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trash bag Jul 2015
“hey” is the only thing you say
pressing your hand against the doorframe 
and leaning in
looking past me as if you would see anything different, but it's all the same
nothing has changed except maybe you and me
and whoever decides to fill my body next
the chain on the door covers your eyes
 and i can't help think about how different you look
like a stranger; one i wouldn't expect to meet me 
at my threshold with groceries in a brown paper bag
now, of course, you only bring me a heart 
and say it's nothing

“hey” is the only thing i say, 
unlatching the chain, and letting you inside
 like i'm letting you drip down my throat
i busy my hands with the locks,
 the locks i put there, at first, to keep you in, and then, eventually, to keep you out
but now it seems, to anybody watching this exchange between our worlds,
like i put them there 
to keep my back turned to you, 
to avoid you while you spread out on the couch 
and let all your dead-eyed visions collect on the coffee table

“hey” is the only thing you say
when you notice the missing ash tray,
the one you used to use as a church,
where each burnt shell was an empty prayer,
and each smoke tendril was a hand to send it up to heaven
now it's just a black spot engrained in the wood
now you're just a black spot engrained in the wood
some things did change, i guess, but nothing as much as the two of us.
i remember when our old bodies fit together so well,
and how they rested so easily right where you’re sitting
i remember when i shared that smoke with you and helped you send it up to wherever you wanted it to go
i want to talk to you about that smoke, now, among other stupid, half-symbolic things that i'm not entirely sure you’d understand or even remember,
but i don't. instead i finish with the locks, which are also stupid and symbolic, and spread out next to you on the couch
i wish i had my own dead-eyes visions to unload next to yours, but then i remember that i left all of mine
somewhere inside of you

“hey” is the only thing i say, and sometimes, its the only thing i can say.
Dragging my soul through the mud
Alienating the spirit out in the cold

No steps taken, Not even to think of it

Countless attempts have been taken
Mind foregoing experimental drugs
A weeks worth of ******
Slapping myself in the face, regretlessly

No control taken, Losing sight of reality
Realms coming unreal

Relentless faulty wire crossing the line
Unattaching all emotion
Unlatching all sympathy

Disarming defenses
Throwing the towel in on the offense
Letting down all guard

Forgetting all abilities
Giving into senility
Darkness draping over me
Out of touch, Out of reach

Returning to sender
Zone unheard of
Addressing the unknown

Nailing shut the coffin
Six foot under tow
R
usting* In Pieces
Dormant Grave
**Forgotten!
©Aiden L K Riverstone
rohith Jul 2010
Waiting for that creaking sound of girls hostel
he waited for the entire night thinking of the day to blossom.
Devastation of those unlatching tensions
revolutionized his dreams
which were burnt alive
by those thunderous storms of love.

He remember that old odor of her tears
mingled with cosmetics on her face
whose fragrance almost demanded
unpredictable love
to which he bowed with his heart.

Breezy winds flew
as unintended emotions brewed out
materializing the enlightenment that i feel in love
wetting the brevity of my poetry with those wet dreams!

Hypnotized by the lavished love
which tuned frequency of my intolerable heart
instantiated
my vocal cords to reverberate in a different passion
in a musical way...in the direction of wind
trying to make it resonate with nature

I LOVE YOU
K G Jan 2017
My chin is ****** in the piles of plastic cups
After nibbling myself out, the tables are bused
Onward unlatching, mussed my steady cause-
she was seducing my balance, I had to adjust
She dented concrete when sussed
She saw my incision and continuously cut
She saw my face when her description didn't fit
To be weak, anemic, and homeless I admit it
Now that my leash is leaking out of the tub
I'll remain spiraling like when in cuffs
KG
Anil Prasad Mar 2015
Life, a dream unfulfilled,
Years advnacing
In their stride, reaching  the end  
With a tottering  gait--

Or a dream realised
On an empty canvas
When the years themselves
Are beating the hasty retreat

Leaving the body paralyzed
Unlatching  the gate, releasing the soul,
A blessed prisoner
Of hope!

