of a whimper, bitter as the cold, and indifferent as the server's over at Cafe Lourve.
Farewell Prague, with a thousand miles of graveyards, where ghosts barely have the strength to weep.
Farewell Prague, I admit I never knew how to love until I came to visit you.
Farewell Prague, as I stare out your cracked and smoky tram windows, my thoughts not my own, shop windows and naked, screaming men, their cigarettes bouncing in between their lips like a jack of spades on smack, where at last we see that life is only a worth a **** if lived.
Farewell Prague, I see the cards there on the table and you're winking at me while I stand at the backdoor, and what's more, there's a secret you've got to give that I refuse believe.
Farewell Prague, to your open sore catastrophe of society, KFC on every block, and Starbuck's on every other, and on the other other are the lined' wino's shaking open handed and spread for a case of cardboard vino.
Farewell Prague, to the nasty smoker's in trams that just stopped caring.
Farewell Prague, to a city rhythm generated by an ignorant originality and uniqueness, where the same has no name and the the plain jabber on about their jobs in their pretty blue jeans.
Farewell Prague, because to say goodbye would mean we don't have that friendly tone.
Farewell Prague, I see to sacrifice oneself for the comfort of the elder or the opposite fills me with agitated obligation stationed in a vessel older than I've ever lived - yet I know it, for it is me.
Farewell Prague, you are a lost lullaby caught in the wind of an elastic multi-colored pin-wheel, shining riches of the rainbow into the eyes of children, who all whistle when they snore.
Farewell Prague, a button upon the Earth, like every man.
Farewell Prague, a love song sung in the depths of a damp grey hall, rivers all around, so the sounds too much to drink were outlandish in high emotion, juvenile commotion.
Farewell Prague, we were young - not caring about the future, but of course, with worry in our hearts for worry is a sign of human being human; yet, still, we asked nothing of one another and you gave and I gave and you took and I took and we walked underneath one another's blanket's until we were no longer cold and the winter showed to be just an annoying individual at the party.
Farewell Prague, to your lack of complications, making simplicities acceptable again.
Farewell Prague, to the snow that never stops falling, all while slumbering within dream until the seam is ripped so the old can die.
Farewell Prague, I've shined every marble staircase and washed every tram window; you owe me nothing because I like you.
Farewell Prague, to the long nights bleeding away at the table alone, the lady fast asleep, lit by the dim orange glow of the twisted streetlights below.
Farewell Prague, to the long nights forgetting pains of existence and accepting every solution to ward of resistance.
Farewell Prague, our long talks and hovering walks, always forcing me to balk.
Farewell Prague, at last you got the praise you have always deserved.
Farewell Prague, to hot humid nights filled with *** and butter in the summer and cold bitten cold of ***** and juice a la winter.
Farewell Prague, to bad service but good drink and food.
Farewell Prague, you curious tale the bravest man would waver to say.
Farewell Prague, to bridges galore and more dead leaves then wrinkles on my crooked face.
Farewell Prague, at night the sheen of liquor wears off only if you let it be so.
Farewell Prague, to all the those lonely mornings bent head into book on the way to work.
Farewell Prague, how long till you grow to be young again?
Farewell Prague, how long till I admit my defeat to you?
Farewell Prague, how long until I accept I'm the last fool in this world?
Goodbye Prague, the last soldier is standing, but the war is not yet won.
Goodbye Prague, to your hazy stars glimmering and shining for an indebted audience.
Goodbye Prague, the sun breaking through ink spilled colored clouds, the birds chirping, the dogs barking, and us wondering where we started.
Goodbye Prague, your churches are empty so the sins of man run rampant and at last the prayers of men go unanswered; we now abandoned to fend for ourselves.
Goodbye Prague, the puncturing purity of your ways make me giggle in delight as I listen to the cool piano man play; his eyes on the horizon shattering like toppled china.
Goodbye Prague, at last there is a time where we both get what we want.
Goodbye Prague, the verandas are chilled with the dew of winter and the snow glitters like bitter diamonds as the fool tips his hat to shy away the sunlight.
Goodbye Prague, every rain drop that fell upon me was a gift you can never take away.
Goodbye Prague, the fool adheres to agnostic rules but the cruel here see no reason to sue.
Goodbye Prague, I think therefore the dust of escape reflects the waves of the river Vlatva.
Goodbye Prague, to your lack of vowels.
Goodbye Prague, when the night wavers hear the Beherovka weep into its own glass, love leaving her forever making no note to Kissy.
Goodbye Prague, tram driver's unforgiving in their merciless need for schedule.
Goodbye Prague, the last homage to the war standing like a shining diamond neath chipped and shattered rubble.
Goodbye Prague, a listless memory mentioned only in drifting dream.
Goodbye Prague, every loving glance smelling of freshly poured beer over newly fallen snow.
Goodbye Prague, to your hardness, your beauty, and your madness.
Goodbye Prague, your days wet with rain, stricken by sunlight, reflecting white emerald into the window panes of passing trains.
Goodbye Prague, at last you got what you deserved.
Goodbye Prague, now I can weep and say I have trampled upon your cheek and slunk through your veins and trudged through your blood and skipped through your hair and saw every line - both sought after and nought - you have acquired through time.
Goodbye Prague, there is no reason to get excited, you are free.
Goodbye Prague, I see the silhouette of the trees that line your hills and I am forsaken to see the leaves turning from jovial yellow greens to disregarded and disparaged furnaces of dim fire reds and browns.
Goodbye Prague, the people within you deserved all of the credit.
Good Prague, the people outside of you deserve what ever they believe they do.
Goodbye Prague, you family to families with common sense and love rampaging through your barley stained veins.
Goodbye Prague, perhaps there is nothing under your rubble, maybe already all is lost for everyone, everywhere, but maybe, you living the simpler life, can show all that life can be so.
Goodbye Prague, you gave me letters, words, lines, commas, apostrophes, and dashes, paragraphs, pages, and eventually, a story; I leave you marked.
Goodbye Prague, an old friend whose hand I shook but knew would one day turn my back on.
Goodbye Prague, the bite of your cold generosity and your bustling love leaves man with nothing but to bike back with no chance of triumph.
Goodbye Prague, street cleaners clean up your wear and tear from the mothers and fathers that bore you, some 800 years ago; ageless, you loom longer than they would like.
Goodbye Prague, battling sleep as the ***** raps for more and more, none that the man has.
Goodbye Prague, the night is curling in as the wave crashes to the short and I am the lost sun looking for a place to rise, trying to get to the sky.

I love communication. I love the push and pull,
the darting of eyes, the grins and the smirks.
I love the deepened sound, the quick inhalations,
the hands to face.
Hands to face, hands to your face and back to mine.
Locked eyes, hands in pockets.
My pockets, your pockets.
Your thumb is sticking out. Mine is hidden.
Curled up in a ball. Holding spare change.
Counting as you talk. 1 dollar and 35 cents.
I think.
Maybe that isn’t a dime.
Maybe it’s a penny. Maybe I have 1 dollar and 26 cents.
You keep talking. I keep recounting.
A little boy walks by and does something silly.
I stop listening and laugh.
I look back, apologize.
Sorry, that was cute.
I say something ordinary. You think I’m profound.
I’m not. I’m ordinary. I just like to think. And say things out loud.
To hear my own voice against yours.
Against the wind and the silly boy.
I check my phone for the time. Not a watch.
No one does that anymore. No one owns watches.
I own one, but its battery is dead, its missing a link.
It doesn’t fit on my wrist. My bus is coming. I might miss it.
I better run.
So I say something expected. See you later.
Or, Have a good-day. Or, I hope your whatever goes well.
Because that’s what you say when you’re catching a bus.
So we depart, and I skip down the steps,
like I probably did when I was 7.
Because sometimes I just feel like skipping.
I get a high off the jump.
A nostalgic shot of carelessness.
Then I remember,  I’m in public. Walk normally.
And you’re probably watching me as I stop skipping and start walking – normally.
You’re probably thinking what the hell was that?
You’re probably laughing.
I don’t look back. My bus is here. I argue with the driver.
Someone stole my bus pass sticker. Yes I’m serious.
The carpet cleaners did it. I’m going home in four days.
I’m not paying for a fare.
He lets me on, finally, after taking in a deep breath.
Sometimes I do that to people. Exhaust them.
I had to this time. 1 dollar and 35 cents,
or 1 dollar and 26 cents, won’t cut it.
I have to get home. It’s too far to walk.
I take my seat, and I feel like an outlaw.
I know I’m not one.
I just like the way the word sounds.
Sounds dangerous and romantic.
I hate romance.
No that’s not true. I hate what people expect of romance.
I like what I expect of romance, and it’s not what people expect.
By people I mean people who like romance novels and movies.
They don’t know what love is because they think you can define it.
I’m almost home, on this bus.
I wonder if I should take the back door, to avoid the man I argued with. Or the front, to say thank you, because I mean it.
I didn’t want to have to walk.
Today I decide to be friendlier than usual,
and walk to the front to say a cheerful thank you.
What I really meant was thank you,
for not being a persistent ******-bag.
And he says something typical. Have a good day – or something.
He probably meant: get off my ******* bus. Buy a pass.
Don’t leave your student ID on your dresser,
when carpet cleaners come for the day.
I get it, and I’m sorry. But I needed to come home.

