“With what stillness at last you appear in the valley,
Join your divine sounds filling the empty vessels of night,
As pillages silently alight upon the shrine you behold,
First sunlight reaches down to touch the tips of pedals,

Her eminent auspicious arm band lusters dulcet canticles,
Sublime reaches things with aptitude able to shrill aft,
Dwells of brilliant wires laurels hymns devout in tune,
May we soon again renew that song singing endlessly?

Abaft her green eyes omens mayhap as emissary divine,
The bewildered by visions apparitions beside a hidden perch,
It seems that the resonance of a dove calls from far away,
Placid content sung before the colored cathedra naiad,

Fronds not ado had not noticed the presence of a naiad,
I know not where this solemn revelry odyssey would end,
My conscious mind we have much to discuss young naiad,
I abiding with heath musing carried by the scent afore me,  

Inexorable time that passes quickly as time has stride away,
Sing endless morn of light with the naiad piqued at my soul,
Steadfast heart draws me out of labyrinth and takes Naiad hand”
  By Andrew Guzaldo 1/04/2019 ©

“I believe I’m gratified to have loved her,
If not where would my heart have been,
My eyes were radiated by this naiad,
Regalia she has given will last ever ageless,

To have been near her held her hand,
Brushed my fingers through her hair,
Listened to her incentive ways she had,
Given to me before she had gone faultily,

Rivers flow as wind carry life’s ballad inlet,
Leading me deep into the paradise I longed for,
Overwhelming protecting me from world afar,
Strong caring is what keeps our souls as one,

It’s an obsession the way we let ardor consume us,
In her eyes I found new visions have been revealed,  
As the sea forgets in its furore lading aboard,
No rest from travels it is my libation for memoir,

World of the deep fell into darkness of nets,
I would have liked my naiad by my side,
I imagine that my heart palpitating sadness,
If I were to pique the naiad would it make all well,
I shall never KNOW”
By Andrew Guzaldo 10/07/2018 ©

It is full summer now, the heart of June;
Not yet the sunburnt reapers are astir
Upon the upland meadow where too soon
Rich autumn time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see his treasure scattered by the wild and spendthrift breeze.

Too soon indeed! yet here the daffodil,
That love-child of the Spring, has lingered on
To vex the rose with jealousy, and still
The harebell spreads her azure pavilion,
And like a strayed and wandering reveller
Abandoned of its brothers, whom long since June’s messenger

The missel-thrush has frighted from the glade,
One pale narcissus loiters fearfully
Close to a shadowy nook, where half afraid
Of their own loveliness some violets lie
That will not look the gold sun in the face
For fear of too much splendour,—ah! methinks it is a place

Which should be trodden by Persephone
When wearied of the flowerless fields of Dis!
Or danced on by the lads of Arcady!
The hidden secret of eternal bliss
Known to the Grecian here a man might find,
Ah! you and I may find it now if Love and Sleep be kind.

There are the flowers which mourning Herakles
Strewed on the tomb of Hylas, columbine,
Its white doves all a-flutter where the breeze
Kissed them too harshly, the small celandine,
That yellow-kirtled chorister of eve,
And lilac lady’s-smock,—but let them bloom alone, and leave

Yon spired hollyhock red-crocketed
To sway its silent chimes, else must the bee,
Its little bellringer, go seek instead
Some other pleasaunce; the anemone
That weeps at daybreak, like a silly girl
Before her love, and hardly lets the butterflies unfurl

Their painted wings beside it,—bid it pine
In pale virginity; the winter snow
Will suit it better than those lips of thine
Whose fires would but scorch it, rather go
And pluck that amorous flower which blooms alone,
Fed by the pander wind with dust of kisses not its own.

The trumpet-mouths of red convolvulus
So dear to maidens, creamy meadow-sweet
Whiter than Juno’s throat and odorous
As all Arabia, hyacinths the feet
Of Huntress Dian would be loth to mar
For any dappled fawn,—pluck these, and those fond flowers which
are

Fairer than what Queen Venus trod upon
Beneath the pines of Ida, eucharis,
That morning star which does not dread the sun,
And budding marjoram which but to kiss
Would sweeten Cytheraea’s lips and make
Adonis jealous,—these for thy head,—and for thy girdle take

Yon curving spray of purple clematis
Whose gorgeous dye outflames the Tyrian King,
And foxgloves with their nodding chalices,
But that one narciss which the startled Spring
Let from her kirtle fall when first she heard
In her own woods the wild tempestuous song of summer’s bird,

Ah! leave it for a subtle memory
Of those sweet tremulous days of rain and sun,
When April laughed between her tears to see
The early primrose with shy footsteps run
From the gnarled oak-tree roots till all the wold,
Spite of its brown and trampled leaves, grew bright with shimmering
gold.

Nay, pluck it too, it is not half so sweet
As thou thyself, my soul’s idolatry!
And when thou art a-wearied at thy feet
Shall oxlips weave their brightest tapestry,
For thee the woodbine shall forget its pride
And veil its tangled whorls, and thou shalt walk on daisies pied.

And I will cut a reed by yonder spring
And make the wood-gods jealous, and old Pan
Wonder what young intruder dares to sing
In these still haunts, where never foot of man
Should tread at evening, lest he chance to spy
The marble limbs of Artemis and all her company.

And I will tell thee why the jacinth wears
Such dread embroidery of dolorous moan,
And why the hapless nightingale forbears
To sing her song at noon, but weeps alone
When the fleet swallow sleeps, and rich men feast,
And why the laurel trembles when she sees the lightening east.

And I will sing how sad Proserpina
Unto a grave and gloomy Lord was wed,
And lure the silver-breasted Helena
Back from the lotus meadows of the dead,
So shalt thou see that awful loveliness
For which two mighty Hosts met fearfully in war’s abyss!

And then I’ll pipe to thee that Grecian tale
How Cynthia loves the lad Endymion,
And hidden in a grey and misty veil
Hies to the cliffs of Latmos once the Sun
Leaps from his ocean bed in fruitless chase
Of those pale flying feet which fade away in his embrace.

And if my flute can breathe sweet melody,
We may behold Her face who long ago
Dwelt among men by the AEgean sea,
And whose sad house with pillaged portico
And friezeless wall and columns toppled down
Looms o’er the ruins of that fair and violet cinctured town.

Spirit of Beauty! tarry still awhile,
They are not dead, thine ancient votaries;
Some few there are to whom thy radiant smile
Is better than a thousand victories,
Though all the nobly slain of Waterloo
Rise up in wrath against them! tarry still, there are a few

Who for thy sake would give their manlihood
And consecrate their being; I at least
Have done so, made thy lips my daily food,
And in thy temples found a goodlier feast
Than this starved age can give me, spite of all
Its new-found creeds so sceptical and so dogmatical.

Here not Cephissos, not Ilissos flows,
The woods of white Colonos are not here,
On our bleak hills the olive never blows,
No simple priest conducts his lowing steer
Up the steep marble way, nor through the town
Do laughing maidens bear to thee the crocus-flowered gown.

Yet tarry! for the boy who loved thee best,
Whose very name should be a memory
To make thee linger, sleeps in silent rest
Beneath the Roman walls, and melody
Still mourns her sweetest lyre; none can play
The lute of Adonais:  with his lips Song passed away.

Nay, when Keats died the Muses still had left
One silver voice to sing his threnody,
But ah! too soon of it we were bereft
When on that riven night and stormy sea
Panthea claimed her singer as her own,
And slew the mouth that praised her; since which time we walk
alone,

Save for that fiery heart, that morning star
Of re-arisen England, whose clear eye
Saw from our tottering throne and waste of war
The grand Greek limbs of young Democracy
Rise mightily like Hesperus and bring
The great Republic! him at least thy love hath taught to sing,

And he hath been with thee at Thessaly,
And seen white Atalanta fleet of foot
In passionless and fierce virginity
Hunting the tusked boar, his honied lute
Hath pierced the cavern of the hollow hill,
And Venus laughs to know one knee will bow before her still.

And he hath kissed the lips of Proserpine,
And sung the Galilaean’s requiem,
That wounded forehead dashed with blood and wine
He hath discrowned, the Ancient Gods in him
Have found their last, most ardent worshipper,
And the new Sign grows grey and dim before its conqueror.

Spirit of Beauty! tarry with us still,
It is not quenched the torch of poesy,
The star that shook above the Eastern hill
Holds unassailed its argent armoury
From all the gathering gloom and fretful fight—
O tarry with us still! for through the long and common night,

Morris, our sweet and simple Chaucer’s child,
Dear heritor of Spenser’s tuneful reed,
With soft and sylvan pipe has oft beguiled
The weary soul of man in troublous need,
And from the far and flowerless fields of ice
Has brought fair flowers to make an earthly paradise.

