Chasey calls them the dead mama blues.
There's sadness, she says, mine has a scent to it;
Despair, a shabby **** who mugs me under my covers
On winter days at dawn,
Catatonia, which only a messy bed,a ****,a bag of Cheetos and a boy can cure,
And then way down from there,
Squatting *** close to the ground,
Smoking Gauloises in the dark,
Live the dead mama blues.

The only cure for the dead mama’s, Chasey explains,
Is a blood rare steak and Etta James greatest hits on vinyl,
Played quiet through the sweet spot of the night,
All the lights off, the dishes done and dry.

Helps if a sister has a slim hip man to dance with, she said,
So if you ain’t runnin’, the grill’s on me.
Come by sober any time after moon rise, Chasey yawned,
Cause this girl could use a shoulder and a polite hand.

And bring your slippers, she said
Easier to shuffle over **** in sheepskin, plus
We might go up on the roof later on
And smoke some of my cubans for a while.

Door will be open, so please don’t ring,
Hell what am I saying, you know the path.
Chasey yawned again, a big one,
Waited a few seconds because there was nothing else to say
And hung up the phone with a sigh.

On horseback, they chase you,
But you are light and you are gaining distance. On horseback, they chase you, and you laugh along with the hoof beats.
Your smile catches sun, and you have never been scared of bullets.

I wanted to remember your smell
Even after we stopped having
Anything to talk about

I wanted to remember how your
Skin shivered, warm and desperate
Even deep into my dreams

There was a day when you rode on my
Handlebars and we moved like
Water through canyons

There was a day when we traced
Each other's shadows as big as
Gallows in the dust

I keep having this dream of the spring of 1887: I go out to bring the cattle in, but they are all dead. Frozen to death. And floating down thawing rivers. I keep having this dream of Bolivia: we are cornered after robbing a payroll and I am glad you are not with us.*

The last thing I remember is your smile catching sun

Dear Etta,

I will stay awake for you.
And as you sleep my prying eyes
Will keep the silence and the stillness.
And when you wake I will take your hand in mine,
We will walk and you will lead.
And, oh, I have seen your chest rise
Again yet again and, oh, I have seen
Your subtle movements before.
But there is one who now knows you better than I,
We had such a short time together
I will not be able to forget and still,
I will stay awake for you.

Etta James, oh the lady could sing.
Sarah Vaughn,when I hear Anita Baker in away it's Sarah.
If you never knew one of the two.
You would swear they was one.

Billy Eckstein, during his time.
Mister B, was smoother then Billy Dee Williams.
And he had away of mastering a song.

Which we saw when David Ruffin came along.
Who was a rival to Sam Cooke?
A master of the coolest romantic hooks.

He might have been a little different.
Except Chuck Berry can't be deny his dues.
Johnny B Goode, is nationally known.

The color country boy in his song could play.
Yes, he had to change the word to suit the segregation days.
But Johnny B was African American in everyway.

Who doesn't believe that when you see Morris Day?
That he owe his style to Cab Calloway.

The role of an African American diva could be trace to Lena Horne.
Or maybe actress Freddi Washington.
Or opera star Marion Anderson.
Who sometimes don't get recognition like they should.
Almost like Dorothy Dandridge doesn't.

Still they played on like Josephine Baker.
Who like George Washington Carver faces hostility and problems?

We still trying to educate people about Charles Drew.
Who fame is traced to the blood floating within you?

Against the greatest of odds.
They adapted and blazed a trail.
Through the roughest of times.
They was determine to be.

Who doesn't know Little Richard?
Who borrowed heavily off of gospel singer Billy Wright?
And soon was creating truth within his lyrics.
Until others came along and water them down.

We know truth still is avoided by them.
Except for the man that sung about a hound.
Which wasn't at all about a dog.
But about a cheating man.
Sung beautifully by Big Mama Thorton.

