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1152

Tell as a Marksman—were forgotten
Tell—this Day endures
Ruddy as that coeval Apple
The Tradition bears—

Fresh as Mankind that humble story
Though a statelier Tale
Grown in the Repetition hoary
Scarcely would prevail—

Tell had a son—The ones that knew it
Need not linger here—
Those who did not to Human Nature
Will subscribe a Tear—

Tell would not bare his Head
In Presence
Of the Ducal Hat—
Threatened for that with Death—by Gessler—
Tyranny bethought

Make of his only Boy a Target
That surpasses Death—
Stolid to Love’s supreme entreaty
Not forsook of Faith—

Mercy of the Almighty begging—
Tell his Arrow sent—
God it is said replies in Person
When the cry is meant—
Keith J Collard Jan 2013
"Wow, what a mansion!"--Albert Wesker RE1


Gothic mansion, where every warrior lost it,
head, heart, and soul--as Faust did,
there walks a scientist who's blood is acid,
with glasses that turn to shade--death reactive.

" Who dares touch my holster" he says bombastic.
as walls evaginate victims, send out vines,
it is from Jesus' in the crowd--Mathew--his lines.
the sight of thorax, stinger and fang,
******* the slain,
do not phase him, for he is phase-less,
turn off receptors of pain, and all is pain-less.
A fallen teamate, still and a'swarm,
the black shades do not mourn,
as thorax crawls ontop of her
but laughs at the irony of a female,
impregnated with ovipositor.

He helped design those creatures,
and--he is her traitorous leader.

Howling night forest, awakens the staff,
as if they sleep facedown in saltwater tides,
shuffling and whale moaning, as if  harpooned--
going to lonely depths to die.
then there are the hunters, reptilian apes,
can open locked doors with skeleton claw,
move to quick in hallways,
why pump buttstock you saw.
Pepper the **** on the bed with full load,
with zombies fellating down to bone,
scream through your muzzle,
slide room apart in jigsaw puzzle.
then watch your six for the hunter,
it is stalking you, wants to put its foot on your face,
and dig in, then kick its leg--and rip off your skin.
retreat from hunters and faces bloated with cadaverine,
find a safe room to safely scream.
Sit down at the bar, pull scotch from its coffin,
on counter, rest pump and Colt python,
do not think of the things you will die from.
there are three darts in the bullseye,
in William Tell style,
but the board is in fashion of an atom,
with electrons in orbit,
the  numbers are the human genome,
and a surgical marksman has scored it.
He is Wesker, and this mansion is his tester,
blood and bone is both colors of his litmus,
horribles awaiting in dark room pay witness.
his muzzle flashlight's rooms with hot spark,
entry beats claw swing, shades now clear in dark.
they say in total black silence, one will go crazy,
from the sound of their heart.
but "My trigger that squeezes within,
charged from pupil's firing pin,
sweet semi-auto strokes of violin."
as he vaunts over dying beast,
and darkness returns to his shades,
from moon light through window,
reflecting knifes on wall from moon in wane.
he slicks back a loosed strand,
locks the door behind him, and continues with his plan.
" In my father's mansion are many rooms,
" I'll go prepare a room for you." he mocks, as he walks,
with parabellum hollow points and acid round glocks.
This is his mansion, he is Achilles loosing knees,
he is warrior and scholar, a student of Thucidydes.
team-mates--out air holes in jungle boot bleed,
blood seeping through pants--
olive drab uniform now fatigue.
rooms: blood grooves running down your bayonet--
traps-- channeling you to your death.
prop open  oaken door with knife, hope  it will hold,
walk to the far side of parlor,
the sound of medieval bolt.
door spits out knife,
just scream through keyhole.
The iron maiden taper is coming slowly,
do not let it go through non-vitals,
a slow way to die,
take it through frontal lobe behind eye.
alas a team-mate hears your screams,
in the sepulchal hall,
door swing, and out of deaths thrall.

