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Nat Lipstadt Jun 2013
First Poem of the Day: Pillows vs. Poetry

Ample
Array
Four
Five
Even six,
Pillows,
Rest
My
Head.
One
Or
All
Nightly
Available.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

Tho my pillows fail me, they are still the best friends I've ever had.
They are my plumped-up critics, those with style, lend me a word now and then. But best of all, they take my tears always, the tears that always come no matter what, most of all when I'm sad satisfied that I wrote something just good enough to share (true),

till my woman wakes, reads them and then by way of thanks,
Makes the bed,
and lovingly rearranges
my pillow friends,
so I can do this,
this poetry thing again,
And that is true love.

So to my woman, who has given me something that I guess I can say is the best years of my life, I give this gift, this first poem of the day,

Hey Pillows, gad ******, get over here, I'm weeping again.

June 9, 2013
5:12am
On the ferry home last night, on a perfect night, she asked me if these were the best years of my life. I hesitated before answering her yes. The hesitation, but a few seconds, was the birth moment of this "poem,"
Which I wrote the second I woke up today. So to you all, my version of the Miranda warning:

Anything you say and write can and will be used
By me to celebrate life, and you and, you.
Nat Lipstadt Oct 2017
<•>

Preface
___

early Sunday morning her head, half pillowed, half my-chested, in the shady, darkened room with just enough entering daylight to clarify the assortment of miscellanea you are mind visualizing, ordering...it's the exact time when the disguised passing thoughts traverse mixed in with the ordinary of the day ahead, the day passed, your passionate emails, that require complete, non-hasty, contemplative answering, the onerous chores, the pretend-someday-additions to the reading list, the running time for the my little pony movie (wasn't awful), the chances we will be a football team with an 0-5 record (we are) at the end of the day when god ******, well lit,
it sly sneaks in,

I write for women

auditioning as a possible poem title
and just to be sure, it performs a singing audition, we hear it loud and clear, as it snaps fingers and makes Pandora play:
"Your love keeps lifting me higher
Than I ever been lifted before,
So give me love, Which is my desire"

caught, exposed, *******, brain chiming, nails chewing, cylinders firing, pas de choix, and it's now my fingers turn, not to snap,
but to obediently tap
the truth about me, man

10/9-17 8:29am

<•>

I write for women (give yourself away)

alternating currents, one electrical impulse sparkling sparking
to prove I am among the living, and that the engine, yet revving, the beating, the heart toe-tapping, and the next,
is an explication explosion for each and everyone, for you, just, you,
why, I write, for women, for to give myself away

please say your name out loud
right now, right here, don't process, proceed, if you can't...
then
répète après moi,
"he writes for me and no one else"

it is not sorrowful but it could be,
it is simple words but not simple in the slightest,
for constantly falling is a ******* the soulfulness,
hard, too, is in the re-collecting the absences, the aloneness,
even as hard as the opposite, the constant awrying of the daily plan when so much bountiful beautiful
makes an ordinary crazy extravagant delightful,
so so necessary, so **** elemental - it is true oxygen of sustaining,
so necessary to be beyond

to write that every moment is a possession (yours) would be an
understatement, even wrong...for I am a molecular composite of your mystique mystery, each time i am writing-returning  
one bone chip excised as an accounting, the untainted marrow where-the-will-from-where-I-came from, which is from you,
one birth mother,
but so many names many origins all one cell subdivided

each livre is an escapee, a de-lightening runaway, of me,
and in the emptying is my creating
a happy self conception
a Benjamin Button reversal, as was intended

this is the hardest poem I have written in my abbreviating
years, but if not now, when?
I hand-wring cause
I cannot successfully explain well enough the
why

easy understood, why and try rhyme so naturally

I will once more walk the city streets, each espied
a dream mind-see to connect,
distributor to each of an odd shaped token,
a failed self-explanatory thank you for existing,
no whys or wherefores,be given-out  
regardless of creed, color and age,
but not ***, for absolutely this is all about ***,
repaying the grieving and the believing.
the obligation
the happy diminishment
1.1k · May 2013
Glinting Leaves
Nat Lipstadt May 2013
Glint

Reflecting mirrors,
Each leaf glints,
An illuminated individual
In a stadium pool of
Waving faces.

Paying homage by shining,
Mutuality of existence,
Chlorophyll for oxygen
Light for life,
A fair bargain.
Nat Lipstadt Jun 2013
You Gonna be Cursed, Ain't Nothing You Can Do...