But then no man plays the guitar better.
Then Marva Collins or Rosetta Throphe.
Yes, these women could play.

Some people will never understand Malcolm X contribution.
Except, he left many that's seen today.
Just notice the way he never revisted the prison in any negative way.

We marched.
We protested.
And some of the best controversial stars comes from the musical side.

For no other side of music can touch the blues with truth.
Well, I guess country do.
But the blues takes many forms.

Could be about leaving.
Could be about loving.
Or that stuff you do in the dark with your love.

It could be the howlin'.
It might be the scoffin'.
It could be the chasin'.
But like many styles of music.
Some knows they was creating babies.

Which leads us to Marvin Gaye and Teddy Pendergrass.
Where the Love TKO and Let's Get It On still is the songs.

It's an African American tradition of the past.
That affects the future too.
For stars of yesterdays.
Are seen in stars of today.

A Legacy.
And we know legacies doesn't fade.

Oh, it's been such a long, long time
Looks like I'd get you off my mind
Oh, but I can't
Just the thought of you
Turns my whole world misty blue

Oh honey, just the mention of your name
Turns the flicker to a flame
Listen to me good, baby
I think of the things we used to do
And my whole world turns misty blue

Ooooh baby, I should forget you
Heaven knows I tried
Baby, when I say that I'm glad we're through
Deep in my heart I know I've lied
I've lied, I've lied

Ooooh honey, it's been such a long, long time
Looks like I'd get you off my mind
But I can't
Just the thought of you, my love
My whole world turns misty blue

Ooooh, Oh, I can't, Oh , I can't
Oh, I can't forget you
My whole world turns misty blue
Ooooh, Oh, my love
My whole world turns misty blue
Baby, baby, baby, baby
Baby, I can't forget you
My whole world turns misty blue

365Nectar #8    Crescent City Blues                      
Tues. Oct 1,2013 10:21 P.M.

In the deepest attic
the thumping blues
paint pastel portraits
of the Crescent City

In burning ripples
words slap strangers
taking refuge in Armstrong Park

Slender, ****, and Shorty
growl muted tones that ravage old bones
whip thru Mid-City
and saunter thru the Garden District
all just practice to sizzle in a wild tap dance in the Quarter

High steppin Indians
march toward God
and defy gravity.

Roaring second line
being led by woman powered Pinettes Brass Band
hold rush hour traffic hostage for days
belting greasy mingling tunes
in the eye of the dusty moon

A pitch black struggle
with the old moon
liberated old souls
entangled in soaked strings
and sobbing fingers

A quintet churns and
challenges the loneliness of pain

Strumming fingers
make out with
humming strings
under a starry blue grey sky

Stomping down long black Oak-lined roads
blowing thru shotgun homes
like winter cold howling
lifting heavy weights
from shoulders
like the sun shifting against bad weather
the blues lady
open the veins
of drunken roses

Lungs full of tears
Irma holla's, cries, and moans remedies
north south east and west of a street called Desire
Oh Etta
At Last

Dim Misty light
cast a heavy shadow
on wiggling spirits
as they cast off pain
Allen Toussaint
in smokeless blaze
tips the night air

Kermit blows
Dusty blues
seducing suffering souls
bounding them to each other in bliss

Whispering around town
in a perfect velvet midnight
sweet exhalations of song birds from corner joints
dance the Ruffin groove

fiery trebles wave at people passing by

Down right ***** blues
muzzles twilight
trombones,tubas, and trumpets
lay harmony
under the harmonious thunder
of the Marsalis Masters
and low down deep
in a musty sleepless corner
is the missing Bass-man..

hung over.