We know them all, Gudrun the strong men’s bride,
Aslaug and Olafson we know them all,
How giant Grettir fought and Sigurd died,
And what enchantment held the king in thrall
When lonely Brynhild wrestled with the powers
That war against all passion, ah! how oft through summer hours,

Long listless summer hours when the noon
Being enamoured of a damask rose
Forgets to journey westward, till the moon
The pale usurper of its tribute grows
From a thin sickle to a silver shield
And chides its loitering car—how oft, in some cool grassy field

Far from the cricket-ground and noisy eight,
At Bagley, where the rustling bluebells come
Almost before the blackbird finds a mate
And overstay the swallow, and the hum
Of many murmuring bees flits through the leaves,
Have I lain poring on the dreamy tales his fancy weaves,

And through their unreal woes and mimic pain
Wept for myself, and so was purified,
And in their simple mirth grew glad again;
For as I sailed upon that pictured tide
The strength and splendour of the storm was mine
Without the storm’s red ruin, for the singer is divine;

The little laugh of water falling down
Is not so musical, the clammy gold
Close hoarded in the tiny waxen town
Has less of sweetness in it, and the old
Half-withered reeds that waved in Arcady
Touched by his lips break forth again to fresher harmony.

Spirit of Beauty, tarry yet awhile!
Although the cheating merchants of the mart
With iron roads profane our lovely isle,
And break on whirling wheels the limbs of Art,
Ay! though the crowded factories beget
The blindworm Ignorance that slays the soul, O tarry yet!

For One at least there is,—He bears his name
From Dante and the seraph Gabriel,—
Whose double laurels burn with deathless flame
To light thine altar; He too loves thee well,
Who saw old Merlin lured in Vivien’s snare,
And the white feet of angels coming down the golden stair,

Loves thee so well, that all the World for him
A gorgeous-coloured vestiture must wear,
And Sorrow take a purple diadem,
Or else be no more Sorrow, and Despair
Gild its own thorns, and Pain, like Adon, be
Even in anguish beautiful;—such is the empery

Which Painters hold, and such the heritage
This gentle solemn Spirit doth possess,
Being a better mirror of his age
In all his pity, love, and weariness,
Than those who can but copy common things,
And leave the Soul unpainted with its mighty questionings.

But they are few, and all romance has flown,
And men can prophesy about the sun,
And lecture on his arrows—how, alone,
Through a waste void the soulless atoms run,
How from each tree its weeping nymph has fled,
And that no more ’mid English reeds a Naiad shows her head.

Methinks these new Actaeons boast too soon
That they have spied on beauty; what if we
Have analysed the rainbow, robbed the moon
Of her most ancient, chastest mystery,
Shall I, the last Endymion, lose all hope
Because rude eyes peer at my mistress through a telescope!

What profit if this scientific age
Burst through our gates with all its retinue
Of modern miracles!  Can it assuage
One lover’s breaking heart? what can it do
To make one life more beautiful, one day
More godlike in its period? but now the Age of Clay

Returns in horrid cycle, and the earth
Hath borne again a noisy progeny
Of ignorant Titans, whose ungodly birth
Hurls them against the august hierarchy
Which sat upon Olympus; to the Dust
They have appealed, and to that barren arbiter they must

Repair for judgment; let them, if they can,
From Natural Warfare and insensate Chance,
Create the new Ideal rule for man!
Methinks that was not my inheritance;
For I was nurtured otherwise, my soul
Passes from higher heights of life to a more supreme goal.

Lo! while we spake the earth did turn away
Her visage from the God, and Hecate’s boat
Rose silver-laden, till the jealous day
Blew all its torches out:  I did not note
The waning hours, to young Endymions
Time’s palsied fingers count in vain his rosary of suns!

Mark how the yellow iris wearily
Leans back its throat, as though it would be kissed
By its false chamberer, the dragon-fly,
Who, like a blue vein on a girl’s white wrist,
Sleeps on that snowy primrose of the night,
Which ‘gins to flush with crimson shame, and die beneath the light.

Come let us go, against the pallid shield
Of the wan sky the almond blossoms gleam,
The corncrake nested in the unmown field
Answers its mate, across the misty stream
On fitful wing the startled curlews fly,
And in his sedgy bed the lark, for joy that Day is nigh,

Scatters the pearled dew from off the grass,
In tremulous ecstasy to greet the sun,
Who soon in gilded panoply will pass
Forth from yon orange-curtained pavilion
Hung in the burning east:  see, the red rim
O’ertops the expectant hills! it is the God! for love of him

Already the shrill lark is out of sight,
Flooding with waves of song this silent dell,—
Ah! there is something more in that bird’s flight
Than could be tested in a crucible!—
But the air freshens, let us go, why soon
The woodmen will be here; how we have lived this night of June!

This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.

You are the daughter of the sea, oregano's first cousin.
Swimmer, your body is pure as the water;
cook, your blood is quick as the soil.
Everything you do is full of flowers, rich with the earth.

Your eyes go out toward the water, and the waves rise;
your hands go out to the earth and the seeds swell;
you know the deep essence of water and the earth,
conjoined in you like a formula for clay.

Naiad: cut your body into turquoise pieces,
they will bloom resurrected in the kitchen.
This is how you become everything that lives.

And so at last, you sleep, in the circle of my arms
that push back the shadows so that you can rest--
vegetables, seaweed, herbs: the foam of your dreams.

For the Dragon hissed as the Dragon died,
Apollo’s kiss as the night subsides,
Python’s bliss as naiad’s cried,
And the wailing woe’s on a weathering tide,

Water-wall from Kētos scream, tsunami crash, swallow everything,

Rolling clouds and the pouring rain and the serpent dying writhing in pain,

And the Dragon hissed and the Dragon died,
Apollo kissed away the night time sky,
And the Python’s bliss as his naiad’s cry,

The Sun awoke at the wheel-house berth, armor gold, chest-plate of Earth,

And valiance choked, squeezed by Ladon’s girth,

As the serpent swelled with the stormy seas,

To collapse great hero upon his knees,

Apollo, Cadmus and Hercules.

Reborn by fire, Father-Lion’s roar, returned each night to even-up the score,

And the Dragon hissed and the Dragon died,
Apollo’s kiss ward off night time skies,
Oh the wailing woe of ominous tides,

The scythe or club, boulder at night, rocks from heaven and the perilous fight,

Black-oil venom, heart of a beast, starry night’s runner split from the east,

Noxious breathe, flame-seared teeth, smell of death from a ****** feast,

Speared at the neck, pinning head to earth, then celebrated as a day of birth,

The serpent on his shoulder, or dangling from the tree,

Arising from the waters, from the depths beneath,

Cast out under a mountain, yes underneath, then wear his skin and sow his teeth!

And the Dragon hissed and the Dragon died,
Apollo’s kiss as the fight subsides,

And Python’s bliss as his muses wailed, between the horns where Argo sailed,

Call it a man or Charybdis, Scylla, rock, a multi-headed beast,

Or just two horns with a middle disk and Apollo’s fire, Sun’s dawning kiss,

And the Dragon hissed as the Dragon dies,
And Apollo’s kiss create the day time skies,
And the Python’s bliss at his naiad’s cries,
And the Dragon hissed and the Dragon died!

O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt

On a plateau
        by the seashore
sits a naked goddess,

a dryad or a naiad--
       she laments a soft
song of mechanical

love. Bathing in the
        quiet night, the
light, the

diamond-bright
        stillness. She looks
at me with sad eyes.

On a conch-shell loveboat
        together we sail
through snaky canals

of the heart.
        Cool, lapping
water drips

from her long
        seaweed hair as she
sings for me--

we go beneath
        the sea &
look up at

intangible starfish
        that mirror
the stars of the

surface.

BOOK I

     Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung above his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

     Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since.  Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

     It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep ***** tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!---though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:---O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

     As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.---I am gone
Away from my own *****: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.---
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must---it must
Be of ripe progress---Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he ******'d
Utterance thus.---"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"---That word
Found way unto Olympus, and made quake
The rebel three.---Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

     "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

     Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;---
Blazing Hyperion on his orbed fire
Still sat, still *****'d the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he---
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache.  His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,---
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came ***** upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

     He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire?  It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.---
Fall!---No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."---
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might.  Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,---hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.---Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:---No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire.  I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.---This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:---I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:---
But thou canst.---Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.---To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."---
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.

BOOK II

Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron.  All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Ty

He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.