The mushroom
The unfolding

instant of creation (fertilisation)
not an instant separate from breakfast
It all flows down & out, flowing

but that instant:
not fire & fusion (fission) but a moment
of jellied ice, crystal, vegetative mating
merging in cool slime splendour
a crushing of steel & glass & ice

(instant in a bar; glasses clash, clink, collide)

far-out splendour

heat & fire are outwards signs of a
Small dry mating
~~~

event in a room
event in space
a circle
Magic rite
To call up the godhead
spirits, demons
The shaman calls:
“When radio dark night…”
We are eating each other.
~~~

The Voice of the Serpent
dry hiss of age & steam
& leaves of gold
old books in ruined
Temples
The pages break like ash

I will not disturb
I will not go

Come, he says softly

an old man appears &
moves in tired dance
amid the scattered dead
gently they stir
~~~

I received an Aztec wall
of vision
& dissolved my room in
sweet derision
Closed my eyes, prepared to go
A gentle wind inform’d me so
And bathed my skin in ether glow
~~~

Drugs are a bet w/ your mind
~~~

The cigarette burn’d
my fingertips
& dropp’d like a log
to the rug below
My eyes took a trip
to dig the chick
Crouch’d like a cat
at the next window
My ears assembled music
out of swarming streets
but my mind rebelled
at the idiot’s laughter
The rising frightful idiot laughter
Cheering an army of
vacuum cleaners
~~~

Mouth fills w/taste of copper.
Chinese paper. Foreign money. Old posters.
Gyro on a string, a table.
A coin spins. The faces.

There is an audience to our drama.
Magic shade mask.
Like the hero of a dream, he works for us,
in our behalf.

How close is this to a final cut?

I fall. Sweet blackness.
Strange world that waits & watches.
Ancient dread of non-existence.

