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"etta" poems
365Nectar #8 Crescent City Blues Tues. Oct 1,2013 10:21 P.M. In the deepest attic the thumping blues paint pastel portraits of the Crescent City In burning ripples words slap strangers taking refuge in Armstrong Park Slender, **** and Shorty growl muted tones that ravage old bones whip thru Mid-City and saunter thru the Garden District all just practice to sizzle in a wild tap dance in the Quarter High steppin Indians march toward God and defy gravity. Roaring second line being led by woman powered Pinettes Brass Band hold rush hour traffic hostage for days belting greasy mingling tunes in the eye of the dusty moon A pitch black struggle with the old moon liberated old souls entangled in soaked strings and sobbing fingers A quintet churns and challenges the loneliness of pain Strumming fingers make out with humming strings under a starry blue grey sky Stomping down long black Oak-lined roads blowing thru shotgun homes like winter cold howling lifting heavy weights from shoulders like the sun shifting against bad weather the blues lady open the veins of drunken roses Lungs full of tears Irma holla's, cries, and moans remedies north south east and west of a street called Desire Oh Etta At Last Dim Misty light cast a heavy shadow on wiggling spirits as they cast off pain Allen Toussaint in smokeless blaze tips the night air Kermit blows Dusty blues seducing suffering souls bounding them to each other in bliss Whispering around town in a perfect velvet midnight sweet exhalations of song birds from corner joints dance the Ruffin groove fiery trebles wave at people passing by Down right ***** blues muzzles twilight trombones,tubas, and trumpets lay harmony under the harmonious thunder of the Marsalis Masters and low down deep in a musty sleepless corner is the missing Bass-man.. hung over. Copyright ©2013 Crescent City Blues
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Nov 21, 2013
Nov 21, 2013 at 11:41 PM UTC
Crescent City Blues
365Nectar #8 Crescent City Blues Tues. Oct 1,2013 10:21 P.M. In the deepest attic the thumping blues paint pastel portraits of the Crescent City In burning ripples words slap strangers taking refuge in Armstrong Park Slender, **** and Shorty growl muted tones that ravage old bones whip thru Mid-City and saunter thru the Garden District all just practice to sizzle in a wild tap dance in the Quarter High steppin Indians march toward God and defy gravity. Roaring second line being led by woman powered Pinettes Brass Band hold rush hour traffic hostage for days belting greasy mingling tunes in the eye of the dusty moon A pitch black struggle with the old moon liberated old souls entangled in soaked strings and sobbing fingers A quintet churns and challenges the loneliness of pain Strumming fingers make out with humming strings under a starry blue grey sky Stomping down long black Oak-lined roads blowing thru shotgun homes like winter cold howling lifting heavy weights from shoulders like the sun shifting against bad weather the blues lady open the veins of drunken roses Lungs full of tears Irma holla's, cries, and moans remedies north south east and west of a street called Desire Oh Etta At Last Dim Misty light cast a heavy shadow on wiggling spirits as they cast off pain Allen Toussaint in smokeless blaze tips the night air Kermit blows Dusty blues seducing suffering souls bounding them to each other in bliss Whispering around town in a perfect velvet midnight sweet exhalations of song birds from corner joints dance the Ruffin groove fiery trebles wave at people passing by Down right ***** blues muzzles twilight trombones,tubas, and trumpets lay harmony under the harmonious thunder of the Marsalis Masters and low down deep in a musty sleepless corner is the missing Bass-man.. hung over. Copyright ©2013 Crescent City Blues
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74
Cool kid euphoria with our pastel colored pants and our Raybans on is what we all are in the basement of the 50’s house. Our phones blowing up while we sip whiskey and wine. Trying to get the attention of the cars on the main road By handstanding and flashing and cheersing our beers And we receive our victorious honks. Guitar clock radio with numbers around the fretboard and Sir Paul smiling and crooked, acid-trippin’ guitarist/violinist/celloist looking product of orange and gold look down upon as our patron saints. Swingin’ low, Sweet Chariot words stares up at me from the 70’s floral carpet. Ralph Stanley and Eric Clapton singing solos and duets in my head keep me company as the boys play and figure out key changes. Painted screen hiding the Etta James microphone stands forgotten in the corner— As I take in the teals and roses and golds. Give me a heart shaped box where I can store my love I fly so high in the world above I’ll come back down eventually. Lava lamped water stain engulfs the ceiling. As fingers go up frets And they go down frets And they go up frets And they go down frets. As you don’t enunciate when you sing. We all mourn our fallen brethren, the base of the telecaster with no strings and no head and it weeps silently from its place on the water pipes, hearing his cousins WAAAIIIIILLLLLL. As Cool kid euphoria is created with our pastel colored pants and our Raybans on in the basement of the 50’s house. We work all day so we can drink all night Getting high off the drug that is each other Chain-smoking Pall Malls like it’s our job Listening to oldies as we shoot the eight ball in the corner pocket. Garden tools and Lawn Mower parts as a sweet, creepy décor in the dank basement As we breathe in mold and dust and cigarette smoke. We are gloriously young. So **** off. We still think we can change the world. Not through politics or through fear or by means of war But by doing just enough to get by and loving everybody for who they are, even the parts or religions or particular ways of life we don’t like, Because people aren’t what they do or what they believe They’re who they are. We still think we can change the world And Maybe one day, we will But for now We’ll just be here, In the basement of the 50’s house with our pastel colored pants and our Raybans on.
