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Robin Carretti Jul 2018
The Amazing Grace
Face
Place
Glance-dance

"Her Pleasure" Eiffel Kiss France
The lost place trance-spell-
You should see the look
on your face
*        *        
It wasn't her wishful thinking
Bringing her deep love the wishing well
  fuller up guilt tells the trips
Feeling lost but it turns Global
somehow it follows rose stem rural
Hard pillow but painful
The glow her words felt like a burn
His wicked candlelight so stern
smile concert rearranged

Too many heavy metals
Iron Clad Civil war deeply hanged
Something changed all deranged

Change of weather
England his hands are happy
needing more water to sprinkle
The happiest  time in London
Pub cheerful Lad star twinkle

I saw her standing there

Her friend was reminiscing
but lost some memories
Until an image appeared of him
she found herself

Pleasurable oneself she was
Wondering feeling the thunder
now as two cockpit rambler
Being lost on the shabby
chic shelf
The Greyhound those
Siberian Huskies with her
plaid hankies

The race is on those bookies
Growing and howling I was lost in his
Skydiving but I didn't see him
going down bits and pieces
The picture shows what a blow
falling for Autumny leaves
High price got low
Lost his smile that was my pleasure
Reaching
Stretching
The praying Mantis Rosary

How do I resume soup consume
Sipping his alphabet words
Always lost it said
Innocuous
Delicious Dove flight
Details of the lover wings
then there split in two lost
Like an experiment pleasurable host
They are strangers in the night-star
Or the economy of life went too far
Like the mosaic artsy wife

Being loved its drawn to you
The intense side
Sunnyside he's up ******
The contrast comes closer
To their bodies hot
streaming intensity
Eyes lost with fragility
Lost in each other what hotties
Procreation

Lifted to the heights seduction
The lost pleasures images rounded
On the edge of
Ecstacy she is lost
but he was found
The mighty cool way of thinking in her
pleasurable fun wedges less
said without a sound
Not about apples and oranges
Sweeter and hotter but her lips got dryer
The lost painter the splash on her cheeks
Her sheer face lost inside the curtain
Her wetness arise on her lips
What high waves she had and
he the showstopper

Pleasurable but hot wilderness
her wildflower caves happy camper
So demure with an allure
The lost pleasure when you find
it the whipped cream she became the
Debutante what Suzette
Meeting her it was her pleasure
The hard teeth bite that ****** apple
crushed  it came
rolling down
the hill
She caught his jelly roll
His little bite burst her dream soul
Moving on with pain
how can we
meet our pleasure

Whats lost can be found freely
The taste is always there
The pleasure we try different
methods not always nutritious

Someone lost inside her delicious
Like the lost lobotomy

Of the Rite
This wasn't *** education of the
Deans list pleasurable digest
How it leaps up every year
Leap Year, not the frog to kiss
Finding love constitution
Follow me we are on our
next mission *
my pleasure what
are you waiting for?
Being lost in someone's love can be difficult  somehow it gets
harder to find our way every day  but the pleasure word is like a God and the pain word makes it painfully sad being lost is not something to take lightly add some fun the whip-cream and get to her pleasure of her cherries there are so many love theories
False Poets Oct 2017
does the moon get tired?

~for the children who never tire of moon gazing upon the dock,
by the light of the fireflies,
till the angels are dispatched by Nana,
to sprinkle sleepy dust in their eyelashes so long and fine~


<•>
while walking the dog I no longer have,
a happenstance glanceable up over the River East,
there you were, mr. moon, in all your fulsomeness ,
surrounded by a potpourri of courtier clouds,
all deferentially bowing, waving,
passing past you at a demure royal speed on their way
perhaps,
to Rebecca's northern London,
of was it south to grace of  v V v's Texas^,
in any event,
the cloudy ladies, all bustling and curvaceous,  
all high stepping in recognition of your exalted place,
Master of the Night Sky

We,
the word careless, poets excessive,
sometimes called silly poppies, old men,
left footed, still crazy after many years,
most assuredly poets false all of us,
without a proper prior organized thought train,
outed,
bludgeon blurted,
an inquiry preposterous and strange,
strait directed to the sombre face,
to mister moon himself!

tell me moon, do you ever tire?*

the obeisant clouds shocked
as that face we all uniform know,
unchanged anywhere you might go  to gaze, be looking upon it,
watched the moon's face turn askew.