The fight between Trojans and Achaeans was now left to rage as it
would, and the tide of war surged hither and thither over the plain as
they aimed their bronze-shod spears at one another between the streams
of Simois and Xanthus.
  First, Ajax son of Telamon, tower of strength to the Achaeans, broke
a phalanx of the Trojans, and came to the assistance of his comrades
by killing Acamas son of Eussorus, the best man among the Thracians,
being both brave and of great stature. The spear struck the projecting
peak of his helmet: its bronze point then went through his forehead
into the brain, and darkness veiled his eyes.
  Then Diomed killed Axylus son of Teuthranus, a rich man who lived in
the strong city of Arisbe, and was beloved by all men; for he had a
house by the roadside, and entertained every one who passed; howbeit
not one of his guests stood before him to save his life, and Diomed
killed both him and his squire Calesius, who was then his
charioteer—so the pair passed beneath the earth.
  Euryalus killed Dresus and Opheltius, and then went in pursuit of
Aesepus and Pedasus, whom the naiad nymph Abarbarea had borne to noble
Bucolion. Bucolion was eldest son to Laomedon, but he was a *******.
While tending his sheep he had converse with the nymph, and she
conceived twin sons; these the son of Mecisteus now slew, and he
stripped the armour from their shoulders. Polypoetes then killed
Astyalus, Ulysses Pidytes of Percote, and Teucer Aretaon. Ablerus fell
by the spear of Nestor’s son Antilochus, and Agamemnon, king of men,
killed Elatus who dwelt in Pedasus by the banks of the river
Satnioeis. Leitus killed Phylacus as he was flying, and Eurypylus slew
Melanthus.
  Then Menelaus of the loud war-cry took Adrestus alive, for his
horses ran into a tamarisk bush, as they were flying wildly over the
plain, and broke the pole from the car; they went on towards the
city along with the others in full flight, but Adrestus rolled out,
and fell in the dust flat on his face by the wheel of his chariot;
Menelaus came up to him spear in hand, but Adrestus caught him by
the knees begging for his life. “Take me alive,” he cried, “son of
Atreus, and you shall have a full ransom for me: my father is rich and
has much treasure of gold, bronze, and wrought iron laid by in his
house. From this store he will give you a large ransom should he
hear of my being alive and at the ships of the Achaeans.”
  Thus did he plead, and Menelaus was for yielding and giving him to a
squire to take to the ships of the Achaeans, but Agamemnon came
running up to him and rebuked him. “My good Menelaus,” said he,
“this is no time for giving quarter. Has, then, your house fared so
well at the hands of the Trojans? Let us not spare a single one of
them—not even the child unborn and in its mother’s womb; let not a
man of them be left alive, but let all in Ilius perish, unheeded and
forgotten.”
  Thus did he speak, and his brother was persuaded by him, for his
words were just. Menelaus, therefore, ****** Adrestus from him,
whereon King Agamemnon struck him in the flank, and he fell: then
the son of Atreus planted his foot upon his breast to draw his spear
from the body.
  Meanwhile Nestor shouted to the Argives, saying, “My friends, Danaan
warriors, servants of Mars, let no man lag that he may spoil the dead,
and bring back much ***** to the ships. Let us **** as many as we can;
the bodies will lie upon the plain, and you can despoil them later
at your leisure.”
  With these words he put heart and soul into them all. And now the
Trojans would have been routed and driven back into Ilius, had not
Priam’s son Helenus, wisest of augurs, said to Hector and Aeneas,
“Hector and Aeneas, you two are the mainstays of the Trojans and
Lycians, for you are foremost at all times, alike in fight and
counsel; hold your ground here, and go about among the host to rally
them in front of the gates, or they will fling themselves into the
arms of their wives, to the great joy of our foes. Then, when you have
put heart into all our companies, we will stand firm here and fight
the Danaans however hard they press us, for there is nothing else to
be done. Meanwhile do you, Hector, go to the city and tell our
mother what is happening. Tell her to bid the matrons gather at the
temple of Minerva in the acropolis; let her then take her key and open
the doors of the sacred building; there, upon the knees of Minerva,
let her lay the largest, fairest robe she has in her house—the one
she sets most store by; let her, moreover, promise to sacrifice twelve
yearling heifers that have never yet felt the goad, in the temple of
the goddess, if she will take pity on the town, with the wives and
little ones of the Trojans, and keep the son of Tydeus from falling on
the goodly city of Ilius; for he fights with fury and fills men’s
souls with panic. I hold him mightiest of them all; we did not fear
even their great champion Achilles, son of a goddess though he be,
as we do this man: his rage is beyond all bounds, and there is none
can vie with him in prowess”
  Hector did as his brother bade him. He sprang from his chariot,
and went about everywhere among the host, brandishing his spears,
urging the men on to fight, and raising the dread cry of battle.
Thereon they rallied and again faced the Achaeans, who gave ground and
ceased their murderous onset, for they deemed that some one of the
immortals had come down from starry heaven to help the Trojans, so
strangely had they rallied. And Hector shouted to the Trojans,
“Trojans and allies, be men, my friends, and fight with might and
main, while I go to Ilius and tell the old men of our council and
our wives to pray to the gods and vow hecatombs in their honour.”
  With this he went his way, and the black rim of hide that went round
his shield beat against his neck and his ancles.
  Then Glaucus son of Hippolochus, and the son of Tydeus went into the
open space between the hosts to fight in single combat. When they were
close up to one another Diomed of the loud war-cry was the first to
speak. “Who, my good sir,” said he, “who are you among men? I have
never seen you in battle until now, but you are daring beyond all
others if you abide my onset. Woe to those fathers whose sons face
my might. If, however, you are one of the immortals and have come down
from heaven, I will not fight you; for even valiant Lycurgus, son of
Dryas, did not live long when he took to fighting with the gods. He it
was that drove the nursing women who were in charge of frenzied
Bacchus through the land of Nysa, and they flung their thyrsi on the
ground as murderous Lycurgus beat them with his oxgoad. Bacchus
himself plunged terror-stricken into the sea, and Thetis took him to
her ***** to comfort him, for he was scared by the fury with which the
man reviled him. Thereon the gods who live at ease were angry with
Lycurgus and the son of Saturn struck him blind, nor did he live
much longer after he had become hateful to the immortals. Therefore
I will not fight with the blessed gods; but if you are of them that
eat the fruit of the ground, draw near and meet your doom.”
  And the son of Hippolochus answered, son of Tydeus, why ask me of my
lineage? Men come and go as leaves year by year upon the trees.
Those of autumn the wind sheds upon the ground, but when spring
returns the forest buds forth with fresh vines. Even so is it with the
generations of mankind, the new spring up as the old are passing away.
If, then, you would learn my descent, it is one that is well known
to many. There is a city in the heart of Argos, pasture land of
horses, called Ephyra, where Sisyphus lived, who was the craftiest
of all mankind. He was the son of ******, and had a son named Glaucus,
who was father to Bellerophon, whom heaven endowed with the most
surpassing comeliness and beauty. But Proetus devised his ruin, and
being stronger than he, drove him from the land of the Argives, over
which Jove had made him ruler. For Antea, wife of Proetus, lusted
after him, and would have had him lie with her in secret; but
Bellerophon was an honourable man and would not, so she told lies
about him to Proteus. ‘Proetus,’ said she, ‘**** Bellerophon or die,
for he would have had converse with me against my will.’ The king
was angered, but shrank from killing Bellerophon, so he sent him to
Lycia with lying letters of introduction, written on a folded
tablet, and containing much ill against the bearer. He bade
Bellerophon show these letters to his father-in-law, to the end that
he might thus perish; Bellerophon therefore went to Lycia, and the
gods convoyed him safely.
  “When he reached the river Xanthus, which is in Lycia, the king
received him with all goodwill, feasted him nine days, and killed nine
heifers in his honour, but when rosy-fingered morning appeared upon
the tenth day, he questioned him and desired to see the letter from
his son-in-law Proetus. When he had received the wicked letter he
first commanded Bellerophon to **** that savage monster, the Chimaera,
who was not a human being, but a goddess, for she had the head of a
lion and the tail of a serpent, while her body was that of a goat, and
she breathed forth flames of fire; but Bellerophon slew her, for he
was guided by signs from heaven. He next fought the far-famed
Solymi, and this, he said, was the hardest of all his battles.
Thirdly, he killed the Amazons, women who were the peers of men, and
as he was returning thence the king devised yet another plan for his
destruction; he picked the bravest warriors in all Lycia, and placed
them in ambuscade, but not a man ever came back, for Bellerophon
killed every one of them. Then the king knew that he must be the
valiant offspring of a god, so he kept him in Lycia, gave him his
daughter in marriage, and made him of equal honour in the kingdom with
himself; and the Lycians gave him a piece of land, the best in all the
country, fair with vineyards and tilled fields, to have and to hold.
  “The king’s daughter bore Bellerophon three children, Isander,
Hippolochus, and Laodameia. Jove, the lord of counsel, lay with
Laodameia, and she bore him noble Sarpedon; but when Bellerophon
came to be hated by all the gods, he wandered all desolate and
dismayed upon the Alean plain, gnawing at his own heart, and
shunning the path of man. Mars, insatiate of battle, killed his son
Isander while he was fighting the Solymi; his daughter was killed by
Diana of the golden reins, for she was angered with her; but
Hippolochus was father to myself, and when he sent me to Troy he urged
me again and again to fight ever among the foremost and outvie my
peers, so as not to shame the blood of my fathers who were the noblest
in Ephyra and in all Lycia. This, then, is the descent I claim.”
  Thus did he speak, and the heart of Diomed was glad. He planted
his spear in the ground, and spoke to him with friendly words. “Then,”
he said, you are an old friend of my father’s house. Great Oeneus once
entertained Bellerophon for twenty days, and the two exchanged
presents. Oeneus gave a belt rich with purple, and Bellerophon a
double cup, which I left at home when I set out for Troy. I do not
remember Tydeus, for he was taken from us while I was yet a child,
when the army of the Achaeans was cut to pieces before Thebes.
Henceforth, however, I must be your host in middle Argos, and you mine
in Lycia, if I should ever go there; let us avoid one another’s spears
even during a general engagement; there are many noble Trojans and
allies whom I can ****, if I overtake them and heaven delivers them
into my hand; so again with yourself, there are many Achaeans whose
lives you may take if you can; we two, then, will exchange armour,
that all present may know of the old ties that subsist between us.”
  With these words they sprang from their chariots, grasped one
another’s hands, and plighted friendship. But the son of Saturn made
Glaucus take leave of his wits, for he exchanged golden armour for
bronze, the worth of a hundred head of cattle for the worth of nine.
  Now when Hector reached the Scaean gates and the oak tree, the wives
and daughters of the Trojans came running towards him to ask after
their sons, brothers, kinsmen, and husbands: he told them to set about
praying to the gods, and many were made sorrowful as they heard him.
  Presently he reached the splendid palace of King Priam, adorned with
colonnades of hewn stone. In it there were fifty bedchambers—all of
hewn stone—built near one another, where the sons of Priam slept,
each with his wedded wife. Opposite these, on the other side the
courtyard, there were twelve upper rooms also of hewn stone for
Priam’s daughters, built near one another, where his sons-in-law slept
with their wives. When Hector got there, his fond mother came up to
him with Laodice the fairest of her daughters. She took his hand
within her own and said, “My son, why have you left the battle to come
hither? Are the Achaeans, woe betide them, pressing you hard about the
city that you have thought fit to come and uplift your hands to Jove
from the citadel? Wait till I can bring you wine that you may make
offering to Jove and to the other immortals, and may then drink and be
refreshed. Wine gives a man fresh strength when he is wearied, as
you now are with fighting on behalf of your kinsmen.”
  And Hector answered, “Honoured mother, bring no wine, lest you unman
me and I forget my strength. I dare not make a drink-offering to
Jove with unwashed hands; one who is bespattered with blood and
filth may not pray to the son of Saturn. Get the matrons together, and
go with offerings to the temple of Minerva driver of the spoil; there,
upon the knees of Minerva, lay the largest and fairest robe you have
in your house—the one you set most store by; promise, moreover, to
sacrifice twelve yearling heifers that have never yet felt the goad,
in the temple of the goddess if she will take pity on the town, with
the wives and little ones of the Trojans, and keep the son of Tydeus
from off the goodly city of Ilius, for he fights with fury, and
fills men’s souls with panic. Go, then, to the temple of Minerva,
while I seek Paris and exhort him, if he will hear my words. Would
that the earth might open her jaws and swallow him, for Jove bred
him to be the bane of the Trojans, and of Priam and Priam’s sons.
Could I but see him go down into the house of Hades, my heart would
forget its heaviness.”
  His mother went into the house and called her waiting-women who
gathered the matrons throughout the city. She then went down into
her fragrant store-room, where her embroidered robes were kept, the
work of Sidonian women, whom Alexandrus had brought over from Sidon
when he sailed the seas upon that voyage during which he carried off
Helen. Hecuba took out the largest robe, and the one that was most
beautifully enriched with embroidery, as an offering to Minerva: it
glittered like a star, and lay at the very bottom of the chest. With
this she went on her way and many matrons with her.
  When they reached the temple of Minerva, lovely Theano, daughter
of Cisseus and wife of Antenor, opened the doors, for the Trojans
had made her priestess of Minerva. The women lifted up their hands
to the goddess with a loud cry, and Theano took the robe to lay it
upon the knees of Minerva, praying the while to the daughter of
great Jove. “Holy Minerva,” she cried, “protectress of our city,
mighty goddess, break the spear of Diomed and lay him low before the
Scaean gates. Do this, and we will sacrifice twelve heifers that
have never yet known the goad, in your temple, if you will have pity
upon the town, with the wives and little ones If the Trojans.” Thus
she prayed, but Pallas Minerva granted not her prayer.
  While they were thus praying to the daughter of great Jove, Hector
went to the fair house of Alexandrus, which he had built for him by
the foremost builders in the land. They had built him his house,
storehouse, and courtyard near those of Priam and Hector on the
acropolis. Here Hector entered, with a spear eleven cubits long in his
hand; the bronze point gleamed in front of him, and was fastened

“Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!”

The merchant’s word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, “Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!”
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o’er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, “Our ship, I wis,
Shall be of another form than this!”
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

In the ship-yard stood the Master,
With the model of the vessel,
That should laugh at all disaster,
And with wave and whirlwind wrestle!
Covering many a rood of ground,
Lay the timber piled around;
Timber of chestnut, and elm, and oak,
And scattered here and there, with these,
The knarred and crooked cedar knees;
Brought from regions far away,
From Pascagoula’s sunny bay,
And the banks of the roaring Roanoke!
Ah! what a wondrous thing it is
To note how many wheels of toil
One thought, one word, can set in motion!
There ’s not a ship that sails the ocean,
But every climate, every soil,
Must bring its tribute, great or small,
And help to build the wooden wall!

The sun was rising o’er the sea,
And long the level shadows lay,
As if they, too, the beams would be
Of some great, airy argosy,
Framed and launched in a single day.
That silent architect, the sun,
Had hewn and laid them every one,
Ere the work of man was yet begun.
Beside the Master, when he spoke,
A youth, against an anchor leaning,
Listened, to catch his slightest meaning.
Only the long waves, as they broke
In ripples on the pebbly beach,
Interrupted the old man’s speech.
Beautiful they were, in sooth,
The old man and the fiery youth!
The old man, in whose busy brain
Many a ship that sailed the main
Was modelled o’er and o’er again;—
The fiery youth, who was to be
The heir of his dexterity,
The heir of his house, and his daughter’s hand,
When he had built and launched from land
What the elder head had planned.

“Thus,” said he, “will we build this ship!
Lay square the blocks upon the slip,
And follow well this plan of mine.
Choose the timbers with greatest care;
Of all that is unsound beware;
For only what is sound and strong
To this vessel shall belong.
Cedar of Maine and Georgia pine
Here together shall combine.
A goodly frame, and a goodly fame,
And the Union be her name!
For the day that gives her to the sea
Shall give my daughter unto thee!”

The Master’s word
Enraptured the young man heard;
And as he turned his face aside,
With a look of joy and a thrill of pride
Standing before
Her father’s door,
He saw the form of his promised bride.
The sun shone on her golden hair,
And her cheek was glowing fresh and fair,
With the breath of morn and the soft sea air.
Like a beauteous barge was she,
Still at rest on the sandy beach,
Just beyond the billow’s reach;
But he
Was the restless, seething, stormy sea!
Ah, how skilful grows the hand
That obeyeth Love’s command!
It is the heart, and not the brain,
That to the highest doth attain,
And he who followeth Love’s behest
Far excelleth all the rest!

Thus with the rising of the sun
Was the noble task begun,
And soon throughout the ship-yard’s bounds
Were heard the intermingled sounds
Of axes and of mallets, plied
With vigorous arms on every side;
Plied so deftly and so well,
That, ere the shadows of evening fell,
The keel of oak for a noble ship,
Scarfed and bolted, straight and strong,
Was lying ready, and stretched along
The blocks, well placed upon the slip.
Happy, thrice happy, every one
Who sees his labor well begun,
And not perplexed and multiplied,
By idly waiting for time and tide!

And when the hot, long day was o’er,
The young man at the Master’s door
Sat with the maiden calm and still,
And within the porch, a little more
Removed beyond the evening chill,
The father sat, and told them tales
Of wrecks in the great September gales,
Of pirates coasting the Spanish Main,
And ships that never came back again,
The chance and change of a sailor’s life,
Want and plenty, rest and strife,
His roving fancy, like the wind,
That nothing can stay and nothing can bind,
And the magic charm of foreign lands,
With shadows of palms, and shining sands,
Where the tumbling surf,
O’er the coral reefs of Madagascar,
Washes the feet of the swarthy Lascar,
As he lies alone and asleep on the turf.
And the trembling maiden held her breath
At the tales of that awful, pitiless sea,
With all its terror and mystery,
The dim, dark sea, so like unto Death,
That divides and yet unites mankind!
And whenever the old man paused, a gleam
From the bowl of his pipe would awhile illume
The silent group in the twilight gloom,
And thoughtful faces, as in a dream;
And for a moment one might mark
What had been hidden by the dark,
That the head of the maiden lay at rest,
Tenderly, on the young man’s breast!

Day by day the vessel grew,
With timbers fashioned strong and true,
Stemson and keelson and sternson-knee,
Till, framed with perfect symmetry,
A skeleton ship rose up to view!
And around the bows and along the side
The heavy hammers and mallets plied,
Till after many a week, at length,
Wonderful for form and strength,
Sublime in its enormous bulk,
Loomed aloft the shadowy hulk!
And around it columns of smoke, upwreathing,
Rose from the boiling, bubbling, seething
Caldron, that glowed,
And overflowed
With the black tar, heated for the sheathing.
And amid the clamors
Of clattering hammers,
He who listened heard now and then
The song of the Master and his men:—

“Build me straight, O worthy Master,
    Staunch and strong, a goodly vessel,
That shall laugh at all disaster,
    And with wave and whirlwind wrestle!”