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Jun 13, 2012
Jun 13, 2012 at 11:38 AM UTC
“Magic school bus graveyard is where we all go to die.”
Cool kid euphoria with our pastel colored pants and our Raybans on is what we all are in the basement of the 50’s house. Our phones blowing up while we sip whiskey and wine. Trying to get the attention of the cars on the main road By handstanding and flashing and cheersing our beers And we receive our victorious honks. Guitar clock radio with numbers around the fretboard and Sir Paul smiling and crooked, acid-trippin’ guitarist/violinist/celloist looking product of orange and gold look down upon as our patron saints. Swingin’ low, Sweet Chariot words stares up at me from the 70’s floral carpet. Ralph Stanley and Eric Clapton singing solos and duets in my head keep me company as the boys play and figure out key changes. Painted screen hiding the Etta James microphone stands forgotten in the corner— As I take in the teals and roses and golds. Give me a heart shaped box where I can store my love I fly so high in the world above I’ll come back down eventually. Lava lamped water stain engulfs the ceiling. As fingers go up frets And they go down frets And they go up frets And they go down frets. As you don’t enunciate when you sing. We all mourn our fallen brethren, the base of the telecaster with no strings and no head and it weeps silently from its place on the water pipes, hearing his cousins WAAAIIIIILLLLLL. As Cool kid euphoria is created with our pastel colored pants and our Raybans on in the basement of the 50’s house. We work all day so we can drink all night Getting high off the drug that is each other Chain-smoking Pall Malls like it’s our job Listening to oldies as we shoot the eight ball in the corner pocket. Garden tools and Lawn Mower parts as a sweet, creepy décor in the dank basement As we breathe in mold and dust and cigarette smoke. We are gloriously young. So **** off. We still think we can change the world. Not through politics or through fear or by means of war But by doing just enough to get by and loving everybody for who they are, even the parts or religions or particular ways of life we don’t like, Because people aren’t what they do or what they believe They’re who they are. We still think we can change the world And Maybe one day, we will But for now We’ll just be here, In the basement of the 50’s house with our pastel colored pants and our Raybans on.
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38
Chasey calls them the dead mama blues. There's sadness, she says, mine has a scent to it; Despair, a shabby **** who mugs me under my covers On winter days at dawn, Catatonia, which only a messy bed,a bong,a bag of Cheetos and a boy can cure, And then way down from there, Squatting *** close to the ground, Smoking Gauloises in the dark, Live the dead mama blues. The only cure for the dead mama’s, Chasey explains, Is a blood rare steak and Etta James greatest hits on vinyl, Played quiet through the sweet spot of the night, All the lights off, the dishes done and dry. Helps if a sister has a slim hip man to dance with, she said, So if you ain’t runnin’, the grill’s on me. Come by sober any time after moon rise, Chasey yawned, Cause this girl could use a shoulder and a polite hand. And bring your slippers, she said Easier to shuffle over **** in sheepskin, plus We might go up on the roof later on And smoke some of my cubans for a while. Door will be open, so please don’t ring, Hell what am I saying, you know the path. Chasey yawned again, a big one, Waited a few seconds because there was nothing else to say And hung up the phone with a sigh.
