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Sam Conrad Dec 2013
So I've got this story...
And it goes a little something like this-

There's a girl that I hurt really bad on way too many occasions that I love more than anything. Pretty much everything I write on here is about her. She became the love of my life, and I told myself she was the one I wanted to spend my life with. Except I was a ****. She was going somewhere to an event that lasted 2 weeks and was really important to her and let's just say I ****** it all up really really bad. She made a lot of friends there and it was a great experience for her, kind of like camp is for some people, how boy/girl scouts are for some people, and she learned a lot there, and had lots of fun too. I was so horrible to do what I did.

At least we're young though, and there's still time to grow...right? I'm only 18, she's almost 18, and we both have lives to live ahead of us. I feel like I need her though. She treated me perfectly in our relationship. I mean, looking back, there's nothing I can fault her for, at all. I just got ****** at stupid crap that doesn't even matter.

Except, she's into somebody else now and probably thinks I'm no good for her. She doesn't talk to me anymore. Anyway, I'm rambling, I haven't gone to bed, I took a bunch of pills, am getting sick, and it's 7 AM...so here goes. This story is somewhat censored, though.

_________________­___________
"The Worst Weeks of Our Lives"

I met this girl and she became the love of my life. She took me places I'd never gone before and her and I fell in love like some people wouldn't believe. Ask my friends. Ask her friends. No, her friends probably wouldn't admit to it anymore. But I choose to remember the things they said. Kids were like totally rooting for us all day every day. We were so perfect. It was great.

So with a few mistakes here and there, (mostly me...all me, really) we realized we weren't perfect. But it didn't hamper out love. Nobody is perfect, right? We realized that. Overcame.

But then, we went too far. Her parents drew lines we weren't supposed to cross. Oopsies. Her mom really put me in my place. I'll just leave it at that. Asked me when my 18th birthday was, so she could mark her calendar as the "day she could touch me". Told me I was a liar. Husband in the background drunk and screaming, as usual. Except screaming "that ***** ain't sorry. He ain't ******* sorry, ******* ******* marking up my ******* daughter I can show him how to be ******* sorry"

Lots more. I'll go crazy if I speak the rest. It was a hickey on her neck. We didn't do much more.

I got really scared. I mean, they were brutal. I wasn't used to that kind of brutal. Psychotic levels of brutal. All of the sudden I became numb. I stopped being so intimate with my girlfriend. They told me not to come around their house anymore. I started doubting myself. If I was any good for her. She cried and cried. Told me how sorry she was. For getting us in trouble, and for what her parents did. But it wasn't her fault. After all, I am the vampire that bit her neck.

After a few weeks, her parents dropped it completely. I didn't though. I was so traumatized. I'd been getting flashbacks. Nightmares. So scared, I was. I kept avoiding her, not only her parents. I mean, I didn't have a car anyways, so the only place I could go to see her was at her house. She reassured me I was allowed. But with no contact with her parents since the phone call that changed my life I was reluctant.

This was around 2 months before she was going to go to a 2 week event. A special event to her. One I'd even wished I'd gotten involved in. Really, I did wish. I just missed the application deadline. Throughout the next two months, we grew more and more distant. I was harsh on her. I hurt her. I'd get mad at her and then call her and talk to her until 3 in the morning. I made her hate herself, and then she felt bad about me feeling sorry too. "You always force yourself to be nice to me just so I feel better, but I'm ****, I'm trash, I'm nothing, I'm so sorry" she would say. Most of the time, she didn't even do anything wrong. One of my best friends died at the same time her parents killed me inside, I spent all my days sleeping and crying and when I wasn't doing that, I was getting angry at her (and quickly regretting it), manufacturing conflicts that were completely unnecessary. Not to mention I'd had health issues, and my parents kicked me out of my house a few months beforehand.

In the time before she left to her special event, I really tore her up. I said the dumbest things I've ever said to someone in my life. I'd never even said such dumb things to even an object, or myself. Why I would say them to a girl who saved me from suicide (I was very unstable and depressed when coming out of a bad relationship, and getting kicked out of home) and why I said it all to someone I wanted to spend my life with I'll never know.

The dumbest things I'll ever say to anything that breathes in my lifetime. I told her one night that the "only reason I was still with her was because if I left she'd hurt herself" (she had a history of self harm, even though she's the sweetest girl I've ever met) and another night I told her "If only she were going somewhere important I'd understand" and lots of other insensitive and selfish things that I can't even believe came out of my mouth. I mean, the whole basis of it was that her and I hadn't spent much time together (really because of my own selfish fears) and I was going all *** on her testosterone-fueled-rage style for days over and over and over.

Don't I sound like a horrible person? I was. I was horrible to her. As much as I hate to say it, I'll probably make similar mistakes again someday - It's like relapsing - but I'll make every effort I can to learn from my horrible past and never be that person again.

So when she went to the event, I was with my grandparents out of state and I downloaded my favorite sad playlist (Staind, great band) to listen to on the trip.

Yes, seriously. I told her that stuff and called her event unimportant and then I went away too. How stupid I was for what I said. I should have been slapped or something.

A day or two after I'd left, I realized how stupid it was of me. For the whole thing. That whole time. That whole span, those two months where I not only neglected her, but emotionally ****** her.

There's a song called "Tangled Up In You" that has the most wonderful and intimate lyrics and I listened to it and sung to it over and over and over late into the morning (I'm talking 3-4 in the morning) every night for like 10 days and along with a song called "Right Here" by the same band. I cried myself to sleep so extremely ashamed of what I'd just done to her.

I knew I was wrong, but what I didn't know was that she was crying her eyes out wrapped up in (someone else)'s arms at that event...
I didn't know she was getting all kinds of love and support.
I had no idea...not that it was bad, it was good because she needed it.

But it got her to thinking about me, what kind of person I was.
When we both got back, I started making more of an effort to spend time with her and go out of my way to talk to her, make her happy, and basically, stop being such a ****.
Except she just got confused and conflicted because she was numb and falling out of love, because I was nothing that anyone should love, to her, over that prior time.

Her mom broke us up about a month later, after some...you know what, I'll just leave that bit out...
I told you how the first phone call went. The phone calls I got from her and her husband in the end were just so much worse. I don't even want to think about them. I went into convulsions and kept dropping the phone.

I went back to these two songs to help keep my sanity and I belted out "Tangled Up In You" every day in my car... so loud I was losing my voice.

I'd had some communication with her, surprised her at her work one night, bought her flowers, wrote her my true feelings on some napkins, showed up when she got out of school one day, when she was deathly afraid, and surprised her with a smile and drew a heart on her hand...

Her and I were on the same page. She still loved me. She was just hurt. I still loved her. I was just trying to make up for the compromised mental state I spent so much time in. I had compromised hers too. I needed to get her out of it. She told me she would wait for me. That we were in a speed bump, that it would all be okay.

So some weeks passed, a month, and she still had my back. As strong as ever. Her parents found out I bought the flowers. They found out I'd been talking to her. But...

Knowing she still had my back, that she still loved me, and that she would wait for me...she called what her mom did (in breaking us up, in our break) a "speed bump"...I was okay with it. I mean, I really wanted to be a part of her life, but man, her parents HATED ME! (In retrospect, probably with good reason. Shame on me for the things I did to her. Really.)

We had some major issues (mostly due to my inability to shut my stupid mouth) and I decided that maybe some time to ourselves to focus on ourselves and think was a good thing. She could focus on loving herself again and I could focus on becoming a better person.

I mean, when her parents found out her and I were still talking to each other after they broke us up, they blocked my number on her phone, went to my church and made up extra stories to my pastor, (told him I'd came and banged on their door at one in the morning one night), when I called to apologize to them they didn't pick up, called me back later to cuss me out and hang up on me, logged into their daughters facebook account and blocked me, then told their daughter that I had called them when she was sleeping and cussed them both out, and that she was to have nothing to do with me again. They threatened legal action against me, too. Tried to make my life hell. They didn't want me around their daughter, ever again. A blind rage that went on for a very long time until every communication route was blocked.

She went to school and told her friends the false stories her parents told her, and her friends already didn't like me...I mean just look at what I had done before...it wasn't good. Not for me, anyway. Also her. She felt duped. Used. By her parents. She didn't know who to trust or what was real. Everyone was telling her how horrible I was.

I got a chance to talk to her one day. We talked for hours, face to face. Sat in the cold and talked. It was an amazing talk. We caught each other up completely on our lives. We talked about our love. Our past. Our emotions. All of them. Good and bad. But we told each other we'd always love each other. She stuck by me, and also reassured me that she always would. I left that conversation feeling so secure. The most I'd felt since way before I'd become a total **** to her. When her and I were so deep in love.

She's always wanted to go far away from college. She told me stories of her past and what her parents did to her, what she did to herself that were not good. Not good at all. She wanted to get away from her parents.

Meanwhile I was so caught up in the feelings she gave me when I was in her arms, I almost couldn't handle the fact that she wanted to leave. I pleaded for her to stay, in a time that her and I were both unstable and it was already taboo that we were even on the same property. But still, she said "she wanted to stay" because her and I work so well together...when we work together, that is, and I and her were both determined to work together. I told her I would do anything for her. In all of it though, I told her that the decision was in her hands and I would still love her the same if she left, and that I would wait for her. Because I loved her more than anything.

After that talk, things got quiet. I guess, too quiet. I was legally bound to stay away from her. I talked to someone she worked with and asked them to tell her hello for me. I thought though, we were on good terms following the talk, I thought she'd be elated to hear from me.

She never responded.

One day, a couple weeks later, she told me I really needed to get over her. That she didn't love me like that anymore. She told me she'd been falling out of love since the summer, and she'd gone crazy and needed space. She said she wanted to be friends, but no relationship. No relationship anymore. She said she couldn't handle it. She said she couldn't handle a relationship in general.

She made that message a bit accusatory. I'd been talking to two friends, one who I'd known for years and a new one I'd just made. Both overlapping friends with hers. Those two helped keep me sane.

She started that message with "I heard you've been messaging my friends, and to be honest, I haven't had the heart to message you back." She repeated multiple times that I needed to get over her. She told me that it wasn't anyone else's influence too. She even listed people. People who'd separated us. Hurt me. Hurt her, in a way, but encouraged her in others.

At the same time, she blocked me on facebook again. She had unblocked me when she found out her parents did it for her. Odd though...I thought she wanted to be friends. I mean, it was like the only way I was able to have her in my life at all. To read her facebook posts and her read mine. To have discussions with friends. We have a lot of overlapping friends.

Man, she killed me. One second I thought she was my soul mate and the next I was in the bathroom puking my guts out because she was telling me we'd never be together again.


So fast forward to today...I still love her. And she's basically in a relationship with someone else. She's also either on the fence about her sexuality, or decided she doesn't like boys anymore. I feel bad about that too. Its like I ruined male relationships for her. It's only been a few weeks since she told me I needed to get over her. She doesn't talk to me anymore. I go to high school events even though I graduated last year just to see her. When I don't approach her, she ignores me. I'm just another person in the room. When I do approach her, she has such a scared look on her face. She doesn't want to talk to me, but she can't be mean to me. She's falling in love with someone else and she's getting happier. She doesn't need me showing up everywhere just to depress her.

Yet I keep bothering her. Because I'm a sucker for her. I can't help it. I love her. I want her to be my future. But at this point I'm grasping at straws. So hard. I shouldn't be trying anymore. But I'll end up trying until the day I die. And only then will I stop believing in her and I. I know it's a pipe dream. But I'll hold onto it. Because it's the only thing I have left of myself now.

Last night, (I mean, right before I wrote this around 5 AM, it is now 8 AM) I played those two songs again. I forgot they were at the end of my playlist and I started shivering and crying my eyes out. I got chills. I got so cold. The tears just ran. They ran down my face faster than I've cried in a long, long time.

I'm only okay right now because I took a bunch of pills. Pills that have this kind of effect on me. They make me kind of numb. Kind of happy. Upper and downer both.

That's pretty much, my sad ending to a sad story.
I'm living the kind of life that only people like Shane Koyczan know how to explain to people.

Ironically, she loves Shane Koyczan.
I do too.
We grew up in broken homes and lived broken lives until we found each other.
Then we broke each other.

But she's falling for someone else, because I wasn't what I should have been to her, and she knows
But she doesn't believe in me anymore, the way I believe in her...because I wasn't what I should have been to her, and she can't hold onto me when I'm a 50/50 chance, of bringing her down again.
If only she would let me hug her again, kiss her one more time...I could die happy, knowing I poured all my heart and soul out into that last kiss.
But I'm a gamble. And she can't put her heart out on the line for someone who wasn't always good to her. She used to call me her "sweet boy" and she still tells me I'll always be her "sweet boy", but the fact of the matter is, it doesn't cut it to only be sweet s
I needed to write this. I've been going crazy. I told her I needed to talk to her but she's been avoiding me. If she reads this, I know its hard for her. There are more explanations I need to give her, I hope she will let me speak to her someday. I've found out a lot about myself in just the last few weeks. Stuff I don't talk about in this story. To you, my dear...if you read this, I'm sorry. I know it's tough. Its very tough. But look at the positive, dear. I'll keep living. Maybe I'll be okay someday. Your happiness is what matters to me. If you're happy, I'll keep myself going. I'm going to go to sleep now. Finally, I have some peace.
May
Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather ****
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And **** his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Cracking his whip in starts of joy
A happy ***** driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short note of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
**** rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld ‘head achs’ from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And ‘iron ****’ content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair—and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld ‘the shepherds weather glass’
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them ‘John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I’th’ middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making ‘love knotts’ in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white ******* hankerchief
Bloom as they ne’er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds—slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi ‘wet my foot’ its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor ‘**** sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo’d the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded copse
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And ’sweet jug jug’ he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them ‘writing larks’
*** barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The *** beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where’s thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers—May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking ***** to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
‘Duck under water’ as they ran
Alls ended as they ne’er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen
Styles 12 Aug 2018


secrets at dusk
tasted vigorous as
Coltrane blues

in a smokey nightclub
under mysterious saxophone seas

this style is not my own
but it helps me swim better

I decided to adopt it
curious why it tugs ruthless
on spit fire sleeves

deliciously drowning me free.




forest moons at night

help you drop it all
bags of unwanted programs
flung from broken chimneys

violet threads pass perfect
through kitchen chipped glass

moth wings burning summer up
like her eyelash fluttering innocently on some other guy's cheek

shattering divisions snag
on moonlight betrayal dance

enormous sea hooks chop in
helpless lips seduced
mad quicksilver rush

reserve this room for my only friend

we have private letters to write
on a future night when
god dreams come true.

