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A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
Fountain, that springest on this grassy *****,
Thy quick cool murmur mingles pleasantly,
With the cool sound of breezes in the beach,
Above me in the noontide. Thou dost wear
No stain of thy dark birthplace; gushing up
From the red mould and slimy roots of earth,
Thou flashest in the sun. The mountain air,
In winter, is not clearer, nor the dew
That shines on mountain blossom. Thus doth God
Bring, from the dark and foul, the pure and bright.

  This tangled thicket on the bank above
Thy basin, how thy waters keep it green!
For thou dost feed the roots of the wild vine
That trails all over it, and to the twigs
Ties fast her clusters. There the spice-bush lifts
Her leafy lances; the viburnum there,
Paler of foliage, to the sun holds up
Her circlet of green berries. In and out
The chipping sparrow, in her coat of brown,
Steals silently, lest I should mark her nest.

  Not such thou wert of yore, ere yet the axe
Had smitten the old woods. Then hoary trunks
Of oak, and plane, and hickory, o'er thee held
A mighty canopy. When April winds
Grew soft, the maple burst into a flush
Of scarlet flowers. The tulip-tree, high up,
Opened, in airs of June, her multitude
Of golden chalices to humming-birds
And silken-winged insects of the sky.

  Frail wood-plants clustered round thy edge in Spring.
The liverleaf put forth her sister blooms
Of faintest blue. Here the quick-footed wolf,
Passing to lap thy waters, crushed the flower
Of sanguinaria, from whose brittle stem
The red drops fell like blood. The deer, too, left
Her delicate foot-print in the soft moist mould,
And on the fallen leaves. The slow-paced bear,
In such a sultry summer noon as this,
Stopped at thy stream, and drank, and leaped across.

  But thou hast histories that stir the heart
With deeper feeling; while I look on thee
They rise before me. I behold the scene
Hoary again with forests; I behold
The Indian warrior, whom a hand unseen
Has smitten with his death-wound in the woods,
Creep slowly to thy well-known rivulet,
And slake his death-thirst. Hark, that quick fierce cry
That rends the utter silence; 'tis the whoop
Of battle, and a throng of savage men
With naked arms and faces stained like blood,
Fill the green wilderness; the long bare arms
Are heaved aloft, bows twang and arrows stream;
Each makes a tree his shield, and every tree
Sends forth its arrow. Fierce the fight and short,
As is the whirlwind. Soon the conquerors
And conquered vanish, and the dead remain
Mangled by tomahawks. The mighty woods
Are still again, the frighted bird comes back
And plumes her wings; but thy sweet waters run
Crimson with blood. Then, as the sun goes down,
Amid the deepening twilight I descry
Figures of men that crouch and creep unheard,
And bear away the dead. The next day's shower
Shall wash the tokens of the fight away.

  I look again--a hunter's lodge is built,
With poles and boughs, beside thy crystal well,
While the meek autumn stains the woods with gold,
And sheds his golden sunshine. To the door
The red man slowly drags the enormous bear
Slain in the chestnut thicket, or flings down
The deer from his strong shoulders. Shaggy fells
Of wolf and cougar hang upon the walls,
And loud the black-eyed Indian maidens laugh,
That gather, from the rustling heaps of leaves,
The hickory's white nuts, and the dark fruit
That falls from the gray butternut's long boughs.

  So centuries passed by, and still the woods
Blossomed in spring, and reddened when the year
Grew chill, and glistened in the frozen rains
Of winter, till the white man swung the axe
Beside thee--signal of a mighty change.
Then all around was heard the crash of trees,
Trembling awhile and rushing to the ground,
The low of ox, and shouts of men who fired
The brushwood, or who tore the earth with ploughs.
The grain sprang thick and tall, and hid in green
The blackened hill-side; ranks of spiky maize
Rose like a host embattled; the buckwheat
Whitened broad acres, sweetening with its flowers
The August wind. White cottages were seen
With rose-trees at the windows; barns from which
Came loud and shrill the crowing of the ****;
Pastures where rolled and neighed the lordly horse,
And white flocks browsed and bleated. A rich turf
Of grasses brought from far o'ercrept thy bank,
Spotted with the white clover. Blue-eyed girls
Brought pails, and dipped them in thy crystal pool;
And children, ruddy-cheeked and flaxen-haired,
Gathered the glistening cowslip from thy edge.