He looking down at our rude puzzlement,
with a Most Parisian askance,
a look of French ahem moustacheoed disbelief,
while we watched as the moon cherubic cheeks
filled with airy atmosphere,
then he sighed

so windy winding, was it,
so mountain high and river deep,
that those chubby clouds were blown off course,
from a starless NYC sky
all the way past Victoria Station,
only to stop at Pradip and Bala's
mysterious land of
bolly-dancing India,
on their way to Sally's Bay of Manila,
magic places all!

Mr. Moon looked down at this one tremulous fool representative  
(me) and in a voice
basso beaming and starry sonorous,
befitting its stellar positioning,
squinting to get a closer look at the
who in whom
dare address him in such an emboldened manner!

Mmmmm, recognize you, you are among those
who use my presence, steal my lighted beams, my silver aura,
my supermoon powered light, borrow my eclipses,
reveal my changeling shaped mystery without permission,
only mine to give, you tiny borrowers who write that thing,
p o e t r y

head and kneed, bowed and bent,
I confessed
(on y'alls behalf)

we take your luminosity and don't spare you
even a tuppence, a lonely rupee, no royalties paid
to you-up-so-highness,
and we hereby apologize for all the poets
without exception,
especially those moon besotted,
only love poem writing,
vraiment misbegotten scoundrels....

with another sigh equality powerful,
mr moon pushed those clouds across the Pacifica,
all the way to the  US's West Coast,
up to Colorado,
where moon-takings from the lake's reflecting light
so perfect for rhyming, kayaking,
and moonlight overthrowing,
once more, the moon taken and begotten,
nightly,
as heaven- freely-granted

yes, I tire
and though  here I am much beloved,
usually admired though sometimes even blackened cursed,
seen in every school child's drawing,
in Nasa's calculations,
of my influential gravitational pull,
moving human hearts
to love and giving Leonard a musical compositional hint,
and while this admirable devotion is most delighting,
would it upset some vast eternal plan,
if but one of you once asked,
you fiddler scribblers
my prior permission,
even by just, a lowly
mesmerizing evening tide's tenderizing glance?

yes, I tire,
even though my cycles are variable,
my shape shifting unique, my names so at variance
in all your many musical sing-song dialectical languages,
my sway, my tidal currents so powerful a deterrence,
unlike my boring older sunny cousine  who just cannot get over
how hot looking she is,
I,  so more personally interesting,
yet you use me as if I were a fixture,
on and off with
a tug of the chain string,
never failing to appear,
even when feeling pale yellow and orange wan,
and worse,
mocked as an amore pizza pie,
do you ever ask how I am doing?

yes, I tire,
of my constant circuitous route that changes ever so slowly,
but yet, too fast for me to make some nice human acquaintances, especially those young adoring children
who give me their morn pleasurable squeals when they awake and my presence still there,
a shining ghost of a guardianship protector still
watching over them

how oft in life do we presume,
take for granted
grants so extra-ordinary
that we forget to remember
the extra
and see only the ordinary

how oft in life do we assume,
the every day is always every,
until it is not,
only an only
a now and then,
till then,
is no longer a
now*

<>
oh moon, oh moon,
our richest apologies
we hereby tender and surrender,
our arrogance beyond belief,
what can we offer in relief?

silence heard loud and clear,
mr. moon was gone,
a satellite in motion,
so our words burnt up in the atmosphere
unheard

we did not weep
nor huff and puff,
blow those clouds back to us,
for we knew
the extraordinary
would return tomorrow,
we will be ready,
better another day,
to prepare
a lunar composition,
a psalm of hallelujah praise,
for mr. moon
of which
mr moon will never tire,
for filled with the perma-warmth
of our affection
for the one we call mr.moon
False Poets is a collective of different poets who write here, in a single voice,
hence the confusing interchangeable switching of the pronouns.    sorry bout that.


