Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

Cudi, Miller, My skrillex killer.
My only tune is dreamin high,
I'm just sober it's a lie, Got my tack my only tune,
iss ok be home in june,
see my boo so soon no doom,
Its a relapse she my trigga I collapse  wit out my *****.
has the tips we seen the trips.
Keep ya real don't give ya lips,
         Your'e friend that blow your'e friend the ***,
don't lose your'e pride don't lose that glow,
I'd feal the blame.
My heart the shame., Restart the button and earn the "name"

I'm sorry hailey, Leavin nd diseven
                      Gettin lost nd takin cost,
Ya boo jesse Mckush
       for  my  sister  hailey   *haglund

There’s a lot to be said for this place.
A near-perfect pitch for diversity,
Diversity:  a neurolinguistic term;
A quaint way to say: miscegenation.
No, just kidding; I meant the melting ***,
A fine blend of Anglo, Hispanic & Indian blood—
That’s Pueblo & Plains Indian blood--
Not that **** masala, chapati & dal Indian blood.
My apologies to "Who's the White Guy?" Bobby Jindal.
New Mexico: “The Land of Enchantment.”
Where 310 sunny days per annum,
Are like money in the bank, earning
Double-plus compound interest for those
Suffering with seasonal affective disorders.
A land of sunshine without the orange juice,
But substitute chili, red or green?
An equitable offset to be sure.
310 days of sunshine:
Even the white people are brown here.
Which does a lot for my self-esteem.
Back east—New York, Chicago & Philadelphia e.g.—
People that look like me, i.e.,
People with dark brown hair, eyes and skin,
Get stopped/***-cheek spread/& frisked, routinely.
Stop & Frisk: NYPD’s spectator sport for decades.
Stop & Frisk: Mayor Bloomberg-defended
Crime-stopping Godsend,
Getting guns off the streets.
Getting homicides down.
Everything’s cool until some slick race baiter,
Starts yelling:  RACIAL PROFILING.
Forget for a moment that people that look like me,
People like me with dark hair, eyes & skin,
Commit 78% of the crime in most cities.
“It’s not racially driven profiling,”
Said Newark’s police director recently
Referring to stops carried out by his officers.
“IT’S CRIME-DRIVEN PROFILING!”
But, again, political-correctness trumps common sense:
August 2013: Judge Rules NYPD
Stop-and-Frisk Unconstitutional.

Well I’ll be a monkey’s *** ******!
I moved to New Mexico to blend in.
My complexion a shoe-in for
The Witness Protection Program or
Any other public or private,
Domestic or international rendition site.
But I digress.
New Mexico: no passport necessary, Babaloo!
New Mexico: be you white or black, Hispanic or Indian,
Or even Roswell extraterrestrial,
The cops here will beat the **** out of you.
Or shoot you dead, Kemosabe.

My Night With Paul Simon

On the night train, the red eye plane,
Flying home to NYCeeeeeeeeeeeee,
From the city of Los Angeleeeeeeez

Feeling flush, dropped some cash,
Got me a seat in extra large first class

Seat 2C, plenty of room for my toes,
To wiggle  to dance,
lay down some poetry tracks,
pretending I'm a **** jive,
bad *** from the
make-believe west coast

A short guy, with fedora down low,
An older man,
looking about nine years older
than somebody I might know,
hiding his eyes @ 9pm
neath some excellent Raybans,
slip slides into 2D,
gives me a smile,
And says Hi, I'm Paul

I look once at his face and say,
Listen Rhymin' Simon,
I'd know you any place,
No worries, your secret,
with me is safe,
Cause dudes in row 2,
gottta stick together, be cool,
We're riding first class,
over the land of the free

What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

He said that's cool,
I like to do that too.
Guitars on planes
drive passengers insane,
They take up too much
overhead compartment space,
I just scribble me some rhymes and
Let the music come
when I got two feet
on the ground in the city
we both come from.

Paul:  You got any stuff writ
on that yellow sheet,
or just pretty blue lines,
a big pad of nothing?

Dude: Man you may got diamonds
on the soles of your shoes,
But pay me some 'spect,  
you talking to the man who penned
Sad Eyed Teenagers of the Lowland
on Hello Poetry, gad ****!

Paul smiled and said
you can call me Al,
And if you feel like blowing some lines together,
We got five hours till we can see
the house that Ruth built.

Dude: Hit me with your best shot,
I'll show you what I got

Paul: And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper Broadway
Wearing diamonds on the soles of their shoes

Dude: Just cause the union of the  monkeys
in the Bronx Zoo done gone on strike,
Don't mean the lion ain't
still king of the hill
inside this New York city jail

Paul: And the sign said,
"The words of the prophets are written
on the subway walls
And tenement halls"
And whispered
in the sounds of silence

Dude: A home-grown poet.
I am, Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both, Addict and dealer
A ****** poet ******

Paul: You don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

Dude: Contact with the atmosphere
makes self pity die,
my blue blood turn red,
the TNT tightness in my chest exploded
I got no place  to store these words,
the cops think I'm some kind of Terrorist

On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

*You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp

aggression must be denied.

******, Pol ***, The Duke,
Kim Jong, Mugabe, Fidel Castro,
Saparmurat Niyazov,
the living bad the dead.
XiJinping
proudly announces in
November 2013,
the year of our lord,
they are doing away with
labor camps in China.

