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onlylovepoetry Oct 2017
3 hands


kidding hands,
an autocorrection title,
was supposed to be
kissing hands but either works

man overcome with an elixir of Sunday bed warming/charming/chilling, lukewarm "hot" coffee,
melodious love songs inducing
languorously hand-to-mouth,
five finger fore play love making

a potpourri of knuckle gnawing and gentling kisses
upon a hand borrowed from the a tablet holder,
while she reads the paper bemoaning the sorry state
of the world, the government permissions bad guys...
and weeps for the world we are leaving behind

a mood changer with 100% effectiveness

newspapers- a safe *** condiment

think I'll reheat my coffee

<•>

my hand

she cant sleep knows that I'm up at 2:08am composing.  
and showed her earlier today
the kidding hands poem
just as the lights were going down, downtown on
William's Measure For Measure

so at 2:09am her hand snakes over and wrap itself
around my thumb as if she was weaning an infant from
what infants like doing, or weaning grownup old men like me from doing at 2:09am, what they should be best leaving alone,
like writing poetry or it could just be the woman
pseudo-******* a poets thumb as a way of saying
can't sleep head buzzing and in between I love the
livening lying of living with your hands thumb in me

<•>
the facement of your hands*

dr. mandy is handy with a needling drink of boo boo bo-toxin
that auto corrects the face's reflecting times drawing upon it,
our bodies facement; an effacement I suppose, or maybe a
defacement.  

very little to be done to keep the *hands
couture covering
from revealing what devolutionary year it is for you: why I write of the facement of your hands and why I kiss them, your hands,
lovingly, hoping the natural  toxins on my lips can ****** their aging,
and if they can't, then it is a great way of saying
I love you

<•>
  2:53am
onlylovepoetry Apr 2017
Sunday morning lie-in,
she, ny times newspaper reading,
contentedly dress perusing-shopping,
in the bed both, but separated
by the distance of the electronic void

i am raven tapping poe poems on my diminutive IPhone,
twenty four inches distant from her lips

no notice taken of the man so overcome
writing his Sunday morn poems that are
drawn so deep from places
that make him so so so glad
good quality weeping
can be best performed silently

noticing that

- he writes best when writing of others, mostly, you

- he writes when the rented invisibility cloak covers his face
and
the wellspring offers him a choice;
write weep and tear
or
write weep and bawl
or just quit everything

whimsy laughs at his slo 'mo nonsense
his choices
this tough guy supporting a mountain of others,
the inversion of his inverted triangle,
him holding up the world

the worrisome grief that wears him down
best released in tears when writing about
you, go figger

and you notice stupid stuff
like why we use 'and' when it just ain't necesssry
how the core of 'believe' is lie
that ** ** ** rhymes with woe woe woe
and
that 24 inches is quite the distance when you are
** ** ** weeping and she don't notice

and how hard writing

only love poetry can be
even twenty four inches
from your nose
onlylovepoetry May 2020
what does her true voice sound like?*

going on seven, maybe eight years,
know the thumbprint of her stylish,
at twenty paces, her tower recognizable,
leaning in, she is the garden, can’t tell
where the garden ends and she begins

she opens the pages and lets slip out the
exposed flora+fauna of of her heart’s eyes observatory,
revelation unintended but wanted, she can’t be helped,
for she, both a revealer, reveler, party girl, beat poet

know her
in the bursting:  of the spring welcoming festival
in the bursting:                     of the season of loves busted unhappiness,
I know her well enough but not at all

in the sparse, frozen soil, and in the contra-blooming,
in every season, she warps my judgement,
with words unheard, unknown, the dictionary my accompanist,
what she says is a language purportedly in common, maybe not,
she takes me on a tour of her symphonic insights,
as my foreign tour guide

enwrapped, entrapped, I am, as she crooks her hair, in the
curved shape of a question mark top,
unknowing what does her voice sound like?

try different versions, a tasting menu of mellifluous, and
imagine myself to sleep, wondering and wandering,

what does her voice sound like?


off to sleep,
smiling, frowning
upside downing


11:51pm Tue May 5
onlylovepoetry Apr 2020
“May 15, he [the Governor] announced Monday...that the  lifting of stay at home restrictions will take place in regions which were not badly hit by the new coronavirus, mainly in upstate New York.

The restrictions will not be lifted in New York City.”

<|>

no sight in end,
no vibration of the tine of routine,
soundless, as in endless.

we unmark the calendar,
May 15 requalifed,
just another day, as in,
the search for Clorox wipes and Purell sanitizer,
will continue unceasingly

as in endless, as in
no sound no sight no vibrancy,
plenty wailing silence

we redefine social distancing.

measured not in feet,
but in months,
March, April, May

that have somehow disappeared
from our calendars
permanently.
onlylovepoetry Jun 2016
~
the Nth culling
~
she gentled sleeps besides the imperfect poet,
who has wandered the hallways since four am,

retuning his returning

to their temple bed,
to cull, pluck, her each precious breathing sound,
source material for his
Nth
love poem

smirking at his own
Nth foolishness,
weeping tears at the consequences
of human interactions,
he wonders,

why does he worry,
searching to distinguish
between the black and white of life,
hunting for meaningful words

when all the while
he has the vein of her breathing to mine,
as if he were a
Ruth,
following behind
the harvest reapers,
culling a bounty of
dropped grains,
fallen unto him to
garner, imbibe and memorize


those Nth breaths,

that last but seconds,
but here memorialized for
his own
all time

— The End —