Copyright ©2013  Crescent City Blues

Inspire me. ****** me. Serenade me.
Send to me ******* rhythms and let
the ****** hymns play... And then the songs play as we lay.
Frank Sinatra has us on the road, Irma
Thomas telling us to be ourselves...
Love me like Aretha has never loved a
man, move me like Nina Simone, just
you and I alone. Dinah Washington says I should teach you, Etta James
warning me not to tear your clothes.
Let's play some Sarah Vaughn and
Fontella Bass. Ease me with some Diana
Krall and Dianne Reeves, swing motion
with Chris Boti. Tell me you love me Inside Out as does Shara Nelson. Let's
fall in love to Cassandra Wilson. Let us go the jungle and listen to the
bears sing, the legends of love lore...
Sing and groan; Some Isaac Hayes,
Barry White, Teddy Pendergrass,
Marvin Gaye, James Ingram, Gary
Taylor... Let them play, let them sing. And some love bees; some Betty
Wright, Angela Winbush, Regina Belle,
Sade, Marsha Ambrosius... Tone it
down on a spunky blue with some
Meshell Ndegeocello, Janet Jackson,
Laurnea, a bit of Floetry, some Incognito and Karyn White. Max it up with some Maxwell, Rahsaan,
Ralph Tresvant, Glenn Jones and Tevin
Campelle. Let's jazz it up with some Fourplay,
Brian Culbertson, Quincy Jones, Euge
Groove and Marion Meadows... Lounge
and spice it up with some Prince Alec,
Hed Kandi and Kalliope. Funk it up with some Rick James, Ten
City, Brothers Johnson and Billie
Ocean... Let us ****** and swim in the
love ocean. Making love in a Time Machine,
fading through timeless scenes
listening to stimulating music
searching for a combine that is our
fusion
Biting on some dust and swallowing colour
lush are the strips that are dripping
from the trees of chemistry
dancing to music lively, singing to
blues puzzling
beating to jazz dubbing, responding to ethereal loungy sound
music and our souls will be one
in a time machine, learning
combinations orchestrated through the
ages
We will evolve and be sages Until time linear is more sincere and
eternity for us is here. Let the music play, my bed will be a
time machine, shut never your ears
listen to the music that does play and
wipe them tears
all the drama you've been through all
these years in a second we'll be naked and
climbing stairs
we'll be invited to the kingdom of
Romance and Serindipity
You can be the Queen, I'll be King
Poetry painting neverending pictures surreal
in a world ethereal and the real will dull
feel
and forever you and I will be, if we
journey in the musical time machine.

Cool kid euphoria with our pastel colored pants and our Raybans on is what we all are in the basement of the 50’s house.
Our phones blowing up while we sip whiskey and wine.
Trying to get the attention of the cars on the main road
By handstanding and flashing and cheersing our beers
And we receive our victorious honks.

Guitar clock radio with numbers around the fretboard and Sir Paul smiling and crooked, acid-trippin’ guitarist/violinist/celloist looking product of orange and gold look down upon as our patron saints.
Swingin’ low, Sweet Chariot words stares up at me from the 70’s floral carpet.
Ralph Stanley and Eric Clapton singing solos and duets in my head keep me company as the boys play and figure out key changes.

Painted screen hiding the Etta James microphone stands forgotten in the corner—
As I take in the teals and roses and golds.
Give me a heart shaped box where I can store my love
I fly so high in the world above
I’ll come back down eventually.

Lava lamped water stain engulfs the ceiling. As fingers go up frets
And they go down frets
And they go up frets
And they go down frets.
As you don’t enunciate when you sing.
We all mourn  our fallen brethren, the base of the telecaster with no strings and no head and it weeps silently from its place on the water pipes, hearing his cousins WAAAIIIIILLLLLL.

As Cool kid euphoria is created with our pastel colored pants and our Raybans on in the basement of the 50’s house.

We work all day so we can drink all night
Getting high off the drug that is each other
Chain-smoking Pall Malls like it’s our job
Listening to oldies as we shoot the eight ball in the corner pocket.
Garden tools and Lawn Mower parts as a sweet, creepy décor in the dank basement
As we breathe in mold and dust and cigarette smoke.