If it’s no problem, why mention it.
Everything spoken means that,
it’s opposite, & everything else.
I’m alive. I’m dying.
~~~

1st wild thrush of fear

-A phone rings
There is a knock on the door.
It’s time to go.
No.

the art of repetition they say, be ashamed of it they say... but it still resonates, why should i feel ashamed of repeating myself when physicists are trapped in revising the big bang theory; it's not exactly repetition, it's revision, i'm revising but at the same time moving on, with these scenarios still intact, like that time i wrote that frost on cars when walking past them resembled paparazzi camera flashes on the red carpet at a film premier.

my two maine ***** are weird,
the large ginger one (male),
quarus, thinks he's a window-cleaner,
he pretends to be running
rubbing his paws against windows,
****** weird,
weighs as much as an adult fox
~10 kilograms,
i should know, i was desperate for
beer and a sleeping pills concoction
and was about to travel a few miles
to an off-license next to the brothel
i went a few times to buy them,
lo and behold and dead fox on the pavement,
backing up to empty two bin-liners
i put the fox in them, had to witnesses
at 5a.m., started walking home,
would have taken a selfie, but i thought
a bit of the occult and bringing a dead
animal house into the house would
cause me bad luck, so i brought the scales
out and measured the poor ******* weight,
like i said, ~10 kilograms,
~115 kilograms of me, plus the fox,
walked into a field of shrubbery and
threw the poor ****** into the shrubbery,
didn't buy the beer, but then i created
a shamanic relationship with foxes,
one time i lay on a green patch at night
(because foxes only come out at night
in suburbia for their thievery),
drank a can of beer while the fox nibbled
at the parasites on its skin,
i admit, none jumped ship and jumped on me...
anyway, so this one maine **** of mine
pretends to be window-cleaner,
when it fact he smudges his paw-prints on
windows...
the other little one, the female,
veronica, does something similar,
but she doesn't think she's a window-cleaner,
she paupers with her paws as if nodding,
she puts them together and does a motion
like a gesticulation to prayer, when she wants food,
and she squirms her eyes in a pleading way
akin to, what shakespeare might have
said about two hands clasping...
and yes quarus has these furry extensions
on his ears like a lynx...
and yes veronica is long-haired
which makes all mongrel cats look a bit small
even though she's small herself...
but one's a window-cleaner pretender
and the other is a devotee in some weird
association with a buddhist ritual...
i'll never get the hang of this -
but yeah, a mature fox weighs ~10 kilograms...
god i almost puked sniffing out the blood
coming from his snout in the cold winter air.
i got it! the cat thinks the window-cleaners
are mimes, that they're miming some sort of representation
of seeing the invisible, well, ok, see-through,
but it's like the cat is telling window-cleaners
something akin to atheists telling the vigilant prayer-mat
hopefuls whether they know if god's east, or west, or north...
that's a cat, bewildered by window-cleaners imitating
them, and i wish i could explain it to him,
but how is he to mould more sounds other than
meow with his crude symphony of teeth that tear into
raw flesh? i can eat a stake tartar with an egg yoke onions
and gherkins... but i wouldn't eat raw chicken,
ok, fair enough, sushi is raw fish... but like that scare
over salmonella that prevents you from whipping up
egg yokes and adding sugar for *kogiel mogiel
(oh irish coffee is great with this stuff,
it's a heat insulating membrane,
whiskey and black coffee and this stuff that's
like a yellow runny yellow meringue on top -
contradictory, but no light is involved,
so out goes the truth about black attracting
light and warming you up, this is pure sunshine
afloat - this stuff acts like an insulator -
it's a colour concoction that absorbs
heat, a reversal of what light is, because in
colour theory the colour black absorbs light
which ensures you feel warmer,
this kogiel mogiel of raw egg beaten to a certain
thickness with added sugar is like a return
journey to the sun, where light is reminded
of its heating properties, rather than visuals
akin to photosynthesis and phototropism -
in a rush i probably explained it wrong,
but then the taste of the stuff overpowered me),
marine life can be hosts of much larger tapeworms -
those long lost descendent of squid -
mm flappy flappy flappy; at least octopuses
provide an ink-well, natural post-modernists in the waters:
spank a splatter... and then... run! well, tense up
the stationary wriggle and imitate what in an
atmosphere is a jump.

stirred deeply with joy
enthralled with the spirit
we return to Elysian fields
to live autumnal reveries

we prance once more
onto blue sky diamonds
with hometown heroes
to pitch perfect games
knock long grand slams
to honor and embrace
the semblance of siblings,
parents, lovers and friends

life's teammates
our dearest playmates
passed and still here
sustaining our spirit
filling the void of
riven hearts
with nothing more than
a smiling presence,
compliant ear
a warm embrace

keeping a
season of sunshine
alive for one more
golden day

in a resplendent moment
Measy’s youngest son
stood before me
as if it were him
five decades ago

his impish smile,
mischievous eye
and olive skin
wrinkled when
he grinned

your Old Man
was a hell
of a ball player
a great hitter
he always swung down
at the pitch, hitting
nasty line drives

I remember that
summer afternoon
when we first met on
the Washington School
Merry-Go-Round...
Measy just up
from Carolina
he spoke with
a slow Tar Heel drawl
we didn't know what
to make of him
so we made him
our friend

Sifford's Esso, B&D;
and Bulldog teammates
I marveled at his athleticism
but the thing I remember
most was the soft joviality of...

“ ah hoot,
ah hoot.
ah hoot”

his laugh would send
a soft almost *******
shudder through his body

Measy lives in me,
forever in my heart
I embraced young Roy
touched his cheek
a transcendent moment
that spans a half century

At first base
Gail “Peppermint Patty” Q
was scooping up grounders
and not letting anyone past her
without giving them a smile or a hug….
asking each player if their shirt fit right…

the way Gail played
she could start for
the Lady Gaels today...

on the mound
Moons was wearing
a Schmeds shirt
lobbing lollipops to the hitters…..
making sure everyone got on base…

at short Screwball
covering half the ground
he once did..
(never a ss but a classic junk baller,
never threw a pitch that you could hit)
but on this day his heart was filled
overflowing with the karma
of good works and his love for
Rutherford and its favorite
sons and daughters
who have gone on before….

other stars abounded on the field and off…
Noons cracked everyone up
with an endless stand-up routine
Skip walloped a few dingers
BL looked sharp in his Foster Grants
and Andy was looking good
destined for the next cover of GQ….

Coach Way gave a resounding pep talk…
the need to grow up and show up
with an attitude of gratitude will
always make one a winner
regardless of the score

in the stands I heard a hundred stories
about the prowess and foibles of departed friends…

Bay Bay’s HR smash that put Flash Cleaners
into the World Series

A cool Moose bringing the ball across
half court, driving and dumping one off to Head
for the go ahead points against Queen of Peace

Minnow ruling a territory that included Morse Ave,
Wood Street up to Chopper’s House and
half of the Washington School playground

Fic being the smallest Bulldog with the largest heart
ran over linebackers and tackled fullbacks twice his size

Weehawken Joe draining a jumper
from the top of the key to keep it close
at the Union Hill pit…

as the list of the departed was read by Gail, Pat, John and Jimmy
the depth of our loss was only exceeded by the magnitude of love
a caring community extends to one another….
Rutherford is indeed a very special place….

so many caring friends
so many good thoughts
the blessing of friendship
the grace of presence

as I turned to leave
I thought I saw
Nick and Joe
hanging with
Sweet Lou
the hog was
humming
his red bandanna
was flapping
in a rising breeze

Aaron Copland:
Our Town

Righteous Brothers
Unchained Melody

Whitney Houston:
I Will Always Love You

Oakland
Dia De Muertos
2015


Thank you Pat Francke, Jimmy Noonan, Gail Wilhelm Quinn and John Mooney for putting this beautiful event together….

My apologies for not mentioning all the beloved souls so honored at this game…..Know that all are deeply loved and equally missed…..

If anyone has a memory they would like included please add in comments section and it will be incorporated in future versions…..

Also if anyone has a list of the names would like to add that to this….

God Bless

A nervous shiver rippled briefly across his shoulders as Dunstan peered over the balcony, it was a long way down from his penthouse suite he guessed, shrinking back from the handrail... at a rough guess somewhere between the upper observation deck, Eiffel-Tower, Paris, France and lower basement mezzanine at Miss Selfridge, London, England... and Dunstan was terrified if heights.
  
     It scarcely seemed anytime at all really since he'd relocated to his new and upwardly situated des-res, yet for all that he could hardly recall living anywhere else, once you'd seen one, well... you got the idea,  after a while they all looked pretty much the same, you just had to be able to haggle, but for now at least he was obviously safe enough where he was, sunning himself on the balcony watching the world go by as he scribbled down a shopping list... but lunchtime was almost upon him and then all hell was sure to break loose.

     Having finally determined to put down roots and raise children of her own, his mother Elvera, finding herself in the family-way had wasted no time at all in tearing several well thumbed pages out of her mother's book, then taken both Dunstan's father and his gene-pool straight to the cleaners, just to keep them, so page three informed her firmly in the family... so Dunstan grew up knowing a great deal about laundry and dry-cleaning, but very little about his father, just the occasional anecdote cast to the wind like so much bird seed, about their early courting days and how they'd both wanted him to grow into a strong, healthy lad and do well at school, climbing the corporate ladder, so-to-speak and go to Boy-Scouts every Tuesday evening just like his father had done before him... and learn all about knots, but Dunstan had vertigo and couldn't tie knots for toffee.
                                    