Life, a  journey within or
Without, a destination
Or an inevitable cul-de-sac
Reaching, yet not reached

Whatever it is
It goes on
Images emerge and merge
Of those met on the way

In the ocean of memories--
Searching for meaning
And substance,  you
Seem to be glum and dumb!

You stand and wait and ,
Pause to think about
In the middle of the road,
"On The Move 'Man, You Gotta Go"
JL Mar 2013
Dear Everything
Tonight I may die of over stimulation my frontal lobe ****** by a televised illusion- of her listening to records black coffee the needle scratches
Her eyes shotgun blast to my chest second glance whiplash running
All the red lights in my brain she steps onto the street as I follow beneath in sewer tunnels like the rat to peanut butter smeared traps Squirming between the cracks in the pavement To
An old brick high rise looming I watch from the alley as one window
Lights her slender shadow ******* heart beating watch ticking
I climb the rusted razor wire fence the old fire escape to the window my knife blade slipping between the catch unlatching silently I slip into the bedroom flower
Scent engulfing my senses her form softly breathing eyes closed
I stand above her wishing I were dead ripping at the hole in my chest How must she taste?
Picking at the wound she has created crawling inside to infect with her canines snagging the muscle tissue startled awake she looks into my eyes snapping the trap on my neck
Sora Oct 2013
Spinning in the dark
Looking for the summer light
Flying into the Kiwi's nest down under

Gasping for not breathed air
In the frosted midnight grass
Arching towards the muddied moon

Searching, wanting, craving
Needing that blade
To pour out all the wrongs
And set attention on the

untouched tomorrow

Crying, gasping, spinning, losing, gaining, loving, hurting
Unlatching
My Dear Poet Apr 2021
Through empty hallways
and the wide corridor of life
days, like doors, are unopened
for fears of welcoming strife
reluctantly, we refuse to look
into a new day, like a locked room
known only by unlatching a hook
to find the futures not so gloom
Yet running to the day before
We drop ‘Today’,  like a lost key
that unlocks the day behind that door
where ‘Tomorrow’, could’ve set us free.
Joanne Heraghty Apr 2021
Is this where it ends?
The pouring of words,
The same as the rain against the window.
Moisture to the grass.
Safely unlatching the gate,
The horses huff in the darkness.
The sky so bare,
But it reminds me of someone else;
Beneath his chin, beneath our dreams.
Is this where we have come?
To my insincerities,
To my lies, disguised as truths.
Half-truths, we will say.
Your arms an honour:
Your doors are opening,
Finally,
But I am locked behind my own.
Is this where the road ends?
Cooped up for too long,
The light has escaped our space;
Casting shade in your eyes
And doubt on me.
With the road that lay ahead, breaking slowly,
Crumbling in slow motion:
So loudly, so harshly.
Is this where we end?
Individual thoughts on the unknown:
Opinions and perspective
The world went upside down when you spoke,
Tossing me off my feet,
The red of my hair the last thing I recall.
An inner voice spoke then:
The clucks and the chatters faded.
Until it all became void.
But this is not the first time,
This will not be the last.
Although, it is the end:
To the vanilla latte air,
To the inconvenience.
The pins on the map are all mine now,
The administration is yours.
I have no more debt,
And the circles never combined anyway.
The sun sets while we look away,
As always,
And then we drift off:
Into the abyss, into our own worlds,
Into individuality.
Until we find our voices,
And start again.
14-5-2020