With oaken brace and copper band,
Lay the rudder on the sand,
That, like a thought, should have control
Over the movement of the whole;
And near it the anchor, whose giant hand
Would reach down and grapple with the land,
And immovable and fast
Hold the great ship against the bellowing blast!
And at the bows an image stood,
By a cunning artist carved in wood,
With robes of white, that far behind
Seemed to be fluttering in the wind.
It was not shaped in a classic mould,
Not like a Nymph or Goddess of old,
Or Naiad rising from the water,
But modelled from the Master’s daughter!
On many a dreary and misty night,
‘T will be seen by the rays of the signal light,
Speeding along through the rain and the dark,
Like a ghost in its snow-white sark,
The pilot of some phantom bark,
Guiding the vessel, in its flight,
By a path none other knows aright!

Behold, at last,
Each tall and tapering mast
Is swung into its place;
Shrouds and stays
Holding it firm and fast!

Long ago,
In the deer-haunted forests of Maine,
When upon mountain and plain
Lay the snow,
They fell,—those lordly pines!
Those grand, majestic pines!
’Mid shouts and cheers
The jaded steers,
Panting beneath the goad,
Dragged down the weary, winding road
Those captive kings so straight and tall,
To be shorn of their streaming hair,
And naked and bare,
To feel the stress and the strain
Of the wind and the reeling main,
Whose roar
Would remind them forevermore
Of their native forests they should not see again.
And everywhere
The slender, graceful spars
Poise aloft in the air,
And at the mast-head,
White, blue, and red,
A flag unrolls the stripes and stars.
Ah! when the wanderer, lonely, friendless,
In foreign harbors shall behold
That flag unrolled,
‘T will be as a friendly hand
Stretched out from his native land,
Filling his heart with memories sweet and endless!

All is finished! and at length
Has come the bridal day
Of beauty and of strength.
To-day the vessel shall be launched!
With fleecy clouds the sky is blanched,
And o’er the bay,
Slowly, in all his splendors dight,
The great sun rises to behold the sight.

The ocean old,
Centuries old,
Strong as youth, and as uncontrolled,
Paces restless to and fro,
Up and down the sands of gold.
His beating heart is not at rest;
And far and wide,
With ceaseless flow,
His beard of snow
Heaves with the heaving of his breast.
He waits impatient for his bride.
There she stands,
With her foot upon the sands,
Decked with flags and streamers gay,
In honor of her marriage day,
Her snow-white signals fluttering, blending,
Round her like a veil descending,
Ready to be
The bride of the gray old sea.

On the deck another bride
Is standing by her lover’s side.
Shadows from the flags and shrouds,
Like the shadows cast by clouds,
Broken by many a sunny fleck,
Fall around them on the deck.

The prayer is said,
The service read,
The joyous bridegroom bows his head;
And in tears the good old Master
Shakes the brown hand of his son,
Kisses his daughter’s glowing cheek
In silence, for he cannot speak,
And ever faster
Down his own the tears begin to run.
The worthy pastor—
The shepherd of that wandering flock,
That has the ocean for its wold,
That has the vessel for its fold,
Leaping ever from rock to rock—
Spake, with accents mild and clear,
Words of warning, words of cheer,
But tedious to the bridegroom’s ear.
He knew the chart
Of the sailor’s heart,
All its pleasures and its griefs,
All its shallows and rocky reefs,
All those secret currents, that flow
With such resistless undertow,
And lift and drift, with terrible force,
The will from its moorings and its course.
Therefore he spake, and thus said he:—

“Like unto ships far off at sea,
Outward or homeward bound, are we.
Before, behind, and all around,
Floats and swings the horizon’s bound,
Seems at its distant rim to rise
And climb the crystal wall of the skies,
And then again to turn and sink,
As if we could slide from its outer brink.
Ah! it is not the sea,
It is not the sea that sinks and shelves,
But ourselves
That rock and rise
With endless and uneasy motion,
Now touching the very skies,
Now sinking into the depths of ocean.
Ah! if our souls but poise and swing
Like the compass in its brazen ring,
Ever level and ever true
To the toil and the task we have to do,
We shall sail securely, and safely reach
The Fortunate Isles, on whose shining beach
The sights we see, and the sounds we hear,
Will be those of joy and not of fear!”

Then the Master,
With a gesture of command,
Waved his hand;
And at the word,
Loud and sudden there was heard,
All around them and below,
The sound of hammers, blow on blow,
Knocking away the shores and spurs.
And see! she stirs!
She starts,—she moves,—she seems to feel
The thrill of life along her keel,
And, spurning with her foot the ground,
With one exulting, joyous bound,
She leaps into the ocean’s arms!

And lo! from the assembled crowd
There rose a shout, prolonged and loud,
That to the ocean seemed to say,
“Take her, O bridegroom, old and gray,
Take her to thy protecting arms,
With all her youth and all her charms!”

How beautiful she is! How fair
She lies within those arms, that press
Her form with many a soft caress
Of tenderness and watchful care!
Sail forth into the sea, O ship!
Through wind and wave, right onward steer!
The moistened eye, the trembling lip,
Are not the signs of doubt or fear.
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the ***** of that sea
Thy comings and thy goings be!
For gentleness and love and trust
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!

Thou, too, sail on, O Ship of State!
Sail on, O Union, strong and great!
Humanity with all its fears,
With all the hopes of future years,
Is hanging breathless on thy fate!
We know what Master laid thy keel,
What Workmen wrought thy ribs of steel,
Who made each mast, and sail, and rope,
What anvils rang, what hammers beat,
In what a forge and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock,
‘T is of the wave and not the rock;
‘T is but the flapping of the sail,
And not a rent made by the gale!
In spite of rock and tempest’s roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o’er our fears,
Are all with thee,—are all with thee!

For the lady who sees it all, Mahkhon

Scribes gather –
Words tucked between
Laughter and Memories, hidden
For them to find and tell.

A river fairy she is,
Papyrus reeds, her wings.
A naiad, watching bubbles,
Reading hearts, --
Precious bubbles, a keeper
In four years.

Seven Years past,
The fairy is a Woman, Who
Bears keen eyes with ken.

Imagine her delight,
For each bubble pricked,
Truth, love, stories unwrapped.

A seer uncurls the scrolls,
An oracle whispered to gentle Wind:
A dandelion she is
Made for the skies,
Lift her up ---
But kindly change her not.

Tarry, the Heroine's Right Friend-in-Bond
After months of Letters un-comprehend
I should have noticed your Living Response
But my Character has long been pretend
Forgive my English, Naiad of the Plym
Your Side-Family has offered Remorse
I mean no Blood; Just a Puff and a Whim
To show you I am honest in my Course
And yet, these are just Words; And in your Kind
Physics is the Path most will understand
Yet given this Map which I cannot find
I Support you in the Best Way I can.
Once the Flame lights in this Kingdom's Great Hill
I bid my Salute whilst my Feet stand still.

Science! true daughter of Old Time thou art!
  Who alterest all things with thy peering eyes.
Why preyest thou thus upon the poet’s heart,
  Vulture, whose wings are dull realities
How should he love thee? or how deem thee wise,
  Who wouldst not leave him in his wandering
To seek for treasure in the jewelled skies,
  Albeit he soared with an undaunted wing!
Hast thou not dragged Diana from her car?
  And driven the Hamadryad from the wood
To seek a shelter in some happier star?
  Hast thou not torn the Naiad from her flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind tree?

Helen, thy beauty is to me
  Like those Nicean barks of yore,
That gently, o’er a perfumed sea,
  The weary, wayworn wanderer bore
  To his own native shore.

On desperate seas long wont to roam,
  Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
  To the glory that was Greece,
To the grandeur that was Rome.

Lo! in yon brilliant window niche,
  How statue-like I see thee stand,
  The agate lamp within thy hand!
Ah, Psyche, from the regions which
  Are Holy Land!

I trembled zipping her,
Cascades of hair— rosewater,
Poured into a dress.

I trembled zipping her,
Cascades of hair— rosewater,
Poured into a dress.

two terrible beauties
Daphne and Phoebe
whose hearts are my heart
they whom I would die for
and there's not much left for me
or anybody else

Maiden crowned with glossy blackness,
Lithe as panther forest-roaming,
Long-armed Naiad when she dances
On a stream of ether floating,
Bright, o bright Fedalma!

Form all curves like softness drifted,
Wave-kissed marble roundly dimpling,
Far-off music slowly wingèd,
Gently rising, gently sinking,
Bright, o bright Fedalma!

Pure as rain-tear on a rose-leaf,
Cloud high born in noonday spotless
Sudden perfect like the dew-bead,
Gem of earth and sky begotten,
Bright, o bright Fedalma!

Beauty has no mortal father,
Holy light her form engendered,
Out of tremor yearning, gladness,
Presage sweet, and joy remembered,
Child of light! Child of light!
Child of light, Fedalma!