We are gloriously young.
So *******.
We still think we can change the world.
Not through politics or through fear or by means of war
But by doing just enough to get by and loving everybody for who they are, even the parts or religions or particular ways of life we don’t like,
Because people aren’t what they do or what they believe
They’re who they are.
We still think we can change the world
And Maybe one day, we will

But for now
We’ll just be here,
In the basement of the 50’s house with our pastel colored pants and our Raybans on.

“I want you to bite my lip until I can no longer speak
And then **** my ex girlfriend’s name out of my mouth just to make sure she never comes up in our conversations.
I’m going to be honest, I’m not really a love poet
In fact, every time I try to write about love my hands cramp… just to show me how painful love can be.
And sometimes my pencils break, just to prove to me that every now and then love takes a little more work than you planned
See I heard that love is blind so, I write all my poems in Braille
And my poems are never actually finished because true love is endless.
I always believed that real love is kind of like a super model before she’s air brushed;
It’s pure and imperfect, just the way that God intended.
See I’m going to be honest, I’m not a love poet
But if I was to wake up tomorrow morning and decide that I really wanted to write about love I swear that my first poem…
It would be about you.
About how I loved you the same way that I learned how to ride a bike: Scared
But reckless with no training wheels or elbow pads so my scars can tell the story of how I fell for you.
You see, I’m not really a love poet
But if I was I’d write about how I see your face in every cloud and your reflection in every window
You see I’ve written like a million poems hoping that somehow maybe someway you’ll jump out of the page and be closer to me
Because if you were here, right now
I would massage your back until your skin sings songs that your lips don’t even know the words to.

Until your heartbeat sounds like my last name and you smile like the Pacific ocean
I want to drink the sunlight in your skin.
If I was a love poet
I’d write about how you have the audacity to be beautiful
Even on days when everything around you is ugly
You see I’d write about your eyelashes and how they are like violin strings that play symphonies every time you blink.

If I was a love poet
I’d write about how I melt in front of you like an ice sculpture
Every time I hear the vibration in your voice so whenever I see your name on the caller ID my heart
It plays hop scotch inside of my chest.
Yo it climbs on to my ribs like monkey bars and I feel like a child all over again.
I know this sounds strange but every now and then I pray that God somehow turns you back into one of my ribs…
Just so that I would never have to spend an entire day without you.

I swear, I’m not a love poet
But if I was to wake up tomorrow morning and decide that I really wanted to write about love
My first poem it would be about you
And after all of that she was like, so how do you feel about me?
And I said, put it like this:
I want to be your ex boyfriend’s stunt man. I want to do everything that he never had the courage to do like… trust you.

I swear that when our lips touch I can taste the next sixty years of my life.
And some days I want to swallow stacks of your pictures just so you can be a part of me for a little bit longer.
If I could I would sample your smile and then I would let my heart beat
Do the bass line, we would create the greatest love song of all time
Whenever, we stand next to each other, love I was the only one made for you and you can be at last my Etta James
I’ll be oh child when you’re in pain or you could be candy coated drops of rain
Even though it never rains in Southern California
And together, we could be music.

And when my friends ask if you’re my girlfriend
I’ll say no.
She is my musician
And me… I’m her favorite song.”


-by Rudy Francisco

Ole Etta
in muse
when her
days within
lays while
she stay
there's in
her throes
if her
predisposition is
when lace
fades lore
she wont
the time
before her
tirade pays
the bar

(For Black History Month 1998)


i have a wish
to be profound...
   to be proud and stronger
   and carry myself like the **** poets on Def Jam
voices of Kenya and kings, emblazoned
with wisdom, respected / permanence
tanned in words of Malcolm & Martin's reign...
   to have passions of Nubian queens
   wear a crown to herald my approach
head held high
   without raising a calloused hand,
   copper polished hearts
A presence that only demands simplistic
of silences in the awe, the inspired
unchallenged in my reverence--an African / American ability
   choreography / invention
   the first to dance, when others fear to
to keep it real and say it loud
my human wishes, strong, profound, proud...
sometimes
   gentille...