Charley Mike: continue mission,
and paint the walls black,
with dead flesh backsplash,
gun or nerves jam, then die a ripping death,
smell a cannibals breath.
Be it known, the man in black and strap,
laughs off exposed rib cage slats,
with only a scrape to his pistol belt.

Enter the man in reactive shades,
Picture a alligator, calm, age old in the everglades.
One in the brain, and none in the chest,
those extra shots for rooks, without prowess.
" Wesker, you'll pay for this treachery," invoking Karma,
but the man in black measures her tears as he harms her.
So all that enter mansion portal,
and reach the basement, before becoming morsel,
finally catching up with Wesker,
no more trail of labotomized minds,
and jaws and eyes in epileptic shock,
from a calm trigger squeeze of glock.
Face to face with the master of the saxon race,
mastering gunpowder under the scope,
and you hear the hunters off distant,
primal howls and hissing.
Listen to what the man in black says,
the mortal contest is over,
and he has a virus to offer,
" Die here, and your death will be longer than your life,"
says the man, who's shooting hand is the reapers scythe.
" But live with this virus, and you will never die."
but watch the sun burn out in the sky."
You can refuse him, and face the nightmare creatures alone,
adding your skeleton to the calcium of mansion stone.
or take the virus that invaded the first cell,
invading mitochondria,
making 'other men' the meaning of hell.

" Come decide, lest I go prepare a room for you".--
From powder burns,  your tears are black,
eardrums ring from screaming contest of
chrome python against giant asp.
shoulder numb from combat loading shotgun,
thumbing shells straight to chamber--
almost cyclic.
blood in boots: not much fight left.
your friends are dead, and you answer,
" I rather die forever traitor, to rid the world of your cancer."

In my masters mansion, are many rooms,
dying, crying, moaning: eternal tombs.
how resident evil the movie should have felt.......I only cite the 96 video game, which only shared the setting with my poem.
Edna Sweetlove Feb 2015
Wee Angus McSporran, the world's most accurate marksman, is deployed  to Afghanistan and Iraq as a ****** in the Royal Scots Guards. In spite of his diminutive stature (4ft 8in), we see him skilfully shooting men, women and children by the score, convinced they are terrorists and a threat to our freedoms in the West. He becomes emotionally involved with the gigantic ginger-haired Pipe Sergeant-Major **** McKnob, the loudest piper in the British Army and a famous poofter. We see Angus and **** in some of the most explicit ******* love scenes ever shown in a mainstream movie (tastefully filmed in soft focus and sponsored by KY-Jelly).

When **** is blown to smithereens by a roadside bomb planted by American freelancers in order to implicate the Taliban, Wee Angus goes into deep depression and becomes obsessed with his skill as a ******, often shooting "allied" soldiers in so-called "blue on blue" friendly fire. After each shooting we see the image of the ghostly dead Sergeant-Major appear as in a dream, his kilt a-swirl and his pipes wailing a tragic dirge in scenes reminiscent of Braveheart.

When Wee Angus triumphantly notches up his 500th **** (including over 75 US military personnel and several important Afghan politicians), the British government decide it is time to withdraw him from active service. In order to gain patriotic press coverage in the run-up to a General Election in Britain, it is agreed that Wee Angus shall be awarded the Victoria Cross by HM the Queen.

We see Wee Angus, in full regimental uniform, marching up the Mall to Buckingham Palace to receive his medal, his telescopic-sighted ******'s rifle looming heavily on his childlike shoulder, being cheered on by crowds of thousands of wellwishers. Tragically, when he is crossing the road in front of the Palace, he does not hear a new environmentally friendly eco-diesel double-decker London Transport bus approaching (his hearing has been seriously impaired by the noise of battle) and he is mown down, his scream being amplified to eardrum-splitting levels of horror. The camera lingers lovingly on his crushed body and we see scenes of unimaginable grief in the crowds who have taken Wee Angus to their hearts. His lover, the strapping Pipe Sergeant-Major **** McKnob, appears as an angel and weeps by Wee Angus's squashed corpse.

