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"lees" poems
Come on my Love! Let us move to the East Where the sun resurrects after his interim death Where darkness first gives way to light And life renews itself every morn Look to the East beyond those crooked hills Where poplars grow tall in line And wild weeds hem the edges of pathways Where bunnies and squirrels hop and jump And merrily run round the trees Where the wind moves whistling through bamboo reeds Where the laughing cataract leaps down from the rocks And flow along in silvery rills Where the languorous breeze plays upon the leaves Away from the tumult, far from the crazy crowd With the pandemonium of the world Hushed to serene silence Let us move to that sequestered glade Of perennial greenery, through the sunlit grove Where we shall walk hands locked Till the bright day gives way to dusky night Inhaling night air in scented perfume Under the stillness of a star lit sky Through moon blanched woods, mysterious Listening to the sweet whispering of our soul And ‘drinking life to the lees’ from the chalice of love Oh! Come on, Let us not tarry…. Let’s go!
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Dec 1, 2016
Dec 1, 2016 at 6:36 AM UTC
An Invitation
Si éste intento de poema tuviese un nombre, debería ser el tuyo, pero por cobardía dejaré el anonimato. Después de todo...Siempre fuimos fanáticos del misterio. Habían pasado tantos días. Tantas horas, tantos inviernos. Inviernos fríos que quemaban como infiernos. Incendios. Incendios de nieve, supongo. Nos vimos ese día luego de tanto tiempo. Tanto deseo acumulado ya nos estaba haciendo daño. Ja... ni siquiera nos dimos un abrazo, saltamos directo a los besos. Tengo que decirte; mis latidos estaban muy acelerados. Lancé mis dados. No me importó el presente o los presentes que en las ventanas estaban asomados. Y me mirabas a los ojos, y en los tuyos veía que eres mi principal demonio carnal. Pero a la final, si Dios existe sabe que tú no quieres ser ningún ángel. Nos besamos en ese banco como si nos quisiéramos chupar el alma... Querida, tus besos sabían más exquisitos de lo usual a causa de la ***** barata. Y me arrebatabas el aliento.Y tus senos me me observaban detrás de tu escote; o quizás yo los observaba a ellos, pero no nos importaba. Estabas tan errática. Tan radical que me era difícil seguirte el paso. Ibas lanzando ***** sobre el piso y dulces gemidos a mis oídos. No te mentiré, me sentía cohibido. Renuncié a mi actitud bohemia y despreocupada de vaquero y me sentí cohibido. Pero lo que me crecía en el pantalón era muy real como para haberlo fingido. Sabes lo difícil que se me hace ignorar mis animales instintos. Y no queríamos despedirnos. De irracionalidad pasamos a tecnicismos. Al: "No te vayas, quédate un rato más. Te haré café para que la ***** te deje de afectar". Y después los besos eran besos de tiernos adolescentes que se profesan amor eterno. Amor eterno que nunca fue correcto al momento. Es triste como acabo todo, ¿no, querida? Es triste que ahora me odies y me hayas sacado de tu vida. Pero si lees esto... por favor, recuérdame. Recuérdame tan imperfecto como soy. Recuérdame en tu escote; bajando mis manos por tu espalda y llegando a tus nalgas. Recuérdame escuchando esa canción que es mi canción favorita, y que escuchas solo por esa razón. Como sea que quieras, pero recuérdame. Yo siempre te recuerdo. Porque fuiste, eres y serás la autodestrucción que aún necesito.
0
Jun 12, 2014
Jun 12, 2014 at 4:02 PM UTC
***** y Bancos.
Si éste intento de poema tuviese un nombre, debería ser el tuyo, pero por cobardía dejaré el anonimato. Después de todo...Siempre fuimos fanáticos del misterio. Habían pasado tantos días. Tantas horas, tantos inviernos. Inviernos fríos que quemaban como infiernos. Incendios. Incendios de nieve, supongo. Nos vimos ese día luego de tanto tiempo. Tanto deseo acumulado ya nos estaba haciendo daño. Ja... ni siquiera nos dimos un abrazo, saltamos directo a los besos. Tengo que decirte; mis latidos estaban muy acelerados. Lancé mis dados. No me importó el presente o los presentes que en las ventanas estaban asomados. Y me mirabas a los ojos, y en los tuyos veía que eres mi principal demonio carnal. Pero a la final, si Dios existe sabe que tú no quieres ser ningún ángel. Nos besamos en ese banco como si nos quisiéramos chupar el alma... Querida, tus besos sabían más exquisitos de lo usual a causa de la ***** barata. Y me arrebatabas el aliento.Y tus senos me me observaban detrás de tu escote; o quizás yo los observaba a ellos, pero no nos importaba. Estabas tan errática. Tan radical que me era difícil seguirte el paso. Ibas lanzando ***** sobre el piso y dulces gemidos a mis oídos. No te mentiré, me sentía cohibido. Renuncié a mi actitud bohemia y despreocupada de vaquero y me sentí cohibido. Pero lo que me crecía en el pantalón era muy real como para haberlo fingido. Sabes lo difícil que se me hace ignorar mis animales instintos. Y no queríamos despedirnos. De irracionalidad pasamos a tecnicismos. Al: "No te vayas, quédate un rato más. Te haré café para que la ***** te deje de afectar". Y después los besos eran besos de tiernos adolescentes que se profesan amor eterno. Amor eterno que nunca fue correcto al momento. Es triste como acabo todo, ¿no, querida? Es triste que ahora me odies y me hayas sacado de tu vida. Pero si lees esto... por favor, recuérdame. Recuérdame tan imperfecto como soy. Recuérdame en tu escote; bajando mis manos por tu espalda y llegando a tus nalgas. Recuérdame escuchando esa canción que es mi canción favorita, y que escuchas solo por esa razón. Como sea que quieras, pero recuérdame. Yo siempre te recuerdo. Porque fuiste, eres y serás la autodestrucción que aún necesito.
