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HRTsOnFyR Dec 2016
I am no longer waiting for a special occasion; I burn the best candles on ordinary days.
I am no longer waiting for the house to be clean; I fill it with people who understand that even dust is Sacred.
I am no longer waiting for everyone to understand me; It’s just not their task
I am no longer waiting for the perfect children; my children have their own names that burn as brightly as any star.
I am no longer waiting for the other shoe to drop; It already did, and I survived.
I am no longer waiting for the time to be right; the time is always now.
I am no longer waiting for the mate who will complete me; I am grateful to be so warmly, tenderly held.
I am no longer waiting for a quiet moment; my heart can be stilled whenever it is called.
I am no longer waiting for the world to be at peace; I unclench my grasp and breathe peace in and out.
I am no longer waiting to do something great; being awake to carry my grain of sand is enough.
I am no longer waiting to be recognized; I know that I dance in a holy circle.
I am no longer waiting for Forgiveness. I believe, I Believe.

-Mary Anne Perrone

Photo: Ingmari Lamy
Via Sacred Dreams
Syd Jun 2018
What if
I had fallen to my knees
On the cold parking lot concrete
Tears washing over my cheeks
And cries no one should ever have to hear
Bellowing out from beneath my ribs
Screaming at the sky
Looking up at your face
Forcing you
(and everyone else)
To see me in this godforsaken state
Of absolute chaos
Heartbreak
In it's rawest form
What if I had begged you to stay?
What if I'd told you I can't do this without you?
What if I'd told you how much I needed you
What if I did anything other than fighting back the tears
Maybe for myself, maybe for you,
Mostly for the crowd of people gathering
Saying their goodbyes
Anxiously looking around to bear witness to everyone else's reactions
And I didn't want to be that girl
That girl who falls to the ground
Kicking and screaming and crying and begging
But what if I was?
What if I was any girl other than the one I pretended to be that day
The one that held her tongue and kept her mouth shut because she knew the second she opened it to speak she would sob
The one that wrapped her arms around you for the last time,
and the one that let go
The one that couldn't bear to watch you walk away
So she kissed you goodbye
Got back in the car
And drove home
What if i wasn't that girl who didnt allow herself to completely fall apart until she was alone in the privacy of her own home?
What if instead I'd made a scene,
Doing what everything inside me so desperately wanted to
Grabbing hold of your hand and refusing to let go
Losing the facade of confidence
The charade of strength
But I'm not that girl
And I never will be
So each and every time you leave
I kiss you goodbye
I unclench my fists and retract my anchors
I untether my heart from it's human home
And I put on a brave face
Maybe for myself, maybe for you,
Or maybe
For that girl.
PK Wakefield Jan 2011
unclench
the hot marvel of winter
and lay summer in thy bed
twiddling between her wetness
a sharp steam of pleasant filthy snow;
Chris D Aechtner May 2012
The sky resembles the robin's eggshells
                                                      scattered across the ground,

a blue so seemingly infinite                     yet fragile,
cracks running between understanding and madness

       complementing each other

as divine truths in their own right
to conquer my mind,
to unhinge the doors,
making it unnecessary to pick rusted locks

      letting thoughts fly free,
                                       releasing love out into the horizon.

If frozen within caged snapshots of mildewed expectations,
      it will surely die,
                 but even so,
  I was willing to strangle it by holding on too tightly.

    
    Until I saw the sky and eggshells today


      Peppered clouds reflected on the water,
                                            paralleling speckles on the eggshells,
                                    remind me of the freckles on your face.

  We need to be wide-open-free,
                                                we need to fly,
         without focusing too ******* shells of yesterdays.

We need to unclench our fists,
unclench our tongues,
explore the vast blue peppered sky
                                                
                                                      on wings of letting go....

so that we can once again feel with purity,      
so that we can hold each other ever closer.







05.24.12
pookie Sep 2014
Close your eyes,
And hear the world around you,
Close your eyes and see with your heart and not your mind,
Close your eyes and feel the world
Around you,
Open your hands unclench your fists,
And feel,

Let it all go the day to day crap,
Close your eyes and listen,
Open your hands and feel the wind on your finger tips.

Close your eyes and open your mind,
To the world,
To life.
David Hall Dec 2012
Lord please
if you can hear
humble my mind
let it not fear

Lord please
if you exist
humble my hand
unclench my fist

Lord please
if you can see
humble me heart
set my soul free
Irma Cerrutti Mar 2010
Impregnate your old crock squirtin'
Papier—mâché blackball on the *****
Oglin' for upshot
And whatever frigs our orifice
Yeah Ducky **** **** it bud
Milk the meatiness in a snog stranglehold
****** all of your bazookas at once
And unclench into ventilator

I like dung and tinsel
Shandy ****** fuss
Breedin' with the puke
And the Weltanschauung that I'm in statu pupillari
Yeah Ducky **** **** it bud
Milk the meatiness in a snog stranglehold
****** all of your bazookas at once
And unclench into ventilator

Like a punctilious Zeitgeist's nincompoop
We were born, born to be unstatesmanlike
We can spirt so penetrating
I never wanna croak

Born to be unstatesmanlike
Born to be unstatesmanlike
Copyright © Irma Cerrutti 2009
Rhianecdote Feb 2015
He picked up a pebble
and threw it into the sea.

And another, and another.
He couldn't stop.

He wasn't trying to fill the sea.
He wasn't trying to empty the beach.

He was just throwing away,
nothing else but.

Like a kitten playing
he was practicing for the future

when there'll be so many things
he'll want to throw away

if only his fingers will unclench
and let them go.

-Norman MacCaig
As this is one of my favourite pieces of poetry and I couldn't find a page for MacCaig I felt the need to share it. It struck a chord with me the very first time I read it and every time since. So earnest, so simple.
Janette Sep 2012
Hush, my heart, for something is done...




Watch for the night
to lay our vows
over the wild parable of gardens
and over the wet lessons of the moon,
that give us prophecy in whispers
of dream, elope, and leave,
the absence of still rooms,
soothing, the svelte lips
descending upon my neck
in the seance of evening,
you soak calla lilies
of our red earth oils
and ***,
and with them
draw me a nuptial bath,

unbind the taupe soles
I have kept with the grace
of a concubine, sold
into the dark alcoves,
beyond the value of reticence,
you find me in rainstorms,
and wrap me in the flesh

and fabric of your hands,
behind silk walls,
with the ardour of Rapunzel's deliverance,
let down over the clavicles,
as fists unclench
in their exhaustion,

baby roses quiver this night, I keep
in pecan skin and votive eyes,
dip the Fahrenheit of your glance,
as it strays over my lips, your tongue
whips of mustard weeds,
seed your voice, sinks
into the garden's cleavage

as its lit pink tapers
spill their desperate midnights
and abandoned mornings,

ache under the arthritic, thick cedar
addictions to the milkflower
of a presence painted in clay glyphs,
stay the sinew and ******
of my body, a madrigal
upon our Indian Summer bed,

bled in a chorus of cicadas....