© All Rights Reserved Joanne Heraghty
Mickey Chase Aug 2015
Putting it mildly,
Sleep has discarded me.
My once restless nights have
Turned to now restless days,
And in ways I guess this is the better than sleeping…
In sleep I know I would only find myself
Dreaming about you.
Getting caught up in the fiction
That my mind has so kindly made up for me,
Because in reality,
I know that things wouldn’t be so great.
Things would be problematical,
Complicated,
Intricate.
Sleep is nothing if all I do is dream about you,
Because having you in my dreams isn't good enough for me,
I want to hold you in the embrace that I have mastered in the time that you were gone,
Kiss you in a way that you will remember every time you smell my perfume,
And love you in a way that I know you will never find again…
If left in just my dreams
Soon enough you'll just turn to another
Monster lurking in the corridors of my heart.
Knocking on the doors of our memories,
Unlatching the caged demons in my soul,
Baby things have gone a bit out of control here.
Skies that were once baby blue
Have turned to a new shade of depression,
Oppression,
You held me down.
Scratch that,
We held each other down in power struggle.
While I added bittersweet delirium to your life,
You put faultless certainty into mine.
I found that with you…
Things don’t have to make sense.
They can be messy and
Perplexing
And confusing,
And it will only add to the beauty of the situation.
But I still do not want to dream about you.
I fear what dreadful panorama my mind will paint me every night,
If it will be Romeo & Juliet
Or Harley Quinn and Joker…
The confusion of what will happen
Breaks me apart
Yet I can't help but want to start this all over again.
Go through the motions with you till you
You fracture my heart
Split it in to a new galaxy
Where pieces of my heart become stars.
Where monsters in the hallways won't scare me
And I am still free to be in love with you.
You captivate me like no one ever has,
Inevitably you are my Picasso.
Taking my heart and squeezing the life from it till its dry,
Using my blood as your paint
My heart your new paint brush.
As you create a portrait
Of what Love looks like,
And when you do
All you will paint
Is two people sleeping.
One in his bed peacefully asleep,
And the other,
Restlessly awake,
Afraid to start dreaming again.
Poe Reimer Sep 2016
You're always evolving for what you are doing,
like big burger eating and bad TV viewing,
inheritance wasting and CO2 spewing
and world undoing and logic eschewing
and though we've been at it for just a short bit
it seems we've already achieved a good fit,
but what we're now sowing we soon will be reaping
and then we'll commence with the read 'em and weeping
and start to evolve for new habits we're keeping
like alley-cat roasting and cold-culvert sleeping
and valuable snatching and cholera catching
and have-a-rough-patching and brain-come-unlatching
and so for a while we will be in a bind
'til the traits of the species become redefined
and the tastes of your offspring begin realigning
with boiled rat dining and garbage pit mining.
Arindam Barooah Dec 2020
I unfurls to sail,
stretching my arms out.
Gust of ecstatic emotion surges,
silent agony fall to pieces,
torn & tattered.
I seek floating away,
unlatching imprisoned soul,
fleeing deep dark abyss.
Pity and regrettably,
I don't feel free.
I am wingless.
Silent, constrained, caged
trapped for life.
aurora kastanias Oct 2017
It has been said many times before, ‘Old
Habits die hard’ and I agree, without
Condemning any of my own, as I begin
Unlatching eyelids, shutters to the real world,

To gentle caresses of sunbeams, furtively tiptoeing
Around the room, invading space, consistently crawling
On my bed, to reach my forehead and grant
A longed-for princely awakening kiss.

My feet touch the floor, a few steps next door,
I cleanse my face with tepid water, always
Appreciatively contemplating the billions years
Old interstellar ice, molecules composing each single drop.

I slowly walk downstairs anticipating the day, prepare
The espresso coffee ***, as I allow the radioman to shower
Me with the latest news I wish to block,
Roll my cigarette and open my precious laptop

Containing me and all my thoughts, a second brain
To register what I forgot. Look about in the meanders
Of a virtual world other than my dreams
And proceed typing words that combined create