Dedicated to those who understand
That if you look at life askew,
Then your head will likely be
******* on straight and your
Poetry will set you free
And help me too, stay that way

~~~~~~~~~~~~~~~~~~~~~~~~~~~~


You are refrained, restrained,
Unconsciously, the wire inserted right thru
Your eyes when wide awake and
You sucker, oblivious, clueless are...


When older you'll blah blah blah,
Understand, realize,
Cause you will be accursed
With cautionary tales,
Wisdom from cowardly fools,
Familiar with the stupor of life,
a/k/a, experience,
Symptom but one, over-caution.

With the caution that comes from
Stubbing your toe, losing your job oh no,

Getting ****** the night before before,
The most important day of whatever more,

Marrying the wrong woman cause,
You can't find the one with secret sauce
Enlivening your boredom with a secret whoredom
To anything but her, you, a not-so-secret serf.

Go the safe school,
Or pretend you're a rebel with pink streaks,
But that's b.s. too, self deluding
Real rebels only come one way,
Demeanor modest, keep your eyes on the
Quiet ones who run around happy when raining.

Cockeyed, squint, then you'll see it straight,
***** you, experience,
You take so much more than you give,
But most of us ***** don't know it till is
Gad **** way too late.

Preaching cause I am the fool
Biggest, sacrificed 30 years of misery
Afraid to apple cart, slept alone for decades,
Till I found the right one who before you,
Here, have embraced, repeatedly.

So when read your heartbreak hotel songs,
So weary-laden, no future foreseen,
Think of this, the only pain,
This heart break of failed love
Y'all write of, so oft,
Is the chiefest exception to this curse.

Live and love are one and the sane,
Love lose pain love again, dangerously,
Do it over and over, unstintingly,
Get experienced,  but never cautious,
Fail, fail, never cease to be edgy.

**In this endless struggle stay involved,
No pause button, no recess,
For when the love accident happens,
There are no words I possess to
Adequate communicate,
The euphoria of having thrown caution
In the garbage can, next to its ******* cousin,
Experience.
This written over the last two hours while waiting for the M31 bus on Madison Ave and E.57 St., getting my hairs cut and other such chores.
Ergo, written in a passionate haste, without
caution, its crude rude verse reflect the anger that lurks underneath. Sub later I'll fix it up. Sometimes you want to share when it's fresh...more importantly, listen to the voice saying, go for it...
1.1k · Mar 2024
mine own psalm musings
Nat Lipstadt Mar 2024
mine own psalm musings

living between two broad, sea-emptying rivers,
a Majesty’s sentries to mark the differentiation~
division tween divine and a moderate human’s
moderating steps, as his stride shortens as the y/tears
lengthen, and it is accepted as an inevitable musky must,
no matter how the sweet spring day refreshes, the newly
planted trumpeting shards of bright yellows daffodils
pinch his yellowing eyes, few notice the tiny tears of
discrepancies of an annualized emboldening, a grand
heavenly rebirth and a slow man’s body self~editing,
shedding of a life’s~ending~of~story psalm musings


the man looks for the terrible swift sword, but its
failure to grace us with an appearance, is but a
modest disappointment, for a deferred delay is but
a causation to eke out a few mordant, pungent, caustic
reminders of all that is yet to be, to be accomplished,
though the smirking lips of the necessity of yet, one
more unloved poem extant, tilting the Earth’s axis
benevolently toward the open palms of his beneficiaries who
,

you,

are among them numbered, is but, a green shoot in a city’s
hopeful earth planted, by summer, will shed seeds to come
thy way, as an evocation, a good consternation, a joyous
provocation, an asking kingly~gentle, a royal polite inquiry,
would you care to add a a verse to this eternal verse?
before time shreds it too into a yellowed crumpling,
and to the earth it is returned, for the mine of this
psalms is only generic, genetic,  and what is mine is well,


and truly yours too.


nml
<>
March 31, 2024
NYC
9:16am
Sunday Mourning Service
Nat Lipstadt Apr 2014
What haunts you, where is that poem?**



3:41am
You have been
commissioned...
Nat Lipstadt Jan 19
my questioning,
directed at myself
and the answer simp,
not necessarily simpatico,
cause the answer is either
today, or never,
could be
both or n-either

yeah,
of that age,
when I awake
first two words are
*******, again?

and
if I hurry,
one piecework,
one mo’ poem,
hurried,
may yet be
vented,
scurried,
aired out
or for
quick disposal
sad dispatch

one mo’
disgorged poem
within and withouted,
either side
of midnight

been gorging
on letters ever since
They fed me
sugared letters
& lemons
for breakfast

and the last twenty
sending them you
in a disembodied
softly softly
voice
no matter how
far your imaginary
ears are from me
Sunday AM 9:52 2/19/25
🥲
1.1k · Mar 2023
shiny side up…
Nat Lipstadt Mar 2023
walking daily during my diurnal preamble ramble,
my city-street-eyes are well trained to tread careful,
for numerous are the hazards, but fewer the delights

always on the lookout for the itinerant penny,
I skip a heartbeat and a step, when eyeing a
shiny penny brightness lying in a concrete crack

no longer wonder how came it to be discarded,
who would willing part with such man made beauty,
a shiny penny, methinks, omen for a shiny, brighter day.

but let me share.a secret, relying on your honest discretion,
such pennies collected never ever abide for long in my pocket,
honor bound to redistribute direct, lest I deem myself the lesser

for shiny things unshared, become dulled, outcasts, unbecoming,
‘tis in the shining, value lying,
the things we share,  shine best, including ourselves…
8:53am
Thu Feb 2
2023
1.1k · Nov 2013
No poem today (just lies)
Nat Lipstadt Nov 2013
when I disclaim that
there be no poem today
I suggest you
put me in the dock,
hit the chess clock,
to time the length
tween my lies
sit me down in
the witness stand,
to better see
the holes in me,
from which word seepage,
grey matter leakage,
blackened white slush mush,
covers my face and hands,
and with fingers splayed
in the V
of a Spock like Cohenic blessing,
I make

my beginning and ending
Commencement Speech,
a recitation of incantations,
an eye on the pyramid inspiration  
of cockeyed cantorial hymnations

Like this:

there is only one Godhead
that the spirits that allow me
breathing space in this world
and the one yet to come,
demand of me, worship -
It would be at the altar
of momentary fears
that clarify the whole,
the unifying principle,
that my blinded eyes,
my Pharaoh hardened heart,
my closed and deafened ears
see, soften and hear and believe!

I am slave to the
Gods of Poetry,
their truth, my lies,
stirred in one ***,
and as I live and breathe
I am rewired
with a new poem every day,
an addict who cannot obey,
who cannot afford to pay
the judicial costs
of the cease and desist order
of his own common sense

Jan 2, 2011 10:05 AM
Excerpt of a longer poem,
At 12:44 am
Sometimes you reach inside,
And say oh
in surprise.

Did I actually write this?
Nat Lipstadt Aug 2016
<>

with raggedy old words, this is how I write,
in a raggedy old navy t-shirt,
upon a ragged edged old chair,
whose splinters will soon enough,
seed themselves in poet's unreceptive,
but just asking-to-be-barbed
flesh bared

splinters asking with the phony politeness ,
in the manner of a steady, but  minor irritating
would-be-a-friend, annoyingly, but cloyingly

"am I not a poem, yet Father?"

Poet has no answer,
mixed words
deemed satisfying suitable but unusable,
unconvicted upon the hard hearted
mixed wood

poet waits for the ragged clotted cumulus
of old grey ladies shaped clouds
to dissipate

clouds shaped like the
puffed up shopping bags
that the old ladies clutch
while crossing mid-street
making the traffic play
"dodge'r the codgers"

bags fill with the odd things
that old ladies treasure,
objet d'art of empty
Oil of Olay Ole! and mindless dribble,
mementoes of completed containers
of emptied out hopes

expired coupons,
that they refuse to surrender
even under threat
by sour faced bossy
supermarket manager dictators,
who hate their lives and  
in the deepening creases
of the elderly clientele,
foresee their own fate inevitable

poet's waits for them,
these images,
these clotted bursts of sourpuss,
to depart his skin, sky's.
yes, his sky's

wits and wilts while he waits,
for he always has much to say,
of what lies above,
the unseen,
hid behind the bland uniform of  the overhanging
one-no-color sky
of blanched meh and feh crinolines

thinking to no one now,

this is how I write, this is who I am,

waiting for insight inspiration foam to form,
from the multi-variable model that predicts
with a high degree of confidence,
failure with tainted certainty,
even as clouds are shuffled along,
a new poem will pass
that haha, no one will read

but nonetheless, arguing among his several selves,
better to be more fulfilled by the emptying of himself
upon padded cell of paper, of his staining,
the piece of him now
un-chambered & un-containered
thru magma fissures, steaming & cleaning,
providing a penny's penance
for his disparate gloomy idiocies

the gray ladies always smile at him,
always so nice and gentlemanly like, that poet,
underneath his cowardly disdain,
against his pretense's  grain,
contempt for old grey ladies
with old lady odors emanating

is this who you are, is this how you write?

*with raggedy old words, that splinter our delight?
Nat Lipstadt Aug 2024
~a unconscious commissioned poem~

<>

La Lumière est une Dame d'honneur

advantage Frenchies,
everything sounds
better in their language,
we readily concede

we make do
with those tongues
whose fluidity
clothes & coats,
those,  we are
best at
confessing in

first light this morning
was emasculated, in thickened
first fog, eerie, discomforting,
but yet, mine alone to utilize,
and make discomfiture into
a poem of coffee and cream,
stirring within, colored dreams

Lady Light finally arrives,
descending on a staircase
from heaven, radiating all
with patience, the animals
all, proclaiming in a thousand
tongues, their thanks, their
love, for everything breathing
understand best she is the source
of creation, reanimation, and a
sharing, unsparing, birth mother
to animate and inanimate, and
the death father to all we & us,
guide to our ultimate end

the waiting is most interesting,
for indeed, there is honor within,
as I compose, the sunrises to the
precise angle to bar my vision,
power to blind and enlighten,
how can this be, but it is so,
my bones warmed, suggest I
do not complain, accepting with
no exception for this is the power
source to us all, and humility is
the key to acceptance & understanding

is this poem, is this the missive,
me~my, intended, to write,
know not,
for the words leech from my skin,
in format uncolored, uncontrolled
by mine minuscule impoverished
compost of senses, morals and my
compote of cells that are products
of a thousand prior generations

morphed into a mess of me,
as of yet, purpose hidden,
undisclosed, perhaps my
reasoning is unseasoned,
my presumption of purpose,
is just a fool’s ridiculousness

Lady Light smiles kindly on my
rambunctious ilreasoning,
for I just one of billions come,
gone, and rebirthed in chains
of endless possibilities, two
words permanently paired,
conjoined, and though the
light has now risen to heights
to totally absolve my sight,
can no longer track what
is being written, accepting my
temporally blindness with grace,
even with solace, and-bid you
adieu, adieu, (bye~bye)
so musically,
until relief will
honor me with its presents…

and I can contemplate my
foolishness once more…
and the letting…
of the
Lady’s light
of
honor illuminating
(even me)


<>
commissioned by Pradip

7:35 am
in the sunroom where
the intersection of all light
illuminates all kinds

<>

music:
To Try for the Sun, Song by Donovan
Aquarius/Let the Sunshine In by Fifth Dimesion
8/5/2024
1.1k · Jan 2023
502 Bad Gateway
Nat Lipstadt Jan 2023
502 Bad Gateway
(a work in process)
~~~

poetry
is to be found easiest, lying fatal-fetal amidst
the sewage of the blessed daily profane~mundane,
enslaved within the tyranny of everyday indignities,
encrusted within the indignities of diurnal tyrannies,
in the catch basin of sew-aged treatment  pools,
living as a perpetual unpublished draft,
locked behind Five Hundred and Two
Bad Gateways,
Emma Lazarus-yearning
to be free…

502 is an even number, the internet sages confirm,
equitably distributed with no regard to
pronouns,
disrespectful of any age, all creepy~seedy known gods,
equally unconcerned by the laws of **** poetica,
succinctly informing you to f*k off  with the elegant
sparseness of technical brevity,
a la vie moderne boulder,
repeatedly *****-fussy pushing back on you,
as we push a poem uphill

