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Mateuš Conrad Aug 2018
.                                oh, have you heard of that
the times headline?
        visas for men who force
teenagers into marriage
...
some Bangladeshi beauty,
aged 15...
had to marry a 30 year old...
god... i'm loving this
"enforced" celibacy...
      i get to see as many buckling
horses, broken jockey necks
and broken horse legs as
i might, and do, digest...
   but my ethnicity is":
vermin...
   guess a ******* **** wrote
that piece... then
his compatriot ***** 10 english
damsels... my bad...
i'm in the wrong...
                                    oops?
now you've tangled yourself
with a quasi Mongol,
                      a wels catfish...

i hate, hate, the english bourgeoise...
notably?
   because they "think" all slavic
migrants are builders!
the english bourgeoise... what's that
word?
             flagellation?
no.. stripping of the skin, exposing
the muscles... with sushi precision
of remaining intent...
     the home office turned a blind eye...
oh... are there any adherents
to the Bangladeshi culture
working in your "MI5" environment?
sure as **** there are example...

now bow over the erected excess of
a ledge, drop your undergarments -
and let's... penetrate...
    why expect ***** from the English,
given their current success
of defending homosexuality?
    see how many existential inclusiveness
you have with that,
with homosexuality as the norm...
ahem...
               so why were the asylums
abolished?
   the humanity revision tactic...
stigma...

    over in england...
someone who's bilingual is, somehow,
magically, a: "problem" -
somehow bilingualism is a problem
(unless you have a foreign accent) -
bilingualism is, "apparently",
                 schizophrenia!

well.... d'uh! it's poetics,
   i am closely associated to the metaphor,
but it is only a metaphor...
beyond that?
                 let's see...
  how you'll play along to the future...
           YE, ******'... *****!
oh wait... i'm not the former
British Raj...
                        seems the second world
war didn't start, when the british
decided to side with the Poles...
    and my fetish for using the german
tongue?
    ****... the jews received their
back-logged payments...
the Poles didn't even receive a Marshall Plan...

look... communism worked...
   for one generation...
and communism will always work,
for one generation...
  and there is a place for socialism...
it involves a one generational lifespan...
post-war dynamics...
  and that's it!
               you need socialism
in the most extreme scenarios -
notably - post civil war...
                 notably Syria...
one generation's worth of socialism,
and then people can revert back
to capitalism,
   but socialism... is a safety economic
mechanism in the most extreme
cases of it, requiring implementation...

it's effective, in a constrained time-frame,
it's actually necessary -
given the civil war...
how is a Syrian butcher, supposed
to trust a Syrian cobbler -
when mediating trust,
   with foreign investment firms?
no... socialism is an expansive
format of mediating solipsism -
to reengage the collective -
in what becomes individualism -
from a solipsistic genesis...

   socialism can't be made critical
as a competitor system...
a fail-safe mechanism...
   in extreme scenarios -
post scriptum civil war,
  post scriptum a foreign invasion
recanted...
   there is no place for capitalism
in such places...
   but it's only with worth of
exercise, within only one generation...

my grandfather is the perfect
example...
   he and his school comrades,
cried, when Stalin died...
             it (socialism) has a place
in this world...
         in the most extreme scenario...
post scriptum an aftermath of war,
whether by foreign proxy
engagement, or by internal civil
unrest...
       socialism needs to be allowed
the time frame of, only,
               but one generation...

and then capitalism can allow
equilibrium...
              
            critique of marxism always
seemed to be an "antisemitic"
critique, misplaced, while also allowing
the posit of Engels -
          
one generation -
     and then people can ease in competition -
but there has to be a mediating
time-frame, in the most extreme case
scenarios -
   civil war, or foreign military investment
in a power-overthrow...

yet capitalism still has problems...
neutral problems to me minding them...
primarily the convenience /
inconvenience of
                      the surplus economy...    
capitalism is still learning
from the clown, as to how to juggle...

you seriously can't call one system
pristine, holy, while calling another -
which has lost the status of competitor:
unholy, heretical, lost...

   socialism has a use...
              capitalism via the Marshall
Plan hasn't exactly saved west western Europe...
the nations that inherited
the self-determination of the soviet
mind-set?
     and not U.S. money?
   hear of any terrorism within
               their tribal confines?

i wish the Syrians a generational
gap... of socialism...
afterwards? as much capitalism
as the Syrians can invoke...
   but not, not until
    there is a guiding socialist generational
gap, to get them,
back to the glory of the former
Damascus.
anastasiad Dec 2016
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Mateuš Conrad Feb 2018
i can't even digest this "abstract" point of a definition of consciousness, or relate it to a subjectivity / objectivity, or whatever affix you wish to ascribe the ponce of a man his due when you see what see:

cogito ergo sum is not even a debate,
even though it's as orthodox as
a religion with its: mantras
and credos...

                         the whole expression is
no inert, so bogus and so: failing
what i wish to be transcendent...

it only takes one snippet of the world
in which there is an other that
it blunts the mind that's only
useful for spreading butter on a warm
toast that: perhaps my honesty
is worth more than what i could have
done:

        because this observation is
heavily reliant on *what i could have

rather than on what i ought to have
                 done...
        the proposition which is dead lost to
making it a rigid maxim
  is best observed as a
               delay mechanism...
         because it has become just that to me
as of today...
           since it does not entertain
    a reflex that's always there in
high-stress situations...
          cogito ergo sum has
a purely reflective dimension...
           equivalent of saying:
Adam was born ****-naked
   and died, ****-naked...
   but we "know" the latter to be
hardly true: as much as we know
saints die with halos and caesars
are born with laurels on their heads...
as much as we known that kings
are decapitated by the weight of
their crowns...

i abhor the cartesian thought on
the simply example i experienced today...

so i walk into a supermarket minding
my own business by thinking about
how my shoes are comfortable...

  and i pass this strange creature in
the fridge department: staring
              into a single fridge...
i boot up with my usual crap
     of ***** beer and ms. fizzy-candy...
but i'm curious and walk past her again...

