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Nat Lipstadt Aug 2019
I. nope.



II.
long-windedness verbosity
diffuseness prolixity
wordiness rambli­ng
circuity discursiveness
redundancy tautology
tediousness verbi­age
verboseness length
longevity permanence
garrulity windiness
v­olubility circumlocution
expansiveness babbling
periphrasis gushi­ng
blathering protractedness
waffling lengthiness
iteration repet­ition
prating prattling
jabbering digressiveness
dreariness tediu­m
deadliness wandering
repetitiousness repetitiveness
pleonasm co­nvolution
logorrhoea boringness
maundering superfluity
duplicatio­n tiresomeness
monotony reiteration
gabbiness informality
mouthin­ess diffusion
logorrhea wordage
blah-blah dryness
dullness boredo­m
sameness loquaciousness
talkativeness loquacity
freeness orotun­dity
roundaboutness breadth
gobbledegook gassiness
wittering mult­iloquence
perissology big mouth
gift of the gab garrulousness
staleness tallness
ask and answered
Nat Lipstadt Aug 2019
called me in for a consultation,

lean in,” he suggested, with nearly closed eyes,

“see the youthful optimistic predecessor,
the conqueror, who could not be defeated,
his thin images within still resides

the man of firm voice who when he spoke
above the rabble, all fell silent, and when he looked,
all could share his visionary insights and did not hesitate,
saying, we will do and we will listen,
but to follow, just did, wrapped
in your confidence

I want that boy back, smooth skinned, fearless,
do not return him till the shadows have dissipated,
the bruised lines of worry have evaporated,
the hands look unscathed, then raise them in
self-supplication, demanding satisfaction,
then in success, born overhead, marking appreciation,

let us adventure forth, straightening tilting windmills,
punishing renegades and dragons fearful,
saving damsels who waited just for our arrival,
shedding courage upon those who watch us,
cheering and being cheerful

here is your mighty pen,
cut sharp the poems out from the within,
read them slow, winding to now crooked old friends,
who remember everything dear, their youth of no fear,
the best of past, dreaming poems, mist born, fog vapor gone,
of black and waiting white, worthy words all revived

return to me in blazes,
sumptuous colors of derring-do,
I need that child brave, for perhaps
you have not noticed my flaking slivering skin,
the expanding cracks that cross my images,
just like you!

I need you to rebirth you,
I need you to rebirth me!

8/16/19 reflections from a blue glacier
Nat Lipstadt Aug 2019
for you, of you: you’ve been between my ears

close enough to being on my mind,
almost the same thing,
though that’s unfairly inequitable, we both agree,
for when in an ear one opines, too oft it escapes
out the other side, only a tree ring mark left,
someone was here, present

as for the Confucius confusion in

ok, who’s writing this poem to whom,

cause it’s never clear between us
who is
asking the questions,
since the answers come
demanded and undemanding,
fomenting newer questions and follow through,
before, as well as,
‘please sir, may I have some more?’

the mutualizing game tasking begin-began-begun,
for this, our lovely crazy teasing of our-thing, ago began,
don’t recall who or how intimated-initiated
this oil drilling exploration,
who is the annointer and who is the annointed,
who seeds the plants, picks the fruit, and who
gets paid with cloves of poems, by the bushel

you say I’ve been on your mind,
which we now have both pointed out
is somewhat extraordinary since,
the sight lines are drawn through
long distance cloudscapes that travel
through underground cables,
making everything said,
fallow and rich-ending, deeply frustrating,
impossible to see the outcome

clouds usually imaginary, (not like now),
making visibility normative poor,
unlike the real ones I’m flying at the moment through,
ensconced in front row seat 1F, heading northwest passage,
passing by so ridiculously close to where
you are minding the soil,
as I am
mining your soul’s soil, tilling it between the ears,
of you, by me, for us, and the excited sadness
makes me happy and yes, inequitably, again,
hopping-mad

because your breadcrumbs and dark Swiss chocolate bars are
scattered and defaced, bitten and chewed, lovingly licked melting,
we who cover our tracks too well;
but what I do have, makes me ravenous,
having read all your poems,
in random order and then one more time,
sequentially

