Dosn't thou 'ear my 'erse's legs, as they canters awaay?
Proputty, proputty, proputty--that's what I 'ears 'em saay.
Proputty, proputty, proputty--Sam, thou's an *** for thy paains:
Theer's moor sense i' one o' 'is legs, nor in all thy braains.

Woa--theer's a craw to pluck wi' tha, Sam; yon 's parson's 'ouse--
Dosn't thou knaw that a man mun be eather a man or a mouse?
Time to think on it then; for thou'll be twenty to weeak.
Proputty, proputty--woa then, woa--let ma 'ear mysen speak.

Me an' thy ******, Sammy, 'as been a'talkin' o' thee;
Thou's bean talkin' to ******, an' she bean a tellin' it me.
Thou'll not marry for munny--thou's sweet upo' parson's lass--
Noa--thou 'll marry for luvv--an' we boath of us thinks tha an ***.

Seea'd her todaay goa by--Saaint's-daay--they was ringing the bells.
She's a beauty, thou thinks--an' soa is scoors o' gells,
Them as 'as munny an' all--wot's a beauty?--the flower as blaws.
But proputty, proputty sticks, an' proputty, proputty graws.

Do'ant be stunt; taake time. I knaws what maakes tha sa mad.
Warn't I craazed fur the lasses mysen when I wur a lad?
But I knaw'd a Quaaker feller as often 'as towd ma this:
"Doant thou marry for munny, but goa wheer munny is!"

An' I went wheer munny war; an' thy ****** coom to 'and,
Wi' lots o' munny laaid by, an' a nicetish bit o' land.
Maaybe she warn't a beauty--I niver giv it a thowt--
But warn't she as good to cuddle an' kiss as a lass as 'ant nowt?

Parson's lass 'ant nowt, an' she weant 'a nowt when 'e 's dead,
Mun be a guvness, lad, or summut, and addle her bread.
Why? for 'e 's nobbut a curate, an' weant niver get hissen clear,
An' 'e maade the bed as 'e ligs on afoor 'e coom'd to the shere.

An' thin 'e coom'd to the parish wi' lots o' Varsity debt,
Stook to his taail thy did, an' 'e 'ant got shut on 'em yet.
An' 'e ligs on 'is back i' the grip, wi' noan to lend 'im a shuvv,
Woorse nor a far-welter'd yowe: fur, Sammy, 'e married for luvv.

Luvv? what's luvv? thou can luvv thy lass an' 'er munny too,
Maakin' 'em goa togither, as they've good right to do.
Couldn I luvv thy ****** by cause 'o 'er munny laaid by?
Naay--fur I luvv'd 'er a vast sight moor fur it: reason why.

Ay, an' thy ****** says thou wants to marry the lass,
Cooms of a gentleman burn: an' we boath on us thinks tha an ***.
Woa then, proputty, wiltha?--an *** as near as mays nowt--
Woa then, wiltha? dangtha!--the bees is as fell as owt.

Break me a bit o' the esh for his 'ead, lad, out o' the fence!
Gentleman burn! what's gentleman burn? is it shillins an' pence?
Proputty, proputty's ivrything 'ere, an', Sammy, I'm blest
If it isn't the saame oop yonder, fur them as 'as it 's the best.

Tis'n them as 'as munny as breaks into 'ouses an' steals,
Them as 'as coats to their backs an' taakes their regular meals,
Noa, but it 's them as niver knaws wheer a meal's to be 'ad.
Taake my word for it Sammy, the poor in a loomp is bad.

Them or thir feythers, tha sees, mun 'a bean a laazy lot,
Fur work mun 'a gone to the gittin' whiniver munny was got.
Feyther 'ad ammost nowt; leastways 'is munny was 'id.
But 'e tued an' moil'd issen dead, an' 'e died a good un, 'e did.

Loook thou theer wheer Wrigglesby beck cooms out by the 'ill!
Feyther run oop to the farm, an' I runs oop to the mill;
An' I 'll run oop to the brig, an' that thou 'll live to see;
And if thou marries a good un I 'll leave the land to thee.

Thim's my noations, Sammy, wheerby I means to stick;
But if thou marries a bad un, I 'll leave the land to ****.--
Coom oop, proputty, proputty--that's what I 'ears 'im saay--
Proputty, proputty, proputty--canter an' canter awaay.

Blankets of verdant emerald over fallen limbs,
Crooken arms,
Enclosing up and over and under,
Walk, sting, stop, puddle,
Ankle deep in laughter and brown, murky water,
Joy spread across our faces,
Mud smeared up our arms, legs, hands and hats,
Indestructible powerhouses with totally vulnerable feet,
Like ducks and foxes and rabbits.
The spongy bark or mighty trees fills me with hope,
That my wounds will heal.

Says I to my Missis: "Ba goom, lass! you've something I see, on your mind."
Says she: "You are right, Sam, I've something. It 'appens it's on me be'ind.
A Boil as 'ud make Job jealous. It 'urts me no end when I sit."
Says I: "Go to 'ospittel, Missis. They might 'ave to coot it a bit."
Says she: "I just 'ate to be showin' the part of me person it's at."
Says I: "Don't be fussy; them doctors see sights more 'orrid than that."

