Submit your work, meet writers and drop the ads. Become a member
 
 Dec 2021
Elizabeth Kelly
In the gas station mirror I look frayed and stringy
The word that comes to mind is “threadbare”
Which I quite like as a descriptive term, but not as an accurate appraisal of my own appearance.
Pale and too thin, wrung out, stretched, and hung up to dry.
****, I always wanted to be thin and now that I am
Turns out, I’m still me,
just thinner.

“And older. No one tells you that when you finally lose the weight, you trade in that fullness for some freshly minted crows feet, smile lines, forehead creases.”

My reflection smirks at me.

“36 and no baby, never even a scare. You know what they say, better get to it, if your insides aren’t already dust.”

Ouch. *******. I pout at my own face and the crease between my eyebrows thanks me for the job security.

A knock on the door, ah! How long have I been in here?? Feeling like an alien, I run the water for a few seconds and hastily exit,
narrowly avoiding a collision with the huffy brown parka waiting for her self evaluation.

- - -

I wonder where it states in the Gas Station Code of Interior Decoration
That all gas station bathrooms must douse each user in the inevitability of their own mortality,
cast in green from the regulation fluorescents.
 Dec 2021
Elizabeth Kelly
Predawn is the most underrated time of day, if you ask me
Blurry lines and street signs
Cast in hazy yellows and oranges from the burning sodium vapor in the street lamps
That iconic suburban glow,
Stark against the impenetrable blueblack sky and all the mysterious silhouettes cut jaggedly against it.

(A staggering feat, to beat back the darkness. Humanity.)

The pavement shines bright gold - must have rained - fading to bronze,
rose,
purple,
finally disappearing into nothingness,
a question mark.

Pillbox houses,
neat rows in every direction,
squat mutely,
some with their own brief reach of a lamp in the window or the warm assurance of a porch light -
Even the occasional sharp cough of a security spot,
high beams razor white,
primed for each raccoon and every vague, faceless fear.

“We never thought it could happen here.”

Ah, but the unsalted dough of the middle class is a subject for the afternoon

This is the royal Morning’s expectant hour.
She wanders eternally,
accompanied only by her barefoot unrest, bathing the earth in her wealth of unspent moments,
untold riches of possibility streaming from the many secret folds concealed within the depths of her ermine cloak.

(Am I hopeful or fearful of the coming day? Are the paltry occupations of one electrified grain of stardust worth a thousand words?)

The flat sleepy windows of the sleepers and the risers,
grumbling caffeine addicts and early birds, night owls with their midnight oil long spent,
dreamer and seekers lost on the astral plane and the merry punching rumble of the bustling workforce’s well-rehearsed choreography hold court over this rarest domain,

while the Fates, ever watchful, hand select the paths to put before us.  
Each choice a thread.
Each decision a stitch.
 Dec 2021
Elizabeth Kelly
It may surprise you to know that I feel sorry for you.

Yes.
You.

With your gigantic shadow,
Punishments fresh on your tongue
for any unfortunate friend or foe or relative
Who happens to wander across your path and blunders instead upon Vesuvius

You

Ever the open wound,
the heavy hand.
So much resentment to stoop beneath

it must be exhausting.

The cuts on your forehead so deep
The ****** of the sentinel’s spear
You’d have everyone believe they’re real.

I’m sorry to tell you
That every vicious blow and blown blackjack hand dealt:
blow backs from your own blustering
By which those fingers cast the first stone,
That voice eagerly weeps
and gleefully moans
Oh cruelty, oh woe!

You,
The alpha and the omega
The House and the player

I feel sorry for you
and your blindness,
That no one will ever speak up,
but instead will silently watch you run into walls.
You’ve conditioned us all,
As we watch you lay the bricks,
To take the blame for your bruises.

It’s a shame, too.
You have such beautiful gemstone eyes

And yet,
as any professional would tell you,

they lack clarity.
 Dec 2021
Elizabeth Kelly
The air is magic
In the same way a human nervous system is divinely inspired by tree roots

As tree roots seek other tree roots to bind to, sharing nutrients and information underground in secret tongues lost to time (but not to trees),
So too does the nervous system talk to our various insides,
electricity and fat and water and blood,
mysterious even to us as we haphazardly propel ourselves through space,
a mess of actions and reactions.

Magic

In the same way that time exists only because death exists
And death exists both because of and in spite of time.

