Submit your work, meet writers and drop the ads. Become a member
Brett Berger Jul 2011
Walgreens pharmacy girl
your upturned nose and your hair pulled back
here to pick up my prescription and a snack
Walgreens pharmacy girl
Ive been coming here for years
and every time I leave the drive-thru I'm in tears
Walgreens pharmacy girl
For so long, I've loved you from afar
yet still I have no idea who you are
That's Berger, B-E-R-G-E-R
Walgreens pharmacy girl
My date of birth again?  I would have already memorized yours
I'd remember our anniversary, put the toilet seat down and do chores
Walgreens pharmacy girl
Am I anything to you besides another bottle of pills?
I have to know now because not knowing just kills
Walgreens pharmacy girl
Will you refill my prescription for love?
Basking in a pharmaceutical moonlight, under the stars above
Walgreens pharmacy girl
I need a cure for what ails me
You've given me a fever and I'm feeling a bit dizzy
Walgreens pharmacy girl
No, I don't have any questions for the doctor, but I have two for you
What time do you get off?  And what time would you like to?
24 hour sign posted outside of the over night pharmacy in a town
where it seems to be night the majority of the time
he sits in his room and counts the cars that hiss by his window
anxiety starts at his feet,
and numbs them as it makes its way up to his neck
and strangles him in the high of another attack
his mind is a galaxy of concoctions
his pain meds, cough syrup, happy pills
swirl around with the blood on the white marble sink
until it creates an unsaturated rainbow of a man's grievances
the 24 hour pharmacy is open
to satisfy your 2 a.m. needs of a fix
when you suddenly decide you can't continue
the 3 a.m. decision to end it all
the 3:30 a.m. promise that maybe if you just get some sleep,
it will go away in the morning
the 4 a.m. insomnia that leads to bloodshot eyes at 5
and the overdose pharmacy will still be there
as you struggle to breathe;
drowning in the ocean you've created
I just want to know you're ok
AmberLynne Aug 2014
I got a text today with news that was
     a long time coming.
But that fact didn't make receiving it
     a single bit easier.
Working in pharmacy is
     high stress
     low thanks,
Gotta develop quite the
     thick skin.
But some patients are different.
They become favorites,
     your smiles to them are genuine,
     you share hugs with them,
     your heart twists at their struggles,
     and you rejoice in their triumphs.
You come to love them.
The problem with that connection is,
     when they die,
     they take a piece of you with them.
You'll no longer
     see their name on your computer screen,
     pour their medication into a vial,
     have them brighten your day.
Working in pharmacy is
     high stress
     low thanks
But the worst part is when a patient is gone
     and you don't get to tell them goodbye
     or how much they meant to you.
8.22.14
Jebediah woke up, fixed himself a stiff drink
And he thought everything was fine
Then he found Matt’s feet, covered up in red ink
Lucifer’d caught him in the night

But, he ain’t no fool
He knows Pharmacy Ted

Julie Ann suffers from a stress disorder
That keeps her awake all the time
Freak out, rip the sheets, play a game of tiddlywinks
That chick does it all the time…

She’d rather drink whiskey than wine!

Well, she’s sleeping now
And there’s pills by the bed

She's sleeping sound
She knew Pharmacy Ted
ej  Mar 2015
Pharmacy
ej Mar 2015
There is hope beyond a papery pharmacy
that is stocked with ink and sheepskin

The clerk is finicky and silent, and elixirs evaporate
as you browse the papyrus shelves

There is hope beyond this paper pharmacy,
so abandon poisons crafted by pen-laden fingers
To me, they're just words
Kara Rose Trojan Dec 2014
My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.
shyann raulerson Jul 2013
I heard faint noises downstairs, and I decided to investigate. I pulled on a pair of cut-off jeans and grabbed the old pump shotgun that had served me so well in Viet-Nam from under my bed and crept downstairs to check. My Ranger training came into play, and I moved soundlessly, down the stairs and into the living room. An air of vague shadowy figures were searching through the cabinet that housed my collection of antique silver. I announced my presence in a sudden and intimidating manner: I merely pumped the action of the shotgun, then immediately moved to the right so if anyone shot, he would shoot where I had been, not where I was now. That sound was a language that everyone understood, including the two figures before me. They froze, and were still motionless.

