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Mary Sullivan May 2014
Someday I’d like to visit Georgia
Or maybe Florida
Or maybe the Bahamas or Tahiti or Hawaii
Just someplace that’s warm.

Someday I’d like to visit Alabama
Or Louisiana
Or Arkansas or Georgia or Carolina
Someplace where the boys speak with accents
And the girls wear boots and plaid
And farmland is everywhere
Just someplace where people are kind.

Someday I’d like to visit Texas
Or Nevada
Or Wyoming or Oklahoma or Kansas
Someplace where the sun beats down hot
And the men ride horses
And the desert stretches for miles
Just someplace where people aren’t.

Someday I’d like to visit Austin
Or Atlanta
Or Hollywood or New Orleans or Nashville
Someplace where men serenade the moon
And women hum babies to sleep
And fame resides everywhere
Just someplace where music fills the air.

Someday I’d like to visit Heaven
Or maybe stay
Yes, stay, forever and ever
Someplace where families reunite
And children get enough to eat
And no one speaks an unkind word
Just someplace where souls come together.
SelinaSharday Feb 2018
Baby can I get into your mind.
Someplace in your head...
Baby can I intoxicate you mentally...
Someplace in your head,
Baby let me belong to you.
Someplace in your mind.
Baby will you daydream about me...
Someplace in your mind?
Is it a comfort to find a part of me, someplace in your mind?
Is there a hidden picture of me someplace that you keep safe?
Or is there a place that you rule me out.
And think that I'm playing games?
Is there a place where you think I don't feel the things I say?
A place where you think my desires aren't real.
Someplace in your mind?
Or Baby do you believe my goal is to achieve a oneness for us?
Baby will you imagine in your mind, me as a true love you've found?
In there can you be mine?
Can you destroy any negative thoughts that discredit me?
Baby believe in me.
Some where in your mind have you gotten a message from your heart.
To love me, keep me close, for I am good for you.
Has your heart told your mind not to let this love depart.
Someplace in my mind.
You will find, that I am all thine.
So Baby can I get in,
Baby am I in,
Someplace in your mind?
Mind, mental, connection
I do not like here

Someplace better I desire
Someplace warm like fire
Someplace to chase my dream
Someplace where things grow green

Someplace where the people are nice
A place with less snow and ice
Someplace new I'd like to go
A place more theatrical, more like a show
Someplace where they stay up late
A place more modern like the Tate

I just want to get out of here
It feels so small
And tiny
Here.
Grace Jordan May 2016
There's never quite an end to the core of an apple, is there? You bite and you bite but you always finding yourself taking smaller and smaller bites the closer you get to the center. You know its 'cause you don't have the power or stomach to eat it all away, but you pretend its 'cause it takes time.

There's one step, two step, trip, and fall. One day you get a high and the next you hit a wall.

Getting to the seed of things isn't quite getting me nowhere, or somewhere, but someplace, the someplace I dream of, its up and its everything I want but I can't really see anymore. Darkness always makes finding the walk home a little harder.

And there's that; home. That thing I found and jumped in full-bodied and now I lay curled on the floor as it took itself three steps away. Its door is open and the welcome mat is brushed off just for me, but those three long steps are hard when your world is gone.

Its not even just the house itself. Hell yes I love it and its my someplace in a heartbeat, but Its like all the comfort and routine and dreams I had went with it and alone a girl with frazzled blonde hair and clutzy freckles is just a shaky three legged chair with a termite problem.

When you don't believe in "just deal with it" not knowing what to do can feel like ****** needle ready to give you a fix on the one day you might say yes. My eyes want to see the other doors open but all I see are padded walls and only the smallest of windows on the ceiling. It seems to be growing bigger.

I want my three legged chair to get its **** together; its all I've ever wanted. But when left isn't an option and your feet and bound and your eyes are blind what do you do?

Though I'm a ***** who ***** up funfetti cake but never will ask for a tip, my pride isn't even the matter. The matter is even if I ask I don't know if anyone can help me know what to do.

I just want every moment of these three steps to feel like an adventure; not like a punishment. But I just don't know how.

Really, I just want to get to that someplace. My someplace.

But I can't stand wallowing until I get there. I can't stand hating every moment. Its not who I am. Its not the kind of person I want to be.

I just want an open door, but every one I find here seems to be pretty closed.

