Submit your work, meet writers and drop the ads. Become a member
Sharifa Palmer Dec 2014
Footsteps in crescendo heading in its direction
As they descend the wail of the beast is now but a whisper
A man known for taking what is not his own
Now feels the brunt of sharp stone
The darkness above which gave him comfort;betrayed him
Hands reach for him from all cardinal points
His screams cut the stagnant air like a well sharpened knife
But his screams;those screams,go unnoticed
The crescendo turns to diminuendo
The dirt is now saturated with red
Justice had been served
The justice of the jungle


-Sharifa Palmer
Reverberations resound,
Airwaves surround,
The Holy Ethereal
Transcribes my Soul Sound.

I yearn for freedom,
I sing for heartsease,
I beseech the firmaments,
That musicality conceive
A New Dawn; Millenial Fawn;
Material-Realm Transcendence;
Spiritual Efflorescence,
O, my Spirit is hearkening unto
The Holy Dove's cathexis.

Write from your heart,
Sing from your soul,
Unravel the Perdition
Until The Vestibule of Lightness unfolds.

Dream in stratosphere;
Achieve upon The Terraqueous Plane;
Ascend The Earthen Spire;
Know we each bleed the same.
What is music without love?
What is Heaven without Hell?
The Elemental Legacy beckons you higher,
Legion fatidic arbiters conspire
Rendering self-sovereignty a liar.

Open your eyes,
Unfurl your heart,
Sing to the Aethers
That The Spirit never depart.

This is Musicality's Manifesto,
This is Destiny's Diminuendo;
Therefore,
Know the blaze, fathom the burn
Of unquenched ardor, unyielding zeal;
With passion within, ye
Shall never fail,
So pilgrimage Life's Mecca
Bearing its sacral travail.

(Se' lah)
Excelsior Forevermore,


Sanders Maurice Foulke III
Jazmine Moore  Feb 2015
Cello
Jazmine Moore Feb 2015
i wanted more from him
than enjoying my pizzicatos
while bringing me to crescendos
but it seems
our love may
have already reached
its forte without ever
breathing in its
*diminuendo
Aaron Kerman Jan 2010
We met in the Red Square at Midnight. Sitting on the austere steps of the Kremlin We drank Stolichnaya in silence; listened to St. Basil’s Bells stoic ringing until Our sun rose pale over Moscow  

Beauty is created when I press your mulatto skin to mine.
We shift. You move, and as you’re moved you move me.
Our motion akin to your mother’s in a gentle breeze or a dancer;
Some Elise pirouetting et fouetter and falling over graceful infinities.    

I am deliberate during this ballet. Subdominant.
Una corda e sostenuto, and as you request so do you respond; relaxed,
Sustaining single notes; soft into that ethereal Moonlight…
Blurred and blunted, your perfect meter dampened by my learned cadence.
    
As you sound off forte I rock slightly forward, coming into you harder.
We breathe sharp together; my fingertips caressing you legato;
My Ana Magdalena. Andantino; rolling into flurries of crescendos
presto allegro climaxing; Capitulating again before we rest…
Before lento diminuendo.                                                      ­                

We courted at the Konig Von Ungarn in Vienna. It was classical and   romantic. Baroque. We fell in love. At Figaro’s wedding we tasted sangria as the stars Set, pastel, over Seville. Our first kiss was the Holy Roman Empire fading; A footnote under bass cleft.

We were married in the Rhineland, a single Canon announcing our nuptial.
You a Riesling and I your lattice. I stood firm, resolute, as you grew in, around, and from me. But the lords, they taint you, they **** me of your fruits; oblivious, they invoke their subtle prima nocta.                            

From the rooftops and the gutters they hear you. A virtue is lost between us. We shift. They are unwelcome eavesdroppers’ playing ******.  
They come and gather round us and I grow nervous, stiff; sweat falling from my brow to your ebony and ivory.
They move provocative, but they do not care; they do not notice us.                            

I stop as they begin. They’re discourteous during this Can-can. Their  praise and kind words may arouse the pimps and ****** wandering Montmartre into Paris’s red-light,  “Hear,” they fall on deaf ears.
This is no Moulin Rouge. We are not meant to be exhibitionists and yet
we yield to their flat appeals.                                                         ­                           

I put my clothes back on, Rags is all they are, and you, you’ve become stark.
I project my discontent through your string and hammer heart;
I slap your toothy face and stomp your sterling feet without relent.
I-De-tach-My-self-From-You. Staccato. They call me Inventive and as they sip their whiskey, their bourbons and their Texas Tea they tell us that
we have Entertained.        