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16
Too far away, oh love, I know, To save me from this haunted road, Whose lofty roses break and blow On a night-sky bent with a load Of lights: each solitary rose, Each arc-lamp golden does expose Ghost beyond ghost of a blossom, shows Night blenched with a thousand snows. Of hawthorn and of lilac trees, White lilac; shows discoloured night Dripping with all the golden lees Laburnum gives back to light. And shows the red of hawthorn set On high to the purple heaven of night, Like flags in blenched blood newly wet, Blood shed in the noiseless fight. Of life for love and love for life, Of hunger for a little food, Of kissing, lost for want of a wife Long ago, long ago wooed. . . . . . . Too far away you are, my love, To steady my brain in this phantom show That passes the nightly road above And returns again below. The enormous cliff of horse-chestnut trees Has poised on each of its ledges An ***** small girl looking down at me; White-night-gowned little chits I see, And they peep at me over the edges Of the leaves as though they would leap, should I call Them down to my arms; "But, child, you're too small for me, too small Your little charms." White little sheaves of night-gowned maids, Some other will thresh you out! And I see leaning from the shades A lilac like a lady there, who braids Her white mantilla about Her face, and forward leans to catch the sight Of a man's face, Gracefully sighing through the white Flowery mantilla of lace. And another lilac in purple veiled Discreetly, all recklessly calls In a low, shocking perfume, to know who has hailed Her forth from the night: my strength has failed In her voice, my weak heart falls: Oh, and see the laburnum shimmering Her draperies down, As if she would slip the gold, and glimmering White, stand naked of gown. . . . . . . The pageant of flowery trees above The street pale-passionate goes, And back again down the pavement, Love In a lesser pageant flows. Two and two are the folk that walk, They pass in a half embrace Of linked bodies, and they talk With dark face leaning to face. Come then, my love, come as you will Along this haunted road, Be whom you will, my darling, I shall Keep with you the troth I trowed.
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4.2k
Drunk
Too far away, oh love, I know, To save me from this haunted road, Whose lofty roses break and blow On a night-sky bent with a load Of lights: each solitary rose, Each arc-lamp golden does expose Ghost beyond ghost of a blossom, shows Night blenched with a thousand snows. Of hawthorn and of lilac trees, White lilac; shows discoloured night Dripping with all the golden lees Laburnum gives back to light. And shows the red of hawthorn set On high to the purple heaven of night, Like flags in blenched blood newly wet, Blood shed in the noiseless fight. Of life for love and love for life, Of hunger for a little food, Of kissing, lost for want of a wife Long ago, long ago wooed. . . . . . . Too far away you are, my love, To steady my brain in this phantom show That passes the nightly road above And returns again below. The enormous cliff of horse-chestnut trees Has poised on each of its ledges An ***** small girl looking down at me; White-night-gowned little chits I see, And they peep at me over the edges Of the leaves as though they would leap, should I call Them down to my arms; "But, child, you're too small for me, too small Your little charms." White little sheaves of night-gowned maids, Some other will thresh you out! And I see leaning from the shades A lilac like a lady there, who braids Her white mantilla about Her face, and forward leans to catch the sight Of a man's face, Gracefully sighing through the white Flowery mantilla of lace. And another lilac in purple veiled Discreetly, all recklessly calls In a low, shocking perfume, to know who has hailed Her forth from the night: my strength has failed In her voice, my weak heart falls: Oh, and see the laburnum shimmering Her draperies down, As if she would slip the gold, and glimmering White, stand naked of gown. . . . . . . The pageant of flowery trees above The street pale-passionate goes, And back again down the pavement, Love In a lesser pageant flows. Two and two are the folk that walk, They pass in a half embrace Of linked bodies, and they talk With dark face leaning to face. Come then, my love, come as you will Along this haunted road, Be whom you will, my darling, I shall Keep with you the troth I trowed.
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74
My mother she had children five and four are dead and gone; While I, least worthy to survive, persist in living on. She looks at me, I must confess, sometimes with spite and bitterness. My mother is three-score and ten, while I am forty-three, You don't know how it hurts me when we go somewhere to tea, And people tell her on the sly we look like sisters, she and I. It hurts to see her secret glee; but most, because it's true. Sometimes I think she thinks that she looks younger of the two. Oh as I gently take her arm, how I would love to do her harm! For ever since I cam from school she put it in my head I was a weakling and a fool, a "born old maid" she said. "You'll always stay at home," sighed she, "and keep your Mother company." Oh pity is a bitter brew; I've drunk it to the lees; For there is little else to do but do my best to please: My life has been so little worth I curse the hour she gave me birth. I curse the hour she gave me breath, who never wished me wife; My happiest day will be the death of her who gave me life; I hate her for the life she gave: I hope to dance upon her grave. She wearing roses in her hat; I wince to hear her say: "Poor Alice this, poor Alice that," she drains my joy away. It seems to brace her up that she can pity, pity, pity me. You'll see us walking in the street, with careful step and slow; And people often say: "How sweet!" as arm in arm we go. Like chums we never are apart - yet oh the hatred in my heart! My chest is weak, and I might be (O God!) the first to go. For her what triumph that would be - she thinks of it, I know. To outlive all her kith and kin - how she would glow beneath her skin! She says she will not make her Will, until she takes to bed; She little thinks if thoughts could **** to-morrow she'd be dead. . . . "Please come to breakfast, Mother dear; Your coffee will be cold I fear."