******* total,
renamed them
drug rehabilitation centers.

evil must be refuted.
who will call them out?
not us.

coming home from the opera,
some big **** SUV,
played chicken
with me.

I refused to let
him cut in the line.

He followed me
for ten blocks,
honking his *******,
till he quit,
cause I would not give
the satisfaction of letting him
spit and sputter.

Took the woman home.

Went out looking for him.
searched hundred blocks.
found him, took out my jack.
(trust me I did not key his car).

when he saw what I had done,
I quoted him Verdi's Rigoletto:

He is crime, I am punishment.

you see opera ain't for *******.

aggression must be denied
locally, before it becomes
a national treasure.

My Night With Paul Simon
(Posted originally on June 5, 2013)

On the night train, the red eye plane,
Flying home to NYCeeeeeeeeeeeee,
From the city of Los Angeleeeeeeez

Feeling flush, dropped some cash,
Got me a seat in extra large first class

Seat 2C, plenty of room for my toes,
To wiggle  to dance, lay down some poetry tracks,
pretending I'm a **** jive,
bad *** from the
make-believe west coast

A short guy, with fedora down low,
An older man,
looking about nine years older
than somebody I might know,
hiding his eyes @ 9pm
neath some excellent Raybans,
slip slides into 2D,
gives me a smile,
And says Hi, I'm Paul

I look once at his face and say,
Listen Rhymin' Simon,
I'd know you any place,
No worries, your secret,
with me is safe,
Cause dudes in row 2,
gottta stick together, be cool,
We're riding first class,
over the land of the free

What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

He said that's cool,
I like to do that too.
Guitars on planes
drive passengers insane,
They take up too much
overhead compartment space,
I just scribble me some rhymes and
Let the music come
when I got two feet
on the ground in the city
we both come from.

Paul:  You got any stuff writ
on that yellow sheet,
or just pretty blue lines,
a big pad of nothing?

Dude: Man you may got diamonds
on the soles of your shoes,
But pay me some 'spect,  
you talking to the man who penned
Sad Eyed Teenagers of the Lowland
on Hello Poetry, gad ****!

Paul smiled and said
you can call me Al,
And if you feel like blowing some lines together,
We got five hours till we can see
the house that Ruth built.

Dude: Hit me with your best shot,
I'll show you what I got

Paul: And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper Broadway
Wearing diamonds on the soles of their shoes

Dude: Just cause the union of the  monkeys
in the Bronx Zoo done gone on strike,
Don't mean the lion ain't
still king of the hill
inside this New York city jail

Paul: And the sign said,
"The words of the prophets are written
on the subway walls
And tenement halls"
And whispered
in the sounds of silence

Dude: A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet
******

Paul: You don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

Dude: Contact with the atmosphere
makes self pity die,
blue blood turn red,
the TNT tightness in my chest exploded
I got no place
to store these words,
the cops think I'm
some kind of
Terrorist

On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp

All you fools who think that your all G
bustin places up and hurtin!
You just wait because instead of gettin crowned
yo **** ******* are gonna get capped and toe tagged!!!

E estas palavras que escorrem na vidraça ensanguentada,
numa tarde em que a chuva cai tumultuosa.
E estas palavras que escorrem junto com estas lágrimas,
p’la face carregadas de um sentimento obscuro.
E estas palavras que escorrem com o suor do nosso corpo,
numa noite em que corpos ardem de paixão.
E estas palavras que escorrem com o orvalho,
num amanhecer em que o sol raia esplendoroso.
E estas palavras que escorrem junto com o sangue,
que corre nas nossas veias, numa violência interior.
E estas palavras que escorrem com a tinta do pintor,
pela tela que brota das suas mãos diabólicas.
E estas palavras que escorrem nas ondas,
que embatem violentamente nas rochas das praias.
E estas palavras que escorrem como o álcool,
e que inunda a alma pejada de medo e tristeza.
E estas palavras que cheiram a ****,
e que o tempo impregnou nas páginas da vida.
. . .
São palavras que profiro em silêncio,
são palavras em que eu te imploro,
para que pares essa tua raiva mórbida e doentia
que te leva à demente violência e me deteriora.

On the night train, the red eye plane,
flying home to NYCeeeeeeeeeeeee,
from the city of Los Angeleeeeeeez

Feeling flush, dropped some cash,
got me a seat in extra large first class

Seat 2C, plenty of room for my toes,
to wiggle, to dance, lay down some poetry tracks,
pretending I'm a **** jive,
bad *** from the
make-believe west coast

A short guy, with fedora down low,
an older man,
looking about nine years older
than somebody I might know,
hiding his eyes @ 9pm
neath some excellent Raybans,
slip slides into 2D,
gives me a smile,
and says Hi, I'm Paul!

I look once at his face and say,
listen Rhymin' Simon,
I'd know you any place,
no worries, your secret,
with me is safe,
cause dudes in row 2,
gottta stick together, be cool,
we're riding first class,
over the land of the free

What ya do for a living he asks,
a little of this and a little of that,
all of which, ain't no **** good at!
so I spend my cold, hard time
laying down cold hard verse,
can't stop, cause it's my daddy's dying curse

He said that's cool,
I like to do that too.
guitars on planes
drive passengers insane,
they take up too much
overhead compartment space,
I just scribble me some rhymes and
let the music come
when I got two feet
on the ground in the city
we both come from.

