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When you feel trapped in the past,
remember why you walked away.

They may have blocked you,
hidden you,
erased you—
but wasn’t it you who begged for release?

Yes, it’s sad.
It was a friendship of years.
But when the walls began to crumble,
they chose the one who arrived later—
not you.

Not you, who was there from the start.
Who gave sweat, blood, and tears
to fuel their dreams.

So don’t forget.
It hurts now,
but being alone
is the better choice.
girlinflames Aug 11
The pain
that tears through my chest,
from top to bottom—
there are no words
to truly describe it.

It is only
pain.
it’s a bad,  
bad world.  

the world's  
on fire —  
and i'm just  
livin' in it.  

don’t  
tell me  
it's alright,  

don't tell  
me it'll  
be fine.  

because  
when the  
fire winds  
down,  

all that's  
left is smoke —  
truths and regrets.  

the world  
feels heavy,  

and i wish  
this wasn’t  
testing me.  

(is it over yet?)  

all  
i want,  
and all  
i need,  

is to  
find my  
center again —  

and not  
let this  
get the best  
of me.  

because  
being pulled  
down by  
the weight  
of the world  

is somewhere  
i don’t  
want to  
end up  
again.
"When the Fire Winds Down" was written from a low point — not the dramatic kind, but the slow, quiet weight that lingers. I’ve been wrestling with fear, doubt, and the ache of feeling stuck.

Wanting to take risks. Afraid to take risks. Tired of standing still but unsure how to move forward. This poem is about that moment when you’re trying to find your center again — not for anyone else, just so you can keep going.
Samuel Aug 7
I have my weakness learned—
Ugly, but no I can't  
for a second hate its burning light.  
I should be called reckless,  
something close to wreckless,  
you bet I prefer this maleness.  
I leave the toilet seat up,  
eat loudly and drop a ***** cup,  
take a bath then go for my long lap.  
It's the cost of my hero—  
bravery wears this kind of raw.  
Kings do what they **** well like,  
sometimes breaking rhythm, ignoring strike.
a crown that’s heavy, thorned, and proudly worn.
Терпкий запах мочи, как Chanel поутру —
Это пахнет твоя вагинка.
Я пожалуй в тебя ещё раз качну,
Моя сладенькая блондинка.
Атыбудь так любезна и дальше поспи,
И желательно не просыпайся.
Я — ценитель твоей ежедневной тоcки.
Так вот и моя — наслаждайся.

Yaroslav Kulikovsky. Vienna, 2020 (c).
Part of the cycle: Poems on City Flesh and Power.

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
This poem is a street-level whisper of ****** poetry. It’s about intimacy that never makes it to billboards — raw, sensual, honest. Being with someone without filters means seeing the body not as taboo, but as shared ground where mutual consent matters more than manners. This is where pleasure becomes a right — without shame.
Друг другу дрочили мальчики,
Девоньки мыли уши,
И по трубам водоканальчика,
Согревались в зимнюю стужу.
Стекались к морю, дурачились,
По столу стучали стаканчики,
Вот это мы расхуячились,
ЕбАные барабанщики.

Yaroslav Kulikovsky. Kiev, 2019 (c).
Part of the cycle: Poems on City Flesh and Power

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
A poem about youth without shame, bodies without borders, and friendship beyond labels. Boys, girls, music, flesh, and freedom — all mixed in a drunken, joyful Godardian comedy. This is an LGBT space where intimacy needs no justification, and everyone can simply be. There’s lightness, warmth, and the right to play.
Она рыдала в туалете
Гостиницы «Континенталь» —
Её ебали те и эти,
И вдруг себя ей стало жаль.
И вдруг однажды на рассвете
Она решила полюбить,
Но, как листали те и эти,
Никак уже ей не забыть.

Yaroslav Kulikovsky. Paris, 2021 (c).
Part of the cycle: Poems on City Flesh and Power

👉 tiktok.com/@kulikovskyonthepunchline
👉 youtube.com/@KulikovskyOnThePunchline/shorts
This poem captures an inner turning point — the moment when the past no longer defines you but becomes a stepping stone. The heroine is not a victim, but someone capable of rewriting her story. It's a poetic statement: I remember, but now I choose to love.
Девушка с шикарным задом
Зашла в покой Сарданапала,
За дверью неприглядно пала:
— А ну, на четвереньки встать!
И в этом кружеве — напалмом —
В упряжку бала запрягал он
Всех тех, что с миленьким ебалом:
— Так ты — ебать или копать?

Yaroslav Kulikovsky. Paris, 2019 (c).
Decadence in lace.
Sardanapalus today is anyone who turns lust into *******.
Ballerinas, **** stars, courtesans — all yoked into the same chariot.
Part of the cycle: Poems on City Flesh and Power.
Zaima Jul 23
The Thing You Carry
The things weary me the most
The word you choose
Stabbed my soul the most
The dagger I gave you
The power I gave you
The sword I gave you
You're using,
Manipulating,
Bearing the flag of supremacy
You nearly got me choking
You say I use AI
You don't know what I bear
You say it's emotionless
But you don't know what I carry
The weight I carry
Is hard to bury
The pain you raised
Is hard to erase
The trauma you caused
Is gonna cost
You think you're the best
Being a ***** is not the best
You say you're my friend, but all I see is an insecure girl
Who claims herself as a girl's girl
You're nothing more than a two-faced *****
You say you know me
But you still carry the 15-years-old me I bury
You’re blinded by your own mess to notice the stress
I'm hurting, I'm suffering, I'm evolving, I'm embracing
I'm writing, I'm shining, I'm penning it down, I'm hiding, I'm diving
I'm not a seashore bird, constantly migrating
I'm the Phoenix — always rising
Joshua Phelps Jun 13
tear and thrash,
create, then crash—

no meaning left,
no faith,
just ash.

am i the only
one who feels
under the gun?

i’ve fought
for something more,

rose from flames,
still wanting more.

i’ve endured
all i could endure—

and now all i see
is blood
in my eyes.

but i’m
not giving up
yet.

i’m already broken—
but i’m not
gone.

how do i go on
when nothing feels right?

i stare into the sun
just to steal
some light.

you’re not the only one
falling from the sky—

but how can i be strong
when you keep
singing goodbye?
inspired by Story of the Year’s 'How Can We Go On', this piece is about survival after collapse—when there’s nothing left to hold but your own strength. for anyone still standing, still searching, still screaming: this is for you.
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