<?>

The road to good poetic intentions is human-paved;
a utile fact,  so continue to insure-shod be thy feet,
when shedding writings of poesy, lest the hot asphalt of
low inspiration yet get the better of ye…or the gates
or the bad gateways,
502 in their number, lock you out,
and carry the day, have their way, and
fracture well honed words
into bits & pieces of letters, scraps of scrap,
“pebbles and ******* and broken matches and bits of glass”^

that all the king's servers and all the king's technicians couldn’t put together again coherently, your words but conscripts in a
vast wasteland of eternal drafts^^

      <?>

well you know this story, that one that has being asking
you to writ it/get rid of it/tell it finally,
a couple of times daily,
that poem, this be that one,
an amorality tale of rejections,
a precision guided
error message,
a HIMARS missive miserly
missilery projectile
rife with hidden %#&”postulations,
of the “what’s wrong with me”
garden variety

think of life as a series of serious, independently linked moments, cherish-able, composting  usurping cursing phrases
distinctly worthy
of re-sharing unto the befouled upper atmosphere,
directly communicating the texture of your experience^^^

Ah Goodbye
Hello Poetry,
rejection is thy middle fingered name!*

this befouled poem
was
begun: many years ago
completed: Jan 4, 2023 @2:11AM
^James Joyce’s words
^Tevye
^^^ unknamed professor
1.1k · Oct 2015
measuring
Nat Lipstadt Oct 2015
measuring the small pieces of daily endeavor,
the small bites of how I stay a survivor,
taking each moment and weighing its value,
upon the scale of my cupped hands,
living in ounce and grams,
deferring the pounding poundage of
what ails, haunts, curses us to an
existence of forever indebted dementia

in downsizing life to first cup morning coffee,
a passing sensation of another's hand grazing,
a message from a friend that brings tears and joy
so much that there is no distinguishing either,
this is is how I get thru the onerous calculations
of all that I fear.

in a small fist of
firsts and seconds,
I grasp and hold on
till the next one comes along,
my next handhold on the sheer cliff with no top,
that we are forced to conquer with our first waking breath

and I thank anyone who cares,
anyone who understands simply
these words, the small comfort therein,
when we acknowledge as we are loath to do,
that the permanent curses of our lives,
cannot ever be erased, nor put or washed away

but from a new flowering, a ciel blue
tapestry colored, happy tainted
withe pure white cumulus,
in the photo of my grandchildren entwining,
in my backyard garden in a city of concrete lines,
in overlooked surprises under the bed,
these are the amuse bouche, the little tastes,
the amusements upon our tongues
that give me just enough to hold on and wait,
welcoming the next one with even slower measuring
so that I can log just one more stitch of hope upon my skin,
a teaspoon of, an eighth of a cup extra,
of comfort, of the pleasures of existence

I think of long ago captures, old poems,
and write this and them down
free formed
as they come,
waiting not for any editor of life
to improve. upon them,
from and in their own cracked shell
I see and share,
the nut of value within

sometime I guess but do not upon it dwell,
that we will see each other once again,
and when in taking each other's current measurements,
measure ourselves not
against each other
but our growth within and
for each other

and now I sip my coffee and weep,
a grown man,
writing in the dark,
of loss, of love,
of lost sons,
of the
sun-rising
colors that demarcate dawn
as the time between,
between black nighttime bitterness
and the fresh yet to arrive, works in process
moments
that will uncover and soon tremble in their delight,
and say another day to come, another
moment
to measure and savor,
one more instant
in your mind that proved
you
can measure
up


~~~
6:42 am
Oct. 23, 2015,
by the early morning light
of a New York City palette
I write this for the poets and friends here who have
welcome trespassed upon my heart with
their sadnesses, joys,  losses
and in  their sharing,
make me measure better and desirous of
tomorrow
1.1k · Jun 2015
You, your best poem
Nat Lipstadt Jun 2015
I watch your face
as you write

in the furrows of the brow,
see you and the
word-seeds being seized,
harvested,
prepared, ready-roasted
for sumptuous consumption

grimace and smile,
alternating currents,
grimace and smile,
ponderous pondering
chew each word,
flavor extracting,
does its taste fit,
is it only,
but,
perfect?

you get up, you sit,
you move about,
pretending, misleading,
purposed to be aimless

yet eyes squinting
betray
a fearsome full
concentration rapture,
a mind computing
the numerical quality of
words,
summing, subtracting,
solving for X

you employ technique,
formats, tools and aids,
thesaurus, dinosaurus, dictionary,
even pictionary
when
the guppy letters
swim spring river current fast,
little boy catch me fast run past,
cannot be caught and easy captured

why
do I watch
your face
as you write?

for there visaged,
is your truest work,
you, your best poem

what words you select
matters little to me,
t'is the struggles,
the blush of satisfactory,
the distempered white of
disillusionment,
of inspiration sought
but not found

all these dancers,
you choreograph
a word-ballet in three acts,
scheme a midsummer nights dream
upon the stage of your face

return the favor poet?

watch mine,
watch my face,

as I read your poem
and see thine own best
reflection
in teary eyes caught inside crows-feet,
pencil thin smile lines of fine wine whimsy,
in feet that airlift,
the contour of
who you are
and
think

*You, Poet,
you are your best poem
Inspired by a talk from Edward Villela, a dancer and choreographer,
and a performance of the ballet,
A Midsummers Night Dream
1.1k · Nov 2013
I don't dedicate poems
Nat Lipstadt Nov 2013
I don't dedicate poems

nope.

the dedication is in the
composition.

In the composition is:
the ceremonial fire

the ribbon drawn tight
ready for cutting

the struggle, heavy breathing,
the ****** of completion

the satisfaction of having
torn off a piece of you,
and in doing so, you
are even more whole
than before

when it is done
I don't dedicate to you

I surrender it, grant and give it,
push it away, can't even
remember it days later,
cause it ain't mine,
ain't mine no more
from the second
I push that
black n white
Save Poem
button.

someday I am gonna plagiarize myself,
and then laugh and laugh all the way
home.
11/24/13
Nat Lipstadt Feb 2016
criss·cross  (krĭs′krôs′)

