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"foucault" poems
Once I looked to the Bard for words profound; ageless, his wisdom ran unabated. Yet Hamlet is now ideologically unsound, “the slings and arrows” historically Iocated. I wept for the creature of Frankenstein, spurned by his master, forced to roam the Earth. But I’d been subjectively positioned in a paradigm by Mary’s anxiety about childbirth. I read Balzac, Hardy and Henry James describing “worlds” which seemed quite sensible. Now Eagleton’s exposed their bourgeois games I find them morally reprehensible. I dreamt of being Robinson Crusoe or proud, fierce Hawkeye in his buckskins dressed, but Fenimore and Defoe have to go, they’re culturally encoded and empirically obsessed. Inspired by Guinness, did James Joyce sit down to see what magic flowed when he was ****** The stream of Ulysses floats Bloom-about-town dreamthinkingnever : “I’mamodernist”. I’d gladly give Woolf a Room of Her Own and be one of the boys with Hemingway, but sensitive guys leave their bulls alone say de Beauvoir and Luce Irigaray. No more fun with Wordsworth being daffodilly, no simple pleasure reading Mickey Mouse; Steamboat Willie can’t help but look silly dissected by Foucault and Levi-Strauss. The Bible shows intertextuality says the two Jacques, Lacan and Derrida. Judas, a construct of bisexuality? The **** fixations of Herod are? It’s got so bad I deconstruct a holiday brochure. I can’t even **** without Roland Barthes and Ferdinand de Saussure.
0
Feb 25, 2015
Feb 25, 2015 at 12:06 AM UTC
LAMENT FOR LOST LITERARY COMFORT
And it comes with some pain the the bullies from our childhood were a result of social Darwinism, at least in the sense of the state, where capitalism reigns and the most ruthless and powerful win all the freedom. Us cowards were too scared of violence to do anything about it. The teachers barred us from bullying, and with emotion they punished bullies, when they could be caught. Punish the bullies so they will develop the slavish obedience not to harm their peers, so in the future they will merely quietly compete up the ladder and sigh at the impossibility of their ladder extending past their bully bosses. If you want to have real freedom and fortune in this life, I hope you never stopped being a bullying child. I, like most children, bought the obedience and swallowed it like morning pills. In rows I sat, I pledged to red white and blue, and while the bullies slapped our heads, we kept our retaliation to unified grumbling, yet in a school there is no strength in numbers, besides the strength of harmonizing our slavish sighs. It’s just like at work under our bully bosses. The strength of the individual is denied in a school, so we can work like a cog, working hard at our shape to fit best into the machine. The bully notices the competition early on and acts hard, swift, and originally. For this is how wars are won. But us slaves have our way of converting the bully, we have numbers on our side, yet little strength. Out of weakness we tell the bully that they are an ill shaped cog, and they will never be able to help the machine if they keep their powerful aggression. Conversion to slaves may occur, or a half convert is created who is too deluded with their new illness, so they can do little physical harm to anyone anymore. And all without a drop of blood. We go to work secretly competing with each other, in order to buy the system’s validity at the end of the week. And we rip each other‘s teeth out in our dreams
0
Dec 14, 2013
Dec 14, 2013 at 11:39 PM UTC
Foucault's Expensive Forceps
And it comes with some pain the the bullies from our childhood were a result of social Darwinism, at least in the sense of the state, where capitalism reigns and the most ruthless and powerful win all the freedom. Us cowards were too scared of violence to do anything about it. The teachers barred us from bullying, and with emotion they punished bullies, when they could be caught. Punish the bullies so they will develop the slavish obedience not to harm their peers, so in the future they will merely quietly compete up the ladder and sigh at the impossibility of their ladder extending past their bully bosses. If you want to have real freedom and fortune in this life, I hope you never stopped being a bullying child. I, like most children, bought the obedience and swallowed it like morning pills. In rows I sat, I pledged to red white and blue, and while the bullies slapped our heads, we kept our retaliation to unified grumbling, yet in a school there is no strength in numbers, besides the strength of harmonizing our slavish sighs. It’s just like at work under our bully bosses. The strength of the individual is denied in a school, so we can work like a cog, working hard at our shape to fit best into the machine. The bully notices the competition early on and acts hard, swift, and originally. For this is how wars are won. But us slaves have our way of converting the bully, we have numbers on our side, yet little strength. Out of weakness we tell the bully that they are an ill shaped cog, and they will never be able to help the machine if they keep their powerful aggression. Conversion to slaves may occur, or a half convert is created who is too deluded with their new illness, so they can do little physical harm to anyone anymore. And all without a drop of blood. We go to work secretly competing with each other, in order to buy the system’s validity at the end of the week. And we rip each other‘s teeth out in our dreams
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5