     All hell was certainly dead set on breaking loose that lunchtime, or rather Houdini were they to continue and remain on first name terms... and there was nothing Dunstan loved more than a captive audience.   Reflecting deeply and never wanting a repeat of the previous week he studied the hastily bound swaddling, perhaps the odd tweak here and there just to be on the safe side should ensure the safety of his dinner guest for the remainder of the afternoon.   As Dunstan snipped the final thread he considered that simply nothing was too much trouble where todays 'entree was concerned, he now sat before Houdini smacking his lips in anticipation, quivering in the front parlour waiting for the dinner gong to sound, the Sunday lunch however, now in a mounting state of frenzied agitation continued bouncing around on the embroidered tablespread.  

     Dunstan could never understand what the fuss was all about... I mean, it wasn't as though his dinner guest hadn't been invited, he argued and that for the umpteenth time, as he reached for the carving knife and steel, he simply wasn't going to take no for an answer, leaving his dinner guest still bouncing about, insisting that he'd merely dropped in for directions... and that he, The Great Houdini, currently billed at The London Hippodrome for the remainder of the season had a far more pressing dinner engagement elsewhere, with a diary for the foreseeable future distinctly at odds with those of his host... leaving Dunstan so he hoped, far behind and in no uncertain doubt that not only had he been left hanging in stickier corners than this one, but had every intention of extracting himself from being principal dish of the day before third curtain call... and having done so, wish Dunstan a very good day and remit his professional fee by return of post.

    Meanwhile, insisting that his guest needn't feel obliged to dine elsewhere when they could both enjoy a really splendid one right here, chewing over happier times together, although should Houdini wish, then Dunstan felt confident that his dinner guest was more than capable of punching his way out of as many wet paper bags as he liked... and just what were the Marquis of Queensberry Rules anyway... so encouraged, Dunstan continued sharpening the knife. 

     "Well really", thought Dunstan... 'and without so much as a by-your-leave' carefully examining the damage to his new lace tablecloth, torn in Houdini's haste to depart, he really must be careful as he rummaged for his darning needle, not to fall through.  It had been the shortest dinner party in living memory, Dunstan sighed, it simply would not do, what would all his neighbour's think, he'd never hear the last of it, his reputation they would whisper, well... it would all end in ruins, mark their words it would.  Dunstan's tummy rumbled, he'd been filled with nothing but anticipation that day and very little else, but other than a torn tablecloth and superfluous items of Houdini, shrugged of in his bid for freedom, no one would be any the wiser... having said that, Dunstan would have to make do with a cold repast for luncheon instead, hanging quite still in the larder.

                                                        ­     ­ ...    ...   ...**

A work in progress.                                                        ­                                                               831

robots helping us



you see it’s been a wanted thing for generations

but i saw on TV  that they have already built robots

to help the elderly, ya know, by getting them a drink, so to speak

there are many things robots can do around your home

i am a messy dude too, and i have cleaners cleaning my house

but robots can do a lot more, than w2hat your think they can do

well, robots in the kitchen helping the elderly

the sky’s the limit, how about robots to clean the mentally ill persons house

yeah, it could help, we are still in the planning stages

but it’s good that they are still bringing robots for help around the house

everyone wants that, but it’s not as easy as live in with a robot helping you

a robot can turn itself into a computer, to allow you to watch stuff on youtube

and get educated, i am feeding my stuff on youtube, for the future robots

can see me as a cool figure or authority figure

computers should stop violence, if your video contains violence, youtube should rid that

not my content, get over it copyright people, violence is much much worst

there is nothing wrong wit parties, as long as they ain’t violent

this robot can help get rid of violence in cyber space, if more can get it

think about it, Robots can get your housework done while your out

you program it, to what you want him to pick up, it’ll be pretty ****** rad dudes

that little robot vacuum, is to small, but you can get this world full of robots by the year 3000

if everyone can tell their story, ya see, everyone is different, not everyone knows much about what robots should do, yet

not everyone agrees with my work, but, think about it, the robot can be programmed to pick up your *******

and take it to the curve, always understanding, how to sort out the ******* yeah

i would love a robot to help me, like everyone, will love a robot to help them

robots can make you love life more easier, i love life now, but robots can ease my cleaning woes

these words say, robots need people to help and understand people, by physically helping them

as opposed to hearing it’s not good to help them

that is whjy i am interested in gungahlin’s common ground, to cook for them, learn from them

so the year 3000, can create a perfect robotic world

when ya think of people robots, don’t think get someone off their *****

no, no no you have to feed the internet all your stuff, ok, even paranormal

cause the internet is interested, no matter

don’t worry about how many views, think of the future with robots

and believe in reincarnation, buddhist style, every blade of grass

got a thought, tell the internet, or the computer word document

CATCH YA LATER DUDES

I’ve grown tired of this suit.
I don't like wearing it anymore.
It’s not what it once was.
It’s a constant burden to me.
It’s discolored, faded, and worn thin, especially around the knees.  
It’s marred with tears and stains.
It embarrasses me.
It itches.
It’s suffocating.
It’s downright ugly.
I no longer feel comfortable in it. I haven’t for decades.
I’ve taken it to the best cleaners, the best tailors that money can buy, but it's still a tattered mess beyond repair.
People say I look good in it, that it’s me, it's who I am,  don’t be so self conscious.
But what do they know?
They're not the ones who wear it all the time. I ******* do, ******* it.
Maybe there’s some hidden truth in all of this that I’ve been bypassing all along?
I don’t have the patience and tolerance to keep wearing it.
The long-avoided decision to rid myself of my suit finally catches up with me.
I’m not timid, not scared, not anxious - just relieved. Excited. Ready to undress.
There’s a fresh, clean robe waiting for me, hanging from the mantle at the bottom of the stairs.
I prepare myself for facing the uncertainty.
So, here I go.
I undress.
It takes a matter of seconds before I rid myself of the suit.
I stand naked, towering over the folded mess.  
I think to myself, that wasn’t so bad after all…
Just like anything in life, it’s the anticipation that cripples us.  Remember that.
I lower my head and stare only for a few moments at my *****, mangy suit.
Nothing at all, no remorse, no guilt – only liberation.  I receive the peace that has softly spoken to me in my dreams, through music, by feeding ducks and listening to the early morning birds.  They usually have the first thing to say, and it’s the most beautiful message one will ever hear.    
I place my robe over my naked body and start walking up the worn, creaky stairs.
Distant laughter and muffled conversations travel down to me as I climb higher towards the thick, ornate door.
The voices are familiar.  
I push open the door, welcomed by the faces that have been gone for far too long.

While looking for a costume,
just some fun to be had,
I found it at a thrift store.
High collar,
sophisticated,
the train stretching out a foot long
lace trimming,
still mostly white,
with delicate flowers.
Only one stain,
on the end of the train,
makes a light brown blot.
Perhaps a guest spilled coffee
walking up behind her,
or maybe a drop of tobacco
spewed out of her grandpa’s mouth.
She was just my size.
A perfect fit.
I will take it to the cleaners.
It will look like new.

"just talk about love, or ***, or starving hearts, or just shut up
and I'll go

but" - Jonathan Richman

(..NIGHT)

A drunken man is blown by bathroom paintings,
with shower curtains displaying crowned sparrows
who laugh at his
crowned ****!
and humor his life!
also crowned
(but only subjectively if you were to ask anyone else)
I'm a burning insomniac surrounded by a whole cast of characters tonight, including the one with with a lazy eye who mirrors Chaplin
and arrived to the party disoriented from recent Salvia.
Then there was the one with a sleek current-edge-type haircut
who spent a few good minutes telling me about the film works of Philip Glass
            B E A U T I F U L
They play Bowie,
the whole social palette disintegrated beneath the weight of intoxication.
I, too, am dazzled from pale alcohol already (eight minutes past Midnight!)
The Dancing Athlete ambiguously dances on an absent television while my head hurts from a blue bulb glowing from a nearby lamp because it's too late for all this
and I'm reminded that I know almost nobody here.

(...AND DAY)

Maybe thirteen hours later, walking with Dante the bearded dog,
my friend wheeled a stranger, narcotic-vacuum-cheeked amputee.
He begged for light, as in a lighter, not that light of GOD, no no,
all the while he showed off his stub leg (cut off at the knee) bleeding out all over the sidewalk when his accident first occurred.

