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~
Absorption lines

Lagrange points

interstellar fingerprints

she played with time, variable starfield's constitution

the reply from space
as light through the canopy
heard in upward glissandos:

"Tonight I'm only made of moonlight..."

~
soap and water
          dishes
          laundry
          or shower

brick from mortar
boys against girls

urban velvet smog
city vapors clog

this train -- there is a line
        beginners
        quitters

this parking lot -- there is a line
        shoppers
        influencers

open bar pharmacy, bottled water

                  no pity
                  no guarantees

dragon chasers
chin music
        
          lapsed short term memory loss

opening mail for grandmother
                the obituaries
                that ****** fly

a discussion among men
about a woman's voice
           come sit and listen

one last cigarette couple
walking home through the park
               driving alone in the dark
                             on the heels of
                             a reflection
                             of Christ
                             or an hourglass
                             in remission

them or not them
       just arrived
       just married
too many stairs
not enough elevators
worry about it later

them, definitely them
sharing beds
      under the leotard
      under the candlelight

a helping hand
finely manicured fingers
one stationary
        then two in missionary

word upon words need aspirin
            orchestrate
            headache
                            pillow is the threshold
                            tomorrow...soap and water
Rarebit fiend

with an insatiable appetite

zapped internally

******* off wi-fi

looking for hideouts

and new gold wings

the brilliant glow

through a transom window

summons him

feeds on the sleeping man

programming him

into a pathogen
~
His latest greatest film,
Spa Days Before Life Support,
welcomes back misanthropy,
ventures with vultures
--tasteless exchange--
a depraved ideology
that drains the heaven inside
his lead actress.

Straw men,
watching the storm clock
on opening night,
praise its framework
even if hollow within.

Visits to the ***** carnival
next to the reconstruction site,
leave the pamphleteer
with no options other than
filling silk pockets.

And his trophy wife,
good for the press conference,
bad for the environment.

Let the ladies know
empowerment
is another name for
imprisonment.

~
Not this neck of the woods again.
They say Annie Wilkes found you
and brought you here.

You know the face,
but not the name.

Leaving so soon?
You just checked in.

Death is not a parallel move.
Neither is living at the
Love will terrace apartments.

Eye of the needle and thread.
If wolf is at the door,
Guess who's in bed?
Butcher, baker, candlestick maker?
Or is it simply Norman?
~
March 2024
HP Poet: Caroline Shank
Age: 77
Country: USA


Question 1: A warm welcome to the HP Spotlight, Caroline. Please tell us about your background?

Caroline Shank: "I am 77 and I live in Milwaukee, Wisconsin. When I worked for Barnes and Nobel for ten years, customers asked me frequently for suggestions. I believe 'The Alexandria Quartet' by Lawrence Durrell is a serious contender for best prose fiction which has been written. Also 'The English Patient' by Michael Ondaatje is such a teaching tool on how to write the greatest novel ever written. I digress."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Caroline Shank: "I have been writing poetry since the adolescent striving of the very lonely. I am not sure how long I have been posting to Hello Poetry. At least 3 years, or maybe 5?"


Question 3: What inspires you? (In other words, how does poetry happen for you).

Caroline Shank: "The unusual image will send me running for pen and paper. Usually what inspires the senses: a wind, an odor or perfume. I still remember my love affair with Chloe perfume. And! English Leather! Those were the days. Great sadness or anger will send me to my laptop but those poems do not usually survive."


Question 4: What does poetry mean to you?

Caroline Shank: "Poetry means that I have a place in a wonderful place. Once in awhile."


Question 5: Who are your favorite poets?

Caroline Shank: "My favorite poet's are: T. S. Eliot, Rainer Maria Rilke (the Stephen Mitchell translations), E. E. Cummings. I am a fan of Sara Teasdale's, her From the Sea is amazing. I save Shakespeare for the best nuggets ever. Anna Peters, her “I Am Not a Gentle Person” is a tour'd if ever. I love the poetry that is a much needed relief from The Civil War. Especially Lorena. I guess that's a song. Only one poem of Ezra Pound's, The Metro. It is a graduate course in image exploration."


Question 6: What other interests do you have?

Caroline Shank: "I used to be a huge consumer of books. I read all the time. I find that at my age I can't keep reading without finding something else to do."


Carlo C. Gomez: “We wish to thank you for giving us this opportunity to get to know the person behind the poet, Caroline! We are honored to add you to this series!”

Caroline Shank: "Thank you, Carlo! I am very grateful for all the encouragement you have given me."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Caroline a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #14 in April!

~
~
I.
Killing Mary Poppins
with a spoonful of sugar,
the sugar from the medicine
on the other side of town,
the town called Silent Hedges
And A Bit Of Fluff.


II.
Only a display model,
her name is Marmalade;
skin white like the moon,
she wears her ****** stranger dress;
one of her sisters is dying,
the other never lived;
God is a far off concept,
the fuchsia colored ball on
an overhead power grid
points her way to salvation.


III.
Morning became something else:
bright decline,
cold things start to burn,
tragic saxophone
among the beckoning,
everything's a symptom:
tax exiles, imperialists,
girls talking nitrous
--mouths full of soil,
Virginia Reel around the fountain
(do-si-do),
ready to buy up impossibles
as the dominoes fall.


IV.
Memory is a chemical
to the girl who cried champagne,
like ceiling stars
during the prodigal summer,
she played the game
on all fours,
and found a drawer
full of quarantine polaroids,
some with blood in her mouth,
others, of rain on her birthday.

~
~
Dead channel skies
Segregation in the flat fields
A hole in the silver lining
Where the fence is low

~
They fell from the moon last night
Caught in a strange
Chapter of fear
The land is inhospitable
And so are we
Wipe them from your mind
We must preserve what is left

~
Life is war,
my hands are hypnagogic,
so far from refuge.

The purgatory salesman,
an enemy with antlers,
speaks in hostile slogans:
create, destroy, rebuild, repeat.

My friend coma,
blunted and paranoid,
has lost her vital signs.

But Television says differently,
calls this an elegant demise,
you touch the screen
like you're touching God.

The immortal world
I'm hoping to collide with
is beautiful and closed to resistance.

But there are cracks in everything,
the snowglobe army
granular and brittle,
the constant uncertainty
of your universe
becomes a hiding game.

Take me with you
my halation angel,
to migration salvation.

We made our history
into mythology,
a mass of disconnected facts,
the stars may be dead,
yet, we're here
and we've stopped time.

Tonight I'm breaking
through the gates,
tonight I can see around corners,
suddenly, forever makes sense.
Image
autumn
womb

sunset chant

a feathered fog, isle of wight

we all have places that we miss

lie still, sleep long
panoramic dream
snippets
bathed in seldomness

lie still, sleep long
the gentle hum of eunoia
holding their absence

like balloon days
when delightful little occupants
holding adventure
in their very hands

keep them
from floating away
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