she has a ring on her finger:
   but it's not an everlasting ring
of pure mental without ornament...
it has a stud of a rock attached to it:
engagement...
       she's still staring into the fridge
wondering about fish fingers as i eye
her eye contact...
       she has a buggy next to her
and a filled basket...
          the buggy has a child in it:
i presume...
                but the apparent child in
it is silent...
            i can't see it: too many blankets:
which seems just right that:
there's something living and human
cushioned in it...
            
    the delay mechanism of this schematic
is that: hours later have the sudden
impulse to recount the encounter
of a single mother and having the capacity
to approach her and ask her:
           do you want me to buy this for you?

would that have escalated into me fancying
a relationship?
       do i look like a ******* loser?
i might drink and i might do damage
unto myself: but at least i know that i'm
doing it, and not someone else:
just a mere gesture of:
        you can stop staring at that packet
of fish fingers for a while...

   because what sort of woman brings
a baby in a buggy to a supermarket nearing
10pm?
              a witch, a harlot, or just bad luck?
i would certainly sleep sounder had
i discovered a way to bypass the delay
mechanism of: looking up my own ***...

       the problem is: the thought never occurred:
but did - only a few hours later:
      circa 4 hours to be exact...

         i don't like this delay mechanism,
but i then don't like whether there's a more
important social conventions "question"
    when having a "moral" answer
        impregnates the mind hours after
the initial curiosity of the sorry sight...
      
       this whole: minding my own business is
sickly sweet and probably oozing with
a scentless ***** perfume...
     but that still doesn't justify to me that:
i am both intuitively crafted,
  but also intuitively dulled by a question
of a morality...
          
    would i have given her money to buy
those fingers?
              i've been saving money by not drinking
on some days, so i could squeeze in a random
expense...
               it just bothers me that i didn't actually
have access to this thought when it was
most certainly worth having...

       which is why i read philosophy:
i hate it.
                    at what point was there a staged
connectivity of dot dot dot?
           i was in there stashing up and thinking
up about seeing the qualification
    of ski jumping in Pyeongchang!
    perhaps if i left my in situ with this
single mother who just so happened
to be in the supermarket at the same time
i was there: i would have actually
thought about buying the food she wanted
to feed her baby...
                    
                         a random act of kindness
would then haunt me:
             because why did i give her a fish
and not given her the skills to go fishing, right?
well, it wouldn't exactly be a charity
project run by Oxfam is one person did that
to another on a random occassion of:
it just so happened: that a pink elephant walked
into the room.

     there have to be four martix-like
  ante-chambers to the human experiences -
working from the x-ray of god...

     Y (convergence (λ - divergence)
            W (synchronism (M - dissoance)
                  H / H (either / or)

ask the twins why we need λ & M...

               yet the thought occurred only after
i had to take a second look out of
curiosity rather than any
   intuitive precedence over the matter
needing to be resolved...
        a ****** curiosity like some sort
of "freak" show...
                      
                  maybe it's worthwhile having
a drinking habit after all:
to feel this un-inhibition and spot such
aspects of life, akin to a single mother
being abandoned by a future spouse for whatever
reason that was: clinging to an engagement
ring, nearing 10pm in a supermarket with
her baby, staring into a fridge wondering
whether a baby can eat fish fingers:
or could choke on them: because then
the practice of abortion is really worth
debating...

                     give a man a freedom and then
watch man abuse it: by not executing
     the established norm of consensus...
    or later watch the vicar come in and argue:
but what of a future mozart that could have
been?
             yeah, i ask myself that same question
whispering into a tissue and then trying
to hear a reply of the sea in a sea-shell
as i flush the ******* down the toilet...
       have ******* whale sonar on that answer...
i won't replicate it,
  merely concise it to: it's an onomatopoeia.

thankfuly i have a personal account to match...
but she did pick the engagement ring
herself, and she did fling it back at me...
   and she lied about taking the pill...
when i was like:
         a ****** is but the nadir of my latex
fantasy...
                 so: guru who guru what?

i have my observation:
  shame this thought was somehow obstructed
from me having inacted it
when i could have shown the least
amount of decency to a sorry state of
womanhood, on a whim:
  and not for any moral well-being
   gratified by faking an authority for
some godsend suggestion to further it
by setting up an orphanage...
a whim: not a moral obligation...
      a fancy...
                      a random twist of a plot...

it's still going to be a delay mechanism for
me: this "observed" cogito ergo sum...
i've seen Kant mutilated on this *******
wankery long enough to know that
   Kołakowski didn't leave it much smarter.
elle jaxsun  Jul 2018
coping
elle jaxsun Jul 2018
the mist from my dope
coping mechanism
tickles my nose and my lips

the corners of my mouth
pulled upward as my eyes
turn to slits

i sink into the couch

cuddle my dog

ahhh, i ******* love this
Seazy Inkwell  Aug 2018
Papercuts
Seazy Inkwell Aug 2018
Papers, Papers, Papers

Whiter than aching teeth,

Whiter than whites of tilted eyes,

Whiter than funeral wreaths.

My hands shake as I write this,
Filed away myths; Stolen lined sheets
 My index finger chained by red tapes,

words mix and ground breaks,
I'm the one the world forsakes

Yellow maize, littered leaves,
all twisted into
black ink and clean sharp white paper blades.



-------"I am in a bit of daze," I tell myself, "look at those flaccid bits;

there lay the logs who use to be the jungle of my childhood dreams."

------"Don't be amazed," I replied, "these leafless branches and twigs are for 
your Papier-Mâché degrees."


So I listen to my second self once,

the more logical cynical satirical one,

Treading on the plot of their paper works,

playing crosswords as anxiety uncork

my thoughts turn to the bankable orcs,

just as my career forks



Maybe I should be like my mother,

Marking numbers on a deck of cards-- waltzing with Chance.

Maybe I should be like my father,

Toiling for some rich men's grandson-- seething in Trance.

Maybe I should be like the Other,

Going along with the system-- thanking myself

beneath a cap, a diploma, a piece of paper.



I wore these books like bank notes tuxedoes,

I was promised the world by the credits I borrowed.

Must I go along with the mechanism of their game,

or should I rise up against all odds

Opposing, debating, rebelling against

this bundle, this trouble, funneling me into no-tomorrows

Or must I write it all down,

in my prayers against their lawyers, who need no reminds

Or must I shred, smear, and tear the papers with my own bare hands



But what will I ever be to them, friends?