"THIS GUY THREW ME FROM THE BALCONY!" he preached

Past the cathedral narcissus
"JESUS COME/
JESUS SAVE MAN/
JESUS MAKE FIRE/
JESUS WAS A HOLY INDIA"
Across the street, village of enduring tombs and firesmoke,
shadowed tent outlines
breathed-in
playing cards and tricks
mandolin reverberations among tents and tents of
sickly or addict, all listening in on the live performance, a blessed Alice with dreads, lively chords emitted from her skull of ideas.

The forgotten noose of man ****** in a parking lot
by a liquor store, while we pick up some wine, which is, and I quote here "DRY AND CHEAP"
A sunny quiet perched on the field
of gleaming downtown streetlights
thru thinning clouds.
Olympic mountains in view, the kind of mountains only seen in magazine articles to be experienced by those unafraid to die.
All these sad people out here, too!
Their faces expand beneath capital industry,
Elephants occupied with jackets sewn in an anonymous factory.
Quick tip, I wanna write it down before I forget: don't listen to that old music when you're feeling lonely, it's all about love and especially in tragedy this is a bad idea.

I'm sick and wept and my teeth have been growing cameras,
the youth are dressed in drag, carpet cleaners bob their heads to unheard tunes but you can see the sound thru a glass window.

This city, oh, this city..
with bodies sprinting hard by each other and who bike across train tracks associated with very vague childhood memories.
We all float on hands electrified by the night!

Jonathan Richman tonite, who's vocal deliveries have been honest
and romantic, in a passionate sort of way.
He's singing that live track "A Plea For Tenderness"
(I know you were waiting for me to get to this)
and past few days have been strange
and past few weeks stranger, still. Not as bad as a lot of people but man, strange..
that night, and day.
Walking by the Victoria Hospice care center and looking down on my wrists which'll soon be tattooed with loving hands yet oh
so
aggressively pained by abuse because of a terminal disease and attempted suicide (NOT my own life, to clarify)
and it got me thinking on how we're all mutually getting thru this place and every face has seen hearts and seen death almost equal.
It can get to be too much, that's why melancholy has been defined to begin with. But ******* Jonathan Richman had to make this song.

"if I'm better than the wall
(tell me now)"

"Because it's dark at night
and I'm alone at night
I'm so sad and I'm so scared"

Things I've said in my own head and felt in my own time
as has everyone else. I don't mean to specify that this has happened RECENTLY, but it's definitely happened before. These times.

"now, I've just read some writers
from the old days
because I knew, I knew that they'd understand"

but BUT everybody is accidental!
even Rimbaud has stubbed his toe and I know that it'll be fine
it'll be fine
it'll be fine
in Vietnam maybe
and it'll be finer in Varanasi
(maybe-r)
but for now I don't know
I can say it I can try and feel it and understand it and pretend I know it
I gotta get away from people to be replaced by a Hindu I've never seen before
and sleep on a mattress that (like a new pair of shoes) hasn't grown in to my spinal chord and hurts ****** bad at first and is unfamiliar and the weather is warmer than usual
and the horns of traffic will be frightening but that too, will dissipate with time.
I gotta save up my money and hug my wallet like a starved cat
Jonathan ******* Richman's "A Plea For Tenderness"
what a fitting title
for a time like this one now.

Be still. The words I thought of when you were ill. I prayed with you every night, then God let me feel your heartbeat. Time was collecting your bloodflow. Heartbeat. Repeat, repeating the pain I felt that day when cousin' came in and said,"God took your mother up today."I was nine years old. You died about two weeks before my birthday. All I got was, packed up cardboard boxes with scotched taped ribbon that glistened in the sun as we made room for it in storage. Stored heartbeats. No one could take your place. The sad thing is I barely remember your face. Chemo. You had to take all those tests, and in the end they still cut off your left breast. Heartbeat. Time finally took your breath. Time ended our time. Why was it that after you died the doctor's found a cure to this genocide? I wish you were still here by my side. I was your baby. I asked the doctor if you were going to live, and all I got was, "maybe." Maybe you might come back someday. You used to appear all the time but then you drifted away. Heartbeat. I saw you laying in red. That red that, filled my eyes with hopelessness. I wished that red were still hanging in your closet in the dry cleaners bag, and the your aroma were in the stiches. After 7 years, I still can't believe you're dead. Even though you're not here, I think about you everydat. I ask a question that every child asks. "Why did God take my mother away?" Heartbeat. Time has finished this poem.

Rugby, Warwickshire
16/10/2015

Unholy streets of G-d, liquid tobacco,
gentle froth and steam
from the coffee estuary, split beneath the clock tower
on the idle hour; more pigeons than people,
more buildigs than choices
on this small-town, charity shop parade.

The women are still beautiful, still unattainable,
still on the brink of a breakdown
in the most confident dress.
Street-pastors carry the drunks home,
the street-cleaners appear by the afterparty,
clear out the old bottles
before the commuter picks up cigarettes
from the newsagents that never rests.

Tattoo parlours, barber shops,
Christmas on the radio come Hallowe'en-
this is the town that crazy built:
war-time poetry, jet propulsion,
chief inventor of sport,
of mild alcohol addiciton.

There's hundreds of places to get drunk in this town,
hundreds of places to hide away;
a foreign face in a sea of family and friends.
Landlocked, gridlocked,
centrally located but left out on a limb;
this town clings to the tracks,
it's avenues of escape
the only margin to keep the residents
out of mind and in their place.

But this is where I grew up,
always more car-park than parkland,
my first steps on Campbell Street,
on Armstrong Close,
first time I broke the law on Bridget Street,
on Selborne Road.
I'd push my bike all around this town,
no stopping off for a smoke,
for to get my fix-
I'd push on and on past graveyards and open bars
without a second gance.

Now, it's all shooters and soul-singers
and happenstance;
chicken wings on a late-night binge,
a box of wine, a night of sin,
wake up in shame,
life's a guessing game
and guess what, you'll never win.

Chewing gum, patches,
vapour that scratches the back of my throat,
nicotine in my blood,
you know, I'm trying my best to get clean.
Blister packs of vitamins, bowls of fruit,
buying coconut water over the counter-
green tea by the rising moon,
incense sticks and vegetables in the garden,
yet by the time night rolls on by
the locus of my eyes, they darken;
I'll be back on the beer,
I'll be smoking a carton.

This is the town that crazy built,
even the flowers by the roadside wilt,
cement factory, hum-drum poverty,
post-code belonging to Coventry,
kept out of the war
by a matter of minutes,
kept from the future
by corporate interest.

Hospital lights, supermarket glow,
I can't remember the last time
I wasn't loaded with chemicals
every time I get home,
every time I sign out
and put my head on the pillow,
I see familiar streets, familiar signs,
the job centre, the floodlights,
the 12% lager, the twist of lime.
I struggle with rhyme,
I struggle most days to get out of the house,
but at night, I know, that sea of doubt
is a river of light, to ruin my liver,
to spike my fever, to calm me down.

There's hundreds of places to get drunk in this town,
and this world it don't spin,
it just throws me around.

Blue Hill Avenue

It begins with Spanglish-speaking merchants
conducting business inside of bulletproof stalls,
where the faint scent of dried cod follows you
to the flat fix next door, into the auto body,
a hair shop, and to the steps of a church
for first generation Cape Verdean-Americans,
their offspring and that old lady --
someone’s  grandmother --
who wears a black dress on Fridays
and walks home from the Market Basket
the same time that you get off the bus
who wears a shopping bag full of tropical foods
and memories on her head.

And if you stand at its first **** south,
you will notice how the families disappear
in the African American section.
There are fewer stores here, lots of energy boxes
with epitaphs: “Tiffany Moore Died Here”;
a seatless swing set, a playground gone fallow.
You won’t see any church steeples in this section
that feeds on a neon CITGO sign too small
to illuminate the skyline like the mega one in Copley does.

A few blocks away, a ghost of the Jewish past sits
with pointy stars of David nestled inside its
bulbous steeples that simmer on summer Sundays
where Haitian congregants stew inside,
praying and giving to the building fund
in damp envelopes that will go to the omnipotent one
who will someday replace the stars with crosses.

And as you keep walking, past the temple,
you enter Grove Hall’s Mecca, a strip mall
with a drive-thru Dunkin Donuts,

a Stop & Shop, CVS, Bank of America,
and a Rainbows that sells your teenaged aunt
the sequined one-off shirt she needs for a date
and the fishnets she wears to the carnival
that parades through a sliver of the avenue,
the very next section of our beloved Blue Hill.

Across the street, Check Cashers speak English
as good as the number of dollars and cents
they count when they hand you back your cashed check
or the double win you scratched out of a Gold Rush ticket.

Adjacent to them, a Greek-owned sandwich shop
that feeds you steak bombs as long as your forearm or
Festive Fridays: 20 wing dings, a pound of fries,
a Greek salad, and a gracious gulp of fountain cola --
essentially, a heart-attack meal.  

Next, another ghost of the Jewish past,
a church in the former Franklin Park Theater,
where Yiddish entertainers performed vaudeville acts
which nobody living can remember.

Then a building that resembles an African footstool,
one that will allow you to see over the **** of the hill
and down below at a gospel choir trapped in everlasting song