I want to refuse bleakness, hopelessness, giving up. I want to be strong and dream and get everything I can out of every second. But I don't know right now if I can do anything better than settling and just dealing with that.
softcomponent Nov 2013
blastoff to someplace still lingering -

it's waiting like talk into action.

blastoff to someplace still lingering -

'excuse me,' I say, as I'm *******

you

blastoff to someplace still figuring factors

eagerly backwards

seethingly acted

blastoff to someplace still triggering MapQuest

lost in the past, it's -

not like it lasted.

blastoff to someplace still picking the strings

licking the hinges of doors towards things-

blastoff to someplace still linger*ing -
David Lessard Nov 2020
Someplace down the road
Lord Jesus waits for me
He's counting I show up
for His truth has set me free;
He's the prime example
we must follow in His way
He'll give us the strength
to get us through the day.
Someplace down the road
I'll run into my Savoir
His words are full of love
It's Him that we must favor;
by faith and our endurance
we can overcome our trials
changing frowns to grins
changing scowls to smiles.
Someplace down the road
I'll be a resurrected soul
replacing flesh with Spirit
then -  becoming whole.
Mateuš Conrad  Nov 2016
Macbeth
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
Mitchell Sep 2013
The retainer where she was put
Was made of concrete. My father told me they had
Dug the grave first, then poured the concrete in, waited for
It to dry and harden, then hammered in six
Circular spikes in the four corners, two on either side
Of the middle. They lifted the concrete cast out with a crane.
My dad was going to be charged 300 dollars a day for the rental,
But because of the circumstances, Home Depot let us have it for free.

-

Where was she?
Where had she gone?
Would I see her face again?
Would she want me to
Meet her on the other side of the river?

-

I answered my cell phone.

"Make sure to bring flower's."
She had been crying. Her voice wavered the way sun light
Does on moving water.

"Make sure to bring flowers," she repeated, "And
That you wear what your father and I bought you."

I nodded my head with the receiver pressed up against my ear.
We both let out a sigh. My mom hung up. I put my phone in my back pocket.

-

Lately, I had been seeing a shrink about repetition. He liked to use the word cycle.

"Everything is repeated," I would tell him.

"Life is a cycle," he'd disagree so to get me talking.

"Can cycles be identical?"

"Technically not. Some cycles are extremely similar, but no two cycles are
Completely the same. Are two people's lives ever exactly the same?"

"I wouldn't know. I don't know that many people. Maybe."

"You know lots of people, Camden. You have told me about many of your friends."

"Are we talking about the seasons?" I asked, changing the subject, "Like fall, winter, spring, summer? We are born, we live, we die, and we are born again?"

"That's a very natural way of looking at it."

"I know it is." I inhaled deeply, swallowing air and wondered what time it was.

"If you are so sure, why look for validation from me?" He liked this one, I could
tell. I imagined him shopping for clothes and then exploding in aisle 16 because of a sale on jeans.

"The word cycle is used by people too afraid to use the word repetition. Everything is
Repeated for the next generation, the next group, the next of the next of the next. We shift things
Around, give things to one another to shift life to make it look different, but, things remain the same. Everything contains the primal function we were all doing and living from the very beginning, only now, there is more of a separation. Music is still music, words are still words, paintings are still paintings, love is still love, death is still death, only done differently and more intensely."

"We are talking about man furthering technology because we, as people and creatures, are
Statistically more prone to flee than fight?"

"Why do you think it has caught on so quick?" I touched both
Corners of my lips with my tongue and suddenly realized I hadn't eaten breakfast.

"It is a theory," the psych nodded, "A theory with, I am sure, many
Palpable facts you could make a very nice report with to prove...something." He
Was at a lost for words and I felt guilty that my mom was paying him $75 an hour.

"We are very split. There are too many of us. Too many hands spinning the china."

"Who is we Harry?" The psych hadn't looked up from his pen and pad of paper, until now. I could
Tell he was annoyed with me either because he was making no progress or because the session
Had just begun and I was already digging into him.

"Culture. The government. You, me, my dad, my mom, the taco bell cashier, the geniuses at Apple computers, a paper weight, my dead sister. We're all apart of these shifts, all putting in a certain amount of energy and lies to keep the protection of the projection going. The question I keep asking myself is: do I want to use my strengths to be apart of this cycle or not?"

His eyes flared open for a moment like he'd swallowed a firefly, not at the question I had posed for myself, but from what I would soon see was from the mention of my sister. He had something.