let the hymn be heard
over all these broken vows
and shattered pledges, speak
from the ruined marriage of flesh,
as I kneel in our earth,
in the sere, and seek in myself
that measure of peace, I know
is not there, without you,

to writhe in the throes
of exquisite anguish,

I give

my mouth in dream,
between your thighs
where the river runs fierce,
under the lithe sapling root
of my tongue, as it runs
the swift currents
and golden eddies
of inebriate skin, puckers
over the Inulin of the ****
and begins its swelling,
down the trellis of bones,
and the ******* of limbs
beneath the black monsoon
of the soul, as it perishes

in the engorged maw
of the split body, blades
of shoulders, soaked in the myrrh
of our rapture, fading
lifelines engraved on the back
of the hand you hold soft,
against me,

as my throat buries its moan
swallowed by your own, for solely
in you is it silenced, quelled
by the swells of song
you reign in the jugular
and soothe, a balm
for all my body, burning

its defiance, taken
to the limits of this,
our savage garden,
in the pilgrimage
to such lavish boundaries,
held abeyant, the cadence
of candles and solemn vows
sound the rhythm of our slow deaths,
writ in the lush psalm of the handsome earth,

our love, engulfed
in the wells of a sole desire,
I give you this,
my body's silkwhite harvest of faith,
driven fast with nails

into the exquisite wrists of the Christflesh,
shivering under the furtive delirium
of these, our fevers,
severed from body to body: twain,
that is now one ardent sorrow of flesh,
this is my body,
this is my blood,

I have given,
vows to bind our words, my love,
to the vigilance of night, that lives
and dies with the fall and rise of you breath,
one muslin depth,
relinquished to the white earth,
over an eternity of deliverance...
Reggine Sumiyama Sep 2018
Here I scatter the ashes of our Wednesdays
and throw dirt on our names because we fell into a stupor of unsaid goodbyes and insincere apologies.

I take my time trying to unclench my fist,
after all, release is only sweet when you feel suffocated.

I always made sure to adjust my grasp to your comfort,
present my entirety as if you owned more than a half of what I used to be.
I remember you in things that have no heartbeat, but a pulse of regret and anger that devours it, and to think you swore you would keep me alive.

In Binondo, you taught me how to eat street foods, walk in the crowded places, sit still on taxi rides,
and feel beautiful even when you kept your eyes off me.
You believed in slow motion, and the magic of lugaw at 12AM,
I watched you in a fascinated haze.
Too unsure of the light.

In Fairview, I told you that I cry during movies and laughed at the way you spun me around in the theater. Hand on my waist for good measure. I showed you claw machines and photobooths,
at least remember me.
I held your hand the first time, bled on
a piece of paper you read on the way to Quiapo, and all the long rides have made me feel empty ever since.

In Ilocos, I gave you a warm kisses on your cheeks when you took me
to church the first time, head spun just at the right angle for when
I walk down the aisle in a dress with you waiting at the end of it,
not knowing that in 4 years, I’d come back at someone
else’s wedding, begging on my knees at silent altars to keep you
even with my faith hanging from my fingertips. You still left.

In Intramuros, I see you in every nook and crevice,
in the holes, in the walls with Lechon Kawali, in quiet places we
claimed are for ourselves. In street vendors, ATM machines,
and pedestrian lanes too dangerous to walk on. Nowadays,
I shut my eyes in the backseat, afraid to see a shadow of who
I thought you were whenever I am near.

In Pasay there are people to see and places to walk
through to cover the tracks of almost lovers, a pair of shoes
to buy, impatience on my throat, and kisses on cheek as a cure
for my silence and satiation for the hunger below your navel.

In EDSA, we locked more than just lips, ate street Palitaw,
knocked three times on wooden doors, even lit candles to be sure,
that we would keep each other for good. Someone must have
knocked harder, the wind must have swept our fire out,
and we were fools to think promises were as simple as padlocks
that rust and break in the rain. How I never told you that I pictured
us in a million other bus rides that night. The road could never
have been shorter than the infinite one you promised.

In Pandacan, you wanted a life with me  
with nights in bed, the sickening kind of happiness harrowing
the peace we always knew we had. You held me close
and by the early hours of the morning you swore you’d meet me
again when the clock strikes twelve on a different year. I think
you left your love for me in that two-bedroom suite, and
wouldn’t it be wise if I left mine right next to yours, folded
and hung before the stain of resentment covered it whole?

In between the hurt and madness, memories of us
unfolding without grace on the table, I loved you.

You knew what you were doing when you let go of me to hold
onto someone else that was never as sure as I was of you,
and I wake up in sweat at 3AM thinking I never really knew.

Now we are in places we’ve never been, and I dry
swallow the hurt that swells even when I no longer touch it.
There are spaces I no longer need to be filled because I got used to being hollow
even when I was next to you
and now that I don’t have to be there anymore
it makes it easier to forget you ever happened, and I will tiptoe my way out of these places until I no longer feel you everywhere.
CR Jan 2014
Growing up in Poughkeepsie, the
barbells of unfaith always shook her
wrists when she lifted "I
will be gone from here soon enough"
over her shoulders. "I will love
like crazy."

Grown-up in the city, she
swallows hard in the marble mirror
and thinks "Maybe today
will be the day," but
it never is, and she ignores
the petulant inside voice saying
"Unfaith is unfaith but
so is dead-eyed
companionship, so unclench
your fists"--she hasn't yet.
JM Apr 2014
Dear Pianist
The writer wrote
I drove to California on my own to try to get myself sad enough to write a new album
I prayed and prayed for a salve that would heal the pain in my heart
Once the wounds held together, I ripped the stitching apart seeing the blood flow from the stitching like it were a cavalry of demons in retreat, promising to leave me alone
They are liars
It’s like the Lord answered all of my prayers and I want my questions back
To search for ways, despite his grace and get my old gods back
Dear I cant pretend that I didn’t thrive off of the emptiness that I felt inside before the spirit invaded the void
Just like I asked him to, and shared with all of you

I stepped out the front door and tossed up my keys to find myself in a closet
Stuffed with all my insecurities and all the things that I’m ashamed of and every broken memory that I keep to cut my wrists
So be at vain or be at pity well I know that I still bleed and I keep the shards of mirrored glass to see my expression as I seep out onto the carpet and stain my bare feet, in a puddle that I’ll drown in 8 quarts deep. The release is never as satisfying as the promise to fix what’s been sewn.

We got bottled up like the alcohol gets bottled up and then we bottle it up in us, and I search for ways to define myself by some skeptical lack of trust, because if I can’t trust in anything, then I’m not to blame for my lack of movement, and I can abuse everyone’s pity, and I can convolute it.

When I was a little girl, my daddy told me to unclench my fists hold out my hands flat like this and pray
Like a picture of letting the Lord take my fears away but he forgot to loosen his grip when it came time to practice it, and the thought got convoluted the day he went away
I drove alone along the Western coast to try to write a poem someone could relate to I reopened every wound and bled myself dry just to try to feel the same way that I used to.
I drove past the city at night with the windows down to watch the lights and get so cold that I’m uncomfortable
You know I do it to myself
These headphones could be playing something else but we’re at the bottom of everything like the songwriter sings
And I make myself shiver until I bleed
I know every word to every song about despair, and I keep the albums on repeat to keep me there
At the cross of Christ I know that despair has been removed, that it drowns beneath the crushing weight of hope as found in you.

