San Francisco, 1977
I sat by my window and listened
to the crying of Carlos Santana and the wind
His guitar told stories
of home in México and how he yearned for it
and the wind kept howling along
as if it tried to bring him back
and I wished for Carlos to be home
and I wished for the wind to carry him there
and I wished for myself to be somewhere else
where the city isn't as big
and the people aren't as greedy
and the love comes naturally, not for fifty bucks a night

So I sat by my window
and listened to the sound of Santana's guitar
and the wind crying
and I understood
as I wept along.

2014 / 2015 World Cup

Jürgen and Jill went up the hill
To fetch a World Cup Title
Jürgen fell down
Without the crown-
There reigned Jill
At the top of the hill. . .

2018 / 2019 World Cup (Gold Cup)

Jürgen didn't qualify to go up the hill
All he could do was waive at Jill
On the same day
Jill won her second in a row
(USMNT lost to Mexico)

Coach Jill Ellis is smart like a fox
Her US Women's National Team rocks!

We chose Ixtapa for our honeymoon
because it was not yet commercialized,
as so many other places in Mexico
had become. We spent a lot of time
in Zihuatanejo; We burned bay leaves
in static pots of delicacy, ignoring the fruit flies
as we drank mezcal.
You swallowed the maguey worm,
and hallucinated its life as a moth
before it's capture from the agave.
It hit you like the Gulf that
May of 1986; beautifully
and cold.
You looked like a watercolor
entangled in the rope hammock.
Wide-mouthed and muscular,
in the reflection
of my sterling cuff bracelet.
While I examined my jewelry,
our feet were buried in the sand
by the dust we swallowed during our upbringing.
Bred and raised for fighting, we made love
like a bull kissing capote;
Taunting one another in
a masculine ring, performing
in foreign terrain.
You were so delicate
with your hands around my throat.
You helped me forget
by pulling apart the wings of my droning youth
that week.

Dry veins branch the dead gulch
cinder cones set on a marble tan scape
fanning sands sketch ephemeral
fossil plates fold under columns of gray

Mountain back steep at the crevasse
sinkhole spots form on parallel nine
sulfur pipe stems from molten ash
withered shrubs and crumbling spines

silt fields cover the foothills
swayback shed near the Whipple tree barn
tumbledown shacks form the patchwork
from goat canyon ranch to big bison farm

Salt lakes fractured in amber
sickle-bush cut at the bowline knot
a half-moon traced by the viper
oxbow streams and valley grot

A morgue is an unhappy place regardless of time or place.
The somber few that haunt the halls often project the surroundings dreadfully.
While walking the gray tiled rooms it’s known too that we shall one day wear the toe tag.
But mortality gives way to reality and jobs are done with quiet respect for passed souls.

And then there’s the Juarez Morgue...
A hot July day and a drive through Mexican customs brought a meeting with police officials.
A body in their possession, they thought, would bring transportation home.
Calloused officials with shiny gold 45’s aglow, spoke rhythmic Spanish in their police code.

A “******,” said one and this should be fun a ride with those looking more like hit men.
A car loaded with “Madrinas,” in tow and AR 15’s laid in seats in a row.
How odd thought he in a land purportedly free and fright on passerby faces.
Cocky bravado speaking radio slang,
did drive towards the Juarez morgue.

A couple miles out a turn in and out did place them in a neighborhood quiet.
But a familiar smell in a nose did swell, and wonder of how that could be valid.
Putrefaction it was, the odor rose above as the children played gleefully nearby.
How could it be when he could not see the edifice emitting the smell?

A small octagon building, small air conditioners in four windows.
Could it be that this was the morgue?
The desert sun bright and heat overbearing.
My God this is a place of death among many living, what a fright!

The escorts did enter, the detective slowly met the front door.
He was quite pensive when sliding from light to the dark.
His eyes gone black his vision insufficient, as he started to be able to see.
A wet sounding step and a curious glance, did place his feet in crimson water.

Disbelief as the room came into focus, he saw well the visions of what belong in hell.
Bags of bones stacked they were, a femur and skull, the fully decomposed welcomed.
Four porcelain tables and bodies disabled lay upon with nary a stare.
Just shortly behind bodies piled feet high forget a tray or a gurney.

Overcome by it all he began to stall, and try to gather his thoughts.
Rank smell in his nose sent him scrambling for his cigar.
The smoke unable to cover what he did discover, his heart fell hard to his knees.

How inhuman it was to see rampant disregard for the dead.
No scalpels used to cut the Y,
a kitchen knife he could cry.
Sewed up a corpse, with rough twine of course, he regretted where he did stand.
His spine became metal his mind did reel and a new wrinkle appeared on his brow.

On some summer nights when heat fills the air, he does look up to the moon.
His mind travels back to the withering stacks, and the odor still gathers in his nose.
The years have passed by and he doesn’t know why, the memories will not fade.
Restless sleep, fallen heart, many more new wrinkles have taken there place.

A war there has broken out,
and factions viciously ****.
He can’t help but wonder what has happened in Juarez.
The tractors and the bodies they plow.
No building this time a long ditch in the ground scores of people pushed into a long trench.

He walks each day with what he has seen, which cannot be unseen.
Wrestling with himself in the bed, and covering his head.
The dead they do come to visit still.
The Morgue in Juarez left it’s print in the mind of a young fellow.

Indulge the last line if you have some spare time.  Dios bendiga los muertos de Juarez.

Mexican moon be bright,
Fill all the stars with light,
Shine down on my señorita;

Mexican mountains high,
Holding the velvet sky,
Sparkle for my señorita;

Mexican hearts be gay,
Bring your guitars and play
Music for my señorita;

Mexican melody,
Say that I'll always be
In love with my señorita.

En la oscuridad de noche
Las estrellas cayeron del cielo
Las plagas de los Tziztimime
Rabiaron contra el mundo
La tierra tembló
Los vientos aullaron
Los mares se levantaron para consumir todas las cosas
Las personas gritaron con miedo
Pensaron que toda esperanza estaba perdida
Pero Huitzilpochitli los escuchó
Y bajó del paraíso para ayudarlos
Él inmovilizó la tierra
Él calmó los vientos
Él azotó los mares a la sumisión
Entonces él convocó el sol
Y empezó un día nuevo

In the darkness of night
The stars fell from the sky
The plagues of the Tziztimime
raged against the world
The earth trembled
The winds howled
The seas rose to consume all things
The people cried out in fear
They thought that all hope was lost
But Huitzilpochitli heard them
And he descended from heaven to help them
He stilled the Earth
He calmed the winds
He whipped the seas to submission
Then he summoned the Sun
And began a new day