"Mr. Steve?" one of the figures quavered. "Please don't shoot!"

I recognized the voice as belonging to Lisa, the twenty-year-old daughter of my nearest neighbor. I didn't know who the other person was or who else may be in the house, so I kept the shotgun pointed in their direction and hit the light switch with my free hand. Immediately a car cranked up in my driveway, and tires squealing, raced out to the road and away. I looked at my midnight visitors. I recognized Lisa and Julie, who was a close friend of Lisa's and a frequent overnight visitor of hers. They were holding between them a laundry bag containing most of my silver collection. I lowered the muzzle of the cut down shotgun.

"You sure know how to get yourselves killed," I stated. "Mind telling me who was in the car? You don't want to take the rap all by yourselves."

"Please don't shoot! That was Mike, it was all his idea! He made us do it! He said he would put us out and make us walk home if we didn't do it! Are you going to call the Cops?"

Now I could understand why the girls tried to burglarize my home. It was a fifteen-mile walk home in pitch darkness on a moon-less night for the two frightened girls. It was just what a worthless **** like Mike would pull. Knowing what I did about Lisa's boyfriend, I knew what he probably needed the money for. He was nineteen; the only job he had ever had was selling drugs, and I don't mean at the pharmacy. He was a charmer though. Girls fell for his good looks and his charm, and would do anything for him, and he of course chose the best looking one of the bunch, Lisa. She never realized what a slime-ball he really was. The problem was that Lisa didn't have a father to threaten to put a bullet in Mike's behind, and her mother was just as deceived as she was.

"You broke into my house and attempted to steal my belongings. Why shouldn't I?" I said with false sternness. I wouldn't really turn them in, now that I knew the situation. I would give the girls a good scare, then a ride home. Maybe then Lisa would see through Mike's veneer.

"Because we'll do anything you want," Julie offered, speaking for the first time. "Anything at all!"

Julie stepped over and ran her hand up my leg, pausing to tweak the head of my ****, which was hanging out of the leg of my cutoffs. I hadn't bothered to pull on any underwear. Julie was almost as good looking as Lisa was. Both girls had fabulous bodies, large firm ****, and smooth well-rounded *****. Julie had a cute face, whereas Lisa was absolutely beautiful.

"Yes, anything you want to do!" Lisa agreed.

The girls weren't wanton *****, but scared out of their wits and taking the only way out that they could think of. Of course they weren't virgins. It hadn't occurred to me to take advantage of the girls like this, and I would have declined Julie's offer if she hadn't fooled with my **** like that. You see, I was developing an outrageous *******, and with my **** hanging down the leg of some fairly tight shorts, the situation was rapidly becoming painful and serious. I had to get those pants off fast! Also, I hadn't been laid in quite a while. I decided to lay my cards on the line.

"You kids know me. I never had any intention of calling the Cops. I was going to give you a scare to teach you a lesson, then drive you home. Does that mean the offer is withdrawn?"

The girls looked at each other and both breathed a sigh of relief, big smiles on their faces. Lisa winked at Julie. "Nope," Julie said, smiling, "It still stands. Lets go upstairs."

I escorted the girls to my bedroom, pressed the magazine block on the shotgun, pumped out the shell that was still in the chamber, then put it back in the magazine. I tossed it onto the dresser with a loud thump.

I turned around and both girls were stark naked. Lisa came over, dropped to her knees, and planted a wet kiss on the head of my painfully throbbing ****. My ******* became harder still. I had to get out of those cutoffs! Julie solved that problem. She unzipped and unbuttoned them and gently worked them down around my rock-hard ****, allowing it to spring up to freedom.