And I am alive.

(If you ever doubt yourself, remember the incredible odds you overcame just to become).

Months maybe, a year?
We were unmasked in your home or mine,
Or on a walk
Or texting our words into knitted ropes that became our strength and our life line
And you said
“I never realized how connected we all are. That every moment spent with others, I am breathing their breath. We’re sharing breath, all of us, all the time.”

Oh.
Oh. Yes.
Lashes of breath like lizard tongues
Forked and solid and hot
Plunging and coiling;
Ariel losing her song.

(I carry this with me still, like I carry the threat of the possibility of blood drying in the veins, crystallizing there.)

A sharing of totems, airborne on the exhale, between the vastness of humanity.
Maybe it’s a
Heart,
feather,
child,
guitar string,
equation,
pet,
sense memory

- a bit of mustard,
a crumb of cheese -

a shame,
a secret,
an illness,
a loss,
a hope,
a flame,
a diary entry,

a passage in a story that is so written on your DNA that your ancestors will possess its truth and sacredness,

Not ******, but nakedness.

The unknowable intricacies that terraform the gallery walls of every life ever lived,
Each of us a cavern sprawling brimming with a trail mix of escaped fragments of other souls, nestled among our own wreckage and music and roots of trees.

This invisible connection to each other,
so wrought now, warped and vivid
against the sky.  
Drawing breath as drawing sword,
building blocks as barriers built,  
We are withdrawing from each other in our sick rooms,
dosed on breath from birth,
suddenly forced into thickened singularity for an easier swallow, weighted heavy on the chest.
Oh I know, it’s the X-ray blanket at the dentist when you were a kid
It’s Ian’s sweaty shaking hand during that first detox, 20 bars deep, wanting to tell him that I ******* told you so, I TOLD you. Knowing that no one’s voice would ever be louder than his own.

You look at me,
And I’m losing you.
I see it like bitterness on your lips
But I don’t mind.
You’re right, I’m exhausted too.
I wish I was better at being frank.
How, though, to make sense of this new world if not to drag the old world into it?
How to point and name and say “this is”
When all you know is what it is not?
 Dec 2021
Francie Lynch
Our Holiday Season's fast upon us,
Ribbons and bows are holding sway,
But I recall all the fuss
With Christmas just two weeks away.

Yes, it's been a year already
Since being swept-up in the frenzy;
Singing Silent Night and Silver Bells,
And awake until the last Noel.

But Yules ago, when just a boy,
Not toying in childish play,
Yet wanting more than I could say.
With Christmas still two weeks away.

You'd think that on the twentieth,
I'd get a better sense of it,
Christmas felt two weeks away.

Come December twenty-first,
I felt I was Christmas cursed;
For it didn't matter what who'd say,
Christmas still felt weeks away.

At dawn on the twenty-second,
The smell of pine seduced and beckoned;
Beneath the needles I spied presents;
The outline of a gift-wrapped sleigh.
I cursed, “Is Christmas still two weeks away?”

The day before the twenty-fourth,
I couldn't see the wooden floor,
Gifts sprawled to the front door.
I crossed my fingers,
Wished and prayed,
But Christmas felt two weeks away.

The twenty-fourth languished long and slow...
The light would fade,
The night would glow,
Off to Midnight Mass we'd go.
We'd press palms and pray for snow,
Then genuflect and run for home.

Although it feels two weeks away,
I've much to do
That cannot wait.
Thank God tomorrow's not Christmas Day.
Or is IT just two hours  away?
The impatience of youth.
 Dec 2021
Elizabeth Kelly
Forbidden night, with your sheltered hours.
How I long to paint you in broad strokes, adding water to the brush,
That you may spread and extend your precious mercies beyond the borders of your designation,
up and out into the wicked day.

May the sun forgive me for bankrupting its grand offering in favor of the always-waning dark, when it’s easier to walk between worlds without touching.
Daylight brings out the conquerers and also the conquered,
creating a vacuum that devours the air between gaps in the dimensions,
the grind and squeeze of many lungs contracting at once.

And although every period of light and compression is followed by a period of darkness and grasping strangeness, I am never unsurprised by the strength of my enduring love nor less enchanted by the singularity of our shadowy and permissive embrace. I have traveled great lengths to con my own rhythms into abandoning  their posts.