i. you will miss him in drizzles and monsoons, in swells and tsunamis. you will listen to his favorite song for hours; it will hit you every unexpected moment. it will hurt, stab, ache, and you will suppress constant screams with strained lips. ii. you will collect everything he gave to you and wonder if it is dimensionally real. you will sleep in his shirts, retaste saltwater kisses, and reread conversations as if there's something you missed the previous thirty times. absence does not make the heart grow fonder; it rips it apart and you cannot stitch the ragged halves with no thread. iii. you will feel his touch presently in everything you do. it will be soft and cruelly comforting. it will constantly and inescapably linger. it will haunt you in early rainy mornings and dark lonely evenings. iv. you will read endless musings on love and philosophy. you will entirely understand foucault's prison. you will live in steinbeck's tide pools and stars, and relate to simon bolivar trapped in his labyrinth. you will wonder why everything is like this, ugly and broken (and also if you are becoming delusional). v. you will drink tea that scalds your tongue and stand outside on freezing nights, numb and overfeeling at the same time. you will ask the silent moon a thousand questions. you will see him and blink, head swimming, heart pounding in surges. the stars will wink and the wind will mock you. vi. you will have blissful afternoons you forget and sorrowful nights you remember. it will still consume you in bouts, devour you in spells. nighttime will become both your enemy and remedy: it will wickedly remind you, yet help you heal. vii. you will try and fail to make sense of him (and the universe in general). you will grapple with reality and yourself. perhaps you will never know why he stopped loving you: you will keep wondering how some things can just be left broken. iix. slowly, slowly, you will sprout on your own; you will be tender and nearly whole. most importantly, you will realize his love brought you an entirely different kind of happiness. ix. you will stop worrying and trying to piece together an empty puzzle. even the deepest scars find their way of fading. your mom was right: stop picking at the scab and your wound will heal. x. you will learn to love yourself in ways he never could have loved you.
0
Mar 6, 2016
Mar 6, 2016 at 2:35 AM UTC
things a broken heart taught me
i. you will miss him in drizzles and monsoons, in swells and tsunamis. you will listen to his favorite song for hours; it will hit you every unexpected moment. it will hurt, stab, ache, and you will suppress constant screams with strained lips. ii. you will collect everything he gave to you and wonder if it is dimensionally real. you will sleep in his shirts, retaste saltwater kisses, and reread conversations as if there's something you missed the previous thirty times. absence does not make the heart grow fonder; it rips it apart and you cannot stitch the ragged halves with no thread. iii. you will feel his touch presently in everything you do. it will be soft and cruelly comforting. it will constantly and inescapably linger. it will haunt you in early rainy mornings and dark lonely evenings. iv. you will read endless musings on love and philosophy. you will entirely understand foucault's prison. you will live in steinbeck's tide pools and stars, and relate to simon bolivar trapped in his labyrinth. you will wonder why everything is like this, ugly and broken (and also if you are becoming delusional). v. you will drink tea that scalds your tongue and stand outside on freezing nights, numb and overfeeling at the same time. you will ask the silent moon a thousand questions. you will see him and blink, head swimming, heart pounding in surges. the stars will wink and the wind will mock you. vi. you will have blissful afternoons you forget and sorrowful nights you remember. it will still consume you in bouts, devour you in spells. nighttime will become both your enemy and remedy: it will wickedly remind you, yet help you heal. vii. you will try and fail to make sense of him (and the universe in general). you will grapple with reality and yourself. perhaps you will never know why he stopped loving you: you will keep wondering how some things can just be left broken. iix. slowly, slowly, you will sprout on your own; you will be tender and nearly whole. most importantly, you will realize his love brought you an entirely different kind of happiness. ix. you will stop worrying and trying to piece together an empty puzzle. even the deepest scars find their way of fading. your mom was right: stop picking at the scab and your wound will heal. x. you will learn to love yourself in ways he never could have loved you.
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10
Dark bat, would I were curious as thou art- Like a tea-tray twinkling at night, And lying with eternal wings apart Til morning when you end your flight, And spend the day at your raven-like desk Chanting incantations old and obscure With lyrics obscene and Kafkaesque Quoting first Foucault, then Sassure - No-yet still puzzling, still remarkable A black beacon amid shades of grey - Elusive, and in pursuit quite snark-able. To you I am drawn as a ****** to **** I’ll be your muse and you’ll be my death.
0
Mar 30, 2015
Mar 30, 2015 at 7:07 PM UTC
Dark Bat (pastiche of Bright Star)
they say god is perfect. that holds true for me, too. no concept contains me in totality. Stirner wrestled with the undefinable: an indefatigable Unique, anarchic, lacking category. Camus perhaps said it best, "i rebel, therefore i exist." i strive to personify resistance. i find the answers in harmony with Counterparts, defining *The Difference Between Hell and Home*: "i am what i am and i am an outcast." an outlaw, a nobody akin to Nietzsche, returning infinitely— stretched like so many grains of sand on time's flat surface, orbiting eternally around the creative Nothing at half-past 3:00 in the morning. a singularity, deconstructing Derrida's Différance. a nomad on the margins, wandering aimlessly, roaming perpetually with Deleuze and Foucault, an astronaut arranged along the endless frontiers of an ever-expanding cosmos. Vonnegut recognized the periphery affords a radical view to the few who choose to embrace that which cannot be Known. a zero-sum game between Death and me, staving off manic-depressive ennui if only momentarily.