A papercut, perhaps.
congrats on your first day
Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
Kitt Sep 2023
They ask you again and again,
What happened? Tell me the whole story
And you repeat yourself
Each time thinking it’s been received
But then a new ear, a new clipboard,
And they make you tell it again.

“What happened” becomes more important
Than “what’s happening now?”
Because they care about the mechanism
More than the injury

So what will they do when you go radio silent?
When your heart breaks do you need to rehash how he hurt you,
Again and again for each secondary witness?
At what point does the sordid story end
And the sequel begin?
Or will the pursuit of healing,
The treating of trauma,
Forever be defined by
the mechanism of injury?
Mateuš Conrad  Mar 2019
7,254
Mateuš Conrad Mar 2019
.how did the political "debate" ever become surmount to include musicians? from what i've seen? of the KEXP radio session...  Ashish Vyas had the most fun from the session... i always admired the bass players more than those ****-offs running out of rhythm guitar sessions... bass, a tier above the drums... masturbator-grand-master-soloist... i guess this is one of those nights where i drink more than i write... elephant's ******* choking me to come... oh well... not even a Decalogue will save me... the political art is no art to begin with, curtains... all i'm seeing if curtains... and households filled with retired personel... and curtains... curtains but not blinds... it's abhorrent to have to listen to music with hushed bass guitar... notably metallica... apart from devil's dance and... where's the bass guitar? the rhythm guitar section overpowers the music... fine fine, have your solo *******, but don't silence the bass guitar with the rhythm guitar, i need to hear the drums translated via the bass guitar into the rhythm guitar... solo guitar and vocals all you want... it's like... the lessons to be learned from jazz, when all the fire prime instruments are allowed to solo... went, "missing"... i need the bass, man... frantic bass & drum genre type of music will not do lollipops for me... what was the alternative? dub-step? well... vex'd & distance... burial... who were the others? i don't remember... don't make me cite skrillex: white privelege man! yeah... at least with rabbit teeth missing, doing that well known party trick! i don't like bands that have a knack at an over-emphasis of the rhythm guitar, who neglect the bass guitar... it's so counter the jazz-inheritance... tool: grand bass, red hot chilli peppers, silverchair... i need that smoothing out layer of sound that manifests itself in a bass... a layer of sound just below the rhythm guitar and a tier above the base (not bass) of the african drum borrow... bāß... base (not bass)... yes, it's not supposed to look pretty: a phonetic antithesis... as most "things" in english...

             mind you... did i mention how heidegger
has a foot in the door?
       oh... i didn't? did i?
     the reflexive and the reflective quadratic...
the reflex of conscience "vs."
the reflectiveness of consciousness...
       heidegger:
                  language - only if speech has acquired
the highest univocity of the word does it become
strong for the hidden play of its essential
   multivocity (as withdrawn from all "logic"),
of which poets and thinkers alone are capable,
in their own respective modes and their own
directions of sovereignty.

  of the few lyrics i've entertained these passing
"days"?
             the black keys: lonely boy -
              i got a love that keeps me waiting...
borrowing from Kafka i guess:
      in that case, i’ll miss the thing by waiting for it.
   no?
   guess there's no "oops" where these words
come from...
              
    with the "passive" circumstance of the faculty
of memory...
                two tiers of memory:
the reflexive memory type,
the scholastic rubric type...
  1 x 4 = 4, a + b + a +c + u + s = instrument =
counting... etc.,
            that's the reflexive memory type...
a scholastic rubric...
      dyktando...
but memory also occupies
the reflective parameters...
          which involve personality...
a sort of memory dissociated from schooling,
and more, associated with:
disinhibiting any chances of succumbing
to dementia's grinding machine
of the mortal circus...

  the reflexive memory storage bank is
the buffer...
the "placebo": nay... the safety mechanism...
but... too much education,
too much pointless education,
and the erosion of the reflective memory
storage bank: this is not a buffer,
this is not a something equipped with
a "safety mechanism"...
        given that a self is perpetuated
within the confines of
a constant conflict with the "self"...
   a and italics / the and "ambiguity commas"...

well, there's always a place to start...
i find of like philosophy as being
a rigour associated with a satisfactory
form of vocab.,
       namely?
i can use the associated words bound
to a sentence with confidance...
unlike a ****** fiction writer,
sometimes dabbling into loan words
from a thesaurus, to, invoke:
an intelligence superiority...
  don't worry...
  when people lend themselves
to use a thesaurus, having exhausted
their adjective knowledge... it shows...

come on... a background in chemistry nouns?
3,5-methylhexane... you think?
that's the remains of a saxon past in english...
in chemistry...
germans spell like dr. faustus to begin with,
they, compound...
        the remains of a germanic past in
the current state of english shrapnel still
lives... in chemistry...
        hydrocarbons...
                  usually met with a hypen:
hydro-carbons...
       siebentausendzweihundertvierundfünfzig
(7,254)...
well, very german: what a waste of not employing
punctuation marks (', -) when it came
to the caterpillar 189, 819:
methionylthreonylthreonylglutaminylarginyl...isoleucine,

Me­thionylthreonylthreonylglutaminylarginyltyrosylglutamylserylleucy­lphenylalanylalanylglutaminylleucyllysylglutamylarginyllysylgluta­mylglycylalanylphenylalanylvalylprolylphenylalanylvalylthreonylle­ucylglycylaspartylprolylglycylisoleucylglutamylglutaminylserylleu­cyllysylisoleucylaspartylthreonylleucylisoleucylglutamylalanylgly­cylalanylaspartylalanylleucylglutamylleucylglycylisoleucylprolylp­henylalanylserylaspartylprolylleucylalanylaspartylglycylprolylthr­eonylisoleucylglutaminylasparaginylalanylthreonylleucyl arginylalanylphenylalanylalanylalanylglycylvalylthreonylprolylala­nylglutaminylcysteinylphenylalanylglutamylmethionylleucylalanylle­ucylisoleucylarginylglutaminyllysylhistidylprolylthreonylisoleucy­lprolylisoleucylglycylleucylleucylmethionyltyrosylalanylasparagin­ylleucylvalylphenylalanylasparaginyllysylglycylisoleucylaspartylg­lutamylphenylalanyltyrosylalanylglutaminylcysteinylglutamyllysylv­alylglycylvalylaspartylserylvalylleucylvalylalanylaspartylvalylpr­olylvalylglutaminylglutamylserylalanylprolylphenylalanylarg inylglutaminylalanylalanylleucylarginylhistidylasparaginylvalylal­anylprolylisoleucylphenylalanylisoleuc…

or just read the end of james joyce's ulysses
or jean-paul sarte's iron in the soul...
you do have to insert shrapenl punctuation
into this word...