Paul:  
You got any stuff writ
on that yellow sheet,
or just pretty blue lines,
a big pad of nothing?

Dude:
Man you may got diamonds
on the soles of your shoes,
but pay me some 'spect,  
you talking to the man who penned
Sad Eyed Teenagers of the Lowland
on Hello Poetry, gad ****!

Paul smiled and said
you can call me Al,
and if you feel like blowing some lines together,
we got five hours till we can see
the house that Ruth built.

Dude:
Hit me with your best shot,
I'll show you what I got

Paul:
And she said honey take me dancing
but they ended up by sleeping
in a doorway
by the bodegas and the lights on
upper Broadway,
wearing diamonds on the soles of their shoes

Dude:
Just cause the union of the monkeys
in the Bronx Zoo done gone on strike,
don't mean the lion ain't
still king of the hill,
roaming free,
inside this New York city jail

Paul:
And the sign said,
the words of the prophets are written
on the subway walls
and tenement halls
and are whispered
in the sounds of silence

Dude:
A home-grown poet.
I am
soul enslaved to words.
the alphabet - my oxygen molecules,
I am both,
addict and dealer
a  ****** poet
******

Paul:
You don't need to be coy, Roy
just listen to me
hop on the bus, Gus
you don't need to discuss much
just drop off the key, Lee
when get yourself free

Dude:
Contact with the atmosphere
makes self pity die,
blue blood turn red,
the TNT tightness in my chest exploded
I got no place
to store these words,
the cops think I'm
some kind of verbal
terrorist

On and on thru the night,
riffing, rapping, rambling, and spitting,
ditties and darts, couplets and barbs,
single words and elegies,
free verse and a lot of fking curse words

It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
which is another way of saying untrue,
but I got his boarding pass and it is signed,
to this crazy poetry dude, long may you rasp,
it is signed by Mr. P. Simon, a big fan,
it has never since that day,
left my grasp

June 5, 2013

We shot pool that night
for what seemed like generations.
This old bearded veteran and me,
a young buck,
dropped eight *****
into side pockets
and chugged multiple pitchers
of the high life.
He said he had some killer *****
out in his beetle,
so we took a break,
cruised out into the cool evening
under a sky full of pretty little stars.
Well he was right,
after two or three hits,
I wanted to choke the ever living ****
right out of him.
I never had a guy say
he wanted me
to lay on top of him
like that.
I never expected that request
from a guy
with devil tattoos
running down
each arm.
I thought to myself,
that's what sweet lovers do.
That was some weird ****.
Needless to say,
I lived up to my nickname Flash.
I never saw that **** again.
I was gone in an instant,
jet-stream quick.

sometimes I̲ wish I could
go back to the time of late childhood & youth
not that that tI̲me was real good (overall)
but those days bY̲gone were some—
—what pleasura[—]ble years
less stress, bother, more fun
while the last several years
have been, like a vengeance by a psychically mU̲cked up per-son
[for example: Jennifer Hills; Beatrix Kiddo; Arthur Fleck]
a mental nightmA̲re (kind of)
[adult life is burdensome & this world is terrible, for the most part]
it's been felt like being stuck inside a **** loop
not the tY̲pe some would choose
there's been some deli̲ght, but the blues
and other negatives have been piling up tO̲
a qua[ɑ]ntum that you'd find somewhat tough to consume
as far as p[ɑ]ossible, you try to rU̲n from the gloom
but, in the end, the dismals hunt ya
down, like you're Beatrix Kiddo fro[ʌ]m the
Tarantino's "Ki̲ll Bill" drama
targeted by the Deadly Viper hit crew
["The Deadly Viper Assassination Squad"]
[the 6th chapter of "**** Bill" called "Massacre at Two Pines"]
and the main thought that I̲'ve been pursued
of late by reminds me of
tragical vigila[ɛ]nte-turned guys, because
it says "nigh on nothing to lose" (nigh on nothing to lose)
besides, it seems li̲ke I have a sick psychopath inside me that
could use a punching bag, like a guy who has
to get prepped for a fighting match
that devil'd be satisfied to have
a mean au[ɑ]tocrat or another black
hat as a hostage to get the spleen dU̲mped on at
times when I'm ******, like sO̲meone af—
—ter having an alco binge; but, in fact
I'd be sO̲mewhat glad
if I̲ just smack or fling sO̲mething frac—
—turable so that the thing wI̲nds up smashed
it'd be nice to have a long-lasting bout of that
as far as possible, I satisfy this app—
—etite for demolition with vicious-sounding tracks
and rhyme-heavy lyrics with evil-minded crap
try to keep that sick **** sE̲rved with
so to speak, loco motifs (loco)
like rail vehicles; I've gotten a mI̲te sidetracked
["locomotives"; "like rail vehicles [,] I've gotten a mite sidetracked"]
let me rewind a tad
the thought that I've been pursued
by saying "nigh on nothing to lose"
as for saved-up money, I would
say there ain't much someone li̲ke me can do
with it; since we can't buy different realities to
live in, I've been thinking... (thinking) of buying a new
PC (for a long while)
[not "new" in the sense of "recently developed"]
as if I were some ****** tycoon
dealing with private military company bull—sh#t
["PC" stands for a number of things, one of which is "personnel carrier"]
[hence "tycoon dealing with private military company bullsh#t"]
a PC, for games are something I'm used
to & that can make hI̲gh someone who's
got pro[ɑ]blems with mood (problems with mood)
neither drown so[ɑ]rrows in *****
nor get high on dO̲pe when I'm low
get lifted up by music listened to by me bO̲th when I'm home
and when I'm outdO̲O̲rs for a stroll
and as someone sometimes
spending some time on O̲U̲tdoor strolling, I'd note
one downright downside
regarding U̲rbanized zones
which is go[ɑ]ddamn mO̲torized road
vehicles: much noise evoken by those
started; that's so much provoking you hope
to find a grenade launcher with a whole lO̲t of
respective rounds to throw a fine show (hell yeah!)
what about drivers &, maybe, passengers present
inside? well, those are so-ca[ɔ]lled
"collateral da[ɛ]mage"
[just in case, I'm joking]
[I just hate motorized road transport for annoying noise it generates]
that's like a GTA-like game come
to life; music ain't one, but the main love
on this dark track to nO̲where I go (track to nowhere)
we're together till the moment I croak
(unless, of course, I̲ end up placed)
(into a mental asylum someday)
————————————————————————————————
since I've brO̲U̲[ɑ]ght up this subject (music)
what should've been dO̲ne's to place mo'
lines with cO̲[ɑ]ntent regarding
it inside this O̲ne; mid-paced so
called "dark clubbing" & dA̲rk synth
some slowed phonk, complextro
trap & hip-**̲[ɑ]p beats, & ro[ɑ]ckish
electronic stuff from Zardo[ɑ]nic
or I can use some lines from a prior-writ pro[ɑ]ject
of mine; went from somewhat generic electro[ɑ]nic
sh#t, both ba[ɛ]ngers & melo[ɑ]dic
ones, to heavier & dA̲rk sh#t, however, I, regardless
still dig some graves, like a fellow with boneY̲A̲rd shifts
[Christian Mochizuki, better known as graves]
[the last 4 lines are from "a depressive rhymefall"]