Meaning, unleashing imagination, feelings and evanescent
Memories, observing my surroundings, once more asking
Myself why, each time I take a break and lie
By the lake, ants climb over my body.
Maybetomorrow Mar 2023
I wander between heart and mind
Between daydreams and reality
Between tormenting silences
And tiring screams
Between yes and no
Between beauty and tragedy
Between being stripped and layered
Between passion and comfort
Between hurtful truths and comforting lies
Between search and rescue
Between sky and roof
Between full and empty
Between realization and delusion
Between whole and pieces
Between gaining and losing
But most of all between
my own inner landscape
Weeding watering
Planting uprooting
Building dismantling
Fencing unlatching
Acknowledging that this garden is not perfect
Not by any stretch of the imagination
It has been the Atlantis of the soul
Seen layers below the rock bottom
It has been a traveler
Who has found a home
In happiness and in pain.
Skyler M Sep 2017
Dadda
There's something I need to say
Dadda
There's something on my mind

I'm watching stars come crashing down
As the moon screams in delight
the wind whispers my name
Saying, "Everything will be alright."

I can't see your eyes and I'm tasting mud
But pools of static are haunting mine.
I wish to hold on to something strong
but the arm that I'm grasping is unlatching now...

Dadda
I'm telling the jury the puppet is dancing
Dadda
I've had your shoes, I put them on for size

Though I never saw the gun by your bedside,
Now I can feel your breath fading
I'll go crawling down
Looking for a dead body

He can't hear me scream his name
the jury's decided no more playing
Deathrow for the man with a tender embrace

Dadda...

Dadda...

Dadda...
Now gather close and lend your ear,
I’ll tell a tale both strange and dear—
Of salt and glass and love gone pale,
Of one who served in Fish Jail.

A tankman by the name of none,
Just “Tankmaster,” the warden’s son.
He walked the rows and knew each fin,
The grumpy cod, the lion’s grin.

He wore his keys like jangling pride,
With boots that sloshed from side to side.
He spoke to eels, he joked with rays,
He knew the sea in landlocked ways.

The place was bleak, a briny tomb,
All buzzing lights and filtered gloom.
A place for fish too odd to show,
Too fierce, too big, too wild to go.

A seahorse thief, a pouting shark,
A tuna once struck lightning's spark.
Each tank a tale, each fin a crime—
He kept them safe, and served his time.

And oh, the peace! The sacred drag
Of daily rounds, of soggy flag,
Of filter hum and crabby chat—
No storm could shake a life like that.

But then one day a box arrived—
The tape was torn, the air contrived.
It bore no label, bore no name,
Just stenciled letters: S.A.M.

Inside she crouched, not beast, not girl,
With skin the shade of oyster pearl.
A filament above her brow
Did twitch and glow—but none knew how.

Her form was human, more or less,
But wore the sea like Sunday dress.
Her teeth were sharp, her smile wide—
A maw that angels couldn’t guide.

She tapped the glass, but not for aid—
It felt more like a masquerade.
She watched him back. She knew his gait.
And something shifted in his fate.

Now Tankmaster, once firm of tread,
Found footsteps drifting soft instead.
He passed her tank with careful grace,
Avoiding, yet... returning face.

Her lure would glow, a golden thread,
That shimmered just above her head.
It danced like flame, but cool and slow—
A phantom pulse, a wanton show.

It flickered once when none were near,
A signal soft, a beckon clear.
And though he knew the predator's way,
He lingered just a breath too gray.

She shifted hues, an artist bold—
From violet dusk to kelp-leaf gold.
She'd mirror him, like rippled glass,
Her moods a mask no man could pass.

She watched him more with every day,
Her colors swelling like a sway.
He told himself it meant rapport—
Not instinct, not a practiced lore.

And though he saw her needle smile,
It struck him sweet, not full of guile.
For predators may grin with glee,
But he was not her enemy.

He dreamed of light beneath the waves,
Of eyes that saw and hearts that craved.
Her glow became his north, his myth—
His compass in the ocean’s drift.

By night he found excuses thin,
To mop the floor or check a fin.
And every time, he’d catch that gleam—
The pulse, the flash, the clever scheme.

His rules grew loose, his grip grew slack,
The Tankmaster had turned his back.
She hadn’t begged, she’d never asked—
But oh, how sweetly she unmasked.