but these are the last remains of the english language
being associated with a germanic origin:
compounding words...
             esp. in chemistry...
                

as any drunk would state,
to suffice...

    what was it that the luftwaffe
prescribed for the night raids
on London?

   and what did isis fighters
be prescribed?

    amphetamines?
n'oh!
   (minus the extended omega:
oooooo enough time
for a katy perry song,
an afternoon shower,
a slap in the face,
and then a few punches,
hey, jerking off became
boring)...

   so the british,
and a few polacks doing their
r.a.f. bit beat the germans
because?
   oh... **** no...
they were ingesting
an impediment factor,
durg, ****,
drunk, numb-skulled...

    we're talking counter
measure to the "enchanced"
mensch...
    high on amphetamines...
insomniac, but still going...
i guess the loci of
the amphetamine adventure
had to relocate to the anti-ego
focus of the phallus
in the variation of viagara...

****...
i care more for my giggles
and a friar tuck physiognomy...
seriously...
   it's more important than mere
gymnastics of
a freudian "metaphor"...
  ha ha...
   i guess conversation is
also allowed...
   try keeping that up...
given that most men are
******* into a solipsism...

     date nights... m'ah ah ha ha ha...
i figured that i don't
need french intellectuals to
redefine absurdity,
or german philosophers
to "redefine" existentialism,
i just needed to leech
off an nativistic english
"public"...

                      what the ruling
class spews:
   i reinterpret...
                  simple, 1 + 1 = 2...
crux, numbers,
   bounce back...
echo...
     compliment to the language...
as i stood in the shower thinking...
well isn't modern gaming
slightly "ingenious"...
money piggy...

or... reversed...
    provided the unlimited time
of experience...
no constraints,
just a game within a game,
like sims 3: making a sim
play a video game...
wormhole paradox
      and a brain shattering moment,
a jolt,

         these modern "free" games?
well... at least if you
do not invest in them,
are... games mostly associated with
time...
time is the game...

   whoever gets ****** into
the money laundering schemes
of these games,
forgot to read the cheat walkthroughs
akin to final fantasy VII,
because of homework,
and... Saturday mornings.

   **** air guitar:
here's to air drumming to posit
a point...

          the allies drunk their pint
of whiskey, slightly debilitated,
without the circumstance of feeding
a feeling of superiority,
the germans over-inflated
their superiority complex with
amphetamines...

         ergo?
    i'm either proper drunk, or just plain dumb,
or... it's related to listen, repeat,
listen, repeat: katy perry
  (sucker for POP!)....

      never mind...

games used to be fun,
games used to lead to a completion,
tenchu, that was fun,
final fantasy VII...
but this current,
money-sucker of an experience?
well... sure...
now games have reached
an anti checkmate conundrum
which it is...
because, the games are "free"...

           apparently time,
is perceived as a non-commodity...
tell that to someone stuck
in traffic...
      time: the "elder" flimsy
              construct of relativism...

try not giggling
while exchanging whislting to
either the british grenadier march song,
and the french la marseillaise...

   it's like eating pork liver with onions
fry funny...
    or at least a stew of chicken
hearts... tight tender little *******...

but modern gaming is just that...
ingenious counter measure
to the old school variation
of gaming,
    games... without fiction,
games, without script...
    continued perpetuation
of engagement "syndrome"...

     thank god,
i'm pretty sure that if i went beyond
owning a PS1,
i wouldn't have spotted this,
and have a narrative subsequently,
for the worth any sort
of compromise...

ergo? i drink...
   eh... i need to dumb down...
it wouldn't be fair otherwise...
it's not so easy,
to acquire a culture,
a psychology,
a mentality,
   and then...
     to ****... (grimmace, burp,
         snigger) it all away...

**** me, the flute always
gets me...
          i mean...
every time i hear that flute...
my feet at rambling,
itching to tap along...

   well of course it wasn't
the ******* jazzy clarinet,
was it?!
  tell that to the broad
who perfect a *******...
see if she comes back
as smart,
as smart to comply with
the intricacies
of playing, the ******* clarinet.

p.s.
aud lang syne: the only song,
of all time...
shakespeare seems
pale by comparison,
"side-note"...