"I was notified by your mother that you may not want to talk about your recently deceased sister. Is It O.K. if I ask you some questions about her?"

I was leaning forward on the couch with my hands clasped in between my legs. The psych had looked up at me now. He was sweating at the top of his thin hairline. Observing that I was staring at his building perspiration, he, trying to be nonchalant, took out a thin, white napkin from his grey shirt pocket and dabbed the top of his head. The napkin looked like cheap toilet paper. I'd have offered him some water, but I had no water to give and I didn't know where the sink and cups were to give him any. I figured he did - it was his office - so I asked him for some. He pointed me in the direction of the bathroom. I got up and found a stack of paper cups. I poured myself a cup and went back to the couch, but instead of leaning forward, I sat back, relaxed, and let the expensive leather couch take the weight I had been carrying away.

"So," the psych maintained cooly, "Would it be alright if we were able to discuss your sister?"

I lifted the paper cup over my head and the psych's eyes, after I poured the water over my hair, my face, and clothes, was a mixture of what my mom's eyes looked at the funeral, defeated, confused, and with a loss of faith and hope. My father's eyes had only held hate, anger and the need to lash out at someone, but the only someone that would have fit the bill would have been God.

"Sure," I answered, "Let's talk about my sister."

-

I finished drying myself in the car. The psych had let me keep the towel.
I leaned out the window to look at myself in the side mirror. I looked fine.
Presentable. Accountable. Like I had been through something where I had
Faced my soul. Like I had used and abused my emotions. There was comb in my glove compartment, so I took it out and rushed it through my damp hair. Slicked back. The sun
Was out, no clouds, burning up the inside of my car. That taste that comes after
Finishing something that's supposed to do you good didn't come. I was left with an unsure hand.
Putting my keys in the ignition, I turned them, and felt the engine rumble in front of my legs.
The sun sat in the sky like a lazy hand and I had nowhere else to go but home.

-

"Let's go to the river today," my dad said over coffee and two over easy eggs on top
Of burnt wheat toast. "I'll drive and you and your sister can sit in the back and sing."

I looked over at Ally. She was gazing into her fruit bowl she had prepared for
herself because dad didn't understand the concept or how to make it. The lamp light above us
reflected in the smooth apricot yogurt and the flecks of granola scattered on top
looked like beige, jagged rocks. My dad's offer hung in the air and neither
of us bit the lure. I had just woken up and was unable to speak clearly, a decent
excuse. Ally was simply choosing to ignore him.

"What you think there Ally?" I asked her. I sipped my coffee. It needed more cream. I got
U, got it and brought the carton to the table.

"We can take the truck down there and load the back with the fishing poles and tackle
And inner tubes. We haven't...done that...in a long time," he said, chewing his food as he spoke.

Ally poked her fruit bowl with her spoon, silent.

"What you think, Cam?" My dad was desperate. He knew I'd say yes.

"Sure. I've got no plans this weekend."

"No schoolwork?"

"It can wait till Sunday. Only math and some reading."

"Ally, what do you think?" my dad asked, leaning over to her. I could see he was
Trying to be as courteous and gentle with her as he knew how to. I felt bad for him.

"Sure," she muttered, "That sounds like fun." I could barely hear her, but somehow,
I could tell she sounded happy.

"Perfect," my dad smiled, "We'll pack the car up Friday,
Drive up Saturday morning early, camp one night, then get back Sunday afternoon." He
Took a long sip of his coffee and swished it around in his mouth, then dug
His fork into the dry toast and ran his small steak knife over the eggs. A silent pop came from
The egg and the light orange yolk spilled out. "Perfect," he repeated, "Just great."

Ally poked a grape from her fruit bowl and dipped it into the yogurt.
I took another sip of my coffee and looked up into the fan, spinning above us.
We were going to the river.

-

"Your sister turns five today," my mom told me, "And that means
I want you to be on your best behavior."

I nodded, unsure what the point of a birthday was. I had had one before, or at
least I thought I did, and all I remembered was that I got presents and the colorful balloons
and the cake we all ate with fire kind of floating and burning above it. Somewhere
in that moment I remember thinking that the cake was going to catch on fire, then they, everyone,
some that I knew and some people I had never seen before, yelled and shouted to
blow the fire out, so I quickly did, but not because it was for a wish, which I later found out it was supposed to be for, but because I truly thought the cake was going to catch fire and they wanted me to take care of it. At that point, I was unsure what it meant to be alive or why to celebrate it all.