So Misses goes off togged up tasty, and there at the 'ospittel door
They tells 'er to see the 'ouse Doctor, 'oose office is Room Thirty-four.
So she 'unts up and down till she finds it, and knocks and a voice says: "Come in,"
And there is a 'andsome young feller, in white from 'is 'eels to 'is chin.
"I've got a big boil," says my Missis. "It 'urts me for fair when I sit,
And Sam (that's me 'usband) 'as asked me to ask you to coot it a bit."
Then blushin' she plucks up her courage, and bravely she shows 'im the place,
And 'e gives it a proper inspection, wi' a 'eap o' surprise on 'is face.
Then 'e says wi' an accent o' Scotland: "Whit ye hae is a bile, Ah can feel,
But ye'd better consult the heid Dockter; they caw him Professor O'Niel.
He's special for biles and carbuncles. Ye'll find him in Room Sixty-three.
No charge, Ma'am. It's been a rare pleasure. Jist tell him ye're comin' from me."

So Misses she thanks 'im politely, and 'unts up and down as before,
Till she comes to a big 'andsome room with "Professor O'Neil" on the door.
Then once more she plucks up her courage, and knocks, and a voice says: "All right."
So she enters, and sees a fat feller wi' whiskers, all togged up in white.
"I've got a big boil," says my Missis, "and if ye will kindly permit,
I'd like for to 'ave you inspect it; it 'urts me like all when I sit."
So blushin' as red as a beet-root she 'astens to show 'im the spot,
And 'e says wi' a look o' amazement: "Sure, Ma'am, it must hurt ye a lot."
Then 'e puts on 'is specs to regard it, and finally says wi' a frown:
"I'll bet it's as sore as the divvle, especially whin ye sit down.
I think it's a case for the Surgeon; ye'd better consult Doctor Hoyle.
I've no hisitation in sayin' yer boil is a hill of a boil."

So Misses she thanks 'im for sayin' her boil is a hill of a boil,
And 'unts all around till she comes on a door that is marked: "Doctor Hoyle."
But by now she 'as fair got the wind up, and trembles in every limb;
But she thinks: "After all, 'e's a Doctor. Ah moosn't be bashful wi' 'im."
She's made o' good stuff is the Missis, so she knocks and a voice says: "Oos there?"
"It's me," says ma Bessie, an' enters a room which is spacious and bare.
And a wise-lookin' old feller greets 'er, and 'e too is togged up in white.
"It's the room where they coot ye," thinks Bessie; and shakes like a jelly wi' fright.
"Ah got a big boil," begins Missis, "and if ye are sure you don't mind,
I'd like ye to see it a moment. It 'urts me, because it's be'ind."
So thinkin' she'd best get it over, she 'astens to show 'im the place,
And 'e stares at 'er kindo surprised like, an' gets very red in the face.
But 'e looks at it most conscientious, from every angle of view,
Then 'e says wi' a shrug o' 'is shoulders: "Pore Lydy, I'm sorry for you.
It wants to be cut, but you should 'ave a medical bloke to do that.
Sye, why don't yer go to the 'orsespittel, where all the Doctors is at?
Ye see, Ma'am, this part o' the buildin' is closed on account o' repairs;
Us fellers is only the pynters, a-pyntin' the 'alls and the stairs."

Virginia,
bathed in the misty Ouse
overcoat pockets filled with the hard grey stones of life
dark rocks to match the shadows
of the mountain heaped upon her back
until she could not bear the load
so she swam, and did not leave a forwarding address
or bring a towel and sandwiches for a picnic

ere body ere where
christmas lights erewhere
but for a reggae mon like me,
not a care in de world

erey body watchin Christmas movies
me in de basement smokin doobies
erey yungin mailin santas ouse
de only ting we want from santa
is a sled full of jamacan ganga
trees in ere bodys windows
me smoke me tree for christmas
no fancy decoration required
me gettin tired of christmas already
me just guna smoke till me lungs feel heavy

ereybody wants it to snow
me hopin for some good smoke
de christmas spirit is in de air
me listenin to reggae comin me hair
dis is christmas for a reggae mon

We're off to Never never land - Paracetamol, cucumber sandwiches and the lost rent boy

Gav called me up.
Him and Tolly were going out to Never Never Land in Blackburn
3 lost boys off on a curious adventure

Mi mum dropped me off at Gavs 'ouse ont' Shad estate
Gav got us a coke before we caught t' buz in
But 'e sprinkled in some white pewder
"What's this? Pixie dust?"
"It's summat to gi' you Speed" said Tolly
"just drink it!" Said Gav
So I did

"2nd Star t' t' reet and straight on t' t' moornin'!"