a patient walks into a doctor's office
and says:
- doctor, doctor, i'm suffering
from diabolical laughter!
doctor replies:
- just keep on laughing.*

they're really truly atheists on
an atomic level,
the more they try to live outside
of nature, and glorify it,
the more damnable they come:
put them peering into a microscope
or a telescope the more
their audacity builds up,
but when an earthquake,
but when an earthquake,
when a storm, when a hurricane,
all the intellectuals disperse,
the pathetic state of drowning,
the pathetic state of any form of suffering,
you'll only find atheistic audacity
among biologists,
chemists and physicists the middle-men
of argumentation,
biology appeals to the general public,
as expressed by confusion in the ***** region
of things... transgender this, transgender that,
the ploy of the heterosexual:
it's only natural via a surrogate mother,
and a human heart grown in a pig's body...
while chemists construct the next ester
of shampoo or fishy bacon, or the next
biggie boom boom,
while physicists are out there with the quote:
now i'm become death, the destroyer of worlds,
but can't stop the moon in its tract...
or bother with the near apparent
biggie boom boom of saltpetre, sulphur and charcoal,
they make the explosions too big...
too much of a Hiroshima, too much of a Nagasaki...
Hollywood is still dreaming of the Manhattan
Project, it's constantly terrorising america...
Hollywood is constantly out on a Jihad to
culture-corrupt with a constant sense of paranoia...
it's always destroying cities...
big **** monsters or some odd german accented
'simon says, simon says...'
but they changed location, now double-decker
buses are exploding on parliament bridge...
so the kids know of it, a day late, a day after
the explosion on twitter.
or as i once said, when that famous tsunami hit
japan... 'where was the army dropping
bombs on the wave to disperse it
and disallow its movement onto the mainland?
they could have bombed that wave into oblivion...
instead some other army, in some other
country decided it required a tsunami of blood
to pour into other countries via the streams
of journalism.'

According to me
Every minority
Is black to me
Bring all my non-straight non cis siblings
Bring all the brown skins
No matter what shade of brown
Cause
We are all the same
We matter less than the majority
They have the authority to **** a minority
Even did this to them in their own lands
Still time stands
Change is not moving fast enough
It's a shame it'll take years to a decade to save innocent lives
It's shame that it'll take several decades before muslims are no longer stereotyped as terrorists when white people have always done terroristic **** to their own race and each and every other and never get labelled a negative connotation such as "terrorists"
Even a white **** can walk into a school to shoot it up and the rep of white people would not be tarnished with the word "terrorists"
But I can't walk into a store with my book bag without someone thinking I'm stealing clothes when I'm just simply looking to buy dish detergent
My skin shouldn't automatically make me a suspect
And your white skin shouldn't automatically make you more innocent
Skin that's white, isn't pure
It's true that poison holds the formula for the cure
No wonder why the color black is seen as evil
The color white is seen as innocent
It was applied to our skin for us to never win

Hey let me tell you bout a girl named rae
Her favorite colors blue, and shes super gay
Shes the happiest **** youve ever seen
But the reality is youve never gone behind the scenes
Yeah she loves blue but her life is full of black
She cries herself to sleep, and suffers through panic attacks
The most cheerful friend one can have
But underneath her life is still sad
No one understands her, and thats perfectly ok, she doesnt need to be told
What others do not know how to say
She knows she's wanted
Knows she's loved
So nothing will get in the way, of rae seeing another day
Nothing will ever get in the way, of making her feel like shes enough