"This is her day, Camden," my father told me, "So I want you to be happy for your sister."

"I am," I said. I was wearing my favorite white and blue striped t-shirt and
New shoes that my mom had bought me for the party.

"Sometimes you have to think of other people," my mother continued, "And today is one
of those days. I don't want any crying because you didn't get any presents or that none of your
friends are at the party. There are going to be a lot of Ally's friends there, but not many
of your's...do you understand?"

"Yes, Mom."

"Do you understand, Cam?" My father repeated. His skin was the color of a burnt
pancake and he smelt like stale sugar and sun tan lotion. He was in front of me and was
holding a thin magazine with a man in a boat holding up a fish on a line on the cover.  

"Yes, Dad," I said again. I was hungry. I wanted mac n' cheese, my favorite food.

I had been on the floor, laying on my stomach watching Ren and Stimpy. They were standing in front of the television and I remember trying to wish them out of the way. Behind them were two, large bay windows where three palm trees stood in a row like tropical soldiers. I could see there was no wind because the three of them stood still, as if posing for someone. Their leaves were bright green, a mixture of the neon green Jello I used to love to eat and the orange Jolly Rancher my dad would always have in a tiny tray in the middle of the dining table. My mother hated having them there because it always tempted Ally and I, but he never moved it until he moved out.

"Do you like your show?" my mom asked, turning to see what I was watching.

I nodded, absently. Ren was licking Stimpy's eye because he was complaining about having
an eyelash in there. Stimpy was completely still and smiling like he does - dumb and content.

"Interesting..." my mother trailed off. She walked to the kitchen behind the couch and
Opened up the pantry for something. "You hungry, Camden?"

"I'm starving," my dad said, "Let me go check on Ally in the bedroom. She should be up
from her nap."

I got up from my stomach and sat back on my legs, "Do we have mac n' cheese?" I asked.

"Let me check."

She reached up for the cabinet over the stove where I could never reach and
Opened it. I rose slightly up from where I was sitting to see if I could see the glorious dark blue and orange package, but wasn't able to see over couch. I hovered there, still like a humming bird.

"You're in luck," I heard her say, "We've got one box left."

"Yay!" I screamed and got up, running into the kitchen.

"But," she smiled, stopping me, "You'll have to share it with your sister."

"No! I don't want to! I always have to share."

"What did we just talk about Camden?" she said, lightly stamping her foot.

I tried to remember, but couldn't. I shrugged.

"You need to learn to share, Camden. You also need to listen better when your father and I are talking to you. You and your sister are going to know each other a very long time and I want you to learn how to share now, so you two can be happy in the future."

"The future," I asked, "What's that?"

She paused, then said, "It's a time," she paused again, "Ahead of us."

"Do we know where it is?"

"Not exactly," she sighed.

"What's it look like?"

"No one really knows. People can only imagine it."

"Is it very far away?"

She opened the top of the blue and orange mac n' cheese box and poured the dry macaroni into a large silver ***, lifted the faucet, and let it run inside for five or seven seconds. She placed the *** on an unlit burner and turned to look at me. Her eyes looked far away and right there with me.  

"Closer then you think," she said and turned the burner on.

-

I turned into the taco bell parking lot. There was something I was trying to remember that was in my trunk, but I couldn't recall the picture. A haze blew over the windshield that was a mix of heat and wind; I wished to be somewhere else, someone else, someplace else, but, there I was, sitting there underneath the sun, like everyone else. If I was able, I would have unlocked the door to my car and opened the door and walked out - but - there was something else lingering underneath my fingernails, something I couldn't name.

"Two tacos," I said into my hand, "And a water."

"Pull to the window," the voice buzzed over the muffled speaker.

"Yes," I said through my split fingers.

In front of me, over a patch of clean cut green grass and a yellow, red, and orange Taco Bell signature sign, was a fresh gas station with a willow tree *** near the front entrance. He had a sign that hung around his neck that read Juice Please - Very Thirsty. How I knew this was because I had seen it every time I had been asked to fill up my dad's car every other Sunday. I had never given the tree a dollar, yet, I felt that I owed him something. I tried to pull up to the window, but my clutch was grinding and a cloud slunk overhead. I was tired and only wanted to eat.