i wanna be black...
like King Cobra, a hood to umbrella fright
with venom from just my stereotypical sight
   immobilize and paint caucasians whiter
   to be well endowed yet humbly
complicated,
angry but with proven reasons unrequited,
to be singled out by mere appearance
alone, a Halley Berry poster, child - dealing drugs,
   respected yet in the poetry of chains
   creative even in these multi-colored pains
from a thousand lands of strife
music is sister, artistic is brother life
become ingenious
   saxophones in the moody blues,
   athlete of hurtles, jazz / boxing fights / sang...
gold medals, worthy for full frontal
news...

do i amuse you, with these longings?
think do you - it's a cursed delight?
   but life only
   excels with each challenge: our battles
against ignorance / shame defines
the worth we're given
our lot mostly restricted, our lions tamed
perseveres - tho' weep the dust of our ancients names,
and bleeds these,
our cotton soft truths some mistakes
   and Dolby stereotypes revealed
   re-assigned
now worn like brand new:
a garden painted stronger
roots - and robes of shackles' / thorns
sharp with unlocked prejudices
   brown can do no more (for you sir)
   criminal confidences find the unmoving wave of faith
a prominent jaw-line, obelisk-lips
kiss and smack / wet with loving lengths
it is ... no hurt in these earthen eyes
   evident
   stoic, strength, serenity
mine to dance and sing my apathy instead...
about the history, i wish to dis
yes, re-avow
empty empathies before,
   experience my thousands, marching
   Melato’s at the founding fathers' doors, will show
you how to open house
these ghettos of / our violent villages / of tar & soot
shadow our poor ever the more
our stars shine on
   broadway be our stage / Stomps / in the heart, hopes,
   styles rap / songs to battle racial profiles
racial cops in devil blue,
beating brothas, home video tell our news,
while our rich forget the rest
******* **** in their cribs
re-pimped, yes, ******* new money & *****
   of course, they are the talented ...
   almost gods on Apollo / knock on wood...
the music is still
the song still is
the foot is stampeding
the noise will be loud,

i will be proud
i will be profound
   in this time of redefinition,
i will be strong
(i wanna be black) like Etta James
at last...

Etta James, singing “At Last” behind me now,
lights turned low, ******* of Drambuie on ice
the air carries the aroma of desert roses,
green fern and damp mossy bark; the gift of a posy.

The scent reminds me of the quick light rains
tapping in the afternoon, making love to thirsty
new greens, coaxing them up to reach for more.
My body reacts to the thought, arching up.

Sips of warming golden liquid, the cold ice
a give-and-take of restrained contrast,
until the liquid has all been consumed –
and the ice remains, bearing the spirit upon it.

Contributions to reflections in sensuality,
The ice, captured up quickly from the glass
held in deft fingers, neatly, to paint their
cold upon my lips, sipped within a warm mouth.

The cold, diminished cube, dances on the tongue.
I rise; the glass left behind, and come to you –
Face to face, eye to eye.  The kiss shares the cool
as the ice passes between us, to melt in loves flame.

Eyes close, now drinking in another kiss,
I feel myself surrender to the flame that rises up.
Once more I am arching within your arms,
strong, gentle hands contain me, stoking the fire.

I am released, free to feel all that is within –
to bring it to the surface; without question - to share…
The heady scent of longing fills me, fueling passion
The ice, a forgotten prelude to love’s rendezvous.