This is for you.





My only friend.


What weighs heavy is certain light
how it pierces
through troubled waters.

A million traces of faces
lit up in every beam.

One night I felt it bleed through me
using rivers of sun-fire screams.

Volcanic poetry spoke without a sound.

Jim Morrison breaking through doors
under spells of hypnotic waves
wild vibrant shimmering
on multi-colored sheets.

This style is not my own
but it helped me lava streak
across bitter shores.




Now,

my voice strays away.

Gone hunting

a broken well voice
picked up by an old cracked bucket
leaking simple worded wishes

deciding to voluntarily borrow her
stolen forest eyes.

I heard them speak translucent leaf
on a summer day
when clairvoyant kids
heard God speak

on pathways of brilliant blue lake

when sunshine
whispered us
in scintillating ripples

right before our astounded,
washed feet.




I am dripping funeral summer sweat
under tombstone studded trees

smiling while choking in
liquid clouded dark.

Alone but not alone.

Mighty Ghosts of heaven
holding my head up

making sure the Nile
doesn't gush out while
I still cannot even write or speak

turn my notebooks into confetti
nothing describes this mysterious sea

a new species of saxophone waves
has belted its killer wonderland
sound out across an entire broken stage.


*

I can picture us
walking barefoot
on star contacted sand

gazing out
under champion chandelier wonders

walking on Texas Lightning storm colors
bellies full on Rumi soul food

our secret flames
burning up
plastic playgrounds

violating propriety
on some nuclear guarded beach

schools of fish cut
by saxophone hooked seas

blasted by vaults of unwrapped poems
someone else wrote perfect
in our dreams

we hope one day
the unpredictable silence
of simple worded wishes

will help us

extravagantly bloom
new spring leaves
rain stamped on tender delicious works

after winter is done
savagely wishing us dead
we are touched by other worlds.
https://youtu.be/6xcwt9mSbYE

For Drew
Ross J Porter Sep 2010
Small hands holding tight
To strings of laughter
On ends of floating
Bubbles of wonder

Sand filled toes in shoes
On quick feet, dancing
Through my greatest dreams
Of who she will be

Soft kisses from lips
Formed from my own heart
Melting into a
Stream to her future.

Sweet songs of her love
Belted with fervor
From within the small
Light flowered sun-dress

Mischiv'us smiles with
Doll filled hands playing
Games to fill the day
With her glow of joy

Bright eyes signaling
A future brilliant
As the twinkle of
the stars they've stolen

Trusting complete love
Holding tight to life
As it floats away
On bubbles of wonder
All rights reserved. © 2010 Ross J Porter
Shaurya Pal Jan 2014
As I scarpered away, I could hear the voices,
echoing through the steel walls.
The cries, the vociferations, catching up to me,
couldn't fathom the escape, with a plan full of flaws.

Turning left, bending right,
running in circles, an endless plight.
The drug they induced,
pumping through my veins,
blocking my vision, severing the mains.
Don't know for how long,
I can put up this fight.

The sentinels advanced,
as fast and agile as they ever could be.
The alarm had rung more than once,
red lights poured all over the scene.

Needle in hand, dipped in ataractic,
who were they fooling, with that mild sedative?
I raced with every semblance of life I had,
couldn't survive this hell-hole.
Another day here would've driven me mad.

As the unexpected turn came,
I banged the door with the unknown name.
Fell face first, the momentum it carried me,
Scraped through the floor, stomach felt queasy.
Warm liquid oozed out of my nose,
dripping tardily as I rose,
the environment all but blurry.


Insanity Prevailed


As I blacked out,
I recalled how I came to be,
this house of horrors, delivered to me.
'Magnolia', home of the mentally challenged,
avowed 'care for the community'.

The head-shrink had advised,
you be safe, a feeling I imbibed.
A wry smile and that was it,
'Magnolia' She exclaimed,' would deem you fit.'

Believing in every word of hers,
I opened the door, welcomed
by the smell of fresh carcass,
the shabby floor with spots of dirt,
and people, oh lord the great unwashed,
like walking zombies, feelings inert.
They looked at me, some smiled and some laughed,
others cried, rest merely coughed.
So this is it, the house of the harebrained,
this was going to be my life,
Living among the insane.

I harbored no ill will,
But I couldn't absolve,
this feeling, inside me,
no friends no family, nothing normal.
Lasting with the un-dead,
my new destiny.

They filed me,
Gave a number, names were difficult to process,
66 it was, perfect, contributed  distress.
Admitted to my room, solitary for the neophyte,
'Morning' they said,' begins a new life.'

With a wicked smile they left me alone,
I was meek enough to cry, stiff enough to moan.
I wailed the whole night, the walls resonated,
the shrill of metal, the demons it encouraged.
The lights polished off, staring at the darkness,
all the monsters , the behemoth, dancing around me,
an invitation to their everlasting music.


Insanity Persisted


A specter bobbed up from the tiled floor,
gazed at me and pointed to the door.
'Rise, Awaken, my soul',
and the door opened with a loud crack,
'You must hurry, the guards will be back'.
I sat bolt upright, the apparition never lied.

Nose still bleeding, I took flight with haste,
looked back, they had dropped the chase.
It felt safe after a long time,
The world must know, of their wicked little crime.
They had to be stopped, the Doctor, the Nurse,
all of which were part of the crust,
which protected the whacko who experimented on us.

End of the hall, I noticed the Blue door,
It had to be the one, which will take me off-shore.
Head still paining, the doses that drained,
the vigor and strength, I couldn't sustain.
One last time, I had to draft
my will my power, from within.
To conjure up all my might,
before the shadows cave in.

As I drew nearer, towards the blue threshold.
I knew there was no looking back,  
nothing left to unfold.
I slowed down, one step at a time,
I could taste freedom, a taste so sublime.
My hand reached the door,
and gently turned the ****,
I pushed open the exit
and stared at the waiting mob.

Before I could assimilate,
with my failure and disappointment.
Someone jabbed a needle,
covering my mouth, crackling my vent.
Pushing me again, down the memory lane.


Insanity Pursued


The days were bad,
the nights equally worse.
A thin line existed between illusion and insanity,
indistinguishable they became, virtual and reality.
One could hear screams, begging for mercy,
Which the henchmen showed no sign of,
and continued to treat the already cured.

Those who betrayed, yearning exemption,
were treated with immense brutality.
Straightjackets, shackles and all sorts of gear,
were enough to put a man in psychotic fear.
The staff comprised barbarians and sadists.
Who lacked the basic sense of morality.

Shock therapy, voltage to its max,
bound and gagged, glued to the sacks.
The jolt of the lightning hitting them hard,
enough to churn up the flesh into lard.
They drugged the sufferer, the dupe would tranquil,
the fallout was horrible, it would make them frenzied.

For those beyond cure,
who lived for mere existence,
earned their own private, privileged experiment.
A special space, a hidden chamber,
well beyond, beneath the ground.
Defecated walls, layered flesh and blood,
****** fluids scattered,
in abundance, constituting a flood.
Human torture, vicious and cruel.

In a place so dark even the demons would fear,
how could I survive? This life to me was dear.
And the patients, the patients wouldn't help,
for them it was a game, live a day, reward for the next.
Some were quiet, lost in their own world,
speaking, whispering and talking to themselves.
Some looked sane, but stuck in paranoia,
for them the universe could any day cease to exist,
pertaining to their biggest phobia.
some were smart, they indulged in theories,
the real world mattered less to them.
And then there were the trigger-happy.
The truly maddened ones, violent with rage.
Every day was a battle, they fought within the cage.
They couldn't help me, for I wasn't crazy,
Just your usual guy, a victim of fate.

Magnolia was a place, where people ****** away their souls,
I wasn't ready to sell mine.
I had to escape, make an elaborate design.
There were no doctors at night, just the cruel handy-men,
had all the time in the world to formulate a plan,
question was, to execute when?

One night the attendant came,
wearing  a strange jumpsuit,
pen in breast-pocket,
woke me up and proclaimed, 'Get up you imbecile,
it's your turn in the lab today.
Stand up now, I ain't got all day!'
'HAH! You could try young man, to put me down,
but I ain't going to your lousy town'.
To this he smacked at my retort,
and laughed with a disgusting little snort.
'One more time you test my good nature,
and I swear to God I'll ruin your caricature.'
'Go ahead then give it your best shot,
You want me dead, do you not?'.
His laughter, this time, deafened the silence all around.
'You're dead fool! If it were up to me I'd skin you flesh and bone,
The amount of ruckus you create, the annoyance you hone,
But the good doctor has plans and once he's done with you..'
His unfinished sentence struck a nerve so strong,
my eyes rolled over,
what could possibly go wrong?

So the man with the strange jumpsuit,
dragged me all the way to the office.
The dimly lit room, ornamented a large crucifix.
Dear lord, you see how they mock?
Came back the degenerate with a big round lock.
'Oh yes, this is for you my friend,
chains aren't enough, straightjacket I will get.
Sit still you half-wit, else you'd regret'.
And I smiled and waited.
He returned as promised, with the piece of vestiary,
a twisted sense of humor, whoever built this monstrosity.

He stared where I looked, into his breast pocket.
'What's missing pal?' I asked in amusement.
He stopped everything and looked around.
With a motion so fast, it could only fly by,
gripping the pen, I poked him in the eye.
Ink exuded instead of blood,
the large man fell, loud with a thud.
The immense pain had him in shock,
now was the time for me to run amok.
But I kept focus, and ran for the door,
promised myself never to look back anymore.
Eloped with the only chance I foxed.


Insanity Reigned


The source of light was so strong,
I twitched a lot, just to see what's going on.
Caged in a room, no wait, a theatre!
****! I was so close to getting out.
The staff, I assume, were prepared all along.
Hatched a sinister plot, to show where I belong.
They had me now, tied to a work bench,
metal clasps around my wrist,
belted to the maximum limit.
For some odd reason they had me gagged,
the tape tasted foul, hygiene they lacked.
I wrestled my wrists with the wrought metal clamp.
But they were tight, wouldn't budge,
getting them off needed more than a nudge.

Alas the doctor came, with a frown upon his face,
With great ruefulness, he peeled off the tape.
'You caused us a great deal of trouble today.
None of our methods have impacted on you, what do you have to say?'
'Serves you right, you junk-less freak!' I was happy he was disappointed,
'That's not a very nice thing to say' responded the doctor, almost agitated.

He picked up an instrument,
a big long nail, the pointed end was so sharp,
I could feel it piercing through my brain.
Next he lifted a mallet,
which shone so bright it reflected upon my face.
To what devilish purpose could they serve?
The doctor took his time, and allowed me to observe.
He wore his mask, the mask of a surgeon,
at this time of the night? Surely he wasn't
planning to operate on me.
'Leave me alone, what are you doing?
Surely you know I'm not to be blamed, I don't belong here.
This is insane!'
'Wrong again 66, the society would never accept you.
You killed your wife and children, ******'s on you.'
It was at this moment the specter re-appeared, right behind the doctor.
Calling me, my name,
'They're all lying, you didn't **** anyone, they're framing you.'
'LIAR!' I spat at the doctor, 'You know she's is alive and waiting for me at the doorstep,
As always' I said.
'Yes she is waiting, but only at her death bed.'
'LIAR! You know my kids are sleeping peacefully at home!'
'Yes they are, but the sleep is eternal.'
'LIES! I can't **** a person,not even a fly!'
'And yet you poked my assistant right in the eye!'

The specter now appeared closer,
in a calming tone almost a whisper,
'Do not believe a word they said.
You're not a killer, just a victim of fate.'
Exactly, that's precisely what I meant.

With all the strength my voice box could muster,
I cried so hard the doctors ears could rupture.
' LIES! LIES! ALL LIES! You won't get away with this, the truth will come out.
Why would I ever **** them for crying out loud?'

'You're right, the truth shall come out, but not in this form, not from you.
66 has to die, a fact you always knew.'

No one dies today

'Hold him still.' The good doctor ordered.
A pair of hands inclined my head south,
Another pair, taped away my mouth.
I could hear music, a soft hum.
It had calmed me down ,that bass drum.
It kept beating at regular intervals.
The specter now, beside me,
placing her hand on my shoulders.
I looked up towards the sky, a light bulb
glowed right above my nose.
The doctor raised the nail,
a dot replaced the light source.
As the blot grew in size,
the light dimmed, luminance was minimized.
The music almost placid,
it made me smile, a smile so gentle.
The doctor enounced,
'This will only hurt a little.'
And as he struck, the spirit vanished,
the music stopped.


Insanity Triumphed
Part 2 of The 'Karma' trilogy
judy smith Nov 2016
Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide
duncanwrite Jun 2015
Bluto, the world’s strongest man, could tear bread loaf-sized pieces off a steel-belted tractor tire with his bare hands.

But he could not lift a single smithereen of his sensitive Piscean heart when Lily, the luscious, leggy Leo trapeze artist, left him for steely-eyed Arien Karl, the literate and literary lion tamer.