Will I always fall asleep to dreams of mending up my wounds, then wake to spend the day reliving every bruise for the sake of a sad song, or the sound of sweet repose.

He hit that first note and that note set me free
Well I fell in love with his sadness before he fell in love with me
But the best letters are the ones written in tears that smear the ink so he played the keys and I started writing
I wrapped that sorrow up tight like a noose around my neck, stood tall on a flimsy card table and kicked it out from underneath my legs
And I’ve been hanging in a house of cards for months on end, swinging back and forth beneath the creaking rafters with the winds everywhere
I always forgot to close the windows so that I could let in the cold knowing discomfort and disappointment were the only peace I’d ever know
I had excuse upon excuse for every broken bone, but in the end I broke them all myself to give the pain a home
Dear Pianist
I’ll love you more than you’ll ever know
I swear your smile saved my life
I swear you touch made me whole
But there is not an end to the self-condemning lies I have believed
And there is no depth that I have not known in an attempt to drown myself or set myself free to the point of pushing you away from me.

I drove the country on my own in an attempt to break my heart and I opened my heart to every fleeting hope in an attempt to fall apart
He said we fall apart and into our gods but God meets us where we are
What a thought to live a life that’s free but we are such a self-destructive bunch aren’t we
Writer you are a part of me and there is nothing you can do to set to flame the fabric that has woven me to you
I will not be your broken heart and I will not be your empty oath look with our hands laid flat in surrender I swear that we will both let go of the chains that choke us, that wrap their hands around our throats.
As blood flows and puddles to cover every self-inflicted bruise, ****** becomes salvation, the resurrected truth.

And I will play you a new song
And the lyrics that you wrote will accompany the melody and every word he spoke was a land of milk and honey that I thought I’d never know
I drove to Washington on my own to sorrow in the rain
But we danced over every puddle, and joy washed the pain away
And it road down and out beyond the pungent sound, out beyond its shores to a whisper beyond the horizons
With The cross of Christ I know that the bonds of sin are broken, that they bar the gates of hell for me and heaven's doors are open as wide as my sweet Savior's arms were stretched out when He died.
Love has defeated death with a life for me to hope in.
To be forgotten and thought of no more
This is a poem by Levi the Poet, my favorite poet of all time. I preformed it for a competition so it has been rewritten in some areas. It also has snippets of his poem Resentment in it to make it longer, but it's still powerful.
D Conors Oct 2010
Fill your bowl to the brim
and it will spill.
Keep sharpening your knife
and it will blunt.
Chase after money and security
and your heart will never unclench.
Care about people's approval
and you will be their prisoner.

Do your work, then step back.
The only path to serenity.
__
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu.
ordained May 2016
these are not my hands, they are my bow and arrows
they are my weapons, my self-defense, my fortified walls
they flex and bend and push and cradle and create and destroy
i find in them the source of my power
they're the brave ones, tracing down my thoughts when my lips are too cautious to speak
they're the proud ones, delicately vain as they sketch the skeletons of beauty onto dusty piano keys
when i am empty and numb they stir a spoon in a cup of tea and wait for me to feel something
when i am shaking with a great and terrible anger they clench and unclench and clench and unclench and clench and unclench and heal
my hands are my heroes
and they are my villains
i control the volume in my palms because sometimes it gets loud and because sometimes my heartache is deafening and because sometimes i need to drown in the thumping, the crashing, the assault of my fingers on the unassuming ivory
and because sometimes i wallow in my self pity and because sometimes it feels good to be surrounded by the quiet sound of my tears on my cheeks
from my fingertips to my wrist i am a goddess, all slender bone and delicate veins snaking under taut, soft skin
i feel capable and lovable and just able, just pure, when i crack my knuckles before returning to my writing
it is easy to forget that aphrodite could cause catastrophe too, that her face (my hands) were more than just pretty and decorative
i remember each hit
each poke
each grasp
each clench
each stretch
each caress
each punch
and i love them like my children
the pain i've brought, from my right hand to my left forearm and from my left hand to someone else's right cheek and everything in between, it is with me always like the scars i've left and i could hate myself
so easily
but in the aftermath of my earthquake, i love my power
comfort is knowing that i'm a straight shot
that my bow and arrows can execute what odysseus did
comfort is knowing that i'm a *****
that i unnerve those that deserve it and dethrone the prideful queen
so i sleep peacefully even when i don't sleep
inspired by Ken Arkind!
Kelsey Mar 2014
THESE ARE YOUR HANDS AND THIS IS HOW YOU TELL THE FLAMES YOU'RE NOT ALL BAD.
THESE ARE YOUR THIRD DEGREE BURNS TO SAY YOU'RE NOT THE ONLY ONE WITH BONES MELTING IN TRUST ISSUES.
THESE ARE YOUR WRISTS, THOSE ARE YOUR KNEECAPS, THIS IS YOUR STORY.
THIS IS HOW YOU BITE YOUR TONGUE BUT STILL MANAGE TO LEAVE THE WORLD WONDERING HOW YOU COULD MATCH UP TO THUNDER'S HARMONIES,
THIS IS HOW YOU WHISPER TO MOUNTAINS AND KNOW THE PEAKS WILL HEAR YOU.
THIS IS HOW YOU TELL THE VOICES IN YOUR HEAD TO SHAKE HANDS WITHOUT STARTING AN EARTHQUAKE,
THIS IS HOW YOU TELL DEPRESSION TO LIGHTEN UP,
THIS IS HOW YOU GRAB ANXIETY BY THE SHOULDERS AND SING LULLABIES TO ITS LUNGS.
THIS IS HOW YOU WALK UP TO GOD AND RIP OPEN YOUR CHEST WITHOUT INTRODUCING YOURSELF FIRST AND ASK "WHY?"
THERE'S PAPER UNDERNEATH YOUR PILLOW,
THOSE ARE THE NOTES YOU PASSED TO YOUR BEST FRIEND IN THE THIRD GRADE WHEN YOU TOLD HER ABOUT YOUR FIRST CRUSH.
THERE'S A PAPER THAT'S BEEN IN YOUR BACK POCKET FOR A YEAR AND A HALF,
THE ONE NEXT TO YOUR RECEIPT FOR A BOTTLE OF WHISKEY AND STAIN REMOVER,
THIS IS THE NOTE SHE WROTE YOU A WEEK BEFORE HER FUNERAL.
THIS IS HOW YOU WASH YOUR JEANS WITH TWO CUPS OF 'TODAY I FORGOT TO REMEMBER TO FORGET'.
THIS IS HOW YOU COPE.
THIS IS HOW YOU LAY ON MUD STAINED CARPETING AND AND STARE AT YOUR BROKEN DOOR,
THIS IS HOW YOU CONVERT TO HARDWOOD FLOORS AND STRONGER DOOR HINGES.
THIS IS HOW YOU WIN A WAR WITH ONE BODY ON A BATTLEFIELD,
THIS IS HOW YOU SHOW A BLIND MAN THAT YOU CAN PAINT A ******* MASTERPIECE.
THIS IS HOW YOU REACH HEAVEN WITHOUT DYING, THIS IS HOW YOU KNOW HELL WITHOUT LIVING THROUGH IT.
THIS IS HOW YOU UNDERSTAND THE BERMUDA TRIANGLE, BY CROSSING PATHS WITH THE GUY THAT MADE YOU HATE WET PAVEMENT AND THE SMELL AFTER IT RAINS,
THIS IS HOW YOU HELD HIS HAND THE SAME WAY YOU HOLD A KNIFE, THIS IS HOW YOU LEARN FORGIVENESS.
THIS IS HOW YOU SMOKE WITH THREE LUNGS AND LOVE WITH ONE.
THIS IS HOW YOU STUFF THE PERSON YOU WANT TO BE IN A FORTUNE COOKIE AND LEARN PATIENCE.
THIS IS HOW YOU TELL PEOPLE YOU'RE NOTHING LIKE YOUR MOTHER. THIS IS HOW YOU SAY YOU HAVE YOUR EYES, NOT HERS BECAUSE THIS IS HOW YOU UNCLENCH YOUR HUSBANDS FISTS.
THIS IS HOW YOU LOSE SOMEONE THAT NEVER KNEW HOW TO BE ALONE, THIS IS HOW YOU WORRY.
THIS IS HOW YOU CONFIDE IN A HOSPITAL BED TO TEACH YOU HOW TO LET GO.
THIS IS HOW YOU LET THE NURSE WITH SHAKY HANDS TEACH YOU HOW TO TRACE THE STRAIGHT LINE ON YOUR HEART MONITOR AND BE OKAY AFTERWARDS. THIS IS HOW YOU LIVE AND ACCEPT DEATH.
THIS IS HOW YOU UNEARTH YOURSELF,
THIS IS HOW YOU STOP EXISTING,
THIS IS HOW YOU STOP FOCUSING ON LIVING AND BREATHE FOR YOURSELF.
THIS IS HOW YOU STOP THINKING AND FEEL.
THIS IS HOW YOU SPEND A LIFETIME TRYING TO FIGURE OUT WHAT 'THIS' IS.
Ren Apr 2016
lesbians will want to write about your hands
the way they wrap around warm cups of tea
and clench and unclench with rage and pride
she'll notice the delicate length of your fingers
how they feel pressing and bruising into soft flesh
the art they make, the stories they create
the blood sprouted from knuckles in societal protest
their kindness, their firmness, their warmth
lesbians memorize every mark and line of them
how they never strike her
how they settle in her own, how they feel inside her
how you use them to clasp your bra and pin up your hair
the way you draw them together, how they fold into you
when they touch to your lips, when they touch to hers
how they pass through her barriers, sneak under shirts
wake her from sleep, lull her to rest, appear in her dreams
lesbians will take them in her own
hold them to her mouth, her breast, her heart
wonder what they are doing at any time of the day
feature them in fantasies and daydreams
claim them as her own, as if they were hers
love them when they shake and when they are steady
she'll want your hands to be her hands and hers to be yours
interchangeable, familiar, worshiped
each moment
flows uninterrupted
the more I unclench
my grip
and
let go,
let it flow
Zowie Georgia Apr 2012
They walk beside me
                                      always late for something.
                                         Quickening loafers
                                   compete against themselves        
                                  emphasising their importance.    
                                                       Go!
                                       Choking on their breath
                          in an over-zealous attempt to identify
                                             What's freedom?