Lin Cava ©

I wonder what the inside of your head sounds like.
I don’t care for the look of it, figure
it resembles the inside of my chest when my soul exploded.  Coffee stained walls and lipstick kissed ceilings.  Liquor drenched carpets and frantically ****** fingerprints all over the fogged windows. Yeah,
I know what it looks like.  But what does it sound like?
I want to know if makes the same sound our hearts would make when we’d lay side by side.
Hand in hand.  The way otters sleep, so we’d never float away from each other in our dreams.
Or maybe,
a long pitched scream.
As sweet as a child’s happiness on Christmas morning. Or as terrifying
as a woman under her lovers fist, as he pounds his insecurities into her stomach.
Nobody can see the bruises there.
His ego is intact – their secret is safe.

I bet it smells like laundry detergent.
The generic kind – the one that mimics a summers breeze and a springs bloom.
At least, that’s what the label says.  But there’s no label for the sound.
I need to know what it sounds like.

I need to know if my voice is on repeat in there.
Me saying I love you, on our best days or,
I hate you from our worst; perhaps, a combination of the two.
Is that why you left?  To clear your head of the bittersweet melody of my emotions running amuck.
Were those words pressed against your temporal lobe?  Is that where the temper came from?
I’m sorry.  No,
I’m not sorry; I want it to sound like a sorry.
Whether whispered from the darkest corners of your cranium or
shouted from the top of your brain.  I just hope it sounds like sorry.
For promising me the flowers and teddy bears and county fair rides.
For promising me a love so fierce and so strong.  A love so true and so brave.

And for giving me just that.
Then leaving me to the sounds in my own head,

which sounds like the inside of a jazz club,
by the way.  As Suggie Otis and Miles Davis and Etta James and Nat King Cole and Louis Armstrong croon about a fierce love, a strong love, a true and brave love.
And I can see it as well as I can hear it.
You, front row centre, sipping warm apple cider and holding hands with a woman,
who’ll leave no sound byte in your skull, and me, in the back,
with my voice box in my hands.

Maybe I’m sorry after all.

As the crew cheers on my death
I'm thrown out to sea
While having an achor tied to my feet
Falling into the depths
Losing each breath
As I swallow the sea
Lifelessly closing my eyes
A recurrence
Flash in front of me
Days before sailing away
Another heart beat strikes
To the lovely Paula Etta
She was married with kids
Our lusting last till dusk
Spoiled by the appearance of her husband
Words were hardly any
Violence was preventable
To plead my innocence
Judgement was merciless
Sinking underneath the ocean
As I arrange
A burial of plunder
By fools who discovered me

Cue Etta James: “At laaaaaaaaaaast . . .”
I’ve racked up over 50 followers,
50+ www.hellopoetry.com fans,
Fifty shades from cyberspace,
Dedicated disciples,
Devotees of my work,
An apostolic cadre of
LIKE button true believers.
Time, I think, to start a cult.
Enslave the men.
Fleece their bank accounts & IRAs.
Polygamize their women.
***** their mothers, wives & daughters.
Mix up a little Kool Aid.

Jack: as so many of us yearned to know him,
Still knocking down 90% approval ratings,
50+ years dead: we still approve.
Dallas recognizing the event . . .
Cue Etta James: At laaaaaaaaaaaaast . . .
The City of Big D,
Dallas in the Sixties,
Still wide open,
Still Wild-Wild West Wild,
Still string ties & Stetsons.
Hizzoner/Da Mayer–Now,
Recognizing the venue, at last.
Finally, it was time
To take ownership of the crime scene.
Non-stop memorial coverage,
On CNN and MSN, of course.
Fox, meanwhile,
Doing agribusiness updates;
This year’s Carolina turkey crop &
Wuzzup in the cranberry bogs?

I want you to bite my lip until I can no longer speak. And then **** my ex girlfriend’s name out of my mouth just to make sure she never comes up in our conversations. I’m going to be honest, I’m not really a love poet. In fact, every time I try to write about love my hands cramp… just to show me how painful love can be. And sometimes my pencils break, just to prove to me that every now and then love takes a little more work than you planned.