Horoscopic Circus, Act II

She was a Cancer Dragon. Like catnip to the Piscean Tiger, whose feline DNA was his Achilles heel. Especially when she wore heels. And nylons. The end is nylon, he thought. I love you she said. I love you more he affirmed. And firm he soon became. Then being the ringmaster, she opened her mouth and incinerated him -- as only dragons can….
Jessie Jan 2014
we smoked our cigarettes
and belted out car duets

never listened to any advice
figured trial and error would suffice

we ate past when we were full
and felt life's strange alluring pull

but we learned it was never enough
to sit back and relax and love

you can't repeat the past, Gatsby
I wish someone would have told me
judy smith Sep 2016
Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Nigel Obiya Apr 2013
PLANET NAIROBI (When the sun goes down)
Nur…
They were on the verge of losing this battle… it was only a matter of time, and he knew that. Through the window, he saw them advance, with a fierce swiftness that would have put anyone opposed to them at unease. Trembling uncontrollably, he reached for his weapon and held it firmly, ready to martyr himself for his family’s honour and legacy if need be. For they were not, and never would be known as a family of cowards, they were royalty... and he would rather go down fighting than cowering, that was the bottom line. But he knew that his sword, as well forged as it was, would be no match for Rath and his five hundred man strong battalion. So, biting his lower lip he waited for the pounding footsteps to reach the top of the stairs where he stood, the one solitary guardian to the throne. Martyrdom was his destiny.
“Let he that stands between Rath and the throne fall like the city walls!” Rath’s dominant voice bellowed as it got closer, too close for comfort.
He braced himself.
Suddenly, the doors burst open. And Nur... Prince Nur, finally got to come face to face with the scourge that had terrorised the lands of the sea for so long. A man of whom he had heard about from stories as a child growing up. A man that had haunted his dreams for as long as he could remember. Nur realised that he had always been afraid of Rath, long before this moment, how was he supposed to fight this man when he was clearly at a disadvantage? For it was common knowledge that to go into battle afraid, was to go into battle prepared to lose.
Rath was a gigantic figure, and exuded the air of one who was accustomed to crushing his opponents and hadn’t experienced defeat in a while... if not ever. This man stood at almost eight feet tall, with rock hard muscles that seemed to pile on top of more muscle, threatening to tear through his dark skin. His long locks of unkempt hair fell over a face that could only be described as menacing. He had a permanent scowl that was complimented by his black, soulless eyes. And as they stared each other down, Nur couldn’t ignore the presence of sheer evil he saw in those eyes, a shiver of dread ran down his spine. He raised his blade.
“A child?” Rath barked, “A petulant child? Is that what this Kingdom’s defences have come down to? An infant?” He waved a dismissive hand at Nur.
“A prince!” Nur responded defiantly, raising his blade even higher and more confidently. This man may have been the epitome of terror, but Nur would be ****** if he was going to be talked down to in this manner, this was his palace.
“A prince huh? Prince Nur I presume? Your father was a brave man, I respected him. Even if I met his acquaintance only for a couple of minutes, before I slaughtered him. But I do respect a king that fights alongside his men, as opposed to other cowards I’ve had the pleasure of killing that had barricaded themselves in their chambers and let others fight their battles for them. King Thur was a rare breed... but a dead one all the same.” He laughed remorselessly as he said this. “And soon you will get to join your warrior father foolish one.”
Nur lost all sense of fear. Infuriated, his nostrils flared as he swung the blade with all the ferocity he could muster, slicing deep into Rath’s right forearm. Time slowed to syrup as he saw his adversary’s blood stain the sword, but realising that it wasn’t a fatal strike, he turned around swiftly, switching his stance just in time to see Rath’s massive blade come down on his head. Then there was a deathly silence.
The afterlife was nothing like he had pictured. It smelt of... he couldn’t quite place that peculiar smell. It wasn’t pleasant, but neither was it unpleasant, just unfamiliar. Then he turned around and saw her. He deduced that she was probably the source of the smell. He noticed that smoke came out of her nostrils and mouth every few seconds after lifting a sticklike object to her lips. Nur mused at how wrong the high priest in their kingdom had been when he spoke about the place in the sun... the afterlife. It wasn’t anything like he had described.
But wait a minute! He realised that the sun was still above him, in the sky. He could see it. He could feel it on his skin. So WHERE WAS HE? He felt dizzy, unable to comprehend. Only a minute ago he was in the royal palace, facing certain death. And now he was... he didn’t know where he was, or even what he was. Was he dead? Transcended? Was this just his soul? If so, then how come he still had his senses? All these questions raced through his mind at the same time. He turned toward the lady, who seemed unaware of his presence. She was tall and very light skinned compared to him and her hair was tied in ponytail at the back of her head. He couldn’t make sense of her attire though, she seemed to wear a lot of clothing, garment over garment that covered her arms and legs. She was also extremely beautiful and had a slim womanly body most warriors would **** for, he noted, and felt himself flush. He tried to see what she was squinting so intently at and concluded that she was just staring into space as she drew, he realised now, on the tiny stick and blew out more smoke. That was when he noticed how high up they were, this palace stood almost five times as high as theirs. It was overwhelming to say the least.  He got up and walked over to her, deciding to leave his blade behind so as not to come off as a threat.
“Greetings?” He said politely. She jumped as if she had just seen a ghost, dropping the stick she was holding. He had clearly startled her, so he took a step back lifting his hands in the air to signify that he meant her no harm. She breathed rapidly and began to speak just as rapidly in a foreign tongue. Nur couldn’t understand what she was saying, but the hostility in her tone and her demeanour was hard to miss. He took another step back, ready to defend himself from an attack if need be. He had heard tales of an island with warrior women who could match, and beat, even the strongest male adversary in combat. He decided to tread cautiously.


Nasim...
Nasim Naikuni was beyond peeved. Who was this ******?  He had scared her half to death and almost made her fall off the roof, not to mention burn her favourite grey, three thousand shilling trouser suite when she dropped the cigarette. And what annoyed her even more was that he didn’t seem to register how ******* she was. He just stood there with a blank expression on his face, like a schoolboy waiting for his mistake to be explained to him. Nasim couldn’t stand slow people, they got under her skin. She was yelling at the top of her lungs, which was taxing to say the least, seeing as she had been smoking just seconds ago.
“Are you slow?” She shouted, tapping at her temple repeatedly. “What makes you think you can sneak up on me like that you fool? You almost killed me. Do you realise that?” Then she stopped and studied him, out of breath. She noticed that he seemed unable to understand English and so she switched to Swahili, “Nini mbaya na wewe?” What’s wrong with you? Still there was no response.
She gave him a once over. He dressed strangely. His large, golden brown pants that fluttered in the wind seemed to have been made from an expensive material, though it was like no material she’d laid eyes on before. It bordered somewhere between silk and suede. His shirt was also made of a similar material, but leather brown in colour, matching his leather boots that were laced and reached just under the knee. He stood an inch or two shorter than she did, but she guessed that was probably because she was in heels. He had long hair that seemed to fall halfway down his back in one long braid. He looked almost exotic as he tried to communicate, but she couldn’t place the language or his ethnicity, for his skin-tone was chocolate brown but his hair looked almost like an Asian’s, dark and straight. He spoke in a tongue she had never heard before. There was also something really classy about this boy, whom she guessed to be around eighteen years of age or so. It was like looking at a darker, more pampered version of Sinbad the sailor.
Nasim relaxed a little and decided to give the fellow a chance to introduce himself, in whatever way he intended to do so. He seemed to pick up on this and started explaining something to her, making a couple of gestures, and at some point she thought she saw him mimic a fight, and then  point to the sky. Nasim still didn’t know what he was talking about, but felt a semblance of communication begin to take form. He directed her attention to another part of the roof, probably where he had approached her from. And she saw the blade! With catlike agility she swung her purse at him, the blow caught him square on the jaw with a thud! The bottle of perfume she religiously carried around in it serving a different purpose on this day. He hadn’t seen it coming and so had no chance of stopping it. He staggered backwards as she made a run for it toward the staircase but felt a hand grab her ankle causing her to tumble onto the hot cement floor. At that moment her heart sank, for she knew that she was done for.


Nur...
Nur was perplexed, he didn’t know what he’d done to deserve the assault. The lady had seemed to be calming down, but all of a sudden she had lunged at him with a weapon he had first assumed to be a bag. Though, she didn’t strike with the strength that a warrior would have, and also had made an attempt to flee. This told him two things. One, she wasn’t accustomed to combat... and two, she had attacked more out of fear than strife. Which meant that she posed no immediate threat to him. Also, she was the only person he had met so far and his only hope of figuring out where he was. He couldn’t afford to lose her, not just yet, so he decided to try something he was ashamed he hadn’t thought of sooner. Nur spoke into her head.
‘I mean you no harm.’  He said, and waited. No response. He tried again, concentrating harder this time. ‘Can you hear me? I mean you no harm’
‘LET ME GOOO!’  Her thoughts screamed.
He could understand her, they had made a connection. Progress...

One year later. Nasim...
“Good afternoon people? You’re hangin’ out with me Nasim Naikuni on your favourite show Voices, where you can throw any question you have regarding life... and living it, at me and the voices in my head will answer them for you... yeah, you heard right, the voices in my head. I’ll be takin’ your calls for the next hour. Let’s begin shall we?” Nasim spoke into the microphone just before a voice-over added...
“NASIM NAIKUNI, THE ONLY RADIO PRESENTER THAT’S LITERALLY GONE BONKERS!” And then was followed by some rock music. ‘So what?... I’m still a rock star... ’ Pink’s lyrics belted out as Nasim removed her headphones to take a breather before she talked to her first caller. A breather... and also to have a bit of a chat with the voice in her head. She walked out of the studio into a corridor where she was out of sight, and concentrated, her eyes crinkling from the effort.
‘Hey, are you there?’
‘Uh huh.’ The prince replied.
‘Okay, we’re on in roughly three minutes. Make me look good babes’
‘Don’t I always?’
‘True dat. What are you doing?’
‘Breakfast.’
‘It’s one in the afternoon... ’
‘This is not my planet, therefore I’m not obliged to follow its rules. I can have a one o’clock breakfast if I want to.’
‘Brunch.’
‘What?’
‘Brunch, what your having would be brunch. Breakfast... aaand lunch?’
‘You see? You get all high and mighty on me about this and you even have a name for it? If it is so wrong to have breakfast at this time, then why would your people give the meal a name? I’m just saying.’ Nur said mockingly.
‘I give up’ She replied with a sigh.
‘Nas... Nas?’
Silence.
She walked back into the studio.
“Caller... you’re on air. Shoot.” Nasim said softly, leaning into the microphone.
“Hey Nasim, lovely job you’re doing by the way.”
“Why thank you dear, but I don’t deserve all the credit you know?”
“Yeah I know... you and the voices in your head... ha-ha! Anyway my name is George, and I’m kinda’ in a predicament at the moment. You see, I have a wife and a family... two kids, but I kinda’ got into this relationship outta’... obligation as opposed to real love...”
“Obligation?”
“Yes. I met my wife five years ago in uni’ and we dated. But looking back, I only got into the relationship because I felt I’d led her on and she loved me soo much, I just couldn’t disappoint her. So I got stuck in a phony relationship, at least on my part. Next thing I know, we are pregnant and... It’s been we ever since.”
“So you want to what? Get out of your marriage?”
“I want to be with the person I truly love...”
“Hooo... **! Scoreboard! Now we have lift off. And how long have you known this person that you truly love George?” She said this with a tinge of amusement in her voice.
“Six years... and we’ve been going out for the past two.” He sounded ashamed.
‘He sounds ashamed.’ She heard Nur say observationally.
‘No kidding.’ She retorted.
(In the past year or so, Nasim and Nur had come to an understanding somewhat. After she had struck him with her purse and the little scuffle they’d had on the rooftop, and after convincing herself that she wasn’t going crazy... or that the cigarette she had been smoking wasn’t laced with marijuana or some other hallucinogen, she finally gave in and listened to the voice speaking to her in her thoughts.
‘Please, just give me a chance to explain. I need your help lady!’ He sounded desperate.
She felt sorry for him, but still suspected she could be going nuts.
He continued. ‘I don’t know where I am. My father is dead and I don’t know where I am or how I arrived here, and you’re the only one that can help me right now...’
Nasim, touched now, replied. “How am I supposed to do that? And how are you doing this telepathy thing? Are you really doing this?” She shook her head violently, like a wet dog trying to dry itself, “I’m very confused right now.”
He looked even more confused. ‘Talk to me in my head, I think it is the only way we can communicate with each other.’
She didn’t know how to.
‘It’s simple, concentrate.’ He said reassuringly.
She tried. Still nothing.
‘I could hear you a moment ago, I don’t understand. Let’s try this slowly, repeat after me... Nur.’ He told her.
She heard him, and was thinking what?
He repeated, ‘Nur.’
She tried thinking the word he’d asked her to repeat as hard as she could but he didn’t seem to be getting anything. She decided that the cigarette must have been laced with something. Here she was, on the roof top of her work building trying to master telepathy, with a stranger who just happened to own a sword. This had to be a dream, a nightmare.
‘I must be high.’
‘Yes! Yes! You’re high!’ She heard the excited reply.
‘What?’
‘You did it!’ Nur said happily, ‘you figured it out. And yes, I was also meaning to ask you about how high we are.’
She had done it. Nasim could hear him and answer back, she felt oddly proud of this accomplishment. Then she asked puzzled. ‘High? You get high?’
‘I am high.’ Came the naive reply.
‘Oh...’
‘Why are we so high up? The palaces on our island are half the size of yours, are you that many in your palace that you need to build it so tall?’
Then she understood. And laughed... ‘Who are you? And how did you get here?’
‘My name is Nur... Prince Nur... how I got here? That’s what I’m trying to find out.’ He was being honest.
And thus begun an adventurous relationship between the two. Nasim took him to her apartment that day, passing curious and disapproving looks all the way. The most difficult part being trying to explain to her boss why she was coming from the roof in the company of someone who dressed like a ******, as he put it. She made up something. And he gave her one of those I’ll accept your story just because... looks. Nasim found that hilarious. But she was glad she had asked Nur to leave the sword behind to be recovered later. That would have been a tad difficult to explain. They got to her apartment block and were met by more disapproving looks from a group of nosey old women, the type that love to mind everyone else’s business but their own, as they walked to the lift. And when they got into apartment F6 on the second floor, she introduced Nu
Planet Nairobi… wrote this a couple of months ago, it was turned down by one publisher and awaiting other publisher’s feedback. However, it’s been a minute so I decided to share it with my peoples… if you like my work, this one will get you going… it may have it’s flaws, but hey… I never said I’m perfect, I’m just a writer.
Dr Sam Burton Sep 2014
Whales have no wings to fly
But they have eyes to cry

Whales are so big but kind
They're not easy to find

Whales are definitely so nice
**** them not to eat with rice.