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Dec 19, 2016
Dec 19, 2016 at 2:55 AM UTC
outlaw
1. thar once was a big tree grew high in the middle of the field it sheltered from rain; became fine-home to blue-birds till the cutting-folk came and slew it.. down. 2. enver was a man who had great luck at the table this gent won a ton of coins hands-down which attracted the rabble from all round so this pore-man from denver lost it once again.. 3. gently rowing splendid along the fyne shore to reach make sure ye have two oars! 4. peter was a pyper, had a girl named jessie hardly went to market when the livestock all got tired he played a tune, all lively-like.. they all got up to dance! 5. jolly molly had a dolly, that she called polly they went by train to Swiss-towne, Bern to order two cups of strawb-lolly but once there, they broke stride and ordered two hot-chox. 6. there once lived a physicist who brought earth-pendulum to life Léon Foucault was he named and born unto this day born in 1819 in gay-Paree and died in 1868 he set about wide-views of rotation right upon its head! S T - 18 septemba
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Sep 18, 2013
Sep 18, 2013 at 1:59 AM UTC
dimmereeqs
I think about time I've spent moments in my life watching ****** movies eating bad food working dead end job after dead end job staring at the blank wall listening to ticking clocks cheerfully counting down my demise long walks I'd take at dusk down the trails by the river pretending I enjoy running because the pounding of my heart in my head made me feel alive I'd think about life and death and whether god exists and whether love exists about *** philosophy, infinities the hours I have spent writing poetry and nonfiction displaying myself for scrutiny painting canvas that I hate to make myself feel something to hope it reaches someone reading Nietzche and Foucault as if my existence could matter but along the way I found myself and maybe all of these moments have led up to something consequential and meaningful every moment is part of my journey every experience is part of becoming every hour has lead me to you so not a single second of my life has ever been wasted
0
Sep 12, 2018
Sep 12, 2018 at 5:40 PM UTC
Wasted
Unbeknowst to all, The tree of life has three stages. Trunk. Branch. Oil. Terrence Malick knew this. Dinosaurs our oil. Ten sephira. One oil. It is my burden of dreams, I shall prevail through the pongo del muerto. Foucault's pendulum spilling sand. Spilling oil. Scaoil. Release. Urchar. Sraith pictiúr a ceathar. Airborne toxic event. Seepage Daniel. Seepage. Put Oil.
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Jul 10, 2015
Jul 10, 2015 at 7:15 PM UTC
Put Oil.
paranoid automatons surveying themselves within de-civilizing panopticons; a missing guard in a rich light tower watching you watch yourself
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Apr 22, 2013
Apr 22, 2013 at 10:19 PM UTC
foucault's bentham's maillardet
Like...it feels like whole world and the, you know, uh...all the smily candy teeth and stoned-out-of-their-mind ******* with their lip service to some techno-God of...what? Acceptance and power dynamics, or empowerment  or whatever... It's like they're out there building these monoliths to themselves...like, mirrors made out of diamonds that's all positivity and critical theories and **** even Heidegger or Nietzsche thrown in there, Foucault, Lorde sometimes, a lot of other names, too...so much to remember when you wade into the world of identity, right? But it's also so sugary that I get a headache, like, when I see the steel roots that they're...repurposing? I keep tripping over them and stuff, I dunno. Queer's a word I hear mostly coming out of only my own mouth, maybe the walls...if wall's could talk, right?...and that really tells me a lot, I guess? About what it means to be a *** but like, not really? And how I'm totally not trans? I mean I'm still BASICALLY a boy, right? Like shouldn't I be like, calling myself a girl if I'm not a boy, etc.? The stony monuments to Liberation...they're using the big L right?...tell me so. I'm so close but still not good enough, or something like that. The binaries are there for a reason, etc. Not even that. Just a quiet, like...exclusion? Joke? What I wouldn't give to be a fully-fledged ****** or a true ****** y'know?...card-carrying member of the conference, where I can actually cry and my voice comes out in something other than a croak and people look at my tears and hear my words and say, Yes, that's real and that's okay? Whatever though. I'm probably wrong anyway, right? I'm just half-baked, or not exactly full, or...what's the word?
