Submit your work, meet writers and drop the ads. Become a member
Grace Pickard  Nov 2014
Ostinato
Grace Pickard Nov 2014
Constant
From the cue of entrance
Through the chaotic ink splashes
And the measures of rest
A part of us keeps this rhythm
Strung clear and precise
Mysteriously, wandering throughout
We pass around the chore
Until the final chord is drawn

But we survive
In the minds of our audience,
Forever trying to grasp hold of
Our fleeting orchestral heart beat:
Ostinato
An entrance cue in orchestra would be a breath. I like to relate music to life/the human body, in this poem my body is associated with an orchestra because orchestras preform as a single unit. Also, an ostinato is a repeated rhythm... Which in this case is my heart beating.
Again and again
The ostinato repeats
It's stuck in my head.
Geno Cattouse  Oct 2013
Ostinato
Geno Cattouse Oct 2013
Here.you can have this one easy, I wont struggle i wont even look.Here you can sharpen your pencil and jot me down in the book.Here....... cant spell CAT less I give C and T to U. And you think creation bubbles and boils in you. Sad sack of !!!. .....When I wanted my turn? oh no, you were way to busy reading tea leaves, mumbling mantras,consulting the zodiac Now you want me to rub your head and tuck you in bed,pull your blanky chin high and then tuck it, Hmm, too easy.

Verses with curses, you call that a  poem ?
Here. right here between the C and the T. good boy.          Now. Shall we begin the beguine.

                                                                                                  There once was a man from Belize  
                                                                                                  Who was stung by the poetry bees.
                                                                                                  
                                                                                                  He read books to distraction
                                                                                                  But couldn't get traction
                                                                                                  less I pushed for action
                                                                                                  To clear up his  those from his these..Duh
So Here. go visit Nantucket. Dont forget to take a bucket !!!.
Next stop Limerick.                                                                Here we go again. Next time I crawl back
                                                                                                 try to at least offer me chair. A " hey dude it's
                                                                                                 good to see you" or I swear I'm off again like a                                
                                                                                                 ***** shirt. Just you and that keyboard and                        
                                                                                                 blinky the cursor.Blink, blink, blink................
There.I finally got that unchested.
Feel so much better now, so Here take a letter now.

Here you can have this one easy.
Thomas EG  Sep 2015
Body
Thomas EG Sep 2015
It usually goes a little like this:
Intro, body, bridge, body, body, outro

The body is the most important part
Or at least so we think at first hearing

But personality and words are equal

And your melody is lyrically smooth
As your tempo bounces along my stave

And my vocal chords strum into crescendo

You are my ****** note

Ascending to my neck
Descending to my heart

I yearn to be someone's hand to hold

Someone's ostinato
To transfer into a lower key

If I could be your vibrato

Shake me, shake me, shake me
I love you

I rise up out of my seat
Out of my body

As I make my way towards the outro
And scream:

"YOU DIDN'T KEEP YOUR PROMISE!"

But kiss you, anyway
Because honesty was never your forté

And I love the words that escape your lips
And I love your body

**I love you
Another intoxicated poem :-)
bleh  Jan 2016
Lacuna Matata
bleh Jan 2016
(not a poem i guess but eh)




Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.



'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'



I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.



We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.



The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'



We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.



'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.



It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.



'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  



'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'



We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.



‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’


‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’



We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.



The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.



A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  



I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries
JR Rhine  Mar 2016
Daffodil Gulch
JR Rhine Mar 2016
Traveling (with Frost) down the lightly trodden path,
with shoed soles sauntering over thawed earth,
twisting down the narrow trail,
away from the prying eyes of tour guides—

Encompassed by flowery heads who mirror the sun,
who burst forth with fluorescent green necks
craning from the dirt,
delineating our path in cascades of springing splendor.

Sensing the ostinato of ambulant waters crescendo,
we soon break from the budding foliage—
To be greeted by gentle winds
and the lapping of placid waves

who break onto the languid shore
onto shoed and socked feet,
who sense holy ground and immediately
kick off their bindings—

To sink into the earth,
and gritty sand reaching up between toes;
the water deceptively inviting,
is greeted with delightful shrieks in its refreshing chill.

Secluded in our cove,
we gaze over the waters where to our right
rests a breathing reconstruction of the Dove;
we stand awed before these waters
both the settler and the native.

What gods were praised on these lands,
and in these woods,
and in these skies,
and in these waters?

And on March 25, 1634,
in the promising onset of spring,
what had they to sing in the calm airs
as the settlers crossed the threshold of the Potomac?

She whispers,
“Funny how the water appears green on the shore,
and clear on the river.”

--St. Mary's City, March 10, 2016.
brokenperfection Aug 2014
This takes place on a rooftop above the city
Almost twangy, almost

Stars are out, and boy, are they ever strong
The sweetest lullaby of a love song
Sung to me from your fingertips
Patetico

Strumming the notes as you would a lover
Best friends turned to endless memories
Perfect, soft whispers
Harmonies that make me listen so close
I don't want to miss a thing

Breathing in the calmest wind-- your air
Sospirando
Coming together with a melody that grows
Two bodies unified as one loud symbol--
Crescendo, dolcissimo, fortepiano, melting gelato  

Rosy reds and the palest clouds
Awakening both hearts, not a dream
You tighten your grip and beg me not to go
Ostinato

As long as you keep singing from your fingertips
Appassionato
And if those hands are your outlets
Bravura
I’ll stay here
Al fine
Ti amerò fino alla fine.
Le mani con un tremito
del telefono stringevano il filo;
mi aveva poco prima
recato la tua voce
che mi diceva addio.

Un vagante raggio ebbe la luce,
tenue filo dell'anima
del mio bacio donato
solo dal desiderio.

Ma dall'esilio ci libererà
l'ostinato mio amore.
Yanamari  Jun 2018
Step
Yanamari Jun 2018
With every note that flows
Every stage that goes
I get closer to an end
Maybe closer to you

Every staccato that unfolds
Overlapping that legato left untold
Moves me closer to an end
A stage ending with you

Every rise
And every fall
I hope
To find you

So used to the idea
Of two different melodies
Starting together instantaneously...
That I so desperately want you

But as the arrangement continues to flow
In a cadence of escalating ostinato
The hope that there is a stretto or
Chord progression... Slowly weakens with the idea of you

So much so that
Every beat resonates within me deeper
And courses through my veins
Almost leaving no space
For you

The pain left in every note that
Brings me closer to the end
Twists you into a syncopation
And I into a ballad of bottomless commiseration

I just...
I pray to God
That my composition ends
In the best quality it could ever be.
Incomplete

— The End —