Today is Saturday, Sept. 28, the 269th day of 2014 with 94 to follow.

The moon is waxing. Morning stars are Jupiter, Uranus and Venus. Evening stars are Mars, Mercury, Neptune and Saturn.


In 1825, in England, George Stephenson operated the first locomotive to pull a passenger train.



A thought for the day:



No place epitomizes the American experience and the American spirit more than New York City. -- Michael Bloomberg.



QUOTES FOR THE DAY:




He who is void of virtuous attachments in private life is, or very soon will be, void of all regard for his country. There is seldom an instance of a man guilty of betraying his country, who had not before lost the feeling of moral obligations in his private connections.

------------------------

How strangely will the Tools of a Tyrant pervert the plain Meaning of Words!



Samuel Adams



In university they don't tell you that the greater part of the law is learning to tolerate fools.




Doris Lessing




“The character inherent in the American people has done all that has been accomplished; and it would have done somewhat more, if the government had not sometimes got in its way.”



Henry David Thoreau



"Everything you can imagine is real."



Pablo Picasso



“Ugly. Is irrelevant. It is an immeasurable insult to a woman, and then supposedly the worst crime you can commit as a woman. But ugly, as beautiful, is an illusion.”



Margaret Cho




POETRY




TO THE THAWING WIND



Robert Frost





Come with rain, O loud Southwester!
Bring the singer, bring the nester;
Give the buried flower a dream;
Make the settled snowbank steam;
Find the brown beneath the white;
But whate'er you do tonight,
Bathe my window, make it flow,
Melt it as the ice will go;
Melt the glass and leave the sticks
Like a hermit's crucifix;
Burst into my narrow stall;
Swing the picture on the wall;
Run the rattling pages o'er;
Scatter poems on the floor;
Turn the poet out of door.


About this poem
"To the Thawing Wind" was first published in Frost's collection "A Boy's Will" (Holt, 1915).

About Robert Frost
Robert Frost was born on March 26, 1874, in San Francisco. He was the recipient of four Pulitzer Prizes during his lifetime and read at President John F. Kennedy's inauguration. Frost died in Boston on Jan. 29, 1963.

*
The Academy of American Poets is a nonprofit, mission-driven organization, whose aim is to make poetry available to a wider audience. Email The Academy at poem-a-day[at]poets.org.



This poem is in the public domain.
Distributed by King Features Syndicate





A TIP FOR WOMEN




Choosing Eyeliner



Make sure the color of your eyeliner complements your eyes. Dark brown eyes benefit from plum shades. If you have lighter eyes, try navy and charcoal. Brown eyeliner works well no matter what color your eyes are!




JOKES



WHALES



A little girl was talking to her teacher about whales.

The teacher said it was physically impossible for a whale to swallow a human because even though it was a very large mammal its throat was very small.

The little girl stated that Jonah was swallowed by a whale.

Irritated, the teacher reiterated that a whale could not swallow a human; it was physically impossible.

The little girl: said, "When I get to heaven I will ask Jonah".

The teacher: asked, " What if Jonah went to hell?"

The little girl: replied, "Then you ask him".





JURY SELECTION

The tiresome jury selection process continued, each side hotly contesting and dismissing potential jurors. Don O'Brian was called for his question session.

"Property holder?"

"Yes, I am, Your Honor."

"Married or single?"

"Married for twenty years, Your Honor."

"Formed or expressed an opinion?"

"Not in twenty years, Your Honor."





Questionable Predictions



Nostradamus recently turned 500. Here are some other predictions from lesser lights:

- Law will be simplified (over the next century). Lawyers will have diminished, and their fees will have been vastly curtailed. --Junius Henri Browne 1893

- By 1960, work will be limited to three hours a day. --John Langdon-Davies

- Hurrah, Boys, we've caught them napping. We'll finish them up and go home to our station. --George A. Custer, 1876, prior to the Battle of Little Big Horn

- Get rid of the pointed-ears guy. --NBC executive, regarding Mr. Spock of STAR TREK, 1966

- Telephones (will) bring peace on earth, eliminate Southern accents, and save the farm by making farmers less lonely. --printed in THE WALL STREET JOURNAL, Century-old Pronouncements, 1995





Stupid True Headlines



- Something Went Wrong in Jet Crash, Expert Says

- Police Begin Campaign to Run Down Jaywalkers

- Safety Experts Say School Bus Passengers Should Be Belted

- Drunk Gets Nine Months in Violin Case

- Survivor of Siamese Twins Joins Parents

- Farmer Bill Dies in House

- Iraqi Head Seeks Arms

- Is There a Ring of Debris around Uranus?

- Stud Tires Out

- Prostitutes Appeal to Pope

- Panda Mating Fails; Veterinarian Takes Over

- Soviet ****** Lands Short of Goal Again

- British Left Waffles on Falkland Islands

- Lung Cancer in Women Mushrooms

- Eye Drops off Shelf

- Teacher Strikes Idle Kids

- Include your Children When Baking Cookies

- Squad Helps Dog Bite Victim

- Shot Off Woman's Leg Helps Nicklaus to 66

- Enraged Cow Injures Farmer with Axe

- Plane Too Close to Ground, Crash Probe Told

- Miners Refuse to Work after Death

- Juvenile Court to Try Shooting Defendant

- Stolen Painting Found by Tree

- Two Soviet Ships Collide, One Dies

- Two Sisters Reunited after 18 Years in Checkout Counter

- Killer Sentenced to Die for Second Time in 10 Years



- Never Withhold ****** Infection from Loved One

- Drunken Drivers Paid $1000 in '84

- War Dims Hope for Peace

- If Strike isn't Settled Quickly, It May Last a While

- Cold Wave Linked to Temperatures

- Enfields Couple Slain; Police Suspect Homicide

- Red Tape Holds Up New Bridge

- Deer **** 17,000

- Typhoon Rips Through Cemetery; Hundreds Dead

- Man Struck by Lightning Faces Battery Charge

- New Study of Obesity Looks for Larger Test Group

- Astronaut Takes Blame for Gas in Spacecraft

- Kids Make Nutritious Snacks

- Chef Throws His Heart into Helping Feed Needy

- Arson Suspect is Held in Massachusetts Fire

- British Union Finds Dwarfs in Short Supply

- Ban On Soliciting Dead in Trotwood

- Lansing Residents Can Drop Off Trees

- Local High School Dropouts Cut in Half

- New Vaccine May Contain Rabies

- Man Minus Ear Waives Hearing

- Deaf College Opens Doors to Hearing

- Air Head Fired

- Steals Clock, Faces Time

- Prosecutor Releases Probe into Undersheriff

- Old School Pillars are Replaced by Alumni

- Bank Drive-in Window Blocked by Board

- Hospitals are Sued by 7 Foot Doctors

- Some Pieces of Rock Hudson Sold at Auction

- *** Education Delayed, Teachers Request Training





HAVE A FABULOUS SUNDAY!
Steph's Corner Oct 2013
So I turned 32 today.
Penniless birthday,
almost.

Howling rains
woke me up
and I fell back asleep.
And the cat respected my
birthday.
Did not claw my lips like
my usual feline alarm.

The birthday flowers
in the morning
were vivid.
My mother bought them,
deep red and
deep yellow.

I requested
for birthday lunch
my mother’s
home-cooked burgers
and fries sprinkled with
iodized salt.
And I filled myself up
with them hot and crispy
fries
and didn’t care if they
stayed inside my guts
until 2014.

I never really liked cake.
Opted for a dozen original glazed.
Heavenly donuts.
Two of them tumbled down
the escalators.
The first birthday flaw.
Like a bleep in the
grand scheme of
birthday things.

I brought them to a Greek
restaurant.
My mom and dad
and two sisters.
Not really hungry.
Just hungry
for a different taste.

The salad had candied
walnuts among the greens
and the reds.
Progressive Greece.

Then a classic lamb dish.
Classic Greece.
And the waiters
in stuffy white
bellowed a birthday
greeting, dropping the “h”
from my name.
Belted out a non-Grecian
birthday song.
No Grecian dance.

But they gave me
an ice cream treat.
Lighted a solitary
blue candle, which
balanced on the semi-liquid
hills of vanilla, caramel and
walnuts.
The small ice cream hills
illuminated by
the dancing
birthday light.
Diana Sep 2018
I want a relationship
That's anything but typical
One that defies cliches
And the definition of spontaneous

I want to be so in tune with another
To the point where it feels
As though a piece of me
Has crawled its way into him
Permanently

I want a relationship
That takes a detour from anything
Stereotypical
Such as dinner and a movie for a first date
To thrift store shopping
In the streets of Seattle
At dusk
While ending the night
At a warm cozy cafe
Situated on a quiet corner
In the shadows of the city
Where poetry is either
Softly spoken
Or bitterly belted out
From within one's own soul
On a rugged beaten-up stage
With nothing but a spotlight
Mic
And wooden stool
All while we sip on tea
(Because I don't like coffee)
And reminisce on the moments
Worth remembering
That were made that day together
In between fits of laughter
While secretly dreaming
About the future ones to be made
In the comfort of our minds
As we tightly grasp our warm mugs
In front of our lips
To hide the shy smiles
That dare to make an appearance
Randi B Jan 2014
I was young when I learned to sing
to the rhythm of fists
flying through the air
like birds too angry
with the season to call.
I was young when I thought a tune
could drown the sounds
of my mother’s sobs
crashing through hallways
in tidal waves and monsoon misery.
I was young when I carved
songs in the wallpaper
and into my delicate skin.
I turned bruises into syncopated beats
and scars into major scales.
My stepfather hated music
but I was an ornery child,
and I sang of joyous things
just to see if his soul could dance,
but instead,
I got two left feet in swift kicks.
When I was was young I was afraid of sticks
because I thought my body was a drum
to be beaten and battered
to a punishing rhythm.
I was young when I learned
that the taste of blood on my lip
was merely the flicker before the intermission;
the finale would be a grand display
of pomp, punch, and unlucky circumstance.
My mother was a tone-deaf drunk
who never learned to sing.
She belted begging in B flat octaves
like it was the only note she knew.
She wept an ocean of sorrow
as I sang my S.O.S.
“God, save our sinking ship.”
“God, save our sinking souls.”
“God, save our sorry stepfather from himself.”
And when I thought to cry,
I sang my little heart out instead.
I sang of devil's meeting end,
and I sang of daughter's finding love,
and I sang of mother's finding
strength enough to leave,
and I sang to the happy families
that only existed in sitcoms,
because my stepfather hated music
but I hated him far more.
Tawanda Mulalu Jul 2015
O
The Who
belted out adolescent
stress
through edgy
guitar riffs
like they still had
pimples
long after they
became
famous.

And me
I
I
often forget
that
I'm
I'm
supposed to be
becoming
a
Man
or something
like that.

My hands are bleeding surely:
my guitar pick isn't my fingers
but soon I'll write these nonsensicals
in blood. But nobody should scream
out for that. Nobody should buy
my words like rock-albums.
Nobody should ask Who
is he and Who
am I because

me
I
I
often forget
that
I'm
I'm
supposed to be
becoming
a
Man
or something
like that.

While
The Who
O
The Who
belt out
out adolescent
stress
through edgy
guitar riffs
like they still have
pimples
long after  
becoming
famous

like Who?
Awesome band.
Ambika Jois Nov 2015
He
He refuses to offer a piece of his heart
'Cause he can't trust it'll be kept unbroken
He keeps his feelings belted smart
Chances for new emotions left untouched and unspoken

He offers his rut, fresh and mastered
Decides it's the best and most he wants for now
The heart that's growing a case on him is being plastered
At the mere longing to exchange a loyalty vow

There is hope he will change and offer more
With no guarantee of his final choice for a future;
There is hope, at the depth of a bruised heart still sore
Longing to hold him close upon his merciful role as a suture.
I built my soul a lordly pleasure-house,
    Wherein at ease for aye to dwell.
I said, "O Soul, make merry and carouse,
      Dear soul, for all is well."

  A huge crag-platform, smooth as burnish'd brass
    I chose. The ranged ramparts bright
From level meadow-bases of deep grass
      Suddenly scaled the light.

  Thereon I built it firm. Of ledge or shelf
    The rock rose clear, or winding stair.
My soul would live alone unto herself
      In her high palace there.

  And "while the world runs round and round," I said,
    "Reign thou apart, a quiet king,
Still as, while Saturn whirls, his steadfast shade
      Sleeps on his luminous ring."

  To which my soul made answer readily:
    "Trust me, in bliss I shall abide
In this great mansion, that is built for me,
      So royal-rich and wide."

* * * *

  Four courts I made, East, West and South and North,
    In each a squared lawn, wherefrom
The golden gorge of dragons spouted forth
      A flood of fountain-foam.

  And round the cool green courts there ran a row
    Of cloisters, branch'd like mighty woods,
Echoing all night to that sonorous flow
      Of spouted fountain-floods.

  And round the roofs a gilded gallery
    That lent broad verge to distant lands,
Far as the wild swan wings, to where the sky
      Dipt down to sea and sands.

  From those four jets four currents in one swell
    Across the mountain stream'd below
In misty folds, that floating as they fell
      Lit up a torrent-bow.

  And high on every peak a statue seem'd
    To hang on tiptoe, tossing up
A cloud of incense of all odour steam'd
      From out a golden cup.

  So that she thought, "And who shall gaze upon
    My palace with unblinded eyes,
While this great bow will waver in the sun,
      And that sweet incense rise?"

  For that sweet incense rose and never fail'd,
    And, while day sank or mounted higher,
The light aerial gallery, golden-rail'd,
      Burnt like a fringe of fire.

  Likewise the deep-set windows, stain'd and traced,
    Would seem slow-flaming crimson fires
From shadow'd grots of arches interlaced,
      And tipt with frost-like spires.

* * *

  Full of long-sounding corridors it was,
    That over-vaulted grateful gloom,
Thro' which the livelong day my soul did pass,
      Well-pleased, from room to room.