But we'd bin sold crushed paracetamol

So we just acted like we were ****** and lied to each other about ow buzzin wi were
But we weren't buzzin
Then we caught buz in
Waitin' for t' affects o' t' artificial amphetamine t' kick in
'N' we got t' Neverland
No mermaids 'ere
No pretty ***** girls
There were a few blokes wi dodgy eyes n limps
But no no, no-n-no no, no-n-no no no no there's no pirates!
Just ****** plastic Palm trees
'N' townies in fluorescent nylon shirts
No peacock feathered hats ere
Just steps n curtains n aggressive faces
'N' me wi' a bowl cut and trepidation
Tryin' t' think happy thoughts

Surrounded bi freebooters, piccaroons, Buccaneers, filibusters and Rovers
Wi' their left foot, right foot dancing
And an eye on t' maidens
Sneering in our direction
Lost boys
That 'aven't grown up

I sort o' skirted round edges feelin' scared
Then went to sit at sides on an empty table 'n' hid

On t' next table were a nice lookin' couple o' blokes.
They must o' bin good mates!
They were cuddlin' 'n' touchin' each other a lot.
Anyhow, thi got talking t' mi
Told 'em I'd not bin out before
"Ow old are you lad? 14/15?"
"I'm 18"
Thi sort o' laughed, dunno why
Then one of 'em offered me a cucumber sandwich
I thought t' mi sel'
"I dunno much about nightclubs but I dunt think folk normally bring cucumber sandwiches!"
But I were 'ungry so I ate it
Then I think 'e thought we were mates coz 'e were touchin mi leg
I 'ad to crow for Gav an' Tolly
They came in like Peter Pan and rescued mi and I set off for 'ome

I went to t' phone box n' called mi mum
Didn't know town reet well
So I waited for 'er outside o' mi old school
There were some scary lookin people on one side o't' road snappin at each other like crocodiles
So I stood under t' lamppost so I were int' leet an' t' cars passin could see mi
Felt safer like that
Time passed
Tick tock tick tock
T' crocodiles were lurkin
Each time a car passed I stepped out a bit
To look for mi mum
Drivers kept lookin at mi nervously n drivin off
Maybe thi thought I were a crocodile too
N they kept smirking at mi
Then some officers pulled up like privateers in their blue and white flashin galleon
Made us stand again t' wall as I asked for parle
'N' thi searched mi for treasure
Asked us if I pulled into port for rentin
"Rentin' what? I'm Waitin for mi mum."
"Aye cap'n! Hahaha! I'm sure you are! Dressed in tight little hot pants!"
"These aren't 'ot pants, they're chinos?!"
Then mi mum turned up an said "oh aye! This streets t' red light district!"
"Well ****** me!"

Never, never again... Until uni happened

The poplars are felled, farewell to the shade
And the whispering sound of the cool colonnade:
The winds play no longer and sing in the leaves,
Nor Ouse on his ***** their image receives.

Twelve years have elapsed since I first took a view
Of my favourite field, and the bank where they grew,
And now in the grass behold they are laid,
And the tree is my seat that once lent me a shade.

The blackbird has fled to another retreat
Where the hazels afford him a screen from the heat;
And the scene where his melody charmed me before
Resounds with his sweet-flowing ditty no more.

My fugitive years are all hasting away,
And I must ere long lie as lowly as they,
With a turf on my breast and a stone at my head,
Ere another such grove shall arise in its stead.

'Tis a sight to engage me, if anything can,
To muse on the perishing pleasures of man;
Short-lived as we are, our enjoyments, I see,
Have a still shorter date, and die sooner than we.

Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside
His lab'ring team, that swerv'd not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlook'd, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths and smoking villages remote.
Scenes must be beautiful, which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe....


But though true worth and virtue, in the mild
And genial soil of cultivated life,
Thrive most, and may perhaps thrive only there,
Yet not in cities oft: in proud and gay
And gain-devoted cities. Thither flow,
As to a common and most noisome sewer,
The dregs and feculence of every land.
In cities foul example on most minds
Begets its likeness. Rank abundance breeds
In gross and pamper'd cities sloth and lust,
And wantonness and gluttonous excess.
In cities vice is hidden with most ease,
Or seen with least reproach; and virtue, taught
By frequent lapse, can hope no triumph there
Beyond th' achievement of successful flight.
I do confess them nurseries of the arts,
In which they flourish most; where, in the beams
Of warm encouragement, and in the eye
Of public note, they reach their perfect size.
Such London is, by taste and wealth proclaim'd
The fairest capital of all the world,
By riot and incontinence the worst.
There, touch'd by Reynolds, a dull blank becomes
A lucid mirror, in which Nature sees
All her reflected features. Bacon there
Gives more than female beauty to a stone,
And Chatham's eloquence to marble lips....


God made the country, and man made the town.
What wonder then that health and virtue, gifts
That can alone make sweet the bitter draught
That life holds out to all, should most abound
And least be threaten'd in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon
The pensive wand'rer in their shades. At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music. We can spare
The splendour of your lamps, they but eclipse
Our softer satellite. Your songs confound
Our more harmonious notes: the thrush departs
Scared, and th' offended nightingale is mute.
There is a public mischief in your mirth;
It plagues your country. Folly such as yours,
Grac'd with a sword, and worthier of a fan,
Has made, which enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.

