Have you ever seen a pair of Nine West Folowe Pumps in Red Blooms Floral - or ever held a feathery pair? They offer the pure pleasure of perfection.

You can see them popping up lately, in streetwear silhouette, matched with Dolce & Gabbana’s floral-print leggings, making a duet of blooms—petal upon petal, like a garden in motion, or paired with the new, high-waisted barrel leg jeans, lending a flash of elegance, a bright flourish against dull denim.

They’re visions, wrought as if by the hand of Michelangelo, who once from marble freed David’s pose, or da Vinci, whose brush summoned the Mona Lisa’s secret smile.

In form, they’re d’Orsay cut, sporting curves as deliberate as the Sistine vaults arch. The stiletto heels rise with the ambition of a cathedral’s spire - neither too proud nor too meek, but balanced, like the symmetry of a butterfly’s painted wings.

Upon their surface, blood red blooms unfurl - petals as vivid as spring’s first flush - each blossom a testament to an artist’s hand, in riots of color and romance that dance with the same spirit as a flowerbed at dawn.

No flaws mar their making: the stitchings are true, the fits precise—as if tailored by the muses themselves. Each pair offers its own unique foliations, bespeaking the freedom of a craftsman’s careful art.

Lastly, of course, they’re marvels of harmonious function, lightly cradling and lifting each step - comfort and glamour aren’t adversaries here, but partners in making each step a sonnet and each stride an artist's brushstroke.

Now, maybe you aren’t into fashion - perhaps you’re a male - oh, poor you, I’m sorry, but maybe, just maybe, in times of chaos, you long for the pleasure of inexpensive perfection.
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Songs for this:
Glamour Girl by Louie Austen
This is what falling in love feels like by JVKE

I just came from the cafeteria. In a shocking twist,
I have to actually meet people, I mean, can you imagine?
And we have group projects, my least favorite thing,
except perhaps, having a gym class.

The cafeteria was so crowded—didn’t I see you there?

Everyone there seemed to be wearing vintage Urban Outfitters.
I felt left out, but no one openly pointed at me.

Next, I expect to see bubblegum patch vests, skate-fit jeans and leopard-appliqué flats.

Between us, I’ve gotten old, and lost what little fashion game I had.
Now I’m modulated, that is, I’m over over-indulgence.

When I pictured myself in college, ***, what, a half a decade ago?
I imagined myself in a Lime Fizz Dress from Modcloth.
THAT never happened—which is all for the good.

School and by extension - school work - is definitely happening.
It’s not all studying while drinking back-to-back espressos at sunrise.

This week’s assignments due are: a ‘reflective assignment’ on qualitative research methods, a policy memo, a case analysis, and a group presentation. Argh.

So if you don’t hear from me—I haven’t been deported—I’m just oppressed.
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Songs for this:
This is Why by Paramore
Lauren by Men I Trust
Margaret by Pomegranate tea [E]

Today I am wearing
One of my father's neckties.
I know it might be a red herring
But it reminds me of him, so I look past all those lies.

It is a pink one,
With silver diamonds scattered.
I think it's rather fashionable
So, caring about others’ hasn't mattered.

I don it with a navy jacket
Just like the ‘ol days: suit & tie.
I’m not here to make a racket
About it, but just to state a point, I cry!

I am a femme fatale
Not a butch,
Rose-gold sneakers attire
Or coloured-heels as such.

It always gets a comment,
Sometimes a whistle or two.
I never thought I was attractive
But these feels, while I’m wearing them, surely do ensue.

My eyes once showed me a remarkable sight: it peered at this jaw dropping might
and my ears heard a voice that captures attention with each and every word it incites yet still my brain raced to inform me of a wonder that transforms imagination upon it's presence as if it were a millennial twilight but my soul insisted upon the woman who is a queen suited for my being, a design tailor made specifically for what heart has in mind.

fabric

became mutual agreement

enough to make us silently lie.

can you tell me
why all these
young girls
with long
beautiful hair
soft luscious cheeks
sumptuous curves
adoration for vegan
virtuous fighters of oppression
woke to the point of irritation
their love for queer
impeccable music taste

can you tell me
why they
drape themselves
in death wraps
secondhand
blood-infused frocks

insidious corpses
stitched together
for what
to keep warm
when it drops to -2

can you tell me
why complacency wins

Stitch by stitch,
fingers move like ghosts in dim-lit rooms,
eyes strained, backs bent,
breath laced with dust and silence.

A label whispers luxury,
a name stitched in gold,
but behind the seams,
a child traces hunger with trembling hands.

The clock does not sleep,
nor do the hands that sew,
woven into fabric priced in dollars,
while wages shrink to cents.

Promises drape the storefronts,
Ethical. Sustainable. Fair.
But behind factory doors,
needles pierce more than cloth.