          broad vs. brode,
******* giggles in the afternoon.
Dan Filcek  Apr 2015
Sedona
Dan Filcek Apr 2015
consciousness conceived as complex matrices
patterns contained within patterns.
magnetic anomaly brainwave synchronization
unrecognized vortex activity locations.
correlation amplification phenomena resonance.
measurable parameter brain wave activity
highly sensitive field fluctuations.
transducer low frequency geomagnetic pulsations
electromagnetic patterns: their associated chemical changes.
Weak intensity complex magnetic fields
generated earth hum technology affect
flux-gate sample collapsing fields
amplifier filter stages couples into analog digital converter.
experiments correlating local geophysical anomalies
earth's magnetic field changes consciousness.
single electromagnetic coupling mechanism
including spin-mediated neurons.
upsurge solar activity alters brain rhythms, hormonal levels
healing nature mystic experiences
anomalous cognition ******-physical phenomena.
internal model reality - subjective consciousness
addition computational capacity
existential status may need exotic physics
quantum entanglement and new forms of physical interaction
magnetic sensory cells induced meditative states
direct correlation shifts magnetic flux.
No active effort required.
Magnetic mineral aligned crystal chains
embedded biological membranes.
atomic sublattices of ferrimagnetic material
plausible theoretical mechanisms
mechanosensitive membrane ion gates
specific synergetic properties for transduction.
cuboctahedral morphology properties
jitterbugging vector equilibrium matrix basis tensegrity.
basic geometrical biological building blocks.
mystical red rock temples
Tracing disjunctive dislocations
Mother Earth speaks
Questions remain.
This year for Poetry Month, I decided to post a "found poem" every day. If writing a poem is like painting, a "found poem" is like sculpting. source - https://jcer.com/index.php/jcj/article/viewFile/318/343 - The Sedona Effect
Michael Kusi May 2018
Message drew out her Celestial Blade Saber and prepared for The Conflict.
But she felt the energy of Nihilist, and knew she was the strongest warrior she tangled with.
Message spoke to The Alliance Project and said, I’ve never encountered a woman who has basically goddess power.
The Alliance Project said on the watch, Stand down and we’ll get you out of there, this fight isn’t yours.
Nihilist, Tell that loved one of yours good-bye, because this is now your end and doom.
The Alliance Project turned on the Isotrain Mechanism and said, We must rescue Message soon.
Breastplate-Bearer ram their ship, and the Projects will go in and help Message fight.
Message is too good a warrior to lose to this type of power, because we have The Insight.
Message knew that her best chances were at long-range, because up close she would have died.
She touched her Celestial Blade Saber all the way up to the end, to fuel the Acidier flames inside.
She then pulled a button on the handle of the Saber, and fired it as Nihilist charged.
Nihilist kept coming as each missile from the Blade Saber hit its mark.
Nihilist grabbed Message by the waist with her hands and held her up, all the time mocking.
She shouted, No enemy can see me and live, and Message taunted, The Federation is coming, keep talking.
Nihilist pushed on both of Message’s sides, and Message felt her hips and ribs go out of alignment.
She started to black out and wondered if it was wise to get this assignment.
Suddenly Message had an idea, and put the Celestial Blade Saber through’ Nihilist’s foot to the ground.
And used the Death-Touch to **** Nihilist’s leg, so it was lifeless, and Nihilist roared with a raging sound.
Nihilists tried to pull the Blade Saber out but it would not come out, it was attracted to the Death Touch.
Message knew that she did not have time so she had to go to the cockpit because she was in a rush.

She ran to the cockpit, and she saw activity all around the ship as they prepared for the fight.
But Message remembered that on spacecraft like this, the cockpit was to the right.
She entered the cockpit, and used the Death-Touch on both of the pilots.
Message then told The Alliance Project, I will join the Isotrain Mechanism by flying into it.
The Alliance Project responded incredulously, You will crash our ship? Message giggled, You was going to do it first.
She started to fly Vibrate’s spacecraft into the Isotrain Mechanism, but made sure to crash into its side.
That way the Projects could get out and fight, and no one on the Mechanism could have died.
The Celestial Blade Saber suddenly snapped into Message’s hand, and she thought Nihilist is free.
And with all that pent-up energy and anger, she is surely coming after me.
The Covenantial Project said, We are on Vibrate’s ship, and are headed to link up with you.
Suddenly Nihilist burst in and said, Tell me, what would it feel like to see your insides on the outside too.
Message wrestled with Nihilist, and although Nihilist was stronger, Message was skilled in hand combating.
Soon Message was on the floor with Nihilist’s foot on her chest, and Message wondered if this was the end.
Nihilist said, You will die by the blade you used so badly, and pulled out a blade to strike her neck
She ****** down but the blade was stopped short, by the Excalibur of the Templarist Project.

Arthur pushed Nihilist off of Message and they soon began to fight with respective blades anew.
Message was so engrossed with Arthur’s blade skill she forgot she had a mission to do.
Meanwhile the Covenantial Project and the Alliance Project were fighting Achilles, and doing well.
So well that Vibrate was aggravated, and she was holding a scepter and muttering about hell.
Message knew that that scepter was the key to something and she resolved to steal.
So she put the Concealment Garment on a Netherbeast, and turned him into Message to be killed.
Message then kicked him to Vibrate, who utterly disposed of this Netherbeast in disguise.
But as Vibrate was doing so, she momentarily turned her eyes.

Message snatched the scepter out of her moving hands, and suddenly she heard a voice.
It was the words of her father the Legate, who said, You were my one and only choice.
To hold the Dahomeyian Rulership and lead the Federation to victory,
This power is now yours, and you wield the Dahomeyian Kingfather Scepter.
Vibrate knew with horror that the scepter was out of her hands.
And was now in the reach of someone who was purposed to command.
Message said to Vibrate, This is your end, you will die here on this ship.
Your reign of terror across the universe is over, because of what I grip.
Message and Vibrate charged, and soon much blood was shed.
But Vibrate saw to her horror that all of it was hers, and that she had bled.
Suddenly Message pushed the Kingfather Scepter into Vibrate’s chest.
Her chest collapsed into her backbone, and she fell dead and lifeless.
Achilles looked up and said, Mother! as he sank to one knee in respect.
The Alliance Project said grimly, You’ll join her, and he put the Abyss Sword between shoulder and neck.
The Alliance Project then held up Achilles and screamed, This **** was made by this face!
This was the weak spot of anyone, The Alliance Project pushed Achilles off the ship into space.
Message took the Kingfather Scepter and roared, Where is Nihilist, I have unfinished business.
A Netherbeast was speaking to Nihilist from afar and said, It is better to retreat than die in this.
Nihilist went into a Beacon Pod that detached from the cockpit, after warding off Arthur’s blow.
She could not believe that someone so righteous could be so strong, so she knew she had to go.
Nihilist said, I will take the place of Vibrate, and Achilles only wanted to conquer a kingdom not there.
Then all will know the name of Nihilist, and when people hear it, they will tremble with The Fear!
Mateuš Conrad Aug 2018
daj, do wynagrodzenia: reszty.
daj: to niby: siebie;
a... dam... dam...
ale pierw: powiem:             to!
(ich) nicht werden
                  geben (ihr) das nacht!
first... i'll punch myself
hard enough to give myself
a plum-eye: ******* pacifists...
and then?
    then i'll strap a trouser belt
to protect my knuckles...
and then... then...
                    then: we'll "talk":
who might find a translator
ready...
   god...
i'm gagging for a
knuckle exchange...
        almost... itching!
like i might await
a shaving... from a Turkish
barber... in Essex...
of all Danish palaces;
and why would i want to allow
consort with these women?
considering the fact that
the russian ones believe in trans-national
grievance taxation:
of someone... who hasn't...
actually died...
              you know what?
*******...
suffer...
       watch me wipe my ***
with a satanic smile
ennobled
by a coulrophobia...
excesses of vogue
                      atypical models...
how is it... that...
coulrophobia doesn't translate
in reverse?
  and what's up
with the black privilege of
jass music, akin to white mozart...
as...  
  sure as ****, the drum would be
the first, and only thing,
prior to the people learning
the ******* clarinet!