0
May 7, 2015
May 7, 2015 at 10:05 PM UTC
In the Land of the Half-Baked Trannies
Like...it feels like whole world and the, you know, uh...all the smily candy teeth and stoned-out-of-their-mind ******* with their lip service to some techno-God of...what? Acceptance and power dynamics, or empowerment  or whatever... It's like they're out there building these monoliths to themselves...like, mirrors made out of diamonds that's all positivity and critical theories and **** even Heidegger or Nietzsche thrown in there, Foucault, Lorde sometimes, a lot of other names, too...so much to remember when you wade into the world of identity, right? But it's also so sugary that I get a headache, like, when I see the steel roots that they're...repurposing? I keep tripping over them and stuff, I dunno. Queer's a word I hear mostly coming out of only my own mouth, maybe the walls...if wall's could talk, right?...and that really tells me a lot, I guess? About what it means to be a *** but like, not really? And how I'm totally not trans? I mean I'm still BASICALLY a boy, right? Like shouldn't I be like, calling myself a girl if I'm not a boy, etc.? The stony monuments to Liberation...they're using the big L right?...tell me so. I'm so close but still not good enough, or something like that. The binaries are there for a reason, etc. Not even that. Just a quiet, like...exclusion? Joke? What I wouldn't give to be a fully-fledged ****** or a true ****** y'know?...card-carrying member of the conference, where I can actually cry and my voice comes out in something other than a croak and people look at my tears and hear my words and say, Yes, that's real and that's okay? Whatever though. I'm probably wrong anyway, right? I'm just half-baked, or not exactly full, or...what's the word?
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3
Tick tock went the clock, echoing through monastery halls, synchronizing the actions of men, building up modernity’s walls. Creatively destructive, eternal yet fleeting, modernity was paradoxical, according to the Harvey reading. Art had expanded, abstraction arises, and Sigmund loves his mom, more than anyone realizes. Our friends the id, the ego and its super, tell us who we are, Freud has the world in a stupor. A catch-22 for dear Pablo, who will sleep with a **** but is terrified of syphilis, as is seen in his art. There was power and truth, and Foucault says we’re repressive, but suddenly things change, Postmodernity becomes quite impressive. PoMo cares not for beauty, or what pleases the public eye. It’s style for style’s sake, in the buildings stretching toward the sky. Uma dances with John, a young boy finds a severed ear, Joaquin loves his OS, PoMo film is, well, Queer. Yuppies love pastiche, their lofts were once a workplace, they’ve coated them with chrome, they’ve gentrified the space. Unlimited breadsticks have soiled the very Italian name, Baudrillard says it’s simulacrum, there is no truth, it’s all the same. We traipse through this postmodern world, not knowing postmodernity is where we are. We wear workboots to fashion shows, we worship that reality star. We think we’re special snowflakes, and skinny jeans make us cool, and media exposure’s made us cynics, quite impossible to fool. What we don’t realize is that we are not our own, we are pseudo individuals, through PoMo we have grown.
0
May 31, 2016
May 31, 2016 at 11:09 PM UTC
Postmonerdity
Tick tock went the clock, echoing through monastery halls, synchronizing the actions of men, building up modernity’s walls. Creatively destructive, eternal yet fleeting, modernity was paradoxical, according to the Harvey reading. Art had expanded, abstraction arises, and Sigmund loves his mom, more than anyone realizes. Our friends the id, the ego and its super, tell us who we are, Freud has the world in a stupor. A catch-22 for dear Pablo, who will sleep with a **** but is terrified of syphilis, as is seen in his art. There was power and truth, and Foucault says we’re repressive, but suddenly things change, Postmodernity becomes quite impressive. PoMo cares not for beauty, or what pleases the public eye. It’s style for style’s sake, in the buildings stretching toward the sky. Uma dances with John, a young boy finds a severed ear, Joaquin loves his OS, PoMo film is, well, Queer. Yuppies love pastiche, their lofts were once a workplace, they’ve coated them with chrome, they’ve gentrified the space. Unlimited breadsticks have soiled the very Italian name, Baudrillard says it’s simulacrum, there is no truth, it’s all the same. We traipse through this postmodern world, not knowing postmodernity is where we are. We wear workboots to fashion shows, we worship that reality star. We think we’re special snowflakes, and skinny jeans make us cool, and media exposure’s made us cynics, quite impossible to fool. What we don’t realize is that we are not our own, we are pseudo individuals, through PoMo we have grown.
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57
what can tortured lonely creator do to break free? To get rid of all his oppressors and get into  equanimity the answer is single: to write, sculpt or paint! but what is when he is droven mad? Michel Foucault said that nobody yet have created something by staying in madness.. what else? Write letters,letters, letters, untill you see how superficial or ****** up are your addressees? It will end in loony bin where psychiatric terror make from him a aboulic lamb he remain being broken forever untill this magic moment if he will be so lucky to meet a friend such real friend who gift him understanding understanding is only salvation understanding is only solution understanding is only freedom
0
Dec 15, 2013
Dec 15, 2013 at 1:58 PM UTC
tortured creator
Into our rooms, we scurry into the comforts of chairs we can spin on, screens we stare at for hours; there is so much we have condensed into the slight rhythmic movement of the wrist. Only twenty years old and where have I come to, on a desk with a jar of money beside Derrida (with a cartoon where Plato instructs Socrates) and the tattered pages of Foucault, madness and civilisation - those sick lepers ride a boat, which reminds me: the Leith overflowed today, gushing rushing into the harbour. I looked out the window, imagining it was Styx and the ferryman had come to get me. There is so much artistry to it all, sometimes it overwhelms me and I stutter and remain silent for days; the swirling air encloses around; leafs tear, wind flurries, shuffling shoes shuffle shoefully marbles that drop down stairs knock knock tick tock, tick tock old Clock tower ding **** ding, these clocks, Burns, don’t you get sick of them? it is now time to begin the lecture. Open the rows for late students. I am definitely going to be late today. Look, someone has inscribed “you are the yellow bird I have been waiting for” I feel great Can we write our stories with passion today? Can we speak to each other properly today? Can we see the sky rupture today? It’ll be like walking the beach at night at sunset. Oh, god when will I ever Forgive me, forgive me, I was distracted for a second there with Lear’s fool who implores “Give me an egg and I’ll give thee two crowns” and the funny looking cat that stares at me through the bathroom window.
