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Kiara del Valle Jun 2014
We forgot how it felt to see the children laugh

Now, we are exhaustingly busy to live,

busy to breathe.

If you are reading these words,

I am eternally grateful

that you took some time to read

what could have been dead words.

Thanks to you,

I get to live a little bit longer.
DJ Thomas May 2010
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words ***, ****** and **** for context the rest was left to an individual imagination as in good poetry!

It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics...

And here it is :

****** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka

Eye lashes flicker
a shared urgent interest
parting - dancing smile


My first inspiration was ***, passionate life squeezing screaming ***, the thumping wall musicality of ***, exhaustingly inventive sweaty and wet.

I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.  

Arousing images captured her moaning splashing loneliness in unusual collocation.

I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.  

I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown.

So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality!


Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite




copyright©DJThomas@inbox.com 2010
DJ Thomas Aug 2010
My first inspiration was ***
passionate life squeezing screaming ***
the thumping wall musicality of ***
exhaustingly inventive sweaty and wet

I wanted to make it a senryu
but for duality the female characterisation
demanded two more lines
each extending to seven syllables

Arousing images captured her moaning
splashing loneliness in unusual collocation

I was first excited by the placement
of a hovering extended enjambement
to give life to my final line
whilst also considering the satisfaction
in using noisy mouthed rhythms

I believe I easily hid the wet aroused context
with a watery semantic field
suggesting she would choke and drown

So in my last line I had ‘pleasures’
as a cutting keriji to make clear
the dominating ****** context
having previously used
a preposition and determiner
to maintain duality*

Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite


.
copyright©DJThomas@inbox.com 2010
JAC  Aug 2017
Exhaustingly Ironic
JAC Aug 2017
Every time I feel close to you,
I feel like running away,
which is exhaustingly ironic
because every time I run away,
you try to get closer.
DJ Thomas May 2010
Eye lashes flicker
a shared urgent interest
parting - dancing smile

My first inspiration was ***, passionate life squeezing screaming ***, the thumping wall musicality of ***, exhaustingly inventive sweaty and wet.

I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.  

Arousing images captured her moaning splashing loneliness in unusual collocation.

I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.  

I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown.

So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality!



Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite


.
copyright©DJThomas@inbox.com 2010
Mikaila Sep 2013
Oh, I am raw.