^ HP - give them back the claimed  V name!
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
There is beneath us the progenitor and we call it “Mother”. Above us is the progenitor and we call it “Net” for it takes us and tosses us into the known and the unknown.

Our home star is not as bright as yours. We prefer your temperate lands when we visit, where the vegetation is lush and green. Those of us who remain inhabit your deserts and open spaces.

We are your brothers and sisters. Our development has been to grow in awareness and the development of our power. You have the potential to develop as we have, but your instincts are of a social group who need dominant members. You develop your material reality and your physical world. Your anchor is fixed and you grip the familiar and reject the unknown. There is a comfortable point where you feel the fullness, that is the anchor. In order to maintain this as a static point you develop belief systems to support it. This is your weakness, you are innocent children.

We grew and developed along another pathway, our anchor is not  rigid. We use Net for our anchor and so are able to change our perceptual reality. We move in ways that you do not understand and in any direction. We draw the fibers of Net around us and jump and fly. You see us only from your anchor point so that you see us change shape, appear and disappear.

Our voices and languages are barely accessible to you. You hear deep sounds and high pitched chirruping and whistling. Very few among you have remnants of language incorporating any of these. Those remaining are as clicks and whistles. We prefer direct communication.

We are masters of illusion. Our survival has depended on it and it is our instinct.
Our power developed so that when we pull around us the fibers of Net we create a shield and throw an illusion before those who depend on vision. It is one of our protections and also our hunting technique. We are hidden from your material probes and instruments of increased sight in this way.

Although we have been close neighbours for aeons, you have hardly seen us, except for the Few. Your interpretations have created problems for you. Your reliance on the anchor is so great that some among you do go to great lengths to maintain it. There are those among you who will silence the Few rather than lose the fixed anchor.

You are infants only, a seeding coming to fruition, and you play with dangerous toys. Your anchor is geocentric. You are in danger as is any youngster who plays with fire. If we showed you ourselves openly your rulers would not be gentle in their curiosity. We have technology and use material tools but we have had less to restrict us. We held back your development as much as we were able to enable you to develop power of the mind and independent thought.

Your grasp of Net is strong but you are rigid and anchored. You have learned to stand up and hold on. Now is the time to let go and walk, let go and run, let go and fly.

Around what you name “body” and believe to be “All” is more that you do not perceive with your restricted vision sense. You are aware of this. If you will learn acceptance and filter less from your senses, you will find the beauty of the universe of energy around you and available. A small perceptual shift would show you how you appear to those of us outside your narrow sphere.

Your body has filaments, which when translated to sight, appear as small moving threads which shine with rainbows. They move and ripple inside an energy body of light. This is your true body. It has abilities and senses that are dormant as you do not access them. They are accessible but as your anchor renders you blind to this you do not use them without intense effort or instinctively in extremity. The filaments are drawn together and pass through the anchor. Depending upon your ability to select filaments of the Net, your habitual plane and reality is selected and determined.
Those among you with abilities in your energy senses you ostracise and even ******. You succumb to misinformation to treat them as fools or freaks. This may be instinctive but it is a control mechanism to perpetuate the anchor and maintain the hive of your artificial society. So due to this, you have even less sense of true reality as it could be to you, by breeding out and suppressing your gifts. We have attempted to rectify this with limited effect in successive seedings.

You may notice that our words to you have reference to sight. Your terminology is geared to vision. You rely on visual information  so much that you have neglected physical senses of taste and smell, hearing, touch and proximity. Compared with our perceptions you are as blind as a mole is compared to to your visual abilities.