  Since then, what steps have trod thy border! Here
On thy green bank, the woodmann of the swamp
Has laid his axe, the reaper of the hill
His sickle, as they stooped to taste thy stream.
The sportsman, tired with wandering in the still
September noon, has bathed his heated brow
In thy cool current. Shouting boys, let loose
For a wild holiday, have quaintly shaped
Into a cup the folded linden leaf,
And dipped thy sliding crystal. From the wars
Returning, the plumed soldier by thy side
Has sat, and mused how pleasant 'twere to dwell
In such a spot, and be as free as thou,
And move for no man's bidding more. At eve,
When thou wert crimson with the crimson sky,
Lovers have gazed upon thee, and have thought
Their mingled lives should flow as peacefully
And brightly as thy waters. Here the sage,
Gazing into thy self-replenished depth,
Has seen eternal order circumscribe
And bind the motions of eternal change,
And from the gushing of thy simple fount
Has reasoned to the mighty universe.

  Is there no other change for thee, that lurks
Among the future ages? Will not man
Seek out strange arts to wither and deform
The pleasant landscape which thou makest green?
Or shall the veins that feed thy constant stream
Be choked in middle earth, and flow no more
For ever, that the water-plants along
Thy channel perish, and the bird in vain
Alight to drink? Haply shall these green hills
Sink, with the lapse of years, into the gulf
Of ocean waters, and thy source be lost
Amidst the bitter brine? Or shall they rise,
Upheaved in broken cliffs and airy peaks,
Haunts of the eagle and the snake, and thou
Gush midway from the bare and barren steep?
Ethan Kreman Oct 2013
What's this what's this there's targets everywhere
What's this what's this there's screaming in the air
I can't believe my eyes, I must be dreaming
Wake up Altair, this isn't fair

What's this..

They're all throwing tomahawks, instead of throwing heads.
They're slitting throats with a blade that's in their wrists now they are dead!
All the people dead, I can't believe my eyes.
I'm so surprised Altair's the only one that had survived...
What's this?
Clone re Eatery Jan 2015
Thee Artiste Carvó's "I Went Berserk Today"*

I went berserk today...
They locked the cell again...
And I started to pray...
That they didn't forget my meds...
And pray...
Because my cell was filled with horrors...
And a fine **** came...
It passed through the hole in my soul...
And the fine **** was my art...
That I had made...

It smelled...
Oh oh...
Oh so good...
A truly fine ****...
My meds now no longer needed...

The visions reappear...
Tomahawks...
Fly in flock...
And are dropped by the smell of ****...
A fine, fine **** from Thee Fartest

Dust storms...
Stay in a rut...
Between the frail cheeks of my divine ****...
And are expelled with my next fartistic emission...

I...
I stay stay on top!
Floating upon the winds of ****...


Original ('I Went Home Today...') by:      Thee Artiste aka Logbrain Crappó
Reworked by:    CrE aka Trollminator
This is the second in a series of reconstructions of the drivel of "Thee Artiste" aka Logbrain Crappó which has been previously posted on HP.

True, nothing could possibly make Thee's mindless nonsense less lousy, but at least it can be put into a neater, though still steaming, pile...
Terry Collett Oct 2013
At the back
of the brick bomb shelter
out of window view
on Saturday morning

before the matinée
Fay pulled up the hem
of her yellow dress
to show Baruch

the bruises
and red marks
her father had made
and all because

she didn't know
the Credo in Latin
all the way through
Baruch stared quickly

then she let down the hem
and said
don't tell no one
else I'll be for it

I won't say a word
he said
what the heck
is the Credo?

she looked at him frowning
you don't know?
no idea
he said

it's the I Believe prayer
and we Catholics
are supposed to know it
all through

but my father
wanted me to know it
all in Latin
but I couldn't get it all

and he got mad
and punished me
she said
I believe what?