"Lets get on the bed first," I suggested, "Then we have fun."

"Lay down on your back," Lisa insisted. "Have we got something for you!"

I complied, and Lisa leaned over and put my **** in her hot mouth. Her tongue swirled over the head, ran up and down the shaft, and started over again. I looked over at Julie and she was watching avidly. Not having anything better to do with my hands, I reached between her legs and caressed her ****. Julie gasped with surprise, then spread her legs. Her **** was already hot and wet, so I slid my ******* in all the way, then started finger ******* her and massaging her **** with my thumb. Her **** hardened and grew. Julie had her eyes closed and was erotically tweaking her ***** *******. She was slowly lowering her body, deepening the ******* of my finger, and rocking her hips back and forth, intensifying the stroking of her ****. Julie's hot ***** juices ran down my hand while Lisa's mouth was still working on my throbbing ****.

I began to draw my hand from Julie's sopping wet ****, but she grabbed it and held it tightly to her crotch. I pulled my hand now, and she came with it. I grabbed her thigh and swung her leg over me, so she was now sitting on my chest. I pulled my finger from her hungry ****, grabbed her ***, and pulled her ****** right up to my face. As soon as I flicked her **** with the tip of my tongue, she went wild, ******* my face, filling my nostrils with the sweet aroma of her **** juices. I thought I would give her all the licking she could handle. I rammed my tongue into her ****-hole with all my might, then gently nibbled on her ****. Apparently she had a low threshold, as this was all she could stand.

"Oh God, I'm coming!" she screamed, ground her **** into my face one more time, quivered, then collapsed sideways onto the bed.

One down, one to go. I looked at Lisa, still ******* my **** for all she was worth. I was nearing the end of my endurance, and I still hadn't had my **** in any hot **** yet. I grabbed Lisa's shoulders and pulled her mouth from my ****. I turned her around and held her up, her blonde ***** triangle just inches over my waiting tool.

"Give it to her! Now!" Julie whispered.

Lisa's **** didn't look wet or ready to take anything in it yet, but my **** was ready to take some *****. Julie reached over and spread the lips to Lisa's still dry *****, and began tweaking her ****. Lisa gasped her surprise at her most private place being touched by another chick. Within seconds though, her **** and inner ***** lips began to swell, and her juices started flowing. I slowly lowered Lisa to my rod, admiring her glistening pinkness. Julie guided my throbbing rod into Lisa's wet love hole.

"Please, be careful! Ah-h-h-h! Go slow, I'm so tight!"

I lowered Lisa very carefully, for her hot ****-hole was indeed the tightest ***** I had ever felt. With that in mind, I fought the urge to slam her down on my eager ****. As soon as she was down, I grabbed her *** and began sliding her back and forth. Lisa bit her lip as a tear trickled down from one eye.

"Stop, Mr. Steve! It's hurting her!" Julie commanded. Then to Lisa, "You haven't done it much, have you?"

"Just once, with Mike, and he isn't this big. It hurt then, too!" Lisa sobbed. "I wanted so bad to do it with Mr. Steve because he's been so nice to me, and I was so scared when I saw how big he was. Oh, it hurts!"

"You'd better get up then." I reassured, "I don't want to do anything to you that you don't want me to do."

"I want to go on, really I do! But don't you have anything I could use to make it easier?"

"Yeah, any Vaseline, or KY jelly, or something like that?" Julie asked.

"I have some KY jelly in the bathroom." I answered.

Julie jumped up and padded into the bathroom. I watched her naked *** jiggle as she left.

"You're gonna have to get up." I told Lisa. I gently lifted her ***. She bit her lip again and moaned as my **** slowly withdrew from her tortured hole. With a pop from her *****, a shriek burst from her lips as my **** sprung from her nearly dry ****-hole. She knelt on the bed next to me, softly crying, clutching herself where it hurt. I realized that she had been wrong in pretending to be so eager. A more gentle approach was needed.