~~~
verb:  
criss·crossed, criss·cross·ing, criss·cross·es
1. To mark with crossing lines.
2. To move back and forth through or over:
noun:
1. A mark or pattern made of crossing lines.
2. *A state of being at conflicting or contrary purposes.

~~~


Oh Steve,
you nailed me
one mo' time,
to this cross of mine,
it's composition,
wood of linear mish mash, and the
nails, of a clear liquid substance,
drops of contradictory emotions

insight inside,
your practiced spécialité,
disarming the self-arming, harming,
we let our minds assemble reasons why,
in order to ourselves
dissemble

I keep hammering myself

unsure why, unclear the charge,
unknown the inevitable outcome

but the lines are continuously crossing, indeed,
but the intersections dissatisfying, in deed,
which is why theses words sores,
seeded by your words,
both burst and languish,
taking to the limitless limit,
of deep water oil exploration

unsure if I want to discover,
unknown if I want to uncover

the essential oils,
the caustic causing lyes,
that anoint these graying hairs,
blind his eyes,
both resting upon a furrowed, burrowed,
a puzzled forehead expression of
confusion about such simple line items as

life everlasting

out of bounds,
out of town,
writing poetry,
down by Richie Haven's San Francisco Bay,
listening to Norah Jones, wailing plaintive,
another Pandora perfect choice
"Don't Miss You At All"

am I stuck on an endless, repeating rifle
firing blanks of repetitious, line life patterns,
or worse,
forever trapped in the colorless
spaces between,
wondering if I can answer-handle
Stevie Nick's pre-vision precsion
pinpricking, questioning,
about the seasons of our life


" but time makes you bolder,
even children get older,
I'm getting older too...
and if you see my reflection in the snow covered hills,
well, well, the landslide will bring it down"

so in this out of state, out of mind,
drinking up these meandering ramblings,

experiential wondering not,
if
the summer sunshine,
only the
when,
it will return,
and the lines drawn upon my face
sun burnt,
cease their
meaning meandering
re life's line items such as

life everlasting*


~
Market Street
San Francisco,
two thirteen two thousand sixteen
given and gifted to me by my
dear fellow poet
Sjr1000 ›

Re:  Part II: She's Dead (Don't Think Twice, It's All Right)

Moving beyond moving, heart wrenching heartfelt, worthy of a moment of total silence. Life and death in all of its
criss-crosses
Nat Lipstadt Oct 2013
Waiting for you,
Yes you!
To toss me a stanza,
Feed me your lines,
Give a starter, an appetizer,
An antipasti,
A few morso's please,
To complete a meal.

So we make this connection
Permanent and when we break
Such being the course of all
Uncoiled, unoiled machines,

We will look back and say,
It was the best poetry of my life,
For two made three
The most fantastic words...
Unto one, into one, one.

So send me your pregnant,
half born, song with no lyrical end,
That won't complete themselves.

Titles in search of body,
Touch me in places,
That only you can provide
A path, a travelogue,
So I visit, and show you places,
You missed!

Send me those lost bereft ones,
Yearning not for freedom,
But creation itself!

Let us collaborate,
And make a marker's mark,
That cannot be auto corrected,
Since the morrow's daylight will
Bring its inception,
A new name, a new poem,
That will be added to the global
Dictionary.
My creativity oft juiced,
My fallow mine, goosed!,
By your incompletions,
So send me the half writs,
Needy for consolation,
And let us see if two
Makes one greater.

A serious invitation to anyone.

5:09 in San Fran, where the time confuses,
But the body refuses to leave behind,
The physical aches that emanate
From my shoulders to my tail.
So here I am authoring a provocation, not to nobody, not to everyone,
But to you, the brave the foolish the ones who say
What the heck...
Nat Lipstadt Mar 2014
woven and webbed in but words,
our profits are handsome,
kindness, tenderness,
the gold coins minted internal,
that
overflow up above from
deeply hidden,
earthen-vaulted,
unchambered hearts

sovereign wealth sharing,
one country of two,
income equality,
now worded beyond just two mortals,
t'is my duty charged
and discharged,
to both hide~disguise and
expose,
how the treasure grows

alpha-bet oxygen-increased,
ever larger,
for now,
the cellular-total
the divided parts,
far exceed the original whole

these profits,
are but the
gotten gains
of mere dreamers,
that the night sweeper
shall remove, replace

scheduled near midnight,
easy taken, like daily dust
once fallen, and now used,
no longer available,
for writing poems
on the floor

but the atmosphere be
nugget laden, bejeweled motes,
freshly fallen dew to drink,
snow to inscribe with ungloved fingertips,
fresh foolscap,
upon to decorate
with letters of many tongues
new letters rearranged,
the dreamt profits
of which
are only realized
when shared
nakasama kita kahit sa panaginip lamang...
1.1k · Sep 2013
Day of Atonement
Nat Lipstadt Sep 2013
I will not fast.
I will not pray,
Alone or in the company of
Fellow poets and sinner-believers,
Like when I was an awed child,
A young father,
Or a middle aged confused one.

My sins, the kind,
Words don't blot up.

When we meet next,
We, across the table,
Assuming You got a set,
A Sense of Justice or,
just Humor,
We will discuss
Comparative literature,
Comparative sinning,
I will let You know
What Your punishment will be,
Caused You have already
Informed me, of mine.
Yom Kippur (Hebrew: יוֹם כִּפּוּר, IPA: [ˈjom kiˈpuʁ], or יום הכיפורים), also known as Day of Atonement, is the holiest day of the year for the Jewish people.[1] Its central themes are atonement and repentance. Jewish people traditionally observe this holy day with an approximate 25-hour period of fasting and intensive prayer, often spending most of the day in synagogue services.
Nat Lipstadt Jan 2014
Cut and paste unto your browser

http://www.playbill.com/multimedia/video/5723/EXTENDED-LOOK-Jeremy-Jordan-Darren-Criss-and-America-Ferrera-Perf­orm-Opening-Doors-in-New-HBO-Documentary-Six-By-Sondheim

Sondhei­m's only autobiographical song.

From Six by Sondheim. If u have HBO, find it, watch it.
Also whether-permitting see
http://hellopoetry.com/poem/lessons-of-us-what-is-your-target-market/
Nat Lipstadt Jul 2021
the truest love: ask me about too perfect*

this I believe:

that part of we humans
that intersects emotion
& memory retains a video

not frequently reviewed,
placed deep in an unlocked,
unlabeled chest of drawer

surrounded by keepsakes, hidden
letters, scribbled napkins and
a less-than-handful of stills,
plain poems of raw delicacy

infrequent summoned, preceded
by a stray, strong thot asking
no one but you, why now? what
was the trigger synapse?

the love, the being, blessed, cursed,
known by its call letters:
TOO PERFECT…
Nov 2020
Nat Lipstadt Feb 2024
I suppose I will never lead the ordered life my father led.
And I’ll never live in the kind of house he lived in, with its rituals,
its dignity, the smell of polish.

Leonard Cohen

<>
the orderly of an individual life,
guided by the guardrails of family life,
superimposed upon it by a calendar of religion,
that layers into you with a cyclicality of communal ritual,
that rules, guides, tides and hides you subliminally, the individual,
in ways that forever alters how one comprehends the meaning of
belonging

the oven~heated, banging smells of the kitchen,
the hubbub, frantic sounds of a Sabbath eve prepping,
vacuuming house cleansing, far more than just a cleaning,
the young boys in their jackets, white shirts, for Friday night
candle lighting, the girls in Sabbath frocks, assisting Mother,
but by
Saturday morning sermon time
those boy’s shirts
were always untucked, sweaty and always less white,
from running around outside synagogue from playing Ringolevio,
for which you were justly critiqued by a mother’s glare-stare

this play-within-a-play poem,
played out in homes nearby,
for community was very defined by geography,
and the candles of Sabbath oft visible in every home as
Fathers & sons returned home from Friday Night services
where the Sabbath’s peace was welcomed like
a new bride.

but the knowledge that this scenario was occurring in
homes around the world in almost identical custom,
lent a larger perspective to even the youngest, of a
belonging

As for me, I passed on that life,
not as well as it was given to me,
but as best I could, or honestly, desired,
but because I the individual inherited these
ways, words, knowledge and sensations and deemed
failing to transmit would be a grievous denial of a heritage
were I to not gift them this order,
the dignity of these rituals,
the pungent smell of a polished home,
a life of intuiting

belonging,
be longing.
some of you know that our paths nearly crossed
by virtue of the intersecting diagrams of the circle
of three degrees of separation, and our similarity of
upbringing  overlapped in ways that molded instant
recognition of our commonality and community…I
saw both the house and the factory, when visiting
Montreal in the 80’s

“Whenever I blow into Montreal, I manage to take a look at the old house. It’s that large Tudor-style at the bottom of Belmont Avenue, right beside the park. It looks the same. Maybe the elms on the front lawn are taller, but they were always monumental to me. I wouldn’t hold on to the place or the factory and properties that went with it.” Leonard Cohen
1.1k · Oct 2013
What I learned yesterday
Nat Lipstadt Oct 2013
What I learned yesterday...

The curator, surrounded by object d'art,
Told me a story, how he had to re-learn to see.

Da Vici said,
Paint what was visible and what is invisible.

Fancy and fantasy, same Latin root.
We are all subject to the tyranny of
Form and function, unable to find the time
For seeing beauty in places easy-dismissed
As pretty but pointless.

Today, they preach against gold, delicacy,
Beauty for beauty's sake,
Want clean lines of steel and gray.
Dismiss the objects that are glorious
For the patient skill needed to create,
But have no purpose obvious.

What I learned yesterday?

The next and the next time
I visit an art museum,
Will walk the corridors
Aimlessly but purposed.

Will stop before a single creation,
Matters not the period,
Sculpture, painting, statuary, jewelry.
That would have been prior ignored,
As dated, just another...pretentious piece,
Among the twenty like it on the wall or in the case.

Before that objet I will sit,
For hours, till I have understood
Each pore, inflection of what
Inspired a man to labor over it.

If I am disciplined,
Might get ten or twelve done in a year.

But now understand, that there will be greater value,
In taking ten randomly, living with them
Body and soul, and treasuring their nuances.

When I return home,
My art to write, seeing new in a new way,
Perhaps I will set aside the urge to fast complete,
Instead, craft and care, labor over each sound, syllable,
Kiln bake, hand paint, each letter.
Notes from a lecture,.
Created October 20, 2013
Nat Lipstadt Feb 2016
~~~

when between the table and the fridge,
she wishes to pass,
and I,
obstacle roundly present,
am alerted by a gentle squeeze of my ***,
happily acknowledging the purposed duality of her

cheekiest, sweetest,
signal given


~~~

a food array presented,
paprika colored roasted chicken,
spaghetti squash salted,
salad with cranberries, candy walnuts,
even raisins hidden within and
all before me placed

she objects little,
with eyes silent uplifted
like two pie rollers in striking position,
when I commence to sup,
with my just dessert
of apple crisp,
that by coming first,
is grandly philosophized,
that today,

"the last shall be first"