0
Apr 17, 2013
Apr 17, 2013 at 1:37 AM UTC
Untitled
Into our rooms, we scurry into the comforts of chairs we can spin on, screens we stare at for hours; there is so much we have condensed into the slight rhythmic movement of the wrist. Only twenty years old and where have I come to, on a desk with a jar of money beside Derrida (with a cartoon where Plato instructs Socrates) and the tattered pages of Foucault, madness and civilisation - those sick lepers ride a boat, which reminds me: the Leith overflowed today, gushing rushing into the harbour. I looked out the window, imagining it was Styx and the ferryman had come to get me. There is so much artistry to it all, sometimes it overwhelms me and I stutter and remain silent for days; the swirling air encloses around; leafs tear, wind flurries, shuffling shoes shuffle shoefully marbles that drop down stairs knock knock tick tock, tick tock old Clock tower ding **** ding, these clocks, Burns, don’t you get sick of them? it is now time to begin the lecture. Open the rows for late students. I am definitely going to be late today. Look, someone has inscribed “you are the yellow bird I have been waiting for” I feel great Can we write our stories with passion today? Can we speak to each other properly today? Can we see the sky rupture today? It’ll be like walking the beach at night at sunset. Oh, god when will I ever Forgive me, forgive me, I was distracted for a second there with Lear’s fool who implores “Give me an egg and I’ll give thee two crowns” and the funny looking cat that stares at me through the bathroom window.
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50
If I met her today would I be ready? Would we walk past that fence chain-linked where I first saw her checkerboard shadows on her face? Would we go to the cornfields and play hide-and-go-seek chirping like lab rats? Would she rub her nose against mine and kiss me, feeling my stubble sharp like quills on a hedgehog? Would she hug me at a funeral church bells swaying slowly like a Foucault pendulum? Would I rub her back, listening the river in her voice sighing, "My personal therapy man" Would I whisper of her beauty holding her as I feel her life pulsing like a symphony orchestra? Have I imagined it? Does she even exist? Would we even be possible?
0
Apr 23, 2015
Apr 23, 2015 at 11:16 PM UTC
When I See Her
her yere sızdığından                               - gündüzleri güneşin diktatör olduğu fikri gündüzün diktatörlük           ve gecenin tüm güneşler yeterince uzak olduğundan             demokrasi olduğu fikri SAÇMA      saçma elbette      teoriye uymadığı için değil ya da iktidarın doğasını             ele vermediği için değil      foucault adını veririm değil güneş bildiğimiz güneş olduğundan ve güneş ve güneşi düşünürken -ışığın olmadığı bir anda- ışığın olmadığı bir anda politika düşünme adetinden (bilirsin ontolojik refleks) güneşi - - bir kez de olsa                                - - güneşi politik terimlerle düşünme düşünmüş olma sefaletinden ortadoğu da olsa ortadoğu'da da olsa                                       saçma saçma güneşin umrunda olmaz                   ortadoğu siyaseti güneşlerin umrunda olmaz ortadoğu siyaseti
0
Nov 1, 2017
Nov 1, 2017 at 8:31 PM UTC
(a)politik
We three sat on the stoop on Thursday night eating watermelon. Our Georgian brick building crouched behind us, the front door held open by someone’s flip-flop. The day had been hot, and when it began to rain, the sidewalk steamed with every drop until there were no more drops but the evening’s deafening applause and silver spears of rain shattering themselves on the wet-black street. We piled our melon rinds in mixing bowls and all stood wordlessly to go. We had talked that night as students do; ambling about, trying new things out: Pater, Pound, Benjamin, Foucault. Distracted now and then, we watched a desperate moon clamber gently up an arching oak and jump in the sad, still way that moons so often do. In the silences of our conversation, the locusts stirred their thrum, shrill and urgent, talking one to the other— or one to all— in the noisy communion that is a Virginia night. Nighttime’s business had halted, though, to let the sky be unburdened. In the rain’s roar, our watermelon all but gone and Baudelaire (for the moment) spent, we'd grown unexpectedly silent as if to note something sacred in the night.