I trembled zipping her,
Cascades of hair— rosewater,
Poured into a dress.

he's the colour of sunshine
the glitter he hates,
sparkling in his crinkling eyes

his laugh
is the colour of daisies in november,
teasing the troubled naiad into a state
of pure affection

his kiss
I imagine
is the colour of bliss,
like honey dripping from the lips of queens by the nile

his love,
however
is the colour of water
clear
non-existant.

Physique of my lover can I achieve such a naiad,    
Soaked earth with the blackened river aves beneath,
My craving my ardor without end my steadfast love,
Sinuous languid as we ponder close to the shore,

The cups of her ***** as her eyes filled with lack,
Voice withering in a delectation tone of anxiety,
This moment appetences my desirable ecstasies,
It is not your Intellect that has drawn me to thee,

I voraciously long to hear voice your skin your laugh,
But a number of things that have cause me amiss,
It is but all of you my naiad it is your entire being,
This cognizance made me fall deeply in love with thee,  

Things that not said take away from your lucid charm,
The sovereign nose of your deferential silhouette,
This is how you become it makes all seem so alive,
I want to masticate the enduring hue of your core,

Rumbling surge come closer to exasperate my Naiad,
I hope to find her once again along the Sinuous Languid,
By A. Guzaldo 07/16/2018 ©

All silent in the months of grace
When frosty blankets fall across the hills
And fields where birds once sang their verse,
But melody of wind is all we know.
These lands to die are not yet dead
Though bee does mourn for blooms and for himself
When beetle joints go stiff with cold --
When funerary twilight season comes
To ***** the days. The final wren
Now senses slipping of the year, and so
Of tenant hill and glen deprived
Set in for sleep. If never to awake --
To never feel a verdant joy
Or exultation of the orb that breathes
Bright life into our skies -- at least
Released from hardships and her sorrows be.
But she has faith, she loves the sun!
The twinkling of his eye will come in May
Or else with April's gown he'll march:
Believing in her lover's rising light
The dream that takes her through the night.
Not far, a sickly naiad's wood
In seasons past so fair of face and leaf,
Yet creeping forest's yellowing
Like fingernails of corpse when skin recedes.
But then blush orange sanguinate:
The lover's sigh ignites when dies the vine,
Their bubbling veins in praise of life
When soonest to be severed by cruel scythe.

This phantom of their fate is grim,
More grim be sure than fate that falls in death:
The slings and arrows of the mind
Are those most potent poisoned, fear them not --
Illusory as winter's chill
That peels off maiden's wedding veil in spring:
A peaceful rest does come to all
Though private troubles drown the trees through fall.

Unthinking sleep does bliss the boughs,
In hibernation lose to learn anew
The sights proved true by waking world
That are the growing season's cause to feel.
When browns the brush and flies the thrush
Unanchored Daphne nods and starts to drift
In sea where beings dream as one.
Soft blizzard quilt on woods in slumber laid,
Demeter's daughter vanished into shade,
With knowledge that she'll never fade.

On a cloudless sunny day, last week,



I met a man who could not speak.



Yet he wanted to relate something to me,



So with pen and paper I began to see.







He had been walking, in a hidden grove, alongside a stream,



Full of all the beauty, that only nature’s gifts can dream.



He stopped by a fountain, to breathe in the sight,



The river sparkling a thousand diamonds, in the sunlight.



He was resting on a rock, when he heard music begin to play,



And he espied a nymph in the river, who started to dance and sway.



Her blond hair was covered, with morning glory flowers,



And sunlight bounced off her, cascading into showers.



As the naiad danced she splashed the diamonds into the air,



Then dove under the water, as if knowing he was there.



She emerged inside a whirlwind, impetuous with caprice,



Then disappeared upon a cloud, carried by a silken breeze.



The music then stopped playing, and the man was dumbstruck,



He had a vision of such loveliness, he could not believe his luck.



But from that day to this, he could not utter a word,



For the Nymph had stolen his voice, isn’t that absurd?

Today I felt it!!!
For one second that forlorness had left me,
The incandesce had made me tepid, as the flowers are in full efflorescence!!!
I was high but for a moment!!!

Sandal's I took off, as this spirit soared free,
1960s, 2015, for what's the difference other than I'm a fossil soul in an adolescent chassis!!!

I saw purple buds,
White silked loves to wrap around the logs once sparked by lightning!!!
Exquisite inviting's!!!!

Thine aisle's I walked were cloaked by air-conditioned Trousseau's, for I wish I hadn't needed clothes,
I'll be amongst between the bush,
Lost in its allurement,
Plagued by its touch!!!

Yet suddenly,
Crashing down upon me....

Came back the whirlwind of lost buoyancy,
No queen in sight,
Nor bride to be!!!

Just thou an me antiquated stock!!!!

Paramount I am to find this naiad of unconventional standards,
Where her luminosity can be mine pattern,

To where these broke in toes,
Can unwind to her nursery!!!!!!!!

I wouldn't like to be a naiad
Unless I could swim through dirt
Then when you ceased to breathe,
I'd rest beside your corpse in earth.
I wouldn't like to be a dolly.
My heart filled with needles and pins.
Every time you near me,
They always sink further in.
I wouldn't like to be a shadow.
Unless I was cast in your light.
So that I may be with you,
Even in the darkest night.
I wouldn't mind being a kiss.
I don't quite make the cut.
How can two lips join,
If one set is sewn shut?

Zefian; Butler of the greater demon, he would be forced to make the main stained glass window of the Castello del Horcondising, he will continue to put himself on the posts in each hermit tree to recruit from the horsemen lordships of the autumnal massif, towards an eternal wailing of birches in harmony. Pay attention to the words and challenges of presence in the Vernarthian Sub Mythology in Horcondising. Everything will be for the creative principle of a new world, where the materiality that will be useless on the surface, is of value and prosperity ubiquitously in any space where the human race degrades to eternity levels of consciousness.

Biological goal, codes of life, material works beyond a life that reconciles organic life and ethereal life. The evolutionary codes of life go further from the super existence, creating transformations that alternate life in spiritual memory, based on multidimensional spiritual intelligence. The consequence and serial of future ideas or captures of fruitive life,  which will be continued in storage links of gospels of remembrance, to preserve our bio-evolutionary trajectory codes. Super microscopic particles will be decomplexed by Zefián, more withdrawn from the demonicity that is rooted in our faith codes, procreating from there to our filtering mechanics of the dogma of existence, to be applied as perfectible memorization tools, allelomorphic from Tsambika to Horcondising. Creating codes of life and experiences between the creation of God and the creation of the superficial world, in such a way that between both canons, the emergent and fleeting guideline of experience contained in the threshold of death is issued. To go further away from the light itself that does not invade us with diseases correlative to the decomposition and corruptibility of the human born and steely spirit, heading towards an ethereal biological goal. .

Says Leiak: “As the spirit of the Vernarth forest in Horcondising, I have been a multi-parasitic organism in the barks of hyper-spaced oaks, beyond all vanity of large volumes of knowledge and extensions of knowledge. My possible genomes change, each time I blink for a longer time, than the short time I have when resources mutate in such a silent time, which I have been able to measure mathematically. The adaptations of nature to threatening changes also endorse the soul of plants, endowing them with the property of resurrection. The comparative sequences make the evolution of the divine being go beyond the biodegradable sequence, to the point of biological balance of constituting a new life, in the plane of selectivity proper to the particles that carry and attract towards the receptacle of a new life, under the code of a transition from one to one that is reborn in another. Each microscopic element functions as a totalitarian entity in Vernarth submythology, harmoniously linking the chaos and concretion of the world of Genesis with the world of the polytheistic worldview.

Says Borker: “My vaporous voice of the curse, guide that heralds a new one that is leading in Tsambika. Everything bad tends to resurrect in the arms of goodness, where it provides nourishment for those who need to incubate new chains of organic and inorganic adaptability, evangelized and not evangelized, because the light that carries them from the top of the oaks that I pass through the mornings, they always greet me, to proceed like Borker, son of nothing and father of nobody. Here I will be to lead together with Vernarth, the emancipation of the stagnant eco-systemic chains that are stranded in the mud of the administrative power of the supposed super intelligence, which relativizes everything and intervenes. Not knowing that the great super reason by itself recreates itself, making new chaos or riddles, overcome by itself”
Zefián says: “Originally, thousands of cells have been condemned to encompass the density of matter and life on the planet of the experiments called Earth. What is between heaven and earth is in the sub mythology of both poles. Eurydice was in the Orphic world given her romanticism with Orpheus Himself, now she is in our tracóntero, in the mask where she leads the forces between heaven and earth. Right here the Horcondising, which fills us with high associative density. Our populations have to live in the temples of evolutionary austerity and meekness, after events of three-dimensional changes, ours here in Horcondiing has already been mentioned, which is the same as now in Tsambika, for all the parishioners decomposing, but biologically mutating to reborn in a useful life reborn from the seed of sweet death "
  
The Vernarthian sub mythology is the one that perfectly communes with the genesis of the first light and sound, amplifying each other, adapting nobly with the amplitude of momentum exerted, to settle in plans of management of history in thick episodes that have not written by mortal hands in real or fictitious transition which we also conform. Each character that intervenes in the Verthian world ..., here something or someone has complementarity with all the heroes and titans that have existed in our collective memories, making them the anti-heroes or titans that still do not know each other.