Your construction of reality is so anchored that your dangerous inclination to gather around you artifacts gives to you a sense of permanence. You are anchoring yourselves in time, yet to you it is dead because your senses are dead. There is an opportunity for your predators to use this to enforce your perception of, and control you within, your anchor's limitations. In this way, producing written or pictorial and symbolic records in permanent form is beneficial only so far as understanding continues to exist of the conditions under which these records were left. By changing current understanding and language to suit their purposes, your enforcers are able to manipulate your branch of humanity on a large scale.

You seal yourselves into the rejuvenation plane of the Mother progenitor where you feed and breed. It is so pleasurable to you to stay within this cocoon of reality that you fail to open your cast and therefore fail to fly into the spaces of Net outside where your true inheritance lies. The end result of this is greed and unrest. Your greed is paramount to you as you seek ever more pleasurable gratification. You enslave one another, buy and sell time and forget what you are. You are allowing the destruction of your home world. Without the home world you will have no place of rejuvenation, and worse neither will the myriads of others who share this progenitor.

There is a song from each mother progenitor within Net. It is a combined song and made up of the host progenitor together with silent voices of each and every life form. Together from each home world, the inhabitants send out a pulse. This is not a song from one species of a world but rather it is a song from all species, in fact every particle of every organism that lives.

To our developed senses the song of a world is brighter than the star it orbits. They are filaments of Net. The varied forms of life all send out their unique song. Many of us interact, harmonise, visit, commune and combine. You feel isolation only because you fail to harmonise and join your own song.

In your past and present we have felt the song of your world. Those of us belonging are part of that song. It is the song of being from the many. It does not end at the perimeters which you imagine. You have a problem in that, for the majority, you do not join your voices to the song. Mainly it is in dreaming, in childhood and in old age that we hear you.

We attempted to observe and commune and found many of you receptive to us. We have taught to you methods of development and given you gifts and tools. You have kept and preserved some of this knowledge only for a select few. Fears and distrust among others has caused destruction of a great proportion of the gifts that we have given to you. We found many lines of breeding where potential for development was possible. Your greed and your predator class destroyed many of them due to the competitive desire to have power over others.

In past seedings upon your progenitor and in the oldest times of your present incarnation, we have been known well and respected. Acknowledged for our seniority and loved as cousins. You did call us gods to distinguish our abilities. Then what did you do? Your control mechanisms changed the meanings of your language, whole languages were lost in wars over territory. You developed power structures and religions. Powerful rulers accumulated and isolated your shared knowledge.

You reduced your development by selective education in the Way. Territorial disputes and greed over resources divided you. You ceased to listen to the Mother. Instead of harmonious living which you had managed in agreement with each other already, you were divided by hormonal impulses, insecurity, violence and greed. The natural openness of the female within it's central domain became enclosed, imprisoned and the natural desire of the male to outwardly discover and interact was turned inwards until it became a sedentary desire for dominance within the female domain. You lost the harmonics of the song. Your religions underestimate the power of borrowed tools. Your ruling classes made deals that they didn't understand, with predators they didn't recognise, in order to save themselves.

We stood on ground over ground and were called Immortals. We gave you wisdom and were called Kings. We moved and played among you and were called Jinn. We moved among the small folk and were called Faerie. We appeared in light and were called Angels. We wandered in places where you too did once wander and were called Ghosts and Demons. Those who spoke to us and attempted to impart to your hive our knowledge, you raised as prophets or slandered and ridiculed. You stole their words to make them your own words of power, changing them to your own ends or you murdered the messengers because you feared the changes that increased understanding brings.

You incorporated the experiences of your murdered victims into a celebration of your own power structures, twisted and out of synchronisation with the song. There are some among you who are in communion with the Great Spirit of life. We seek to heal your song, your complete home world song for the benefit of the myriad sentient beings who rejuvenate here, including yourselves. We seek to set you free to wander the threads of Net. It is within your reach but not in the ways that you  are taught.

