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the mind is its own beautiful prisoner.
Mind looked long at the sticky moon
opening in dusk her new wings

then decently hanged himself,one afternoon.

The last thing he saw was you
naked amid unnaked things,

your flesh,a succinct wandlike animal,
a little strolling with the futile purr
of blood;your *** squeaked like a billiard-cue
chalking itself,as not to make an error,
with twists spontaneously methodical.
He suddenly tasted worms windows and roses

he laughed,and closed his eyes as a girl closes
her left hand upon a mirror.
 Oct 2015 Elaenor Aisling
Akemi
No, that’s not how it goes.
Start again.
Do you remember the tree on the lake?
It was a forest.
No, it was black, like tar. It tasted like broken glass.
I remember the incense on the drapes.
Yes. It clung to our clothes.
You cried.
No, I smiled.
You cried smiling.
Yes.
I hate it when this happens.
What happens?
You know?
No.
Um. Sometimes it feels like the world is too crowded with words. Like it's too dense to speak.
That--
Like there’s something in the air that pushes against my throat.
There was a black dog, just then.
What?
Outside. It’s gone now. Sorry. Start again.
Do you remember the tree on the lake?
There was a raven.
Yes.
It was black like tar.
It caught a worm once.
Ravens don’t eat worms.
Yeah. It just sat there, with the worm in its beak. The worm squirmed, wrapping itself round the beak, over and over.
Is that why you were crying?
It wouldn’t stop. It kept going, digging its flesh deeper into the edges.
What was your father doing?
Smiling.
Why?
He’d filed for a divorce earlier.
Right. I wasn’t there.
No, you weren’t.
Do you regret locking the doors?
Sometimes I can taste the rain before it comes. It’s a skill I’ve had for as long as I can remember.
I’m lost. So your father was smiling?
No, he was crying.
Sorry. I swear I just--nevermind. Start again.
There was a storm in these parts when we were young. The worst storm in a hundred years.
I don’t remember.
You slept through it. I held your hand all night.
Why?
Because I was alone.
You still are.
Yes.
I hate it when this happens.
What happens?
You know?
Yes.
Where have you been?
Everywhere but here.
And where will you go?
Nowhere.
Sometimes when I look at you, it’s like looking through static. It’s like I’m looking at an impression of a person.
I get that a lot.
It’s like all my memories of you have blurred together. Vague feelings rise out of the haze. Feelings I recognise, yet cannot describe. I cannot connect them with who you are, what we were, or where we’ve been. It’s--
Like exiting a dream.
Yes. Exactly.
You feel a gap in your soul. One that has always been.
Always been. You held my hand, once.
During the worst storm in a hundred years.
When was that?
Every night.
2:34am, October 12th 2015

We're all just playing a language game.
You breathe my name into
your chest, letting me settle
like dust into your bones.

Tethering me to this moment,
eyes fierce, burning as vibrant
as tiger lilies in a vengeful sun.

Your fingers burning holes in
our sheets, leaving remnants
of their disgust in my scars.

Even to this day I cannot stay
up for the sunrise, I find your
taste infused on my tongue.

And I'm still left to wonder if it
was Lucifer I saw in your eyes
or the gods that condemned me.
------------------------------------------
"Love is not painful.
The absence of love is painful."
-------------------------------------------
© copyright
The strands of your hair left in my bed
The smell of your body on my sheets
Your beautiful noises and what you said
There's nothing about you I don't need

Your muffled sounds of pleasure lingering
throughout everything in this dawn
You bring me more pleasure than anything
There's no greater love to wish upon
060210~7.23a
I lain in a half-sleep, hearing my grandmother's voice.

When she died, I was jobless,
sleeping on her couch,
and a few months out of the ward.

My mental instability helped me lose friendships, love, and my identity.

I used to hope death would touch me
and I did not know why I wanted it to.

Death instead touched her,
drifting like a gas, underneath her door,
into her lungs, erasing consciousness
like lavender being blown by the wind,
into marked a detergent bottle.

I lain in a half-sleep, hearing my grandmother's voice.

A blue shock spread throughout me,
like the ocean swallowing animals
and forcing them to adapt.

I began drowning in water that looked like gas station slushee,
my ribcage hugging frantic gelatin organs,
beating alongside the spindle of time.

I lain in a half-sleep, hearing my grandmother's voice.

My carcass became Sun-kissed from the burning of change --
my grandmother died before I could succeed:
my grandmother died before she could see me live.