In the final scene, reminiscent of the closing minutes of Slumdog Millionaire, the massed marching pipe bands of the Assembled Scots, Irish and Welsh Guards appear as if by magic and the entire crowd cast all inhibitions to the wind and indulge in a life-enhancing Highland Dance and Ceili around the Victoria Memorial facing Buckingham Palace. The film ends with a heart-breaking shot of the Queen coming out on the balcony in front of the Palace and having a fatal heart attack with the shock of what she sees before her. Prince Charles is seen gleefully rubbing his hands together in the background: at long last, he is King! *(end titles shown over a shot of him groping Camilla's naked sagging ****)
This is the first in my new series of Film Scripts for the 21st Century.
And the Marksman said,

"Aim for the heart, and not for the brow,

A punctured heart always heals somehow."

Through perjury

Through injury

The sting of treason

Rotates seasons.
Steve m sawyer Aug 2018
An agent of  assonance,

An army of alliteration,

A conquistador of climaxes,

A fighter with form,

A marksman of motif,

A mercenary of metaphors,

A ninja of nuances,

A raider of rhyme,

A soldier of synonyms,

A vigilante of voice,

I strike with the fiercest of sentences,
With such clarity and no false pretenses,

I assail with the mightiest of swords,
I am a warrior of words.
Madzq Apr 2015
The air was crisp and clean and clear,
The huntsman knew his time had come.
He gathered all equipment and gear.
Then shined and polished his gun.
He took a step, his boots polished black.
To his tiny little wife he blew a kiss back
Off, he was, to capture his prized buck.
She waved goodbye wishing him luck.

He got to his post, stood there and waited.
Patiently, with his traps he had baited.
For a time he remained quiet and still.
This kind of game was his kind of thrill.
Lo and behold, with rage and adrenaline
A perfect opportunity made its rise.
He steadied his rifle, an expert marksman.
He shot the young buck between its eyes.

In a moment it was done
And the huntsman had won.
The poor creature had no chance to fight.
It had fallen to the earth
No cry made it's birth
A silent victim in the night.

Time had come for homebound journey,
With the sun setting on both heads.
Only one of them back with family,
The other became family's dread.
The huntsman took his brand new trophy
And hung high the brown skinned creature.
Hand in hand with his wife he stood boldly
"I was the one to end this ******."
DaSH the Hopeful Apr 2017
A poet's supposed to only post poetry
     If I try to do anything different under a pseudonym
They'd know it's me
               They're not too dim
  To shine a light on similarity
             Between two varying laugh tracks despite all the hilarity
        Been getting down to brass tax with a microscope
       I could read the fine print even if both my eyes were closed
     So tie the rope tightly around your own necks
                          As I work far outside of my trajectory from how I make the bow flex
         If I was Archie mixed with Cupid
          I would
    Follow an arrows arc like an archery marksman whose targets are Betty and Veronica's beating hearts
    And when they get hit,
        They both fall pretty hard
      And meet me in my back yard where I get their backs archin'
         Point is, I've got precision aim
    When I'm shooting for emotions
            Make you never feel a thing
      Make you clear minded and focused
             Let you all in on my pain
   Have you buzzin' like a locust
Fred Schrott Jun 2014
A drive-by piercing with a lemon going haywire
Some day-old sushi seen floating in a milk shake
Biplanes soaring on a river made of goldfish
Hamsters running like a maggot being stepped on
T-Birds flying on a highway made of spike strips
A sleeper hold keeping pleasure from the culprit
High-speed boats with Bond at the Olympics
A Cheshire cat that is famous for his slow wit
A hands-free call using carrots as a pitchfork
Motel 6 giving buckets full of sunshine
A loser shakes when he’s calling for a train wreck
Two horned-toad dogs seek pleasure from a princess
Pineapples dance on a table made of tall grass
Swimming pools run like the nostrils of a cokehead
Lawnmowers chase televisions made of chocolate
A headrest pops like a package full of mayonnaise
Full moon falling like a stock that’s made of pennies
Some ring-toss games using members as a target
Horse-drawn buggies have turtles for a driver
Captain Crunch cracks three teeth with his product
Unicorn strippers charge nothing for a snow cone
A fig tree shoots his rifle like a marksman
Time-lapse photos lend credence to a journey
A night jog leading to the starting of a win streak
Cotton ***** fighting like the heart of a palm tree
Rabbit holes filled with a rocket made of red glare
Alien red giants just as sure as I am breathing
A high-speed rail system travels without leaving
Lamborghinis resting on a bed of melting ice cream
Then there’s a cuckoo clock riding on a white mink
I saw a cowboy yesterday atop a pile of hay
Leaches lurking everywhere really like to play
Red newspaper taxis burn at the pole in June
Hearts of gold at harvest time, hear my drum in tune
Playing in the band was my only decent goal
Rake, a shovel, and a pick dig working with a ***        
Prince without a pauper will rise from down below
Hot tamales drop like hail the radar never showed
Squids sign a new record deal using their own ink
Octomom wants it all; such ***** I’ve never seen
From, The Transitive Nightfall Of Diamonds, due out 8/14 from iUniverse books
Nora  Apr 2017
marksman
Nora Apr 2017
You never missed a mark
Firing right for my heart
Sent the bullet rippling through
My flesh and left me gaping