And when the lights above went low,
She pulsed again, that siren glow.
He knew it then—though far too late—
He’d nibbled clean upon the bait.

They say some love is loud with heat,
With pounding chests and lightning feet.
But his was slow, like tides that turn—
A creeping ache, a patient burn.

He’d watch her float in silent grace,
A stillness draped across her face.
She mirrored him in shape and shade,
A ghost of all the things he’d prayed.

Her aquaskin would blush and bloom
In tones that made the whole tank swoon.
And every shift—a secret told,
A myth half-sung, a promise bold.

She showed him things no fish had shown—
A mimic curl, a moaning tone,
A pattern traced in reef and limb
That spelled out, "you belong with him."

He told her tales of years gone dry,
Of losses stacked like cages high.
She’d pulse in blues that swore she knew,
And shift to amber, raw and true.

And when he laughed, she turned to jade,
As if to say, “You’re safe, you’ve stayed.”
She never spoke—no word, no vow—
But love, he swore, was here and now.

She swam in rings around his core,
And whispered with her glowing lure.
Each day he stood a little less—
Each night he dreamt of ocean dress.

And oh, those dreams! So sharp, so wide—
He saw her walking at his side.
On land she danced with human poise,
But still her teeth—still sharp, no noise.

He pictured homes beneath the waves,
Where kelp would sway and time behaves.
He saw a place where both might live—
If he would take, and she would give.

Then came the night she did not shine.
Her lure was dim. Her hues, benign.
She drifted slow. Her glow grew slack.
He thought she’d gone—she floated back.

And in that hush, she pressed her hand
Against the glass like silt and sand.
Her gaze said, This is not a game.
Her silence carved into his name.

“I cannot stay,” she didn’t say.
“But you could come. You could obey.”
“You could unmake the world you guard.”
“Unlock the tanks. Unmoor the yard.”

And he—our man, our warden proud—
Felt something snap beneath the shroud.
He whispered, Yes, with breath unsure.
And followed her beyond the door.

The night was thick with ocean’s breath,
A hush that smelled like brine and death.
The Tankmaster moved like a prayer,
Unlatching doors with tender care.

The pumps went quiet. Lights went dim.
The jail gave up its bones to him.
He breached the final safety line—
Not for escape, but love divine.

S.A.M. awaited in the drain,
Her lure aglow, her eyes arcane.
She did not speak—she simply turned,
And through the floodgates, silence churned.

He followed barefoot, half-aware,
That salt replaced the county air.
His boots stayed dry. His lungs stayed wet.
And yet, he hadn’t drowned. Not yet.

She led him past the harbor’s bend,
Where sea begins and maps must end.
She said, in colors, “This is home.”
And gestured down through dark and foam.

He nodded once, and left the shore.
No suitcase. No regrets. No door.
His name dissolved like sugar glass—
The last to call him “master” passed.

Down, down they fell through ink and hush,
Through ruins dressed in coral blush.
Where whale bones served as banquet halls,
And lanternfish lit shattered walls.

Her kingdom was a fractured reef,
Built not of joy, but loss and grief.
Yet still she smiled, with glowing pride,
And swam along her darker side.

She crowned him with a band of ****,
She fed him silt and urged him, “Breathe.”
She curled around him, fin to chest,
And whispered lies that felt like rest.

And he, now gilled, now hollow-eyed,
Declared her queen, declared her bride.
He carved her name in drifting sand—
A vow no air could understand.

The sea grew thick. The current rough.
But he was hers. That was enough.
He gave his breath. He gave his will.
He thought it love.

He does so still.

The Queen below was radiant,
But never still, nor covenant.
She shimmered strange from hour to hour—
A tide of charm, a pulse of power.

At first she wrapped around his chest,
A song of kelp, a weightless nest.
But soon her glow began to shift—
From tender teal to cold and swift.