I crawl through the coarse, wheat-dyed sand,
hoping the blood I trail can be measured in her love.

I hope to make her proud, to learn to work hard,
then harder and harder and harder.
To become fully healthy,
to become what she stayed by my side for.

One of the few.

I lain in a half-sleep, hearing my grandmother's voice.

She said she was proud of me.
It probably was me and not her,
but at least someone is proud.
Dedicated to my grandmother, Kay Hannas.
earth boy.
air conditioned and living.
/or
following the light of something far from home.
begin:

old town and lovely she.
loved she.
love she like there is no other she.
the one and only she.
she dumps him.
finds a new he.
has *** with the new he in a far corner apartment complex peak
beyond the tracks. train.
troubles;
like screeching howls of love spit and ****, city
at midnight.

he buries his hopes and face in pie
at the café
volta.

new her,
wiping the counter calm yet tired yet cute and soon to close shop.
she tells him -
about the keys of lost lovers.
the doors to remain open for the sake of dreams and all possibility.
she tells him -
of the pies at the end of the night.
the cheesecake and the apple pie
/entirely gone.
the peach cobbler and the chocolate mousse
/almost gone.
but the blueberry pie, always
/untouched.

he’ll have that.
some sort of broken in the heart have that/love that/eat that/pie.
they talk for hours.
he rests his head on the counter and sleeps
icecream on his lips.
she almost kisses him right there.

and she remembers him.
attempts to call him while he’s in memphis
/or
some other southern city.
he's on somekind of journey.
he works kitchens for more money to motion further west.
westward sweat and burgers. see/saw.
little money, little love, little city
and onto the next.

she remembers him.
attempts to call him while he’s deeper into the glowing desert dome
/or vegas.
/or, you see the stars above?

she writes him letters.
and he writes her back, and in return, they fall
toward a thought, a light, a lit-up little idea of life full
on good something.

return.
to new york and old scents. old town.
corner apartment complex peak window and memories of a once-was
girl.
beyond the tracks. train.
troubles no more.
return/
to pie.

to café and concept
of sweet-tooth, sweet real something, sweet blueberry nights
and icecream.
and there she is.
with warmer winter/spring smiles than even dreamt.
and her words for hours.
she almost kisses him, but kisses him.

something perpetual
is love.
I fed on your mouth
As my hand drew south
Dripping secrets upon my tongue
Giving air to choking lungs

This love's a poetic disaster
Drowning faster and faster
Oh please just let it end
I've nothing left to defend

There's only your name I refuse to speak
Images flashing, far too bleak
The damage you continue to wreak upon a soul so weary
You must know, I love you dearly
 Oct 2015 Elaenor Aisling
aar505n
The sound of feet is isolated in the tunnel.
Echoes of the slow steps of many fill the narrow space.
We march in silence.
Alone among the many.
We do this odd ambitious walk twice daily.
Twice daily this space is filled with the sound of the travelers and the workers.
And what about the times that betwixt the twice daily commute?
An ambiance like no other.
A roaring silence.
For those who have march here
They leave behind an echo,
an imprint of sort.
More ghostly than any ghost.
Haunting these tunnels with their essence
When the sound of feet is not present.
I like my train stations
 Oct 2015 Elaenor Aisling
Akemi
I can taste her scent, riding on the morning breeze. It is of empty swing sets; dead Autumn leaves.
It is unnaturally cold. She is waiting for me, but I cannot find her.
Summer has fled my skin.
I sink with each step. I cry out, but my mouth stays closed.
I cannot find her. I cannot find her. I cannot—

I am staring into a convenience store. Gaudy labels, bright neon.
The air smells of soy sauce and sweat. A foreign sun blinds me.
Lucy’s father is waiting for his receipt, hand stretched for eternity.
I want to scream out. I want to run up to him and shake him loose of the death that will consume him and his family.
But all I can do is sink; hand stretched for eternity.

I am crying. There is a luggage bag in the hallway, clothes strewn to its side.
Mother is shouting, but she does not know it.
‘Ten more years’, she says, ‘ten more years’. I have never seen father so angry.
I don’t want to watch. I want to disappear. I want to sink into the walls.
My existence has led to this moment; this moment that I will not understand for another eight years.
‘Ten more years.’ Mother slams the door. An engine starts, but I am gone.

Perhaps, I never resurface.
12:38pm, October 3rd 2015
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