Ingratia mol de petal says: “even after being purified, everything must be re-purified; we all owe it to thanks to the constant variability of the notes of the cosmos and its generation. The auras of action surpassed those that add up by thousands of years. I am a liquidator of cancer circles of carcinoma and sainete nodules”

Spermazoid fable is presented to everyone: “Serous plasma runs through the grasslands, before the supra-human count in Horcondising. We are all invisible liquid, that speaks crawling and feeding back its wounds, that do not fit with words that speak further of the rigor of well-being. As a heretical pro, he advanced in the roughness of all the ravines and abandoned reliefs, but when he advanced I do not retreat! I am more vile than time, because time passes and retraces the protozoan memory, moving me away to memories that live and are avant-garde of a mortal, but I have nothing everything. When I have these roughness, I am time and its atomic mass dimension stops time, and attached me to its extermination and nihilistic empty concavity”

Orfilia and Aranhis say while dancing: “a sylph and a naiad appear dressed in white, auguring the feminine aspect of the majesty of the elements. They dance through all the co-rugosities of Verthian sub-mythology, with the support of annulling the hieratic intervention of the spermatozoid fable, for this purpose of relativizing the chromatics of the mythological beings that made a dialogue wheel, peripatetic, even being actors having only audience of those who do not know each other. They dance and dance through all the estuaries and stands of the aristocratic families, who went more than three thousand meters to be judged by themselves, to be redistributed to the chilling of the simile *** bei Hinnom, which is at the top of Horcondising, where all the hallucinating timid flashes of all the re-born flowers of the spring of love whistle fiercely contained in the rosy tones of the Trisolate "

Trisolate: “I am and will be the great conductivity of great energy. Symbolism with a premise today to not think and know words with symbolism of speaking oak barks, where this oak says in itself (I say, later you say), the pronoun must be mutated to the sixth plane, where now we will say or that has never been heard. Only by naming the one that is no longer in the associative language of linguistic clans subject to the sixth pronoun of oaks that live and will live with the code of the language that we have never heard, but starting today if, as a point of reference already bet in the ears of the tree and not the deixis protozoan man! "
  
Vernarth says: “When I try to sleep at night resting my head on the understory of oaks, I sleep painlessly because of the vertebrae that urge to rearrange me, because the roots of his ego on the sixth plane make me consciously independent of the references of my fantasies, It will not be long before my wing comes around the metaphysical corner. Here at the Castello del Horcondising the blocks are not square, they are baldons of the memory of the natural ego, which takes the tram through which my shoes came without clothes that condition it or allow it to express itself tetraplegically handicapped, rather more validated by being trapped by the ghostly essence of oak that is never born or dies, but knowing that it has no Ego”

5/6/2016

     The doctors- they told me, said I was sick. But I told them you were sicker. That it your illness- it's too much. I tap on the wallpaper and hope you understand where i'm coming from. I adjust the tin bars that won't move on the window plates.  I wanted to thank you for coming over to visit me firstly. Secondly- I want you back. I guess directness isn't the best way to someone's heart or maybe it is. I don't know why we parted. You,  you are so sick- a sick little girl, you need a nurse or perhaps some care. I never realized this- I only did now and now i'm locked in this hospital, i've caught it myself. I'm as good as dead now. I am sorry for being such an important part of your life- maybe if I wasn't, it wouldn't hurt to see me like this. Maybe if i wasn't i would stop disturbing you-  leave you alone. But i need you back- I don't  know why we left eachother.

-and why?

            Why not? You don't  remember all the good parts of us? Do you remember how the Blackgum trees in the park  smelled like after a good rain while we walked through them and tried to get a good bench by the reservoir, you know, the one that always smelled like pondweed? I'd told you about how they're called Naiad weeds. I told you what Naiads were. You remind me of one, all pink faced and watery. You were always sort of ephemeral and wavering like water.

-why are you telling me this?

            Because it's you.  You're wavering jumping pondwater  and you're the kittens that old woman who lived near you kept. We used to feed the ones that wandered near your terrace. I thought they smelled bad,  but you said to not say that because it would hurt their feelings.

...

No- please don't touch me.

...

It's as if a corpse touches me when you reachout that hand.

...

Don't touch me! with your fetid finger, your moribund edge. You make me want to cry, you make me want you back with me- mostly you confuse me. How could you have so much respect for life? It was my favorite thing about you. You should've been a ****** Aryika. somewhere, in India. How could you care so much about a life, from a person's to a cat's feelings and even to a little mite's? How could we have sat and listened to Chopin's Mazurkas during that one big hurricane with my old battery powered radio, and how could  you have made me cake when everyone forgot my birthday? How could you? How dare you. How could you have so much respect for every life except your own?

"Odoriferous fresh gardenia flowers fragrance was she,
Her beauty will be cultivated forever amongst and beyond,
How does one know if it is love it is more than just a word?
It is a feeling soul bound that fervor’s beneath the skin,

So how do I know it is love if it isn't as the words are procured?
A sense of rising tide a rapid undulant river of a woman,
One cannot be a troglodyte in life when love arrives,
My love has arrived I have felt all the above and much more,

Sheer thoughts of her sends a billow enliven rapture within,
A rush with consternation render’s fervent fracas of piquancy,
I have heeded in life these depictions of the fluttering gusto,
As long as I live this tectonic emotion of this naiad will remain,        

Restraints of the days is this prologue to exodus to enclaves,
I turned my back on the capricious sea the euphoria and somber,
Where with a strain and a ****** on the banks of islet sands,
Beauteous day slips in night as the sailing foam drifts afar,

Although I am where I am I will never be perniciously charmed,
Stars will burn for all time as I lament in demanding sadness,  
Cursing as a cavalier of false hopes with untethered regret,
For I am not a troglodyte of ages but just an aesthete in love,
Beauty is Culture!”
By Andrew Guzaldo 03/02/2019 ©

An adventurer I was
wandering the moors of a misty marsh
and you a naiad
through whose thick water I came to wade
effortlessy enthralled I was
loosed to your depths
a moonlit lure in that still and starless night

In country far away from thee,
There was a man who's mind explored carefree.
He used to sit alone in seashore's darkness,
And think about constraints and harshness.

On other side of land - she lived in deepest woods.
No trail, no true man's foot there ever stood.
She weaved her thoughts into a Persian rug,
And bathed at night in deepest waters with Naiad.

No match for them, no equal pair.
They were too busy running their warfare.
A jarring battle in a state of peace,
A conscious choice, not a decease.

With birds she flew above the sea one day,
With seagulls, cormorants and osprey.
He saw a glimpse of someone's hair,
But yet, he deepen in despair.

She saw a man, who looked demean.
And to fly closer was she keen.
On rock, behind the tree -
Her wings were rested with a key.

Man saw her once, the statue's silhouette,
And traits of trust he suddenly beget.
No words, no sounds was spilled in silence,
Their foreheads slightly touched - compliance.

Attend, ye NINE, and careless swains:
descending to Arcadia’s plains;
a playful Zephyr wind of love
now stirs the leaves of VENUS‘ grove.

By PHILOMELA‘s unshorn flocks
and bright DIANA‘s flowing locks
my classic naiad air now brings
a gushing fountain’s hidden springs.
O’er verdant fields and greening rill
my lay shall fauns with satyrs thrill.
Ye swains and shepherdesses, come!
Adore the world’s Arcadian ***.

FLORA, banished from Eden, thrives
Sweetening hidden honey hives
whose swarms of workers never tire
providing flow’ry heart’s desire.

CUPID spreads his fluttering plumes;
and NATURE wanton pose assumes
uncovering her dales and glades
before her early glory fades.
The captivating limbs of grace
now parted, show her lower face,
where clefts are glimpsed—ravines, or chasms;
shuddering, bursting forth in spasms.
EARTH thus trembles. See her quake
and ruin of GOD‘s creation make.

WISDOM, fallen, pawns her crown
as high ideals come crashing down.
So o’er the fields, my pastoral lay
sets ****** blowing on his way.
Now thyrsus-bearing maenads pass
and BACCHUS rides upon his ***.
(A different *** should be adored
that fair creation of the LORD,
which gently rounded, swells the mind
with thoughts unhallowed, unrefined.)
This second *** we long to ride;
until she comes—our load inside.
But burdened beasts deserve no spite,
nor does my POETRY, despite
the fact that **** has made us DUMB
reducing us to spurts of come . . .
So chaste (and chased) celestial virgins
turn to trees at Classic urgings.