                                          This fastened reality
                                         Punctures inner peace
                                          my energy disperses
                       Like a balloon buzzing as it loses momentum.
                              When did Life become a marathon?
                            When will I decide where I want to be?
                                  
                         ­         Conversations shout themselves out..
                  an energetic argument before their words reach the air..
                          Will you ever confront your disguised pains?
                                            My mind's elsewhere..
                                           I'm trying to figure out
                         the last time I saw your body unclench itself.
                                    
                           ­                 And i'm a little confused,  
                         because I don't know whether to accept your denial
                                                          ­        or
                                    continue to disconnect from reality.  
                                                     And I question,
           If we all mirror eachother, what part of myself cannot find peace in you?

                                      
                   ­                      I observe this anxiety in motion
                                               stuck forever in a hurry
                       leading itself down roads that end where they began.
                                                  And I wonder,
                                           If their legs were to rest
                  would they have to pick their head up from the floor?


                                         
              ­                             Like buddhas in a city,
                               their lives are a fast forwarded tomorrow
                                       as the present hurries along.        
                                                   And I ponder,
                   Does the truth stop blinding when silence doesn't teach?

                                             A quickening motion             
                                         Changing with every step.
                                                   Acceleration..
                                                 human race...
                                                       ­ Go! 
                                            Chasing of thy death..
Olga Valerevna Sep 2014
When all the smoke exhales itself and leaves her breathing air
I beg your wretched fingers do unclench their tightened snare
The smallest kind of human be the finest one I know
And now that you have had your fill it's time to let her go
Control is something you can claim but only o'er yourself
your reach may travel far and wide but not to someone else
Today is gone, tomorrow leaves as quickly as it came
And even though the seasons break your heart remains the same
Remember what the world was like when she walked into yours
Although it's hard to see the way you did when she was born
for the father of a daughter
Liam Nov 2013
wells continuously selling wishes
springs eternally offering hope
a toss of the penny
a cup of the hands

still waters of expectation
flowing solutions of promise
eventually evaporating
somber saturation of the atmosphere

coping with disappointment
a blessing or a curse
acceptance or complacency
peace or resignation

no sleepless nights of torment
lamenting the unintended and unfair
only melancholic contemplation
of dubious cause and wayward effect

the energy of discontent has dissipated
but it can only change form
perhaps the calm before the angry storm
a condensation into indignation

clear judgment further clouded
a tempest against the fates to be weathered
torrents of despair to rage
umbrellas of faith turned inside-out

but the sound won't be deafening
and the fury fleeting and insignificant
and as blue skies reflect in warm puddles
a fist will unclench to reveal...another coin
The Whisper May 2014
I pinch my brow, and rub my eyes.
I procure a heavy sigh.
I feel regret, a dear old friend,
As I look up at the sky.

I retreat to my mind, I shut my eyes.
I think of what to say.
Hate comes along, whistling his song,
"How would you rather feel today?"

I searched for love, I found someone.
I thought she was a dream.
Instead I found myself in hell.
People aren't always what they seem.

I was blinded by "love", I am in love.
I love her and she loves me.
But so many questions come to my mind.
"Are we truly meant to be?"

I don't know, I don't know, I really don't know...
There's so much pain in my heart.
The things that we do and the things that we say,
Are tearing us apart.