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Aug 26, 2015
Aug 26, 2015 at 9:33 AM UTC
Etta
*On horseback, they chase you, But you are light and you are gaining distance. On horseback, they chase you, and you laugh along with the hoof beats. Your smile catches sun, and you have never been scared of bullets.* I wanted to remember your smell Even after we stopped having Anything to talk about I wanted to remember how your Skin shivered, warm and desperate Even deep into my dreams There was a day when you rode on my Handlebars and we moved like Water through canyons There was a day when we traced Each other's shadows as big as Gallows in the dust I keep having this dream of the spring of 1887: I go out to bring the cattle in, but they are all dead. Frozen to death. And floating down thawing rivers. I keep having this dream of Bolivia: we are cornered after robbing a payroll and I am glad you are not with us. The last thing I remember is your smile catching sun
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Aug 1, 2014
Aug 1, 2014 at 8:38 PM UTC
Butch and Etta
Etta James, singing “At Last” behind me now, lights turned low, two fingers of Drambuie on ice the air carries the aroma of desert roses, green fern and damp mossy bark; the gift of a posy. The scent reminds me of the quick light rains tapping in the afternoon, making love to thirsty new greens, coaxing them up to reach for more. My body reacts to the thought, arching up. Sips of warming golden liquid, the cold ice a give-and-take of restrained contrast, until the liquid has all been consumed – and the ice remains, bearing the spirit upon it. Contributions to reflections in sensuality, The ice, captured up quickly from the glass held in deft fingers, neatly, to paint their cold upon my lips, sipped within a warm mouth. The cold, diminished cube, dances on the tongue. I rise; the glass left behind, and come to you – Face to face, eye to eye.  The kiss shares the cool as the ice passes between us, to melt in loves flame. Eyes close, now drinking in another kiss, I feel myself surrender to the flame that rises up. Once more I am arching within your arms, strong, gentle hands contain me, stoking the fire. I am released, free to feel all that is within – to bring it to the surface; without question - to share… The heady scent of longing fills me, fueling passion The ice, a forgotten prelude to love’s rendezvous. Lin Cava ©
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Oct 19, 2010
Oct 19, 2010 at 4:36 PM UTC
Rendezvous
I wonder what the inside of your head sounds like. I don’t care for the look of it, figure it resembles the inside of my chest when my soul exploded. Coffee stained walls and lipstick kissed ceilings. Liquor drenched carpets and frantically ****** fingerprints all over the fogged windows. Yeah, I know what it looks like. But what does it sound like? I want to know if makes the same sound our hearts would make when we’d lay side by side. Hand in hand. The way otters sleep, so we’d never float away from each other in our dreams. Or maybe, a long pitched scream. As sweet as a child’s happiness on Christmas morning. Or as terrifying as a woman under her lovers fist, as he pounds his insecurities into her stomach. Nobody can see the bruises there. His ego is intact – their secret is safe. I bet it smells like laundry detergent. The generic kind – the one that mimics a summers breeze and a springs bloom. At least, that’s what the label says. But there’s no label for the sound. I need to know what it sounds like. I need to know if my voice is on repeat in there. Me saying I love you, on our best days or, I hate you from our worst; perhaps, a combination of the two. Is that why you left? To clear your head of the bittersweet melody of my emotions running amuck. Were those words pressed against your temporal lobe? Is that where the temper came from? I’m sorry. No, I’m not sorry; I want it to sound like a sorry. Whether whispered from the darkest corners of your cranium or shouted from the top of your brain. I just hope it sounds like sorry. For promising me the flowers and teddy bears and county fair rides. For promising me a love so fierce and so strong. A love so true and so brave. And for giving me just that. Then leaving me to the sounds in my own head, which sounds like the inside of a jazz club, by the way. As Suggie Otis and Miles Davis and Etta James and Nat King Cole and Louis Armstrong croon about a fierce love, a strong love, a true and brave love. And I can see it as well as I can hear it. You, front row centre, sipping warm apple cider and holding hands with a woman, who’ll leave no sound byte in your skull, and me, in the back, with my voice box in my hands. Maybe I’m sorry after all.
