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Terry Collett May 2015
I walk across
to Hannah's flat
in Arrol House
and knock at the door

Mrs Scott opens
the door and stands there
she's a short thin woman
with a face of granite
with a slit
where her mouth is

whit is it?
she says
her Scottish accent
rough as stone

is Hannah home?
I ask

I dunnae kinn
she replies
HANNAH
she bellows
over her shoulder
Benedcit is haur fur ye
she adds
scowling at me

jist coming
Hannah replies
from back in the flat

yoo'll hae tae bide
Mrs Scott says

and walks back inside
leaving me
on the red tiled step

I look into the interior
of the flat
and smell breakfast
having been cooked

I look back
into the Square
kids are playing
near by
on the pram sheds
and over by the wall
girls are doing handstands
their feet
against the wall
dresses falling
over their heads
showing underwear

sorry about Mum
she has a mouth on her
Hannah says
where we going?
she asks

thought we'd go
to the South Bank
see the Thames and boats
and have ice cream
I say

do I need money?
she asks

just about 2/-
I say
for bus fares
and ice cream

I'll ask Mum
for a handout
but wait for the answer

Mum have you 2/-
I can have?
Hannah asks

fa dae ye hink
Ah am Rockerfeller?
nae Ah huvnae
her mother replies

no problem
I say to Hannah
I'll have enough
for us both

are you sure?

yes don't aggravate
your mother more
than you have to

so Hannah gets her coat
and we walk off
through the Square

she's like that sometimes
Hannah says
she's as tight
as a wing nut

we walk down the *****
and up Meadow Row

I ask her how her father is

she says
he's Ok but in
the doghouse more often
as not with Mum
but he's a softy
to Mum's hardness
but Mum says
he's soft in the heed
but he's lovely really
Hannah says

-I know her old man
he's English and a bit
simple after helping
to empty out Belsen camp
in 1945 where some
he told me were
more dead as alive-

we wait at the bus stop
she with her dark hair
pony tailed
with a tartan skirt
and white blouse
and me in blue jeans
and white shirt
and quiff of brown hair
and hazel eyes

she with a budding beauty
with her mother's
touch of tongue
who if roused
could give words
full lung.
A BOY AND GIRL IN LONDON IN 1960
Perry Finley Apr 2015
I grew up in here,
been here my whole life,
nothing better
really...
just isn't, the air’s...
just a tad sweeter than anywhere else.
It’s the water, or the hills... But who am I,
I haven’t seem far beyond my window,
I wish I could roam endless alone
In the forests, then, I’d capture
each ounce of daylight
like fireflies
in a bottle.

But now it seems,
here in this rundown castle,
Night is the only thing I treasure.
When the castle quiets I can hear the hills speak,
I feel
the ground breathing. I know not to listen to nobody about nothing anymore,
Cause
the earth and the trees, they’ve been here the longest,
we stand around,
thinking...
good...
cause we know something, but if theres one thing I know,
its that knowing ain't nothing.

I can’t wait for England, to see the world,
I feel like learning
though it hasn’t helped yet,
anyway,
I’m alone in this mind, this world is me, and I know nothing of it.
Rosie Dee Jan 2015
Fair fa' your honest, sonsie face,
Great chieftain o the puddin'-race!
Aboon them a' ye tak your place,
Painch, tripe, or thairm:
Weel are ye worthy o' a grace
As lang's my arm.

The groaning trencher there ye fill,
Your hurdies like a distant hill,
Your pin *** help to mend a mill
In time o need,
While thro your pores the dews distil
Like amber bead.

His knife see rustic Labour dight,
An cut you up wi ready slight,
Trenching your gushing entrails bright,
Like onie ditch;
And then, O what a glorious sight,
Warm-reekin, rich!

Then, horn for horn, they stretch an strive:
Deil tak the hindmost, on they drive,
Till a' their weel-swall'd kytes belyve
Are bent like drums;
The auld Guidman, maist like to rive,
'Bethankit' hums.

Is there that owre his French ragout,
Or olio that *** staw a sow,
Or fricassee *** mak her spew
Wi perfect scunner,
Looks down wi sneering, scornfu view
On sic a dinner?

Poor devil! see him owre his trash,
As feckless as a wither'd rash,
His spindle shank a guid whip-lash,
His nieve a nit;
Thro ****** flood or field to dash,
O how unfit!

But mark the Rustic, haggis-fed,
The trembling earth resounds his tread,
Clap in his walie nieve a blade,
He'll make it whissle;
An legs an arms, an heads will sned,
Like taps o thrissle.

Ye Pow'rs, wha mak mankind your care,
And dish them out their bill o fare,
Auld Scotland wants nae skinking ware
That jaups in luggies:
But, if ye wish her gratefu prayer,
Gie her a Haggis
(As stated in the title) This is not one of my poems-all credit to Robert Burns. Being half scottish, we celebrate 'Burns' Night' in my house. A night to celebrate this wonderful scottish writer. I thought i'd put this as a tribute the great writer and let you all have a wee bit o' Scottish culture haha
Chik J Duncan Jan 2015
Wee cosy, tranquil Gatehouse Library
Ah come in quite a lot tay see yi,
Tay read yir books and use yir wifi
                An' chat tay Joannie,
Sae noo Ah'm goannie sing yir praises,
                Ah'm pure dead goannie.

Ye're sic' a cultural oasis,
Wan o' ma favourite learnin' places,
Yir books can form the verra basis
                O' Scottish brain power,
Enrichin' minds an' cheeky faces
                O' Scottish wean power.

