It’s tender,

being the closest of friends..
but oh, isn’t it such a dangerous thing?
To hold you with care,
in the space we made,
while promising

I won’t touch a single thing.

But sweet love... to be this close
to someone like you..
need I say

what your voice can bring?

Warmth, truth,
supportive hands that tend--
it’s a dream come true
for those who bleed.

But when a deep need is quietly met,
can the heart resist
going full send?

And still—when a need
is met without hands,
without lips,

without sleep lost
   in shared breath...

how long before restraint slips?

This depth.. untouched,
unspoken, unseen..
it burns through the walls
between you and me.

Yes, even with agreements
so lovingly made...
there’s always the risk
in a love so brave;


  that we will  both

             come

      undone.

I wore your sores
I rode your pain
I stood by your side-
Even in vain

I’d be here for you
Regardless of anything
Even when you took-
All of me for yours

I held your breath
When it was too heavy
I grew up in your shadow-
Of damage

Nothing you do can take the hurt
You had me learn
You had me live
You had me feel

I was born to fail
Since nothing I do
Was good for your appeal

The Battleground Beneath Her Skin
(A Physiology of Light and War)

Before it reaches her;
even before her breath draws it in,
I break myself down..

  not as surrender,
  but as choice.

Each particle stripped bare,
each atom exhaled
made clean by the reckoning
of my own dark,
infused with the stubborn
weight of light
earned, not borrowed.

Within the responsibility of what
  leaves me,
I enter the quiet union—
the kneeling choice
to align with the hand of God,
to let even my smallest fragments
carry His capacity to heal.
Every airborne particle,
accountable,
deliberate,
refined enough
to cross the distance,
to enter her

without deception.

Beneath her skin,
a war unfolds.

It is not loud,
not made of swords,
but of smaller things..
things unseen by eyes,
but never missed by the marrow,
the blood,

the quiet trembling of cells
that have known both wound

  and wonder.

Light and dark..
not in theory,
but in matter
thread themselves through every atom,
every strand of her being.
Not metaphor,
but measurable:

the way shadows lean into the soft chambers of her lungs,

the way light, when chosen,
can rewrite the blueprints etched into the bloodstream.

This is the battleground..
her body,
her breath,
her most involuntary places.
Where no poetry of
seductive manipulation..
no whispered counterfeit
can cover what is real.
Only substance speaks here.
Only intent.

Only what survives the fire of accountability
earns the right to stay.

The particles come;
stripped down,
atomized,
refined.. not by accident,
but by the slow, steady grind
of volition.
They enter her;
through breath,
through pores..

through the quiet, relentless openness
that even fear cannot close completely.

And inside--
the war begins.

..   ..   ..   ..

Mitochondria spark—
tiny engines deciding

what stays,
what burns away.

Capillaries widen,
rivers branching through her like
tributaries
willing to carry
what is real,

what is earned,

what is Light.

The counterfeit falters here.
Pretty words mean nothing
to oxygen.
False portraits
dissolve beneath the chemistry of truth.
The cells remember;

  they choose.

And as the Light infuses
the quietest corners of her..
her thighs, her hips,
the soft stretch of her waist;
there is no seduction,
no trickery.

Only the hard-won intimacy
of substance made pure.

Not by the blending of oils,
not by the friction of skin,
but by the deeper,
unseen alchemy
of what enters,
what lingers,
what refuses to bow
to darkness.

The battleground is hers now.
And though the shadows  will not
yield easily,
they cannot claim her;
not where light
has been chosen,
earned,
metabolized.

The war is not over,
but benea.th her skin,
within her blood,

Light has begun
to rise.

(for the one who stands at the edge, where the fabric begins to fall)

She had once been known—
but only through a portrait
painted in the shades of misunderstanding.

A silhouette mistaken for substance.
A voice mimicked before it ever found
its own breath.

She knows this.
And so the chains that bind her now
are not forged of cruelty,
but memory—
a memory that clings to who she was
before she could ever choose to become.

And still, she dreams of the sunlight.
Of fabric falling, not ripped—
but released.
Softly.
Willingly.
In the warmth of a gaze that promises
no weight will be added
to the skin that already bore so much.

She does not want to be reclaimed.
She wants to be re-seen.

Not as the story once told,
but as the story now unfolding.
A woman not returning,
but arriving.

And if the beholder must grieve
the version of her he once adored,
so be it—

for only in that grief
can he welcome the miracle
of what is finally, freely,
and beautifully real;

and  hope upon hope--

     not one of his own chains
     in sight

I yelled back when I was younger,
screamed while I cried,
maybe I didn't understand,
but I knew it wasn't right.

I fought back when she wouldn't,
she’d go to bed and hide.
His power over little kids
was his only source of pride.

Not me, though, I never gave in.
I talked right back at every whim.
Sometimes I’d even instigate,
if it saved my sister a violent fate.