In third grade, I lived in a white rent house; forever known as the “white house.” It was in the backyard of this house that I played Pocahontas, and Little House on the Prarie, it is also where I met him. I don’t remember his face, or his name, only his age: sixteen, his buzz cut and the fact that he live with his grandma.
I was a quiet girl, with long brown, curly hair falling past my shoulders. I was nine. The boy and I became friends of sorts talking through the chain link; the criss-cross of the metal keeping me from his full face. Eventually our friendship moved from the backyard to the Front yard, where there was no chain link and things blurred together. The two yards meeting in the middle, mirroring the friendship of the boy and I.
Soon a game developed, a new version of hide and seek perfect for two. I would hide a piece of paper, and he’d try to find it. I hid it in the same spot every time, the huge terracotta *** on my front porch: the one with no plant life, only black potting soil with the white fertilizer specks.
I remember staring down at the small white paper as he quickly scanned the porch, not really looking. Then his eyes would latch onto me. He’d kneel before me, and ask the question I would always dread, “Where did you hide it?”
I didn’t dread the question itself, just the after. He would take my hand and lead me over the boundary between our yards. The one that was invisible and mirrored our friendship.
I remember looking down at the green outside carpeting as I climbed the steps to his grandmother’s house, hand in hand with the boy. He took me inside, down a long hallway to his room. His grandmother wasn’t home. I stepped into the room, my tennis-shoed feet sinking into the thick carpeting, which was so very much like my grandmother’s.
He closed the door; I remember exactly how the lock clicked into place before he turned to me, smiling.
“You’ve been a bad girl,” he said “you hid the paper in a place I couldn’t look at outside.”
I told him it was in the big *** outside my ouse then, afraid, but not really sure of what.
“No,” he said, “I check there. Why would you lie to me?”
And that was when he lifted my shirt, exposing the chest of a child, with my baby fat belly, and not a hint of puberty. The pants were next. I remember watching them, red with white hearts, the shorts my mother had made me falling to the ground, pooling softly around my ankles. I never said no, I was only silent, my brother was four at the time, he was the cute one then, so I desperately wanted the boys attention.
I was standing there in my underwear, too tall socks, and tennis shoes. Glancing towards the door that seemed to have grown in size, like the Christmas tree in the Nutcracker.
His hands went to my *******, sliding them down to my ankles, making the familiar swishing against the dry skin of my legs as they went down. He just sat there for a moment, staring. Finally he said “Well, I guess the paper must be out there after all.”
He pulled up my ******* and helped me into my pants. He opened the door, which had returned to normal size, and lead me out into the sunlight, crossing the invisible boundary of our yards. He plucked the paper from the planter and smiled.
“You know if you want to be on the internet all you have to do is show your underwear.”
He turned and walked away then, dropping the precious paper on the boundary of our friendship as he went.

Gav called me up.
Him and Tolly were going out to Never Never Land in Blackburn
3 lost boys off on a curious adventure

All I wanted to do were stay in and play Championship manager and drink Ribena.
I were a slow starter int' drinkin' scene
Mi mum and dad had bought us a tiny bot'le o' mead once on 'oliday
Took mi about 2/3 years to drink it
Another time I had 2 or 3 cans at Gavs
Blacked out
Set off t' t' taxi wi'out mi shoes on
"2nd Star t' t' reet and straight on t' t' moornin'!"
Then puked out o' t' taxi windo'

But I went
Mi mum dropped me off at Gavs 'ouse ont' Shad estate
Gav got us a coke before we caught t' bus in
But 'e sprinkled in some white pewder
"What's this? Pixie dust?"
"It's something to give you Speed" said Tolly
"just drink it!" Said Gav

(At this point in this poem, it's starting to sound like I were on the verge of some cool, coming of age experience. But Gav were only a naive little lad and it turned out he'd been sold crushed paracetamol)

So we caught bus
Waitin' for t' affects o' t' artificial amphetamine
'N' we got t' Neverland
No mermaids 'ere
No pretty ***** girls
There were a few blokes wi dodgy eyes
But no no, no-n-no no, no-n-no no no no there's no pirates!
Just ****** plastic Palm trees
'N' townies in fluorescent nylon shirts
No peacock feathered hats ere
There hair were all steps or curtains
(I was sporting a rather fetching home cut hair style wi no gel and my neatly ironed school shirt with the top button fastened)

Didn't kno' what to do about this weird scenario
T' girls and t' boys weren't stood on opposite sides at this party
They were all in t' t' middle
****** loads on 'em
And they were doing some sort o' side stepping thing that I found later were called dancin'
I sort o' skirted round edges feelin' scared
Then went to sit at sides on an empty table 'n' hid