You knew.
You knew this whole time.
And you made your bid for love and freedom oncemore,
Like you'd never been hurt in your life,
Like it couldn't turn out wrong.
You knew, you knew.
Every single time, the hope wins over the sense,
And it's like you don't even try.
Who are you to march away and leave me here,
Heart?
Who are you to skip away blithely into the night every time I beg you to stay?
It's like you don't even belong in my breast,
The way you leap forth and hitch a ride
With people you see pass near, who shine like stars.
You follow them like gravity,
And every time, I scream inside my head,
Locked in,
"WAIT! Don't go, don't leave me here to feel your space!"
But you ignore me each time,
And briefly I am sure you are right,
Briefly, every single time,
I believe that you are the one I should be following,
Dragged behind you,
And not the other way around.
And then it comes,
It comes and I trip myself just so I will have chosen to go down,
And I am here,
Left
Wretched on my knees
And you never have to take the fall.
You never have to deal with it.
You're only in control when the sun is shining.
When the storms hit and knock the breath out of me like thunder rolling,
You plead you never chose a thing.
You traitor,
I would claw you from my chest!
But you already did that,
And I have no way to take revenge on you for your treachery-
You are me.
Your pain is mine.
(your joy is mine as well)
And so you get to,
Every time,
Abandon me and make me thank you for it,
And I am so sick of it I could scream.
You don't have consequences, Love.
You ARE a consequence.
What ever gave you the right
To turn my life upside down?
To leave me so unable to do anything but watch as I am dismantled by a force I never asked to feel?
I'd be happy, content, perfect,
(no, unfulfilled, empty, lost...)
To just give you up and cut the strings
That she
(whoever she may be, for I never get to choose, do I?)
Saws at with a bow, poison-tipped like a Shakespearean sword,
Plays, like violins singing melodrama.
I'd sever you from me in an instant and let you go
Play your games elsewhere,
Heart.
I swear I'd do it and dance in the streets,
(I'd have nothing, not know what to do)
If only it was possible.
(I am not damaged enough to give up)
I don't believe in love,
(Oh but I do, and sometimes I don't want to)
But I am married to my work, to you:
My job is not to be paid,
It is not to be happy,
(you are my chance for "happy")
It is simply and exhaustingly to survive your choices.
I don't get my life!
I get you.
I get kicked when I'm down, I get holes and hollows in places
I didn't know a heart filled,
Like fingertips and rib bones and lungs,
And that awful twisted spot above my stomach
That echoes cavernously with loneliness in the middle of the night
And sometimes in the lunchroom or on the subway.
(I get to think maybe that sadness will cease)
I get haunted dreams and impulses I can't control,
(sweet relief from a life of restraint)
I get your puppet strings
Jerking me to my knees
Knocking the pride out of me like breath.
(It speaks, but underneath I worship you)
I get your fingers inside my head, on the ridges of my brain,
Digging in like a migraine headache,
Gouging a place for someone I don't even know.
(Replacing the sorrow with joy so intense that I fear it.)
Who put you in me?
You don't fit here.
(you are the only thing that fits here)
You don't belong here.
(I am so afraid you don't.)
Like a parasite, you feed on me
(I need something to take this ache.)
And I am slowly dying of it, Heart.
(cure for my loneliness, arsenic for my mind)
I've tried everything I know,
I even tried to make you die inside me-
(I didn't know what else to do, I'm sorry)
Husk of a soul skittering along the undersides of my graffitied ribs,
But no, no you rose again,
Stronger,
And I... I wept in fear, Heart,
I really did.
(I made the hardest choice and you unmade it.)
Nobody knows that-
That I wanted you to go,
That I wanted you to stop, actually.
Nobody knows that I'd have happily never felt a thing for the rest of my life,
(only in fear, Heart, only in fatigue)
When they saw me fight so hard to become myself again.
(I couldn't beat the part of me that needs you)
But I knew,
I knew
Because the day you stretched and yawned after leaving me for months to rot around your frozen form,
I felt in me a terror I will never be able to explain,
Never be able to understand fully.
(Self preservation was never one of my talents, or yours)
This gibbering, skin crawling agony of panic,
That here you were again to bend me and break me,
That I was mortal, carrying a love that couldn't ever be killed.
It was the moment of clarity,
(of awe, as well, and terrifying vitality)
Before I decided I had to force myself to work with you,
Slap a smile on and go look for my next defeat,
(oh, maybe this time I could keep the love)
During which I saw my life unfold before me like a vast map,
Your destruction burning it to ashes in all the places I'd love to live,
Place by place by place,
Charred path to death over the lengths of decades,
No control, no say, just heat- and me, following along behind
Like a lost puppy
Trying to rebuild something substantial enough to make my home in.
I saw before me a life without rest,
Of this, the constant struggle to find and keep a wholeness I apparently don't deserve,
(I can't stop trying to deserve it)
To catch you and stuff you back where you belong and force you to lie still,
When I know you will only consume me with flames anyway.
I hate you, I really do.
(fear, not hate)
I hate you because I want to live.
(I am afraid you will destroy me)
I hate you because I want to die.
(I am afraid I will destroy you)
I hate you because if it were not for you, I would never suffer,
And I would have nothing to live for-
For I know nothing but the constancy of you,
Pushing me down, forcing me to my knees
And me struggling to rise and find a way to bear your burdens.
(GIFTS)
I hate you because I will never, ever be rid of you,
And I hate you because nobody should want to be rid of
What makes them live.
I hate you because underneath I still believe, somehow, that every single second's worth it,
Because that naive faith in you just won't die-

How can I stand that?
(How can my pride abide a hate for something vital, and a love for something toxic?)

And you've betrayed me every time, Heart,
And I don't forgive you.
(I already forgave you long ago)
And what if you've gone and done it again?
(Let me say I hate you so that I can have some control)
And how am I supposed to know that
For all these years to come?
*(Please don't go cold again, my Heart.)
dye  Aug 2014
Marathon
dye Aug 2014
I’m a step c l o s e r to the finish line
I ran exhaustingly just to be fine
But before I knew it, he was there
He was the winner, and it’s so **unfair
07/11/08
AP  Mar 2015
Forgiveness
AP Mar 2015
Eyes
I'm sorry for forcing you to endure such demanding labor
For flooding your irrigation gates with salty tides of woeful cries
For impairing your vision as loneliness takes human form and riverwalks across your irises
Please, forgive *me


Mind
I'm sorry for causing you to overthink constantly
For saturating your fields of knowledge with dangerous negative thoughts
For bullying you with these words and questioning your sanity
Please, forgive me

Heart
I'm sorry for bruising and blackening your core
For halting the flow of electric passion between your chambers and preventing your ability to attach with the strings of another
For fueling your disappointment over and over again, yet you still exhaustingly pump and beat for me
Please, forgive me