Oh night, I hold on to you like a new bride at a military wedding,
resolute in the knowledge that you will only return once you’ve already gone.
No sooner do you pull from my arms do I finally rest, too early and too late for a gentle landing onto the unforgiving surface of the sunrise.  

the hourglass breaks and so appears Morpheus, great and ancient, to call down black night upon the wretched world.
For it was agreed that once per cycle, the world must lose itself in necessary madness, and thus rests the cosmic balance upon which fares the day
 Dec 2021
Elizabeth Kelly
Is there anything more pure
Than a dog who curls up at your side
And leans her sweet meaty head against you
And falls asleep,
Dreaming her dreams as she snores?

A studied and precise move,
(the snoring is key for peak adorableness) clinically proven to woo your human into giving you a bite of her dinner.
Not a chance, River, you manipulative bish
 Dec 2021
Elizabeth Kelly
Feeling the rain more than hearing it
6:24 dark and threatening
It’s so cold in this ******* basement

2 hours and 36 minutes away
Crouching in plain sight
The work day.

Delivering food for the food bank, which is punk as **** frankly,
It’s a wasteland out here
And people need to eat

(A human right, if I understand the constitution correctly. Happiness is a lost pursuit in a body that’s hungry. You say food is a privilege <yes, you said it and believed it>, I say it’s life and liberty.)

Two 15 pound bags at a time
In exchange for baggage a mile high
Stacking cred against labor to build tone in your thighs

My joints wonder how young I think I am
Remembering the time my leg seized up and that old man just stared until I saw him see me and I smiled, I’m so silly

Hurry before all this pain ripens to taste
Slug it down like tequila
Try not to make a face
Born at the finish line, running in place.

2 hours and 26 minutes to make the coffee and absorb the caffeine
While I’m still me
And there’s nothing else to be
Looking forward to working outside in the rain. Good morning.
 Dec 2021
Elizabeth Kelly
There’s a certain blurry gentleness to denial
A Tylenol bottle cotton plug of protection
Muting the inevitable rattling,
A scratchy puff, a cloud,
Shoving it down into the bottle
Until it’s wedged Somewhere Else
now just a half a whisper you can almost hear
On a tv with no subtitles

I like it here.
Swaddled against such unpleasantness
Nestled and unfocused.
That’s the key.
Focus your attention on anything for too long and you’re *******
The spell will be broken
That little whisper
Now a shard of glass
Now unforgiving and sharp edged on your naked awareness

Now, it insists
Now
Hear me NOW

NO, ****!
So many wishes spill out when you lose,
The blood of your unreason stinging your eyes like black pepper
Like a floodlight in a dark room
Pluck it out or shove it down
It will find a way to find you
Outside or inside you
In front of or behind you

You can’t escape this time
Or can you?

If you sink to the bottom you can hide awhile
With the anchor on your ankle
And the waves on every side caressing, pressing oh so gently
Like a kiss, like a smile.

Bliss endless and tidal
Like denial.
 Dec 2021
Elizabeth Kelly
We are all mothers
As we care for one another while going about business as usual
Our greatness in the guidance of the women whose scalloped hands stirrup our feet in the rooms and halls and roads of our lives
Who we notice only when we focus our eyes on our own faces, on our own working hands, on our own burdened hearts.
 Dec 2021
Elizabeth Kelly
What’s your problem?
Is it so bad you have to run
Run away
Run away as fast as you can?
You’re already so gone
Gone
A stranger’s eyes have found a home inside your weary head

Deep inside you
The city burns
I don’t know what it is about this place
That everybody
Seems to be fine just killing time until the end of days

Sleep to forget
Sleep to dream about anything
Anything at all
Sleep will save you
From all the monsters that await your waking like the executioner awaits the gavel’s fall

What’s your problem?
Is it so bad you have to
Lock
Lock yourself away in your dreams?

Count your heartbeats
As long as you’re inside this cage
You will never know what it is to be free
Song lyrics to End of Days on the album Terraforma by The Village Bicycle © Elizabeth Kelly 2017
 Nov 2021
Justin S Wampler
My friends all talk to each other,
sometimes they address me.
Only every now and then though,
and usually to try and sell something.
My friends are voices, voices in the car.
Voices in my apartment,
voices coming from afar.
My friends are always there,
always willing to talk.
My friends don't really know me,
but I know all of them.
I know them well,
they share everything.
My friends are the voices,
I listen to them so that
I don't have to listen
to myself.
Next page