Your world is about to change and you must change with it as you are a small part of it. Holding the threads into your own anchor point will break them. You have reached inertia, entropy. The movement has to come, it is inevitable. Imagine one of your large machines of cogs and wheels and bars. Your insistence upon a rigid anchor is like a bar within the machine that doesn't move. A point of inertia in a moving system will be removed. This has happened over and over among your kind and our kind in many places and worlds. You do not remember when worlds underwent cataclysm, forgetful of trauma you have followed a similar path.

We travel along pathways of energy, both upon worlds and in the Net. Moving bodies follow these paths. We follow comets and small bodies able to move freely within Net. Net permeates your mother progenitor.

Survivors mapped the movements of Net after the slate was wiped clean and you were reseeded. There is a secret that your rulers are aware of and you are not. The secret is that there are no rulers within Net. You all have the freedom and capability to access true harmony of the song. You allow a faction, to call themselves an elite class. You fear this as a hidden power, a predator. It's aim is to amass Time: a power based on material wealth. They take this power easily as they have taken and twisted truth and history. The gifts are shared among you equally and these few know this. Resources are plentiful and yet you succumb to their restrictions. A predator cannot survive without it's prey. We are not your predators although we move among you. Your predator is within and feeds upon your fear.

You are not in the tribes now, you have no shaman, no guide to take you in and out of the gate and this role cannot be allocated to parasitic Blind Time Hoarders. These whip up your passions and lead you into war and destruction to further their material wealth. It leads you away from the song, as these think to enhance their own survival which it may do but never can as they understand it. They seek to steal your dreams and make them their own, they are helpless without you. They care nothing for the song because they are aware of successive seedings.

Net is a dream reality, changing, immeasurable, boundless, filled with infinite possibilities and you are creators. Blind time hoarders drive you by combining the minds and dreams and belief systems of many to focus onto what they themselves desire, in order to bring it to fruition. They employ dream stealers to prevent your development. They believe that their own song can exist independently and they guide you only to anchor yourselves into your own prison.

All is a dream, all is ephemeral, changing, dynamic. There is no death after death, no damnation on any particular plane. Reality is how you construct your song. Your rulers create inertia for you the many and profit for themselves using you as the tools of your own entrapment. There is no death and no damnation, they are constructs of your reality made by material anchor points and you are controlled by fear of the inevitable. It is a statecraft to use belief systems to control perceptions of reality in order to fix the anchor point to a rigid point of convenience. In this way you are farmed, you are a crop in each seeding. Who seeds you? You seed yourselves. Sentient beings are all naturally regenerated by the mechanisms of Net when conditions exist that are compatible, world after world, in each growth cycle of every celestial body. In the regeneration, holding to your rigid anchor point, you seed into your prison after each cataclysm, each breaking of the inertia.

If you would be open to the mechanisms of the place you inhabit with it's creative forces, it's sentience and it's dynamics you will learn to fly the progenitor Net's pathways and return home for rejuvenation to your progenitor Mother of the tribes.
I wrote this a few years ago. It's a bit long
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
(gulp)

Couldn’t resist a minute more.

Relapse.

I again…

After six months sober...

Here.

In this pain I know all too well.

Ten years lost to this drug my veins ache for.

First breath in the morning and last thought at night, all consumed by it.

Every cell in me craves it.

That physical euphoria my body portraits.

Feels like someone has poured pure joy into every single muscle and fiber of my being.

It makes me feel so content

Every single bit of me is singing and buzzing with life and love.

It's like the ecstasy of *******— that first blissful, pleasurable pulsation of endorphins and serotonin.

This is what I feel when I first take LOVE.

And then...

And then, the honeymoon stage is over.

Fights erupt.

Never-ending debates.

Miscommunications.

Misperceptions.

No trust.

Accusations.

Lies.

“I’m done...”



Again, it feels like a part of my soul is leaving my body.