oh drop me your ****** ***
holocaust dead bomb
on a polish ***...
     i triple, quadruple dare you!
you *******... ivory coast
   centipede!
               i'm *******...
as watts: wild-eyed...
       unstrap me from this
"unreality" of conversation...
then undo the internet banking...
and the rest of it...

             not adam watts!
    glitter & doom....
who?      tom waits...
oh **** me... blue valentine?
if that's not a **** with me
album... what is?
                 live circus?
        
do i look like a ******* ****-
(see the hyphen?
it's a prefix... the english are
lazy sometimes: couldn't,
i.e. could not,
remnants of shakespearean
english...

       i'll always cite macbeth...

  time, thou anticipat'st my dread
exploits: the flighty purpose never
is o'eertook, unless the deed go with it.
from this moment, the very firstlings
of my heart shall be
  the very firstlings of my heart.
   and even now, to crown my thoughts
with acts, be it thought and done.


it's hardly a racial slur, ergo...
why so ******* sensitive akin to a french
footballer or a ballerina?
   ****- (hyphen! hyphen!) ergo a prefix...
as already mention:
no, no...
   it's not: no iraqi ever called me a pa-ki
      (pákí)... yeah...
and you never called an afghanistani an
afghan, ever, no?
   pure camaraderie in that part of
the world... all the way... yeah yeah... yeah...
-stani (suffix) is sometimes missing
because... the english like to shorten words...
e.g. why is daniel: dan,
why is matthew: matt?
  why is muhammad: mo (farrah)?
                                    ******* pansies...
police your circumcised penises fiddling
english teenager girl, first,
come after my vocab. justifications: after;
savvy?

or a gypsy?
   by now...
     i'm looking like any
traveler...
and the world...
       forever resembled
a world,
  in the confines of
      a claustrophobia...

but... if there's a bigger concern for
a world...
  and a freedom...
i want a bare knuckle fight...
a black eye...
namely...
you bring  BOXING GLOVE...
and i'll bring...
     a LEATHER BELT...
wrapped around my knuckles,
and the wrist...
    like i might care to give
a second attempt to smile...

ah... the men... who care
about minding, if not in the least,
keeping women...
      bye bye, bye bye...
       and i've allowed myself
to know my grandfather...
as i did the slap in the face...
and...
the key question:
in the unfathomability of counting
the 32 / 4 ratio...
alas... one fist... one smile...

and countless... dentistry encounters...
because?
   because the rest?
the cultural artifacts of a today?
  lost to h'americana...
            as i might have wished...
for my prior genes
to make an autobiography
in **** germany...
  
   what?
  
      well... obviously: the oops.

no, for the crescendo...
you know...
           i'm getting this funny vibe...
gott ist tot... it's not really spectacular...
nietzsche really believed in eternity,
to the point where he pointed:
what does science offer, only old age...
what does religion provide? eternity...
oh nietzsche was big on eternity...
   gott ist tot is as unspectular as:
is it: how to do you pronounce x,
or is it: how do you pronunciate y?
debate:
              everyone says around here
the former... since no one wants to be a *****...
pro-nun-ci-ate (pro-nun-cíate)...
   might as well replenish the vocab. bank
and replace the word with:
how do you elocute z? / recite)....

gott ist tot / gott ist tod...
    "same ****, different cover"...
you know why i believe in god?
    not the christian reference points...
salvation blah blah, saviour and hide & seek blah blah...
n'ah... where would i derive all my vocab.
hunger if not from him?
   some men derive their vocab. from
women or gambling...
            i am not in the position of their
luxury... so god it is...

            primarily though?
               god is metaphysics...
             ergo? his judgement is not clouded
by metaphysical questioning...
it's impossible to receive a metaphysical
answer from a metaphysical question
when engaging with a metaphysical
ontological paraphrase of one's own search
for meaning in this mortal frame...

oh sure sure, my belief in god is as juvenille
as anyone else's belief in humanity's
clarity when it comes to jurisprudence
and its application...
    i've experience "jurisprudence" once...
drive-by phone theft...
me and three fwends...
   i catch the number plate...
i tell one of my fwends to note it down,
police station, report, culprit found,
a sit in at a barkingside police station
looking at mug images,
spot the ****** (it was dark when the mugging
took place, photographic memory, **** happens)...
a court session, australia is playing england
at the ashes (****, i missed it)...
in court the defence lawyer shows me
another picture of the culprit...
back then photogrpahs had dates
attached to them...
the photograph? over 4 years old...
i tell him: but this photograph is 4 years old!
how can i identify if this is the same
person: i, myself, will probably
don a beard in four years time!
      a simple slip-up...
        now that i have a beard:
it's so much more fun than growing your
hair long... i hated the nickname
chewbacca back in high school when i was
growing mine for a french braid...
i walk out of the court,
come to terms with the detective...
and i see the same hunger in him as i see in me...
will justice be served?
highly unlikely... since the victim
didn't recognize the *** in the mug-shots...
justice was probably not served...

   and this is how god plays into all of this,
hell or heaven, blah blah...
man created the figure of domina Iustitia
as blind... god created death to be blind...
justice was never supposed to be blind,
death was: the unfortunate deaths
of teenagers in car accidents,
among all the other freak accidents...