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4k
Virginity
My mother she had children five and four are dead and gone; While I, least worthy to survive, persist in living on. She looks at me, I must confess, sometimes with spite and bitterness. My mother is three-score and ten, while I am forty-three, You don't know how it hurts me when we go somewhere to tea, And people tell her on the sly we look like sisters, she and I. It hurts to see her secret glee; but most, because it's true. Sometimes I think she thinks that she looks younger of the two. Oh as I gently take her arm, how I would love to do her harm! For ever since I cam from school she put it in my head I was a weakling and a fool, a "born old maid" she said. "You'll always stay at home," sighed she, "and keep your Mother company." Oh pity is a bitter brew; I've drunk it to the lees; For there is little else to do but do my best to please: My life has been so little worth I curse the hour she gave me birth. I curse the hour she gave me breath, who never wished me wife; My happiest day will be the death of her who gave me life; I hate her for the life she gave: I hope to dance upon her grave. She wearing roses in her hat; I wince to hear her say: "Poor Alice this, poor Alice that," she drains my joy away. It seems to brace her up that she can pity, pity, pity me. You'll see us walking in the street, with careful step and slow; And people often say: "How sweet!" as arm in arm we go. Like chums we never are apart - yet oh the hatred in my heart! My chest is weak, and I might be (O God!) the first to go. For her what triumph that would be - she thinks of it, I know. To outlive all her kith and kin - how she would glow beneath her skin! She says she will not make her Will, until she takes to bed; She little thinks if thoughts could **** to-morrow she'd be dead. . . . "Please come to breakfast, Mother dear; Your coffee will be cold I fear."
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30
Gen. Lees invasion of the North written by himself— In eighteen sixty three, with pomp, and mighty swell, Me and Jeff’s Confederacy, went forth to sack Phil-del, The Yankees the got arter us, and giv us particular hell, And we skedaddled back again, And didn’t sack Phil-del.
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3.5k
Verse On Lee’s Invasion Of The North
Lady Winter I. When surly Winter sighs, her icy breath Makes adults think of coming death, Makes children think of falling snow, Ice skates and sleds and away they go.... II. Alone among her Sisters, Winter holds such power To stop the World, to drift in Time, if only for her hour. She puts the trees and fields to sleep, Then covers lakes and land 'neath sheets, And though she tucks them into bed, Their sleeping form is of the dead. III. This Lady White whose frigid face Turns from the sun with chilly grace Has for herself a single duty: The world to rest in icy beauty. In the North, where'er she goes, She dresses lands with icy snows. In gowns of ermine stand the trees White trains of down lie at their lees. She sets the plain with crystal lakes, And sugars hills with frosted flakes. Where ever she in beauty goes, The icy Queen her magic sows. IV. Strange sister of four Seasons, Her face, at first, seems set in Death, But we who walk out on her icy grounds, Traverse a frozen pond or wander rounds Deep into her forests fast asleep, know well, We who stop to listen and to look can tell, Life's certitude awaits the end of chilly Winter's icy fling. (Congregation: "Even so come quickly, Lady Spring!")
0
Dec 14, 2011
Dec 14, 2011 at 10:14 AM UTC
Lady Winter in IV Cantos
Come, my darling, let us dance To the moon that beckons us To dissolve our love in trance Heedless of the hideous Heat & hate of Sirius- Shun his baneful brilliance! Let us dance beneath the palm Moving in the moonlight, frond Wooing frond above the calm Of the ocean diamond Sparkling to the sky beyond The enchantment of our psalm. Let us dance, my mirror of Perfect passion won to peace, Let us dance, my treasure trove, On the marble terraces Carved in pallid embroeideries For the vestal veil of Love. Heaven awakes to encompass us, Hell awakes its jubilance In our hearts mysterious Marriage of the azure expanse, With the scarlet brilliance Of the Moon with Sirius. Velvet swatches our lissome limbs Languid lapped by sky & sea Soul through sense & spirit swims Through the pregnant porphyry Dome of lapiz-lazuli:- Heart of silence, hush our hymns. Come my darling; let us dance Through the golden galaxies Rhythmic swell of circumstance Beaming passion’s argosies: Ecstacy entwined with ease, Terrene joy transcending trance! Thou my scarlet concubine Draining heart’s blood to the lees To empurple those divine Lips with living luxuries Life importunate to appease Drought insatiable of wine! Tunis in the tremendous trance Rests from day’s incestuous Traffic with the radiance Of her sire-& over us Gleams the intoxicating glance Of the Moon & Sirius. Take the ardour of my impearled Essence that my shoulders seek To intensify the curled Candour of the eyes oblique, Eyes that see the seraphic sleek Lust bewitch the wanton world. Come, my love, my dove, & pour From thy cup the serpent wine Brimmed & breathless -secret store Of my crimson concubine Surfeit spirit in the shrine- Devil -Goddess ****** ***** Afric sands ensorcel us, Afric seas & skies entrance Velvet, lewd & luminous Night surveys our soul askance! Come my love, & let us dance To the Moon and Sirius!
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2.9k
Lyric of Love to Leah
Come, my darling, let us dance To the moon that beckons us To dissolve our love in trance Heedless of the hideous Heat & hate of Sirius- Shun his baneful brilliance! Let us dance beneath the palm Moving in the moonlight, frond Wooing frond above the calm Of the ocean diamond Sparkling to the sky beyond The enchantment of our psalm. Let us dance, my mirror of Perfect passion won to peace, Let us dance, my treasure trove, On the marble terraces Carved in pallid embroeideries For the vestal veil of Love. Heaven awakes to encompass us, Hell awakes its jubilance In our hearts mysterious Marriage of the azure expanse, With the scarlet brilliance Of the Moon with Sirius. Velvet swatches our lissome limbs Languid lapped by sky & sea Soul through sense & spirit swims Through the pregnant porphyry Dome of lapiz-lazuli:- Heart of silence, hush our hymns. Come my darling; let us dance Through the golden galaxies Rhythmic swell of circumstance Beaming passion’s argosies: Ecstacy entwined with ease, Terrene joy transcending trance! Thou my scarlet concubine Draining heart’s blood to the lees To empurple those divine Lips with living luxuries Life importunate to appease Drought insatiable of wine! Tunis in the tremendous trance Rests from day’s incestuous Traffic with the radiance Of her sire-& over us Gleams the intoxicating glance Of the Moon & Sirius. Take the ardour of my impearled Essence that my shoulders seek To intensify the curled Candour of the eyes oblique, Eyes that see the seraphic sleek Lust bewitch the wanton world. Come, my love, my dove, & pour From thy cup the serpent wine Brimmed & breathless -secret store Of my crimson concubine Surfeit spirit in the shrine- Devil -Goddess ****** ***** Afric sands ensorcel us, Afric seas & skies entrance Velvet, lewd & luminous Night surveys our soul askance! Come my love, & let us dance To the Moon and Sirius!
