(A follow-up to "Whimper", which was written in response to "Howl" by Allen Ginsberg)

I have seen the best insanity of my generation destroyed by the worst minds.
I have seen humans turn into robots and the robots turn to fascism
because of What The Internet Told Them.
I have seen the weaponisation of our most rancid fears and watched
in horrified fascination as our inner demons got their own agents.
I have seen and felt the horizon constrict so tight, it’s getting
hard to swallow.

You have to understand, this isn’t what I wanted.
You have to realise, this isn’t what I meant.

This isn’t crazy.
This isn’t pure, natural, spontaneous crazy.
This is synthetic madness, manufactured madness,
genetically modified, mass-produced, mass-marketed madness:
As Seen On Television; approved by test audiences;
none of the calories, all of the carcinogens.
This goes beyond the deplorable allure of a free red hat.
This goes beyond dinosaur-dodo-dumb nostalgia for a blue passport
and a golden age that never was.
This is why you hire Cambridge Analytica.
This is the Project For The New American Sentence:
The message is, “It’s chaos out there, people; do what the hell you want.”
And the echo chamber,
and the echo chamber,
and the echo chamber,
and even the rage…
even the rage isn’t real.

Mercenaries, not maniacs.
No more lunatic songs.
That howling you hear is only feedback:
an endlessly shrieking loop of absolutely nothing, broadcast on
every channel, into every dream, until the fillings in our teeth buzz
and our institutions tear themselves apart, as
component materials hit resonant frequency.

This is how the world ends: Not with a whimper, but with
static.

We got the message wrong, giving credence to people
whose hatred is their only art.  They taught us
to avoid such human folly as Ruinous Empathy, to
distrust painful, decaying love, when these were the
things that might have saved us.
There’s a poet I know, who served in ‘Nam, who thinks
he might have even forgiven Nixon.  
Field Commander Cohen has checked out of the Chelsea Hotel,
deciding we wanted it too dark for him.
Too many of our heroes have turned out to be monsters.  We're haunted by
historic *** crimes, Cold War ghosts and the knowledge that we
could have done things differently.

The message was supposed to be, “It’s chaos, be kind.”

There's no such thing as a stable genius, but we've got
fake news and alternative facts; we're discovering the side-effects
of living post-consequence.  We're hypernormalised.  We're
past shock; our incredulity stretched beyond its
elastic limit; we've broken satire and nothing is really funny any more.

Welcome to the Disinformation Age.  These are our Interesting Times:
Glee Club and Gun Rehearsal; bloodied blue uniforms;
tears for the victims of the Bowling Green Massacre;
an early by-election for Batley and Spen;
very fine people on both sides; Thoughts & Prayers, our
only surplus, the ultimate fiat currency;
poverty **** and the return of social ****** (71 dead at Grenfell, NHS black alerts, rickets making a comeback, lead in the water); Drink the Kool-aid; humans like Kool-aid - **** stars on polygraphs; Netflix and Kompromat; the portrait
in Kissinger’s attic; Ayn Rand for Beginners; Corporate cosmology
and casino capitalism; government by gaslight; constructive ambiguity
to preserve a kakistocracy; bring me
the head of Roger Stone!  #EndOfEmpire;
Windrush and Stupid Watergate…

I said we needed our madmen back, but not like
this.  Not
these posers, these gangsters, these Quislings…  
These are merely bad actors, playing to the crazy dollar,
but do not doubt their sanity,
which is icy and cynical and monstrous.  But,
in the cold fusion reactor of that sanity, they are unknowingly
forging a new generation of madmen, whose madness
will be righteous and real and burn with
a pure, perfect heat that cleanses and cauterises.  They
will know the difference between human
and humanoid.  They will be less afraid than us, less quick to
hate strangeness. They will use their craziness to
create, not destroy.  They have
already begun.

I know this because
I have witnessed six minutes and twenty seconds of silence that blazed hotter, howled louder than all your Fire and Fury.  I have seen
riot cops in Baton Rouge turn whiter and recoil in fear from serene, dignified, unarmed surrender. I
have heard the young sweetly whisper to the old,
‘Fine, but you’re wrong, and we’re right, and we will outlive you.’
You can’t hide that behind a wall.
You can’t say that life doesn’t matter.
You can’t filibuster the future.
Everything was forever, until it was no more.

Our madmen are gone, and they’re not coming back.  
But there will be others.
The best minds of their generation will not be destroyed by your sanity.