… & crawls drooling to the fresh putrid grave
of one recently deceased Charlie Manson
to perform midnight esoteric rituals of rebirth
& renewal as kneeling en masse before
the still fresh soil Manson’s bitter gnarled
fingers appear from below to scoop & clear
the way for his primed & rested body to
leap free like some rancid steaming genie
set loose once more upon the world,
…
whilst McConnell, Hatch & the esteemed
Mo Brooks of Alabama await graveside in
their cloaks of be-dazzling mirrored splendour
to lend succor to the newly reborn & just plain
get their will done ethics be ****** & sure
as **** he’s Charlie but lets put the past behind
us & march on forth to a sweet new world of
righteous Christian revenge, massaged &
pleasured millionaire classes & a stranded
& forlorn weak & weary everyday folks who
by gosh darned if they can’t make it on their
own … then … ah shucks, so be it.
…
The fresh & revitalized Charlie was then oh
so politely & with just so much deference
escorted red-carpet-like to an awaiting golden
chariot headed by two gleaming & snorting
whiter than white horses whose whip-lash
reins were grasped oh so tightly by one
Donald J. Trump in all his fatuous orange
glory …
…
& the victorious vehicle of Republican
moral victory carried its newly crowned
poster-child, Ambassador of Goodwill,
Our Boy **** Right He Is! to the
hallowed halls of Congress for a rapturous
near-incandescent welcome & general
‘got you now leftist America’ parade of
Glory, Glory God Almighty Lookee
Here … deal with it ****.

better than a poem.... a promenade...
          not the noun "vs." noun...
in the realm of verbs...
it's one "thing" to call a tomato a fruit...
a cucumber a vegetable...

salmon pink moon hue
with an air tonight
so crisp: it deserves discovering INXS
for the first time...

this mighty biscuit of the moon...
hardly shipwrecked against
some distant constellation...
or itching rooftops or
teasing mountains...

everything was so alive
in the cool breeze...
no gods were summoned
to explain... this solipsistic adventure...

teased by the senses
with a leverage to tickle the extremes...
and bubbles towed...

such an icy prized briefing
of locality:
towing a mind like an anchor...
before the altar of
what two feet spine erectus...
became a cinema of
the centipede...

    better than a poem...
a promenade...
hell... this deserves a mathematical
sharpening:

crude...
   a poem < a promenade...
and i passed one of these two or three...
restaurants...
the schizophrenic riddled:
futuristic no flying cars though...
no neon strobe epileptic lighting
worth a tomorrow...

   a poem < a promenade...
    the air was electric... it was...
stealth in giving juice...
even the pavement seemed to
be clapping...
with each ninja step placed
with imitation of the stealth cat
passing by gravitating toward
the concept of ghosts...

a poem < a promenade...
          what seemed intact...
and what was already bound
to outer-urban decay:
the differential scrutiny didn't
bother me...

almost two weeks freed from...
medication that aimed
to make me better...
herr schwachkopf...
and this is somehow...
not "challenged"... somehow...
the hippocratic oath
in the realm of psychiatry...

           extensions of a willingness
come: falling asleep today...
if only it came down to the crux:
of becoming: debilitated by
a heartbreak...

ghost buses... tonne load of shadows
and freak-out...
constrict imitation glue...
random words:
borrowed lexicon-bombs...

a poem < a promenade...
    <
            <           <     <

i see the symbol... and i know the words
hidden within them...
a poem <is less than> a promenade...
unlike diacritical marks...
or the critique of punctuation:
     colon no italics...
because... colon = italics...

outside of the claustrophobia /
myopia of a prosaic paragraph and...
staging a fake *** dialogue?
              < contra... š...
                                  ж (fwench je suis)...
                   ш...     SHape of... ****...
                       >            hôpital ...
           <š
                             ô>:
   let's just pretend...     H is a surd in english
too...        the apostrophe could be
more frequently used...
causing revelation when it
and it would always come down
to... a...     'ammering...

   (best plugged in...)

rock-cho'-kim-ouch-and-then-the-chewing...
like... bargain busting
an ape *** from moor-yokko-coco-solo-oh-no!
straight up to the moon...
for a telescope riddle-me-this...
sorting session...

japanese gravure... idols...
**** as an insinuation...
because... i have a **** the equivalent
of a prized bull...
and she has a face and a mouth...
like any... porcelain doll might...
unequivocally: lambasting... a concept
of... a tired old grenade...

   teeth like double-dodgers...
of a... corn-flake smiley...
                