  Full of great rooms and small the palace stood,
    All various, each a perfect whole
From living Nature, fit for every mood
      And change of my still soul.

  For some were hung with arras green and blue,
    Showing a gaudy summer-morn,
Where with puff'd cheek the belted hunter blew
      His wreathed bugle-horn.

  One seem'd all dark and red--a tract of sand,
    And some one pacing there alone,
Who paced for ever in a glimmering land,
      Lit with a low large moon.

  One show'd an iron coast and angry waves.
    You seem'd to hear them climb and fall
And roar rock-thwarted under bellowing caves,
      Beneath the windy wall.

  And one, a full-fed river winding slow
    By herds upon an endless plain,
The ragged rims of thunder brooding low,
      With shadow-streaks of rain.

  And one, the reapers at their sultry toil.
    In front they bound the sheaves. Behind
Were realms of upland, prodigal in oil,
      And hoary to the wind.

  And one a foreground black with stones and slags,
    Beyond, a line of heights, and higher
All barr'd with long white cloud the scornful crags,
      And highest, snow and fire.

  And one, an English home--gray twilight pour'd
    On dewy pastures, dewy trees,
Softer than sleep--all things in order stored,
      A haunt of ancient Peace.

  Nor these alone, but every landscape fair,
    As fit for every mood of mind,
Or gay, or grave, or sweet, or stern, was there,
      Not less than truth design'd.

* * *

  Or the maid-mother by a crucifix,
    In tracts of pasture sunny-warm,
Beneath branch-work of costly sardonyx
      Sat smiling, babe in arm.

  Or in a clear-wall'd city on the sea,
    Near gilded *****-pipes, her hair
Wound with white roses, slept St. Cecily;
      An angel look'd at her.

  Or thronging all one porch of Paradise
    A group of Houris bow'd to see
The dying Islamite, with hands and eyes
      That said, We wait for thee.

  Or mythic Uther's deeply-wounded son
    In some fair space of sloping greens
Lay, dozing in the vale of Avalon,
      And watch'd by weeping queens.

  Or hollowing one hand against his ear,
    To list a foot-fall, ere he saw
The wood-nymph, stay'd the Ausonian king to hear
      Of wisdom and of law.

  Or over hills with peaky tops engrail'd,
    And many a tract of palm and rice,
The throne of Indian Cama slowly sail'd
      A summer fann'd with spice.

  Or sweet Europa's mantle blew unclasp'd,
    From off her shoulder backward borne:
From one hand droop'd a crocus: one hand grasp'd
      The mild bull's golden horn.

  Or else flush'd Ganymede, his rosy thigh
    Half-buried in the Eagle's down,
Sole as a flying star shot thro' the sky
      Above the pillar'd town.

  Nor these alone; but every legend fair
    Which the supreme Caucasian mind
Carved out of Nature for itself, was there,
      Not less than life, design'd.

* * *

  Then in the towers I placed great bells that swung,
    Moved of themselves, with silver sound;
And with choice paintings of wise men I hung
      The royal dais round.

  For there was Milton like a seraph strong,
    Beside him Shakespeare bland and mild;
And there the world-worn Dante grasp'd his song,
      And somewhat grimly smiled.

  And there the Ionian father of the rest;
    A million wrinkles carved his skin;
A hundred winters snow'd upon his breast,
      From cheek and throat and chin.

  Above, the fair hall-ceiling stately-set
    Many an arch high up did lift,
And angels rising and descending met
      With interchange of gift.

  Below was all mosaic choicely plann'd
    With cycles of the human tale
Of this wide world, the times of every land
      So wrought, they will not fail.

  The people here, a beast of burden slow,
    Toil'd onward, *****'d with goads and stings;
Here play'd, a tiger, rolling to and fro
      The heads and crowns of kings;

  Here rose, an athlete, strong to break or bind
    All force in bonds that might endure,
And here once more like some sick man declined,
      And trusted any cure.

  But over these she trod: and those great bells
    Began to chime. She took her throne:
She sat betwixt the shining Oriels,
      To sing her songs alone.

  And thro' the topmost Oriels' coloured flame
    Two godlike faces gazed below;
Plato the wise, and large brow'd Verulam,
      The first of those who know.

  And all those names, that in their motion were
    Full-welling fountain-heads of change,
Betwixt the slender shafts were blazon'd fair
      In diverse raiment strange:

  Thro' which the lights, rose, amber, emerald, blue,
    Flush'd in her temples and her eyes,
And from her lips, as morn from Memnon, drew
      Rivers of melodies.

  No nightingale delighteth to prolong
    Her low preamble all alone,
More than my soul to hear her echo'd song
      Throb thro' the ribbed stone;

  Singing and murmuring in her feastful mirth,
    Joying to feel herself alive,
Lord over Nature, Lord of the visible earth,
      Lord of the senses five;

  Communing with herself: "All these are mine,
    And let the world have peace or wars,
'T is one to me." She--when young night divine
      Crown'd dying day with stars,

  Making sweet close of his delicious toils--
    Lit light in wreaths and anadems,
And pure quintessences of precious oils
      In hollow'd moons of gems,

  To mimic heaven; and clapt her hands and cried,
    "I marvel if my still delight
In this great house so royal-rich, and wide,
      Be flatter'd to the height.

  "O all things fair to sate my various eyes!
    O shapes and hues that please me well!
O silent faces of the Great and Wise,
      My Gods, with whom I dwell!

  "O God-like isolation which art mine,
    I can but count thee perfect gain,
What time I watch the darkening droves of swine
      That range on yonder plain.

  "In filthy sloughs they roll a prurient skin,
    They graze and wallow, breed and sleep;
And oft some brainless devil enters in,
      And drives them to the deep."

  Then of the moral instinct would she prate
    And of the rising from the dead,
As hers by right of full accomplish'd Fate;
      And at the last she said:

  "I take possession of man's mind and deed.
    I care not what the sects may brawl.
I sit as God holding no form of creed,
      But contemplating all."

* * * *

  Full oft the riddle of the painful earth
    Flash'd thro' her as she sat alone,
Yet not the less held she her solemn mirth,
      And intellectual throne.

  And so she throve and prosper'd; so three years
    She prosper'd: on the fourth she fell,
Like Herod, when the shout was in his ears,
      Struck thro' with pangs of hell.

  Lest she should fail and perish utterly,
    God, before whom ever lie bare
The abysmal deeps of Personality,
      Plagued her with sore despair.

  When she would think, where'er she turn'd her sight
    The airy hand confusion wrought,
Wrote, "Mene, mene," and divided quite
      The kingdom of her thought.

  Deep dread and loathing of her solitude
    Fell on her, from which mood was born
Scorn of herself; again, from out that mood
      Laughter at her self-scorn.

  "What! is not this my place of strength," she said,
    "My spacious mansion built for me,
Whereof the strong foundation-stones were laid
      Since my first memory?"

  But in dark corners of her palace stood
    Uncertain shapes; and unawares
On white-eyed phantasms weeping tears of blood,
      And horrible nightmares,

  And hollow shades enclosing hearts of flame,
    And, with dim fretted foreheads all,
On corpses three-months-old at noon she came,
      That stood against the wall.

  A spot of dull stagnation, without light
    Or power of movement, seem'd my soul,
'Mid onward-sloping motions infinite
      Making for one sure goal.

  A still salt pool, lock'd in with bars of sand,
    Left on the shore, that hears all night
The plunging seas draw backward from the land
      Their moon-led waters white.

  A star that with the choral starry dance
    Join'd not, but stood, and standing saw
The hollow orb of moving Circumstance
      Roll'd round by one fix'd law.

  Back on herself her serpent pride had curl'd.
    "No voice," she shriek'd in that lone hall,
"No voice breaks thro' the stillness of this world:
      One deep, deep silence all!"

  She, mouldering with the dull earth's mouldering sod,
    Inwrapt tenfold in slothful shame,
Lay there exiled from eternal God,
      Lost to her place and name;

  And death and life she hated equally,
    And nothing saw, for her despair,
But dreadful time, dreadful eternity,
      No comfort anywhere;

  Remaining utterly confused with fears,
    And ever worse with growing time,
And ever unrelieved by dismal tears,
      And all alone in crime:

  Shut up as in a crumbling tomb, girt round
    With blackness as a solid wall,
Far off she seem'd to hear the dully sound
      Of human footsteps fall.

  As in strange lands a traveller walking slow,
    In doubt and great perplexity,
A little before moon-rise hears the low
      Moan of an unknown sea;

  And knows not if it be thunder, or a sound
    Of rocks thrown down, or one deep cry
Of great wild beasts; then thinketh, "I have found
      A new land, but I die."

  She howl'd aloud, "I am on fire within.
    There comes no murmur of reply.
What is it that will take away my sin,
      And save me lest I die?"

  So when four years were wholly finished,
    She threw her royal robes away.
"Make me a cottage in the vale," she said,
      "Where I may mourn and pray.

  "Yet pull not down my palace towers, that are
    So lightly, beautifully built:
Perchance I may return with othe
to a friend

No! those days are gone away
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.

    No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.

    On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale
Messenger for spicy ale.

    Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grenè shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her--strange! that honey
Can't be got without hard money!

    So it is: yet let us sing,
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
  And to all the Sherwood-clan!
Though their days have hurried by
Let us two a burden try.
Emily Thompson Nov 2012
I need you to know, how I want you like I do.
I am afraid if I tell you I might lose it all.
I look into your eyes as you speak to me,  they seem to taunt me so.
I watch you move and my stomach cramps and begins to ache.
I have always dreamed of someone like you,
You remind me so much of someone else I know.

You're the perfect person for me, this I know.
Your touch, just one fingertip, and it fills me up.
If only I could touch your face and kiss your lips,
I have laid awake in my bed at night just dreaming of this.

If only you'd give me a chance to be more than just a friend,
You are my missing piece.
I know it got weird when we tried to be more than friends.
Maybe there was too much pressure from everyone else who knew us,
To do the right thing.
Can we try again?
We stopped talking for weeks at a time,
Things just weren't the same without you around.

As a friend, and maybe nothing more,
I am so comfortable with you,
I feel I could tell you anything and you would listen.
You really care, and you are always there.
I have told you so much already, more than any other guy that I've known for just one year.
You have a kind heart, a warm smile, with every "Hi" in the hall as you pass me.

I hear someone say your name and it burns in my heart.
I love talking and sharing with you.
We have stayed up many nights just talking about nothing at all.
It has been so nice.
You make me feel at ease, and we have so much in common.
We are alike in so many ways;  I have stopped counting when I ran out of fingers.
You, like no one else I know has the same disturbed sense of humor and we always seem to laugh at the same kinds of things.
We like all the same old classic movies, and have the same music taste.
Before meeting you, I thought I was the only one who still listened to Price, and belted out the lyrics to all his well- knowns.
We have so much to talk about, I feel that we could go on for days.

When will you let me know, if I am the one?
I know we are too good of friends to ruin it all.
But haven't you ever thought about it, or wanted it too?
It's too much like a game with you because you don't know what you want.
I will let you know I want to walk with you, hand in hand,
If you asked me to marry you, I definitely would.
I want to tell you things I've told no one else because the sound of your voice comforts me.
I've pictured us together someday.

I wished that day would come sooner as I know it will never be.
We've had some good times together anyway, that I will never ever forget.
I just think of the memories we could have if we could be even more.
Is that possible? I don't know?  Or would it change it all?

You leave me and your scent lingers behind,
I breathe it in and picture you making me laugh, as only you know how to do.
If I ever needed to find you I can always trace your path and where you've been down the hall.
I just follow the warm Polo scent, which you leave everywhere you go.

I want to be more than a friend to you.
But time and again you leave me for the desire of another girl.
I wait patiently for your return for I know it won't last long.
Days pass and I see you with another, you seem happy, and I guess I'm glad.

Then the day comes when there's a knock at my door,
I open it to see you standing there to say again that it was over, and that things didn't work out.
You always seem to come back to me after something with another girl went sour.
I don't know if you have just come to talk about it, or to say that it was over, will you be my second choice?
I realized it time after time that I always come in second with you after something with a girl had gone terribly wrong.
Did you beg for my forgiveness?  Or just wait for me to say, "I told you so."
I don't really know?

You are the nicest guy I think I have ever met.
Maybe you are too nice and that is what attracts me to you time after time.
Maybe you are too real and too close to me.
You are too good of a person to happen to me.
And finally I realized it by the end of the year, you would never happen to me.
You would always pick and desire another girl and that's not me.

I am glad I've gotten to know you like I have,
In just one short year, you became one of my best friends.
I wouldn't have made it through my first year of college without you.
You are a special guy to me, and always will be.
I'll never forget you no matter what happens in the future and what you think of me.
I think of you often and it always makes me smile.
You always knew just what to say to get me to laugh.
I just wonder what you are doing now, at this very second, while I am thinking of you.

I guess there comes a time when I would have rather had your friendship as a friend and nothing more.
Than not to have you in my life at all.
You mean a lot to me, more than you will ever know.
I couldn't stand losing you.
That's maybe why we've both decided in our own minds just to stay friends and not more.
You don't have to say anything,
I believe that we share a special bond that will never be broken or forgotten.
No matter what happens next,
I will never forget you "Fannie"
And all the times we shared.
Dr Sam Burton Oct 2014
What a shame
When someone loses fame
For doing nothing
Because of a shortcoming

For days, he was liked
Taken care of and prized
But once he had to be away
Got forgotten and castaway

He was called a liar
To be put on fire
He was blamed
Accused and defamed

For, frankly speaking, no reason
Yet he was charged with treason
Days ago was a family member
Now he's put at stake of timber

Indeed, very odd is man
When he is subject to ban
When jealousy driven
And heart-striken

Lucky is a freeman
Who refuses to live in a can
Lucky is the man
Who is not fried on a pan.

Sam Burton(C)







Today is Friday, Oct. 11, the 284 day of 2014 with 81 to follow.

The moon is waning. Morning stars are Jupiter and Venus. Evening stars are Mars, Mercury, Neptune, Uranus and Saturn.
In 1845, the U.S. Naval Academy was formally opened at Fort Severn, Annapolis, Md., with 50 midshipmen in the first class.