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Jan 7, 2013
Jan 7, 2013 at 3:53 PM UTC
Sound Bytes
I wonder what the inside of your head sounds like. I don’t care for the look of it, figure it resembles the inside of my chest when my soul exploded. Coffee stained walls and lipstick kissed ceilings. Liquor drenched carpets and frantically ****** fingerprints all over the fogged windows. Yeah, I know what it looks like. But what does it sound like? I want to know if makes the same sound our hearts would make when we’d lay side by side. Hand in hand. The way otters sleep, so we’d never float away from each other in our dreams. Or maybe, a long pitched scream. As sweet as a child’s happiness on Christmas morning. Or as terrifying as a woman under her lovers fist, as he pounds his insecurities into her stomach. Nobody can see the bruises there. His ego is intact – their secret is safe. I bet it smells like laundry detergent. The generic kind – the one that mimics a summers breeze and a springs bloom. At least, that’s what the label says. But there’s no label for the sound. I need to know what it sounds like. I need to know if my voice is on repeat in there. Me saying I love you, on our best days or, I hate you from our worst; perhaps, a combination of the two. Is that why you left? To clear your head of the bittersweet melody of my emotions running amuck. Were those words pressed against your temporal lobe? Is that where the temper came from? I’m sorry. No, I’m not sorry; I want it to sound like a sorry. Whether whispered from the darkest corners of your cranium or shouted from the top of your brain. I just hope it sounds like sorry. For promising me the flowers and teddy bears and county fair rides. For promising me a love so fierce and so strong. A love so true and so brave. And for giving me just that. Then leaving me to the sounds in my own head, which sounds like the inside of a jazz club, by the way. As Suggie Otis and Miles Davis and Etta James and Nat King Cole and Louis Armstrong croon about a fierce love, a strong love, a true and brave love. And I can see it as well as I can hear it. You, front row centre, sipping warm apple cider and holding hands with a woman, who’ll leave no sound byte in your skull, and me, in the back, with my voice box in my hands. Maybe I’m sorry after all.
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36
As the crew cheers on my death I'm thrown out to sea While having an achor tied to my feet Falling into the depths Losing each breath As I swallow the sea Lifelessly closing my eyes A recurrence Flash in front of me Days before sailing away Another heart beat strikes To the lovely Paula Etta She was married with kids Our lusting last till dusk Spoiled by the appearance of her husband Words were hardly any Violence was preventable To plead my innocence Judgement was merciless Sinking underneath the ocean As I arrange A burial of plunder By fools who discovered me
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Jan 22, 2010
Jan 22, 2010 at 5:29 AM UTC
Sunken Plunder
Jack: as so many of us yearned to know him, Still knocking down 90% approval ratings, 50+ years dead: we still approve. Dallas recognizing the event . . . Cue Etta James: At laaaaaaaaaaaaast . . . The City of Big D, Dallas in the Sixties, Still wide open, Still Wild-Wild West Wild, Still string ties & Stetsons. Hizzoner/Da Mayer–Now, Recognizing the venue, at last. Finally, it was time To take ownership of the crime scene. Non-stop memorial coverage, On CNN and MSN, of course. Fox, meanwhile, Doing agribusiness updates; This year’s Carolina turkey crop & Wuzzup in the cranberry bogs?
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Dec 9, 2016
Dec 9, 2016 at 3:54 PM UTC
"JFK: 50+ YEARS DEAD"
An overcrowded bus; my elbow touching yours. Pretty-eyed gem, I say to myself as you look up to me. In the background I can hear Etta James singing and teasing-- At last, my love has come along...
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Jun 10, 2016
Jun 10, 2016 at 11:07 AM UTC
Too cliché Cupid is thinking of using a shotgun instead
Cue Etta James: “At laaaaaaaaaaast . . .” I’ve racked up over 50 followers, 50+ www.hellopoetry.com fans, Fifty shades from cyberspace, Dedicated disciples, Devotees of my work, An apostolic cadre of LIKE button true believers. Time, I think, to start a cult. Enslave the men. Fleece their bank accounts & IRAs. Polygamize their women. ***** their mothers, wives & daughters. Mix up a little Kool Aid.
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Feb 7, 2015
Feb 7, 2015 at 3:37 PM UTC
"Breaking 50"
No sleep leaves Him sleep deprived, He hides beneath His drooping eyes, And comes home to dwell Within the silence of the night. Before spreading across the bed, He places his patched jacket Above the ground, on a hook, To hang, suspended for the flipside. A glance at the clock tells him it’s three, Plus a quarter turn to the right. It’s always before dreams, it seems, That he feels the need to pull Out pen and paper, to write. Very soon, he knows, It will be bright. And lights will shine in, To wake him up, again. Sometimes, though, He likes to pretend, That there isn’t an end, To this nocturne world. So while he… His, mind dances along the moon, With a little more wandering, His thoughts seem in tune, To a jazzy Twilight atmosphere, And he hears - The quiet orchestra Of his thoughts, Amidst the dark. For a short time, He’s moaning with Mingus, absorbing Etta. At last, his sleep has come along, As he dips into the Milky Way Until his thoughts are gone.