On t' next table were a nice lookin' couple o' blokes.
They must o' bin good mates!
They were cuddlin' 'n' touchin' each other a lot.
Anyhow, thi got talking t' mi
Told 'em I'd not bin out before
"Ow old are you lad? 14/15?"
"I'm 18"
Thi sort o' laughed, dunno why
Then one of 'em offered me a cucumber sandwich
I thought t' mi sel'
"I dunno much about nightclubs but I dunt think folk normally bring cucumber sandwiches!"
But I were 'ungry so I ate it
Then I think 'e thought we were mates coz 'e were touchin mi leg
I 'ad to crow for me mates
Then Gav came in like Peter Pan and rescued mi and we set off for 'ome

I went to t' phone box n' called mi mum
Didn't know town reet well
So I waited for 'er outside o' mi school
There were some scary looking people on one side o't' road snappin at each other like crocodiles
So I stood under t' lamppost so I were int' light an' t' cars passin could see mi
Felt safer like that
Tick tock tick tock
The crocodiles were lurkin
Each time a car passed I stepped out a bit
To look for mi mum
Drivers kept lookin at mi nervously and drivin off
Maybe thi thought I were a crocodile too
But they also kept smirking at mi
Then some cops pulled up
Made us stand again t' wall
'N' searched mi
Asked us if I were rentin
"Rentin' what? I'm Waitin for mi mum."
"Aye cap'n Hahaha I'm sure you are! Dressed in your tight little hot pants!"
"These aren't 'ot pants, they're chinos?!"
Then mi mum turned up an said "oh aye! This streets t' red light district!"
"Well ****** me!"

Never, never again... Until uni happened

...

Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside
His lab'ring team, that swerv'd not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlook'd, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths and smoking villages remote.
Scenes must be beautiful, which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe.

...

But though true worth and virtue, in the mild
And genial soil of cultivated life,
Thrive most, and may perhaps thrive only there,
Yet not in cities oft: in proud and gay
And gain-devoted cities. Thither flow,
As to a common and most noisome sewer,
The dregs and feculence of every land.
In cities foul example on most minds
Begets its likeness. Rank abundance breeds
In gross and pamper'd cities sloth and lust,
And wantonness and gluttonous excess.
In cities vice is hidden with most ease,
Or seen with least reproach; and virtue, taught
By frequent lapse, can hope no triumph there
Beyond th' achievement of successful flight.
I do confess them nurseries of the arts,
In which they flourish most; where, in the beams
Of warm encouragement, and in the eye
Of public note, they reach their perfect size.
Such London is, by taste and wealth proclaim'd
The fairest capital of all the world,
By riot and incontinence the worst.
There, touch'd by Reynolds, a dull blank becomes
A lucid mirror, in which Nature sees
All her reflected features. Bacon there
Gives more than female beauty to a stone,
And Chatham's eloquence to marble lips.

...

God made the country, and man made the town.
What wonder then that health and virtue, gifts
That can alone make sweet the bitter draught
That life holds out to all, should most abound
And least be threaten'd in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon
The pensive wand'rer in their shades. At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music. We can spare
The splendour of your lamps, they but eclipse
Our softer satellite. Your songs confound
Our more harmonious notes: the thrush departs
Scared, and th' offended nightingale is mute.
There is a public mischief in your mirth;
It plagues your country. Folly such as yours,
Has made, which enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.

From grey plaster dwellin’s they come to us
fer enough sun t’ melt their lollies but
after sun-burnt migrations, some remain
as they can choose our shacks fer their castles
and their spawn breaks the spines on each weaver
and fer their red-faced fuss ‘e is broken.

The ‘ermit crab too takes ‘is leave broken.
The ‘ome ‘e made now closed to all of us
Not passed by ta’ooed ‘ands o' net weavers.
The painted shells still litter these streets but
suited slugs paint gray on our small castles
till only mockin’ shades of age remain.

“Shave off, *******’ll pick till none o’ yer remain”
screamed mad John as relaters “fixed ‘im” broken
into some plastic ‘ouse from ‘is castle.
‘ow ‘e used t’ tell those old tales to us
'o the deep places and the things there but
they ‘ad ‘im by the gills, poor old weaver.

Spines down, in nets made by ‘is own weavin.
we did it to ourselves, we can’t remain
Wi’ nets o’ money, o’ *****, o’ smokes, but
black flags still fly, bein’ bent never broken.
Cross-bone attractions will be left as us
‘eld by those who took away our castles

Stormin’ beaches to kick down our castles
the sandy ‘oles and ‘ides of those weavers.
Sellin’ our anger like lug, dear to us
cast from the sea of us that will remain
‘ook lipped, ring-eared, ink-stained and not broken
nothin’ t’ be fixed and no-one changed but

In come those nets, I ‘aint been caught yet but
that gray, that London gray sweeps my castle
away where the concrete can’t be broken
t’ reach lug beneath dried surface weavers
as gulls break beaks t’ peck at the remains.
yes, we’ll eat each-other if they take us.

Take enough of us, and leave shell castles
no ‘ands to ‘old jolly Rodgers and sing
‘appily swear, or dance on tables but
**** that.