he asked
I believe in God
the Father and so on
she said

I'm Jewish
Baruch said
we have our own prayers
not that I can recall

any of them
I do
she said
but Latin is hard

and the nuns say it
all the time in their prayers
and one nun hit me
with a ruler for mistakes

and said I was lazy
Baruch shrugged his shoulders
glad I aren't Catholic then
he said

now what about
the cinema matinée?
you coming?
my father said

I was to stay in
all weekend and practice
but my mother said
go and enjoy

so you are coming?
he asked
Fay nodded
yes guess I will

what about your old man?
he's away for the day
in Liverpool
and Mum said

she'd cover for me
good for her
he said
she pulled her dress tidy

and he pushed his fingers
through his dark brown hair
and they climbed over
the metal fence

surrounding the grass
and bomb shelter
and walked under
the railway bridge

and up the narrow road
behind the cinema
Baruch in his jeans
and red cowboy shirt

his silver looking
six shooter
tucked in his belt
walking beside her

looking out for bad guy
or Injuns
making sure
none scalped him or her

with their tomahawks
riding their invisible horses
across the bomb site
but none came

so he could relax
knowing she
and he
would be all right.
SET IN LONDON IN 1950S.
Norman Crane Sep 2020
V
water drops
     drip on rocks
          from the tops
               of tomahawks
I joust myself into jovial life
Jocose tatterdemalion and stygian salaciousness
Umbrage abrogating merit like swamping locusts
The mammoth chip on shouldered kids starving for life
I'm waiting on purgatory, and I'll wait for you with knives out
Cemetry of the artist stubbed beards and pubescence in the Phoenician Lands
He said she should have left the house
Tomahawks can still cut the vineyard, make my loquacity into beer-tap poetry
Flowery, murmur, kumbaya, kalimba de la soul and all thoughts aside
You're hoping music brings the song to my speechless heart
Your dance sounds light the motionless night, only the tapping of starry footsteps
Hob-nobs, more and more, knobs of heaven's doors open to every hippie with angel hair
Crossing the wires of substrates
Sonatas and partitas can be lugubrious, yet, elegantly examined
Nocturnes, from the centuries

Of ten old centurions
Came down to the Colosseum
Gladiator enthralled the chariots of fire
I was with ten ants, burning under the microscope
Tenants of this Roman Empire

Fighting for your rights
Fighting for the people who cannot fight
For the weak, requires peace and understanding
Shiny, homeless people lost the soul to the drugs and marijuana smoke under streetlamps stretching to infinity
This earth is an orchard of flowers
Slightly plump in the middle, it's mother nature
Not zaftig, it has latitudes and longitudes
Lavish life, garish fiefdom, stretches across the bent imagination of perverse minds
Looking for a kiosk in the peak of red skies that do not know blood and aggravation
New Year's Day, the cyka cry Mother Russia and SOS
Shooting flares into the sky
To reach so low, and to reach so high
Shouting slogans, written by the poets
Passion, prejudice, sensibility, comradery these are metiers of poets
Secrets strewed across the bloodless sky
Wishful thinking tantamount to head in the clouds
The clouds have different shapes and size, the fire of the greater existence lends us words in thoughts
a bird on a wire
anxiously tweets
outside my
Good Friday
pane

The Carl Vinson
battle group
plies the China Seas
rolling through waves
like a deadly
Tsunami

MOABS plaster
mountainsides,
commanders are
certain the right
bomb, for the right job
produced a righteous
body count

Tomahawks strafe
another Syrian
neighborhood, already
desperately choking on
the stench of corpses

“Crucify Him!”
They shout
“We want blood!”

“Give em a
good scourging”

Before we place
a crown of thorns
on his head

Let the blood drip
pierce him with
a pike, let it all
spill out

The pundits
sanctify the
sacraments
of death with
strategic acuity

Just another day
in a closer walk
with Thee, for the
Pilgrims of Sorrow

Music: Soul Stirrers,
Pilgrim of Sorrow

Painting:
The Road of Sorrows
Nina Marchenko

Good Friday 2017
Lavallette NJ
jbm
Unlife Apr 2011
The general
Ignores the desert sun in favor of
Refreshing a clip
Standing rigid against the sand and the time
And the bullets
This land offers.

What awe I evoke
From savages whose methods are like driving
Tomahawks to steel.