We build our home from the precious stones of foreign countries.
We traverse ages to reach the mines and the rock fields, finding rough Diamonds and sapphires. Naked, we wash them in ether; they luster.
The noblemen come. They smile and applaud as they peep through the Windows and knock at the doors, but We shall not  be moved.
The sun, a heavy spider, spins in the thirsty sky.
The wind hides under cactus leaves, in doorway corners. Only the wry

Small shadow accompanies Hamlet-Petrouchka's march - the slight
Wry sniggering shadow in front of the morning, turning at noon, behind towards night.

The plumed cavalcade has passed to tomorrow, is lost again;
But the wisecrack-mask, the quick-flick-fanfare of the cane remain.

Diminuendo of footsteps even is done:
Only remain, Don Quixote, hat, cane, smile and sun.

Goliaths fall to our sling, but craftier fates than these
Lie ambushed - malice of open manholes, strings in the dark and falling trees.

God kicks our backsides, scatters peel on the smoothest stair;
And towering centaurs steal the tulip lips, the aureoled hair,

While we, craned from the gallery, throw our cardboard flowers
And our feet **** to tunes not played for ours.
Arjun Tyagi Dec 2013
Nomine Christi Amen
gushing,  came a crescendo;
Tenor, Alto, Baritone and Mezzo,
along-with an angelic Soprano.

In *Christ's
Holy Name
she sang with those of Faith.
While snow-laden trees
falsely sheltered a human wraith.

Unlike some on the street,
his lips were cold but not complaining.
Two frozen crutches, his legs; yet
heart warm and with purpose, beating.

A cigarette in his mouth,
skin like the smoke, deathly white.
Discomfort was an easy price
for watching his lover tonight.

As the final notes passed,
of the Diminuendo, into the night;
the pews were left in a rush of haste,
by people eager for homely sights.

Slowly the Gabriel Choir also
departed to its own ways.
The silent Soprano singing to herself
at the right of God, in wait.

Out by the door, he came,
and held her in full sight.
The neon-lit cheap Cross, humming
songs of static to a drowsy night.

And not unlike the moths,
fatally attracted to an electric glow,
he trudged along inside, to her;
ache of cold bones lost in the snow.

Expanded pupils relaxed,
dilated to a semblance of normalcy.
As his stoic eyes adjusted,
his lover, was all he could see.

A moonlit shaft of dust-motes
played above her head.
Whilst she watched him approach, with
Neptune eyes of the Ocean-bed.

Fifteen steps of a distance,
and he came to the edge.
Existed nothing beyond this, save
two entwined breaths.

A soft parting of her lips,
almost soft as a whisper.
Much like the snow melting
at the passing of an unyielding winter.

Rosemary, Sage and Thyme,
odor of her skin, him it assaulted.
Aroused his senses, memories
of a Home long discarded.

You took your time,
complained the Soprano gently.
Your Daddy's gift ran out of gas,
he rebutted amused, mildly.

They left the Church, as ordinary
as the Sun, to eyes unwary.
But a keen observer would compare this companionship
to His and Magdalene's Mary's.

++

The Glasgow George Square,
above two heads, it looms.
Residential Avian families echoed their voices,
with soft caws, chirps and coos.

The Soprano sings a merry hymn,
an invitation to them, a debate.
Gladly did the residents accept, 'tis sufficient
to say the dialogue did not abate.

And whilst she sang her tune,
they replied in equal measure.
He looked into his empty cigarette holder,
wistfulness is seldom a pleasure.

A kiss on the cheek and a hand,
tender on her waist he kept;
I'll be sitting over there, Eve,
come when you are content.

He watched her then; the Soprano,
joyous yet somber as she sang.
Till the bell from the Church, in finality,
ten times it rang.

The dialogue it then ended,
with the Avian families eager for more.
For not many deliver them, from
their monologues in the cold.

She walked to him, steady
a child of gazelles and nimblest of men.
The aura of her pulsating radiance,
begging to enfulge them.

Outstretched hands, even
on plain Earth devoid of danger,
to those in love may feel like
a lifeline to grasp and reach a place safer.

He took her in, his arms
all the Sanctuary she needed.
A sober expression, not always
reflects that the soul in fact is elated.

They walked again, two souls in the streets
of Cochrane, Ingram and Miller.
What trouble is distance to a man's feet,
when another pair walks together?

St. Enoch's came and passed too,
so did Dixon Street and its leaves, strewn.
Till the lovers came to rest, at The Clyde
reflecting the newborn moon.

Night-time, self-proclaimed
sailors still pedaled and rowed.
While The Clyde, with its waters black, licked
the bridge across the road.

Care for a swim milady?
he chided with a boyish smile.
Amusing the Soprano now and then,
was indeed worthwhile.

Eve, he uttered, at a roll
of her eyes. His muse, her name.
Quick pecks on the lips
could put woodpeckers to shame.