clouded with so many metaphysical questions
i don't appreciate man's ability to adhere
to jurisprudence without being
subjectively contaminated...
i have more belief in an "imaginary"
god than belief that strains me to belief
in man's sense of justice...
          the nuremberg trials are a rare exception...
but only when the culprits are
unabashed and fathomable by a collective
sense of pride... a blidness...
i believe in god, because i'd love to experience
the judgement of a post scriptum of
metaphysics...
  personally? i have been wronged...
heavily...
            i will not name names....
i know when and how i was wronged,
and by whom...
                2007... Canterbury...
      i won't name names: i'm not a rat...
man is too clouded with metaphysical questions
to begin with, god isn't,
he's a metaphysical ontology "bias"...
which is why, he is primarily a jurisprudent
answer...
   i'd love to experience divine jurisprudence,
hell or heaven are not of my concern...
and i don't imply divine jurisprudence
associated with the polytheistic take of
jurisprudence via a solipsistic mechanism
of a minor god and the person in question
without the hurt party...
in monotheism the god is solipsism personified...
these days: also the personna non grata...
so no... gott ist nicht tot...
            he's a personna non grata...
i just don't appreciate the human *******
of law, law governance...
   come on, in england you can receive
an a.s.b.o.s. for your cockerel being too loud
in the morning, your dog barking...
           would you trust man with
jurisprudence?
  a woman was cleared of the ******
of her husband
       when she hammered his head into a pancake:
over an abusive relationship...
police, weren't, "there"?!
sure sure... the hammer will do...
i believe in god without a sense of reward...
i just don't think man is capable of
passing justifiable laws...
no man could ever pass the eternal laws,
gravity... 100°C for the boiling of water...
i need a being  who has groundwork
in eternal laws, in unshakeable laws...
the ten commandments aren't:
you shall not...
   more... maybe, you shouldn't...
they are the most pristine jurisprudent
laws available... the: maybe you shouldn't,
eh, chappy?

       i just don't like playing the thesaurus game
on the more tight-knit game
of "passing" the wink-wink of Solomon's
judgement...
please, **** me please,
i'll eat 20 raw herrings in a cream sauce,
slurp 30 oysters,
eat 40 strawberries on a hangpverl
eat out about 50 harem virgins
like a castrato if you ask me, nicely,
**** camel cockey:
lucly i landed on a black gold slurp
with plenty of bangladeshi slaves:
******* of riyadh...
     what did muhammed tell you?
you camel jockeys / sand *******
have clearly forgotten...
******* arabs: short attention span...
you need to remind
the retards...
the dajjal would come from the east...
a palace of gardens...
well obviously the prophet wasn't
thinking about genghis khan...
            
  hmm barbarians...
vikings, arabs: yet so inclined to like poetics...
funny, that...
the civilized peoples banished
the poets...
            the ruling class and their cushioned
people: sacrosanct sycophants...
wankers, basically.

    the hajr? muhammad spoke of the dajjal
coming from the east,
and the east being a city of gardens...
where isn't riyadh and where is mecca?
isn't riyadh east of mecca?
was the dajjal to come from the outside
of islam, or from wtihin?
      last time i checked...
sh'ite islam isn't friendly to sunni islam...
if islam was the one true religion...
would have a shcism have occurred?
i don't think so...
   a persian would never bow before
an arab... that much os true...

oh i believe in god...
given how man practices jurisprudence...
is it some sort of, a, thesaurus game
i wasn't told about?
to me the human quest for jusctice is
a thesaurus game...
man is incapable to pass but one,
eternal, law...
he's great at nuanced laws...
laws allocated to sports...
i mean, **** me, cricket?
the best vocab. you'll ever pick up...

even god isn't as pertinent
in making the sort of music associated
with the limited alpha-to-beta
of A, B, C, D, E, F, and G...
wow! seven... seven?!
how many heads does the beast
of revelation have? oh... 7!

i'll stop tolerating islam, and start respecting it,
when it, acknowledges its presence
as a character study in the book of revelations...
then i'll just move on,
having made my point...

until that time comes...
    it's 600 years shy of becoming what
degenerate christianity has become,
oh and it's ripe...
it's gagging to implode!
600 years and wait for it to become
the next secular vasal conglomorate...

the warning muhammad gave
about "the best from the east"
was in point of question:
   a reference ti gneghis khan...
more like ibn saud:
  thst fat diabetic one eyed ogre...
and the legacy of decadence he left
behind...

saudi men with slavuc girlfriends,
buying up pink cushions and *******
chihuahuas...
**** after ****...
  you know the three slavic proverbs?
1. better a sparrow in your
hand, than a dove on your rooftop?
explanation?
better the small joys at-hand,
than impossible possibilities out of reach....
2. a drunk can spot east,
past mecca, whenever honing
the safety of his own bed... even at night...
not much of a proverb...
3. i don't care to rememeber...

once toleration comes into play,
i will, respect... just a waiting game...
i'm pretty sure no iranian will
bow down to a sunni camel jockey...
i like proud *******,
it implies: there are absolutes,
un-moveable goal posts...

                      if you are ever to bind yourself
in supporting a "side" outside a sports' dynamic,
always the outsider...
always the outsider... in this case?
the ****'ite islam brigade...
       the persians...
the sunnis can shove it...
   *****, bones, whatever....

                   ****'ite islam i can
fathom, even respect,
sunni islam i just tolerate...
  as much as iran takes claims for the
big satan in ref. to h'america...
well... if h'america supports the infantile
saudi arabia, who's to blame them?

you know that polonaise joke about
about the pacifism of jews in
2nd world world war poland?
the joke ran along the words:
weren't the jews shooting the nazis
using crooked elbows (rifles)?
they always seemed to miss them,
taunted into walking into gas chambers,
the ******* hobbits...

          what? some bolshevik Brooklynian
jewish rada is to spare me
                 the pay-up diffrential
telling me, i was wrong?

  as i said before: the nazis lamented
when the warsaw uprising happened...
no, st. paul's doesn't stand proud
because, because...
   even with the blitz...
                 the luftwaffe were told:
you drop a bomb on st. paul's: firing squad...
and when notre-dame de paris -
last time i checked...
   the nazis didn't luftwaffe the **** out
of paris... did they?!

                  the nazis weren't mongols;
no people so well versed in chanel in terms
of their military being so well
   suited & booted could ever make such a
                              architectural sacrilege...

what?! people under the silicon curtain
are gagging, begging even: for nazis!
can i be the first?!
i just want to please the hungry!
if not punk then moving swiftly into ska...
am i the first?
   siliziumvorhang...
well, **** me... from under the eisenvorhang...
what's with these neo-communist pseudos?

and the hebrew god?
a jealous god... so a god with the knowledge
of the existence of other gods...
why wouldn't a jealous god have
no knowledge of other ("imagianry") gods?
to be jealous of only one's own existence?!