I unclench my fists, I open my eyes.
I let out a heavier sigh.
Rubbing my eyes, I wipe these tears
As I look up at the sky.
In this poem, I used a lot of imagery to try and paint pictures and piece together what it's like when we all stare at something, eyes wide open (for whatever reason) and we just become unaware of ourselves whilst in deep thought. We just focus so deeply on what we're thinking about, and we get so lost, that as soon as we open our eyes, we don't even realize how little or how much time has passed. The shortness of this poem is supposed to mimicking how very little thinking can be a lot to take in at once.
Audrey Lipps Oct 2014
Unsettled fingertips tap the counter and
I clench my fists
Unclench
Clench
Unclench
Clench
I live inside Salem,
A body of mystery and fear
Torn between truth and myth,
The void exactly where you wanted me

"Are we going to fix it?"
We don't talk about it
"Is it going to work?"
We don't talk about it
"I love you"
We don't ******* talk about it

5 years is an eternity for girls living apart
Separate states and contrastive attitudes
Regarding colorful race and travelling the world
I wanted adventure and you wanted safe

I think about you when I row the river,
I think about you when I paint the landscapes and
I think about you when I'm drinking
A wrecked, terse woman wasting in oblivion

You injected distrust in each of my veins,
slowly seeping throughout my body,
Creating a coma of emotional insecurity
year
after
year

And I believed you this time
I believed you last time and
the time after that but
I will not believe you the next time

I sat on the curb at 3am and discussed
endless options of our future
I didn't need to prove myself further,
Since I've already done the hard part,
Driving 5 hours in the middle of the night,
in secret to see you, darling

"Are you coming?"
"I'm coming"
"Are you sure?"
"I'm sure"
Do you promise?"
"I promise"

I did the hard part and it was your turn
Your turn to prove that you meant it,
that you wanted it to work

The sun was pouring that day,
When you cried and choked on the words,
"I like a boy,"
Words that weren't so foreign
but that were piercing to my heart

"It's okay," I said
"I still love you," I said
A beautiful mountain girl surrounded
by bigotry and hate in a state full
of so much beauty

Acidic tendencies in the middle of the night,
I washed my hair with your ******* forgery,
My eyes poured for days, unceasing
Unrelenting
Ultraviolence on repeat because
Lana can make it beautiful

A heartbreak so heartbreaking
and I loved you
I loved you more than the pale moonlit mountains
and the Ferris Wheel skidding the clouds and
I loved you more than jars full of sand and
Midnight fireflies and cool, sophic fire scented air
I loved you more than loose t-shirts on lazy days
and I ******* loved you

"I love you more than this mixtape,"
with the memories of swaying palms and
gravitating tide pulls and a simple sentence of
"You look so familiar."

I wish I had never seen you
Blonde hair, windy
Blue eyes, angry
I wish I had never glanced toward the deck 5 years ago
on the shore where all things seemed beautiful

Because All Things Seem Beautiful
at first, before the crash of thunder and
Before paradise lost its way home

"It's not goodbye," you said
"It's see you later," you said
And I wish it was the former and never the latter
Because this road was lost many years ago when
Empty promises promised to exist

You've broken my heart and
I
Loved
It
because with you, dark nights
seem a little breezier and howling coyotes
drown out country ambitions because
with you, with all of you,
it's too safe
Too ******* safe

I loved you the first time,
and I loved you the last time
I need my trust back and I can't be waiting
for you to make up your mind on your *******
domesticated relationships because you feel
better hiding than being passionate

Hiding behind your masculine partner,
A partner so very vague and so very safe,
when you didn't take the chance that I did
A chance that would have worked, for as long
as things really work
I would've tried for you

I need to trust again
I need believe when others say that they're coming
I need this distrust to deteriorate because
I can't do days of stomach aches and
gipping anxiety anymore
I need to trust and to love because
I know that I'm good at it,
but you've taken my ability to love
and flushed it like cold coffee

This is okay
I am okay
Because each day that I go from you,
the happier I feel and the freer I feel
I'm a kite that catches the wind at ungodly times
of night and a gemstone that scratches too easily
when promised a warranty

Goodbye to you, beautiful mountain girl
I'm saying what I need for me and never for you
because I loved you in past tense and the present
is so forbidden

Goodluck with your normalcy,
while you lick your lips with Jesus
and while I light a cigarette so sweet and pure
Goodbye, beautiful mountain girl
Goodbye
Claire Elizabeth Apr 2013
The pale lips are smashed together in a fake smile, the teeth not wanting to show in the little pod of the mouth, hiding like scared peas. It’s frightening.
The eyes crinkled just right so that it looks so plastered on that you can tell it is fake, the folds overlapping again and again in an unnatural way. I blink.
The cheeks covered in makeup, splashed on in spots, smoothed over in others, splatter painted to look realistic. It doesn't work.
The fingers resting oh so stiff on the stomach raised a bit so that they are hovering above the skin, like he doesn't want to touch the dead fabric. I wouldn't.
The suit, so neatly pressed that not a wrinkle shows, except for on the collar where nobody notices. But I do.
The silk lining of the box he is resting in is shiny and overly polished, like a cherry wood dining room table with an overload of Pledge. It hurts my eyes.
The bouquet of flowers is a bundle of Death’s heavy perfume disguised as a bunch of roses and daisies. The smell is disgusting.
The picture frames surrounding the box are shined like pairs of leather shoes, embedded with gems and memories that are long past. It makes me sad.
The stuffed animals in the corner gaze deadly at the group, mold and dust sapping the life out of their beady eyes. They make me shiver.
The chair I sit on is hard and stiff, the cushion starched to the breaking point, the crackly material hardly comfortable. I squirm.
The vent above me blows a gale of cold air and underlying currents, which whips up my hair in a flurry of brown. I pat my head.
The people around me clutch tissues in bony hands, the wadded up paper soaked through with tears and makeup. It looks gross.
So as I observe every detail of this morbid place, I close my eyes and breath deep. Mistake. The air is ripe with anger and sadness, misery and frustration. Musky lady perfume, sharp man perfume. My hands clench, unclench, furl, unfurl. My throat closes up then swallows that lump of matter lodged in my my esophagus. What is death? What is Heaven? What is God and Jesus and church? What is all of that if it ends up like this? Like a cancerous tumor, like a lump of mutated cells, like a painful death? It is forgiveness and freedom and newness.
With that I open my eyes again and cry.
LN May 2014
The power of the listening ear prevails.