     2 < 3...
                 4 > 3...
                              a vowel < a consonant...
but no "lost" meaning...
                      when borrowed...
forbidden pleasures...
the forbidding: a mere thought of...
having to not grieve...
all the already in tow... restrictions...
sensible pleasures...
            
    the theatre of thought...
marquis de sade's ******...
                        "vs." nabokov's ******....

daddy issues...
mummy issues: ed gein...
                             subconsciously...
unconsciously... and...
                   all these ******* dreams...

power-pill mode...
                 my own little escapade of...
rummaging in lost details...
     word-bombs of spontaneity...
a poem < than...
    < it comes from its own... demand...
the word: than...
   a poem <
                 is, less, than...
                                      a promenade...
this evening of... slow-coach and
loitering for the moon... hued with a tinge
of teasing smoken salmon...
hanging low...
  шut up! i too thought about...
                   suit... the mingled with rugby posts
of a H...
  not AN h...
                              
                       a solipsism is not autism...
it's... oscar winning performances
of winging-it... simulation practices...
   wouldn't anyone not tire...
of all those *******... formal cameo
conversations to degrease the cognitive loop
of animation imitating inanimate objects...

like... walking into a store...
like a painting...
and... "suddenly"...
a person is presribed to your presence...
since... he alone can move...
those unmoveable objects...
onto the counter of you making
a transaction...

         i abhor faking those
formal cameo conversations...
of shopping for essentials...
     when i know the money i will spend...
is not the money i need conversation /
extra attention for...
if i were walking into a shop...
unexpected in somehow spending more...
than i expected...
   i walk in to buy a skeleton...
or some muscular mush since i already
own an exoskeleton...
    
          as i am about to solve the "mystery"
of cow-towed europe...
with count of 3 rotten teeth...
1 of mine... 2 of my father...
                 it's that blessed presumption
of democracy in the great western slavic
enterprise of: what once was...
the brothel of kings that's currently:
in situ with a synonym: poland...
     or: king john's nickname...
lackland...
   ******'and!
        laugh out loud: when living strapped
to a people with a clarity of border...
sea! to the north! of us!
sea! to the east! of us!
sea! to the west! of us!
sea! to the south! of us!
   oi! geoffrey! oi! paddle!
we're getting from this ****** perspective
of: island... we're... heading... straight...
to the moon... to **** around
with hans christine andersen....

         dream big! no ottomans or mongols
are or will ever be at... our doorstep...
from the period of the norman invasion...
from the romans... such pride...
the last usurper of peace...
was a... 20th century zeppelin...
  and... that's about it...

i like living the basic truth of being
a historical continuum unit...
true... not children... i'll foster some...
one is bound to foster some...
in the end...
hell... i'll give up my mind to foster them...
so much less heart...
when it comes to investing in a future...
i was always prescribed a future:
i wrote for the present...
a "circa"...
                          because i never believed
in children with a personal
investment on the cards...
i can't imagine...
i tried a placebo once...
a distant cousin of mine...
aged... toddler-weight...
i was frankenstein: he was...
again: i was the monster...
what i fiddled with was...
a ***** of glue...
glue and mortar...
        details of bone...
breath... later invested in brat...
and... precursor details of a budding
physiognomy: a detail of...
prejudice... etc.          etc.

i know i would be a terrible father...
i'd be a father that wouldn't...
speak to its child...
i'd treat it like...
that experiment... prescribed by...
   frederick (II) hohenstaufen...
what tongue came first: budding...
from the downfall of babel...
and the resurrection...
a babel for a tower... a pyramid scheme...
for all loss of reins...

i don't know how i should suffer...
not having a child in that...
i don't know how...
i would not abound in glee...
having prescribed him or her...
my signature of mistakes to replica...
unique signature... sure...
but still... somehow...
a detailed study of a clone in...
"will"... in "free will"...
                
       i own a bed... but i rather sleep on
the floor... bone breaking experience:
call for dog... on the clarity of wood...
i own a bed... but i rather sleep on
the floor....

             brothels... oh the scents...
bourbon... mostly... sickly sweet whiskey...
brothels and bourbon...
i went to them to excavate...
an amnesia...
if came back... riddling that...
lost and last pride of....
   after we ****: we kiss...
sleeping with glued pucker ties
to: the kisser...
of them: making a signature
with a tease of a... crow-hark...
     signature... crease..
                    an extension exclaiming:
pardon! pardon! signature...
    the pause...
                         a signature weaving...
braid teasing...
**** with a mohawk or...
a real trim-razor funk of...
         the 80's hype of... mr. mullet...
big fig in new zealand and
              alpha male rugby boyo...

how her eyes softened when i closed
them with a kiss...
of course we retired from pistons and ferrari
buckaroo...
                  i come to retire my mind
with a cinema of a brothel...
i come to... desire less and less
of a memory: knowing that there's
a serenity of having invested in...

           i tend to use two mirrors to have
to concentrate on being...
debased by a selfie...
or what once was...
   the missing ******... narrator...
  i need two mirrors to take a "selfie"...
ever wonder and bewilder yourself
with the days...
when people took photographs of you...
unsuspecting?!