Babe, where's your smile,
Don't be a melancholy child,
Can't you see
That the summer's come?
                                                                    
Stuck in your room
With your winter curtains drawn,
While the suburbs
Are all bathed in sun.
                                                                    
No more winter time lows,
Only joy now because
We can shake off the blues,
Love, there's no time to lose.
                                                                    
We can go for a cruise
Down the Thames
Or down the Ouse,
Or just snooze under summer's sun,
                                                                    
Find a village green,
Watch some cricket,
Take some tea, as you please,
Summer's made for fun.
                                                                    
Get some sweet summer air,
Feel the breeze in your hair,
Forget that sad old affair,
He's not worth all the tears.
                                                                    
Babe, where's your smile,
Don't be a melancholy child,
Can't you see
That the summer's come?

you and i should just
run away and
live in a castle
wed be like two fairy tail characters
with a happy ending
you could be a prince
and ill be your princess
(king and queen is for old people)
no onell know where we went
but theyd notice
our grand ouse
one the side of a hill
itd be on the beach so we could
look out our stained glass windows
the sunsets could be purple and green
the two of us could explore
new chambers every day
we wouldnt need servants
because wed be happy to help each other
unlike bickering couples
because wed have a castle

On 28 March 1941, Virginia Woolf filled her pockets with stones
and walked into the River Ouse,
which together with its main tributary,
the River Uck,
drain over 250 square miles of Sussex
via streams,
rivers
and various other dendritic tributaries.

While the water temperatures were surely harsh,
historical weather patterns suggest
relatively calm surface tension,
and relaxed yet steady currents,
allowing for swift submersion

Taking into account,
the chilled morning winds,
her quickened, shivering breaths
likely led to hyperventilation.

In turn delaying the breath-hold
break point, and allowing blackout to occur
without warning
due to hypocapnia.
While unconscious, water can more easily enter the lungs
to induce a wet drowning,
as it is no longer inhibited by laryngospasm
or coughing.

The Missouri River,
by contrast,
rises in western Montana,
flows east and south for 2,341 miles
before entering the Mississippi River north of St. Louis, Missouri
taking drainage from parts of ten U.S. states
and two Canadian provinces
to form the fourth largest river
system on Earth.

At some locations throughout its course
the current surges so fiercely
that old-growth trees are felled,
steam ships are consumed beneath white caps,
and swaths have continued to go undeveloped well into the 21st century.

When lowered into water cooler than about 70 °F,
the diving reflex is triggered and protects the body
by putting it into energy saving mode
to maximize the possible time spent under water.

This reflex action is automatic
occurs in all humans,
and is likely a result of brain cooling similar
to the protective effects
of deep hypothermia.

Of those who die after submersion in freezing waters,
around 20% die within 2 minutes from cold shock.
Uncontrolled rapid breathing and gasping causing
water inhalation, panic,
massive increase in blood pressure and cardiac
strain leading to cardiac arrest.

As this occurs while submerged
rather than the hyperventilation seen in panic attacks,
crying, or shivering on land
any additional survivability that may be gained,
becomes almost immediately fatal.

In order to combat the effects of
instinctual survival mechanisms
once bare skin breaks iced surfaces
such as panicked clawing back to shore,
rescue attempts from passersby,
and even simple reconsideration,
cold water drownings,
despite representing only 2 percent of suicides,
reveal a visible trend regarding near mandatory use
of bricks,
stones,
or other weights,
in order to overcome
buoyancy,
the names of pets,
canceled brunch dates,
birthdays,
and the forced finality
of questions left unanswered
or perhaps answered too clearly.

Tommy

I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:
    O it's Tommy this, an' Tommy that, an' "Tommy, go away";
    But it's "Thank you, Mister Atkins", when the band begins to play,
    The band begins to play, my boys, the band begins to play,
    O it's "Thank you, Mister Atkins", when the band begins to play.

I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!
    For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
    But it's "Special train for Atkins" when the trooper's on the tide,
    The troopship's on the tide, my boys, the troopship's on the tide,
    O it's "Special train for Atkins" when the trooper's on the tide.

Yes, *makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.
    Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
    But it's "Thin red line of 'eroes" when the drums begin to roll,
    The drums begin to roll, my boys, the drums begin to roll,
    O it's "Thin red line of 'eroes" when the drums begin to roll.

We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;
    While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
    But it's "Please to walk in front, sir", when there's trouble in the wind,
    There's trouble in the wind, my boys, there's trouble in the wind,
    O it's "Please to walk in front, sir", when there's trouble in the wind.

*You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.
    For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
    But it's "Saviour of 'is country" when the guns begin to shoot;
    An' it's Tommy this, an' Tommy that, an' anything you please;
    An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!

What's in a name,
What's in a name?
Could it be pleasure?
Possibly pain.

M is for malice,
Monster, mouse.
The first letter of my name,
That's what I think about.

A is for the asshole,
Whom I've never met.
The reason for my name,
The reason I hate it.

Y is all the yelling,
I've done inside my brain.
Made up confrontations,
The things I've planned to say.

K is makes the sound
Of the things he never was.
Kind, caring, compasionate,
He doesn't even know I exist I bet.