Their worries in words
Turn to dust that eventually scatters
But first and foremost,
Unclench their wrist
Untangle all knots
Allow their peace to find its way home.
sofia ortiz Sep 2012
Imagine this:
Me, who only speaks English
Me, who is moving to Japan
Me, with the Puerto Rican father and the Italian mother
being called a terrorist
for scrawling Arabic in the corners of my notebook.
"It's nothing personal," you say
"I'm just calling it like it is."
I sit in silence and wait for the teacher to stop this,
Say something, Say anything
Say No, Sofia would never hurt another soul
Her silence is a gag over my mouth
handcuffs on a chair
a knot in my belly plummeting out of control
If you had asked, I would gladly have shown you how to write your name
You start with the crooked smile of the letter "ba"
the calculated decrescendo of "ra"
"ya"'s sensual arc
I could show you how to write the guardian "alif"
or the embryonic "noon"
nestled safely inside of her calligrapher's womb
But somehow, between my pen and your eyes, the phrase

I miss you

written in near flawless script
turned into a threat resembling

someone is going to die

If you had asked, I would have told you of how I met an Arab
(you spell that: lam ba noon alif noon ya )
who loved music
(meem waw seen ya qaf alif-maqsura)
and Poptarts
(there's no P in Arabic)
and me.
Let me teach you how to write my name
so the next time you decide to throw around the word "terrorist"
you'll remember that those letters spell a name that represents
a living breathing person
and your prey whose name is spelled with the same alphabet as mine is
a living breathing person
Come here
Unclench your fists and take my pen
You are smart
I will teach you
Trace the shapes like me
and I will show you where you went wrong
be it in life or just now with these ancient ABCs
"Seen" is like a W except she's proud of her curves
and has a left hook that would make any man jealous
"Waw" is an air-headed guy whose body is an afterthought
with hair that billows in the wind and is never far behind
"Fa"
Treat it like a cobra
***** and proud
but dot it, mind you
That's the serpent's crown jewel
"Ya"
The singe-winged bird nesting on two tiny eggs
and "Ta marbuta"
There's no clever way to teach you ta
You just have to learn it
Now
use your two good eyes that are so good at judging and tell me that my name is not alive
The queen and the mother
The feminist and the prideful lover
And the misfit
I can be all of those
You will be all of those
Come here
There's enough space in my margin for you
Practice celebrating your secondary identity
now that you know I am not a terrorist
I won't hold a grudge because you misunderstood
I can't blame you
You just didn't know how to see
This is actually for several classmates who have all said similar things over the past couple of years. They will never read it, but I needed a way to move beyond the hurtful accusations they made.
robin Jun 2013
he only wants you in the way that means
he can wrap himself around you like a cocoon to help you
change you'll be
a butterfly
something different from what you are which is
flawed so flawed i don't want to touch you don't want
to talk to you just
write poems about the way your hands fist in the pockets of your jacket
i hope you'll go with him because
no matter how many poems i write about the way you
hurt and hate and hope in helpless hollows i know
it'll still burn
like a rope you tried to catch when you fell but
it just caught the skin of your palms
[please don't ever open my notebook you
look at it sometimes when i'm writing i
don't ever want you to see the way
i romanticize
your pain it's not
beautiful or poetic it's just sad
i wish you were happy but i just keep
writing poems about
your misery
and when you surface when you emerge from your cocoon i will
write odes dedicated to the selfishness
that would keep you hurting so i could
feel something when i look at you]
he only wants you in the way that
stitches want an open wound and
i know you want to be mended but no,
no,
nobody can fix you but you and they,
they will try but just
stitch embroidery
into your back
you are the seamstress and the shredded quilt:
you can stitch yourself together you just need to find the thread
and love is no substitute
for a sharp needle.
don't unclench your fists for
any lover who promises to
fix you
don't shotgun old wounds like thick smoke
if they promise anything more
than to hold them
in their
lungs
until the pain eases
just a little.
he will cocoon you
and let you out confused
and hurt
and hating yourself because you didn't change
you are
not
a butterfly
you will not wake up beautiful:
just learn to be full because the end of the word
is all that matters
and the last words of a relationship
are the most honest.

when you stitch yourself together
i will wear the rope that caught your palms like
a silk collar
pour your perfume like lighter fluid
and burn my notebook
and hope that no one writes ballads
to your clenching fists
again
Overwhelmed Apr 2011
washing on the shores,
the rustling winds in
the palms, the caws
of birds and scuttling
of *****, the silence
in the mornings, and
the quiet in the night

echoing, soothing,
playing, evolving

the sounds of the ocean
sound like some ancient
composers song

there is life in this music

human life, animal life,
plant life, sea life, life
of the air, life of the
earth, life of the tiny
and life of the big

we feel it more than we
hear it
and we smile

the bass hum of the trees
the melody of the seagulls
the harmony of the wind
the crescendos of the waves

it is the song of the sea
the music of the ocean
the soundtrack of life

I feel my muscles unclench
and relax
Harsh Oct 2015
Listen.

Let’s just strip down to the skin and warm each other up under these covers. I want to lay down atop you and let my head rest on your waist, snug between those lovely hips of yours, just above your ***. I want my hands to waltz around your thighs and listen to your gentle breathing synchronize with mine. I want to feel you giving in to this moment, I want to feel your body let go and your muscles unclench.

I want it to be completely quiet around us, not the dead kind of silence, the kind that’s comforting and warm. We don’t need words, our touch conveys what our hearts beat for.

Don’t think.

I don’t want you thinking about what’s happening tomorrow, what time the game is on, don’t think about what’s for dinner. Don’t think about that argument we had last week that still sits in your heart. Let it go dear, just for now. Don’t think.

Run your hands through my hair and think of all the memories we’ve made since the last time I cut it. Caress my face and look into my eyes, darling.

Now close yours. Close your eyes and open yourself up to me. I want to take my time in taking you in. I want to spend eternities on your lips, darling. I want to cup your face in these hands of mine and kiss you; I don’t want that kiss to lead to anything, it doesn’t need to. I want it to convince you of my undying love for you. Drink in the right-now of this moment, of me. I want to sit back and admire every inch of you, my dear, from your flowing tresses down to your toes, and everything in between. I want my hands to run down your valleys and hills and let my lips paint your landscape.

I want you to smile at me from under my touch and let out a laugh as I cover your face with happy kisses. Not the kind of laugh you’d give someone telling a joke, not the kind of laugh you force when someone says something mean. This is my laugh, you’ve saved it just for me, it’s sweet and soft and vulnerable and that’s okay because that’s how we feel right now.

I want to roll you over and let your body lay atop mine and simply hold you, caressing your every curve and warming your heart and your soul.

And then I want to do it again the next day, and every day afterwards until our bones are brittle and our days are at an end.
Inspired by http://thoughtcatalog.com/karyn-spencer/2011/09/i-want-to-snuggle-with-you/
JJ Hutton Mar 2014
There will come a day,
probably a Tuesday,
you'll be hoeing and
yanking yellow weeds
by the handful, the
sun in the center of
the sky; Or you'll
be climbing through
your lover's window
while her husband
unlocks the front door,
thinking to yourself,
"Jesus, we didn't
even do anything
today. Just gave
her her insulin shot,"
and your heart
no longer pumps
so much as begs,
begs for silence,
but that's funny,
isn't it? because there
isn't any sound,
only the perceived
dissonance of a
scattered mind;
But maybe, if you're
lucky, it'll be at night,
the two of you in bed,
and she'll timidly ask
if you're hungry,
and you'll say what you
always say to that question:
yes, yes I am, and she'll
ask if you want a sandwich,
and you'll say, "I'll get it."

"You're too sweet."

"It's not a problem."

After spreading the mustard,
there'll be a pain in your chest,
mild at first, just at first, but by the
time you get halfway down the
hall you'll drop the plate
of sandwiches on the floor
and ***** in the toilet,
and you'll probably know
then what's happening;
But what did you ever do
to earn that kind of quiet,
relatively quiet, ending?
You've got a few things in mind,
but you've got a few more bad that
negate any kudos any kind
of god would award, so
let's be honest. That's what
you want, right?

