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Nat Lipstadt Apr 2020
~for the men and women who fish to feed the soul of others~


this spring we will not walk Central Park.  The cherry blossoms and the new buds will go unobserved, and just like a
felled tree
in the forest, their birthing,  weeping, and silent dying, will go unheard.

but the roses come!

delivered by Whole Foods, red roses included with our food order,
for red roses are a vital staple, a gift of the globalized logistical feat that feeds we eight million prisoners, a red beacon to all currently

held in solitary confinement.

The men who bring them from the Netherlands, and the men from the Caribbean who deliver them, they by virus, as of yet, have not

been felled.

and I turn my mind’s eye to the mountains of heaven asking
“From Where will Come Our Salvation?”^

heaven answers with a wry awry, why Whole Foods, of course!

the cut roses pass in a few days, their heads slumped over, victims of their own virus, the inevitability + cyclicality of time.

but the petals, pose a question,
as they too are
felled and fall,
how is our death different from yours?

neither I, or the quietus of the empty streets,
even heaven,
have a ready reply;
for all of us are
felled, fallen,
by an onerous, hungry
silence.



^ Psalm 121:1
  Apr 2020 Nat Lipstadt
a poet gray
These are the things often only heard in
Dreams, these are the unseen,
These are the songs of those who ride
On waves of wind without wings
I love you,
Love like there were never any stars.
when time was ours,
The tides of eager rushing
Blood pressing its way through
Our veins, oh oh they roar
The great stars name!
Oh what glorious light!
How it's holds the day
Like a beat in its heart.
I hope you know
I wanted you for life
Even though home,
is where, you won't come.
So now the days just die,
And life just falls from the clock,
The clouds grow thicker,
And it is my sickened heart
That withers under the pressure
of its own beating,
the quietus revealing an unfamiliar reasoning,
its pummeling force
tumbling down the vacant isles
behind my souls own cage,
of bones, of flesh,
soaked and staind with
time;
and the deep from the blue ,
wearily sleeps within
the storms womb waiting
to roar apart from the mind,
then it will be done,
i will only be
adrift, among embers and carcasses,
of steel and brick,
a city falling,
it's shattered windows,
awake where the end
goes forward with time,
windows give only
height to the sight of their reach;
a path as jagged and daunting as
its lightning's spine,
the fingertips, as well the vine,
outstretched
Nat Lipstadt Mar 2020
~for Lori Jones McCaffery~

Lori Jones McCaffery commenting on
“a new time (poetry in the time of pandemic)”^
“Tender and brutal at the same time. Like the times.”*

                                                     ­          <>
your observation, a commission, opens an incision,
bleeding out a Noah flood vision:

                                                        ­        <>

when we begin, to compare and contrast the movable tender and the unstoppable brutal, the poetry must rise to equalize the pressure of unbalanced times, the tender, and the brutal in an uneasy peaceful coexistence, at the same time, same place
                                                           ­     
                              
                              
                            
The Brutal                                              The Tender
—————                                             —————
life in the epicenter, the greatest,       in the darkened bedroom,
noisiest city, now landscape               she awakens, her hand quick
painting quiet,                                      comes to rest on my chest,
one lives/writes/eyesights thru       the quality of motion+volume
pink mask + a minimum six              of heartbeats, is it loud enough,
feet of separation,                                steady on, no need to dial 911!
a citified tableau of macro wave       she unaware that I can hear
forces in crashing collision, upon     her loud, tender exhalation
your skin’s cells                                   celebrating surviving day#?

newspaper images of Death’s            many volunteer, food delivery,
ministers applauding the newly        though I am asymptomatic
arrived mobile morgues, for 100        my request tenderly, firmly
died yesterday,                                      denied, for I meet too many
their brutal death rattles                      of the vulnerable criteria,
overwhelmed  the super-surround.   instead, offering food to me,
sound silences of                                   to deliver to me, to deliver me,
brutal emptiness of millions of           tenderly I say, no thanks,
sacrificial                                             ­    my tour of duty, almost done
                              