I reached over, pulled her to me, and kissed her lips passionately. She ****** once in surprise, then melted into my arms, returning my kiss, forgetting the pain in her ****. I ran my hand around to her firm **** and gently stroked her *******, feeling them harden under my touch. I pulled my mouth from hers and kissed the point of each hard ******. She moaned and gasped with each touch of my lips, but from pleasure this time, not from pain. While I had her aroused, I lightly traced circles on her tummy with my finger, each circle going lower and lower, until I finally reached the blonde **** of her ***** hair. Slowly, I reached down and cupped her ***** with my hand, being careful not to press too hard or insert my finger. I would know when she was ready for *******. She responded with a **** and a gasp. I pressed again, and she gasped again. I kissed each firm ****** one last time, then started kissing down her tummy to her love nest, which was now warming and starting to respond to my touch.

I spread her legs and gently ran the tip of my tongue the full length of her slit. When I reached the vicinity of her ****, she reacted as though she had been shocked. She arched her back, pressing her **** against my face. Maybe she was ready. I probed again with my tongue, harder this time, hard enough to separate her ****-lips and tickle her ****. She went mad again, jerking and twitching in response to the touch of my tongue, moaning and panting. Then I felt her **** harden, her inner lips swell and spread, and her delicious juices start to flow. Now she was definitely ready for more. I probed her ****-hole with my tongue, licked all the way up to her ****, swirled it around, bit it gently, and then probed her hole again. When I started doing all this, she went even wilder. She spread her legs, ****** and reared against my face, and pulled my head tight against her hot cooze.

"Oh-h-h-h-h, **** me," she moaned, "I can't stand it any more! I don't care if it does hurt! Please, please **** me!"

I put her throbbing **** between my lips and gave it one hard ****, drawing it completely into my mouth, and pulled my head back sharply, causing her **** to pop back. She screamed, ****** her hips at me, and grabbed her sweating *******.

When she had subsided, her legs still spread, I mounted her in the traditional position. I started to position my throbbing pole for a gentle entry, but Lisa released her **** and spread her ****-lips with one hand and guided my tool to her sopping wet ****-hole with the other. She was much wetter now than when Julie diddled her ****, wet enough to ****.

"Please do it now!" Lisa pleaded.

I began to insert my **** cautiously, and found that due to her juices, entry was no problem. Lisa groaned like a ****** as I slid into her hot wetness. When she had taken as much of my ten-inch tool as she could, I still wasn't all the way in. But she began pumping her hips, causing the swollen head of my **** to ram against the back of her *****. She was as deliciously tight as before, but she must have been stretching, for with just a few strokes, my ***** were slapping against her ***, and I was in to the hilt. My tenderness and foreplay had paid off.

"Oh-h-h-h, that's good!" she purred when I began pumping to meet her rhythm. She wrapped her legs around my waist, and was pumping as hard as I was. With each stroke, I would completely withdraw from her hot, tight wetness, then shove my eager tool back in to the hilt, never missing her voracious target, always sliding easily in, jamming against the back of her *****.

Her pumping increased in tempo, and I sped up to match. Each pump became harder and more frantic than the one before. Lisa's breathing became harder and faster. She was about to come, and I wanted to come with her. I raised her legs over my shoulders so that I had a better angle at the depths of her tight hole, and started ramming as hard as I could.

"Don't stop! I think I'm gonna come! Oh-h-h, its so good! Come in me! Oh, please, I want to feel your load in me!" Lisa screamed. She bucked and reared and screamed incoherently, then went limp. I continued to pump. In just a few seconds, she began to pump anew. For more times than I could count, she orgasmed.

Once I felt my ****** approaching, I gave her one last hard ram and drove my weapon in as far as I could. I came at this point, spurting her sweet, tender Steve **** full of my hot sticky come, like an erupting volcano. She gasped, trembled, and fell back to the bed. I pulled out my softening ****. Our ****** energies were spent for the moment.

