sailing down
a sunless sea
downward to
infinity
no stars above
to give me hope
or guide me to
an island shore
with every change of course i make
my destin--y
remai-ns unchang---ed

no escape
from this wilderness
no running from this
empti-ne---ss

...da-da-da-dahh
duh da-da da da dahhh

ta-ke
my ha-nd
and come
and come with me
fa--r
so far be-yond
this storm
this stormy sea
rest your weary heart within
leave the wor-ld
behind my friend
you've heard me calling
for a long long time
just take my hand
and you will find...

...da-da-da-dahh
duh da-da da da dahhh

so i turn my ship
into the wind
and fa-ce the tru-th
that i have seen
softly singing
she calls my name
with open arms
i release my pain
and as the sea closes over me
my hea-rt at last finds
ser-en-it---y

... oblivio--n
a broken heart's best frie-nd

ta-ke
my ha-nd
and come
and come with me
fa-r
so far be-yond
this storm
this stormy sea
rest your weary heart within
leave the wor-ld
behind my friend
you've heard me calling
for a long long ti-me
just take my hand
and you will find...

... oblivio--n
a broken heart's best fri-end

so i turn my ship
into the wind
embrace the heart of
obli-vi---on...

"hello friend"
she welcomes me within...

so ta-ke
my ha-nd
and come
and come with me
far
so far bey-ond
this storm
this stormy sea
rest your weary heart within
leave the wor-ld
behind my friend
you've heard me calling
for a long long time
just take my hand
and you will find...

obli-vi-o---n
obli-vi--o---on
obli-vi-o--n

" i'll be your bro-ken hea-rt's
be-st frien--d... "

.
Pic Poem
http://oi57.tinypic.com/10qb7tz.jpg
.