"That'll be a two twenty-five," the voice said through the thick, clear glass.

"Yes," I said to myself, digging into my wallet for three dollars.

I ****** the three onto the thick plastic platform. A quick sweeping plastic brush pushed the bills toward the asker, and the bills were gone. I had no food. I had nothing. My money was gone and all I had was a gurgling car in front of me and an empty front seat beside me. A pair of clouds waded by my front shield window. A shadow drew itself out in front of me like a **** model. A beep. Sudden and behind me. There was sound. I looked over my shoulder and a black  2013 Cadillac was sitting there, windshield tinted grey, the driver a shadow. I was unsure what to do...so I pulled forward six inches, hoping the offer would be enough. I wasn't in the best neighborhood.

The window to the left of me slid open. An arm erupted forward with a plastic bag,
"75 cents is your change."

The hand dropped three quarters next to the plastic bag. I grabbed the bag with the two tacos and three quarters and quickly wound up my window. The face in front of me was a dangerous blur: smiling, frowning, not caring either way what happened to me next. The hands had gobbled up the three dollars and I was happy to see it go. Who needed money? I tossed the plastic bag onto the passenger seat and sped off two blocks for my grandma's house. Salvation. The holy land. A place with free hot sauce and two dog's that were stolen without paper's. Eden.

-

"What are you learning right now?" I asked Ally.

She hesitated, then said, "Something to do with science." She paused," Lot's to do with rock's."

"Rocks?" I stammered, not remembering a time when I learned about rocks in school, "What kind of rocks?"

"I don't know," she grinned, looking up at me, "All kinds."

I laughed and kicked a stone into the river. The sun was out and reflected on the water like an unpolished diamond. We had grown up a quarter mile away, but still, it felt foreign to us.

"I like it. There's some things you could see that you would never think to read about it in books."

I had read plenty off books. Most, I took little from, but Ally, I could see, had taken plenty.

"What are you doing in school?" Ally asked me.

"What do you mean?" I
Mitchell  Sep 2013
Luria Rose
Mitchell Sep 2013
We met on the stairs
Of a 15th century cathedral in Rome.
I was wearing my
Light gray suit that she later told me reminded
Her of the color of fresh volcano ash.

She - cut in half by the moonlight -
Wore red flats,
A ******* linen dress that
Effortlessly pronounced her *******,
While her oaken red and auburn hair
Lunged down both of her shoulders like
A waterfall or an avalanche,
Just touching the top of her belly button.

I, looking up toward the marble spires
Spinning into the scattered stillness of the nights
Opaque and cream colored stars,
Did not know she was hovering behind me watching me,
Until she had decided to speak;

If I had known, I would have ran inside.

"The cathedral is very nice, isn't it?"
I heard her ask to my back.
At the sound of her voice, I was not
Filled with that melodramatic cliché dripping
With soap opera fused emotions.

No, I
Was dipped into a large cauldron of ice-water.

There was a tremor
Somewhere
Inside of me and a heat
Ricocheting in her.

"Yes," I replied,"It is
Very nice and very old and I wonder why it is still here."

I did not know what I meant, but
From the pause and inhalation I heard immediately after, I
Believed she must have thought what was said profound.
Was I profound? Why would she believe that if it was only from
The spontaneous question that held no real physical weight? Or
From me jumping so quickly into this little

Game,

No question's asked?

"These buildings still stand because they
Are a physical memory of what we have achieved
And what we must continue to achieve
In the future
." She had come up beside me now.
Vanilla lavender lotion and mint
Toothpaste were the first smells that came to mind.  

"The future..."I said, trailing off, "The future."

"Yes, the future is very important."

"It is all we have."

"Well, all we truly have is the present, don't you agree?" I asked,
Slightly turning my head to look at her.

She was still looking up at the cathedral. She was focused on the large church bell
That hung there like the moon in the night sky. I continued
To stare at her, my question hovering vulnerable in
The air as a butterfly with its wings damaged would. Then, a
Couple passed by us in a hurry. Their hands were clasped tightly together, the man
In front and the woman looking to be dragged by him. I saw
Neither of their faces, but I imagined them both to be calm and red.

"They look to be in a hurry," she said, "Where do
You think they're going?
"

"Somewhere very important I'd imagine."

"And where is very important for you, sir?"