In 1886, Griswold Lorillard of Tuxedo Park, N.Y., fashioned the first tuxedo for men.

A thought for the day:

We all should rise above the clouds of ignorance, narrowness and selfishness. -- Booker T. Washington


Quotes for the day:

A good traveller is one who does not know where he is going to, and a perfect traveller does not know where he came from.

------------------------

All women's dresses are merely variations on the eternal struggle between admitted desire to dress and the unadmitted desire to undress.

Lin Yutang

"What seems to us as bitter trials are often blessings in disguise."

Oscar Wilde

"It takes but one positive thought when given a chance to survive and thrive to overpower an entire army of negative thoughts."

Robert H. Schuller

My boyfriend and I broke up. He wanted to get married and I didn't want him to.

Rita Rudner

It is only by following your deepest instinct that you can lead a rich life, and if you let your fear of consequence prevent you from following your deepest instinct, then your life will be safe, expedient and thin.

Katharine Butler Hathaway


TIVIA


What made Lucky Lindy so special?

Charles Lindbergh was not the first man to fly the Atlantic. He was the sixty-seventh. The first sixty-six made the crossing in dirigibles and twin-engine mail planes. Lindbergh was the first to make the dangerous flight alone.

Can your brain hurt?

Only figuratively -- Pain from any injury or illness is always registered by the brain. Yet, curiously, the brain tissue itself is immune to pain; it contains none of the specialized receptor cells that sense pain in other parts of the body. The pain associated with brain tumors does not arise from brain cells but from the pressure created by a growing tumor or tissues outside the brain.


Where can you see a lot of magnets?

More than 7,000 magnets are on display at the Guinness World of Records Museum and Gift Shop, located on the Las Vegas Strip. The exhibit is a portion of the more than 26,000-magnet collection of Louise J. Greenfarb, dubbed "The Magnet Lady," whose accumulation was designated by the Guinness Book of World Records as the world's "Largest Refrigerator Magnet" collection.



Poetry

Evening Star

Edgar Allan Poe

'Twas noontide of summer,
And mid-time of night;
And stars, in their orbits,
Shone pale, thro' the light
Of the brighter, cold moon,
'Mid planets her slaves,
Herself in the Heavens,
Her beam on the waves.
I gazed awhile
On her cold smile;
Too cold- too cold for me-
There pass'd, as a shroud,
A fleecy cloud,
And I turned away to thee,
Proud Evening Star,
In thy glory afar,
And dearer thy beam shall be;
For joy to my heart
Is the proud part
Thou bearest in Heaven at night,
And more I admire
Thy distant fire,
Than that colder, lowly light.


Vocabulary

Strudel

noun

: a pastry made from a thin sheet of dough rolled up with filling and baked

Example:

Strudels are usually made with high-gluten flour to increase the malleability of the dough.

"The Supremes belted out a song on the radio, their voices as smooth and flawless as the ribbon of cream Kirsten poured from the pitcher onto her father's strudel, and the whole house smelled cheerfully of pork and spiced apples, laced with a note of butter. — From Rebecca Coleman’s 2011 novel The Kingdom of Childhood



Health and Beauty Tip

Mineral Water for greasy hair

If you have oily hair, use a shampoo that contains zinc. It's okay to condition if you feel you need it -- just don't use it on your roots and scalp.


JOKES

Funny News

From the Churchdown Parish Magazine:
"Would the Congregation please note that the bowl at the back of the Church, labelled 'For The Sick,' is for monetary donations only."

-o-

From The Guardian concerning a sign seen in a Police canteen in Christchurch, New Zealand:
'Will the person who took a slice of cake from the Commissioner's Office return it immediately. It is needed as evidence in a poisoning case."

-o-

From The Times:

A young girl, who was blown out to sea on a set of inflatable teeth, was rescued by a man on an inflatable lobster. A coast-guard spokesman commented: 'This sort of thing is all too common these days.'

-o-

From The Gloucester Citizen:

A *** line caller complained to Trading Standards. After dialling an 0891 number from an advertisement entitled 'Hear Me Moan' the caller was played a tape of a woman nagging her husband for failing to do jobs around the house! . Consumer Watchdogs in Dorset refused to look into the complaint, saying, 'He got what he deserved.'

-o-

From The Barnsley Chronicle:

Police arrived quickly, to find Mr Melchett hanging by his fingertips from the back wall. He had run out of the house when the owner, Paul Finch, returned home unexpectedly, and, spotting an intruder in the garden, had visiting Mrs Finch and, hearing the front door open, had climbed out of the rear window. But the back wall was 8 feet high and Mr Melchett had been unable to get his leg over.

-o-

From The Scottish Big Issue:

In Sydney, 120 men named Henry attacked each other during a 'My Name is Henry' convention. Henry ****** of Canberra accused Henry Pap of Sydney of not being a Henry at all, but in fact an Angus. 'It was a lie', explained Mr Pap, 'I'm a Henry and always will be,' whereupon Henry Pap attacked Henry ******, whilst two other Henrys - Jones and Dyer - attempted ! to pull them apart. Several more Henrys - Smith, Calderwood an! d Andrew s - became involved and soon the entire convention descended into a giant fist fight. The brawl was eventually broken up by riot police, led by a man named Shane.

-o-

From The Daily Telegraph:

In a piece headed "Brussels Pays 200,000 Pounds to Save Prostitutes": "[T]he money will not be going directly into the prostitutes' pocket, but will be used to encourage them to lead a better life. We will be training them for new positions in hotels."

-o-

From The Derby Abbey Community News:

We apologise for the error in the last edition, in which we stated that 'Mr Fred Nicolme is a defective in the police force.' This was a typographical error. We meant of course that Mr Nicolme is a detective in the police farce.

-o-
From The Guardian:

After being charged 20 pounds for a 10 pounds overdraft, 30 year old Michael Howard of Leeds changed his name by deed poll to 'Yorkshire Bank Plc are Fascist! *s.' The Bank has now asked him to close his account, and Mr *s has asked them to repay the 69p balance by cheque, made out in his new name.

-o-

From The Manchester Evening News:

Police called to arrest a naked man on the platform at Piccadilly Station released their suspect after he produced a valid rail ticket.

-o-

An Austrian circus dwarf died recently when he bounced sideways from a trampoline and was swallowed by a hippopotamus. Seven thousand people watched as little Franz Dasch popped into the mouth of Hilda the Hippo and the animal's gag reflex forced it to swallow. The crowd applauded wildly before other circus people realized what had happened.

-o-

An elderly woman at a unit for sufferers of senile dementia passed round a box of mothballs thinking that they were mints. Eleven people were taken to hospital for treatment.

Confessional Etiquette


The new priest is nervous about hearing confessions, so he asks an older priest to sit in on his sessions. The new priest hears a couple confessions, then the old priest asks him to step out of the confessional for a few suggestions.
The old priest says, "Cross your arms over your chest and rub your chin with one hand."

The new priest tries this. The old priest suggests, "Try saying things like, 'I see,' 'yes,' 'go on,' 'I understand,' and 'how did you feel about that?'"

The new priest says those things, trying them out. The old priest says, "Now, don't you think that's a little better than saying, 'Whoa... What happened next?'"

So Funny

A guy purchased Willie Nelson's hair for $37,000. ***** removed his braids and the guy bought them for $37,000. This is the kind of decision you make after spending the day on Willie's tour bus.

David Litterman

Did you hear what happened to Willie Nelson's hair? They sold it. There was an auction this week and a pair of Willie Nelson's braids sold for $37,000. It's a good deal because each braid has a street value of $80,000.

Jimmy Kimmel

Quick Blonde Jokes

Q: Why did the blonde keep putting quarters in the soda vending machine?

A: Because she thought she was winning.

Q: Why did the blonde take 16 friends to the movies?

A: Under 17 not admitted!

Q: Why did the blonde bake a chicken for 3 and a half days?

A: It said cook it for half an hour per pound, and she weighed 125.


Have a very nice Saturday!
You may talk o’ gin and beer
When you’re quartered safe out ‘ere,
An’ you’re sent to penny-fights an’ Aldershot it;
But when it comes to slaughter
You will do your work on water,
An’ you’ll lick the bloomin’ boots of ‘im that’s got it.
Now in Injia’s sunny clime,
Where I used to spend my time
A-servin’ of ‘Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
      He was “Din! Din! Din!
  You limpin’ lump o’ brick-dust, Gunga Din!
      Hi! slippery hitherao!
      Water, get it!  Panee lao!
  You squidgy-nosed old idol, Gunga Din.”

The uniform ‘e wore
Was nothin’ much before,
An’ rather less than ‘arf o’ that be’ind,
For a piece o’ twisty rag
An’ a goatskin water-bag
Was all the field-equipment ‘e could find.
When the sweatin’ troop-train lay
In a sidin’ through the day,
Where the ‘eat would make your bloomin’ eyebrows crawl,
We shouted “Harry By!”
Till our throats were bricky-dry,
Then we wopped ‘im ‘cause ‘e couldn’t serve us all.
      It was “Din! Din! Din!
  You ‘eathen, where the mischief ‘ave you been?
      You put some juldee in it
      Or I’ll marrow you this minute
  If you don’t fill up my helmet, Gunga Din!”

‘E would dot an’ carry one
Till the longest day was done;
An’ ‘e didn’t seem to know the use o’ fear.
If we charged or broke or cut,
You could bet your bloomin’ nut,
‘E’d be waitin’ fifty paces right flank rear.
With ‘is mussick on ‘is back,
‘E would skip with our attack,
An’ watch us till the bugles made “Retire”,
An’ for all ‘is ***** ‘ide
‘E was white, clear white, inside
When ‘e went to tend the wounded under fire!
      It was “Din! Din! Din!”
  With the bullets kickin’ dust-spots on the green.
      When the cartridges ran out,
      You could hear the front-files shout,
  “Hi! ammunition-mules an’ Gunga Din!”

I shan’t forgit the night
When I dropped be’ind the fight
With a bullet where my belt-plate should ‘a’ been.
I was chokin’ mad with thirst,
An’ the man that spied me first
Was our good old grinnin’, gruntin’ Gunga Din.
‘E lifted up my ‘ead,
An’ he plugged me where I bled,
An’ ‘e guv me ‘arf-a-pint o’ water-green:
It was crawlin’ and it stunk,
But of all the drinks I’ve drunk,
I’m gratefullest to one from Gunga Din.
      It was “Din! Din! Din!
  ‘Ere’s a beggar with a bullet through ‘is spleen;
      ‘E’s chawin’ up the ground,
      An’ ‘e’s kickin’ all around:
  For Gawd’s sake *** the water, Gunga Din!”

‘E carried me away
To where a dooli lay,
An’ a bullet come an’ drilled the beggar clean.
‘E put me safe inside,
An’ just before ‘e died,
“I ‘ope you liked your drink”, sez Gunga Din.
So I’ll meet ‘im later on
At the place where ‘e is gone—
Where it’s always double drill and no canteen;
‘E’ll be squattin’ on the coals
Givin’ drink to poor ****** souls,
An’ I’ll get a swig in hell from Gunga Din!
      Yes, Din! Din! Din!
  You Lazarushian-leather Gunga Din!
      Though I’ve belted you and flayed you,
      By the livin’ Gawd that made you,
  You’re a better man than I am, Gunga Din!
Terry Collett Mar 2012
Celia looked at her reflection
In the back of the spoon;
Her face was blown outward
As if captured on some balloon.
It almost made her laugh;
The memory of it;
How she and her sister Sassy
Would do that as kids,
Before the dark days,
Before her death in a bath.
That drowning, that sad death.
Sassy’s husband had beaten her
Black and blue and green
And she’d hide herself away
So as not to be seen.
But she’d seen her,
Seen the bruises
Like smudged tattoos,
The closed eyes,
The swollen lips,
The hardly able to talk words
Pushing through the mouth
To say: he says he loves me still.
Celia stared at her reflection,
The way her own mouth was distorted,
Her lips blown up, her eyes enlarged,
Out of proportion.
She almost laughed,
But something about Sassy’s sad death
Made her stifle any guffaw
That may have broken free
From her distorted reflected jaw.
There was the time she’d seen her
******* for bed when she stayed
Because Sassy’s husband (the weird freak)
Was off on business, some big deal,
Needing to be pulled off,
And she saw the black and blueness
With tinges of green
Along her naked flesh,
The buttocks welted
Where he had belted.
Sassy had said nothing,
Had not noticed Celia looking,
Had not thought it unusual
To be unclothed as such
Away from other’s peering eyes.
Now Sassy was dead;
Found in the bath;
Drugged out, wrists slit,
Having drowned recorded.
But he had driven her over the edge;
He had bullied and beaten
Like some spoilt cruel child
An unwanted toy.
Celia turned the spoon over
And put it down.
No more desire to laugh,
Just fond memories of Sassy
Before her death in the bath.
avital Oct 2013
“You can’t go.”
His hand gripped my wrist, an urgency in his voice. We had been best friends since we first met in second grade, and our relationship had taken a sudden (and maybe one could go as far as to say inevitable) turn freshman year of high school. And yet here I was, about to storm out on the anniversary of our first date 2 years later. His eyes, the warm brown that could melt me from across the room, pleaded me to stay. To forget any wrongdoings, and misunderstandings, and the past ten minutes where I imagined the anger in our voices carried throughout the park. It was supposed to be a picnic, the romantic kind, because he knew I always fell for the romantic, no matter how cheesy it was in reality. And maybe that’s why I liked it so much— it provided an escape.
“I know you. No one else knows you like I do.”
And it was true, to some extent. He had seen me at my best, and at my absolute worst. He knew that I twirled my hair when I was nervous, that I made wishes on ladybugs and stars and 11:11, that I couldn’t sing for my life (and nevertheless belted out, Don’t Stop Believing in the car every time it came on the radio, despite his begging for mercy). He knew where I got the tiny half-moon scar on my ankle and was there for every bone I had ever broken in my elementary school days, knew that I consistently cry through the entire movie Titanic, and that when my dad moved out of the house, it left me slightly broken inside.
But he didn’t know me like he thought he did. And he never really would, because what he didn’t realize is that there is a kind of perpetual loneliness in living. Everyone has their own innermost thoughts and dreams, the ones that they are too ashamed or confused by to speak aloud. Thoughts that no one but themselves are, and ever will be, privy to. They are hidden behind more widely-known and impersonal facts, and others can only see so deep into another’s soul. Therefore, to claim that we “know” someone is never a completely truthful statement. We can memorize their full name, birthday, favorite color. Their favorite book, bad habits, and mannerisms. But, just like one can never truly empathize with another, incapable of understanding what another has gone through in a complete sense, we can never know a person in their entirety. Some get close, best friends, family, lovers. But to say that we know that person, have walked along the boundaries of their mind, would be an impossible feat.
Within the shielded confines of my mind, I could admit that all I wanted in life was to have a love that an artist might be inspired to illustrate, or an author might yearn to capture in written words. A love that was worth replicating. And I didn’t believe that a love like that could come from assumptions, a guessing game. For that’s all that this was, really. We’d known each other for so long, but nevertheless I couldn’t help take offense in the fact that he thought he knew everything about me. Those lovers I read about, they never lost interest in each other. And that was the whole point— a wanting to learn new things about the each other everyday, and a love so deep that they would want to keep learning for the rest of their lives. And if he thought differently, than maybe it was wrong. Maybe God or the stars or whatever it is that sent us flailing into this world, searching for something or someone to grasp on to, didn’t want us to happen. I had convinced myself time and time again, as naïvely as a child, that every relationship  I had would be the one that would become something wonderful. But here I was, facing my supposed love, and he was convinced of something that I knew would eventually ruin us. So I looked him in the eye when I said, “No. No you don’t. We’re strangers, don’t you see?”
But he didn’t. I could see it in his eyes, in his returning gaze.
Maybe he could learn, if he wanted.
But I guess he didn’t want, either, because he bent down and picked wicker basket, still filled with food, draped the blanket over his arm and walked away.
Is there, for honest poverty,
      That hings his head, an’ a’ that?
The coward slave, we pass him by,
      We dare be poor for a’ that!
           For a’ that, an’ a’ that,
                Our toils obscure, an’ a’ that;
           The rank is but the guinea’s stamp;
                The man’s the gowd for a’ that,