E is everything I wish I knew
The tid bits, the facts, the thoughts in his head,
Who he really really is,
Never asking, I wonder instead.

L is for love that I already have,
My mommy, my daddy, my brothers, and friends,
Have showed me that compassion and love never ends.
While my daddy is mine, and always will be,
Another I would never ask for,
At times I long, and wish to know,
The man I am named after.

A has two meanings for me,
One is filled with bitter disdain
Another reminds me,
The uniqueness of my name.
I love it I hate it, I would never change it.
It will be with me,
ALWAYS.
M-A-Y-K-E-L-A

The first thing I see
when I pull out the top drawer
was the diagnosis. Meds, there you go

it pretty much said that.
I wondered about all the
creative people doing
some remarkable things,
creating and being alive.

Except they all one day
killed themselves.
Van Gogh stood in
the overgrown field before
he shot himself.
Sylvia Plath knelt down
and stuck her head in the oven.
Virginia Woolf grazed the smooth
peebles, thinking about what
she would write about those peebles,
Only to shove them in
her pockets and drown in the Ouse river.

Nearly everyday, I tell myself
I want to be a writer, or an artist-
Both, actually. That’s all I ever
wanted to be, but the fear of
spiraling, and becoming them
Is deeply disturbing.

Yet, I craved for this life,
To paint, and create stories
with a dash of madness
They all did likewise.

See this old fishin' reel snarled? A waste of time to untie
what can be re-tied
and, and is a big junction in the start of a story, and
after retying, be used for it's purpose,

see, if a retie won't work, you know, this monofilial-******
fibratory idea's slippery,
inside outside one way optical influence, IF
this was that situation then this knot would call patience
to bher the burden of learning to
un ravel a snarl of expert's ties to rights which they hoped would never slip, as they stepped into next...

in this instance, fishin', out in the gypsum beds,
ancient corals once grew,

-- real life Lake Mead, who was Mead? A man who executed a plan
to dam the Colorado,
and the whole world heard the whales in Baja weep, but we have learned.
We go on

learning earth has lived through
times and times and times

a gathering must have first

seemed a good idea,
by then, by the point any story can stand, but first, a
point upon a time,

tricky balance act, takes this much of ever to imagine right,

many Planck-secs and Google-plexhours past
way back when
we the earthy sapient beings, be came, ere
we were
human, we were

what? Not angels and demons, those need so much more time to evolve than this.
Word stuff,
Poetry.
This is the third millennial bubble
begin
when my da was working in Alamogordo, '44.

I'll go see, live or die, try

to remember, who took the doorstop? Feynman said it was platinum

This is default download from the germs,
first tasted in open air on a moment you imagine you remember,
you can now imagine being born and no scarier story need be known
--- past now is only next, never never,
--- always a place to step
--- there, be
--- still
--- connection secure
knots of knowns, are knowledges, gotten with wisdom
getting, as we mellow and
ripen to re
al ize
common sense complexes of knowns needed to operate earth,

these aphoristic word frames encaging emotions we
need gage theory to envision, these
we believe, are edged in the sort of dust
a diamond farmer might use to shine a mirror

here, we give such a mirror to
each child surviving you,
should you
have survived, thus far,
you must
find
your kind, in the will,
your kind inherits the earth, and
if you
stir things, meek as Moses, make some trouble in you own 'ouse,
see, we
double dip, we inherit the wind, as well.

Earth is the whole biosphere, here. Thus, the troubler of the house of knots worth untying, begins to unravel the snarls and straighten
this knotted thread

to spite the micro-bio leaven pollen dust enclosed, as a curious bee
leaves a little could be
upon this line, where this knot
fast-bound,

we know

Hermes-tic click sealed since a known
knowable was tied in this
wordy
very complex bit of re
lated things, things known knowable in theory,

now, power is back on, it is 2019, on land once involved

with a story begun in 2018, when the power went off,
bowing to a named wind… as did the fire that year, too.

--- what have we learned?
knowledge means locked knowing, click. A knot, after a previous knot,
no feathers or stones of seed,
a touch of shaken pollen,
from a bee-- such

we be leaven be, long, long, long strings of knots and fibers marking

needle-point story stitching, sinking
into ancient ancient sapience,

unimagined - ha- nadas unimaginable ifn ye magine it...

we bee safe in this us, this we, the people who hold truth

learned today as tightly as our kind holds truths,
as treasures found, stolen, lost, bought, stolen, lost, found, taken as granted,

this legacy of ideas fit to words fit to my tongue, tasted, tested, spoken,

yea, for ever, in every imaginable sense,
AI account for every idle word,
uttered
which may ever be ab-
used by some here-tic wishyawasme.

Loving my enemies is one of those things,
I take with a grain of salt,
knowing there's room for hate in love,

as there's a set for null in all,
assets-wise

big data is how 2019 functions, idle word
counting algorithms,

are mining all myths and shipping manifests
for clues to who's making money
seem worth dying for,

in mortal terms.