Its cold she replied, Mona Lisa
smile hiding amusement unknown.
He led her away away from the breeze,
It was time to go home.

++

A glorious smell of familiarity,
came with the inevitability of Dawn.
Arms at ease around her waist,
her head tucked under his jaw.

Oi, he asked her to wake up, attempts
in futility, not always are of lost cause.
A soft moan and to press closer
was all he received for a response.

Oblivious, on purpose with
no heed to the workings of the world outside.
In ceaseless comfort of slumber,
wrapped around each other they did hide.

Warm of skin, warm of heart,
a bed warmed by nightly hours.
The Soprano and he, content
in their lovely little Glasgow bower.

Moons waxed and waned,
Suns rose and fell.
Every breath escaping their lips,
only promise it would foretell.

For a man needs not much, save
his Love, his God and his Peace.
The Soprano sang each morn, blessed by the Lord
his life, calm as the Clydian breeze.

The Song of Life went on for them,
each day the same as last.
The Glasgow Soprano sang till his death,
but her Voice he took with him as he passed.
Miles Marmolejo Jan 2018
I
Like to
Think about many
Odd oddities about my
Life. It is simply strange
How life works when it has
To do with the happy things. I
Like how it somehow works out for me
In different situations. Mainly the ones that are very
Important. I love life as much as video games. But,

Life can sometimes be the worst phenomenon to exist ever.
It can throw many unforgivable problems that yell at
You. Little problems can turn to massive boulders
On your shoulders. Then those problems make
You question any movement you start
To ponder about. You don't
know who you really
Are. That's why
I hate
Life.
H Zul  Jun 2015
Daily Symphony
H Zul Jun 2015
Crescendo the silent beat of hearts in chests
at all things nigh and beauty,
or lovers' eyes locked in stargaze wrest,
on cue as sunrise scarlet symphony.

Fortissimo in birdsong chirp and banter
while car horns blare with careless fervour ;
on pavements listless feet in patter
as suits and ties commute in canter.

At noon the music peaks, forzando.
Soccer mums braced in cafe convo
of lunchtime gossip in staccato
while babes in prams asleep in piano.

On cue at sundown scarlet symphony
the baton slows in rallentando.
Call to slumber twilight melody-
the daily music diminuendo.
Julie Grenness Dec 2015
In the darkness, extravaganza,
Flashing, blazing dramas,
Sky rockets and sparklers,
So spectacular,
Fireworks in my brain,
Illumination
Catherine wheels,
Is this for real?
The pyrotechnics,
Was it all a squib?
Crescendo
To diminuendo ....

I float down from clouds above
Another little death of love!
A harmless bit of nonsense. Feedback welcome.
Incendiary asperity:
The world's existentiality
Agony, the Merciless & Mercenary
Scourging me entirely.

The Angst of the Aeons
Are the pedigree, the genealogy, the history borne to emancipate Me as a Vessel of Sanctity
For the valiant souls
Are the souls of transcendence, who revere in remembrance
The Amour of the Yore

My Vestibule Heart
Expands, contracts, being consecrated demands just as
Starry-Wombed the Cosmos, we
Must grow, burgeon through our learning & yearning, deserving & pining for the Promise of Morrow
For we were not formed
To wallow in sorrow.

As I gaze to the heavens
O, ***** and Gomorrah I remember
The Wife of Lot looks back forever: emblazoned as a Petrified December,
Then Fire & Sulphur descended, mankind nearly ended;
What is the lesson?
Of faith we are descendants.

Why do you
Roil my ravaged and brutally savaged soul?
Must bitterness be the wage for days spent having prayed
On my knees, for armistice, by The Empyrean One’s decree?

Though I have fallen,
I shall rise up
For the Fate’s Auric Visage radiates light upon the leaven,
Dost ferment the flesh dominating mine spirit.
Hearkening to
The susurrus of the Sovereign of Songbird’s Sacrosanct Love.

Let the Ethereal Tides of Time
Bathe me in baptismal & divine tribulation, trial
For a writhing while,
Sacrality is a war,
The Primal Instinct’s Immemorial Diminuendo.

Where has fake paradise of the Sylvan Shine
Those forested, emerald Eyes
That glisten in mine dreams gone?
Your visage twas my divine.

Though I am forlorn,
The Cosmo-Plexus of Empyreal Love hath sworn
To the Days of Yore
That I shall soar once more.

To my Enfettered Soul,
Excelsior.
An acoustic sonority that reverberates upon the premise of rhyme. This piece was created with an objective akin to freestyle spoken-word: profundite in conjunction with resounding musicality. Tis my hope that you not only enjoy the occipital as well as temporal titillation begotten.

God Bless,

Sanders Maurice Foulke III

— The End —