Again, sitting here numb.

A toxic love...

I’m addicted to,

And there’s no way around it.

It’s already deep intertwined with my veins.

Yet, no matter the toxic, tragic event that happened before, I sit here, and I want nothing more than to spend my life next to this soul.

To see his eyes unchanged as the skin around it wrinkles and grows old is what my heart will always desire— to stare at those eyes for the rest of eternity.

Dead air…


















So here I’ll wait, until you decided to come into my life again and repeat this déjà vu.
Poet B Lee  Apr 2010
I AM *Queen*
Poet B Lee Apr 2010
This is past due like the rent paid on the thirteenth
Late better than never-- and I got this here forever
Flow like rain during any kinda weather
Keep this here close to my heart
And when the block comes, I don’t know where to start
Beat-beat Thump-thump
I'll just let the words flow from my heart
But you ain’t feelin me’-- You ain’t hearin’ Queen
So I got to bring you back to the forefront with my so⋅lil⋅o⋅quy
I remind you of all the things that had you fearin’ me
This Army of One, brighter than that star He created we call Sun
Under its blaze, us two can become one
(lets make our Son under His)
While I lay with fragmented words.... spoken
Promises I made to myself remain unbroken
And my gift is as natural as the slender ducts of my abdomen called fallopian
I am Woman
The prototype made perfect and pure
Whose prose is as tight as my kegels allow my femininity to be
Wrath your ******* may not be able to endure
Thought you knew a good Woman and tight ***** make you surrender on your knees
And dream dreams about your seed taking root in this royal vessel
I am Mother Earth
And this is my Gift—my Gyft
I am Myself and such a present I present to thee
For I AM Queen Poetree
So when I seem silent
When you think you hear nothing but your heart beat
Nothing but the cool air enraptured in the breeze
I am the Life that flows from you
I am the Wind rustling the trees leaves
I am the fragrance left in the air you interpret as another
I am the overwhelming sensation made between two lovers under duvet covers
I am the softness of lips and the sensation made by the flick of a passionate tongue
I am that empty space you try to fill with another one
So when you think you hear nothing
When you think you’re all alone
I am every word, every adlib of your favorite song
Every stroke every morning when you brush your hair
I am your deep breath because, baby, I am your air
I am everything pleasurable—every pleasure experienced since your creation
And it all stems from the balance of my concentration during this poetic intrapersonal conversation
I am everything virtuous
I am the eye of the storm
I am your hope, your future
I am the pages of your favorite novel whose cover is worn
I am air, I am sky
I am the clouds, and the Sun’s heat
But most importantly, to my core
I am Queen Poetess B…
Queen Poetess B Copyright © 2010 All Rights Reserved
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Kemy Sep 2018
*** with me is so amazing      
Hey, I’m just Paraphrasing      
However, I was listening to the artist, Rihanna singing this song      
As the song kept plugging along      
Not meaning to come on too strong      
With respect do not get me wrong      
I’ve often wondered, is *** of the body more powerful than *** of the mind      
And no, I do not have a feminist ax to grind      
I will choose my words on this topic and remain kind      
Well, at best that I can      
From my perspective related to this issue between woman and man      
Making love to the female body its ******, it’s pleasurable, and certainly it’s thrilling      
But once nature’s release has been prefilled      
The mind needs a dose of endorphins to be instilled      
Are you still with me on that concept      
I’m speaking for me who needs the combined effect
      
*** WITH ME IS SO AMAZING
With someone capable of emotional grazing      
Blind dates, we talk about our passions or dreams      
Clothes still on, however, he gets what you mean      
Do we take this night one step farther      
We slept together      
Heated and passionate under silk covers, yet, he knew nothing about the weather      
We were definitely birds of a different feather      
His arms were not even that strong      
His brain got duller as the night prolonged
      