~~~

she wakes me prematurely,
her only cause, the intruding concept
of her successfully doing the telling,
first one to win the everyday claiming race,
the first to say on this day,
I love you foremost and also,
"haha I win"

**** it

~~~

miscreant me,
happy loafer,
habitual offender of other things
that the censors here,
would not permit explicitly disclosing,
for which she looks wise away,
mumbling only
"half of his
addiction to cinnamon raisin loaf,
still, far, far, better

than none"

~~~

I know she loves me cause:

1) she likes unfailingly every one of my poems
(a half truth)
2) she loves best, faithfully,
those she loves the best,
that are the ones that release,
without permission asked,
those that come with a side of tissues,
at the ready,
to be emergency issued

those tissues
I call,
the ladies-in-waiting for

**the gentlest stream of tears
1.1k · Aug 2024
Lord I’m One
Nat Lipstadt Aug 2024
~for old, recovered, & new
tunes ‘n friends~

Lord I’m one…
<>

the lovely old tune ease on in,
infiltrating, harmonizing, my soul with
just-the-ice
of another
glorious
sunrise,
inching over the North Fork

soon enough, the body~mind continuum,
will ask me to slide~glide,
move over, make room
for a new tune,
here, asking you to call me,
if you need a friend, find place,
a chair & navy cushion,
  to We observe as
one

mine own carnival of animals,
do their morning exercise,
jumping from here to crazy, squirrel~crazy,
the flitting flighty birds, back and frothy forthing,
pointless lyrically zooming from tree to tree,
their AM calisthenics

an ancient crooner sings of knowledge
of how lonely life can be, and I soft retort,
this morning forbids lonely, come to me,
you my dear ones,
who welcome me into your hearts…
kiss my words
with affection, stating
everything will bring a chain love,
a tear of joy,
& everything is and will be alright

yes there is something happening over here,
so when you ask,
what’s it  all about Natty,
my reply is easy,
how sweet it is
to be with
you,
my words unrehearsed,
and I brim with
anticipation of Us together,
sipping our coffees,
giving Our silence to be
part & parceled out to the
superior quietude of our surroundings, where
the sounds, well,
they infiltrate our conjoined beings,
I think~sing-enjoy deeply,
that old tune
“Lord I’m One”

800am
Mon Aug 12
2024

by the Sound…
and the drum  we march to,
synced,
and only
some supreme being
smiles knowingly
Nat Lipstadt May 2014
Trending Tags
#love #life
#sad  #pain
#depression
#death #you
#sadness #heart
#hurt

this is my concession speech

having dabbled in the above black arts,
what needs saying, been said
and pun pardon,
not too alive,
like fav jeans,
pretty much worn to holey death,
put aside for a well needed rest

I am losing,
a real loss,
not candor, not inspiration,
but finding new ways to say new things,
well aware that Balanchine said
"there are only new combinations"

nature, I have dabbled,
but ready, easy to concede
this is Harlon's
River, his wilderness territory

he without peer,
unequaled in essaying on
this planet's essentials

as for the magic of daily grinding,
nothing could be finer,
than to see the family and the daily bread
made, fed, and put to bed,
than by the hands of
betterdays,
while
Pradip
makes me laugh,
with his wifely wisdom and jokes
and the humanity of his insights
and prods deeper,
make me a
weeper-profusely,
keeping us all
real and unplugged,
and
Bala's
journal's mysteries illuminate and spice
the places hidden,
by me, from myself

the
r
man who has got his shoes impudently railing,
cap'n never complains or whines,
but in precious few,
he rivets you to the earth,
fixing rooting you to a rooted place,
he intoxicates with
southern simple and pithy,
and makes the title poet,
a worthy one

could I go on naming names?

sure,
Mother
Maria
said, "chile, it ain't necessarily so,"
Kelly
adds beautiful,
and I agree with her rose
that grows even in her rugged soul's clime,
Simrik,
a child who writes
old wisdom from where acquired unknown,
and
Oliviaputs the
O
on my mouth smiling


anyway can't,
write so good no more (see),
finding
SJR's
voices now
in my head,
saying
careful boy,
you already wrote that
in a single consorting chorus voice

been authorized to dribble drivel,
but that don't cut for prideful fools
like yours true and truly,
tho looking at this,
what lies above,
would be doing
an inaccurate accurate,
calling this worthwhile,
feels like
a phony smile

so what to pursue?

silence not an option,
for the brain inferno'd
and the devils pitchfork
pinpricking with stabs of
visionary guilty judgements

so of what to write?

the answering simple uncomplexity,
Shauuna,
so here are the things I tell myself

forget the me in we and write
of thee, let that be my solitary
tag,
pray god don't make a hash of it,
write of new poets uncovered,
play thru ego and play hard to
recover thyself
by focusing on
uncovering
thee,
the new poets who
will lead the way,
bring this old dog~man,
way back from astray
A quiet Saturday and the poems are shedding themselves, right and left,
for I am feeling so/do much love, from across the world from so many of my crew
Nat Lipstadt Jun 2017
Life, be not arrogant, though some have called thee
Terrifying and delighting, thou art so; sowing random confusion,
Overthrowing mortals with unequal puzzles of both extremes,
Humans, condemned, to collect travails, improvident provisions,
Live, Life! But only through us, for thy are slave to imprecisions, conflated constant reversible, the free choice of souls' decisions,
Random and inopportune, thy bedeviling choice of hurdles,
Our swelled heads so vulnerable to robbers and roadblocks,
But cannot thou onfess, rare is thy victory, oft thy defeat.
Until we meet thy comrade in arms, our paths irregular coursing,
Of our own choice, so acknowledge thou makest our path to veer,
Impotent prince, 'tis always our hands, arms upon the tiller to steer.
Holy Sonnets: Death, be not proud by John Donne

Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think'st thou dost overthrow
Die not, poor Death, nor yet canst thou **** me.
From rest and sleep, which but thy pictures be,
Much pleasure; then from thee much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and soul's delivery.
Thou art slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell,
And poppy or charms can make us sleep as well
And better than thy stroke; why swell'st thou then?
One short sleep past, we wake eternally
And death shall be no more; Death, thou shalt die.
1.1k · Feb 2016
The Great Switch Off
Nat Lipstadt Feb 2016
~

The Great Switch Off

louder in its silence,
than a flicked light switch
in the midst of a  midnight-darkened house

more crackling than the slowest
of lasting gunshot resounding re-soundings,
of the ice pond white coverlet shredding itself apart,
by its own voluble volition

I hear the switch
switching off,
the giving-in, taking over,
the surrender negotiations
swift concluded with just those you know,
two words

let the anguish languish,
the discipline,
become someone else's disciple,
just let me be

well familiar this on-off moment,
well recalled from all prior nine lives,
exactly the where and the when was,
I gave up on trying,
but never needed the why

cause the why was inadmissible,
tampered evidence, dampened down,
tainted lies and justifies

tomorrow I'll restart, re-equip,
cause the catching up with lost sleep
a minimum week,
to require, to reacquaint,
with the on-demand, life props
for properly slacking off


the oldest loudest sound
you have and will ever make,
the crack of self-deception,
when your mind lies to yourself,
this latest, greatest switch off is only
temporary


~
Feburary Nineteenth, Two Thousand and Sixteen
5:49 am
nyc
Nat Lipstadt May 2013
The Compact


Some of us are given to,
upon our person to secret
instrumentation to adjust
the patina of our ****** tones,
lest the glare of man made light
lend a shine undesired and worse,
uncovered windowed pores allow
revelations undesirable into our souls.

In other words, a compact and its constituents:
puff, powder and mirror.

Observed a compact in use
between Act I and Act II,
the deft use of the mirror,
angled, moved back and forth
to provide perspective,
close-up and/or total.

The Gods of Metaphor,
Deities of Derision
force my unwilling reveal
thru the holy confessional screen:
I too have a compact.

My compact, a deal, a treaty accord
between the white rigors of life daily,
and spasms of black lies
to make appearances tolerable.
My compact is what I cover up
with powder and puffery.