0
Oct 20, 2016
Oct 20, 2016 at 12:32 PM UTC
Stoop Sitting
xÀ Maurice de Foucault. Le soleil fut avant les yeux, La terre fut avant les roses, Le chaos avant toutes choses. Ah ! que les éléments sont vieux Sous leurs jeunes métamorphoses ! Toute jeunesse vient des morts : C'est dans une funèbre pâte Que, toujours, sans lenteur ni hâte, Une main pétrit les beaux corps Tandis qu'une autre main les gâte ; Et le fond demeure pareil : Que l'univers s'agite ou dorme, Rien n'altère sa masse énorme ; Ce qui périt, fleur ou soleil, N'en est que la changeante forme. Mais la forme, c'est le printemps : Seule mouvante et seule belle, Il n'est de nouveauté qu'en elle ; C'est par les formes de vingt ans Que rit la matière éternelle ! Ô vous, qui tenez enlacés Les amoureux aux amoureuses, Bras lisses, lèvres savoureuses, Formes divines qui passez, Désirables et douloureuses ! Vous ne laissez qu'un souvenir, Un songe, une impalpable trace ! Si fortement qu'il vous embrasse, L'Amour ne peut vous retenir : Vous émigrez de race en race. Époux des âmes, corps chéris, Vous vous poussez, pareils aux fleuves ; Vos grâces ne sont qu'un jour neuves, Et les âmes sur vos débris Gémissent, immortelles veuves. Mais pourquoi vous donner ces pleurs ? Les tombes, les saisons chagrines, Entassent en vain des ruines Sans briser le moule des fleurs, Des fruits et des jeunes poitrines. Pourquoi vous faire des adieux ? Le même sang change d'artères, Les filles ont les yeux des mères, Et les fils le front des aïeux. Non, vous n'êtes pas éphémères ! Vos modèles sont quelque part, Ô formes que le temps dévore ! Plus pures vous brillez encore Au paradis profond de l'art, Où Platon pense et vous adore !
0
706
La Forme
xÀ Maurice de Foucault. Le soleil fut avant les yeux, La terre fut avant les roses, Le chaos avant toutes choses. Ah ! que les éléments sont vieux Sous leurs jeunes métamorphoses ! Toute jeunesse vient des morts : C'est dans une funèbre pâte Que, toujours, sans lenteur ni hâte, Une main pétrit les beaux corps Tandis qu'une autre main les gâte ; Et le fond demeure pareil : Que l'univers s'agite ou dorme, Rien n'altère sa masse énorme ; Ce qui périt, fleur ou soleil, N'en est que la changeante forme. Mais la forme, c'est le printemps : Seule mouvante et seule belle, Il n'est de nouveauté qu'en elle ; C'est par les formes de vingt ans Que rit la matière éternelle ! Ô vous, qui tenez enlacés Les amoureux aux amoureuses, Bras lisses, lèvres savoureuses, Formes divines qui passez, Désirables et douloureuses ! Vous ne laissez qu'un souvenir, Un songe, une impalpable trace ! Si fortement qu'il vous embrasse, L'Amour ne peut vous retenir : Vous émigrez de race en race. Époux des âmes, corps chéris, Vous vous poussez, pareils aux fleuves ; Vos grâces ne sont qu'un jour neuves, Et les âmes sur vos débris Gémissent, immortelles veuves. Mais pourquoi vous donner ces pleurs ? Les tombes, les saisons chagrines, Entassent en vain des ruines Sans briser le moule des fleurs, Des fruits et des jeunes poitrines. Pourquoi vous faire des adieux ? Le même sang change d'artères, Les filles ont les yeux des mères, Et les fils le front des aïeux. Non, vous n'êtes pas éphémères ! Vos modèles sont quelque part, Ô formes que le temps dévore ! Plus pures vous brillez encore Au paradis profond de l'art, Où Platon pense et vous adore !
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51
A sadness that I implore. It is sweet yet, indignating. Why, you might ask? The truth is … There is no truth once you are God. Everything is true. To the criminal who ***** and killed his daughters To the dying voices of the martyr mothers who protected their family. Foucault says it too. It is true. What is better than truth? That question will end the day we realise that we are all true. Even in the art of lying, there is a truth. There is pukka. There is an inexplicable oneness. It is unappeasable. One has to accept it. Even your murderer has a point.
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May 31, 2016
May 31, 2016 at 3:31 AM UTC
Even your murderer has a point
less than the upsurge of bitter bile yesterday’s failure rides his chariot like blank abyss because what is money for if not love? and what is money for if not emotional connection? and every day spurns a tilt of forgetting why we’re together at all “hey dad i think you treat mom like **** “what are you talking about remember that time she left you at the mall” “i don’t see what that has to do with your own personal conduct” “ask her about it sometime” why would i ever want to be spilt tea across the cloth on a main street in mise en abyme south d “it’s idiots like your mother who are running the world into the ground” my mother is a stay at home wife.