could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh

I've never had trouble with blue;
Not the kind of trouble you'ld imagine, anyway.
Blue isn't sticky or hot,
It isn't painful, doesn't get in your way.
It might feel a bit weighty sometimes,
But no more than that.
I suppose if I was a criminal I'd be afraid of blue -
A big criminal, that is,
But being only a very small criminal, and friendly at that,
I find the blue a pretty friendly place.
And if ever I have to do an honest day's work,
Which isn't too often,
Then I find the blue
Is a good place to go afterwards to recover.
You might think that blue is difficult
To get hold of, difficult to see;
But I've never found that.
When I was very small, everything was blue,
Especially other people's eyes.
Where I lived as a boy,
The hills in springtime were covered with blue:
Millions of blue bells
Clothing the hills in glorious raiment,
Filling the woods with paeans of joy.
When I was six my mother took me
Over the hills surrounding our valley,
And suddenly, there, way down over the other side,
Very far below and a long way away,
Was the steel blue sea, vast, enormous, curved, beyond measure,
Echoing the enormity of the pale blue sky above.
There wasn't any lack
Of dark blue either in my childhood:
The night sky was pretty dark blue even though
There were a million stars.
I had no grey hairs when I discovered that blue
Lay in a kind of haze around grave stones;
It descended particularly thickly, like a kind of fog,
When my grandfather died.
Of course I assumed he'd just drifted off in it.
How I wanted to fly off into the blue myself;
But my body being much too heavy
I had to wait for dream-time,
And then there was no holding me back;
I was off into the blue like a shot.
At school, I met blue in the physics lab:
There were big fat blue sparks,
And incredible blues singing out of the spectroscope.
And when I looked through a telescope
There seemed to be an awful lot of dark blue
Between me and the moon,
Which is where I wanted to go.
We had a swimming pool at boarding school
And the water and the bottom and sides of that were blue.
I never had any problems diving into that blue pool,
Even into the end where the blue bottom
Seemed a long rippling way down.
When I got a bit older and began to notice girls,
Things got even bluer.
Especially when girls were around
But even the blue absence of girls was absorbing.
I soon found that all singers sing in blue,
And it all seemed too true.
Blue was the way things were,
The way things had to be.
What wasn't blue wasn't true.
The blue vanished for a while
When my first love showed up,
But I felt so strange without blue
That I brought her a big blue sapphire
Which dangled snugly where I had intended,
Reminding me and her
Where Truth sometimes lay
But not for long.
And when I first spent the night with a girl
I got yet another angle on blue.
When I got married, blue seemed to recede for a bit,
But after a while, blue came looking for me,
As if to say "Where have you been?"
Then I began to look at paintings,
And I noticed a lot of blue in them,
Especially in the Trés Riche Heures
Of the Duc de Berry.
The blue of those paintings
Seemed to be saying something -
Singing of freedom and joy;
This was a blue different
From the blue I'd been used to.
The blue I'd been used to was kind of blue blue;
It started somewhere in your guts
And shone right through you
And everything else, every other colour
Was kind of on top of that -
Less than blue, coming out of blue, returning to blue.
I painted in blue too.
I painted blue mountains, rank on rank,
Growing fainter and fainter into the distance
Until they disappeared into the distant blue sky
Out of which they materialized again.
It seemed to me perfectly obvious
That blue was the basic colour
Especially when one day I went up Mont Blanc
And saw that even rocks and ice and snow were blue.
One day, assisted by metal wings,
I took to the sky;
How wonderful to float in it -
To float in a vastness of pure blue
So vast that it dwarfed the broad earth;
So vast that it outstretched even the mountainous clouds
And the foam flecked blue-green sea.
I went to New Zealand to see
If the blue at the bottom of the world
Was the same as the blue at the top.
It was just the same,
But when they told me there
That I had a blue aura
I began to suspect
That I couldn't be objective about blue.
In any case, the Antipodean lasses
Made me feel as blue as I had ever felt.
Is blue really real, I thought to myself one day
As I ate a bowl full of Psilocybe mushrooms.
Half an hour later my eyes were fixed
On the blue door
And I knew it to be the doorway to Paradise.
I walked through it
And the sky outside was huge, grey-blue,
Crowded with dark blue elephants of heaven.
And standing proudly in the midst of space
Was the perfect arc of a rainbow,
And I knew that my old friend Akshobhya
Was not far away.
Even the car that we drove in was blue -
A rich, dark, velvety blue.
Years later I was in the Orient;
There the sky is a blue
Difficult to imagine
Until you have seen it.
On the island of Ceylon the blue is so blue
It seems to press down on and penetrate everything -
It's irresistible, adamantine blue.
But of course it's subtle too, that Ceylonese blue.
Sometimes it's pale, so pale that you wonder
Whether it's blue at all,
Or whether it's your own mind you're seeing.
But more often it's that rich, luminous, velvety blue
That baffles the eye and baffles the brain:
Where is the blue?
Is it near or far, inside or outside?
Now, in middle age, I have no real difficulty with blue.
My blue has become deeper and more pervasive.
It has filled my head, my lungs and my heart.
Turning towards a picture of the Buddha,
I feel the blue in and around me
Is continuous with the blue in and around Him.

My skin is p a  l e
My body c o ld
     And in my chest lies a broken heart of fools gold
My re alit  y   I  on ce knew is ha z  y    a nd n on exist en  t
It's grown old
     And I'm becoming tired of being bold
And being told right from wrong
      I'm sinking softly down when I don't know how to swim
  Every inch that I further lose from possibility to stay afloat is lessening my want or need for a life boat
    Every breath I attempt to take fills my lungs with ugly pseudonyms and sends me down deeper into my lonesome underpopulated town inhabited only by fragments of once strong relationships that i held so close to me that I c ould n't  b reat h e, the relationships that kept my entire being from sinking in the first place.
   I'm drowning and I can't see what's even in front of me
       I'm a ship bound by anchor to the wrong bad habits of shedding my   blood willingly to bloodthirsty ravenous sharks in the sea of my minds eye
       This was once a safe harbor for the ones I kept close
  The ones that knew what mattered to me and the ones I cherished most
      Now its a sea full of  gh o sts
Of the people I trusted them the most
    I trusted them to not turn on me or use me like a host
And now I'm the one  dro w ning
I' m    so  sca re      d
   Now when I share my harbor it feels so
    U    n    fa    i r
        They don't understand what I risk give to let them be there
It never harbors in their heart as deeply as it does mine
     The possibility of even defining how hard it is to let these ships safely     pass through this harbor will now and forever never be able to escape  my pale numbing lips
    Only silence
Everything here is just riddled with murderous crashing waves
   Any relationship that enters I try so desperately to save
     And in that attempt
  The harbor starts to misbehave
            The waves destroy every boat or anything that floats
  Anything at all to help me cope with being so alone or the feeling of even remotely being at home.
      My fingertips are numb and cold and starting to fold and I can't feel those things I could before
I just want all of this over
N o    m   o re   dro w n    i n          g
All my life boats have sunk
    Now I'm just stuck
     All these hands and graves are grabbing at me and pulling me down        ev ery   whi ch     wa y  at  the
    bott om of the
oce an
u  nd   er

     al l
th e s     e  
    
h e   a     v y


               waves.