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66
want my fyn porselein is nou skerwe op die vloer als wat goed is in die lewe; saam met die suur melk uitgemoer al my heuningtee en moerkoffie staan nietig in my kas , ek hunker na n glasie brandewyn om die herrinneringe mee weg te was. Want Vader al val 'n duisend aan my sy en tien duisend hier langs my vlieg Eros se pyle net die heeltyd verby. Ek is moeg vir alleen wees moeg vir bang wees vir koue voete koue hande en 'n hart wat altyd koud sal wees. waars die liefde en genade waarvan ons in ****** en die Bybel lees. Waars my stukkie hemel. Waars my engelkoor. Is dit ook tussen my suur melk... of het ek dit deur bottervingers verloor?
0
Jun 23, 2014
Jun 23, 2014 at 7:46 PM UTC
Noem my bottervingers.
as i drink the sadness of the stars gulp it down to the lees i wonder what's a greater agony going to bed with the crushing burden of your own existence or the deafening echo of the universe saying that you don't matter
0
Aug 16, 2018
Aug 16, 2018 at 4:02 PM UTC
#1
Hier onder die afdak staan ons nou Sjuijt! Bly stil! Gouwsie gaan ons in hou. Vir ‘n **** praat Mnr. Smit nou, So ‘n langtam, papbek manier van woorde kou Lees ‘n versie, Gluur vir Stoute Daan, Begin toe bid, Maar wat gaan nou aan? My hartjie pyn, nie fisies seer.. Dis verlange wat my hart so skeur. Met oë toe en ore oop Klink Smitie net sos Oupa Hendrik, Terug van die dood.
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Jan 20, 2014
Jan 20, 2014 at 1:13 PM UTC
Verlang na Pyn
******* at tickling the ivories, at inducing the jet buttons to chortle, say, in a concerto ; but I do strum and flirt with those amazing royal, 88 unrepentant loyal keys for Jupiter and Saturn, for Mars and Neptune, making a blank bland tune for extraterrestrial beings for fun. On the cosmic moors the moon's whirling feet cease for my discordance. What a slurred entrance by F in D major! Only a novice--an amateur. I'm no magnificent pianist, O majestic Mercury. Summon the stars the search to lead for a supreme virtuoso, one of  no incongruent ingenuity like this dilettante--a pseudo music polymath, counsels Thebe. A Mozart, Beethoven, or Bach? Any of the greats scored above, as well as geniuses like David and Handel. Impressario fly! Flee thou away and go get a classic maven. Otherwise sleep there forever at Erebus, never dream of waking up in Eden. Circuitous world stops: strings break off at the Earth's axis-- the Sun's panels pause and darkness' movement begins its own obscure notes to improvise: apace demented melody is released,-- bathos of symphony: tinny wine of concord settles on the lees of discord. Asteroids hooting some ***** calls when into the grand chrysolite chamber-- in her tailor-made blistering gown-- strolls in the coruscating Venus in the sturdy arm of jaundiced Uranus, garbed in his glistening stomacher. Like a ball, all eyes are bouncing hither and thither, up and down, googling and ogling, once more at them leering, gaping at the irreplaceable paintings of da Vinci, Picasso, and Van Gogh cavorting  upon the weightless walls to the romantic performance of Strauss in the palace orchestral of Bacchus.
0
May 1, 2014
May 1, 2014 at 8:17 AM UTC
Planetary Concerto
******* at tickling the ivories, at inducing the jet buttons to chortle, say, in a concerto ; but I do strum and flirt with those amazing royal, 88 unrepentant loyal keys for Jupiter and Saturn, for Mars and Neptune, making a blank bland tune for extraterrestrial beings for fun. On the cosmic moors the moon's whirling feet cease for my discordance. What a slurred entrance by F in D major! Only a novice--an amateur. I'm no magnificent pianist, O majestic Mercury. Summon the stars the search to lead for a supreme virtuoso, one of  no incongruent ingenuity like this dilettante--a pseudo music polymath, counsels Thebe. A Mozart, Beethoven, or Bach? Any of the greats scored above, as well as geniuses like David and Handel. Impressario fly! Flee thou away and go get a classic maven. Otherwise sleep there forever at Erebus, never dream of waking up in Eden. Circuitous world stops: strings break off at the Earth's axis-- the Sun's panels pause and darkness' movement begins its own obscure notes to improvise: apace demented melody is released,-- bathos of symphony: tinny wine of concord settles on the lees of discord. Asteroids hooting some ***** calls when into the grand chrysolite chamber-- in her tailor-made blistering gown-- strolls in the coruscating Venus in the sturdy arm of jaundiced Uranus, garbed in his glistening stomacher. Like a ball, all eyes are bouncing hither and thither, up and down, googling and ogling, once more at them leering, gaping at the irreplaceable paintings of da Vinci, Picasso, and Van Gogh cavorting  upon the weightless walls to the romantic performance of Strauss in the palace orchestral of Bacchus.