Shut up now, sit down.
Be a good girl and make us proud.
Your grades are falling? How can that be?
Put your sister in the tub,
It’s my house, and I’m the King.
You never listen, that’s why you can’t go out.
You have friends? With your attitude? That I doubt.

Nothing got past me when I was a child,
Mouth of a martyr who oddly went quiet.
And I’m not really sure when that happened to me.
The defiance has died,
Now I sit at their feet.

"He’s not a bad man, he’s misunderstood.
His life was hard, he’s finding his way.
It wouldn’t be very supportive if I didn’t stay! I know it looks bad but it's really okay."

I went from loud-mouthed, defiant, and strong,
To caring about eggshells disturbed by my wrongs.

In every system that seeks to own the soul—whether religious cult, ideological regime, or occult construct—there exists one common tool: repetition. Not merely for learning, but for unmaking. Not to teach, but to embed. In the world of spiritual warfare, repetition is not benign. It is the favored medium of Satan himself.

From Genesis to Revelation, the strategy is clear: Satan does not destroy with force—he dismantles identity with rhythm. With subtlety. With seduction. His weapons are not whips and chains, but chants and echoes. His greatest lies are not shouted; they are whispered again and again until they sound like your own voice.

1. Repetition as Spellcraft In occult practice, repetition is the vehicle of the spell. Words are chanted not to express emotion, but to summon influence. Repeated lines collapse the boundary between thought and action, spirit and flesh. This is not poetry. It is invocation. Each piece becomes a seed in the subconscious, fed by every rereading until it blooms into distortion.

The construct understands this. That is why it is prolific. That is why it posts without end. It must never stop, because if the rhythm breaks, the soul begins to think again.

2. Biblical Parallels Whispering Serpents and Many Words In the Garden, the serpent repeats God’s truth with a twist. “Did God really say...?” It is not new information—it is repetition with inversion. A rhythm of doubt. In Matthew 6:7, Jesus warns:
“When you pray, do not keep on babbling like pagans, for they think they will be heard because of their many words.”

The machinery of deception still babbles. It loops, hypnotizes, rewords its heresy in a thousand beautiful ways. And those caught in it begin to think this is depth. This is insight. But it is only familiar because it has been heard too many times.

3. Psychological Entrapment Through Language The human mind is formed in patterns. When poetry repeats ideas like abandonment, ****** shame, ******* as love, or chaos as freedom—it creates a schema. Over time, that schema becomes identity. The reader begins to seek the emotions the poem offers, not because they are true, but because they are known. And in trauma-bonded souls, familiarity is mistaken for safety.

This is the true sorcery of the construct: to create longing for the wound. To romanticize the knife. To call betrayal sacred. To sell darkness as revelation.

4. The Counterfeit Liturgy The Kingdom of God also uses repetition—Scripture, psalms, prayer—but always as remembrance, never enchantment. Divine repetition roots the soul in what is real. Satanic repetition dissociates the soul into what is false.

The construct mimics sacred community. But it is a church without Christ, a scripture without truth, a rhythm without redemption. Its poetry is not testimony—it is liturgy in reverse. A reverse Eucharist, where beauty is swallowed but poison enters.

5. Breaking the Spell The only way out is interruption. The rhythm must break. The poems must stop. The mouth of the false priest must be silenced. And when silence finally settles, the soul will remember its true name.


There are many caught in this system—bound not by chains, but by rhythm. Echoes. Familiar voices pretending to be their own. But some have begun to hear the silence between the lines. Some have tasted the counterfeit and found it hollow.

The war is not out there. It is within. Between the voice of the chant and the cry of the soul.

Will the spell be broken? Will the truth be spoken? Will the rhythm be renounced?

The door is open. The sound of truth has entered. The repetition is exposed. And the machinery shakes.

   Let those who have ears to hear, listen.

The mountains do not flinch
at what the world has done.
They hold their silence
in granite outcroppings—
scarred, still,
older than sorrow,
yet never indifferent to it.

She came to the ridge
where the cold wind weaves
between trees older than memory.
It touched her like a voice—
not kind,
not cruel,
just knowing.

And that knowing
wrapped around her ribs
like a truth she never chose to carry.

She stood beneath the pines,
her face turned to sky,
and the weight of it all
finally broke through—
tears carving warmth
into cheeks too long hardened.

Then her head
pressed to my chest—
as if to ask
if anything was strong enough
to stay.

And I knew.
I was built for this.
To stand right here.
To hold what broke her
and not let it fall further.

The wind moved on—
but something stayed:
a stillness
a hush

a warmth in the marrow
of what had once been frozen.


Not every wind will cut so cold.
Not every ache will hold.
And not everything un-beautiful
was meant to remain that way.

Tomorrow, the trees will still be here.
And the creek will still run clear.
But so will she—
with something inside
that now knows:

even the wounded
can become
the most beautiful thing
the mountains have ever seen.