Death will wake you up,
probably around 6 because
you've never been a morning
person, and when you wake
it won't be from a feeling, like
a physiological manifestation,
no, no that'd give you time
to remember Mom in the
hospital when she called
you by the wrong name.
No, Death will come in
the form of a headache,
and if your wife was
there she'd already be up,
and she'd say something
like: "Poor baby," and
get the Tylenol out of
the cabinet to the left
of the sink for you,
but she's not there, is she?
No, she's living with her
sister right now while
you "figure yourself
out" and your
kids, two boys and a girl,
all grown with families
of their own, think you've
been selfish, but what was the
word you countered with?
"Necessary." Yes, it's necessary,
you'll think as you pop three pills
in and run your mouth under the
facet, and you'll collapse, pills
rolling across the floor, stopping
under the cabinets where no one
will ever find them. Your vision
will burn white; it won't fade to black
like you thought, and your head, Jesus,
your head sounds like tools in a dryer,
but you know there is no sound, and
this is it, this is honestly it, you alone
on the floor in nothing but your
grey boxer shorts, the ones riddled
with holes that your wife told you to throw out,
and a fragmented halo of Tylenol around you.
Your wife. Your wife. Your wife. Your wife.
You'll say her name, you'll say "Eve,"
and your mouth will close itself, and your
fist will unclench itself, and you know what?
That'll be it, to borrow a phrase. Nobody
will find you for three days, and even then,
when they do, they'll wish they never had.
Oh! could I hope the wise and pure in heart
Might hear my song without a frown, nor deem
My voice unworthy of the theme it tries,--
I would take up the hymn to Death, and say
To the grim power, The world hath slandered thee
And mocked thee. On thy dim and shadowy brow
They place an iron crown, and call thee king
Of terrors, and the spoiler of the world,
Deadly assassin, that strik'st down the fair,
The loved, the good--that breath'st upon the lights
Of virtue set along the vale of life,
And they go out in darkness. I am come,
Not with reproaches, not with cries and prayers,
Such as have stormed thy stern insensible ear
From the beginning. I am come to speak
Thy praises. True it is, that I have wept
Thy conquests, and may weep them yet again:
And thou from some I love wilt take a life
Dear to me as my own. Yet while the spell
Is on my spirit, and I talk with thee
In sight of all thy trophies, face to face,
Meet is it that my voice should utter forth

Thy nobler triumphs: I will teach the world
To thank thee.--Who are thine accusers?--Who?
The living!--they who never felt thy power,
And know thee not. The curses of the wretch
Whose crimes are ripe, his sufferings when thy hand
Is on him, and the hour he dreads is come,
Are writ among thy praises. But the good--
Does he whom thy kind hand dismissed to peace,
Upbraid the gentle violence that took off
His fetters, and unbarred his prison cell?
Raise then the Hymn to Death. Deliverer!
God hath anointed thee to free the oppressed
And crush the oppressor. When the armed chief,
The conqueror of nations, walks the world,
And it is changed beneath his feet, and all
Its kingdoms melt into one mighty realm--
Thou, while his head is loftiest, and his heart
Blasphemes, imagining his own right hand
Almighty, sett'st upon him thy stern grasp,
And the strong links of that tremendous chain
That bound mankind are crumbled; thou dost break
Sceptre and crown, and beat his throne to dust.
Then the earth shouts with gladness, and her tribes
Gather within their ancient bounds again.
Else had the mighty of the olden time,
******, Sesostris, or the youth who feigned
His birth from Lybian Ammon, smote even now
The nations with a rod of iron, and driven
Their chariot o'er our necks. Thou dost avenge,
In thy good time, the wrongs of those who know

No other friend. Nor dost thou interpose
Only to lay the sufferer asleep,
Where he who made him wretched troubles not
His rest--thou dost strike down his tyrant too.
Oh, there is joy when hands that held the scourge
Drop lifeless, and the pitiless heart is cold.
Thou too dost purge from earth its horrible
And old idolatries; from the proud fanes
Each to his grave their priests go out, till none
Is left to teach their worship; then the fires
Of sacrifice are chilled, and the green moss
O'ercreeps their altars; the fallen images
Cumber the weedy courts, and for loud hymns,
Chanted by kneeling crowds, the chiding winds
Shriek in the solitary aisles. When he
Who gives his life to guilt, and laughs at all
The laws that God or man has made, and round
Hedges his seat with power, and shines in wealth,--
Lifts up his atheist front to scoff at Heaven,
And celebrates his shame in open day,
Thou, in the pride of all his crimes, cutt'st off
The horrible example. Touched by thine,
The extortioner's hard hand foregoes the gold
Wrong from the o'er-worn poor. The perjurer,
Whose tongue was lithe, e'en now, and voluble
Against his neighbour's life, and he who laughed
And leaped for joy to see a spotless fame
Blasted before his own foul calumnies,
Are smit with deadly silence. He, who sold
His conscience to preserve a worthless life,

Even while he hugs himself on his escape,
Trembles, as, doubly terrible, at length,
Thy steps o'ertake him, and there is no time
For parley--nor will bribes unclench thy grasp.
Oft, too, dost thou reform thy victim, long
Ere his last hour. And when the reveller,
Mad in the chase of pleasure, stretches on,
And strains each nerve, and clears the path of life
Like wind, thou point'st him to the dreadful goal,
And shak'st thy hour-glass in his reeling eye,
And check'st him in mid course. Thy skeleton hand
Shows to the faint of spirit the right path,
And he is warned, and fears to step aside.
Thou sett'st between the ruffian and his crime
Thy ghastly countenance, and his slack hand
Drops the drawn knife. But, oh, most fearfully
Dost thou show forth Heaven's justice, when thy shafts
Drink up the ebbing spirit--then the hard
Of heart and violent of hand restores
The treasure to the friendless wretch he wronged.
Then from the writhing ***** thou dost pluck
The guilty secret; lips, for ages sealed,
Are faithless to the dreadful trust at length,
And give it up; the felon's latest breath
Absolves the innocent man who bears his crime;
The slanderer, horror smitten, and in tears,
Recalls the deadly obloquy he forged
To work his brother's ruin. Thou dost make
Thy penitent victim utter to the air
The dark conspiracy that strikes at life,

And aims to whelm the laws; ere yet the hour
Is come, and the dread sign of ****** given.
Thus, from the first of time, hast thou been found
On virtue's side; the wicked, but for thee,
Had been too strong for the good; the great of earth
Had crushed the weak for ever. Schooled in guile
For ages, while each passing year had brought
Its baneful lesson, they had filled the world
With their abominations; while its tribes,
Trodden to earth, imbruted, and despoiled,
Had knelt to them in worship; sacrifice
Had smoked on many an altar, temple roofs
Had echoed with the blasphemous prayer and hymn:
But thou, the great reformer of the world,
Tak'st off the sons of violence and fraud
In their green pupilage, their lore half learned--
Ere guilt has quite o'errun the simple heart
God gave them at their birth, and blotted out
His image. Thou dost mark them, flushed with hope,
As on the threshold of their vast designs
Doubtful and loose they stand, and strik'st them down.