I see your history, near escapes and resurrections,
in fine grained moody minutiae punctuated by huge gaps in between,
that we must cream fill with clouds of wondrous loving curiosity,
a torture so exquisite, only the gods could have invented it like
Sunday Night Football,
and crazy sayings,
like I love you too...

been on my mind and I imagine you
hot and sweaty,
bent over, aching tired, from
picking weeds (gotcha),
when sudden one of us stands up straight, back aching,
screaming out loud
this is crazy, and follows up with
a *** Darius type proclamation,
who’s writing this poem to whom
issued to the upwards-skywards,
but addressed to ourselves,
the poets

as we search clouds by the thousands,
is that you in that cloud, in that poem,
I look down thinking that, that must be,
the plot of green and dusted light brown ground
where she has gone into hidey-hole hiding,
disappearing for months at a time,
before arising for the sticking of me
in the sticking place,
wounding me fresh with brand new poems
scandalous and imaginous,
and our imaginations are both
too skilled

so here I close, overwritten, overridden, too long,
overshot my imaginary bounds, so one
pulls down the shade over the oval window
through which too many great stories have commenced,
and ended

the thick cumulus shouting
as we look up
as we look down,
saying “enough, you crazy people,
your poems tell too much,”

perhaps, find me in that
next bite of herbs buttered,
and then ask (of course)

who’s writing this poem to whom?

then breathe out, exhaling me a
breath-poem up above, to where I’m hiding
just as I, am sending one to you,
earth falling from thirty thousand feet,
coming to rest on your mind,
in between your ears,
friend

<>

8-6-19
somewhere in the sky, clueless, heading north by northwest
  Aug 2019 Nat Lipstadt
Where Shelter
your thoughts and prayers ****
highly ineffective,
bluntly,
they are defective
ain’t rendering no mo’ to god
and his good old timey thing,
righteous slaughtering of the innocents,
such fun for what does He care

what we got to do is do
something about on it earth,
time has come up,
the hurricane has begun,
and world is shaking from the movements in our bones,
for now is the hour
when we sail to the shore,
and until we are done,
the sun will not respect our faces

accept this introspective invective,
politely keep them guttural BS noises to yourself,
you know who’s the guilty ones,
that would be me and you

write to the congressmen,
who have been shot,
asking what ya got, forever protection,
the crazies know where you live,
state senators from places they don’t you represent,
all that we adjudged them lazy guilty, guilty of laziness,
and don’t forget to add a p.s.

we adjudge ourselves guilty as well,
too many knew in advance, the dangerous ones, who were
lurking, them waiting, us in desperation hoping,
it wouldn’t be happening then delaying one more time
all over again

”Oh the foes will rise
With the sleep in their eyes
And they'll **** from their beds and think they're dreamin'
But they'll pinch themselves and squeal
And know that it's for real
The hour that the ship comes in.

Then they'll raise their hands
Sayin' we'll meet all your demands
But we'll shout from the bow your days are numbered
And like Pharaoh's tribe
They'll be drownded in the tide
And like Goliath, they'll be conquered.”
(Bob Dylan)

8/4/19 12:10
there is no shelter anywhere from madness for the madness
is ours, inside, and we have learnt to live with it’s reoccurring.
Why?
  Aug 2019 Nat Lipstadt
Erin C Ott
She says she doesn’t have the strength within herself to write poetry.
Yes, her. The one who so often nourished me with song
til my soul began to learn how to hunt for itself,
whose word carried weight in leading me to pick my own instrument,
albeit one of a different tone,
as the key in keyboard became prominent for the first time
and the sound of purposeful fingers upon it could be considered,
only in the right light,
synonymous to the plucking of strings, just as rooted in emotion.

Yet she's the first to say that she herself can't do it.

Thing is, I suppose we’re politely at odds on the matter.
She favors poetry that’s sharper, with a cleaner cut,
that’s message is immediate and jarring
as a conduit running from soul through skin,
or a loose-lipped diary finally freed from lock and key.
And when she declared it, I started to consider what my poems seem to me:
Blackberry bushes (but kinder, I hope)
that snag and immerse just long enough
to make me feel I’ve had an effect.
I’ve used writing to expel my most gnarled feelings
to any passerby who’s maybe felt the same.
Like crying in a mirror:
alarming, but oddly refreshing,
and an indefinite reminder that our aches are never only our own.