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Aug 8, 2019
Aug 8, 2019 at 8:35 AM UTC
the conduct of conduct is an extremely important idea in Foucault's work.May 15, 2007
after changing my drinking regime i realised i moved to a different planet... it's days are ~36 hours long, they include an entire night and two halves of two days. this poem was to be a brief review of a sample of a book, the melancholic mystifying melancholy as something mysterious, not a noumenon in sight, just the same bland phenomenon on repeat, always in the modern age with urban environments instead of attacking old men who accomplished much, instead attacking youth... it's when he mentioned reading much of Foucault's madness and civilisation, much?! what's much? a lot, most of it... so it doesn't exactly mean all of it, and this is a person studying for an MA (masters in arts)... oh let me tell you, melancholy in youth spreads like an Australian bush fire, in youth depression is actually contagious, a virus of some sort, old farts don't bother each other in the same way, moulding each other... they complain about bad knees, aches and pains and erectile dysfunctions... but it's a sad comedy, it's not exactly a tragedy.. they're laughing with each other: WE MADE IT! youth can't say the same, old age used to contain the virus of depression en masse, it spread naturally, in varying degrees, but depression in youth is like A.I.D.S. or something, talking my old grandfather for long periods at a time i too thought about jumping off the roof... yet this is given the comforts of post-communist retirement whereby he was comfortable. i too read all of Foucault, one picking up **** from a dealer who worked in a hospital and was supplying lean ***** to rich kids doping... book in hand, he was sitting on his sofa playing a computer game, we were both at the same uni, he was there for business reasons studying oriental & african studies... but actually there on business... he saw me with the book and just said: oh man, heavy going, yeah? see... i should write something more on the subject matter, but there's already a bunch of coalminers digging in my conscience whether i start apply self-censorship to the whole debate, accusing myself of the Orwellian thought-crime; the great suppressors of vocabulary, who probably speak fluent regional slang better standard trans-regional English.
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May 29, 2016
May 29, 2016 at 6:16 PM UTC
Planet Mūgagamon̄go
after changing my drinking regime i realised i moved to a different planet... it's days are ~36 hours long, they include an entire night and two halves of two days. this poem was to be a brief review of a sample of a book, the melancholic mystifying melancholy as something mysterious, not a noumenon in sight, just the same bland phenomenon on repeat, always in the modern age with urban environments instead of attacking old men who accomplished much, instead attacking youth... it's when he mentioned reading much of Foucault's madness and civilisation, much?! what's much? a lot, most of it... so it doesn't exactly mean all of it, and this is a person studying for an MA (masters in arts)... oh let me tell you, melancholy in youth spreads like an Australian bush fire, in youth depression is actually contagious, a virus of some sort, old farts don't bother each other in the same way, moulding each other... they complain about bad knees, aches and pains and erectile dysfunctions... but it's a sad comedy, it's not exactly a tragedy.. they're laughing with each other: WE MADE IT! youth can't say the same, old age used to contain the virus of depression en masse, it spread naturally, in varying degrees, but depression in youth is like A.I.D.S. or something, talking my old grandfather for long periods at a time i too thought about jumping off the roof... yet this is given the comforts of post-communist retirement whereby he was comfortable. i too read all of Foucault, one picking up **** from a dealer who worked in a hospital and was supplying lean ***** to rich kids doping... book in hand, he was sitting on his sofa playing a computer game, we were both at the same uni, he was there for business reasons studying oriental & african studies... but actually there on business... he saw me with the book and just said: oh man, heavy going, yeah? see... i should write something more on the subject matter, but there's already a bunch of coalminers digging in my conscience whether i start apply self-censorship to the whole debate, accusing myself of the Orwellian thought-crime; the great suppressors of vocabulary, who probably speak fluent regional slang better standard trans-regional English.
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Under this beaten skin I can see a newer blueprint Waiting for the ashes Waiting some more crashes To wear a new face when it win They say easy come and easy go But I think it can't be real, tho I saw some decent public man in a game show And if karma is a ***** should we stop to vote? I am going away with a new disguise I am warning my friends before someone dies But the purple drank don't let they realize We can't trust anyone behind a ******* tie 'cause they are faking and smuggling 'till the Nobel Prize I see some fake-ass sophists at the morning show Droping mind over mind like a domino They could shave up their ***** to look like Foucault And keep their cynical smile while everyone blows The comedians were our source of truth Now they're offering jokes for a pair of fancy shoes People used to have band shirts, now they have tattoos We were brilliant, now we are just turning screws I am going away with a new disguise I am warning my friends before someone dies But the purple drank don't let they realize We can't trust anyone behind a ******* tie 'cause they are faking and smuggling 'till the Nobel Prize
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Nov 30, 2020
Nov 30, 2020 at 11:20 AM UTC
Nobel Prize
you read faulkner and it turns my stomach. but i like when i find you devouring my books-- i liked the time i found you curled up with my copy of the poisonwood bible and you stuttered apologies for the marked and highlighted pages, for the notes in the margins, as you explained you had become engrossed in the story and forgot it wasn’t your own copy after all. i like when you talk about barthes and foucault and try on literary theory like glasses: horn-rimmed new criticism, nice round reader-response theory. i like when you touch me as if i were the delicate curve of sylvia plath’s bell jar, as if you know that i am at once suffocating under pressure and suffocating myself, as if you know that all i need sometimes is the singing of your fingers on the glass to give me harmony and air. i like when you pick up the poetry collection i bought at the bookstore down the street and translate marina tsvetaeva's verse back to its original tongue. and you never say it in english, but я люблю тебя has crossed your lips, dangerously, before you started teaching me russian, before you found out I knew enough of the language to translate that.