Soul
I'm sorry for draining the waters from your wells of hope
For leaving you hollow, I can hear your echoes of misery
For dehydrating you of joy and penetrating your walls with shards of dejection, I can feel you slowly dying inside of me
Please, forgive me

You
You've created a villain of despair
Who forges anger and depression upon himself
You've given me the tools to destroy my body from the inside out
Yet, my body is still running on the reserves of our recycled love
So just come to me, and tell me you're sorry
Please, I want to forgive *you
thank you for reading! tell me what you think
Sean Flaherty Jul 2014
The addictive aroma of
Well-aged nostalgia, and a
Hurricane-yellow sunset, was
Striking from the Western Side.
The east, full of forest. It
Often goes Unappreciated. 

Sat alone, and gritting his teeth
Over it, his forehead wet,
Losing patience, sweating 
Droplets, wiped up by the
Dollars you couldn't afford to spend.
Outwardly expressing: "Overwhelmed."

Born of the burning woods, and 
Left to ash, again, with the leaves, the
Scent settled, clearly set on
Sticking around. 

In the mood to bleed, and
Drag some metal, through the 
Dirt caked on your legs?
Filth burns brighter indoors, and my
Power's just gone out. 

But you cast quite a shadow, when 
Lightning interrupts the black.  
"Storm'd been on it's way for a while.
I'm relieved, it finally hit us. 
Fair weather felt dishonest. "

Long hair's got a few more days left in it,
Bags under his eyes, not quite full, 
Intent on the ideal, and
Going out on his shield.
Decrying the Curse of the Under-employed.

Barking beckons him back, and 
Beneath his broken heart, beating,
Beyond a reasonable doubt, 
Buggering on. Exhaustingly enthusiastic. 
The howled woofs, and selected drum lines.
Droning, diligent, 
"And pleased to meet you, darling."

He flips open one of his 
Boxes, counts to seventeen, and sighs. 
Puts a cigarette between his lips. 
Lights it. Counts to sixteen, and sighs. 
Closes that box, and buys another. 

"One third of what he says is nonsense, but
When you talk, he listens." And 
Love's a vice, he can't help but
Nourish. Hiding in fog, and
Drowning in his cheap whiskey. 
Perfectly cornered, writing a poem about it.
Very self-referential, but hopefully, also, relatable. I think this may be the best poem I've written. I may revise a little over time.
Kalliope  Jan 2019
Kay
Kalliope Jan 2019
Kay
Perpetually lost
Figuratively stuck
Exhaustingly overworked
Disgustingly underpaid
Literally confused
Effortlessly cliche
Beautifully me
Sometimes it be like that
Linds May 2013
sometimes i like to think of nonsense
i guess if you know me it's not a surprise
did you know that potatoe almost rhymes with tomato?
does potatoe even have an 'e' at the end?
i honestly do not think it does
but who am i to judge the spelling of potatoe?
it can be whatever the hell it wants
or whatever i wish for it to be

maybe my head is really messed up
or maybe i just don't have anything else to say
because sometimes i mix up my words
("what do you mean i said the wrong thing?
i am pretty sure 'no' and 'ship'
mean the exact same thing.")

but i may also be completely normal
at least in the way my brain is set up
and maybe i just like to mix things up
because it takes a break from
my so exhaustingly uneventful life
so i guess i will just continue on
with thinking these random thoughts

because it's better than the pain
better than the memories
better than the words
that no one wants to say

it's better than those dreams
and the images in my head
because no one really wants
to think of those all the time
especially not me

after all
i'm just that girl
the one that sits alone
or that people sit with
just to laugh at
since she always says the wrong thing

i'm never anyone's second choice
maybe eighth or tenth or sixteenth
because who would want me?
the girl who ***** everything up
the girl who likes to speak her mind
(oh no, haven't you heard?
you can't have an opinion.)
Jack R Fehlmann Sep 2018
The steam it takes me
To reach each 6p.m.
Is unsustainable, exhaustingly so
With knicks and clotted flesh
Bruises aging brown
mix with, overlap the latest
Deep purples and ill hued blues
I am beaten by my own doing
Little to nothing is compensation
But the things i have touched
Broken made new again
From raw to finished, tangible
My hands, rough, scarred,
Talented and beat up
As is my body. Nightly.
By the end of the week i am a sight
Too tired to want morr from life.
Filthy and sore, single, alone
There has got to be more to life
Then the beast of burden i resemble
If not be the ending too soo
See i am beaten at the end
Tired...
Goodnight.

— The End —