She twirled with others near the wrecks,
With ribboned fins and flexing necks.
She sang to creatures fierce and free—
And barely once she glanced at he.

He watched her from a crumbled spire,
His chest a forge without a fire.
She used to pulse in time with him—
Now colors danced for something dim.

He called her name in bubbles bare,
But water doesn’t carry care.
She laughed with lips he’d once believed,
And left him like the rest—bereaved.

His body changed in silent ways—
A fading man, a fish half-raised.
His bones grew soft, his voice grew mute,
His purpose crushed beneath her boot.

One morning brought a mimic form—
A copy of his old, worn norm.
It swam in loops, a cruel ballet—
While she watched, then turned away.

He found his heart inside a shell,
A fossil soaked in personal hell.
He held it close, then let it go—
There’s no heartbeat that deep below.

He tried to love her still, in bits.
To catch her gaze in passing fits.
But she had gone where lures must lead—
To newer mouths, to fresher need.

He lay beneath a reef of teeth,
Of suitors stacked in shame beneath.
And still she smiled. And still she danced.
And he, the fool, remained entranced.

But one day came the breaking tide,
The pull that said: “You’re not her pride.”
And with a groan and shattered limb,
He rose from depths that once held him.

His skin peeled back to something raw.
His lungs returned in gasping awe.
He kicked through bones and tangled moss—
Through everything he’d loved and lost.

He reached the surface, torn and thin.
And when he gasped, the world breathed in.
But even then—though free from harm—
He felt the echo of her arm.

He broke the tide like thunder’s crack,
The ocean screaming at his back.
His limbs were torn, his vision grey—
But he had left. She made him pay.

The air was knives. The sun, a blade.
Each breath he took, a price he paid.
But breath it was, and sky was sky,
And gulls don't lie the way fish lie.

He crawled ashore on beaches sand,
A place untouched by S.A.M.'s hand.
The moss was wet, the earth was kind,
And quiet tried to calm his mind.

He walked alone through cedar groves,
Through fog that curled like ocean loaves.
No more the hum of filtered lies—
Just wind and soil and open skies.

Yet still, by puddle, lake, or pond,
He’d feel the ache of something fond.
A flicker here. A whisper there.
Her glow still danced behind his stare.

At night he’d dream of reef and wreck,
Of tendrils coiled around his neck.
And some mornings, he’d almost swear
He missed the silence of her stare.

But he stayed dry. He stayed alone.
He healed in moss, in bark and bone.
He found new music in the rain,
New prayer in fog, new joy in pain.

And once beneath a storm-split moon,
He stood atop a coastal dune.
And far beyond the cliffs and kelp,
He saw a flicker—small, but felt.

A single pulse. A distant gleam.
Too faint to chase. Too real to dream.
He smiled—not wide, not full, not proud—
But soft, and small, and not too loud.

Not joy. Not rage. Not even grief.
Just quiet peace, and firm belief
That some survive, though torn apart,
And carry teeth marks in their heart.
Learn to Swim is an allegorical folk epic rendered in verse, drawing from early Americana tall-tale traditions and deep-sea surrealism to tell the story of a love that becomes a slow descent into erasure. It follows a nameless "Tankmaster"—a solitary figure tending to a vast and uncanny aquarium—whose life is upended by the arrival of a mysterious creature known only as S.A.M. (Sentient Aquatic Mermadic).

Through the lens of bioluminescent seduction, mirrored intimacy, and the illusion of mutual escape, the poem charts the journey from enchantment to entrapment, abandonment, and ultimately a brutal emergence. Each movement is layered with metaphor: aquariums as prisons, lures as emotional manipulation, the ocean’s depths as both love and loss.

The intent behind the piece is to explore the psychological terrain of narcissistic abuse and emotional exploitation—but to do so at a distance, through fable, fantasy, and folklore. It is a deeply personal myth masked in Americana voicework, designed to preserve the rawness of grief while disarming its defenses. In the end, Learn to Swim is not a love story—it’s a survival song.

— The End —