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Carl Halling Aug 2015
I seldom indulge in letter writing
Because I consider it
To be a cold and illusory
Means of communication.
I will only send someone a letter
If I'm certain it's going to serve
A definite functional purpose,
Such as that which I'm
Scrupulously concocting at present
Indisputably does.
It's not that I incline
Towards excessive premeditation;
Its rather that I have to subject
My thoughts and emotions
To quasi-military discipline,
As pandemonium is the sole alternative.
I'm the compensatory man par excellence.
                                                              
Deliberation, in my case,
Is a means to an end,
But scarcely by any means,
An end in itself.
This letter possesses not one,
But two, designs.
On one hand, its aim is edification.
Besides that, I plan to include it
In the literary project upon which
I'm presently engaged,
With your permission of course.
Contrary to what you have suspected
In the past,
I never intend to trivialise intimacy
By distilling it into art.
On the contrary, I seek
To apotheosise the same.
                                                              
You see...I lack the necessary
Emotional vitality to do justice
To people and events
That are precious to me;
I am forced, therefore,
To at a later date call
On emotive reserves
Contained within my unconscious
In order to transform
The aforesaid into literary monuments.
You once said that my feelings
Had been interred under six feet
Of lifeless abstractions;
As true as this might be,
The abstractions in question
Come from without
Rather than within me:
                                                              
My youthful spontaneity
Many mistrustfully identified
With self-satisfied inconsiderateness
(A standard case of fallacious reasoning),
And I was consequently
The frequent victim
Of somewhat draconic cerebrations.
I tremble now
In the face of hyperconsciousness.
I've manufactured a mentality,
Riddled with deliberation,
Cankerous with irony;
Still, in its fragility,
Not to say, artificiality,
It can, with supreme facility,
Be wrenched aside to expose
The touch-paper tenderness within.
                                                              
With characteristic extremism,
I've taken ratiocination
To its very limits,
But I've acquainted myself with,
Nay, embraced my antagonist
Only in order to more effectively throttle him.
Being a survivor of the protracted passage
Through the morass of nihilism,
Found deep within
"the hell of my inner being,"
I am more than qualified to say this:
There is no way out
Of the prison of ceaseless sophistry.
There are many things I have left to say,
But I shall only have begun to exist in earnest
When these are far behind me,
In fact, so far as to be all but imperceptible.
                                                              
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was ****** upon me.
Everything I ever dreaded being, I've become
Everything I ever desired to be, I've become.
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was ****** upon me.  
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I'm the compensatory man par excellence.
"The Compensatory Man Par Excellence" possessed some kind of autobiographical novel written around 1987, and whose ultimate fate was, so I recall, to be destroyed with only a handful of scraps remaining, as its starting point.
Carl Halling Aug 2015
I feel at one with sweethearts
Through the years,
With the wartime lovers
Who went overseas,
All the shattered hearts,
All the rivers of tears,
I feel them all.

Verses of love,
Lovers who must part,
Portraits of love
Worn so very close to the heart,
All the lovers lost,
Loves that never even start,
I feel them all.
"All the Rivers of Tears" was originally part of the coda of a song written in ca. 1999.
Carl Halling Aug 2015
Dear, I haven't been in touch
For a long time.
Sorry.
The last time I saw you
Was in St. Christopher's Place.
It was a lovely evening...
When I knocked that chair over.
I am sorry.
Since then,
I've had not a few accidents
Of that kind.
                                                              
Just three days ago,
I slipped out in a garden
At a friend's house...
And keeled over, not once,
Not twice, but three times,
Like a log...clonking my nut
So violently that people heard me
In the sitting room.
What's more,
I can't remember a single sentence
Spoken all evening. The problem is...
"Incident in St. Christopher’s Place" is also known as "A Letter Unsent", because it was based precisely on that, a letter, written to a close friend, almost certainly in the early 1990s, but never sent.
Carl Halling Aug 2015
Love, you've left me once again,
Gone to catch an early plane,
Where you gonna fly this time,
In search of the perfect clime?

I am the one you leave behind,
Worried out of my tiny mind,
I was the one who saw you through,
I need your care and loving too.

Love, you've left the happy home,
You've pledged your solemn word you'll phone,
But I would rather you were here,
You've no conception of my fear.

Halfway across a crazy world,
Is no place for such an unknowing child,
If only you could see me cry,
Then maybe you'd stop to wonder why.
"Left Me Once Again" was written as a song in 2003, but never recorded, having been inspired by the true life adventures of a beautiful young English backpacker of the mid 2000s.
Carl Halling Aug 2015
Stevie, we were free,
Stevie, you and me,
On that golden day,
Was it '68?
The decade's last few days,
The whole wild world was crazed,
But where we were was peace,
For you and me at least.
                                                                    
If I stop for a moment,
I dream groves and country paths,
Green's Albatross is playing
In this our past,
Whole empires were falling,
The old ways were fading fast,
Things never last,
But you and I found peace at last.

We weren't friends for long,
Things began so strong,
We were far from home,
Together less alone,
We drifted far apart,
We grew up oh so fast,
We had so far to fall,
Four years took their toll.
                                                                    
We walked and talked
For many hours,
Safe under blue Berkshire skies.
"Under Blue Berkshire Skies", also known as "Stevie B and Me" was originally written as a song in praise of a friendship enjoyed several decades before.
Carl Halling Aug 2015
And so the party...Zoë
Called me...I listened
To her problems;
References
To my innocent face.
Linda said:
"Sally seems elusive
But is in fact,
Accessible;
You're the opposite -
You give to everyone
But are incapable
Of giving in particular."

Madeleine was comparing me
To June Miller;
Descriptions by Nin:
"She does not dare
To be herself..."
Everything I'd always
Wanted to be, I now am.
"...She lives
On the reflections
Of herself in the eyes
Of others...
There is no June
To grasp and know."

I kept getting up to dance
Sally said: "I'm afraid;
You're inscrutable;
You're not just
Blasé
Are you?"
I spoke
Of the spells of calm,
And the hysterical
Reactions,
Psychic exhaustion,
Then anxious elation.
"I Spoke of the Spells of Calm", also known as "Gallant Festivities" was based on a series of informal diary notes dating from 1981 to '83.
Carl Halling Aug 2015
Shooting star
With a quicksilver mind,
You deserve to go so far,
Can't someone stop you
Before you ruin your soul
With irreversible harm?
                                                                    
Drinking all day,  
Every single day,
Out of your head on *****,
Is this the life,  
Is this the way,
A gifted child should choose?
                                                                    
Your beautiful lethal life
My friend,
Has sent you around the bend,
Your foolish defiant
Decadent dance
Could soon be at an end.
                                                                    
But you don't care
Do you, shooting star?
As you drift in your blissful dream.
"Your Beautiful Lethal Life" was partly inspired by lyrics freshly written for the song a friend, who’d already written his own, around 1992.
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