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54
A la Humanidad ELENA RAMOS Ciertamente todos buscamos lo mismo Poder, Dinero y Fama Ser mejor para ser escuchados por todos Tener dinero para poder comprar a todos Y tener fama para ser reconocidos por todos No podemos pretender ser supremos ante civilizaciones a las cuales somos exactamente iguales Tenemos rasgos distintos, dialectos variados pero Al final somos iguales Esperamos un desastre para poder unirnos Uno en el cual tengamos miedo de morir y ser derrotados por fuerzas mayores Talvez debamos esperar ese fenómeno que cambie a la humanidad Algo que jamás hayan podido ver nuestros ojos Un desastre natural que acabe con todos Una plaga que nos destruya lentamente En la humanidad hay mucha corrupción, hay desastres creados por nosotros Hay guerras santas, hay asesinatos planeados Porque? Por poder, dinero y fama Somos invencibles en nuestras mentes, pero que pasa si afuera de nuestra visión Hay algo más grande que todos juntos Una fuerza invencible, un poder sobrenatural que en cualquier momento decida destruirnos Talvez sea suerte o sea el destino Si decidimos separarnos a diario Si creamos más violencia Si hay más separación de naciones Si hay más hambre Más infestaciones, más personas mueren a diario Es inevitable es un proceso natural del hombre Pero, aceptémoslo más muertes son causadas por nosotros mismos. Soy tan humana como todos ustedes Es un acto de paz y un pacto de unidad La raza humana pierde su escencia De ser capaces de analizar y ser luz Somos ciegos y egoístas Un ego que saciar Un espíritu que alimentar A base de mentiras, engaños y sacrificios Ser pobre o rico Tener todo o  ser nada Ver morir pero no actuar Decidimos sentarnos a ver lo que pasa Pero  porque no somos parte del espectáculo mejor? Organizaciones a diario luchan por cambiar el mundo Fotos de acontecimientos que impactan un rato Después son desechos que olvidamos por lujos y mentiras El humano se convirtió en el monstruo más grande que deberíamos temer Esa sencillez de aceptar el fracaso Inhumanos ante las crisis de los demás Muertes por ganas de poder Muertes por religión y creencias Si crees en algo, créelo Pero Piensa si va en contra de ti y de tu generación Dos bandos iguales peleando por ser más notorio Sangre derramada para demostrar grandeza Lujos para despilfarrar Lugares hermosos que son destrozados El hábitat humana dejo de ser para los humanos Nos convertimos en cosas materialistas Sin propósitos de vida Luchemos para ser iguales Sin distinción de raza, **** religión, política... Constantemente decimos eso Pero realmente se cumple? Si eres humano y lees esto Piensa que estás haciendo en este momento Estas cambiado para bien a tu humanidad?
0
Jun 11, 2016
Jun 11, 2016 at 11:03 PM UTC
A la Humanidad
A la Humanidad ELENA RAMOS Ciertamente todos buscamos lo mismo Poder, Dinero y Fama Ser mejor para ser escuchados por todos Tener dinero para poder comprar a todos Y tener fama para ser reconocidos por todos No podemos pretender ser supremos ante civilizaciones a las cuales somos exactamente iguales Tenemos rasgos distintos, dialectos variados pero Al final somos iguales Esperamos un desastre para poder unirnos Uno en el cual tengamos miedo de morir y ser derrotados por fuerzas mayores Talvez debamos esperar ese fenómeno que cambie a la humanidad Algo que jamás hayan podido ver nuestros ojos Un desastre natural que acabe con todos Una plaga que nos destruya lentamente En la humanidad hay mucha corrupción, hay desastres creados por nosotros Hay guerras santas, hay asesinatos planeados Porque? Por poder, dinero y fama Somos invencibles en nuestras mentes, pero que pasa si afuera de nuestra visión Hay algo más grande que todos juntos Una fuerza invencible, un poder sobrenatural que en cualquier momento decida destruirnos Talvez sea suerte o sea el destino Si decidimos separarnos a diario Si creamos más violencia Si hay más separación de naciones Si hay más hambre Más infestaciones, más personas mueren a diario Es inevitable es un proceso natural del hombre Pero, aceptémoslo más muertes son causadas por nosotros mismos. Soy tan humana como todos ustedes Es un acto de paz y un pacto de unidad La raza humana pierde su escencia De ser capaces de analizar y ser luz Somos ciegos y egoístas Un ego que saciar Un espíritu que alimentar A base de mentiras, engaños y sacrificios Ser pobre o rico Tener todo o  ser nada Ver morir pero no actuar Decidimos sentarnos a ver lo que pasa Pero  porque no somos parte del espectáculo mejor? Organizaciones a diario luchan por cambiar el mundo Fotos de acontecimientos que impactan un rato Después son desechos que olvidamos por lujos y mentiras El humano se convirtió en el monstruo más grande que deberíamos temer Esa sencillez de aceptar el fracaso Inhumanos ante las crisis de los demás Muertes por ganas de poder Muertes por religión y creencias Si crees en algo, créelo Pero Piensa si va en contra de ti y de tu generación Dos bandos iguales peleando por ser más notorio Sangre derramada para demostrar grandeza Lujos para despilfarrar Lugares hermosos que son destrozados El hábitat humana dejo de ser para los humanos Nos convertimos en cosas materialistas Sin propósitos de vida Luchemos para ser iguales Sin distinción de raza, **** religión, política... Constantemente decimos eso Pero realmente se cumple? Si eres humano y lees esto Piensa que estás haciendo en este momento Estas cambiado para bien a tu humanidad?
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69
Have you ever heard in your mind the sounds that silence makes the silence that spreads like music as in splendor a dewy morning breaks silence that clings to a Florentine fog as lone cyclist a cobble street snakes the silence that hangs heavy after a heavy down pour finally ends or await with it for the moment when heaven its pearly reward sends they sound so different and surreal like life’s ethereal myriad bends the silence that weighty dwells in wisps, rises from vacant eyes the silence that fills to the brim dole, of a beggar’s ripping sighs silence that hangs like a sword on fears of unsaid distant byes silence o endless tormenting silence you play on a piano’s dusty keys from a chair that rocks in howling wind on a lifeless verandah, distant sees from a score of such like mends wherefrom one has drunk to ones lees it speaks no man’s earthly breath yet heard in shattering numbness in ache and blight so steeped in rustle of a long gone worn dress in raucous merry gay proceeds or the mirth of a child’s bless in the time of a frisky bloomy day or gnaw of a long starry night the lullaby of distant streaking trains or the gondola’s reflective sight the cavort of journeys done together Echoes the hush of a soundless blight original saadat tahir 22nd July, 2k13 Islamabad.