                                all of us isolate lambs, in day jailed,
                                for we still breathing the maybe tainted,                
                                oxygen molecules of no safe surety      

a consummate perfection,                    the same, taming words I tell  
the holy quietus of                                 my son, young father,
those no longer breathing,                   tender me necessary tasks that
they now rest up above,                        require outside journeys, say I
hid in a white cumulus                         send me into the red hot areas
cloud cover, a noise suppressing         insert me into the front line,
sky coverlet, moving across a               militarized zones, he replies,
bright blue pure background,              ”you’re too old, part and
a train of funeral caissons,                     parcel of the most vulnerable,
brutal noisy hooves clacking             better-write-you tender-poems”

daily, hourly, the statistical alerts,         why so hard, to write tender
brief résumés delivered,                         so easy of the brutal, their
drumbeating, look now!                         curses so readily supplied,
are you up to date?                                  is tenderness short supplied?

catalog the debris, organized with brutal necessary efficacy, quantify, qualify the costs, include even the tender ineffable, countdown and graph the brutal calculus of the curve infection, and you, numbed, past the point of eyes capable of what once was tender droplet tearing

highlight the unknown faraway, the tender hope of a distant apex inflection, while plotting the second derivative, the rate of change of the rate of a brutal yet trending upward *****, the ascending all-inclusive stat, infected, the rate of change of decedents, downed, descending, giving in...gowned in hospital blue, for the funeral pyre

a city of lines, crosswalks, velvet ropes, unused, unemployed, social separators, no one about to need to separate, anymore, only the living and the dead, both staying indoors, so neither in attendance, at the empty funeral services, everybody is on the out list...

the now newly indistinguishable, the irresistible collision of two one-sides polarizing poles of no longer opposites, the tender and the brutal in a single embrace, but no, not kissing, embargoed, as we are stationed from above, far, high up on the watchtower observatory, observing the contrast dye that flies so fast on people denuded grand boulevards, down narrow hospital hallways, body-lined decorated, tales of millions of lives isolatized, and don’t forget the brutalizing discovery of scores of elderly, dying alone, withering in the dark, counted, lumped in to the category of statistically irrelevant, if dead, who cares, matters not now, in the afterworld no one asks how,
                        in a fashion both tenderly and brutal,
                        what was the actual cause?
  Mar 2020 Nat Lipstadt
onlylovepoetry
part of my job (a love poem)

<>


checking in & on you, part of my job, I explain,
need a status update, re and about what’s new,

on the flora and fauna studded moors, how’s the traffic in Mumbai,
have the Prince and Princess come to visit your nearby island,
how’s that pendant I sent hanging, still cracked, letting letters in,
the curfew imposition getting in the way of your poetry writing,
tell me what it is like to be a young man in Morocco, need your input,
do you know that I love imagining being in love with you, so exotic,
while I hunker down in a bunker, forty story concrete stories on
a gra-nite island,
wondering how you pass your Sunday morning, in bed, in church, in your head,
seeing poem fireflies coming from the beach, how your language takes, enraptures,
captures my cellar pulses electrifying, I am yours unbidden and I forgiven & unfortunate,
swimming on the West Coast beaches, pools and eddies, rip tide currants & currents,
******* me into your world and the fun, the challenges of loving you from afar

do you know that I love imagining being in love with you, so exotic,
locating your presence on the grid, illegally concocting our ionic physics connections
in ways you remain so unaware and me, dancing delighted on the edge between
blurting out how I feel about you, you, in France, and foreign lands, all over,
when you read this, do the hairs sudden tickle, sensing my presence, when grasping
you hand, kissing your neck, do you regain/retain consciousness of my affection,
plain hard and drawn to you, sans affectations, and we walk in contented silence
on country lanes, beach trails, crowded ***** megalopolis city stained small streets,
and now that you know that I feel so much desire to grasp you in my adoration hands,
will you accept that a man’s love who you have never seen can be so willful strong

that

you know that I love imagining being in love with you, so exotic, and the pleasure of it
grows stronger daily when you send me words that infect me with subtlety severe ****,
and now I go, the slipping and sliding into the land of having checked in on you,

where my job is to love you from afar


8:41AM Sunday March 15th twentyfolded twice
Nat Lipstadt Mar 2020
for her.