EROS spreads his wings (her legs)
inviting us to drain the dregs
while CERES’ tawny limbs now shake
as harvests man would undertake.
Old PAN gives rise to Attic fears
(as well the sav’ry BACON sears),
whose pipes the purling brooks enjoy
and streams flow faster, for their joy.
The golden past see here, anew
in rosy and poetic hue:
Will nature be reduced to ****?
Shall nymphs of pleasure, newly born
who bare their charming whole to all
cast womanhood in a dying fall
before a camera, there, to fawn
and light the rosy-fingered dawn?
If so, I say let’s get it lit
(since literature might help a bit)
and in the daybreak’s fervid light
we’ll now make out fair nature’s sight:
appendages outspread, well-splayed
where once the sprite and dryad played.
Such fertile pastures, mounds, and woods,
a panoply of carnal goods
our undulating field of bliss
make misconceptions: hit and miss.
These wetlands, groves, and bounteous limbs
enthralled to lust’s capricious whims
make sweet DIANA seek her quarry.
(far too late to say I’m sorry . . .)
***, our motivating prize
displayed in fleshly glory lies.
Her fanes are reared, which sounds obscene
where once raw NATURE reigned serene.
Halcyon visions of the hunt
direct our carnal minds to C – – T!
The blessed light, transcending hope
and rolling o’er each grassy *****
begins to shine on darkened waters,
stirring up the river daughters;
waking schools of silvery fish
who glide along their final wish:
to flee the sharpened hook of fate
upon which squirms the Master’s bait.
While PHOEBUS floods the surface bright
with beams of pure poetic light.

This HEAVEN, following ******* Hell
is less a Babylonian spell
than pure devotion, misdirected
(and a pagan shrine erected).
where the poets sing too long.
Now hearken well: I’ll close my song.
Don’t harden your dull heart in hate;
just glimpse the garden from her gate.
And view those less celestial skies
receding in her human eyes
Until these dear idyllic scenes
inspired by purely digital means
reveal, at last, a digital end
and past with present bravely blend.

Enough of flocks of stinking sheep
who eat and wander, bleat and sleep.
Who copulate, and **** and ****
as if their lives depend on it . . .
Instead, I’ll sing of human being
beneath the eye of ONE all-seeing.
Ye watchers of the erring flock,
and pastors whom the crowing ****
awakes from sleep’s Elysian fields,
attune your souls. My poem yields
an end to this Arcadian story
(it was naught but allegory).
Such fleshly charms are quite a treat
and mutton-chops make hearty meat.

“Amorous is this anguish novel of the woes of fervor,
It is not greatness I see within myself but that of others,  
Touching skin hedonistic for our lingering infatuation,
All these interlude cataclysm of such a bereavement,

Beyond this place of wrath destruction and tears of woe,  
Looms the horror fronds of pain as gesture abhorrence,
Pleasures awaited amour claimed lost rapacious desires,  
These days have ebbed as Love's swell was checked,

Could earth be sequestered in some obscure place?
Let your shadow lengthen the horologe in the meadows,
I am besieged by the enlightening celestial naiad beauty,  
This was possibly the most euphoric point of my life,

She the begin of a light that was once my beguiled penumbra,
Her skin seems to have the deluded eyes always my eternal allure,
Mesmerism is what you are when in front of me my allure,  
I can feel your soft hands and the tender lips upon mine,

Lonely nights without you as my dreams have surrounded you,
Dreams surround I can see and touch your face long embrace,
The contour ambiance of her body withering serpent is penumbra”
By Andrew Guzaldo 03/15/2019 ©

Venarth says: “After alternating with the Erythrai, I climbed the top of the ship, and began to experience changes in my philosopher's dermis, from a permanent continuous present independent of the post-period, leaving the dogma of the numbers that would cause me an existence capable of only obsessed with supporting him, with the weight of a drunken Lepidoptera who spoke to me close to the invariance of the incorruptible dense layer that covered the sea on the cornice of heaven, making them a continual delay of time. The facets of invariability would begin the notorious oceanic areas that fractured when the Eurydice divided the hemispheres, causing them to doze in the time of her crystal ball, up on the crown which would make her base the extra personalities of the sunset on me. The present allows me to eternalize my memories or memorare, of my existential eclipses, making of its faculty to speak of a super conscious overwhelming and constrained to the hermeneutics that invited me to drink Ouzo among the few beings that accompanied me in the height of the ship, increasing its gradation every time a sip multiplied with the puffs of the Hesperides that passed me by, inviting me to bag their naked spring figures wintering, given the temporary stagnation that entered through the hole in my pectoral of the sinister right scapula, where some probes of the Mythical elderberry paused my outraged finite human, who got stuck in my chest when he couldn't apprehend the amount of my second lieutenants who sifted through the Bereshit voices of the Torah, who lamented pre-late and tonal that they never finished, that they became prey condensed from each sip I drank into his Ouzo harvest timeline, tracking the tiny sips that That I would not be able to count, before drinking them, after never having drunk them harshly, thus not understanding the mats blown by the reefs of the infinite twilight sapphire, carrying away the burps, that the naiad Arhanis saw coming out between my central incisors and from my mouth numbed by the heat of Zeus's anger, and from the dawning of potential between fallen, hanging from the sky of Arhanis, holding between the hands of the one who supports him. The clouds and geometric masses in vapors fell on distinctive chromatic ropes and cords of volumes supporting the infinite, which today eliminated itself blinded, falling into the void of an ex-vaporous corporation.

This succession in status of perenniality, made me hold vigorously from the top, as I began to fall into an unknown void where I would meet Elpenor in hypersomnia, but rather, from a song of the Odyssey that invited me to a straw next to him and the liquid chemo of the Ouzo, asking him to give him the worthy food of his oblations and the liquor broth, to make me advise him in the last sip, before the sirens sing, where I would affirm my golden hoplite elbow so that the status of eternity, dispense with the ford runs of the taps that exude their Cretan Ouzo, through the navel that swallows the entire boats and my "Pectoral that puts the stopper of time so that it does not pass supra into infra existentialist"

Elpenor, already burning before him, continued with a glass in his hands, pressing the heads of the Taurus who prolonged substitute immaterial lapses, which turned into ouzo vapor vomited by both, running through the sequence of the masts of the crowns, which it would begin to weaken somewhat  from so much distillation of the vineyard test tube, as it cooled down after a succession of events that began with the severed head of the beginning of the emotional initial moment, in which I am still wounded between crossbows and moments that undermine all origin, under a toast of heavy eyelids that pretended a Bing Bang, before taking the float towards a mound that would allow me to fall into the unsustainable gravitant, in which the acceleration causes me, and that weatherizes everything, even though I am not the one that transports myself. Before Elpeneor, I witnessed three uncorrupted deaths, one with the scythe on his shoulders cutting the fences of the impiety of raising micro-times in the Odyssey, another as a prey of biological dowels that debate science that fall incapable before the granule of the involved brain similarly to the multisectoral questioning of conscious conflicts; and final hunger within my contradiction and inconveniences of the loss of the sense of taste, cloistering myself as I live in its metempsychosis, losing the sensitivity of my hands and trying to leverage my swords and spears, not defending my defenseless body from immortal carcinogenic fears , of a lost sacred soul and in sequence of losing reason of seven times plus another seven that remain for my way to paradise, evacuating primary psychic elements and codes of life that rest in formalin, before those who do not fear revive me when drowning  in Ouzo, for all my phalanx soldiers who live in me still dying in my arms.  Constituting the triple of the human being, which affirms the transfer of certain psychic elements of my body to another after my death that does not allow me to walk in the threads of the dust of my bones that wish to be taken back from the corners, from the old and sticks of the termites that eat my crow. I am still in creationism, dressed in yellow, so that the poet who only ***** and breathes me with his great senses, is closer to Christmas than millions of years I have lived, before the Christmas carol woke me up as a divine child, being only a large hoplite cop entangled in an igloo of Panentheism, deifying me or perhaps semi-deifying me, to house the stars that would walk out of my intellectual herd, creating my own low hills of consciousness, that look through the balustrades of the flint of Saint Peter in their Altozano, self-creating vital, but immanent. Transfigured, I decant my teeth in the crottals, on the carpet before the scarcity of their dilapidated embryos, before the Biblical Revelation that tells me that, among all creatures, I will be the only man capable of daring to apprehend the concept of eternity, in between of the serpents. As in one of the theological versions of Ecclesiastes imploring God: “He has made everything beautiful in my time. He has placed my eternity in the hearts of men”.

When I hail Heidegger after a sense after lingual ..., with the amphora ***** in his philosopher pipe, and with Wittgenstein I ***** half – half brain tobacco. Averaging Newtonian ignorance’s, before an absolutism that are revealed in the universal psychic drama, while God awaits me early in his catechesis, ordered, gummed and omniscient of myself, I am agreeing with the precious perfidious date still in my Eurydice's crown, that it looks eloquent of my new date of birth without a month that fits in any calendar that is known, to then go after the capitol in Athens itself, running aground with my ship after my hurricane, possessing its great reliquary itself Parthenon, with my ship over all this stiff structure that is reborn together with my eternalist suicide "Perpetua et incorruptibilis, in æternum vive"

"... Vernarth, breathes unfathomably and comes down from the Euridience crown, as if nothing had happened, when he sets foot on the deck full of liquors and ambrosias, he joins the others and dances Zorba without stopping next to them