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Jul 22, 2013
Jul 22, 2013 at 11:59 AM UTC
Sounds of Silence ... 2207-2k13
Exijo que alguien me diga en donde está escrito que una mujer solo puede tener **** con una persona y si pasa de ese número automáticamente es puta. Si, este pensamiento es algo machista pero lo peor de todo es que es utilizado más en las mujeres que en los mismos hombres, me explico. Las mujeres ven una mujer la cual se viste mostrando lo que le da la gana y rápido piensan en la palabra puta, cuando ven a otra mujer besándose con uno hoy y otro mañana piensan en que es una puta sin valores, cuando otra mujer tiene **** con más de 5 personas en dos meses lo que piensan es una puta que no se respeta. ¿Acaso creen que esta no es una actitud machista? Mujeres que exigen igualdad entre hombres y mujeres pero critican a mujeres que se atreven a ser quienes son mientras que ellas están sentadas soplándose el culo y criticando. ¿Este pensamiento es tan poco prudente y es tan común hoy día, cual es el problema con que una persona, sea mujer u hombre, se sienta bien consigo mismo y decida tener una vida ****** plena? Son libres de hacer lo que quieran. Ellos escogen: con quien, con cuantos y en que lapso de tiempo lo hacen. Pero como esta acusación estúpida radica más en las mujeres quiero concluir con esto. Mujer que me lees: Si deseas vestirte con un traje corto y un escote en las tetas hazlo. Si te gustan tres personas y tienes la oportunidad de besarlos a los tres hazlo. Si quieres tener **** hoy con uno y mañana con tres hazlo. Hazlo, olvídate del que dirán las personas porque seas casta, virgen y pura o puta, atrevida y coqueta hablaran de ti. Natalia Rivera.
0
Nov 14, 2014
Nov 14, 2014 at 11:52 PM UTC
Mujeres machistas.
Exijo que alguien me diga en donde está escrito que una mujer solo puede tener **** con una persona y si pasa de ese número automáticamente es puta. Si, este pensamiento es algo machista pero lo peor de todo es que es utilizado más en las mujeres que en los mismos hombres, me explico. Las mujeres ven una mujer la cual se viste mostrando lo que le da la gana y rápido piensan en la palabra puta, cuando ven a otra mujer besándose con uno hoy y otro mañana piensan en que es una puta sin valores, cuando otra mujer tiene **** con más de 5 personas en dos meses lo que piensan es una puta que no se respeta. ¿Acaso creen que esta no es una actitud machista? Mujeres que exigen igualdad entre hombres y mujeres pero critican a mujeres que se atreven a ser quienes son mientras que ellas están sentadas soplándose el culo y criticando. ¿Este pensamiento es tan poco prudente y es tan común hoy día, cual es el problema con que una persona, sea mujer u hombre, se sienta bien consigo mismo y decida tener una vida ****** plena? Son libres de hacer lo que quieran. Ellos escogen: con quien, con cuantos y en que lapso de tiempo lo hacen. Pero como esta acusación estúpida radica más en las mujeres quiero concluir con esto. Mujer que me lees: Si deseas vestirte con un traje corto y un escote en las tetas hazlo. Si te gustan tres personas y tienes la oportunidad de besarlos a los tres hazlo. Si quieres tener **** hoy con uno y mañana con tres hazlo. Hazlo, olvídate del que dirán las personas porque seas casta, virgen y pura o puta, atrevida y coqueta hablaran de ti. Natalia Rivera.
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9
My letsels is die sinne My vel is die papier Lees daaruit wat jy wil Die wat omgee bly nog hier My trane is die voorblad My bloed is steeds die ink In my skree ń monster Wat ek nog moet verdrink Die rowe is die punte wat Ek soms nog skraap en skuur My voorkop pêrel sweet In my oë brand hell se vuur My lemme is my penne Die papier hier op my lyf Elke liewe liefdes briefie- Ń letsel, net vir jou geskryf...
0
May 6, 2014
May 6, 2014 at 5:40 PM UTC
Letsels
Among the pale Elm trees, many things appease, Like the glorious song of the Hummingbird. I sit admiring the birds as I please. The Evening’s blue fog wheels in Elm’s mystic leaves, Hooting owl’s decibels sing loud and absurd. Among the pale Elm trees, many things appease. To feed sugars to the Bluebirds and the Bees, I ravaged the branches and made lemon curd. I sit admiring the birds as I please. My ****** structure is sets of flattened lees, Defying the winds, the winds, the winds that heard. Among the pale Elm trees, many things appease. In colonnades of wavering Ulmus trees, I watch men’s mesh catching a baby Bluebird. I sit admiring the birds as I please. Up and come kill-tree mushrooms, all life forms seize To fierce, teeth-tusks of ivory, undeterred. Among the pale Elm trees, many things appease, I sit admiring the birds as I please.
0
Feb 5, 2014
Feb 5, 2014 at 6:45 PM UTC
Villanelle of the Elm and Bird
Knipoog, wink-oog Loop verby Hart kyk weg Om die invloed te vermy Raak an my hand Vat mis, raak my siel Raak ek verlief? Wat het my besiel? Knipoog , winkoog Is dit vir my? Nee , dis vir haar... Jy kyk my verby!! Lok uit suspisie Gee my die hoop; Hoeveel ander het Hul siel aan jou verkoop? Bruin oog, blink oog Blink jy vir my? Lees weer jou rympies Om my hart te kry!! Maak gou liefste Lewe flits verby, Lees jy jou rympies: Vir haar... Of vir my!?