em... why would i be jealous of rich people?
aren't these the same types
that have private pools, and private cinemas,
and own private pool tables?
why would i be jealous of these
sociopaths?!
                   can't i go to a communal
swimming pool, become annoyed
the people having the need
        to eat during a movie?
who's shutting down the pubs and their
pool table spaces if not, these,
         "flea" infested brats?
oh i don't mind, but they're aided by the internet
mailing system...
   the mail in get these days is as
pointless as: receiving a roll of toilet paper...
i swear to god...
            i might as well get toilet paper mailed
to ensure there's a worth to a mailing address...
but society as such has imploded,
the rich have literally extracted communal
artefact altars into their homes,
and, at the same time,
shut off the pubs and made them into
mini-supermarkets...
   well done... clap clap?
                   seriously, if you have *******
troubles with your gay.f.,
                 go to a brothel, and then come
back to me asking what the freudian
madonna-***** complex is about... mmm'k?
nope... i'm too drunk to be welcoming,
nice, or sincere...
                            nespa?
well, unless that's a shot of tequila and a slice
of lemon, then we're talking...
otherwise? you're just about the same worth
as the indigestion i'm experiencing;
enfilade! mothercucker! eye cojino! he-ena
****! caracucas!
       o.k., i admit, that's ****** english,
fake me xi xi co can...
11 11? no: ksi ksi... mexican, oh ****,
try working with retards,
it seems easier to train a chimp...
         (what about rehab with a russian?
never mind)...
            hyena... right... where was i?
madonna-***** complex, and the brothel?
you know how lovely puerto rican blubber
is in amsterdam?
     me neither, ask me when
it's shining the red light district hue of
"introspection":
         i'll be all over it guv:
in nick-tome, nig-tone, pidgin -
  pigs drank gin(?)... between me and you:
i hate gin... or 5 p.m.,
   esp. with a tonic, and mint chockies...
oops...
        problem comes with patois...
i had a girl who "culturally appropriated"
donning dreads...
   so what's that?
        we can reopen auschwitz?
  just asking, hands in the air...
    mind you, i have an annoying cat
that keeps ******* in my room,
   you want me to gauge his eyes out?
no problem, let me **** on him first.

Common instincts to us all, occurrences as we live on
rolling rrrs an' 'idin' gdhs, f' grins and grunts
'uman 'umor ta

Harvesters, Hunters, Herders,

Makers, all. That we had no war,

or none this we can imagine.
Our war is so far past
wars reasons in pasts
called
right-used, good for the goodness made
in
founding of this bubble of national pride we re
side in;
so
that we feel com
pelled - driven as a nail

to say…

Wait-- new voice
fessorial, it fesses this is fact:
ligation in obligation is samesame
ligion in religion,
okeh. a liege oath was never valid, no free re
involved entity may be ligated for a fief,

no soul sould to rock and roll promo **** crossroad
' make y'famous
moonshine story teller bribe
'bout
no spell

I don't care why, just how, for now

words picked as gem facets
flash a flection re
count
the times you've seen things

you
could would
not lieve be true, until

it happened to you right, and yeah,
it was no big deal,

like waking under a bo tree in Asia.

It’s not nothing to me
Who knows what you see
Or don’t
It must be a pull of some sort
Felt in the tide
Whether you pay attention
Or not
I probably lie
Imagine you see
All this poetry
And it makes you feel
So ******* ****
You muthafuckin’
Beast

i've been carrying this napkin with a scribble on it
since yesterday -
  obviously in the heimatspreschen -
chcem stanąć przed sędzią, który może
osądzić sędziów - i.e.
    i want to stand before the judge, who can
pass judgement on all judges -
and a lesson for a few:
   e. e. cummings does not even tickle
orthography...
   noMatter howOrWhy you write so so,
and the not so... that's not orthography...
you don't get teach people orthography
with a language that has no diacritical
aesthetic... orthography goes hand in hand with
the application of diacritical marks,
and, since english has none: i consider
the interpretation of e. e. cummings'
works as: on the sly orthographic: absolute
diatribe.
        you want to know what orthography
looks like?
exhibit (a)
  chcem stanąć przed sędzią, który może
osądzić sędziów - correct - orthodox -
exhibit (b)
hcem stanąć przed sędzią, ktury morze
osądzić sędziuw
esp. on the może (maybe)
  and morze (sea)...
                    that's orthography!
take your ****** little e. e. cummings
                                   ******* and... *******!