Alas, I little thought that the stern power
Whose fearful praise I sung, would try me thus
Before the strain was ended. It must cease--
For he is in his grave who taught my youth
The art of verse, and in the bud of life
Offered me to the muses. Oh, cut off
Untimely! when thy reason in its strength,
Ripened by years of toil and studious search

And watch of Nature's silent lessons, taught
Thy hand to practise best the lenient art
To which thou gavest thy laborious days.
And, last, thy life. And, therefore, when the earth
Received thee, tears were in unyielding eyes
And on hard cheeks, and they who deemed thy skill
Delayed their death-hour, shuddered and turned pale
When thou wert gone. This faltering verse, which thou
Shalt not, as wont, o'erlook, is all I have
To offer at thy grave--this--and the hope
To copy thy example, and to leave
A name of which the wretched shall not think
As of an enemy's, whom they forgive
As all forgive the dead. Rest, therefore, thou
Whose early guidance trained my infant steps--
Rest, in the ***** of God, till the brief sleep
Of death is over, and a happier life
Shall dawn to waken thine insensible dust.
Now thou art not--and yet the men whose guilt
Has wearied Heaven for vengeance--he who bears
False witness--he who takes the orphan's bread,
And robs the widow--he who spreads abroad
Polluted hands in mockery of prayer,
Are left to cumber earth. Shuddering I look
On what is written, yet I blot not out
The desultory numbers--let them stand.
The record of an idle revery.
Grace Culloton Dec 2010
dry eyes and tired time
heart race but quiet mind
take this, chest unclench and
mind swims in liquid
weary rest on a bed with
warm blankets to tighten like
straps

no boundaries, really
except for the fear
of compounds and
being right when you were alone
in the dark
in the first place
Grace Culloton (c) 2010
david badgerow Sep 2021
i'll never give up longing.
i'll let my hair grow long like a prince
and tangle with the leaves in autumn.
let the pinecones fall around me like dead money.
i'll let fall become winter.
let myself become a crusty savage in a cave.
i'll let my teeth clatter against my tongue.
i'll let winter pass unburdened.
let the nights grow long and deepen.
i'll let the slow inertia of sleep come heavy.
then i'll let spring.
i'll let the tangerines ripen on the bough.
i'll let the afternoons stretch long and hazy in front of my feet.
let the fleeting birds find me on the lawn.
i'll let pollen collect in my bellybutton.
let the dragonfly light on my finger.
i'll let my jaw unclench.
let myself be shattered into fragments.
i'll let myself forget the bad stories.
let the rain wash away another year.
i'll let into my raincoat.
let my throat open and sing.
i'll let the breeze take my voice away in the field.
let myself become astonished.
i'll let the smell of the summer mist
enter my nose and stain my cheeks.
let the ocean impress me.
i'll let the sand bring me under.
i'll let myself cry on a mountaintop.
i'll let the sun guide me up a tree.
i'll let rage and calm and joy come together between us.
i'll let my body writhe.
i'll let kindness unbutton the fence i built there.
i'll let this impossible planet get lost.
i'll let america forget my name and orphan me.
let the elastic mirage just lazily dissolve.
W Heng Dec 2012
It's the unlocking of a heavy door,
To a past that is long dead;
The dead thump of a dropping heart,
The cold of an empty bed.
The slides and glides of cello strings,
That linger in the dark-
A shadow of a stolen kiss,
That has forever left its mark.
Those empty nights that sat draped in darkness,
Spent listening to the rain;
Cold and crying for hollow want,
Watching the sun die over and over again.
The cold of your fingers on the nape of my neck,
Salty waves dying on the shore;
Chapped lips left half-parted,
"I can't do this anymore."

Crusty edged, picture perfect,
Skies that left me broken hearted;
sun kissed skin and star lit eyes,
Wishing you had never started.
A familiar voice you thought you'd forgotten,
the missing harmony of an old song;
The acid that drips deep inside
When you realize you were wrong.
The leaks of honey on your chin,
The end of something good;
It's the guilty pleasure in midst of the pain
Of a sin you never should.
The words you never really meant,
Lay sweet, savoured, spent.
All you heart weighed in gold,
The dying breath of stories never told.

Whispered seductions calling out,
Begging you to close your eyes-
Unclench, exhale, surrender fast;
Release and say goodbye.
charlie Dec 2013
Let's excuse the "playing rules"
Let's put our fingers down and unclench our hands
Because this is nothing but fake.
I loved a girl once without touching her.
I'll put it bluntly..
I never spoke to her again.
I liked a girl in whom I touched and we still talk from time to time.
I loved this girl at the age of 14. And I told the girl I liked that I loved her. In which was fiction.
I told the girl I liked that I can't live without her..in hopes I wouldn't be alone.
I told the girl I love "you can leave, I care more about you then I do me."
Never second guessing myself.
I wrote a poem about the girl I love the other day and realized that she's never coming back. And I am simply...okay with that.  Let's take the player names off my identity crisis because I'm
Heartbroken
And hurt.
I'm not wearing your ******* name tag.
My jaw has welded itself shut in an iron grip,
Teeth straining under the load as they are compressed
And ground together,
Aching joint failing to remind me to unclench.
What little sleep I have gotten has also sought to seal my mouth,
Until morning brings with it the sharp pain and popping I am now accustomed to.
Sores line my inner lip,
Pale, stinging pits reminding me how close I am teetering on the edge,
Body clinging to its composure amidst sleepless nights
And adrenaline baths.
A feeling like fire alternately surges up my sternum and over my shoulder,
The taste of stomach acid hot on my burning tongue.
I wonder how long I can keep this up
Until the shoulders , taut with paranoia and effort to keep me safe
Pull my very bones apart with aching muscles.
Perhaps I will be consumed from the inside,
Cracking open the same way my chest already feels.
What am I doing here,
Amongst the memories, the mournings, borrowed time?
I am trying desperately to save her from her certain fate
With love and worry and prayers to her God, the one I don't believe in.
I am also trying to save me, the little girl I used to be,
From the torment I know she will experience anyway,
Wishing fervently I could pull her through time and space
Into a world that isn't trying so hard to **** her for who she is,
The space she occupies unknowingly.
I'm haunted by the mouths of children, the words and hands of grown adults
Who did a thorough job of reducing her to mere mud and human filth.
That girl, young, wide-eyed, desperately lonely and confused,
Burning with self-loathing and pain no one will admit to causing,
Haunts me, climbs into bed and warms her frigid form with my body heat.
I can't save her,
The same way I can't save dying grandmothers or dead friends,
Yet my body is tormented because my mind is tormented.
I am cracking, slowly,
Pieces at a time.
But I'm not so easily bested now.
That little girl built armor and walls and weapons to guard herself,
So I down another cup of coffee,
Pour salt into the sores,
Crack my jaw,
And get back to work.
I have to save myself, too.
Willow Branche Mar 2014
I pull it inside.
It cools me as it flows downward.
It's black, sticky hands wrap around my lungs.
A cool shiver trickles down my spine.
My muscles unclench from the daily beating.
My blood calms down.
I have escaped the calls of the blade for now.
For now, the smoke flies away with me.

— The End —