What tho’ on hamely fare we dine,
      Wear hoddin-gray, an’ a’ that;
Gie fools their silks, and knaves their wine,
      A man’s a man for a’ that.
           For a’ that, an’ a’ that,
                Their tinsel show an’ a’ that;
           The honest man, tho’ e’er sae poor,
                Is king o’ men for a’ that.

Ye see yon birkie, ca’d a lord
      Wha struts, an’ stares, an’ a’ that;
Tho’ hundreds worship at his word,
      He’s but a coof for a’ that:
           For a’ that, an’ a’ that,
                His riband, star, an’ a’ that,
           The man o’ independent mind,
                He looks and laughs at a’ that.

A prince can mak a belted knight,
      A marquis, duke, an’ a’ that;
But an honest man’s aboon his might,
      Guid faith he mauna fa’ that!
           For a’ that, an’ a’ that,
                Their dignities, an’ a’ that,
           The pith o’ sense, an’ pride o’ worth,
                Are higher rank than a’ that.

Then let us pray that come it may,
      As come it will for a’ that,
That sense and worth, o’er a’ the earth,
      May bear the gree, an’ a’ that.
           For a’ that, an’ a’ that,
                It’s coming yet, for a’ that,
           That man to man, the warld o’er,
                Shall brothers be for a’ that.
138

Pigmy seraphs—gone astray—
Velvet people from Vevay—
Balles from some lost summer day—
Bees exclusive Coterie—
Paris could not lay the fold
Belted down with Emerald—
Venice could not show a check
Of a tint so lustrous meek—
Never such an Ambuscade
As of briar and leaf displayed
For my little damask maid—

I had rather wear her grace
Than an Earl’s distinguished face—
I had rather dwell like her
Than be “Duke of Exeter”—
Royalty enough for me
To subdue the Bumblebee.
THEY have taken the ball of earth
    and made it a little thing.

They were held to the land and horses;
    they were held to the little seas.
They have changed and shaped and welded;
    they have broken the old tools and made
    new ones; they are ranging the white
    scarves of cloudland; they are bumping
    the sunken bells of the Carthaginians
    and Phœnicians:
              they are handling
              the strongest sea
              as a thing to be handled.

The earth was a call that mocked;
    it is belted with wires and meshed with
    steel; from Pittsburg to Vladivostok is
    an iron ride on a moving house; from
    Jerusalem to Tokyo is a reckoned span;
    and they talk at night in the storm and
    salt, the wind and the war.

They have counted the miles to the Sun
    and Canopus; they have weighed a small
    blue star that comes in the southeast
    corner of the sky on a foretold errand.

We shall search the sea again.
We shall search the stars again.
There are no bars across the way.
There is no end to the plan and the clue,
    the hunt and the thirst.
The motors are drumming, the leather leggings
    and the leather coats wait:
                        Under the sea
                        and out to the stars
                        we go.
martin Mar 2015
Cam ye o'er frae France? Cam ye down by London?
Saw ye Geordie Whelps and his bonny woman?
Were ye at the place called the Kittle Housie?
Saw ye Geordie's grace riding on a goosie?

Geordie, he's a man there is little doubt
He does all he can, who would do without?
Down there came a blade linkin' like a lordie;
He would drive a trade at the loom o' Geordie.

Though the plaid were bad, blythly did we niffer;
Gin we get a wab, it makes little differ.
We have tint our plaid, bonnet, belt and swordie,
Halls and mailings braid—but we have our Geordie!

Jocky's gane to France and Montgomery's lady;
There they'll learn to dance: Madam, are ye ready?
They'll be back belive, belted, brisk and lordly;
Brawly may they thrive to dance a jig wi' Geordie!

Hey for Sandy Don! Hey for Cockolorum!
Hey for Bobbing John and his Highland Quorum!
Many a sword and lance swings a Highland hurdie;
How they'll skip and dance o'er the *** o' Geordie!
This song's author is unknown, but it was written around the time of the Jacobite rebellions.  I love the archaic language and sing it to myself when nobody can hear. It has been recorded a few times, notably by Steeleye Span (it's on youtube).
Now the history lesson. In 1688 James II, a Catholic, was exiled to France and his Protestant daughters took the throne, first Mary, then Anne. When Anne died without heir, the throne passed to the house of Hanover.  George I became king, even though he was German and spoke no English. But he was, crucially, Protestant.  
The son of the exiled James II made a claim to the throne but he being a Catholic, was not accepted. His son also tried, Bonny Prince Charlie. These were the Jacobite rebellions.
Come ye o'er frae France is a song in support of the Jacobite movement,  and very much mocking George I.   My rough explanation of the archaic language is as follows.

Have you just arrived from France?
Did you come via London?
Did you see young Georgie and his pretty woman?
Were you at the place they call the ***** house
Did you see George his grace, ******* a ******?

Georgie, he's a man, there's no doubt about that
He has anyone he can, and who wouldn't?
Along came a dish, swanking like a dandy
And he did a deal
To share poor Georgie's candy

Although we got a bad deal, still we blithely haggled
If we get the dregs it makes little difference
We have dyed our cloth, bonnet belt and sword,
Our homes and lands are lost, but we have our George!

The **** (James) has gone to France with Montgomery's lady
There they'll hatch a plot, and when they're good and ready
They'll be back here soon, kitted up and raring to go
And may they succeed in their set-to with Georgie!

Come on Sandy Don, come on Cockolorum   [Jacobite supporters]
Come on Bobbing John and his Highland Possie
Many a sword and lance swings a Highland warrior
How they'll skip and dance over the *** of Georgie!
Andrew T Aug 2016
You constructed a towering cathedral out of popsicle sticks
and blue Lego pieces, searching for deeper meaning
through building a foundation from discarded dreams
and stuttered melodies. I listened as you played folk and bluegrass covers on your acoustic guitar, wondering if we would ever cross our arms into a figure-eight on a rainy morning,
in the middle of a fire-fight between the Vietcong
and Francis Coppola.

Remember when we watched “Lost in Translation” and you asked did I feel isolated and anxious around large groups of white people? I wanted to nod, but instead
I smoked green out of an apple and ate the core,
as smoke lingered under my chin. You tapped my shoulder,
stared me down, and forced a grin, as though you knew
my answer would be nothing but manufactured nouns and verbs, gibberish, and Pig-Latin with no room for form, or design.

The sun belted heat rays down on our tired faces, stopping only
when a Mac Demarco song crooned from the boom-box on the
patio table and as we heard the beat and the lyrics,
we took shots of fireball and had a discussion on EDM festivals
and the rise of smartphones capturing moments of racism
and hatred with each video, each picture.

I wanted to read “Kafka on The Shore” to a six tennis players
from my country club, but they were too busy
staging a protest for an increase in minimum wage jobs
and besides Murakami spoke with a thick Japanese accent,
which turned off white people who revered his prose.
A shame you didn’t draw a faux Calvin and Hobbes
comic strip about Susi Derkins finding nirvana
in watching “Game of Thrones” while sleep-deprived
and eating half a bar of Xans. We drank the entire bottle
of Captain Morgan’s and still Drake’s Uncharted story mode
didn’t seem any less fascinating.

Your cousin Bonnie crashed
a white Ford Mustang into the back of U-Street Music Hall
and I cringed as I rode shotgun, the airbag releasing and smacking into my ruddy face, all the life I’d lived gleaming
beneath the shadowy figure I bought last weekend
at the thrift shop on West Broad Street.

You could have come over last Thursday to listen to
me play jazz on the piano for Epicure’s open mic night,
but you were too busy playing saxophone on the veranda
in Georgetown’s Waterfront and anyhow,
you wanted a relationship forged on trust and great ***,
and I could barely get out of my townhouse without
writing a diary entry etched in bone marrow and angel dust,
plus you told me, “I love your imaginary brother.”
And all I have is a teddy bear named Franklin.
You could have come over last Thursday to listen to
me play jazz on the piano for Epicure’s open mic night,
but you were too busy playing saxophone on the veranda
in Georgetown’s Waterfront and anyhow,
you wanted a relationship forged on trust and great ***,
and I could barely get out of my townhouse without
writing a diary entry etched in bone marrow and angel dust,
plus you told me, “I love your imaginary brother.”
And all I have is a teddy bear named Franklin.
You could have come over last Thursday to listen to
me play jazz on the piano for Epicure’s open mic night,
but you were too busy playing saxophone on the veranda
in Georgetown’s Waterfront and anyhow,
you wanted a relationship forged on trust and great ***,
and I could barely get out of my townhouse without
writing a diary entry etched in bone marrow and angel dust,
plus you told me, “I love your imaginary brother.”
And all I have is a teddy bear named Franklin.
Dedicated to my homeys
Andrew Rueter Oct 2017
I shed tears
You shed humanity
I dread and fear
Your unstable insanity
You loosen your compassion
Like it's your belt
For it's in your fashion
To inflict welts
On the ground I knelt
Doubled over in pain
From a punishing rain
My eyes welled up and my vision got blurry
I was unable to break your encryption of fury
My mind was in constant examination
Of your gift of violent contamination
Lines were crossed on my back
Living life on your torture rack

You become my God
You never spare the rod
My brother may be able
But I'm on *******
I turned the tables
By torching my brain
On the ****** train
I invented a game
Out of ruining your creation
My veins experienced deflation
Until I saw the error of my ways
Adopting your negative craze
You wanted me to get used to pain
But I'd rather get used to change

The effects of corporal punishment are felt
When society hits us with a conveyor belt
Convincing us if something worked it must continue to
Our childhood experience this is imprinted through
We figure our children must be belted
After our minds have been smelted
Forged in fire
Our hearts retired
As we grew colder
The beaten grew older
And reproduced
And re-introduced
A punishing perception of the world
They beat the clam that holds the pearl
Natures dilapidated rhythms
Carves itself into the trunks
Leaving only an omen
To be enchanted by a passer by

This fellow lone traveler
walking into ceilings of emerald delusions
The saintly stones and the creaks of trowlbrooks
He can not help but to gasp even to deafened ears

Lulled into complacency by decades of broken legends  
The anointed ones and their fractured promises  
Still somehow a harmony of one lonely leaf called out to him

Echoes from an apocalyptic cavernous wasteland
All the worlds suffering adjoined in one single note
With the agony and punishment
of all the dehydrated souls  

The traveler was resurrected by the choice to live in a world of sensation
Rather then some brick containment
He chose to let suffering be fall his confessions

With a symphony in one hand
And a chain saw in the other
He belted the incarnation of freedom

They all tumbled for the rocks
he , the saw and the beauty
The clashing cascade
A blessed rapture and necessary harmonic sacrifice
all to the gods of that ensure we never have silence
Joe Bradley Jan 2013
A Stirring biomass, a grim river
Garrotted by mud and each rusted carcass
Dumped over the slow years -
'And we saw the metal of a woman,
A frothy corruption, naked and open,
we prised her from the mire, and saw the city
through the eyes of the sewer,'
The Lady from sludge,
your toady skin broke
as you flopped, nymph-like on board

Caved-in by the tumbling sky,
And air like leather. Dry in the throat.
The sweating walls spun his head,
And the cogs whirred to fast
To bite back. Space and time-blind,
He turns to the sepia city.
Like new life,
ready for the fall of man.

Through the river of time elapsed,
Churning up memory.
And there's the glitz, the cracking lips.
that bet on goodness.
'I remember being a girl - and my mother -
smiling but never sad -
I waited for her every morning'.

The forgotten root scratches out life
Underneath vast and forgotten hangers.
The lungs of the city shed their skin
To keep pace with the smog.
See what we all don't know.
And live where we all can't see.
He led her to a room with broken windows
and one swinging bulb,
She wasn't scared.