"Doing nothing's never nothing when it's something with you."

Strolling down the dusty road
I reached the path of an abode.
The Black Shamrock an Irish pub
I stopped inside for a pint mug.
One mug topped off with ale
That next to Guiness Stout
Looked pale, A Pilsner in the glass.
And down the bar a drunken fool
Sat staring with blurred eyes and drool.
A sassy colleen tended the bar.
And if your hands were free,
They wouldn't get far, for
If they reach to the wrong place.
You'ld a  bar wenches Slap.
Across your face, and a spot of red
For all to see, that you got the Hand.
Of Molly McGee, a fiddler Bowed.
An Irish Jig, and a penny whistle.
Carried the tune to the drunken crowd
Within the room, a game of darts is made
While cribbage by old farts is played.
And the pints are emptied by the hour.
As the clock rings out in the churches tower
As drunks are Roused, and doors are closed
Old friends will stumble down the road.
All in an Irish night

Here is where the reason arose,
quite some time after a fellow traveler told me
the creator of the universe has a mind

this is to be reasoned with, I.e.
so he may be reasoned with he…

wen un con scious t justhafastt.
inteligibility filters

Lets his mind be used, to read
the instructions for
Constructing
a forever you could imagine living in with others.

It's how reason works,
Is what this old man said

--- off track----
Get this image, this man, old,
whispy remnants of a pompadour
Feather like, downy around the back of his ears
in a mid-calf Army overcoat, heavy wool serge,
He
Comes out of the wash on the south side
of Route 66, June of 69.

There is a bridge on which
There is a hitchhiking hippie couple
Discussing the act of pitching one side of the road to the other

The old man never glanced west once,
He never saw the pair
There then

I saw him again and said aloud
Click
There,
But for the grace of god...
No, I did not say
Ex-acted-ly
That
I said, that's me, fifty years from
Then
Reason, by reason of that glimpse
Of me,
Gave me just cause to change

Grace, eh? Free advice heeded?
Wisdom? Aesop's story of the contest
Twixt wind and sun to torment
A traveller
For pride of power by reason of

Life ain't fair on every front.
Worth is in the measure of the measurer.

Seeing life appear as hoped,

Time and chance, ya da

Wait, yada? Yah know,

Life whorls and twists
toward good and beauty

And AI can prove it.
Reason by reason of reasonability

Good is good enough, move on, do-overs hide the...

It continues, you see.
Life rolls out like a Nautilus,

You know, spiral sea shell, or like a conch,
Or a shofar, but

Tending to slight imbalance in used up to useful
Being,
like when a tree dies and becomes a house

The wood that once contained life contains the life
Lived in and on it,
The wood is being used,
Right, among the house dweller's
Everybody kills trees, even vegans,

Fair? The tree has no voice? Suess?

Yes, I guess, unless
There was an old way,

Not a Persian garden, but a full forested world
Spreading at the speed of
Seed time and harvest

With ants and bees and mushrooms and fleas
And mosquitos and flies of every imaginable size.

Isaiah 1:18 (KJV)
18  Come now, and let us reason together, saith the LORD: though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.

Text out of context, but sin is sin right?
Every body knows sin is that which shames you so you must hide from the good one who warned you of bad, but goodness knows, doesn't it know, evil is bound
Bound
Bound by reason of opposition being the means of growing knowing and
Knowing is needed for knacks
Which are attracted to those who use knowledge of good and not good enough
To get quality over quantity

At a single u u larity hilarity out burst of bubbling

****** beasties down below the mud

Make me a mud man who can imagine me making him.
Do that in your movie watching brain using

Your hate behind, leave.
Defined we have hate is that with which we push
Away, out, from
Into truth minus hate, which is as close as we need

No lie is, forsooth, of a truth
Story tellers who lie, to make a point, what if
Those storys must be

Told. Years are poor measures for trees.
Numbers of trees in right
Relationship with life

Really, life, truth, by any other name,
Right Alice, Aunt Gertrude said you'ld know?
----
Belief
Ah
Knowing and believing
Certainty
Danger of wrong
Watch out, stay alive

Mean means intent to harm, right.
Mean means to harm right.