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Aug 31, 2011
Aug 31, 2011 at 1:41 AM UTC
Dancing With Dawn
Oh Johnny, tell of how you fell into that Ring of Fire. Oh Elvis, tell of how you Can't Help Falling in Love Oh Etta, tell of that love you found At Last Oh Marvin, tell of the time you said Let's Get It On Oh Prince, tell of when you saw Purple Rain Oh love, tell of how you inspired the hopeless romantic.
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Feb 9, 2018
Feb 9, 2018 at 2:20 PM UTC
Oh Love
It's the night times that are the hardest. The image of that cute couple in the coffee shop from earlier flickers through my mind. I look up at the TV for a distraction, only to see a tender embrace, loves first kiss. I search for the remote on the side of my bed where a body should be, brush a hand across the cold fabric. I put on some music. "And all I could do was cry" Crying, Etta, is futile. Each tear hammers down on my hollow emptiness like a drum, a-lone, a-lone, a-lone. Alone. The alarm clock on my bedside table ticks and ticks, waiting and waiting, ticking and waiting. What are you waiting for? Time to go to sleep.
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Oct 28, 2013
Oct 28, 2013 at 7:54 PM UTC
Night Time
It's two in the morning, it's always two in the morning when nothing seems right and your smile haunts and lingers in my periphery. It's two in the morning and one candle flickers in the corner of this dark and hallowed room. Etta James plays on repeat and any stranger looking in might attribute this scene to something like love. Maybe it's halfway there, as he says my name in between breaths that take most of my air, and heartbeats that drum staccato. Maybe, just for a moment, as I shut my eyes and scream into the darkness, filling the spaces beneath my nails with the flesh on his chest, and my whole body is aglow with inescapable pleasure- maybe I love him in that brief reprieve. It's two in the morning and I'm rolling onto my side over sticky white sheets. He looks at me as the singular flame dances and casts shadows that paint the arch of my hips against the stucco, and he tells me that he loves me, and I can't figure it out. Maybe it's because the light is so forgiving, softening this look of bone deep sorrow and sickening nostalgia into something like affection. Or maybe you were always right when you called me a sociopath or a shameless narcissist. Maybe I like playing with fire- getting as close to love as possible before disappearing, before committing one more satisfying act of self sabotage. It's two in the morning, and he's looking at me like he means it but I can't stomach it. I've been asking for it and now the words just sit there, shining in the candle light and they're sickening and nothing feels right because he's made the same mistake as all the others- he isn't you.
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Oct 31, 2016
Oct 31, 2016 at 12:20 AM UTC
a singular flame
It's two in the morning, it's always two in the morning when nothing seems right and your smile haunts and lingers in my periphery. It's two in the morning and one candle flickers in the corner of this dark and hallowed room. Etta James plays on repeat and any stranger looking in might attribute this scene to something like love. Maybe it's halfway there, as he says my name in between breaths that take most of my air, and heartbeats that drum staccato. Maybe, just for a moment, as I shut my eyes and scream into the darkness, filling the spaces beneath my nails with the flesh on his chest, and my whole body is aglow with inescapable pleasure- maybe I love him in that brief reprieve. It's two in the morning and I'm rolling onto my side over sticky white sheets. He looks at me as the singular flame dances and casts shadows that paint the arch of my hips against the stucco, and he tells me that he loves me, and I can't figure it out. Maybe it's because the light is so forgiving, softening this look of bone deep sorrow and sickening nostalgia into something like affection. Or maybe you were always right when you called me a sociopath or a shameless narcissist. Maybe I like playing with fire- getting as close to love as possible before disappearing, before committing one more satisfying act of self sabotage. It's two in the morning, and he's looking at me like he means it but I can't stomach it. I've been asking for it and now the words just sit there, shining in the candle light and they're sickening and nothing feels right because he's made the same mistake as all the others- he isn't you.