against the wall of the one-hour cleaners and that store
where a turkey-shaped lady with flour dusted hands
stands behind a window, noticing you,
while guarding her beef patties and cocoa bread
with a bulletproof smile.

since the first pop use of the phrase
window of opportunity
(was it Bush or Stargate SG-1?)
politicians big and small
corrupt and incorruptible
fallible and infallible
have all bombarded
the media – on radio, in their blogs
and personal sites
newspapers and journals and broadcasts
and through any speech
they get a chance to make
with that ready phrase:
window of opportunity

Oh, turn on the radio
as you drive maybe
and some glum Finance Minister whispers:
* …grab the window of opportunity…
read the papers and some plump Minister of Health says:
…we must grab this window of opportunity…

Oh, whole speeches in the English Language now
are bullet-ridden with that cliche
and of course the financial planners
and educators
and doctors and even unimaginative lovers
they have all jumped in
into this *window of opportunity
till I’m so irritated and angry now
that if I hear one more eminent personality say:
window of opportunity
Oh, the next time – just one more time –
if I hear anyone use that phrase
window of opportunity
I’m going to send in contract window cleaners
and they’ll grab the window-of-opportunity-user by the collar
and throw them out through the window
and clean the window after –
and I’ll assure you,
those contract window cleaners
will not miss that window of opportunity!

everybody shaves
so Warren Buffet invests in Gillette;
and every country drinks
so he also buys Coke shares -
which leads me to my own investment strategy

Every human sheds forty thousand
skin cells an hour
That’s forty thousand cells times 7 billion humans
each hour–
you listening? -
now that’s a lot of dust;
and not to forget the many cultures and nations
that cremate rather than bury
and that releases from each body in the barbecue
1.6 trillion cells of dust -
it’s a ****** dusty world, isn’t it?
so…I’ve got it all worked out…
*I’m investing in vacuum cleaners…

oh i didn't write something to change the boundaries,
i wanted to capture the digital narrative,
or how the hope of destroying all forms of theology
with our a.i. gravitas, we started to
apply the digital anaesthetic -
and cradle the numbing effects of:
                 us, in experiment,
or: us, in a medium of synthetic material...
             either way pushing us apart friom actually
inhabiting organic matter...
           the many of us these these are merely pawn
in the game...
                  we're pawns in a construction site
of all thing theretical... meaning it's truly 2D by comparison
to the 3D structures we see...
       the element that will truly give a.i. it's ego?
wait wait... why with latin dead and me not speak it
but i have this theoretical baggage of ego?
            ego is only short of en egg should i decide to
write it... arbeit macht frei must come from
counter-conceptualisation of the remains of the roman
empire with self- (hyphen included), to remind people
that it's all about work, and how we will either loose
or free ourselves from the re in the setting sun to echo aeons...
that might be the case...
            but find me a modern day writer who has
to use this medium of people talking over one another...
find me a writer who''s lodged in the internet like
a cherry atop a cake...
          who can't be gagging for a log cabin in some obscure
place, who has to be in the thick of it...
       i'm not writing to change the world,
i'm writing to describe the status quo...
            qua norm, or should i say "norm"...
from status quo comes the question: qua status?
     when i write i think about throwing a pebble into
a lake, compared to throwing a pebble into a river...
compared to throwing a pebble into a sea...
to be honest? throwing a pebble into a sea is
the most involving...
                  and there is poetic subconscious in this,
which i will unearth: the pebble is supposed to mean this:
the three forms of water are supposed to represent
another this:
                                 the pebble is supposed to represent
a soul, a concentration of my my, my sigma (total),
and the three tiers of water are supposed to represent this...
that said, i watched
    an internet video... by angry mgtow...
an answer to white women are rejecting beta males now /
blonde in the belly of the beast...
   first thing: why are men using the internet
deemed more "creepy" than women?
    we've already embarked on this a.i. project for the sole
reason as to overcome theological argument and
religion... we are living in a Frankenstein experiment,
but the "problem" is that we're only working on
the software package of the beast...
         the hardware can wait... we're not going to replace
our fondness for busdrivers and cleaners any time soon...
  we love our manual labourers...
                  american woman! stay away from me!
american woman! mama let me be!
   (it's daily, over and over in my head, that line and
many more kindred sing-alongs)
   we've already been drafted into creating the software
of the a.i. beast, it doesn't matter that the
hardware is already there but that we've stalled its
potential... the software is harder to be bound to
the logistics a limb might be drafted to exhibit basic
tongue of movement...
          all compliments to women:
they're the irrationality that will give the a.i. the spark!
           meaning autonomy...
  and how could i not even sound like an atypical man?
don't date the opposite ***?
              tease urban living with what life's like in
the middle-zone of outer-urbanity, i.e. the case of
a ******* bungalow? ha ha.
                              but this video got me like i might
catch a herring, and i do love pickled herrings...
raw pickled herrings...  it just got me
when i said: i'd like to move to the Faroe Islands...
no please, spare me the misery...
                         it's hard not to be
sexually antagonistic (sexist) - esp. when you're
not a sheikh with a motorboat and a fluffy moustache
that might brush-up against the ******* like
a vibrating ***** while you taste the pastries of flesh
with a saintly glee...
             every time i performed oral ***
on her i felt i left that hot-spot having slobbered
a tonne of lard... smeared a tonne of ****** cream and
that my face became phosphorescent, or an anglerfish:
which is the first sign before you don't even
bother to care to launch a space mission apollo 13
into the depths containing stars... or ask
      ridley scott...
                          i think he's the one dubbed:
coping mechanism... unlike philip k **** this guy's
a coping mechanism, a rare spectacle:
science fiction obstructs actual science...
                     i'm glad he's around and i pray that
we truly explore the depths of seas before going up
there: where the sun don't shine.
                  but this video got to me...
                i can't relate to it, either with the masculine
theory or the feminine experience...
i don't know: it almost feels like i live in a time
capsule at the best part of the 20th century when
i could still buy compact discs in a music shop
on a high-street... when there was no over-arching
agarophobia and claustrophobia telling us
when it was worthwhile to leave the house...
   and when it wasn't...
                         i opened another bottle of wine
that i made myself, and i don't know...
                  we started by ridding ourselves of god
to later replenish that end with a death of us,
it's almost as if we're staging parameters of being human
in this 2D construction site, on the basics:
merely exchanging opinions...
                                         i have, coming naturally:
this curiosity with the internet...
   i remember times of hotmail.com chatrooms...
      it's not as old as some people will claim the burden
to be, but the times when the ****** medium was
being sold to us... before facebook and subsequently otherwise
people were still very much comfortable before the television
set... but then people became less interested in
music and decided music could only exist in software
and not hardware, and i started to forage the berry shrubs of
youtube for music...
  i hope i don't precipitate any thought toward
nostalgia... bearing in mind i did establish myself
on the memory of having been to the cinema
to watch the films blow and austin powers 2:
the spy who shagged me - and in the latter case
i laughed at the shadow-scene like i might at
a laurel and hardy... and in the former case i loved
the music... and that's before comedy became too
"intelligent": too canned laughter...
revisionist existentialist, when dittoing can no longer
mean borrowing, or passing on a meaning,
                     or d.n.a. competition, when the end result
is but ~ (approximate) / ambiguity...
    the too intelliget: canned laughter...
                   the last time i really laughed at the movies
i was watching austin powers 2: the spy who shagged me...
the tent scene... it was the epitome of comedy,
a laurel and hardy slap stick incantation of a viewer...
   i guess it only comes with a sense of an individual
finding something so simple funny, that when
the same individual is dropped like a paratrooper into
a cinema audience: his laughter will become akin to
a virus, and thus become infectious and the individual
in mind because the cursor for canned laughter
later stored, to witness a televised episode of Friends
or Fraiser... which... would you believe it: aren't funny at all.
what was i going on about in the first place?
      ha ha... dunno... which makes Nick Harper a comic
genius... every time i see him
i laugh like a tickled ******* dangling off a bull horn
and two words ring a bell: mein shawl! and yes: it's
dramatically flinged, like i might be found
******* against the wind...
   quick question! five easy pieces rebel or cool hand
luke rebel?!

Wires from descending elevators whip tourists into buying more than they can afford,
A group of cleaners take worn sponges and grate them against sterile table tops

Tired eyes glaring, so many faces forced into a socially restrained concrete,
Sipping lukewarm coffee whilst a massive woman dives into a greasy papery bag