Amusers are first paid in amusement.
Is the roofer dancing?

Peace is heaven, I heard, my word, I said,

heaven and it's kingdom are,
in me, if i examine my
self-logo, my brand,
my mark left to my children's thousandth generation,
who have survived
the upgrade.

Peacemakers who survive dimensional novel bubble-life,
mememeory Y as y in in all working things,


a knot is a stop, a step, where a knower of all as far as you know,

once, stood. The boy walking the trail marked

And we know that all things work together for good to them that love God, to them who are the called according to his purpose.

From <https://www.biblegateway.com/passage/?search=Romans+8%3A28&version=KJV>

This is on the trail very far along after the sign saying
this is the path less traveled by,

still.

One : night
Two : drinks
Three : words, I love you

One : morning after pill
Two : times no period
Three : words, not my child

They all say, just get it taken care of
And by get it taken care of
They don't mean to care for it,
But to get rid of it / her / him...
Me

Time ticks faster
The stares linger
Longer
Judging eyes gawk at one
But sees two
Wagging tongues race to spread
Their supposed never - ending knowledge of my story
Faster
Forcing me to embrace the shame
Like a coat to warm my growing belly
Growing
Growing life
Replacing life
Demanding my four-year-plan to master a disappearing act

Just like mother
Listening to lust-filled lies of love
Love that won't help me
Love that mocks me
Love that scorns the ground
that I trudge my heavy laden body of two
To The Women's Centre
Love that can't take me back to my high school
Love that won't pay for it's future/ her future/ his future
My future
Just like father
My coat of shame gets heavier on my stretched skin
Thick skin
Strong skin
Strong enough to balance the weight of their laughter
Their mocking
Their unsaid words
Her laughter
Her mocking
Her unsaid words
Her sharp curses
I can still hear mother's booming voice,
slashing my soul with her words,
"Yuh dutty *****, yuh !
Afta ah *** use ma good-up, good- up money
Send yuh ah school
Yuh ah waste yuh time wit maangy-foot bwoy.
If yuh cyan spread yuh legs like big, big 'ooman
Den yuh cyan live like one big 'ooman.
*** outta mi 'ouse !"

With no finances on my own
I crawl to a new home
To shelter my wary young bones
Begging for the warmth inside
My belly, my heart
Craving the warmth outside
On my skin - our skin.
Just a hug, a smile, an un-judging glance
But all I get is surrounding walls of young girls
Cemented with ridicule
Finding my brief safe haven in the depths of kind eyes
Sharing
Helping
Warning
They say you might get sick
They say you could die
They say I might get sick
They say I could die
They say the mortality rate is higher
Because the age is lower
Will we survive?
Survive the pain of growing
Survive the pain of coming outside our wombs
Survive the looks, the talk, the lack

One : cry
Two : undone hearts
Three : steps trudged forward

Night raids on Salt End
were legendary… It were a
giant chemical works with ship docks,
silos, storage tanks, fuel dumps,
an ideal 'drop off point' for Gerry…

But Salt End plant’s night raids
on Hedon Road
weren’t gonna daunt our lot,
they lived a mile or so down the lane to Preston
and seemed unafraid of gerri’n shot.

But they built a shelter across’t main road
in a field… On the outside It were a haystack
within the walls, six foot thick… proper beds
on hay bails to the front and back... cosy.

Down the middle was a ‘lounge’ with chairs,
lights, a radio - electric run from’t big ‘ouse
It’s better than being at’ome our Charlie used to say
For the eldest (and the architect) he’d not much nowse.

Me mam (then 19) told me she bussed it into Hull
“****** the Doodlebugs” She needed Jitterbugs…
and they still danced at City Hall.
******* to Gerry and his mates.
Margie & her pal René,
dauntless, they had a right ball!

Last Bus to ‘Withernsea’ from town
dropped her off at the junction
by the Speedway on Hedon Road.
Just as her way was lit by fire bombs - all about
when Gerry dropped his final unaimed load
Maybe ack-ack’d sort him out.

She was 2 miles from home… every few seconds another blast.
Scuttling …dodging whistling incendiaries,
running fast, whippet like…
any second could’ve been her last
anything too close she’d have to jump in't ****.

She couldn’t mek it t’t shelter or house so picked
the coal shed - instead… threw herself down
on coals…noise lifted - silence dawned… all clear
heavy breathing - not hers -  she wan’t alone
What if it’s one of them - a downed ***** airman.

Nervous, terrified more like she let out a little shudder
a gentle cough… to test her nerve
“Is that you Margie?… You daft ******!”
It were brother Tom… He’d been t’t Nags Head
and he’d run the opposite way from the village instead.

i have to drown
a necessary reprieve, a last chance to truly breathe--
escaping that living crown
so fitfully placed upon my head

i've always preferred the dull gray
the drab of concrete always more appealing than gold
i sole my shoes with it, wrap it around my neck
looking at my sadness reflected by this watery mirror

history repeats itself
the mirrored melancholy of her and i
two corpses having a tea party
at the bottom of river ouse