She turned
To meet
My gaze a

As if challenging it.

Her lips were full and painted with red lipstick. Where I thought her eyes would prove to be light colored or forest green, they were actually colorless and black. I inhaled at the sight of her, then immediately blushed. Again, our questions back and forth to each other were more of an interrogation of one's hearts and minds than flirtation. As she stared at me, I sensed that we had met before. There was something in her face that brought the feeling of an old friend or an acquaintance, like the feeling one gets when they see a past school teacher or love interest back in grade school. There was a warmth and giddy tension between us that made me feel eight years old again. I had felt so old recently. There was a sudden wink in her eyes and I then remembered the question I had asked her before.

"You haven't answered my first question," I stated seriously.

"I agree," she answered quickly, "The present is the only thing we have truly and
Do not have, all at the same time."

"What do you mean?"

"Being present 24 hours a day, seven days a week, is a very exhausting,
Trying thing,
Isn't it?

"Yes, I would agree with that."

"And being present for whatever reason, be it socially, romantically,
Professionally, etc., is really all for the future. One's own's private future goals.
Something one desires in the moment and wishes to have for oneself in the future. Our
Motivations are our desires. Our wishes. The lives we wish to own in the future."

"At times, yes, I do believe
One is present for those reasons, but
Sometimes, and I speak for myself,
I wish to lay back and let the sun burn my skin and
The clouds to blanket me, chilling me, so to remind myself
Of my placement on this planet and the miniscule and
Tremendous affect I have on my surroundings. For example...
"

"You are very talkative," she said cutting me off, "I could
Tell from the way you looked up at this cathedral all by yourself,
Lost in thought or lack thereof, that you were a talker."

She smiled and I forced a tight-lipped smirk.

"Well, I am
So talkative because you have made
Me so.
"

"So be it."

"It is so."

"Are you mad? she asked.

"Not the least bit," I returned, unsure whether I was lying to
Her because I didn't want to offend her and scare her off or because
She was so extremely beautiful.

"Well, I am glad that I can do that to you." She looked back
Up at the church bell, trying to hide her satisfied smirk.

"I have said too much. Let us both watch
The cathedral stand on her own for a bit in silence, ok?"

"That sounds good."

She took a step down from the step she had been on with me. Two steps.
There she let her head and hair fall back, taking everything in she possibly could.
I needed a drink and she needed the sky, the cathedral, the city, but I
Could only give her my company, unsure whether she truly needed it or not.
I shifted my glance from the bell tower to what was behind me. There, I saw
A wooden trolley up against the far wall near a trickling fountain
With puppets hanging from their thin clear strings. The light from the oiled lamp posts
Was a dark orange and cast an array of ****** shadows along the walls that
Encircled the square which me and the woman and many others were standing around. Night
Had set on the square, but no one had decided to go anywhere.
The square was perfect for them; anywhere else would have seemed uncomfortable.

She looked at me from two steps back and asked,
"We are being present for a better future, yes?"

"What we hope will be a better future," I said, turning
My head away from the bottom of the square back to the
Cathedral. I emphasized the word hope.

"Yes, men and women must have
Hope for something better."

"Life does not guarantee anything, does it?"

"No, I guess it doesn't. It gives you chance and we give
One another choice."

"Or," I hesitated to say what I wanted to say, "Or God does."

"God," she laughed, "What's He got to do with anything?"

"Everything and nothing, I hear."

"Don't be so vague," she grinned, turning her body completely around to me
So I could see her full figure. Her dress outlined a woman's body,
But I knew, inside, there was so much more precious things then flesh. "Hear
From who and where?"

"You choose what you wish to believe
And no one can tell you otherwise. What
You need and
What others may need can be different and should be.
This does not mean that we cannot get along.

Is there a way to be wrong in what one believes in?
She looked to want an honest answer, so I gave her one.

"Yes."

"That's it?" she asked, wanting more.

"That can't be it?"

"Yes is a decent enough answer,
But because you looked to be so talkative before,
I assumed you would have more to say on the matter."

"Assuming something
Is a very dangerous, childish thing.

"Yes," she agreed, "It is."

"If one believes in something and tries to share
Those beliefs in an unaggressive, listen-if-you-will,
Dangerously friendly, perhaps even musical way, then
The listener has their choice in the matter. They can

Walk away

No questions asked or feelings hurt.

"That," she said, "Sounds good for the listener,
But perhaps not so great for the speaker.