Somewhere, a thread unravels,
and a name is lost in the weave,
a worker, a mother, a child.
Their voices fade,
but the machines never stop.

(a holiday vignette)

I’m taking a chunk of my holi-days to work on my thesis (So is Lisa). Without classes we can fully devote our minds to them.
My senior thesis hangs over me, I can’t ignore it.

I banged my funny bone - what even IS a funny bone? My entire arm is tingly and numb.
This song is playing → ’Talk talk featuring troye sivan by Charli xcx & Troye Sivan” I’m feeling so happy—it’s electric—peridot—it’s good.

I’ve got a buffalo. (a buffalo is a cool, high or positive event)
It’s really not that much of a story.
Lisa and I were walking down 5th avenue and there was like, this old man, who was standing out by the curb with a camera—in kind of an adorable way—looking for things to take pictures of—so I smiled as we walked by. Not Lisa though, she’s from Manhattan. Manhattan girls don’t smile on the street.

Then he was like, “Stop, STOP! Stop right there!” I stopped, Lisa walked on a step or two.
“I take street photos, and I want YOU TWO to model in them.”
I was like, “OH, oh NOOO, I don’t know about that.” I looked to Lisa, who looked aghast.
“I use the pictures for street fashion layouts - have you seen New York Magazine’s ‘Street Style?’
“What are you stopping for?” Lisa whispered to me exasperatedly.” She has a horror of modeling.
“He’s kind of adorable, don’t you think?” I asked in a ‘come on,’ pleading voice.
“Most of the time they don’t even use the faces—and I can give you one if you’d like,” he said.
He handed me a New York Magazine business card, he’s on Insta, so he wasn’t some crazy homeless guy.
“Ok, I said,” after a moment, shruggingly. He smiled and backed off several feet, getting ready.
"Anais!" Lisa said, shocked at my ‘out of towner’ naiveite, “I’m not,” she shorthanded, stepping away.

So, for a couple of minutes he took a potpourri of pix, posing me with comments like “turn sideways, pout, pop your waist,” and “look bored.” Now it was cool and windy, I was wearing a hoodie and jeans, and he was never creepy or anything, but I thought, ‘how do you pop your hip in a hoodie?’

As we walked away, Lisa said, “Why’d you agree to do that?”
“Charles is here,” I said defensively, “he had a card and book,” I shrugged. If anything, Charles was amused.
He gave me a couple of pics - cringy and un-model-ly. I think he really wanted Lisa (duh). Anyway, that was my New Year’s Day buffalo. I felt glamorous—for a minute.
Then we went for apple-brandy slushies—which were pretty buffalo too.
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Songs for this:
Glamour Girl by Louie Austen
Street Life by Randy Crawford
Talk talk featuring troye sivan by Charli xcx & Troye Sivan

Maybe you’ve gone with Moss Bros
Or you’ve stuck to trusty M&S
But I can point to a surer way
to ensure you’re dressed for success

No matter how long you’ve spent
Adjusting your silks and laces
No matter how hard it was
to talk him out of his lairy braces

Whether you selected a Windsor knot
Or your favourite velvet bow tie
[A bold choice, Toby.]
I can share some well-worn wisdom
By which you should always abide

I know a dress code tested by time
Simple words to which we should hold
Simple but essential for all of us here
So let’s check we’re all properly clothed

Next time you’re walking down the red carpet
And they ask, ‘Who are you wearing?’
There's no need to look for the neckline label
Don’t waste your time with checking

Every day you both put on Christ
You kit yourselves out with the King
Knowing this is all that you’ll need
For whatever the day will bring

But like royal robes or battle armour
His garments come in layers
Put them on in careful sequence
Buttoned up with tailored prayers

You begin with feather-lite Compassion
Laced with silken Kindness
It’s followed by soft Humility
A garment that’s forever timeless

You add to this tough Gentleness
That’s core to the Saviour’s style
With a lining of weighty Patience
So you can each stay versatile

You ensure the ensemble’s been well steamed
With a fierce, cleansing Forgiveness
You set the dial high enough
To remove past creases of grievance

Now, some might think this will be enough
That that is ample fussing
But there’s one remaining layer
That you know isn’t worth you rushing

Over each of these rich garments
to keep them all in place
you put on the strong bond of Love
like a long full-body embrace

Then whatever the weather or season
on each and every occasion
You can both enjoy the Peace of knowing
You’ll never need alterations
*
You may have heard it said
And with Thanks we can affirm
Some fashions do remain timeless
And this one's designed for long term

I let Fast Fashion pass me by
I choose a slower way
I watch the needle drop right down
And I while away the day

I choose the Slowest Fashion
The one grandmother wore
I now knit at the slowest pace
With no desire for more

I knit and purl to my content
This is my path to peace
But don't ask me to knit for you
This one is for my niece