A waiting room for spiritually degraded human beings,
Who can no longer bear to hold a saucepan
One man’s anxious head makes a turn as he waits for his friends to turn up,
Everyone here sitting in transient seating that numbs the **** muscles,
The only thing that links us together

People making occasional eye contact with one another,
It’s so brief yet so uncomfortable
Another group of cleaners with gloves like loosened condoms
They move in like domestic vultures,
They pick apart every table in their sight

A young man runs and weaves past these tables with hot plastic against his ears,
He’s talking to people who are very far away,
He’s mentioning travel arrangements,
He’s keen to get away

Dried salads line rusted metal troughs
Day old dim sims bathe in ***** coloured oil
Drinks fizzle and foam out through people’s mouths and noses
They look diseased and shattered by everything

People eating here supposedly akin to cattle at feeding time,
However,
Cattle eat fresh grass in lush fields with fluffy clouds with a bright blue sky above
Where you sit,
Plastic plants lay in corners producing no oxygen

Cold metal chairs hit stained tiles as cleaners start packing up for the day
Asian women in the distance paint customers long claws,
They smile at each other’s colourful toes with gleeful envy

Though a large bird **** splattered window you see people down below rubbing their bellies,
They ride an escalator upstairs,
To spend time with you in heaven

Wiping irreversible grease into your trousers,
You throw garbage into a metal mouth and leave

my life is beautiful, not realistic.
yesterday, i arrived on neptune
wearing big boots and dignity
the horizon was a nightmare of question marks
and gloomy witches;
i escaped from the religious enema and
pegged a choir boy on my way out.
i am no longer a pygmy goat on a foolish leash,
i take my paranoia seriously.
my journals guide me to a ruptured corpse,
never censored.
i have the ability to be given away on a whim,
but i am becoming a famous soldier, an intoxicating
ghost of dogma.
my dreams are beautiful, not realistic.
hallelujah, the hobos are wearing bathrobes,
the ****** pillheads are anointed with ****** and sewer cleaners.
i see a goblin grave advertised by
luscious lips and fishlike shoulders.
the texture of my dream is kaleidoscope and silver,
haunted by a fat sherriff who cuts the throat of the jukebox queen.
i have a personal god, and on her i bestow this passionate kiss,
i have a favorite enemy, with no goals and without ambition.
im sorry, i don't know any happy songs,
only the movement of her young sensitive thighs and
a nymph with an hourly rate.
i am a buffoon with a blugeoned harmonica and
weapons of sugar.
my life is beautiful, not realistic.

I wash myself off,
a mop head.
Used and ***** but with a lot accomplished.
Sometimes I'd like to just
         -pop!-
***** it off.
My head, I mean.
Get a fresh one.
(Get some-) Don't even go there.

If cleanliness is next to godliness then the devil
must be a janitor that doesn't
switch the water out
between
rooms and just spreads the dirt around.
Floors and mops get ***** that way.

Is god water then?
Or maybe the cleaners.
Destroying dirt despite the devil's
intentions.
Cleaning souls like toilets.
I'd like to think that god is a woman
who's cleaned toilets for
twenty years.
That's perspective.
That he's worn out his jeans
replacing rusting pipes.
Maybe god is the feeling of being off your feet
after a long day.

I don't know if I believe in god.
But I know I've met a mop head
or two.
All just a little *****.
Not one brand new.

The rain was dully falling
and the cats were hidden
Under high rimmed cars
with the lights turned off

His Mother was out calling
when the lightening struck
And his charred body scars
were stains on the new road

They sat inside and watched
furor in the streets; mourning
With the television on real low
eyes fixed on smoking remains

Street cleaners came and washed
adolescent flesh from the street
Ajar window *******, put on a show
there's a certain perversity to death

some say it's called dart-eyes, a kaleidoscopic venture
that might leave you myopic, oddly enough i know
that people say a lot of far fetched things,
   and the excuses are usually metaphors,
there's the literal cardinal,
the literal spanish inquisition,
  and metaphors of demons in the bible -
          i still want to experience a fully
theocratic world: where man's words come
forth from man, and god's words come from
the mouth of god... again: poetry without
a god is like biology without chlorophyll,
   no one even suggested a kneeling process and
ardent prayer to be invoked,
     all it took was a spare thought away from
the daily commute and the daily invigoration
from some sort of ethic, oddly enough it always
ends up being an ethic of work...
   i guess that's why in the west everyone is
nearing an addiction thoroughly apparent that's
named workaholism... once the relationships
fail, the only saving string of hope is work,
an absurd work ethic, because wouldn't you
take a syringe filled with ink and do shifts in an
office beyond the norm, thus entering the world
of night shifts and anything else antisocial?
   people can't really be friends, we're fired up
toward formal relationships and what's guiding us
to these relationships is hierarchy...
              oddly enough the Aztec or Mayan
pyramids don't have that sort of feel to them,
they don't prescribe interpretations of hierarchy,
quite the opposite,
     ask someone who doesn't have a conquistador
heritage to explain that they are:
  the gallows... guillotines... the tyrant is not
buried within, these aren't caves to entombing a
tyrant with all his riches...
      there are no chambers in these structures...
they were intended as architectural symbols of
common law... those presumptions European
*******... human sacrifice? a myth...
these were sights of capital punishment,
you stepped out of line: you'd get your heart
carved out and your body would drop from
the execution altar down the steps for
           the scavenger mob to tear you apart
even further: had you transgressed communal
consent... justice has to become overpowering
but that does not mean we carve a mount
Rushmore akin to the statues of the valley of
the kings of enthroned pharaohs...
  much of ancient Egypt lingers in what we
call "modernity"... esp. in America...
             and the world is currently establishing
itself into cold war ii (i said that once,
can't remember when)... and until this is firmly
established, that it's clearly accepted that we're
dealing in a cold / intellectual war, then
we'll pass all that intelligence and engage in a hot war /
and emotional war, as characteristic overflowing
of populism, which at present times: has
all the coordinates, but no proper vector to
allow a congregational march toward impeding
dangers... but better a second cold war than
a third world war... so much of ancient Egypt
in America... the washington memorial for one...
what's the other name for it? ah... obelisk;
or what the pagans built to counter the fear of
impotence: well... we've established a bountiful
supply of humans... can we do a floral pattern
now? oddly enough we embraced tomb-pyramid
builders from the north-eastern side of
Africa's brain-dead region, and trusted
conquistadors wiping out a people that used
pyramids to stress the importance of law:
i can't see no reason to think that those pyramids
were intended for human sacrifice...
capital punishment? well, d'uh... because wasn't
Golgotha so unspectacular as to be less
than what it was? had they crucified him in private,
in some back-alleyway crucified to a door,
would history open its doors to the advent of
Christianity? don't think so.
what i'd really love to see is people with
necklaces of silver, and the thing dangling on them
would be a different torture mechanism...
an iron maiden... it's like prescribing pain is
necessary... it's a dogmatic ruling on a once upon
a time (even the briefest) chance of happiness...
but even then certain philosophers say:
why be happy, when you can be interesting?
how interesting do you have to be so many times over
to not even wish for a stillness of neither want
nor drive to go beyond what you already have?
i don't know if this is an adequate comparison,
but in terms of interesting...
   a movie (side effects, 2013) utilises only two songs
in its official title:
   the focal point of a ******
       is staged to a "sleepwalking" woman preparing
a dinner for three (only two people are in the apartment),
the song? thievery corporation's the forgotten people...
i knew the band prior, and i've seen the film
before... but i never bothered to watch the credits...
i remember the odd couple who'd sit in cinemas and
engage in watching the end-credits, always the one
odd bunch: as if saying thank you to all the people
involve... a quick stroll through a graveyard is probably
comparably akin....
   and the other song? Bach's
   orchestral suite no. 2 in B minor, bwv 1067 -
     but i can't remember whether it's actually featured
in the film, simply because there's no focal moment
in the film where it can be heard as prominently as
the first song... and then there's thomas newman in
between (no surprise);
but a film like that is a meditation...
             if only two songs are used, chances are
the dialogue will have many strengths, because there
will be a multiplicity of consistent reinterpretation,
a bit like talking into a Tate Modern and seeing
Rodin's the kiss statue (inspired by Dante's divine
comedy), sketching it from the northern perspective,
the southern, western and eastern perspectives...
    i've seen few films that accredit a very minimalistic
soundtrack... on that note, how songs could literally
be translated into film titles: side effects - the forgotten people,
  dead poets' society - carpe diem, american beauty -
any other name, are there others? there probably are.

but that's nothing compared to last night's antics...
   some people climb the Everest... clap clap clap...
some people design super-suction vacuum cleaners...
clap clap clap...
                    from time to time i solve sudoku drunk
(no clapping)... but there's a narrative involved,
the narrative goes when you try to map out solving
one of these 81 "rubic" squares... applause for