The general
Feels no more
Than desert sun.
Terry Collett May 2015
We come out of the cinema
like let loose young dogs of war
up and along the New Kent Road
the daylight blazing into our eyes

the roar of traffic in our ears
and on and up by Neptune's fish shop
-not to buy no more coins-
and wait by the crossing

both Enid and me waiting
looking at the opposite side
of the road at the bomb site
the opening of Meadow Row

good film wasn't it
Enid says
looking at me
through wire framed spectacles

her eyes bright not dull
as they usually are
no fear there yet
of her old man

traffic stops and we cross
the road and then run
onto and across the bomb site
I'm riding my imaginary

black horse shining like crude oil
and she just behind riding
her pretend white horse
-not side saddle like some lady

but like me on the saddle-
the whole world stops for us
we are riding a new Wild West
our guns firing at advancing

bad guys or maybe Injuns
with tomahawks
then she stops in her tracks
and stands there sans horse

eyes full of fear
what do I tell my dad?
she says
he doesn't know about the cinema

what do I say?
I look at her
my imaginary horse dissolved
and I walk over to her

see her visibly shaking
and I've been with you too
what can I tell him?
she says

I look at her standing there
her hands holding each other
her eyes fear glazed
say you've been with

some else to the park
what have you
she looks at me
I can't lie he knows if I lie

she says
create a truth
I say
what do you mean?

she asks
tell him you've seen
horses up West
up West?

yes West End of London
but he won't believe me
about that what horses he'll say
be creative tell him some

of what you've seen
she frowns
about the horses?
yes be inventive with it

she thinks
and we walk down Meadow Row
she looking at the ground
mind in thought

I look at her walking there
knowing she'll not get it right
no talent for the invented word
her old man will whack her sure

and as we walk up
through the Square
I see him on the balcony
standing by his door.
A BOY AND GIRL IN LONDON IN 1957.
What was the inspiration
for country ponds , for carefree
bodies of water nurturing native songs
Filling young hearts , blue mirrors with tall pine edges ,
carefree days 'neath cozy river birches
Dragonfly prancers and rock bass river dancers ,
sultry bullfrog diddies , red clay marsh , rolled up
britches , sacks of sandwiches , straw hats ,
cardinals , egrets , herons , chickadees and finches
Rain cooled July breezes , row upon row of knee high corn ,
blackberry , blueberry and dewberry thorns
Songs of the creek , of highland hayfield and crystal clear rivers
Tales of arrowheads , tomahawks and hawk feather quivers
The confluence of neighboring streams
The story of piedmont dreams
Copyright March 14 , 2017 by Randolph L Wilson * All Rights Reserved
Sic semper tyrannis ad mortem
("Thus always I bring death to tyrants"
by infamous by John Wilkes Booth).

Trump’s tyrannical unsubstantiated
usurpation unleashes ugly Uber vagaries,
venomous vitiating, viva voce vulgarity,
wakening warring wicked woebegone
wretched Xerses, yawping yelping
yipping zeal.

The Doomsday Clock lurched thirty
seconds closer to midnight. As conclave,
sans Atomic Scientists’ Science and
Security Board (advised by Governing
Board and Board of Sponsors – including
Eighteen Nobel Laureates).

Alarm bells clang; declaring emergency
fiasco grips hearts; indoctrination
jacked knifed kraal; linking mankind’s
nemesis; opportunistic Pandora; queuing
rockets; spewing torpedoing urchins;
Versailles visiting violation vis a vis
weathered wracked…xing yanked
Armageddon

If twittering Trump’s troubling trends
trawls toxic, then tinder testy testosterone
terribly tells tattletale taking atrocious,
burglarious, calumnious, disharmonious,
egregious, ferocious, gregarious, hellacious,

ignominious, injudicious, ludicrous,
malodorous, noxious, obnoxious, pernicious,
querulous, rapacious, salubrious, tenebrious,
unctuous, vicious, wamefous, xylophagous
yields zany zealous zippered zombies.

Prognosticators warn with more urgency
deleterious, dicey donnybrook dumbstruck
fatally feverish, fiery, foolishly frenetic, horribly
humungous, jaggedly jittery, jumbuck Kaiser
kamikaze Kant, kerosene kindling kleptocracy,
kneading lawlessness, learns lessons leaving

lousy luck, nurturing nattering nabobs, peevishness
provoking, puck, Quaking quickening quotidian
rabble rioting rousers, rogues ruthless seismic
spasms strike terror, tinder tomahawks torching
treasures, tidily trickily, troika trove truck.