<>

“you will laugh with surprise, as the anointing oil of relief
crowns your head, slicking down to caving cavities,
river running in crevices, that feed the buried places, replenishing the almost forgotten secret of letting go”^

                                                         ~

the mind caches certain skills, once learned, never to return,
but tucked away, just in case, maybe, in the nightstand junk drawer of: “don’t need it now but, ****, you never know”

kept around in the lost and hopefully, not to be searched for & found,
a skill set painfully gained, a muscle memory, flabby from no use
but quick taut tightly, snapping back when ****, here we go again

I loved you in ways theoretical impossible till you enabled the possible

lost you for no good reason, in an act history labels beyond belief,
refuses to record, lest by memorializing it became/becomes re-realized,
this intolerable, would be past the ****** eroding barrier reef

the difference between junk and treasures is in which drawer placed,
the steps to letting go once learned, cannot be forgot, the cost,
way way too high, kept around, in a damnable place beyond grief

not to close, handy, findable but easily, avoided, but strange, when
living in the epicenter of the virus, you do some cataloguing, ridiculous,
this touchy-feely escapade, nothing ****-it to be gained, all-too-brief

head shake, took a pandemic to make you go back, rustling among
the ancient, old hand-writ poems, another keepsake kept for reasons
known and unknown, to be **** sure you once owned it, survival skills

In the Pandemic Days of Almost,
somethings will die, some go forgotten,
but the almost-forgetting-skill will survive,
a necessity of the how-to’s:


how to grieve,
how to believe,
how to leave
but live on,
hoarding
all the **** necessaries
ready to be retrieved



<>
Tuesday Mars 24 Twenty Twenty noon

In the Epicenter, New York City
Nat Lipstadt Mar 2020
up at your regularly scheduled night sky patrol,
the colorful clock says 2:47 and
dark skies confirm which 2:47 it is,
for flecks of blackened peppery light exude at this hour,
a time period for former lovers, those old writes enfolded, enveloped,
hiding an active poem volcano spewing bare feet words in clouds of
kidskin soft velveteen cumulus, fleece-comforting slippers of poems

there are half started poems waiting, more than one, triplets in fact,
waiting to be born in the time of pandemic, thinking quietly,
will they emerge healthy and living and grow up to be adults
contributing to society, additives to the engine oil of human living

but the old familiar, dissatisfaction with quality control leaves them
unfinished, poet lurches from dead roses head hanging, a new blues,
disease as an economic and societal differentiation, that you hope,
believe, poems that in due course, all will emerge, for better or for worse,

poetry birthed in the time of pandemic

the city of new york, where I was birthed and will die, a city of
tall buildings, tall tales, short attention spans there is but one nighttime moving automobile observed in a city that never sleeps but now hides blanketed in weariness of trepidation of what are the

well known unknown possibilities in the time of pandemic

and you wonder in this new, different quietude if poems can be born
with birth defects and survive, breathing on a ventilator till they can
breathe by their own lungs, or were they perma-infected on a supermarket trip, a walk by the East River, a pizza delivery man, even

if inspired by a decade-lover, next, in bed, in the time of pandemic

waving to grandchildren in their second story window, you on the street, keeping them safe from you, a modern Auschwitz train station where they separated, the we-useless out, children and their parents, safe in a barbed wire atmosphere, a demarcated world, where some billion of brimming droplets of tears are stillborn

stillborn poems, or perhaps just poems-in-waiting, to still be

born in a time of pandemic


3:29am Sunday March 22, Twenty Twenty
New York City, the epicenter, crossroads
Nat Lipstadt Mar 2020
~
“My reasons for writing had to be my own, divorced from expectation.
There would be no reward.”

Ta-Nehisi Coates, “We Were Eight Years in Power”

<>

certain words, hers, previous unknown, or, better,
not yet your own,
acquire your devotion, all the my oh my of possessed tenses,
words ironic, for they are the shoving of contrary adhesive separators,
AC/DC currents running together, a single physical electric stabbing,
owning you, but gulfing away those customized,
prized illusions yet kept,
freeing finally by focusing on the single commandment that matters:


Expect nothing, but write, knowing the only reward,
is the satisfying of self-imposed goals and conditions,
that are will always be,
always,
one more step and edit away from attainable, maybe.

My reasons, my illogical reasonings, admixture of anguished highs and loving lowlights,
a porridge of seeds that need burying to be borne,
in soil of a soiled soul, write to breathe, write to see, write to taste,
write to smell, write to hear my voice say,
not good enough,
even when it might be, just, barely, though that bar is a
moving target,

always
a perpetual notch too high.

My reward for acknowledging, accepting, no denying, freeing, finally,

There would be no reward






11:02 Sabbath
February 22, 2020
from deep in the internal confessional
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