0
May 6, 2014
May 6, 2014 at 5:46 PM UTC
Knipoog keuses
Shaving a matchstick.(pointless) The future is set at thirty seven degrees and this I have read in the lees left in the mug, so jug me a hare Doris while Boris brings forth a new Frankenstein let's eat,drink and ****** what's left our our time here,switch all the lights on and let us drink wine dear. Tomorrow we'll **** Jack and Jill and wipe out those **** tales we were told,like new lamps for old and rainbows with gold at the end, bend into the bar dear and fill me a jar dear,tonight I do not want to think,let me sink into the pit where the corners are lit with the lights from the eyes that I see,Each degree takes me one way to another day filled with death and each wish that I wished for lays here on the damp floor covered in sweat. We get what we wish for and sometimes we get more and others don't wish at all, and all roads don't go to Rome some vanish in the distance between the here and the getting,roads like lost wishes lay sweating on the floor. so jug me a hare Doris,I'll go and call Boris,Frankenstein's coming for tea I want him to see that there's **** all here for me, just one more degree on the scale.
0
Mar 2, 2014
Mar 2, 2014 at 2:09 AM UTC
Shaving a matchstick.(pointless)
Come Down by Michael R. Burch for Harold Bloom and the Ivory Towerists Come down, O, come down from your high mountain tower. How coldly the wind blows, how late this chill hour ... and I cannot wait for a meteor shower to show you the time must be now, or not ever. Come down, O, come down from the high mountain heather blown to the lees as fierce northern gales sever. Come down, or your heart will grow cold as the weather when winter devours and spring returns never. NOTE: I dedicated this poem to Harold Bloom after reading his introduction to the Best American Poetry anthology he edited. Bloom seemed intent on claiming poetry as the province of the uber-reader (i.e., himself), but I remember reading poems by Blake, Burns, cummings, Dickinson, Frost, Housman, Eliot, Pound, Shakespeare, Whitman, Yeats, et al, and grokking them as a boy, without any “advanced” instruction from anyone. Keywords/Tags: Harold Bloom, literary, critic, criticism, elitist, elitism, ivory, tower, heights, mountain, winter, cold, frigid Rant: The Elite by Michael R. Burch When I heard Harold Bloom unsurprisingly say: Poetry is necessarily difficult. It is our elitist art ... I felt a small suspicious thrill. After all, sweetheart, isn’t this who we are? Aren’t we obviously better, and certainly fairer and taller, than they are? Though once I found Ezra Pound perhaps a smidgen too profound, perhaps a bit over-fond of Benito and the advantages of fascism to be taken ad finem, like high tea with a pure white spot of intellectualism and an artificial sweetener, calorie-free. I know! I know! Politics has nothing to do with art And it tempts us so to be elite, to stand apart ... but somehow the word just doesn’t ring true, echoing effetely away—the distance from me to you. Of course, politics has nothing to do with art, but sometimes art has everything to do with becoming elite, with climbing the cultural ladder, with being able to meet someone more Exalted than you, who can demonstrate how to **** so that everyone below claims one’s odor is sweet. You had to be there! We were falling apart with gratitude! We saw him! We wept at his feet! Though someone will always be far, far above you, clouding your air, gazing down at you with a look of wondering despair.
0
Mar 30, 2020
Mar 30, 2020 at 12:44 AM UTC
Come Down
Come Down by Michael R. Burch for Harold Bloom and the Ivory Towerists Come down, O, come down from your high mountain tower. How coldly the wind blows, how late this chill hour ... and I cannot wait for a meteor shower to show you the time must be now, or not ever. Come down, O, come down from the high mountain heather blown to the lees as fierce northern gales sever. Come down, or your heart will grow cold as the weather when winter devours and spring returns never. NOTE: I dedicated this poem to Harold Bloom after reading his introduction to the Best American Poetry anthology he edited. Bloom seemed intent on claiming poetry as the province of the uber-reader (i.e., himself), but I remember reading poems by Blake, Burns, cummings, Dickinson, Frost, Housman, Eliot, Pound, Shakespeare, Whitman, Yeats, et al, and grokking them as a boy, without any “advanced” instruction from anyone. Keywords/Tags: Harold Bloom, literary, critic, criticism, elitist, elitism, ivory, tower, heights, mountain, winter, cold, frigid Rant: The Elite by Michael R. Burch When I heard Harold Bloom unsurprisingly say: Poetry is necessarily difficult. It is our elitist art ... I felt a small suspicious thrill. After all, sweetheart, isn’t this who we are? Aren’t we obviously better, and certainly fairer and taller, than they are? Though once I found Ezra Pound perhaps a smidgen too profound, perhaps a bit over-fond of Benito and the advantages of fascism to be taken ad finem, like high tea with a pure white spot of intellectualism and an artificial sweetener, calorie-free. I know! I know! Politics has nothing to do with art And it tempts us so to be elite, to stand apart ... but somehow the word just doesn’t ring true, echoing effetely away—the distance from me to you. Of course, politics has nothing to do with art, but sometimes art has everything to do with becoming elite, with climbing the cultural ladder, with being able to meet someone more Exalted than you, who can demonstrate how to **** so that everyone below claims one’s odor is sweet. You had to be there! We were falling apart with gratitude! We saw him! We wept at his feet! Though someone will always be far, far above you, clouding your air, gazing down at you with a look of wondering despair.