I glanced down at the foot of the bed, and saw Julie, whom I had forgotten. She sat in the chair at the foot of the bed, her legs spread, working a coke bottle in and out of her *****. She had found the KY jelly, then found us ******* away. Feeling left out but excited by the ****** sight of her best friend getting a good *******, she slicked up the coke bottle and began using it as a *****.

I saw that Lisa also was seeing something she had never seen before, her best friend's ****, gaping open, a coke bottle almost disappearing inside it. "Look how far in she puts it! And see how big it is to go in her like that. How does she do it?" Lisa asked, amazed.

"Why don't you get a closer look," I suggested. "Ask her." Lisa crawled down to the foot of the bed and sat on the end, astounded, watching Julie *******.

Julie finally looked down, under heavy-lidded eyes and saw Lisa so close. "Why don't you do this for me?" Julie asked.

"How?" Lisa queried.

"Just do what I'm doing now," came Julie's reply. Lisa watched for a few seconds more, then pushed Julie's hand aside and grasped the slippery end of the bottle. "In and out, and twist it a little bit. Oh, yes-s-s, oh, yes-s-s. Do it good, oh, that's so good!" Julie purred.

My **** was hardening again at the sight of one female ******* another.

I had an idea. If Julie was as promiscuous as she seemed, she might not object to what I had in mind. While Lisa continued to work the bottle in Julie's stretched ****, I helped Julie out of the chair and down to the floor, her heaving **** on the floor, her *** up in the air. She stayed in the position, crooning wordlessly, **** juice dribbling down her thighs, Lisa still ******* her.

I picked up the tube of KY jelly that Julie had used, and liberally covered my ***** rod with it. Then I stood behind Julie, straddling Lisa.

"What are you going to do?" Lisa asked.

"Watch and see!" I responded. With that I grasped Julie's hips and aimed my **** at the delicate rosette of Julie's ***. Using my **** like a weapon, I suddenly shoved my tool in as far as I could. Julie let out a scream, tearing out fistfuls of carpet.

"Oh God, **** my ***! That hurts so good! **** me harder, give me all you've got! Make it hurt! Give me more of that bottle!"

"I'm ***-******* Julie!" I informed Lisa, who was now completely mind-blown.

I needed no invitation, and neither did Lisa. Both of us gave Julie all we could, Lisa with the bottle in Julie's ****, me with my **** far up Julie's clenching ***. Julie rocked back to take us both in, then forward, then back for more. I couldn't see
Sonja Eliason May 2012
When I grow up, I want to be a dentist
Astronaut or mage apprentice.  
I want to be a dancer, an artist, a king.
I'm hoping to stand on a stage and sing.
When I grow up, I want to be a lawyer,
Or have lead role in the play Tom Sawyer.
I'll be a comedian, and make people laugh!
Or the CEO with a thousand staff.
I'll be a waitress, a teacher, a vet.
Snow White's eighth dwarf that no one has met!
I might be a chef, or a scientist.
How about architect or alchemist?
When I grow up, I'll be a song writer
Or maybe your friendly, next-door firefighter.
I'll be a technician or pharmacy worker,
A fashion designer or New York stock broker.
I'm gonna be everything, just you wait and see!
But I think in the end I'm just gonna be me.
A taste of my own medicine,
Incites a spasm,
Convulsion,
Remembrance,

The pill was sudden,
Hard to swallow,
And it stung the whole way down,

My antidote became my venom,
And an old color was spilled,
A scar torn open,

No regrets.