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Jul 29, 2019
Jul 29, 2019 at 12:47 AM UTC
readers
Vicomte de Foucault, lorsque vous empoignâtes L'éloquent Manuel de vos mains auvergnates, Comme l'océan bout quand tressaille l'Etna, Le peuple tout entier s'émut et frissonna ; On vit, sombre lueur, poindre mil huit cent trente L'antique royauté, fière et récalcitrante, Chancela sur son trône, et dans ce noir moment On sentit commencer ce vaste écroulement ; Et ces rois, qu'on punit d'oser toucher un homme, Etaient grands, et mêlés à notre histoire en somme, Ils avaient derrière eux des siècles éblouis, Henri quatre et Coutras, Damiette et saint-Louis. Aujourd'hui, dans Paris, un prince de la pègre, Un pied plat, copiant Faustin, singe d'un nègre, Plus faux qu'Ali pacha, plus cruel que Rosas, Fourre en prison la loi, met la gloire à Mazas, Chasse l'honneur, le droit, les probités punies, Orateurs, généraux, représentants, génies, Les meilleurs serviteurs du siècle et de l'état, Et c'est tout ! et le peuple, après cet attentat, Souffleté mille fois sur ces faces illustres, Va voir de l'Elysée étinceler les lustres, Ne sent rien sur sa joue, et contemple César ! Lui, souverain, il suit en esclave le char ! Il regarde danser dans le Louvre les maîtres, Ces immondes faisant vis-à-vis à ces traîtres, La fraude en grand habit, le meurtre en apparat, Et le ventre Berger près du ventre Murat ! On dit : - vivons ! adieu grandeur, gloire, espérance ! - Comme si, dans ce monde, un peuple appelé France, Alors qu'il n'est plus libre, était encor vivant ! On boit, on mange, on dort, on achète et l'on vend, Et l'on vote, en riant des doubles fonds de l'urne Et pendant ce temps-là, ce gredin taciturne, Ce chacal à sang froid, ce corse hollandais, Etale, front d'airain, son crime sous le dais, Gorge d'or et de vin sa bande scélérate, S'accoude sur la nappe, et cuvant, noir pirate, Son guet-apens français, son guet-apens romain, Mâche son cure-dents taché de sang humain ! Jersey, le 20 mai 1853.
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Vicomte de Foucault
Vicomte de Foucault, lorsque vous empoignâtes L'éloquent Manuel de vos mains auvergnates, Comme l'océan bout quand tressaille l'Etna, Le peuple tout entier s'émut et frissonna ; On vit, sombre lueur, poindre mil huit cent trente L'antique royauté, fière et récalcitrante, Chancela sur son trône, et dans ce noir moment On sentit commencer ce vaste écroulement ; Et ces rois, qu'on punit d'oser toucher un homme, Etaient grands, et mêlés à notre histoire en somme, Ils avaient derrière eux des siècles éblouis, Henri quatre et Coutras, Damiette et saint-Louis. Aujourd'hui, dans Paris, un prince de la pègre, Un pied plat, copiant Faustin, singe d'un nègre, Plus faux qu'Ali pacha, plus cruel que Rosas, Fourre en prison la loi, met la gloire à Mazas, Chasse l'honneur, le droit, les probités punies, Orateurs, généraux, représentants, génies, Les meilleurs serviteurs du siècle et de l'état, Et c'est tout ! et le peuple, après cet attentat, Souffleté mille fois sur ces faces illustres, Va voir de l'Elysée étinceler les lustres, Ne sent rien sur sa joue, et contemple César ! Lui, souverain, il suit en esclave le char ! Il regarde danser dans le Louvre les maîtres, Ces immondes faisant vis-à-vis à ces traîtres, La fraude en grand habit, le meurtre en apparat, Et le ventre Berger près du ventre Murat ! On dit : - vivons ! adieu grandeur, gloire, espérance ! - Comme si, dans ce monde, un peuple appelé France, Alors qu'il n'est plus libre, était encor vivant ! On boit, on mange, on dort, on achète et l'on vend, Et l'on vote, en riant des doubles fonds de l'urne Et pendant ce temps-là, ce gredin taciturne, Ce chacal à sang froid, ce corse hollandais, Etale, front d'airain, son crime sous le dais, Gorge d'or et de vin sa bande scélérate, S'accoude sur la nappe, et cuvant, noir pirate, Son guet-apens français, son guet-apens romain, Mâche son cure-dents taché de sang humain ! Jersey, le 20 mai 1853.
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