See I heard that love is blind so, I write all my poems in brail. And my poems are never actually finished because true love is endless. I always believed that real love is kind of like a super model before she’s air brushed; it’s pure and imperfect, just the way that God intended. See I’m going to be honest, I’m not a love poet. But if I was to wake up tomorrow morning and decide that I really wanted to write about love I swear that my first poem… it would be about you.

About how I loved you the same way that I learned how to ride a bike: Scared… but reckless with no training wheels or elbow pads so my scars can tell the story of how I fell for you. You see, I’m not really a love poet. But if I was I’d write about how I see your face in every cloud and your reflection in every window, you see I’ve written like a few poems hoping that somehow maybe someway you’ll jump out of the page and be closer to me because if you were here, right now, I would massage your back until your skin sings songs that your lips don’t even know the words to.

Until your heartbeat sounds like my last name and you smile like the pacific ocean, I want to drink the sunlight in your skin.

If I was a love poet, I’d write about how you have the audacity to be beautiful, even on days when everything around you is ugly you see I’d write about your eyelashes and how they are like violin strings that play symphonies every time you blink. If I was a love poet I’d write about how I melt in front of you like an ice sculpture, every time I hear the vibration in your voice so whenever I see your name on the caller ID my heart, it plays hop scotch inside of my chest. Yo it climbs on to my ribs like monkey bars and I feel like a child all over again. I know this sounds strange but every now and then I pray that God somehow turns you back in to one of my ribs just so that I would never have to spend an entire day without you.

I swear, I’m not a love poet. But if I was to wake up tomorrow morning and decide that I really wanted to write about love, my first poem it would be about you. And after all of that she was like, so how do you feel about me? And I said, put it like this: I want to be your ex boyfriend’s stunt man. I want to do everything that he never had the courage to do like… trust you.

I swear that when our lips touch I can taste the next sixty years of my life. And some days I want to swallow stacks of your pictures just so you can be a part of me for a little bit longer. If I could I would sample your smile and then I would let my heart beat, do the bass line, we would create the greatest love song of all time. Whenever, we stand next to each other, love I was the only one made for you and you can be at last my Etta James. I’ll be oh child when you’re in pain or you could be candy coated drops of rain . And together, we could be music.

And when my friends ask if you’re my girlfriend, I’ll say no. She is my musician. And me… I’m her favorite song

An overcrowded bus;
my elbow touching yours.
Pretty-eyed gem,
I say to myself as you look up to me.

In the background I can hear Etta James singing and teasing--
*At last, my love has come along...

No sleep leaves
Him sleep deprived,
He hides beneath
His drooping eyes,
And comes home to dwell
Within the silence of the night.

Before spreading across the bed,
He places his patched jacket
Above the ground, on a hook,
To hang, suspended for the flipside.
A glance at the clock tells him it’s three,
Plus a quarter turn to the right.

It’s always before dreams, it seems,
That he feels the need to pull
Out pen and paper, to write.
Very soon, he knows,
It will be bright.
And lights will shine in,
To wake him up, again.

Sometimes, though,
He likes to pretend,
That there isn’t an end,
To this nocturne world.

So while he…
His, mind dances along the moon,
With a little more wandering,
His thoughts seem in tune,

To a jazzy
Twilight atmosphere,
And he hears -
The quiet orchestra
Of his thoughts,
Amidst the dark.

For a short time,
He’s moaning with Mingus, absorbing Etta.
At last, his sleep has come along,
As he dips into the Milky Way
Until his thoughts are gone.

It's the night times that are the hardest.
The image of that cute couple in the coffee shop from earlier flickers through my mind.
I look up at the TV for a distraction, only to see a tender embrace, loves first kiss.
I search for the remote on the side of my bed where a body should be,
brush a hand across the cold fabric.
I put on some music.
"And all I could do was cry"
Crying, Etta, is futile.
Each tear hammers down on my hollow emptiness like a drum,
a-lone, a-lone, a-lone.
Alone.
The alarm clock on my bedside table ticks and ticks,
waiting
and waiting,
ticking
and waiting.
What are you waiting for?