*** WITH ME IS SO AMAZING
Sometimes is not all about trailblazing      
Computer Dating      
Keyboard translating      
Breathless words of debate      
Soulful elate      
No physical contact to rate      
But wait      
You can type on computer keys from sunrise to sunset      
If you cannot be bipartisan with words than you can’t articulate      
A break to give since we’ve just met      
Between you and me it’s now mental Russian Roulette      
Spinning my mind landing on red      
Keep your mouth closed as you lay in my bed      
Enticing words danced across my screen      
Pulling me in was all a squandered dream      
We’ll never again experience emotions under the covers      
****** of no analytical bonding from a distance lover      
Once again, a horse of another color 
     
*** WITH ME IS SO AMAZING
In the midst of me praising you as our eyes are glazing      
One night stands      
First of all, you’re taking your life into your own hands      
No commands        
Sedated and scented juices mingling of its passion galore      
Lust filled desires and so much more      
No demands      
Talking on the go, and making no sense, well I be ****      
What a waste of a slam bam and thank you ma’am      
Mental *** on the brain I know it may sound insane      
But my God, it makes me rain      
Intellectual simulations have always been such a turn on      
Take me to task and then I’m far gone      
Rainbow coalitions      
I do not have any petitions      
Never in favor of anyone’s competitions      
Just me, my words, and I      
Reaching for that academic all time high      
Coming at you as I’m ******* with you      
The next morning, I would have told you a thing or two      
Something old or maybe something new      
It all depends on if I’ve pitied a fool      
Not my game, not in my arms      
Not fooled by undercover charms      
Capture my mind until the ringing of my alarm      
Wow, did we really just talk all night long      
Arms were very strong, your mind kept me warm while we discussed society’s storms      
One night stands      
Never with an intelligent man      
He needs a briefcase or a blueprint plan      
He could execute with his own mind      
On his own time      
Using his own dime      
Then he’s ready for my mind      
No prophylactics needed      
Once you gyrate my mind you’ve succeeded      
Feeding me words from the depths of your cerebral cortex to the powers that be      
Lightening my mind up like a Christmas tree      
Now you got me down on my knees      
Thanking you, as I please      
Was it good for you as it was for me
      
*** WITH ME IS SO AMAZING
Mind now resting in a dreamy phase, body has now been thoroughly praised      
Here comes the aftermath of sweet melodies to conversations      
Moaning out all kinds of pronunciations      
Affirmations      
Aspirations      
French words with exclamations      
Giving me perceptual palpitations      
From the knowledge of head ministrations      
Climbing the psychological throne once again      
While whispering words in my ear as my mind adheres      
Once mental energy has been locked in      
Slow dancing, and then a thrusting rush as we begin      
Words of revelations      
Taking my mind beyond the constellations      
To the height of my glorious crown      
I’ve created, rested, and now the essence of my intellect is winding down      
Mental capacity has once again been meticulously interrogated      
Hearts of the minds now segregated  
    
*** WITH ME IS SO AMAZING
Sweet words whispered to your male ego, minds blazing        
Perceptual notations moving inside of me      
Bending me over, as you lick up and down my womanly creed      
A passionate quick kiss as your mind sinks into my intellectual abyss      
From my mind to your fathom lips      
Seductively gyrating my hips      
Raising the nature of your hard ****      
Love and Hugs        
Soft tongue bathing your body, massage oil, and caressing rubs
Innovation comes out of great human ingenuity and very personal passions.

Megan Smith
Michelle E Alba Nov 2010
underneath.
underneath my skin.
incomprehension coils.
occupies residence in.
my soul.
this soul.
pettily grim.
quibbling and nibbling.
depleting sanity thin.
my youth.
this youth.
a burden again?
whimsical fallacies.
maintained by the wind.
painted by the waves.
the echo of your name.
fissures through my flesh.
parallel to this vein.
seeping.
bleeding.
pleasurable pain.
but no wound to tend to.
no one to blame.
just this plentiful.
bountiful.
incomprehensible.
stain.
underneath.
undern­eath your reign.

— The End —