so much for an intro...
today i found myself in possession of a 6 zone
travel card...
   little essex boy went sightseeing into
london, his adventure would end at
alexandra palace, wood green,
  the piccadilly line, zone 3,
  so off little essex boy went,
got on the train from lil' market town into
liverpool st., started walking on the platform
thinking: thank **** no owls and quarters
and hidden passageways into & through
brick walls...
      as any wordsmith will tell you:
once you enter the urban environment proper,
you start to realise, well, a permanent
insignificance of your effort dawns on you,
how you're overshadowed by all the clogs
in the machinery of the civilised world...
   awe? far from it... i was barraged,
pulverised by the ant in an ant-topia -
or should i say: a utopia is a place where
there's a seemingly infinite demand for work,
not necessarily a seemingly infinite
supply for work, but certainly a demand for
work...
             the most ******* job has to exist
to accommodate the people -
  it doesn't have to, but is has to exist in
order to be a bit like housing space.
so i passed them, the train operators,
the ticket inspectors, the men on the tracks
improvising improvements from ilford to
stratford (manor park, forest gate, maryland
etc.) -
  it really didn't matter whether one worked
and two snoozed on the job -
  the idea perpetuated itself:
  if not actually doing anything:
**** it, act, look busy, or look perplexed
by some "unfathomable" obstacle,
most notably thought.
            oh you better believe me that i have
great respect for even the most menial
professions -
    or as i like to call them: flip flop hopping just
shy of heaven -
the daydreamers' jobs -
   ******'s on that till telling train tickets,
ever so often waking up by an imaginary
coconut falling on his head when
a new customer arrives and wakes the
**** up.
                      london... ah, what a place...
someone once said you're never a meter away
from a rat on these streets...
   no ****, and half a meter from a rat with wings
and probably an eager tourist feeding these
"penguins"...
                    but i took the trip because
i thought i'd feel inspired, change of environment,
like: i honestly can't remember the last
time i sat on a bus, or a train, or the tube...
       me in a sitting position,
inside a belly of some mechanical diesel
caterpillar...
                       just for the occasion i thought i'd
dress up, put on a pair of socks and a pair of jeans...
well, i thought: these londoners can't suspect me
coming from the home counties...
gotta look the part, in some remote way...
fat face attire all, from the waist up;
                      but the people in their number
and disorientation hit be like a saharan gust
of wind, remnants of a hurricane -
                 everywhere i turned at liverpool st.
there was either a zombie apocalypse,
or some crack-******* ***** late for a train...
          i got some fine red wine prior to
the expedition...
               and so i headed to alexandra palace...
why? well... it looked mighty fine 11 years ago
from the rooftop of the scottish widows h.q.
near st. pauls...
         sitting pretty on top of a hill...
  so i got there, ensuring i let the arsenal fans
get the first two trains from st. pancreas to
pass me by, extending my wait for about 10 minutes...
    who was arsenal playing today?
tottenham? the punters on the train said:
2 - nil.
           don't know the score.
             so i got to wood green...
no one actually said there was a hill to climb!
  **** it, i climbed it, and when i got to the top...
to be honest, alexandra palace looks more
spectacular from a distance akin to st. paul's
on the 19th floor...
        it actually looks bigger from that sort of
distance...
          but i reached the top, and still had my wine,
and i even brought with myself a glass...
so i opened the bottle and began to forget
the initial: the **** am i doing next to
alexandra palace?!
            shouldn't i be sitting comfortably finishing
the second season of versailles at home?!
ah... never mind... so i drank the wine and
became shocked at the horizon before me...
as a connoisseur of drinking partners -
yes, you might have suspected all along,
i was drinking the wine alone... aha! but i wasn't:
i was drinking a bottle of wine, with, the view;
on the up side, the view from alexandra palace
is so much better than the view from
primrose hill - sure, maybe st. paul's isn't
visible, and you get to see much more of
the ferris wheel by the thames -
      but when it comes to a drinking buddy -
the view from alexandra palace is so much
better than the view from primrose hill.
           - and as ever, a highlight from the voyage,
helping god disguised as an old lady in
a hindi shawl with her shopping -
   in one of those wheely bags... down
the escalator, onto the tube, then off the tube...
  why did i imply god disguised as an old lady,
she said she's 70, i compliment her that she
looks 60... and believe me... that bag of hers
weighed about 30 / 40 kg...
                       and then back to romford,
for a quick pint of guinness on romford high st.,
aah... home... home with the "****"...
with the sort of people that make sense -
                  born and bred and sooner or later
to be dead...
                     at least this apparent
"*******" is not as much a farce as the entirety of
london put together...
            i can feel at home here,
mind you, a pint of guinness costs 3.15 over here,
which isn't exactly extortion down by
liverpool st. at 5 quid a pop.
           london used to make sense once,
even for me, but these days -
     it's just a ouroboros -
                  it's in its own stratosphere of "busy",
******* jobs, ******* rent,
        and as much as any noah's arc translated
into a city state as you can think of,
with only rats on board...
           but when you stand on either primrose
hill, or next to alexandra palace,
with a bottle of wine and your drinking
buddy that's the view -
            you can only start citing bilbo baggins:
i feel thin, sort of stretched, like butter
  scraped over too much bread;
   because that's what london is: superficial -
which is why i immediately known what
i'm going to get when i step onto
the romford high street...
        sooner or later it's all going to turn
into superficiality central, the mimic cities
of l.a. (and thank ****, that i can only imagine
this to be the case of said imitation).

Yo **** see how you grow.   someday you will fly away just like dandelion seeds you will pass no heed. Sow your oats on the way I hope you have a nice day since it is the month of May.

Gradually getting great, while fracturing the bones of fretting fakes. Channeling my personified state, my goal has been to dismantle and open up your minds gate. Passionately petrified of how I feel inside, but I will no longer hide, unashamed **** never going to stop my stride. You want it then go for it, don't go bowing down to this society's jealous ridden *******. You are more than that, don't let those ****** treat you like slack. Classically calling it for how I see it, this is how I perceive, don't like it, but I don't really give two *****. One must be asking themselves why they acting to hard, or why they are always on guard. Is it something about you, is it just some distorted view of believing the vile things people be saying about you? Hmm, maybe I getting somewhere, or maybe I'm just zany and just blissfully unaware of this atmosphere.

DCik-heads
Take dictations
From dictators
From NY to Moscow
*** the traitors,
Alive and kicking
Feed them to the gators.
These days i find my self
In a different mind of state
To be or not to be,
To breathe or not to breathe
Weather or not i deliberate,
To Be calm and not retaliate
Let God take measures that are appropriate,
Forget the past move on
Clean my slate,
But then i get *******,get mad and start to abbreviate,
EFF off u ****'s i hate u
Wars then i initiate
Btich slap them so hard
Cause a shift in their tectonic plates!
Send them back to hell's gate
That's where you belong
Spreading lies & hate
I hope you die soon
You Devil's Advocate.