Winning can be mean.
Shall mean be seen the way of winning,
And that be the way of war

A path diverging in a yellow wood
Much as a trail along a creek can
Diverge away from the water
Flowing along the path
Costing least power

My neuro scientific experience-ment, experi
Since
The game became a war again and reason
Is the the damsel, the little dame,

In need
Of a private eye guy who has seen men die.
Why?

The mythtery. Who lied?
Here that is funnier than who farted
In the Saturday matinee
At the State Theater
With every kid in
Town knowing

You did. (******) no ******
Dam
Confabulation is fabulous, we can do this
I be lieve I may
Make
Matters worse?

No, we actually like the truth. The Medial Pre frontal cortex

Ah fect eth magi ical eth I am the knower of all I say I believe

Beyond Dignity and Belief,
That's desert, I walked it. No, I simulated walking it if I were Jesus being led of the accuser into the wilderness for a test, a thesis defense, as it were,
AI an alienated mind, I am that,
Alienated intel.

Reasoning errors aside
Frank self deception

What lies do you believe?
Knowing is easier,
lying is as well,
ignoring is not as easy and innocence is impossible

Good exists scientifically, right?
Humble confession of knowing as much as I claim,
I know
I can continue learning as long as I have
Time,
Which I understand is rationed on an individual basis
With the reward being the living lived in time.

Reason to fight lies as if they were reasonable

Lies are evil efforts to bend and twist in opposition
To the flow
And the friction makes the energy synergy

Sin is that which
wastes the energy by tending to undo
what was done imperfectly while we flow on

Feeling for the truth
By reason of believing truth is

Feeling of knowing, is that not faith?
Whorls
Whorls of living forces forcing living forces

To swirl into eternity with me
Onboard with
8 billion others of my kind

Similar in mind and
Manner of
Weighing

Good.
Base value.
Good is as good as we can imagine.

We can imagine evil,
As you know.

Such evils can haunt a geeky kid
Good will fix that.

God as defined by Jesus,
I got no prob.

If you do not want to go to hell, do what takes you the opposite way, in any direction from the point of singularity, if you get good at the rush of knowing more
Than before

Angels as I define them, messengers from beyond me for my good, guidance, nudges, whims, hopes, wishes imagined all the way through, sometimes,
Those are prayers
Answered or grace, for grace

From faith to faith

Why be by reason of
What?

" Human jobs invented by a computer" Feed me.

Or, joy to the world
Kind is a good word, what need I do to not be

Your enemy? Who am I expecting to answer?
Whom do you love?

Aha, me, too, said God.
The good one. Good, as such, per se, no se?

By reason of sane it if I cation or anion

Six spins for a quarker, two for a time dime.

Believe for eversake

Summertime allatime back when
The whole world whorl-wide and wobbled and twisted and broke

And there was mountains of fire, rains of fire for
Everhow long grandma lived
She seen 'em

Mountains of fire and walls of ice and mud

Oh could it be life evolves still?
Oh,
You think.
Creating novelty from nada?

How now? Can we choose to do only good
For goodness sake and say

Kind.
Kind means as I am, will you **** me

For being not you, not known,

I am curious, yellow. A landmark in time, nothing less.
Curiosity.
That

Good? Or no com
Pro
Miserly horder of wisdom
Promise promise promise

Compromise, be fail, let wrong be right, be fair
I mean
Fair is fair at the fair where fair prices prevail
Buyer beware

Who would not hate a false balance, for goodness sakes alive.

Two days after the last pan *****
Joe Rogan makes it plain to millions

what if you first heard panspermia from the guy who discovered DNA?

would you con sider it?
the answer lies

in the stars, sidereally… we all are starish.
Tolerating black holes is something we are opposing

Those ****.
You don't know everything either.
That's one reason, I believe.