Cobalt blue eyes per president; pierce panorama;
   pessimistic perception processed
decisions made heavily impinging lives, sans
   people across America,
   laser focus personal quest
quickly embarked, whence twitter feeds ***** riot
   with tweets hinting of political unrest
sprung from provocation fostering folks far and wide

   to speculate motives donned vest
Commander in chief wields iron fist foisting
   wharf air tumultuousness harboring ship of state
   foisting risky business viz electric cool aid acid test
sites set with “full speed ahead”, and
   “**** the torpedoes” fueling
   anarchy, chaos and enormous repercussions

   within sea of humanity wrest
in pieces slung with barrage on behalf of self anointed
   supreme ruler re: Stars and Stripes
   indulging angry rants foment civil chaos,
   where trumpeting hooligans dressed
as hooded lambs curry pandemonium
   proudly straining breeches qua exploits best
exemplified thru prophesies predicting schisms

   starting as faults hair brained baddest
dread locked bunched braids presaging
   deadly mortal Kombat inciting global Jihad lest
the reins of totalitarianism clutched tight
   by septuagenarian who covets ability
   to wield mutant ninja turtle warrior clout
   more precious and priceless than fine
   spun golden toys alas cooped in the attic,  
   or goodies in ***** trapped treasure chest.
In a high school wood shop class, 1 ****, blondish teacher clamped
onto my hard-nut sass with a wet tail to jam it into my lard-**** ***.
Daniel Magner Oct 2017
Sipping coffee,
staring out the office window
at verdant trees, calm.
Children lay in the streets,
twitching from toxins
filled in their lungs.
A father clutched his two dead babies.
Humanity defeated by hatred,
or money.
Missiles launched,
tomahawks flung in the name of Democracy.
Missiles whose name is stolen,
painted over by Democracy's ****** wake.

But today, I am
sipping coffee,
staring out the office window
at verdant trees, calm.
Daniel Magner 2017
Ethan Feb 2019
Turn Turn Turn Turn
Spinning-always-slowly-moving
these days are like tomahawks
shifted into splitting logs
they divide as they create.

Must resist the urge to
listen and then leave
they put hurt into the center
and leave the rest to be surrendered.

Like pillars of salt they're
wounds to be reopened
Closed, supposed to be closed,
The past should be the passed.

Swimming in the present is colder than remembered
and swimming in the future is hotter than the bones
of Helios and horses pulling days into the foam.
For time is drowning forward at the waiting speed of children
whose only hopes and only fears are of father coming home
whose only hopes and only fears are in facing the unknown.

Turn Turn Turn Turn
Dizzy-reeling-dancing-swiftly
these days are like chrysanthemums
wilting in store windows
they hate to be replaced-

The closing of the final book
The last of all the rage
*****'s solemn final look
The curtains falling on the stage

The starting of a brand new life
The beginning of the pain
Simple as it starts its strife
Flowers blossom in the rain-

Turning-always-swiftly-slowly
implacable in motion-

A crashing ocean creates the waves
who just like the turning of the days
break over and over until the tide recedes
and then repeats, a brutal atonement
which leaves Time and I to balance future, past
and living in the moment.
what a waste Jul 2017
Patchwork thoughts crumple out the spout
Apparently the kid's turned mushmouth into sport
Somewhere a hatter laughs or perhaps it was a scoff
I don't know, I'm too far gone to recount the sounds
Service the forks like tomahawks so we can properly
feast on the retorts that taste like a thousand holocausts
Get full, pass out, wake up on a floor more warm
than a mother's embrace, or a thunderstorm's handshake
He's picking scabs to escape the bad
this kid's turning glands into something glad
"Prey of Niger, A.D. 2072," excerpt: Fifteen tribesmen overtook my ***** *** after 5 miles. I was exhausted. I had no experience with desert extremes. The chief ****** said that I could sleep in his mud-hut mansion for an hour before they butchered me. He was pleasant enough, except for his cannibalistical zeal. In another life we could've got along like Siamese twin brothers, I guess.
      Swanky Negresses danced with their hoods ablated. I'd seen sails flapping in the breeze off the Horn, but this was fantastical, like pucked maidenheads shorn by tomahawks.

— The End —