Dank Amazon.
the roots are wires,
sprawling for grip for the sulking trees
In the great ape eco-system
'I'm a cruel joke, don't you see?'
As her eyes slowly rolled.
'I'm sorry'
As her fists unclenched
'Im Sorry'
As her knees went limp
'I'm Sorry'

Belted by un-silent night
And below gridlocks of light
An I.C.1 male is being chased
By screaming vans, run rabbit
Down the hole and off you go.
And the hiss of 'one eight seven,
one eight seven' from the radio,
is scoring his run - as the pools on the floor,
neon-flashed burst open
in a booted shatter.

'And the time went by,
And I looked at your form
And I looked at your cuts
And you are the river
And one of its secrets, un-watered'.
She was 9.

Several steps to the right, she discovered the bolddboldepth of her constant sadness.

Those plastboldiboldc stars on the ceiling fought it out, using the plaster as a battlefield.

Shifting, every few seconds, blending cries and screams with glowing shapes.

Their pointed fiboldvboldes click-clacked as she gazed in awe.

Greenish-yellow geometry soaking up the tears.

Words she couldn't understand belted boldoboldut.

The anger was astonishingly real.

There was feaboldrbold, but also strange curiosity.

As she pondered, she drifted back to sleep.

"We must solve this puzzle before the sun finds us, this is our last boldcboldhance for hope"

And with that they disappeared.

From the skyline above her bed.

From the windows.

From hboldeboldr memory.

She was 9.
J Nc Mar 2016
.36
His old mare cantered into to town
The covered wagon followed
A boy's first trip to town alone
He took it in, and swallowed

Penny candy dreams last night
And sarsparilla floats
The ladies' parasol fineries
The men in pinstriped coats

Perhaps a whiskey, what the hell
Today he was a man!
But first the livery stable for Brownie
For oats and a water can.

The .30-30 saddle gun would come with him, of course.
He also grabbed the belted Colt from the pommel of his horse.

The warped board sidewalks led past stores
His worn boots clopped along
He strapped on the .36 Navy Colt revolver
And fastened down the thong

He clopped down to the first saloon
Laid his rifle on the bar
A sporting girl sat next to him
With the unlikely name of "Star"

"A milk for the lady.
Myself as well,
Barkeep, if you please!"
A cowhand howled out raucous laughter,
Flipping up Ms. Star's dress, to well above her knees

"That little pup, he wants some milk
So Star, give him yer ****!
I'll bend him over, spank his ***
And then give YOU a treat!"

The young man's vision doubled, trebled,
The shame clear on his face
As tears welled up in big blue eyes
A witness in every soul in the place

"Aw, the little ***** is bawling! WAH!"
The cowhand bellowed out
And all false mirth left his expression
And he gave the boy a clout

The boy just sat and sobbed and watched
As Ms. Star joined in the joke
But cowhand was already 3 bottles in,
In a flash, her nose was broke

Cowhand reached across the boy
To grab that sweet, sleeved rifle
The boy grabbed cowhand's wrist just then
And twisted it just a trifle

A yelp and howl from cowhand's mouth,
"YOU BROKE MY ****** WRIST!
NOW you're ******, you little sprat"
He took a swing, and missed.

Red faced, clumsy, humiliated
He drew leather on the boy
Dead to rights, he had the kid,
He realized, with grim joy

An explosion, a thump, on warped pine floor
Blue smoke curling in the air
Utter, vapid, vacuum silence
Patrons cemented to their chair

The tears were gone from those blue eyes
Blue steel as his gaze fixed
A hole had grown in cowhand's head
The size was .36
Inspired by "Don't take Your Guns to Town" by Johnny Cash and John Wesley Hardin
chicks born with pink skin
active in early morning
belted kingfisher
Allison T Oct 2012
Sometimes I wish I could escape
I could be free from a restriting cage
All I want is to run from my agape
I try to talk but you do not engage
What are you but a deprived dragon?
Your soul eating what I have to offer
I pull my sorrow in a dark wagon
Though love should be in an ornate coffer
No matter, my sad love will not prevail
Your heart's ice will never be melted
Love will never answer my last exhale
From now I will keep my love belted
Because I must chase the clouds and dreams
For you will never know a heart's schemes
No saintly tears for this belted
asteroid 208 .
A rock headed into
insignificance , as it twirls
around some son/sun of long
forgotten already tomorrows .
Life's long road ,
crushed rock , hopes , and dreams ,
are tarred into
submission ;
driven madly over in derision .
Yet you dare crave more
than time , and space , and memories .
When we know that tears from heaven
saintly flow forever .
And will wash all traces away .
Like the riders of the storm
that deluge the three rivers charged
with pain , forgotten love , and time's
indifference .
Hush now , the last flickers of light dim ,
thy song was beauteous , but there are never encores granted
by the Angel that never cries .
Kayla Dec 2015
He didn’t love her for her body.

He loved her for the way she belted out the wrong lyrics while blasting music driving down the highway.

He loved her for the way her eyes brightened like stars on a cloudless night when she saw him.

He loved her for the way she twirled around in her pretty blue dress, barefoot on the soft grass.

He loved her for the way she fumbled over the piano keys, creating a barely recognizable melody.

He loved her for the way she woke up on an early morning, all grumpy and confused, wrapped up tight in a blanket.

He loved her for the way she splashes around in the ocean, kicking the water at him and motioning for him to join her.

He loved her for the way she loved him.

He didn’t love her for her body.

He loved her for her careless, sloppy soul.
Jonny Angel Jun 2015
Ross was a fullblooded
bronze-skinned buddy
from the Navajo Nation.
He was a diehard Okie,
and a machine gunner,
carried the M-sixty
with twenty pounds
of extra belted-ammo.
He was a big guy,
had brown deep-set eyes,
high cheeks and
not a single hair
on his burly body,
but some high and tight
pitch bristles on his head.
He had a weakness.
Pure Straight Whiskey.
Whenever he had too much,
he was an F5 tornado,
a wild Tasmanian devil,
to be reckoned with.
I remember when he had
his front top teeth knocked out
by some civilian bouncers
at a local drinking establishment.
He kicked the **** out of
three huge muscle guys.
It was him versus them.
A regular melee.
Ross won.
Once on a Saturday night,
drunk as skunks,
we made an illegal turn
on the Interstate south of Denver.
We ended up flying down the highway
with four hundred feet of wire
attached to wooden poles,
sent sparks flying everywhere.
I never saw a guy laugh
so hard in all my life.
He ****** himself hysterically.
We gave Ross his first Native American name.
We were out in the field,
just hanging out
in battle gear,
shooting the ****
around our APC.
We called him Prancing Moose,
Moose for short.
He loved it when
we called him that,
gave us a toothless grin.
He was a warrior to us.
In another time and place,
he might have been a Chief.
He was courageous,
fearless and
a good friend
to have in your side.
From time to time,
I think about him,
and pray he's okay,
still alive.
He was our blood brother.
We were in hell together.
I miss him, too.
judy smith Mar 2017
There is something discombobulating about feeling a shudder and a tilt, the models in front of you apparently moving slowly sideways, as the stand with your show seat starts to move in circles.

At the same time, the models at the Céline show seemed to be going off in all directions. Popping in and out of the black holes of space were models - young or older - wearing a smart green masculine trouser suit, a striped shirt, a white belted raincoat, something furry and - unexpectedly - a tunic and trousers printed with black wheels and checks skittering before your eyes.

All this and the bodies and arms of shadowy people behind the plastic backdrop. I rushed backstage to try to make sense of the show chaos (sorry: artistic intrigue), but designer Phoebe Philo did not want to talk when I asked her the point of her dramatic presentation of her Autumn/Winter 2017 collection.

"Just ideas coming together with lots of ideas," said the designer. "Just lots and lots of ideas and how they impact each other."

Around me, Phoebe's team were hugging and sobbing and clutching each other, as if this show were their last. Overview notes provided by the public relations people seemed even more confusing, apart from telling me that the installation (that required more electric cables and wires than I have ever seen above a fashion runway) was by French artist Philippe Parreno.

''The Céline AW17 collection explored Phoebe Philo's storytelling design process of how a collection is created and the notion of how changes result in impact," read the statement. "Further, the collection relates closely to the interconnected nature of women's lives and possibilities for women."

Before I read this, I had thought of Phoebe as the English designer who has her children running around backstage and who made practical but classy clothes for today's woman. She threw into the mix a few charming pieces like the fluffy flat sandals that have been picked up by other designers across the world.

With all that on offer, why did the new Céline collection have to complicate things so much?

Take away the moving seats and impossible-to-follow criss-cross of the models and there was the Céline look that any woman would crave: the bold, floor-length tailored coat; a tuxedo with its hemline sweeping right down to the ankle. The tailoring looked bigger, oversized even, which is in tune with the Eighties-style square shoulders that we have seen elsewhere this season.

Phoebe seemed to be offering a hardened version of the serenity she once found in streamlined clothes. An example of the new severity would be a plain, long sleeved dress with a hemline at mid-calf. Its softer side was a blue shirt elongated to the ankle and worn with trousers.

Ultimately, Phoebe offers 21st century elegance with the smooth lines disrupted by a tangle of fringe at the hem or what appeared to be a big blanket over one arm.

I received an overall impression of longer - to the ankle - length, a sense of sobriety and a few fanciful things for evening. What I missed in the hurdy-gurdy of the presentation, is, as yet, unknown.

With exquisite workmanship and Victoriana melded with pop, Pierpaolo Piccioli had a new vision of romance for the digital era.

Prudishness and pop - can the two really meld together? Yes! If the Victorian-style cape is in a vivid, sugary, postmodern pink and the dress underneath a colourful geometric pattern, recalling the Memphis era.

At Valentino, the 1880s met the 1980s with sensational results as designer Pierpaolo Piccioli dismissed the feminist vibe that has reverberated through the Autumn/Winter 2017 season yet created a collection that was respectful to and joyful for, women.

Just looking at the designer's four moodboards was a history lesson, as Pierpaolo whizzed me through dark Victorian carved birds, bright Memphis furniture, coral with a religious connection to Medusa - so much from the past crammed into one collection.

Yet on the runway, the result was far from overloaded, as the history of coral was subsumed into the necklaces all the models wore and the deflated Victorian silhouette - long and high waisted, but slim where a crinoline once was, seemed perfectly acceptable as a romantic vision of the 21st century.

"I wanted to add deepness and romanticism to the modernity of the shapes, so these are absolutely items that you can wear separately - a white shirt or the skirt with your own sweater," said Pierpaolo. "I think fashion is made for dreams, but sometimes you want a dream that is daywear."

The Valentino studios are at the heart of the matter, apparently finding it as easy to toss off a tailored coat with a mid-calf hemline nudging Victoriana bootees, as it is to make a soft, light dress to flow underneath. The detail and delicacy of the dresses seemed like an extension of the haute couture, but the designer was eager to point out that the clothes came from the Italian factory dedicated to Valentino.

Whether it is so easy visually to mix a sorbet pink top with tiny ruffles down the arms that flowed into a cherry ripe panelled skirt, the result was surprisingly calm. Even the dresses patterned with Memphis pop blended in with the plainer, pleated versions. And just when you thought that the show's high romance was over blown, the designer would slip in a black top over a pair of sloppy velvet trousers or calm a Memphis patterned dress with a tailored coat. A severe black jacket could be worn with anything already in the closet from an LBD to blue jeans. Like the tailored coats, it kept ripe femininity in check.

"For me it is important to keep the lightness, otherwise it doesn’t feel confident and if you don’t feel that you don’t feel beautiful," said Pierpaolo. "I think if you feel confident you can even be able to show your sensibility and really feel stronger."

However you rated the clothes - too fancy, too froufrou, too historical - there is no denying that Pierpaolo has created a vision that is respectful to women and which makes them feel beautiful. In a churning political universe, Valentino offers a small, still voice of calm.

Demna Gvasalia revisited Cristóbal’s silhouettes with surges of modern colour, print and volume.

Balenciaga haute couture has been revived for the first time since Cristóbal himself closed the house nearly half a century ago. The last nine outfits shown by creative director Demna Gvasalia, on the huge carpet patterned with the word 'Balenciaga,' had their roots in the legacy of grandeur left by the noble Spanish-born couturier, who died in 1972.

Demna, who started in fashion by building street-smart, unadorned clothes, deliberately named just Vetements (the French word for clothing), has turned towards the grandeur of the original designs that are part of the Balenciaga legacy.

“I thought 100 years was a good reason to make couture available again,” said Demna backstage. “We're not going to do a couture line or show during couture, but these pieces will be made to order – basically for people who want to buy a couture dress from Balenciaga.”

The grand offerings – the polka dot dress with bustle back, the layers of dark pink taffeta, and a slim black gown, all with large back bows, were not the only historic links. The show opened with tailored coats which were worn with a drape over the left shoulder, reminiscent of the way that the models of an earlier era would walk with their heads up, shoulders rounded and stomachs sunk in.

“I studied how the pieces are worn and I found these images from old mood boards of Cristóbal where women are standing with their coats like this,” the designer explained. “The idea was to bring this kind of elegance, the gesture of wearing those pieces, but take it into a kind of cool and make it more modern. You can also wear it in a normal way, but it is constructed so that one part is larger and then you can also pin it up. And this is what you see basically in all these books.”

Demna's way of rethinking with his brain what he had seen with his eyes is exceptional – and the reason why he seems able to update the house as if he were growing new shoots from existing roots.

The arrival of vivid colour signalled a change of pace, as every figure stood out in the farthest reach of the enormous sports stadium. The hosiery especially perhaps, in grass green, and cut-away waistcoats like harnesses in pastel colours, took the image of Balenciaga back to the early days of Nicolas Ghesquière and his futuristic period at the house.

Demna is also drawn by the flowers that were a part of the Cristóbal Balenciaga look; by showing a patterned skirt with big, bold, brightly coloured sweaters, he gave print a modern feel.

The show was not perfect. Mini dresses in the floral patterns and bright hose looked out of place. But the overall effect was precise but theatrical, with the couture creating a dramatic ending.

Choosing Demna may have been a gamble by François-Henri Pinault, CEO of Kering, the luxury group that owns Balenciaga. But the designer has turned out to be able to answer fashion's most difficult challenge: finding the balance between old and new, tipped towards the future.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/****-formal-dresses

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