3 / 1: that's the ratio....
that's the only ratio... 3 times i experienced
love at first sight:

when i fell in love at first sight...
malina, samantha, janina,
priya....

equal measure: isabella of grenoble...

in reverse:
magda, promis, ilona, kot (i forget her name,
7 years old, first kiss, you can be forgiven
to forget, she had two twin sisters
and she was the senior,
her fasther drove a distribution truck,
milk, i think)...

****, i actually mismanaged
that ratio...

i believe in "a" god...
since i find too much of human jurisprudence
to be riddle with the thesaurus...
i don't think man can pass
law, he can "suppose so"...
but he will never pass the sort of law,
made forbidden,
or absolutely allowed....
i don't believe in a god akin
to the sort of a pontous pilate god
where i'll always find myself
outside of punk evolving into ska...

         mind you...
i'd hate to be trapped within
the confines of an atheistic exclusion zone
of intellect,
      to be trapped in nothing is one
thing, but to be trapped inside
the confines of an atheist's "nothing"
is quiet another....
i don't like being a hamster inside
a cognitive wheel of another...
   god is the jurisprudence spirit,
man the metaphysical spirit...
and i would very much like to stand
in the light of divine law being passed
to finally feel my shadow...

kult: brooklyńska rada żydów...
  not familiar?
  i forgot punk a long time ago...
esp. when californians came up with their
version, ergo? ska...

i'm currently taping a film
about the silesian vampire...
how strange, that the prussians came
back into the ***** of the polonaise...

growing a beard is so much fun!
fiddle after fiddle: and no violin!
atheists bore me
as much as the theistic hags
who's only ambition are
the thrill associated with Sunday
h'america and cinema...
               i can imagine only one
heaven...
where i am blind and given
               a large library of music.
Kunbi Feb 2020
You told me yourself that “little things to you matter”
Being around you I’ve unconsciously adapted that feeling when it comes to you.
You say these things and the side of my brain that usually never gets what it wants is being feed.
Building emotions on the words you say
Building emotions on originally empty words
You don’t do drugs but you parade it around an addict .
You are very aware I’m trying to dispose of my feelings for you.
Seeing you the way you see me
But you make it difficult every time you call out with “psst”
I don’t want to lose you, that is one awful big mistake.
I hope you get past your shyness and let me in
Or maybe... maybe you are just afraid you might lose me when you really open up on how you really feel.
I really wish you’ll stop playing games even when deep down I feel you enjoy it.
So talk to me or make my coping mechanism easy for me
Pal


                                        ♚
                                Kunbi_dia
Honestly I don't know
Cné  Jan 2018
a sign
Cné Jan 2018
years ago
i was consumed
in the deep abyss of depression.
i had been there before
and had always managed
to dig my way out.
but this time i got lost
in a maze, each turn dragging me further
into Hell.

so many unresolved thoughts plagued
the chasm of my mind.
i wanted to die,
not to **** myself,
for i couldn't be that selfish
to hurt my family in that way.
but i prayed selfishly
to be put out of my misery.
a prayer i felt unanswered
for months on end.
i tried to hide
this darkness
from those closest to me,
isolating myself.

in a defense mechanism sarcastic tone,
i smirked to a friend
that all i really wanted
was peace.
she encouraged me to pray.
i responded honestly,
"i'm not sure prayer works for me
because i've lost faith."

as if God only answers to those with faith.
she told me
that i might need to see results to believe
but that i should
give it a shot anyway
and stick with it.
i brushed it off.

the next morning,
i woke up with my normal
(worse than normal, at that time)
negative thoughts, you're ugly, fat, unworthy ...
(that's the censored, more kind version of my thoughts)
to which i argued in my head,
be kind.
silly i know.
then my friend's words resonated
"give it a shot."
so i quickly prayed a simple prayer for peace
in my mind, body and in my soul.
of course, i didn't feel any different at the time,
but i drug my heavy laden body out of bed.
forced myself to workout and went to work.

my first client that day was new to me.
hiding behind my work mask,
i presented myself professional
with my usual introduction.
she returned the favor
with a look of odd fascination.
so i continued with
"have i worked on you before?"
hoping i hadn't absentmindedly
not recognized a former client.
she responded "no, but you are Liz, right?"
i confirmed and proceeded to my room.
after scoping out the surroundings,
she commented on one of my paintings
on the wall, of an Angel.
it's an abstract.
some people don't see it.
then she asked ...
if i was a believer.
caught off guard
i responded "excuse me?"
she said, "do you believe in Jesus?"
not accusatory or even with aggression,
but a simple question, with dancing eyes.
i said, yes, more out of fear,
with my current frame of mind, at the time.
i was fragile and trying desperately
to hold it together.

i left her to ready herself for therapy
and took the opportunity
to regain my composure,
securing my guarded mask.
when i began therapy
she sighed and said
"i felt in my heart
that you were the right therapist for me,
because i can feel your kind heart."

i asked "did someone refer you to me?"
with suspicion, and narrowed eyes.  
she responded "no. Jesus gave me your name."
she told me how she relied heavily on prayer
and that brought her to see me.
i **** you not.
i brushed off her words
as any sane
(even in depression)
person would.

she was not easy to work
as a large body
that was hard as stone.
but my thoughts began to shift,
i swallowed an emotional lump in my throat.
in that moment, i realized,
i felt privileged to be working on her,
for her to have sought me out
on a quest from Jesus, or so she believed.
a peace i'd never experienced before
washed over me, cleansed me, anointed me.
in that moment, i felt clean, light.

afterward she gave me a huge hug
with an exaggerated pause
and whispered in my ear,
that prayer was the only reason
she was alive.
it felt like no other hug i'd received before,
so tender, sweet and sincere.
so i asked myself
"was this a sign?"

from that day forward,
i found my way back.
navigating the maze.
it didn't happen all at once
but each step, each turn
lead me out of the abyss of darkness
and toward the light of harmony and peace.
and though, i still slip occasionally,
i recall that spiritual experience.
this happened. i don't consider myself and a religious person but i would say i am spiritual.  i don't share this experience often because had it not happened to me, i wouldn't believe it. i share it now in hopes that someone who is lost, isolated, hurt, in pain, and in the grips of darkness, might believe it possible to find their way out.

— The End —