speed with these babies like applause for premature
*******... aren't they compatible?
   we all have limitations, mine came yesterday,
when i allocated superscript numbers to the journey,
quiet literally an optical tangle, i should have used
       things like ª ' “ ‘ ¨ † above the plotted line...
but it only takes one mistake to ground you
   and then you have to go back and make minute corrections,
as the notes themselves suggest (crazy eyed darting):

exhibit a.

0    0    0    0    0    2    7    0    0
0    0    0    0  ­  4    0    0    2    0
2    0    5    1    0    7    0    0    8
0    9    0    0    0 ­   0    2    0    1
7    0    0    8    0    0    0    6    0
0  ­  0    6    0    7    0    5    0    0
4    0    8    7    0    0­    1    0    0
0    1    0    0    0    5    0    0    0
0    0 ­   9    0    1    0    3    0    0

   exhibit b. html that doesn't allow subscript
            or superscript notation, hence the brackets
   denoting movement (pending)

9 (24)    0          3 (23)    0    8 (5)    2    7    1 (2)    0
1 (12)    8 (8)    7 (9)      0    4          0    0    2          0
2            0         5            1    0          7    0    3 (13)   8
8 (7)       9        4 (18)     0 5 (33) 0    2    7 (1)      1
7            5 (16) 1 (14)     8   2 (20)   0    0    6           3 (21)
3 (19)    2 (17)  6            0   7           1 (15)  5           8 (6)    0
4            3 (27)  8           7   0            0         1            5 (28)    2 (26)
6 (30)    1          2 (22)   4 (31)    3 (32)    5    8 (3)    0    7 (11)
5 (29)    7 (10)    9    2 (25)    1    8 (4)    3    0    0

      it is no surprise that the notation played a key part
in having failed to map out the route taken,
       when you're using numbers in a puzzle
  it's almost an inevitable path to failure,
since you're making superscript "bookmarks" at
high concentration, and without any distinction to
what the puzzle demands, hence you go "cross-eyed"
  in solving the puzzle, and superscripting your progress
using the same symbols that are required to solve it,
but given that the puzzle involves 81 slots
  with 9 x 9 identical components (only so rearranged
  to be not contradict the rule of the puzzle
i.e. 9 symbols in each square of the nine in total,
   with a 9 x 9 variation on all linear arrangements not
involving two similar symbols, i.e.
   1 2 3 4 5 6 7 8 9, rather than 1 2 2 3 4 5 6 7 8) -
what became a hope to correct the mistake, but given
the intricacies of the progress, all the more harder to
recount steps and subsequently move forward with
   the spotted error...
hence a refresh, and the need for schematic,
given that there are 81 slots in total, with
     27 already in place, and given that there are 26
units of alphabet... how handy to actually persist in
using these characters, but adding diacritical variations
to make up 54 necessary, without invoking
      a 10 or a sz...

exhibit c.

0    0    0    0    0    2    7    1ą    0
0    0    0    0 ­   4    0    0    2    0
2    0    5    1    0    7    0    0    8
0    9    0    0    0 ­   0    2    7α    1
7    0    0    8    0    0    0    6    0
0 ­   0    6    0    7    0    5    0    0
4    0    8    7    0    ­0    1    0    0
0    1    0    0    0    5    0    0    0
0    0­    9    0    1    0    3    0    0

exhibit d.

nb. α = 1, ą (ogonek) = 2, á (acute) = 3, à (grave) = 4,
â (circumflex) = 5, ä (umlaut) = 6, cedilla missing,
   ã (tilde) = 7, b = 8, c = 9, ć = 10, č (caron) = 11,
ĉ (circumflex) = 12, ā (macron) = 13, ç (cedilla) = 14,
d = 15, e = 16, é = 17, è = 18, ê = 19, ě = 20, ë = 21,
f = 22, g = 23, ǧ = 24, ḡ = 25, ĝ = 26
         (now i figure, could have used Greek... d'uh!
ahh, i'll use it for the finishing touches),
        h = 27, i = 28, ı = 29, í = 30, î = 31, ï = 32, μ = 33
j = 34, δ = 35, k = 36, λ = 37, ł = 38, τ = 39, n = 40,
ń = 41, ñ = 42, o = 43, ō = 44, ø = 45, p = 46,
q = 47, r = 48, s = 49, γ = 50, φ = 51, χ = 52, ψ = 53, ω = 54.

before i begin the puzzle... there's a reason why a caron
g (ǧ) might exist, and why a grave z might not...
   and why there's a piquant difference between
an acute z (ź) and ż - depending on the aesthetician,
who decides to move away from the national linguistico-aesthetic
dogma... for example the name George,
orthodoxy states you must learn the aesthetic version
of Grze'gosz... but you would also be able to write
the alternative: Ǧegoš - given that rz is equivalent to ż,
    and given that there is no grave accenting of z,
but there is the acute (ź), perhaps you could consider
the dot a convergence point that could assimilate
sound, immediately over the caron g... of course none
of these remarks are intended for application: because
they would never reach a consideration in a learning
curriculum of any nation, a whimsical idea derived from
the remnants of the esperanto experiment...
  from what i can see, ǧ would equal grz, and
the reason that rz exists at all, and it equivalent to ż
is because a grave version of z is missing, and that
the acute z (ź) exists, and there is no point of balance
that otherwise is the foundation of the caron...
  i wouldn't have thought focusing on such "trivial"
signs above letters provided so much pecking-orders.

exhibit e. focal points in greek notation

9ǧ    4ñ    3g    6o    8â    2    7    1ą    5τ
1ĉ   ­ 8b    7c    5p    4    3q    6ń    2    9ł
2     6γ     5      1      9r    7    4n    3ā    8
8ã    9    4è    3s      5ψ   6ω    2    7α    1
7    5e    1ç    8      2ě    4ø    9ō    6    3ë
3ê    2é    6    9λ    7    1d      5    8ä    4k
4    3h     8    7     6χ    9φ    1    5i    2ĝ
6í    1    2f    4î     3ï      5     8á   9μ    7č
5ı    7ć    9    2ḡ    1     8à     3     4j     6δ

thus completed: there's a reason why the majority
of the narrative is done utilising diacritical marks,
i could have used many more distinct symbols,
but the point is: there are very few focal points
that can be ascribed distinct markings,
most of the puzzle is done on the basis of "crazy eyes",
i.e. darting eyes - focal points do emerge after
much darting about the squares, notably when
a linear sequence is completed, or whenever one of
the 9 squares is completed, or when all nine squares
contain nine 7s or 8s...
      or that's one way to go about not having any whiskey,
the rain pouring outside, and the night stretching
into a near eternity -
            
exhibit f. narrative of correction, actual excerpt

it began at h, i.e. labyrinth corner no. 27,
******* trainspotting! this is going to be like reading
the time for the next train to arrive at Waterloo!
  5(28), 5(33)?, 5(28),
  6(30), 4(31), 3(22), 5(33), 33? 9(38), 4(34),
  6(35), 4(36)...
6(41) < 4(40) < 5(39) < 9(38) < 9(37)....
       4(42) < 6(43) < 9(44) < 4(45) < 5(46) < 3(47) < 9(48) < 3(49) <...>
   6(58) > 9(51) < 6(52)...
        longest period spent on 3(13) / ā -
   and the notation that gave way to this spiral?
5(33), which actually ended up being 5(53) / ψ.

we was in the bando,
trappin, we were trapped..
cook named Orlando,
moved across the track..

used to be my  neighbor, now hes got the paper,
owns a couple barbershops, got myself a taper,

owns a deli too, couple cleaners down the main street,
not long ago we were sitting in the same seat..

back when,

we was in the bando,
trappin, we were trapped..
kitchen hot too handle,
Found ourselves a rat..

polices, driving by increases...
Orlando had a thesis,
Moved in with his nieces..
He says...

"Theyll never catch me in here,
I live without fear,
only time i cry is with this tattoo tear"

A couple days later, cops broke the door in,
couple windows too, just to let more in,
they found a couple rifles, most of them foreign...
Cuffed Orlando, his niece, and his babymomma Lauryn...

multiple charges of distribution.
couple cases of ******...
money laundering, and weapons, his attorney would murmur...


They say my writing *****, this is no place for this crap..
i dont do poetry, i just write reality rap..
and truthfully, nowadays reality lacks.
So i dedicated this to his daughter Natalie Max.

25 to life..
no chance of parole, bottle....

of hennessy,

just *** he was my role model..

They say how can you defend him, when i yell free Orlando..
*** i still remember when..
we was in the bando...




-afj

toaster strudel makes me doodle
eggo waffles feed my poodle
sriracha  hot sauce makes my gut toss
taco salad tastes like farts.
smarty thinkers with big wieners
clear the way for bathroom cleaners
dangerous pokemon in the sky
teach me things like how to fly
supple ******* against my chest
your ****** is hard and so are the rest
eat this pear
munch with care
put those shorts on
watch me stare
take a bath in tasty grease  
my wiener is small to say the least
now let's race inside this tub
we'll see who get's out first
should we get out?

Shop fronts, curbs and pavements.
Bin men wear hearts on their sleeve.
Coffee shops, bakers and jewellers.
A homeless man searching reprieve.

Adverts and billboards shine bright.
The cleaners have swept the streets bare.
Commuters and tourists combined.
This city called London we share.

Marching to a steady beat
Marching to a steady beat

The pavement are veins
People the blood
The city the heart

Pumping the beat
Pumping the beat

Never stop and stay a night
At the Mermaid's Foot Hotel
For they say at the back of the cleaners room
There's a gateway in to hell
The drifts of dust with a dash of rust
Hide the prints of long dead feet
What once was plush now hangs decayed
The curtains torn and beds unmade
The worst of humankind had stayed
At the Mermaid's Foot Hotel

Walk away, should you ever stray
To the Mermaid's Foot Hotel
For its told an evil lingers there
No priest or witch can quell
The walls are strewn with satanic runes
There are evil clowns en suite
The bathroom tiles, black with mold
And tap heads dull with tarnished gold
But still the blood runs hot and cold
At the Mermaid's Foot Hotel

Not a soul survives the night
At the Mermaid's Foot Hotel
No single sign is left behind
Save a musty burning smell
The spiders leer, jauntily
And the mice all carry knives
There's scraping sounds amid the gloom
An Idol from an ancient tomb
With a poltergeist in every room
At the Mermaid's Foot Hotel

**

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