So let us pray they never close yi
Tay those who would, we will oppose yi.
We'll be the storm an ill wind blows yi
                At sic' a crunch time.
The only closin' we'll allow
                Is Joannie's lunch time.
Over the last year or so of visiting Gatehouse Of Fleet for short breaks I've got to know the librarian, Joan. I was there during Book Week Scotland 2014 and saw a few "love letters to your local library" on the walls.  When I mentioned it to Joan she immediately said, "You could write one too."
"I don't have my laptop or any paper," I said, making a pathetic attempt at an excuse.
"I'll give you some paper," comes the reply.
And so instead of spending the planned hour and a half catching up on some reading, I spent it writing this.
Scara Mouch Oct 2014
By twist and ties from ages past,
We are but Union bound
Ruled from afar by silver spoons,
'til hope and freedom found,
A fire in the belly of daughters and sons
Made a home in faces awash in blue,
With roaring thunder in voices loud, proclaim;
A Scot! Proud, free, canny and true.

Past leaders, past has-beens, past moguls and crooks,
The passion spreads, face to face,
Tangible static in the Square tonight,
The cone standing tall in it's place.
The fire of the people out in the streets,
Casting eyes to freedom's distant shores,
Their message clear and printed in bold,
With every paper passed through street-lit doors.
'Saor Alba! 'Alba gu Bràth!'
The spirit of Scotia is free.
'Bairns not Bombs!' 'Seize it with both hands!', they cry,
This Aye vote is for you, and for me.

With faith, with courage, with braw, gallus grace,
This word will nae weesht, but spread,
Not if but when, not now but again,
Independence is ne'er 'put to bed'.
Anthony Williams Oct 2014
You strayed independent across my unlaid path
impressing me with a hideaway around the thistles
where inlay thigh flints spark like butterfly wings
fused to outstretched but still flimsy present glinting
loose eyes a smoky incense close to gleam igniting
potent tinder sax on a beneficent Burns' night portent
whispering wick lit slivers of be live next to me glen scent
fluttering and roaming through saliva kissed gloaming
a light shaved window opening a misty eyed gap
opportune as a mysterious space between maps

crossed with aye formations and melted highlands
I slide into a bonnie loch when you return my glance
smooth as a swan stroking shallow into deep meeters
the swirl of bagpipes barely rippling the surface meters

a proud union betwixt us found expression
unflagging love notes ** streamed passion
red into sky blue twitchy nerves lend fingers
fondling unfurled clouds into catchy dance rings
retracing steps into tempestuous hearts I rose
so dryads can black watch temptation intertwine
painted inside as I woad your Pictish tartan

only now the pedestal wobbles a little
but you don't fall to my arms
brave destiny's turn is fickle
and straight on without being toppled
you hesitate but give no nod to lead
no quick look behind you as I hoped
shying awry to continue walking
the hot moment runs past cold
safe as before inhibitions land
like icicles on my fanciful back

upstanding Meissen men often talk
of perfection showing no cracks
and chuckled as they left their mark
in crossed swords kilned with clay ores
giving a porcelain lion soft pause
for thought about a heart out clause
and about lifting any kilt or unstuck thought
to keep established ruling embarrassment
but is that parley risking nought?
the mane's trimmed short
too correct to tip the hat
to a potential welcome
down falls harassment
south of the borderline
sad that no one can put
that man lass
yes
moment together again
but ever slow drifting apart
the dream mist
goes on
by Anthony Williams
Michael Falls Aug 2014
Help, I don't know who I am,
I can't remember anything,
How do you fly this thing?
All I know is that there's something important that must be done,
I've gotta save the world, no, the universe.

I'm sorry who are you?
I'm Scottish, I used to be English, I think.
Amy was Scottish.
Oh, I'm old now!
Old and not ginger.
Still don't know who I am.

Am I The Doctor?
Yes, I think I am and there's the green one and the not green one.
I'm on the planet of the pudding brains.
I still haven't figured what kind of man I am.
Just old, Scottish, and not ginger!
I'm never ginger,
never, not once in 2000 years!
Minor spoilers for Doctor Who episode "Deep Breath". Yes I am a whovian and proud of it!
Ronni McIntosh Jul 2014
My father's long fingers smooth
over the aged scratchy pleats.
The Kilt is magnificent. It has the
fleeting beauty that only a well
kept antique has, that warm
firelight glow of the past.
It has a few scuffs and holes,
but the somber reds and greens of
clan Mackintoish have settled into
the cloth and darkened pleasantly.
The kilt is always the most important detail,
it has passed from grandfather down,
and it looks as handsome now
as in the sepia photographs on our shelves.
The dirks black ornate hilt rests
heavily against his hip, and the
belt is cinched tightly to hold it up.
you can practically hear bagpipes
My grandfather's dark green cotton socks
sit near the top of my father's calf
and he leans over to adjust the frills.
And as his tan wrinkled brow furrows
in concentration, and his admittedly
attractive white whiskers scrape
across his collar, and the image
nears completion, the drum beats louder.
Reaching up from the ancient past
and grasping the future in tradition,
the ghosts of ancestors enter his poise,
and he suddenly appears less like
my father and takes on the swagger
of a cocky fisherman, of pirate.
He is swinging swords
and playing pipes, and cobbling, and
setting stones upright in ancient
forgotten ritual, and tossing cabers.
I know looking at him now,
what my own ghosts will be
when my time comes.

— The End —