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M Eastman Nov 2014
myocardial infarction Eldrich power/ed
Chosen brisk perpetuity motion machines
Pumping nodes to arterioles backwards
stenographer tap rapping webs to dull the
Stoking sin flanged might gate cell shape
An experiment
Phoenix Rising Nov 2014
Blossoming jubilee
Petals trickle down their symphonies
Sharing gold-containing liquids of sweet nutrients
Fellow friendly winds carry their children across manmade architecture
Hugging onto hoodies and sightseeing before resigning into the soil
To patiently grow into personal structures
That will repeat the cycle of unified fields of family
My girlfriend an' me
live together,
in an apartment.
1993
Julia Oct 2014
Forehead sore, striving to hold my irises unstrained
I see through the rays, red, blue, and white snapping in the wind
Casting flickering shadows upon the women in frocks of lighter pinks and turquoise
Just like that of the channel waters through which my bow cuts cleanly
Rudders portside, ropes knotted on hand
My lady and I dock, a gentleman all in black ready to oblige her graceful hand
Two cheeks dampened with a kiss’ moment later
A glance welcomes the uniform balconies which wrap around curved corners,
Double windows, and modest roofs that mirror extravagant ceilings
Onward we stride to our night time lodging where the dormant flares shall ignite
We celebrate our ought’ve been loss of virtues
And gain of not one golden band, but two
Gladys P Sep 2014
The spirit of spring rises,
Into a blissful gate to heaven,
Where dreams revive, and flourish,
Into a luscious landscape,
Set like a haven.

When the sunset shields,
Against the vibrant contours of nature,
In a garden of enticing and cultivated blossoms,
Leaving a spectacular scenery,
With glamour, and a feeling of rapture.
Sand-crusted catacombs of dismembered dreams
Settle beside memories of the child who grew up

In rocky Harpswell, Maine. Not many beaches,
Only a foggy stretch beyond Morse Mountain --

But I used to stand ankle-deep
In the water, wait until my toes sank

Into crystalized Earth
And bubbles from Littleneck clams.  

I’d stand there until goosebumps spread upon
My blanched legs, rising up, up, like the artificial hills

Of Maya Lin’s Storm King Wavefield.
Now, when I lie alone,

Misplaced inside a vacant Manhattan studio,
I surrender to sirens and accelerated lives.

Peace comes in painting – thick oil,
Violet and claret on stretched canvas,

Depictions of neon signs and cityscapes,
Cheap t-shirt stands on street corners,

And 24-hour coffee shops with “specialty”
Blends in little white travel mugs – selling

To flocks of strangers, strutting like pigeons on cement
Sidewalks, pretending they belong.
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