Still, I'm not sure why it blows my mind
to hear that even the most glamorous hearts,
who wear confidence as a summer breeze that's always in their favor
and who inspire, from beau gestures to sleight of hand,
are included in those who find themselves pacing back, back and forth,
begging curbside at the dime store
for a scrap of the same feed that convinces a heart to pump ink.

But she says that any art that's enjoyed is worth it.
So while she seeks out words that bare the bones,
I’ll stay and make a meal of the marrow,
hollowing them so that the poetry may have a rightful place
to reverberate as hymns in a universal monastery.

But hell, like I’m any old soul.
I dress nicer than I otherwise would,
turn to the mother who told me I don’t meet her lowest standards,
and ask for a critique.
All for the moment when she greets me at the door with a legendary G#.

...Now please, could you spare a dime?
Dedicated to Elise, who, when faced with my tangled mouthful of flattery, somehow saw through to the part of me that’s actually worth a ****.
Nat Lipstadt Aug 2019
Shabash

Shābāsh (Hindi: शाबाश, Urdu: شاباش, Punjabi: ਸ਼ਾਬਾਸ਼, Bengali: শাবাশ, Telugu: శబాష్) is a term used in the Indian subcontinent to signal commendation for an achievement, similar in meaning to
bravo and kudos.


……………………………………………
a poem writ sometimes, oft,
snaps back,
I was surprising recipient
of a commendation in language
I knew not

the poem spoke well
of broken boundaries,
between in this instance,
Jew and Muslim,
capturing a momentary parting
of the seaways and
walls of misbelief
and mischief,
normally employed
to keep our divisions,
parted perpetually

I’ve decided to begin to
use shabash now,
my ‘go to’ word
from now on,
a small quiet way
to say
well done

it starts with one word,
a stretching hand across
the face fence,
imagining John Lennon’s
imagine-world,
who lay dying when I was
a young father of thirty,
me residing less than a
mile away from each other

little could I imagine then that
poetry would pick me at all,
especially to write of words
in dialects I don’t speak,
but imaging their pastel colorations
flying by in gentle breezes,
eager to be grabbed,
plucked from the air,
tongued and loved

so!
when I say to you,
in the softest spoke,

shabash!

to all of us,
for choosing this path,
using your words in
every dialect,
to spread the imagination
of good will

8-4-2019
10:10 am
S.I.
“Anyone that knows my work knows how I fit into the religious model. Like a polygon into a circular slot.
But this is actually a good piece. I was raised in a very orthodox Muslim family and although my experiences of faith are overwhelmingly negative, this piece is a breath of fresh air.”

https://hellopoetry.com/poem/2570424/inshallah-my-cell-phone/

“Nicely written, matey. Shabash.”
 Jun 2018
  Aug 2019 Nat Lipstadt
city of flips
pretty words for pretty girls


courageous caress of a send key pressed,
after practicing  
speechless up to the assumed,
up to assured point of perfect,
flawlessness, visible in each invisible breath,
pauses full of poignant stories unspoken
but eye cleared visible for seeing the future


pretty words for pretty girls

intuition incorporates superstition,
unending, intending infatuated moon gazing,
but not pagan worshiping, no it is love worshiping

your hiding cave places are moon apertures dark spots,
impenetrable to my eye’s naked telescoping,
but heartbeats spring my unharnessed love poems to you

me and millions whisper in full certainty of our
lost but beloved presences, moon stored for us,
my darling dares the light shine upon my bay,
here to me, our path, a moonlight waving hand
provides on many nights, a clear direction to follow,
pseudo-thrills of continence that my vision uncovers,
but my body knows is but a poor substitute


pretty words for pretty girls

my disease has a diagnosis.

your body attacked,
your body reacts,
defeats the infector,
remembering the next time
that disease comes round
how it got beat prior
and how to do it again



so how come I’m falling love once more?
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