-May 24th 2013
Section 17 Row H seats 11 and 12
Almost every home game does he see
A grey haired man with a clip board sits
Two seats over and one down from me
He's a scout for the bigs, Comes most games to watch
Can't watch as a fan anymore
They know he made it, was up with the Bruins
Played defence with Old Number Four
He watches intently for five minutes or so
Just enough to watch each kid skate twice
Then he drinks down his coffee all in one gulp
and then he returns his eyes to the ice
The Scout, we will call him, for lack of a name
Has seen kids who've got game disappear
They find out he's watching, they get all uptight
And they can't play 'cause they're all tense with fear

I watched for four games, got his routine down pat
Watched him arrive and watch the kids skate
He'd go down in the corner and stand by the glass
Watching close through the plexiglass plate
He stayed away from the coaches, the players as well
And the parents, he'd avoid like the plague
If one ever stopped him, and asked "How's my boy"
He'd smile, and give an answer so vague
His career ended early with a stick to the head
Almost killed him, but, he was too mean
His left the game early, with Wayne Maki to blame
The Scout, is Edward "Ted" Green


Each season he'd sit, watching game after game
In arenas all over the land
Some kids he'd notice, he did not come to watch
They were just something that wasn't planned
He'd come into town to watch a kid who could score
And go home with two names on his list
One a defence man, and the goalie as well
But, the scorer, couldn't skate and got missed
Ted, would watch and make his reports on kids
Some were right, and the kid would go pro
He may be a star in the minors right now
But, the bigs...well, fate only knows

He'd listen to parents and coaches talk of the boys
Saying "My son's the next Bobby Orr"
Ted would chuckle a little and not say a word
He knew the kid would be heard from no more
Putting pressure like that on a young players back
Is like saying, "My boy will be God"
From then on it's never, the talented kid
I'ts the boy cursed with Orr's lightning rod
Many young players get compared to the best
But to say it out loud is a curse
You put a red dot on the young players back
He may as well leave in a hearse

Ted's seen them all, coaches, players and bums
Played when the game was real tough
They  had lighter equipment, not kevlar like now
and Ted, as we know liked it rough
His scratches and scribbles on the page tell a lot
But to the untrained they look like a mess
A pharmacy student couldn't read what he wrote
Nor a court stenographer I guess
He's a spotter of talent with stories to tell
More of them about kids who fell short
Most of them cursed with the "My kids the next..."
and the name of the best in the sport

Two Hundred and Ten games he watches each year
Most times he's gone early on
He's sees what he needs and then he packs up his stuff
And by the end of the first, Ted is gone
He's off on the road to another ice rink
To sit and watch on the hard seats, so cold
To listen as parents and coaches again
Talk of greatness, it's all gotten old
Terrible Ted has a warriors soul
And his grey hair is thinner but, curly
He has ice in his veins and a stick through his heart
Too bad his playing time ended too early.
Dedicated to "Terrible" Ted Green of The Big Bad Bruins and Edmonton Oilers of the NHL and former New England Whaler player of the WHA. One of the best hockey men around. I thought of this today after finding an old Ted Green hockey card from 1968 in my dresser drawer. I remember watching him play with Boston and Edmonton and saw him a number of times scouting at The London Gardens after his playing career was ended.
Matt Jun 2015
I remember these people

The woman who works at
The local pharmacy

Who always talked
And made conversation
With people

These people are great
These loving people

I remember how they tried
How they showed care for others

Have mercy on me Jesus
For my wicked thoughts and deeds

Woe to those who plan evil
Woe to those who do not repent

One day there will be judgement
Those who delighted in evil
Who did not repent
Will be cast into the lake of fire
They had their chance to repent
To change their ways

They did not, now let them burn

I'm no preacher
And I'm not judging either
I'm just saying
Evil people won't be
Allowed into the light

Those who did their best
Who prayed for mercy
Those who lead good lives
Who showed others love
Who asked for forgiveness
They will live forever

God is just
And justice will be done
Amen.
Katrick Pane Feb 2014
As I light my last cigarette
I spend my last dollar
Side sweeping but not street cleaning
because theres no parking here
because i never let anyone stay
everyones done by 2
and gone by 3
Yet
some try to stick to
like an ant or flea
but my words are raid
and my actions are someone pushing down the cap
to only spray the bug
watching its passion pass on
dead
but not alive
yet, sti
            l
              l breathing.

— The End —