Time to go to sleep.

It's two in the morning,
it's always two in the morning
when nothing seems right
and your smile haunts
and lingers in my periphery.

It's two in the morning
and one candle flickers
in the corner of this
dark and hallowed room.
Etta James plays on repeat
and any stranger looking in
might attribute this scene
to something like love.
Maybe it's halfway there,
as he says my name
in between breaths that take
most of my air, and heartbeats
that drum staccato.
Maybe, just for a moment,
as I shut my eyes
and scream into the darkness,
filling the spaces beneath my nails
with the flesh on his chest,
and my whole body is aglow
with inescapable pleasure-
maybe I love him in that
brief reprieve.

It's two in the morning
and I'm rolling onto my side
over sticky white sheets.
He looks at me
as the singular flame
dances and casts shadows
that paint the arch of my hips
against the stucco,
and he tells me
that he loves me,
and I can't figure it out.
Maybe it's because the light
is so forgiving,
softening this look
of bone deep sorrow
and sickening nostalgia
into something like affection.

Or maybe you were always right
when you called me a sociopath
or a shameless narcissist.
Maybe I like playing with fire-
getting as close to love as possible
before disappearing, before
committing one more satisfying
act of self sabotage.

It's two in the morning,
and he's looking at me
like he means it
but I can't stomach it.
I've been asking for it
and now the words
just sit there, shining
in the candle light
and they're sickening
and nothing feels right
because he's made the same
mistake as all the others-
he isn't you.

the butterfly blues
is when you've got just a TOUCH of the blues
no Ma Rainey or Muddy
just a touch flitting about
your favorite restaurant has shut down
or your picnic got rained on
that's the butterfly blues

perhaps you're considering lighting up
a forsworn cigarette
or going on a shopping spree
to escape the little weights
clipping your wings just a TOUCH
no Etta or Billie Holiday
just the butterfly blues
flitting about

until...

up pops a pretty flower to land on
supplying you with
answers to settle
your unsettled mind

and Presto! you'll soon notice
those butterfly blues have
been left far behind!

She hurts sometimes, but she's fixable.
She just needs a friend.
Ze struggles to understand the world,
ponders it every day.
One can see hir wrapping hir head
around the universe.

She's a tired person,
running circles around hirself,
aiming for and missing the target
every time.
Until she eventually can't help but
fall asleep, where the answers
to her questions somehow
float farther and farther away
from hir tireless, resting body.

Create a playlist of your favourite soothing numbers.Dim the lights of your room.Lie down on the bed.Close your eyes.Blank your mind.Forget about the day.Put your earphones on and start listening to the music.Slowly take it all in.As the music takes over your mind,body and soul...bit by bit,layer by layer,song by song...you will have completely surrendered yourself to this powerful hypnotic effect of the music.You will experience optimum relaxation.Let go of all the negativity residing within you.Now just travel through the timeline of your memory and try and visualize the face of that one person whose face you always wanna keep seeing...think of some of the best moments you've had so far with this person.By the time the process ends you will feel this incredible sense of calmness within you.You have never felt so relaxed.After this you will one of the best sleeps you have ever had.

Music has the power to calm your restless soul and heal your aching heart.Do this process every once in a while.

My personal recommendation of songs:-
1)Classical Ave Maria-Maria Callas & Mozart
2)If you go away-Shirley Bassey
3)At last-Etta James
4)Clocks-Coldplay
5)Fragile-Sting
6)Beautiful smile-Dj Sammy
7)Electrical Storm-U2
8)No ordinary love-Sade
9)Come undone-Duran Duran
10)Riders on the storm-The Doors
11)Any John Denver track
12)Any Don Mc Lean track
13)Any Michael Buble track

“at last, “
Etta James sings
as I crawl into blankets once more
tears
at last.