Aged sixty two years, life nonsensical,
perversely inversely, the dependence upon
these cracked hands grows,
dying cells dividing like newborns,
worrisome weariness make the lies
come faster and more frequent,
which is why my compact has a mirror.

No matter what perspective enamored,
In the mirror, my reality check,
No powder upon my eyes,
the brutality and the joy,
of life is undisguised.

Nonetheless, I have more,
Morethanless, the balance
is favorable, the outlook positive.
My compact with you is to
remind us all, through
music, dance, words and love,
This is the only compact
with the power of human law.
1.0k · Sep 2013
How much do I love you?
Nat Lipstadt Sep 2013
How much do I love you?

When you are asleep in our bed,
Takes ten minutes for me to
Slide inside, you to undisturb, you would,
Laugh at my pantomime, my Charlie Chaplin ballet,
If you were to accidentally awake.

When your dreams disturbing,
Groans and shrieks, moans and mumbles,
I greet you when your eyes final-fix upon me,
With no questions, only kisses for both,
And a new poem for you on top of our coverlet.

I love you resting me, when you, beside me do rest,
Then, together, we are always at our best.
I, your soldier, woodpeckers, deer, sent on their way,
Today, five geese invaders, ahonking, dispatched,
Lest my woman's dreams become enmeshed.

How many compositions have I written,
Rhythm and rhymed to your contented breathing?

Amazing grace that every day when we are on
Our island redoubt, there is no doubt.

There is us, always us, and for each restful breath,
Encased is a new and different way,
To answer this question that I pose to myself.

Tho first of many interrogatories that will pass from my heart,
Yet, when mine eyes open to see the sun of your blonde hair.
I have only answers, no questions, no doubts.

September 1st, 2013
1.0k · Jun 2017
transitional times
Nat Lipstadt Jun 2017
transitional times

midst the ordinaries, not paying close attention,
the yet to be baked batter of chatter while driving past the familiar,
a plain pasta with butter conversation,
the human carbohydrates of our racing consuming energy,
she slips me up, by slipping in two words,
her icing on the cake phrasing

"transitional times"

pull over to the side of Menantic Road
in the early of the late afternoon, Saturday's reclining sunlight,
question her closely, CIA taping her words to my brain:

did she mean the late afternoon hours of our lives when
reflection of sun sprinkles on our bay voyages us as voyeurs
past the old longings and into the future recalling?

perhaps, the au contraire, the steady stepping,
sneaking away of the sheltering night so that the earth's
inhabitants and organs may be revived in yellow golden greens of damp grasses and the whiteness of a Sunday's fresh milk?

of course, of course, the times when the horizon calls,
saying come to me, cross the transition to the newness
of everything, in the ages and days of celebration of
unfamiliar entrances?


No, no, she answers, bemusedly grinning,
not everything is a poem,
you thieving wordsmith, simply did I observe
that having an extra pair of sunglasses in the car for
transitional times*
was a good idea!

pulling back on the road that goes past the
Tuck Ice Cream Shoppe, the island treasure hunt Dump, the ordinary homes on the range, all  along the way to the boatyard where are kept and stored and stockpiled each summer colored sunset evening along with the drinkable French pink Rose wines and gleaming yellow Sancerre and golden ales of Nantucket,
I think to myself,
nuh uh,
every transition,
every glorious mindless conversation,
even in the town dump,
treasures in each word, in everything, especially the
extra extra-ordinaries,
is a poem*

June 25. 2017
5:20am
Nat Lipstadt Jul 2019
all my poems are unique general principles

~for Helene Mendelsohn~

“A general principle never comes to life in my mind except by exhibiting itself in various special forms and in
crowds of instances for each form":  
R.G. Collingwood

each a construct - an arch-i-texture,
each a crowd of a single instance
special forum, a dialogue differentiation,
a conjugate particle,
forming up, in marching order,
a singular troop, a base case singular,
a soldier especially demanding,
“Of Me, Write, Write”

for within my insight,
a one-off sighting,
one glinting wave reflecting,
its one millisecond exactitude of existence,
reforming unseemly, a new but not!

a seemingly similar shifted shape,
but no wave is a precision repetition,
perhaps a passing familiarity
of its precedents, antecedents,
at best

an instance borrowed and paid back
to the generosity of time
for a fully developed statement of a
general principle,
even a primary secondary textual emendation,
requires a unique naming definition

being born and dead dying while you are blinking,
does not understate absolute value,
a principle exists to give absolution,
so the moments resets,
perpetually,
but its own resolution is n’err forgotten

do you see the crowd of inferences
herein contained?

the principal unique,
poem plucked from passing sun ray,
a tickling hair of a brazen breeze,
one wave, one wave reconstituting a
millennium of preceding lives,
deriving its abbreviated genealogy
of droplets of prior principles
forever reinterpreted

so I gave you back
words you knew
but in a new combination
establishing this poem,
its constituents,
as a unique general principle

there is a prior poem, new, unique
in everything
7/21/19 10:00 am S.I.
1.0k · Apr 2016
howling agitation
Nat Lipstadt Apr 2016
howling agitation

~~~
But this old man's tiddlywink, land-locked words,
blunted instruments,
needy for release & salvation,
neither silvered or exacting,
stain a dulled, tarnished brass spittoon,
'cept for the brunt'd bunting of lines
across his roughened terrain'd face,
a black and a white
Degas pen and ink etched illustration
of howling agitation.
^
Nat Lipstadt Jul 2014
The breeze is forceful, but not stiff,
it is the tropical storm's long lasting,
Arthur's lingering kiss goodbye,
(like the ones taken and given at airports and train stations,
volatile, wild passionate)
the breeze is anything but stiff,
it flexes, gusts, whipping sleeves,
coffee coolant excellent

the waves are rollicking,
revealing their white underwear,
but wise sailors say no thanks,
the bay pure, no vessels surface contaminant this morning

the sun apologizes for its yesterday absence,
claiming the aquifer cried out very thirsty,
so it took July Fourth off,
but now the water table rising,
the sand colored soil dark, rich, wet,
the grass cleaner, greener,
but the lawn, branch littered,
the wounded of the weather wars

the sun, a bit embarrased by his absence,
waits patiently for that odd fellow
by that dock, in that chair solitary,
to do his best poetic explanation well enough,
so that all summer rainy days will be
past and future forgiven

and the odd fellow taps and tends
to the living crowd surrounding him once again,
recalling he once wrote of leaves frothy waving
like cappuccino foam, and was that not
years ago and how could that be?

though the atmosphere is modest agitated,
the poets heart now, leavened and levitated,
for rain must have its due day,
purposeful, somber, serious, endless repeating,
(some say cleansing, but not he)

laughing at himself,
outdoors he writes
differently,
lighter than air, crafting careful
a single sonnet of suntan lotion odors,
and natural songs of bass drums in ear thrum,
and one thought alone,
criss crosses repeatedly,
yes, that one,
"wish you were here"

and he goes inside to get fresh coffee,
greet the woman sweaty fresh from yoga.
she delayed, the ferry captains paying obeisance
to the self same breeze,

but the seagull observer,
stands in place of the odd fellow's guard and watch,
during his temporary absence,
bulkhead posted, cawing in his stead and on his stand,
in seagullese,
which the poet speaks oh so well,
mantra chanting the poets
and the breeze's refrain too,
*wish you were here
Nat Lipstadt Jan 2015
left, sinistral, left sided, left out,
left behind,
gastropod sea shells,
coiling counterclockwise,
when viewed from the apex

when that all alone,
left-out feeling pervades,
to the party uninvited,
for the team, unchosen,
stand out for not standing in,
invisible moat surrounds and suppresses,
life's outward bound sounds,
vision best,
when only looking inward,
remember this too well..

this world, this work,
was created by an
ambidextrous soulbeing
his soul,
favoring neither right or left,
favoring doing right,
and no one
left behind

cognizant that both sides now
are necessaries
for human and seashell existence

proof be that
the creator,
his perfection, at the very least,
in his design motifs,
unquestioned,
made us all
sinistral shells

and sinistral poets


those apex corkscrewing left poets,
the leaven of human fermentation,
you and your sinistral tidbits
are the influencing spice
of an average world,
keeping the world tilting
on its proper axis

make us and
our daily bread rise,
sinistral yeast,
vive la difference,  
you are
the best of us
Nat Lipstadt Apr 2016
indeed
we are sum and summation of choice ( D)

always the last choice
on life's surprise quizzes,

naturally, the answer is:

(D) All of the Above

it is the correcting answer

correcting?

each addition is a game changer,
the answer,
now forever instantantenously
     different

for we are:

"We are so much more then just these little blogs"

every kind word
creating a totally different
total

yo, yo, lucky, lucky boy,
you
t rave l
    with the best
9:32 am NYC
4-10-16
Nat Lipstadt Apr 2014
don't be so formal!
I put my pants on every day,
over my head,
just like everybody else,
just like a {you,man}

it helps me see better,
two pants legs,
one for each eye

it narrows the focus,
makes you care
where you tread,
where you t-read,
so when you write poetry,
you write
more slowly,
put one foot
or one eye,
before the next,
so you don't post
***** like this
Nat Lipstadt Jun 8
"everything in the cosmos was going to be drawn into the poem,
nothing must to be laughed at because it was already laughing,
nothing was too serious because it was already grieving,
the ache and the flirtation,
all this range,
this massive Spectrum ,
what a...what a thrill"

Bono
on Allen Ginsburg, Poet
<>

gotta tell ya,
every time I read this
quote,
two things happen:
get a headache and must
lie/lay down

and no. 2,

people who took a lotta drugs
write pretty good poems and songs


so where did I go wrong?
keeping good company...
1.0k · Aug 2013
FYI. I stumbled
Nat Lipstadt Aug 2013
On a bunch of poems 2~3 years old.   Very different style.   Hohoho Merry Chanukah to me,   Most very long, will fire at will;  long so not suitable for the 10W crowd....sigh. Oh yeah, one more thing, I wrote them on my cell phone, usually in the bathtub, yes, I went thru a lot of  corporate phones...
Nat Lipstadt Feb 2014
Wry is one of many things you do well....
~~~~~~
dedicated to, inspired by Paul Anthony Hutchinson, who wrote those words to me but two hours ago