Whole, i thought i was before
You came along, taking aim
With your charming darts
Darling, I’m ****** I missed you
When I shot up high
insp. by annie oakley (1935)
Canaan Massie Nov 2012
I feel your love,
Yet your marksmanship is poor,
For towards me your love aims not.
Your intentions aimed elsewhere.

A past lover.
And I am not he.

Malicious Misery pushed you too far.
Too far this time.
Your life is precious to me,
Yet a treasure you seek not.

It dwindles within these machines,
Like a strand of seaweed.
Being crashed upon by the waves,
Of this poison you endowed yourself with.

Much a tragedy this is.
Yet not that of Shakespeare.
No, this much too real,
To take a form of fictitious imaginings.

This, much more complicated,
Than a Shakespearean masterpiece.
For if so,
Your love would be aimed at I.

But it is not,
And in resent, I mourn this tragedy.
Yet, I must let love,
Travel upon its everso hellbound path.

My eyes lie upon thee,
And my heart within the feeble hand of yours.
Yet your mind lies elsewhere,
And your desires lie with your mind.

Upon he.
The one currently at your arms reach.
The one at your desires demand.
The one you truly love.

I must not resent this,
For love hath struck thee as it struck I.
And Cupid's arrow hath stuck he as well.
I can see it in his sorrowful stare.

He loves you in a way that I cannot.
A consentful love.
For I am just a scapegoat.
Temporary.

Well now you've quenched your desire.
You've acquired what you sought.
Love of he.
(And I, for whatever its worth.)

His love is a precious gold,
And mine a mere coal.
Black, unwanted.
Only able to provide temporary warmth.

Pardon me for obstructing.
Love hath stolen my precious vision,
And wandered, I,
Into the meadow in which you hunt.

As a poor marksman,
Thou cast thine arrow of love upon me,
And realized I am but a scapegoat,
When the white stag is what you seek.

Once before,
you lined him in your sights.
But evasive is this mystical creature.
And once, he escap'd.

If your life so solidifies,
I shall replinish my vision,
Banish my love,
And obstruct thee no more.

Instead,
I must prosper in silence and patience.
Shun my hearts desires,
And let thee hunt.

I apologize for my inconvenience.
I shall groom each of your horses,
So that you may ride into,
The meadow of love together.

Hence, beware of hunters,
And wandering creatures.
Teach thine unsteady hand,
And this time...

Don't miss.
Matt Jul 2015
Roofus *****
Is the best

With the slingshot

Shootin' quarters
Out of the air
Without a care

He says,
"See that Japanese beetle
Sittin' on the leaf?"

He shot it right off the top
Good grief!

What is his his secret?
Well practice makes perfect

And he never did
Own a t.v.

R.I.P. Rufus
(1919-1994)

— The End —