"
Why?"* I asked, surprised.

"Because then the speaker may turn into something
They originally did not want to be. A prophet or voice for something
They may honestly have no interest or passion for.

"I see."

"
But, please, go on."

"
On the other side, someone may believe in something fully, to their bitter core, but there needs to be a validation from another to prove their conviction. This is a weakness in their faith. They secretly doubt themselves and are trying to prove, by the obedience and following of others, that
Their belief, system, God, what have you, is a truth, a fact like the sky is blue or that fishes swim in the sea. These people with their thoughts and beliefs are the one's that are wrong. The one's that push their way onto other's without any room for being challenged or accused of falsity."

"
There are some that do not want follower's, but as soon
As they turn around, there they are.

"Yes," I nodded, "I can think of a few thinker's
That I've read or heard of that happening."

"
God, though," she laughed again lightly, "It
Is
Funny that you bring Him up."

I didn't have anything to say, so I said nothing.

"
Are you a religious man...?" she asked.

"
My name is Robert Commento and no, I am not religious man."

I gave
Her my name
Out of my uncomfortable stance on religion and
To change the subject to less formal and conversational matters.

She put out her hand and I slipped my palm under hers. I was
Never taught to shake a woman's hand - for it is too delicate -
but to let their hand rest atop mine.

I bowed and gently kissed her hand.
Her skin smelled of fresh milk and uncut grass and
What morning dew feels like across raw fingertips.
I tried to force myself not to trip too quickly into love,
But there are some things
Men are absolutely unable to do.

"
Luria Rose," she said, bowing her head, "Very ncie to meet you
Robert Commento."

"
And very nice to meet you."

"
You are from here?" she asked.

"
Yes,"* I said, "Well, not exactly."
"From a city over where the tail of the river ends."

"I know this place, but I cannot recall the name." I could see
She was embarrassed by not knowing the location, telling me she
Was obviously from Rome and proud of it.

"Cuore Tagliente," I told her with zest,"That is where
I am from and where I was raised. My family still lives there to

Manage their small farm of olive trees.

"Do they make very much money?" At this question, I turned
On my heel and stared at her. By her look, she seemed to be
Unsure whether I meant this in seriousness or in jest. So not to scare her
Off again I forced a smiled, left my eyes upon her as if viewing a painting or a statue, and
Answered as truthfully as I could without insulting the name of my family
In truth, I lied a little.

"They were very
Well off when they bought the
Olive farm and they are still very well off
Due to savings and the like, but, because of the business they sold
And the expenses of starting from scratch in the scorching fields of where olives are grown,
They took quite a beating financially. We are quite fine now, very, very fine now,
But not as fine as if we had stayed with the old company. In a way, we were
Asked very professionally and cordially to step down. Of course, my mother, bless
Her body and soul, was very destroyed by this matter and that is why I find it hard to continue.

Luria, staring at me blankly, but with a slight hint of fascination,
Walked up the two steps she had just stepped down and
Two more past where she had been beside me.
She swiveled around on her flats and faced me. Her
Eyes were now impossible to see in the night, though I knew she was
Looking directly at me. Curious why she decided to say nothing in return
To my story, I said something in her place.

"I say so much about myself...well, then, what about you?"

Instantly, she pounced on the question,
"I am
An orphan of Roma
And grew up on the streets stealing and
Running amok quite happily, though
Sometimes I regret what I stole. Every single one was a

Necessary action."

This took me back, for she looked tanned, healthy, and
Well fed, instantly making me think she must be a very skilled
Thief. Eyeing her up and down, I wondered if this was why
She was even talking to me presently. I checked my wallet. It was there,
Though this fact made me feel only slightly better. I watched her
Blow a thick, crescent moon shaped strand of dark brown hair from her eye,
Seeing if the story had settled. Was she lying? Was she telling me the truth?

Why would she tell me anything at all?

"Let us get dinner someplace," I offered, "You can
Take me to your favorite, local restaurant in the city and I
Will pay. No favors thought to receive or anything. All I'd like
Is to have a conversation through the night with whom I have in front of me."

She nodded, said nothing with a smile, and stood still.

"You must lead the way for
I have no idea where you would like to take me. I, of
Course can take you to any of the many restaurants
I know of in my Rome, but I want to go to the one the thieves knows of.