Wry
- produced by a distortion or lopsidedness of the ****** features: a wry grin.
- abnormally bent or turned to one side; twisted; crooked: a wry mouth.
- devious in course or purpose; misdirected.
- contrary; perverse.
- distorted or perverted, as in meaning.
- bitterly or disdainfully ironic or amusing: a wry remark.


It is bitter,
It is amusing,
the distorting that gives a shape and thereby
meaning
to a misdirected life,
the ****** muscles perused,
all reversed, all per-versed

t'is not just the smile that is loopy,
or simplistically turned upside down,
twisted but not dubious, nor devious,
twisted but straight, I say,
wry is not a seething something I do well,
wry is in every nuclei I ever split,
every line etch-a-sketched in every poem
worn down,
physically inscribed on my face.

so much to reveal,
but not here not now not,
ever on and ever in, explicit
but blurred, burred, and buried
within them is the ironic of a man
that laughed through the better part of his life,
for in that period, there was no
better,
just worse

I was born wry.
the last of three, I was nameless till I was twenty one,
they called me just
brother, or the brother.

at twenty five, I married the wrong woman,
though we both wanted not too,
thirty five years of wry, the lawyers rejoiced,
the judges celebrated, the poets went mad,
swear it true,
the family counselors said
beyond hopeless,

and with wry smiles at the spectacle of years wasted,
spent like there was no tomorrow,
for there was none
in the titanic disaster of more, new lives corrupted

I lived life wry.

now, in the final fourth quaternary,
see how he,
the master of the unceremonious,
in on bent knee, hands clasped, on bed, rested,
when he seeks comfort and guidance for the upcoming
finality following a two minute warning,
warning that even now,
the future wry, turned to one side, when all he wanted,
was to live quiet in the straight and narrow
and not write poems asking himself with trepidation,
from where will come the courage to make this
last passage....

oh yes, I do wry so well,
and all things that wryhme with hell,
you will be spared,
for wryly he exclaims
"Enough, enough"

wry why!
for in all the days of his disheveled life,
there have been but a few,
when it has been simply,
enough
1.0k · Aug 2022
last, best shot?
Nat Lipstadt Aug 2022
Last Best Shot

July 31, 2020
8:07am

the morning sunlight. high enough to lighten first café & the future.
warming, mellifluous, biding good tidings, a head, ahead for the day.
sun-in-sky-low, so trees stand taller, shadow-makers, just for now.
grass blotched, pockmarked, alternative hints of hope & mystery.
the bay wave waters stilled, unrolled, unroiled, no-thrashing, omen?
is this wellness? is this a green tea soul and soil infusion, calming?


my mind wanders to that remains unaccompanied, unaccomplished.
unwashed breakfast dishes, miles of mail urgently unattended.
poems half-composed, some decomposing, resurrection on the list?
these unwashed word-shards, cry out, if not today, then when?
passerby’s, yachts, kayaks pause, turn, all bow-me-pointing asking?
is today their finale, burial by deletion, or their
last, best shot?

my reflection, neutral-neutered mien in 19oz. Blue Mountain
black coffee, in a Canadian Macintosh porcelain mug, provides
no clue, accident or incident, but inquires: why the adrenaline?
1.0k · Apr 2014
Muttering Poem Titles Aloud
Nat Lipstadt Apr 2014
I ******* random throated titles,
how do they taste aloud,
in the early bedroom air,
where poems complete,
must at day's end return,
to go to breathe,

(to be  reread and merit evaluated in the honesty of the
ColorlessNight)


to meet a state of completion,
worth writing, this new conception,
for the team's tryouts, a new notion?


she

hears my desalinated rumbling mumbles,
"say what you said again,"
demurring t'was nothing,
but she won't be deferred not,
she knows better the
my~ways
than me,
half or mostly asleep,
she insistent tough,
even though she won't recall,
seconds later,
nonetheless,
"tell me what you said!"

easier to confess
the title of a poem next
trying, tasting than defer,
soon thereafter Easy Button hit,
it,
writes itself:

To Be With You

*to be with you,
mon raison d'être,
the one, the only,
the never lonely season
my valid lateness excuse, teach!
my validity, my reasoning,
my incensed senses present proof,
my existence passport stamped,
boy, you are poem purposed,
to be with her!
8:30am April 12th, 2014...the day ebbs forward
Nat Lipstadt Jun 2017
~~~
Nivek: "there are no stats for poetry"
~~

I live with a woman who loves statistics and how they reveal so much about who we humans really are...

I live with a woman who too often weeps when she reads
my poetry...

so when I google "Statistics for Poetry,"
it leads me right back to this poem
and there you have it,
a matter of fact
a single stat for poetry,
courtesy of nat,
with all credit to Nivek!
6/18/17 8:59am
S. I.
Nat Lipstadt Oct 2013
If journeys did not have crossroads,
They would have no starting point,
Or natural ending.

When I read the works of other here,
Dumb struck that I ever dare,
To offer up words and ask for your
Love and affection.

But then reminded,
Each one, each poem a crossroads,
Sends me on a new direction,
And I must leave some crumbs of me
If, my unseen home, I shall ever see,
Or ever return to, when I am voyager
No longer.
After reading the poetry of yours here for over an hour plus,
Was overcome at my own simpleminded prose by compare,
And this fell out of me one two three.
I mark my crossroads with poem crumbs.
You see! I am simple and my words even simpler
Nat Lipstadt Nov 2013
der Spegel: A Commissioned Poem

commissioned by Megan Spegel


Spegel
- a mirror; a smooth reflecting surface
- something flat and smooth, resembling a mirror (e.g. the surface of a lake)
- a (moral) guideline, used for correcting errors, similar to a mirror

Busted.
You.
Busted.
96 poems.
19 years young.
That's about 5 poems per year.
What's gonna happen when you chill,
Turn
A ripe old
Twenty?

Will you grace us with 365 individual
First Thoughts of My Day?

I suppose falling in and out of love weekly,
Steamy teen kisses
Will inebriate you plenty,
Into writing more plenty.

Truth is I am jealous-angry.

My clocks can't fall back
Because I've fallen for you

And the simplicity of your loving
Poetry

In two lines, you get done
What takes me half a dozen
Long winded poems.

I love the brevity pure
Of your youthful loving view.
For when I look on the
mirror of poetry,
I see, not me,
But the rising tide of the younger ones, poets,
Rising up faster,
Surpassing us,
Correcting our errors,
Who say so much with
So few words.


P.S.  **"Good morning dear
I hope the sunrise found you well."
Please read Megan's poetry.
Words in bold, her titles, her words.
Nat Lipstadt Feb 15
early morn (5:00am) scanning, scrolling,
unrehearsed searching and the question
appears in a “loves that got away” column,

(why do all these descriptors start eith S,
I think I know!)


and off on another self-effacing, investigative determination, a mental biopsy of another hopeless cause,
that results in poems too long

though the body and mind are rested,
with six hours of uninterrupted sleep,
and volumes of dreams,
the quest bags a burr in the bed,
(yes, rhymes with head)
but n o t h i n g pops in with a grin,
and a bell ring, stating presumptuously,
why that’s me
and the fault failure fear
in me
engorges

this  really distresses,
with & in a deep sense of awful,
how can I not recall this momentous
illustrative precious precision
proof of why life is worth living,
and worser still,
don’t I get to choose,
isn't this an interrogatory,
suitable for a pre-provided
Multiple Choice Answer?

a pause to collect myself from a
falling into a hole of nefarious negativity spiraling,
suddenly
recalling so many
kind and gentle touching brushes
of your comments re my poetry,
which provoked warm tears


^and one more tine,
poetry has saved
a life
^

5:37am Saturday 2-15-25
https://www.nytimes.com/interactive/2025/02/14/well/valentines-day-lost-love.html?smid=nytcore-ios-share&referringSource=articleShare
1.0k · Apr 2014
They Rip Me
Nat Lipstadt Apr 2014
they rip me,
and I love it

they cut me open
in batches and bunches,
tumbling into me
staccato rapid machine gun fire

this crew, my friends,
they don't read my stuff,
and say very nice, natty,
and move-along-little-doggie

nah, they pick me up
kick three, four, five
poems back at a time -
eat me, drink me, in batches and bunches,
then pick me apart,
then kick me out,
spit the pits on the floor

the way it's supposed to be done

poems - rip n' write them
in batches and bunches,
******* torn from my breast,
fight me every step of the day,
"Is that all ya got"
"yes'" I answer,
"*******,
that is indeed, all I got -
not!"


take a rag and wipe off the amniotic fluid,
throw 'em up against the wall,
and let them stick and maybe
they'll stain your DNA,
and your fancy wallpaper,
well and proper

That is how I want to be read,
my body, my head
all at once, not a droplet
here and there,
but a
rip tide
where we drown in each other,
side by side

That is how I will read you

will rip you and replace
in that empty cavity
that was created
when I ripped myself open
with what I rip from you.

I won't repost you.
but,
consider yourself posted.
Second poem tonight.  Connected and unconnected.  I write numerous poems a day. My blessing, my curse. I post them rapid fire. Rest, then,  I read the poets I like or new ones, stumbled on...I search them out and read every last poem (sometimes twenty in a row, they know), that they have written (that I have yet to read, or even reread). Thus,I read each poem like a chapters in a book, and know them not as poems, but as persons, chapters in their book.  Nothing please me more when someone cares enough to look through my old poems, a few at a time, for they help me rediscover myself.  Thank you....
Nat Lipstadt Jun 2014
gray grey, the athletic color,
of this uniformed tunic,
you'd know instantly,
no matter how one spells it

the navy lettering fading nicely,
time delayed capsules of soap,
eroding it,
as per schedule

the collar,
if I may permission granted
to describe the aperture hole
for there the head thinks to emerge,
separating, the seam having suffered
the slings and arrows of intercontinental
washing devices who knew not tenderness
in the dry and rumble tumble cycle of life

having taking to the graveyard a
pale blue Gap thin one, stained with red badges,
courageous Heinz ketchup bloodied medals of repasts glorious,
that resisted my entreaties
and numerous stain stick applications,

I concede to her entreaties
and mark it upright,
consigned to be ferried to the dump,
for a state funeral,
dead and buried,
silence, its last protesting verb

but not my Old Navy
matching beard color one,
the one in which I write this,
and so many other oeuvres

sentimental and memorizing
each little pockmarked hole,
so overcome of the notion of its dispatch,
stalk off to the crest overlooking
my beloved beach, and
the bunnies and the ants ask,
poet,what ails ya?

I cannot lie to them,
my co-creators,
and co-inspirators

I have seen better days and better poets
come past, striding on the beach
with purpose and clairvoyant craft,
with no looking back,
glorious their facile winged tongues and feet

my garb, my skills, like my
Old Navy T shirt,
pockmarked and worn,
she wants to take it too,
but when I read my old work,
weep loudly but demi-privately,
for I am clearly spent,
yet I refuse her begging "requests"

the better best part of me, rent,
I fear they will soon come
for me and my declining residuals,
like they did for,
King Lear and Humpty Dumpty

me, in the T shirt,
no more

for all the King's Men,
and his sailors of the wordy seas,
will know I am beyond repair,
cannot be put back to where I once was,
so out to the bay,
taking me there to reside,
burial at sea,
nonetheless dis'd by an honorable death

for that is the only way,
they can final extinguish
all at once, all of
the last of these grayed embers,
that flicker bright before they
self extinguish
~~~~~~~~~~~
3:47pm Silver Beach,
June 29, 2014
after re-reading,
Evening-tide: Dementia, King Lear, Humpty Dumpty and Me
1.0k · Mar 2023
Bag o’Tricks:
Nat Lipstadt Mar 2023
Fri Feb 10
8:12 AM


“As artists, we are exposed to a heavy level of scrutiny, mostly from ourselves,” adds Villarini-Velez. “At times we might be insecure when a choreographer asks us to do something that takes us away from our usual, classical vocabulary. I felt like some of my peers who aren’t exposed to this movement would feel insecure at times, but nonetheless, rise up to the challenge of exploring new levels of artistry. It’s easy to rely on our usual bag of tricks, but I enjoy the risks of detaching from what looks good and moving in a way that feels good. It’s our responsibility to rise to these challenges and expand our artistic horizons.”(1)

<>

guilty. as charged.
so, incorporating new words,
differing styles.
do what does not come naturally.

“detach from what looks good,
moving in a way that feels good”

make radicalization your ethos
make new-for-you your eponym.
give your name to what you create,
a mere signature insufficient, it is not part of the work!

taste the wet words upon tongue and lips,
let the saliva linkage be to the following morseling phrase,
the mouth sac moist be where verbal embryos are birthed.

hear them spoke in your voice, but,
silently, in your mind, and yet, speak-say them inside
with the shocking thunderous force of a newborn’s first cry.

and when you read them assembled,
weep with pleasure, relieved, this, your child,
looks exactly like no one, with but trace elemental traits of you.

but it is all yours, sinew and cell, fiber and skin,
drawn unformed, ejected from the intramural hollows of the body,
then and only then, mark them at last as truly

*mine..
(1) https://www.nycballet.com/discover/stories/dancers-on-keerati-jinakunwiphats-fortuitous-ash?utmsource=wordf­ly&utmmedium=email&utmcampaign=FY23MKTRELBalletBriefing-February&utmcontent=version_A&uid=1075607&promo=58231
1.0k · Jun 2016
no more morning glory
Nat Lipstadt Jun 2016
no more morning glory

the cells want to refuse,
purported pseudo-deniers
of the man's compulsion

not yet six am,
the old house,
the summering congregation of birds,
correspond with each other,
their words unintelligible to the man-ear,
no doubt talking about the interlopers,
the come-and-go humans,
or perhaps,
just the lousy weather

the sunroom's lace curtains,
a patterned flower filtering viewer,
another impediment to what is out of sight,
for the fog surrounds but can't suppress,
the exterior & interior
combo of noises,
birds uttering their morning prayers,
accompanied by the sabbath choir of chorusing
groans from the untrodden, creaky floorboards,
complaining of aged back pains
from forty years
of desert wandering
and over use

they confirm the man is not alone,
and perhaps, even,
among the living

the bay's water's color,
a small hint now comes visible,
colored from the same paint can
as the surround-sound from which the
fog's discoloration was morning-drawn,
wider brush strokes cover this,
the man's small world

the brains complains, not again!

how many times will you compose,
drawing from the molecules of
this view,
no one cares,
but composition compulsion,
****** for what makes
the man breathe,
denies the deniers,
praying in the loudest thought voices,
to the principle that best defines
the moment,
(him?)

human, give thanks,
on this, the seventh day,
for the feast of life provided,
(even the reasoning atheists go respectful, humble silent)
as the man-poet acknowledges here the

One,

who remembers,

is faithful to,

fulfills the covenant and promise,

by making fresh daily,

the works of creation




Silver Beach,
Shelter Island
5:30am,
June 4th, 2016
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