She writes to him in the hospice,
his widow-in-waiting.  A girl at her care home
brings her envelopes, colourful pens, sheets of paper in
pastel shades, and takes her missives to
Reception to go out with the mail.
She writes to him, keeping her messages short so
the nurses have time to read them to him, and because
he gets tired so quickly now.
She encloses copy photographs for the nurses to
show to him, pictures of their adventures together:
them in hiking boots and toting backpacks atop a
Saxon burial mound; picnicking and almost sunburnt
beside a vast lake reflecting a perfect, bygone blue sky
in its tranquil surface; on a sandy Welsh beach, building a
campfire from smooth, soft-grained, bone-pale driftwood; him
asleep on a train, his head resting on luggage
and hat pulled down over eyes.
In one communiqué she writes:
“I’m sorry you took the mountains with you.”
She means – she explains to the care home girl
who brings her stationery and takes her mail – that
when he moved to the hospice and she to the care home,
all the photos of their mountain holidays – the Vogelsberg,
the Dolomites, Monte Rosa, Chamonix – had been
packed up along with his possessions, and put in storage
by his family.  She sends him copies of
the only photos she has left.
And that is what she means, but not just that.
It’s been a long time since she stomped mud off of
hiking boots, or felt that gorgeous ache in her muscles
from a long, hard climb, or kissed in a cable-car,
or let the wind tan her face as she breathed
rarefied air.  Those summits seem very far away,
and the woman who once scaled them never could have dreamed
that life could become so flattened.

In some quiet room, a nurse shows him the photographs.  
A heart monitor describes
a craggy range of peaks and dips; each elevation, every ascent,
could be a terminal journey.  Soon, one surely will.
The nurse can’t tell if he hears her as she reads to him,
“I’m sorry you took the mountains with you.”

It's always two minutes to midnight,
and we're always in the Garden of Gethsemane.  
I don't remember when
moonlight started to burn like this, but
it seems like this is all there is, maybe all
there ever was, ever will be.
The brain has never felt more like
spoiling meat, nor the excoriated soul itself
more reassuringly transient,
as we dance these slow, sad waltzes
with mute, irradiated ghosts
beneath the branches of the doveless olive trees.
The night is sharp with splinters and iodine
and other traumas.  Muffled voices, raised
in song: listen! they are singing inside
the fallout shelters.   Ash drifts like
apple blossom.  Wolf skeletons relearn the
ability to howl.  Everything we fear
is inevitable.  Much of it has
already happened.  And maybe tomorrow
won't bring betrayal, crucifixion or torture, just
something else,
something like agony,
I guess.

https://youtu.be/ozARuJ92vkQ

There is no cure, no fix, no magic spell.
I am an aberration, as you know.
I never promised you a villanelle.

You cannot trap the ocean in a shell.
You feed the roses blood to make them grow.
There is no cure, no fix, no magic spell.

It does get bumpy on this carousel.
The ride is all extremes of high and low.
I never promised you a villanelle.

I was the aberration, you could tell.
I ******* my neuroses in a bow.
There is no cure, no fix, no magic spell.

I think it's safe to say you know me well
in all my many masks, but even so,
I never promised you a villanelle.

Let me pin my ragged heart to your lapel.
If it's truly what you need, I'll let you go.
There is no cure, no fix, no magic spell.
I never promised you a villanelle.

Somewhere along the line,
I lose track of the divide
between the
living and the dead.
In a thrift store, for
almost a minute, I
can't remember
whether or not
my parents are alive.
Staring at a china tea set
with a pattern of brown plums
I swear used to sit
in my grandmother's cabinet,
I can't place which
inevitable tragedies
are in the past, and
which are still ahead of me.

Summer ended
in a screech of brakes
one July night, and
October transitioned
prematurely into winter
with a flare of golden sunlight
and an overdose of anaesthetic.
There have been others - a long
succession of fatalities the
whole year through, but
those two were
the deaths that really
unmade me.
Since then, I guess,
the shadow has always
sort of been there.
Maybe before.  Maybe
it started with that
first small, broken body.
Or else it's just getting older
and outliving friends  
that does it.
Bereavement as the new normal.

Which leaves me here,
staring at thrift store china,
trying to remember
if I'm an orphan.

I'm just smart enough
for it to **** me up,
and just sane enough
to know it.

We might
pretend to understand, but
we don't.
Perhaps it only
feels finite.
Perhaps we only mourn so well
because we look
so good in black.
Some days, that
horizon looks closer
than others, but
it's hard to say
what, if anything, that means.
Seven months could
be a whole lifetime.
You can turn
eighty years into
a false start or
an apology.

Still… it's not enough.
Nonetheless... that makes no difference.

Time and space and matter
continue to exist,
and the same senseless
tragedies repeat.
A pain that once
seemed strange
becomes cyclical and
intimately familiar.
These brutalising patterns.
These seasons of loss.
Winter in July.
Graves that can never be
deep enough.
I know you.
We've done this before.
This feeling is closer and
more known to me
than the calluses
on my palms
that have almost healed
somehow.
Fading stigmata.
Apostle of a
small slain god.

I'm not making sense, and I know
I'm not making sense,
but then nothing does.