Suddenly, her face contorted into a shape like
A razor had been dragged down the length of her face.

She shouted,"Do not call me a thief, Robert!
Your a poor son of olive farmer's! What do you know about
Anything of the street? So much so that you can ridicule and
Mock whoever's from it? You know nothing!

I immediately tried to tell her I was teasing, but she ran past me, down the stairs, and across the square. I stood stunned, embarrassed to see if anyone had noticed this outburst. No one
Had. Groups of people were still sitting around the fountain, throwing
Coin into the water as some children played and dipped their toes into the
Clear, tranquil water. The puppets waved back and forth in a light, chilled wind,
And the lamp posts still burned casting a curing light over the square. There,
I saw Luria cast in the dark orange light for just a moment. She turned around to look at
Me in the light and there, I saw her eyes were not black, but sky blue, like
The fresh melted ice I had once seen on my travels to Antarctica. Then she was gone.

Pausing, letting myself be hugged by the cathedral behind me,
Half of me wanting to stay in her embrace and the other wanting me to be in hers.
I could not hug stone forever," I told myself, "Man needs to hug a woman
Into eternity, not the church. Maybe later in life, but now, man needs the physical,
Not the metaphysical. There, I see her as she goes through the alley behind the fountain on the
Path toward my favorite bakery, Grano Gorato. I will follow her and find her.

I ran down the stairs carefully for they had become wet and slick from the light
Fog that sometimes rolls into Rome when it is night. There, I moved through the crowd
Which looked to have double in size with people. Where had they all come from?
The alleys, no doubt. They all felt the warmth and comfort of this secret square with Her
Majesty looking down on them from above, the church bell and moon like two great eyes,
The tinted cathedral windows depicting ancient actions Her heart, and the hard square
Slabs of concrete and smoothed stone Her skin. But, Luria did not care for such comforts, She
Believed in no comforts other then the one's another could give. Did she want that from me?

Once through the alley and passing Grano Gorato, I swiveled my head three-hundred-and
Sixty degrees hoping to spot the white dress with the long brown hair. There were many
Women about, but none that were Luria. I sat on the edge of another fountain in a smaller
Square which I had found myself in. Inside the café in front of me, I observed an old man order
A glass of red wine and a mini-short bread crust filled with cream with bright, light green
Kiwi on top. It is was brightly lit inside and everyone was smiling, even the servers. Looking up
At the sign for the restaurant, I saw its name was Mondi. I made a note to go there with
Luria when I found her.

"Luria! I shouted. The name echoed about the numerous walls that
Surrounded me. A few tourists dressed in sandals with socks and cameras
Wrapped around their shoulders and "*****-packs" around their waists

(Terrible Things)

Gave me a concerned glance, but I continued to
Shout, "Luria!

"Yes, Robert?" I heard Lu
Kara Rose Trojan Dec 2014
My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.
English Jam Apr 2018
This desolate road seems forever long
And my worn feet will carry me through the ruin
All alone, but if you had heard my song
You might just understand why I’m doing
Maybe I’m the strongest person of us all
Maybe you’re used to me being alone
But that doesn’t mean that when I take a fall
I can survive, live on my own

Noticing someone else’s suffering is hard
Wrapped up in your troubles, with an aching heart
But if you open your eyes, you’ll see a man apart
If you can call me a man, I guess

Walking round with an unchanged expression
Ducking and keeping away from the deed
You might think it’s all to get attention
And you’re right, but that’s what I need
I knew a group of people whom my heart held dear
I loved them, and I love them still
But they weren’t there for me in my time of fear
Now I’m not gonna bend my will

How many days of quiet can I keep?
How hard will the blade into my mind seep?
How long can I hide away and weep?
Before you realise I’m not at best

So it’s time to say fare thee well
Don’t know where I’m strolling in my daze to
Just gonna follow my path down the well
See if it’s someplace new
So I’ve thought it through and through again
No pleading will make me change my head
Maybe, before, if I had a friend
But now, it’s too late to hear what I’ve said

The love I have for you will always burn
But my back’s to you, and I’ll always turn
If you haven’t figured it out, you’ll never learn
I want a hug, but I’m drowning in my sleepiness
When the colors disappear
there's is nothing more to see
and when the dying sun goes down
you know where I will be*
--
When the hissing leaves break the silence
and the darkness illuminates the light
I'll find a shelter someplace else
someplace out of sight

— The End —