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47
Ek druk my hart onder die kussing en tel tot tien... Honderd... Duisend... Maar dit bly ritmies klop Onder my koue palms Ek berê my asem in die verlede Waar dit vermoedelik buite jou bereik was ...maar ek het jou vermoeëns onderskat En nou krioel my binneste met jou teenwoordigheid Ek gooi my blik na die vloeibare goud van die Vrystaatse vlaktes , maar jy het my reeds in jou fissier vasgeknoop En nou openbaar ek my psalms vir die wereld om te lees , maar hoop jy verstaan... Ek hoop jy verstaan
0
May 5, 2014
May 5, 2014 at 5:56 PM UTC
Lipbyt liedjie
I fall upon the thorns of life I bleed, But, I never was as strong as he Nor did I drink life to the lees I am happy to have my wife by my side, The child playing with me And see the baby smile. But, alas cruel fate! I have no kingdom to bequeath, Nor any spark to ignite new minds. No intended harm,nor malice, No quest for success, only peace. Destiny please don't test me, I am tired and spent, Just let me go gently into the good night. I
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May 26, 2016
May 26, 2016 at 9:34 PM UTC
let me go gently into the good night
Me, up on the snow-rock white glacial cliff hedges mountaineering my way in the moments-after-twilight-sweeping-black. Execrable cold, a death-making quiet, Not a seal, not a hare - this Earth of gelid death. I climbed out above the snow Where my expiration left sinuous brandings in the copper light. But the Weddell was siphoning the darkness to the katabatic deep valleys - piceous lees of the brightening umber - cleaving the moon in two like the split eye of a winter lynx. And I saw the penguins: Little specks of black in the limitless white - fifty together - obelisk-still. Their inaudible coo, they sat motionless, nearly mute, With creamsicle feet and amber-eyes, incomparably mum. I proceeded: not one chirped or swiveled its little fur cap. Black silent fragments of a black silent world. I hearkened in the barrens of the desiccate plains. While the wooly bears came from the sea to see of the silence. Slowly edges oozed out of the darkness. Then the moon ivory, porcelain, azure erupted Quietly, and halving to its heart and shot mist, shaking and the ocean opened, crying blue, And the giant mountains lunged-. I stopped Scrambling, as if up from my voice at the mouth of a nightmare, down towards the snow-rock, from their glacial sheaths, And came the penguins. There stood they, still-, silent, in the river of blue light: Creamsicle feet and amber-eyed Thwacking the ice in a grand fête While everywhere was gray and rimy. And still they did not speak above a breath, Not one squeeked or cawed, Their nestled shining beaks dug into the polar rim, Low into the valleys, in the blue shimmering rays - In throngs of the congested cities, living among the years, the faces, May I some day greet my memory in such solemn a world Into the estuaries and the azure-skies, curious wooly bears, Listening as the ice tholes.
0
Apr 11, 2017
Apr 11, 2017 at 4:40 AM UTC
Penguins
Me, up on the snow-rock white glacial cliff hedges mountaineering my way in the moments-after-twilight-sweeping-black. Execrable cold, a death-making quiet, Not a seal, not a hare - this Earth of gelid death. I climbed out above the snow Where my expiration left sinuous brandings in the copper light. But the Weddell was siphoning the darkness to the katabatic deep valleys - piceous lees of the brightening umber - cleaving the moon in two like the split eye of a winter lynx. And I saw the penguins: Little specks of black in the limitless white - fifty together - obelisk-still. Their inaudible coo, they sat motionless, nearly mute, With creamsicle feet and amber-eyes, incomparably mum. I proceeded: not one chirped or swiveled its little fur cap. Black silent fragments of a black silent world. I hearkened in the barrens of the desiccate plains. While the wooly bears came from the sea to see of the silence. Slowly edges oozed out of the darkness. Then the moon ivory, porcelain, azure erupted Quietly, and halving to its heart and shot mist, shaking and the ocean opened, crying blue, And the giant mountains lunged-. I stopped Scrambling, as if up from my voice at the mouth of a nightmare, down towards the snow-rock, from their glacial sheaths, And came the penguins. There stood they, still-, silent, in the river of blue light: Creamsicle feet and amber-eyed Thwacking the ice in a grand fête While everywhere was gray and rimy. And still they did not speak above a breath, Not one squeeked or cawed, Their nestled shining beaks dug into the polar rim, Low into the valleys, in the blue shimmering rays - In throngs of the congested cities, living among the years, the faces, May I some day greet my memory in such solemn a world Into the estuaries and the azure-skies, curious wooly bears, Listening as the ice tholes.
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1
The red maple tree was a chord you set down planted at the edge of the lawn when I was born you said it was for the butterfly catcher who will grow up to gather up the cosmos I disappointed by staying low, a shrub no taller than your irises Your granddaughter inherited your songs instead understands tempo that shapeless country of time signatures that counts ideas in seeds She rambles across sheet music turns that scattering into the glitter of song You've crossed the bridge of night now you are lost in the stars, You add to the Milky Way your off-beat insights still singing poetry with Kurt Weil, Lenya, and Lees your words traveling through the heavens with Mackie Messer who knifes the mysteries You give it all verse counting inspiration in the deep your genius out there where the moon's white mask appears on stage each night with requiems and prayers giving stage directions to the earth below.
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Oct 9, 2017
Oct 9, 2017 at 1:38 AM UTC
Kurt Weill for My Father on Father’s Day
Wandering snowflakes seagulls flying inland pollen blown from birches light caught on the evergreen leaves the houses over the lees light under the clouds foam patterns on the oceans waves or in the rivers catching twigs the bubbles at the edge the surface of the lakes serene when lying still the cobblestones in frost and snow the stripes in woods of trees the bleached driftwood on the shores the shells that oscillate in eddies the heavens in the mist all the whites where colour unites as one over the moon and under the sun Margaret Ann Waddicor 28th April 2016
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Apr 28, 2016
Apr 28, 2016 at 1:51 PM UTC
White
Ek druk my hart onder die kussing en tel tot tien... Honderd... Duisend... Maar dit bly ritmies klop Onder my koue palms Ek berê my asem in die verlede Waar dit vermoedelik buite jou bereik was ...maar ek het jou vermoeëns onderskat En nou krioel my binneste met jou teenwoordigheid Ek gooi my blik na die vloeibare goud van die Vrystaatse vlaktes , maar jy het my reeds in jou fissier vasgeknoop En nou openbaar ek my psalms vir die wereld om te lees , maar hoop jy verstaan... Ek hoop jy verstaan
0
Apr 4, 2014
Apr 4, 2014 at 2:12 PM UTC
Projeksie teen die spieël