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65
Oh, it's been such a long, long time Looks like I'd get you off my mind Oh, but I can't Just the thought of you Turns my whole world misty blue Oh honey, just the mention of your name Turns the flicker to a flame Listen to me good, baby I think of the things we used to do And my whole world turns misty blue Ooooh baby, I should forget you Heaven knows I tried Baby, when I say that I'm glad we're through Deep in my heart I know I've lied I've lied, I've lied Ooooh honey, it's been such a long, long time Looks like I'd get you off my mind But I can't Just the thought of you, my love My whole world turns misty blue Ooooh, Oh, I can't, Oh , I can't Oh, I can't forget you My whole world turns misty blue Ooooh, Oh, my love My whole world turns misty blue Baby, baby, baby, baby Baby, I can't forget you My whole world turns misty blue
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Nov 4, 2015
Nov 4, 2015 at 2:36 PM UTC
Etta James - Misty
Happy birthday, Dad. You're …. 54, 55, 56? I think I'm still jealous that you get to share your birthday with the earth. I think I'm still a little sad that I never asked you if you enjoyed that. I don't know why I am talking about you like you're gone; when you're only 17 steps down the stairs in your arm chair with the news on your lap and a glass of indonesian tea on your  left. I walked by you and you were standing there and I almost hugged you. Almost. You were proud that I listened to Etta James. That made me beam but I didn't let you see it. So many people take my light from me. I think the only place that I can go to rekindle that light, is the notion that maybe one day you won't be disappointed in me. Or my lack of ability and motivation  in school. Or my lack participation in this family. Or the notion that I won't be scared of you, scared of everything anymore. Scared of loving people and then putting too much of myself into that person because I don't know how to love properly. I didn't even know how to breath properly. I had to go to a doctor and they had to tell me to take deeper breaths because I wasn't getting enough air. Ever. My breaths were shallow, and guarded, and hesitant. I have invested hope in the day I won't exercise for an hour and a half every day for a week straight until my body  can no longer function properly. That I won't take a long shower, with water too hot and knees pulled up to my heaving chest. Or maybe I won't drink too much and try to feel something with someone. Or even stop tanning because I am literally burning from the inside out. Maybe that way people will see how I truly feel on the inside. Burnt out. Tired, fatigued. Unworthy.
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Apr 22, 2014
Apr 22, 2014 at 9:50 PM UTC
14 cigarettes this time, still one dad
Happy birthday, Dad. You're …. 54, 55, 56? I think I'm still jealous that you get to share your birthday with the earth. I think I'm still a little sad that I never asked you if you enjoyed that. I don't know why I am talking about you like you're gone; when you're only 17 steps down the stairs in your arm chair with the news on your lap and a glass of indonesian tea on your  left. I walked by you and you were standing there and I almost hugged you. Almost. You were proud that I listened to Etta James. That made me beam but I didn't let you see it. So many people take my light from me. I think the only place that I can go to rekindle that light, is the notion that maybe one day you won't be disappointed in me. Or my lack of ability and motivation  in school. Or my lack participation in this family. Or the notion that I won't be scared of you, scared of everything anymore. Scared of loving people and then putting too much of myself into that person because I don't know how to love properly. I didn't even know how to breath properly. I had to go to a doctor and they had to tell me to take deeper breaths because I wasn't getting enough air. Ever. My breaths were shallow, and guarded, and hesitant. I have invested hope in the day I won't exercise for an hour and a half every day for a week straight until my body  can no longer function properly. That I won't take a long shower, with water too hot and knees pulled up to my heaving chest. Or maybe I won't drink too much and try to feel something with someone. Or even stop tanning because I am literally burning from the inside out. Maybe that way people will see how I truly feel on the inside. Burnt out. Tired, fatigued. Unworthy.
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27
Dear Etta, I will stay awake for you. And as you sleep my prying eyes Will keep the silence and the stillness. And when you wake I will take your hand in mine, We will walk and you will lead. And, oh, I have seen your chest rise Again yet again and, oh, I have seen Your subtle movements before. But there is one who now knows you better than I, We had such a short time together I will not be able to forget and still, I will stay awake for you.
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Oct 2, 2012
Oct 2, 2012 at 1:47 AM UTC
Letters Not Sent (Etta)
the butterfly blues is when you've got just a TOUCH of the blues no Ma Rainey or Muddy just a touch flitting about your favorite restaurant has shut down or your picnic got rained on that's the butterfly blues perhaps you're considering lighting up a forsworn cigarette or going on a shopping spree to escape the little weights clipping your wings just a TOUCH no Etta or Billie Holiday just the butterfly blues flitting about until... up pops a pretty flower to land on supplying you with answers to settle your unsettled mind and Presto! you'll soon notice those butterfly blues have been left far behind!
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Mar 6, 2015
Mar 6, 2015 at 1:48 PM UTC
the butterfly blues
Create a playlist of your favourite soothing numbers.Dim the lights of your room.Lie down on the bed.Close your eyes.Blank your mind.Forget about the day.Put your earphones on and start listening to the music.Slowly take it all in.As the music takes over your mind,body and soul...bit by bit,layer by layer,song by song...you will have completely surrendered yourself to this powerful hypnotic effect of the music.You will experience optimum relaxation.Let go of all the negativity residing within you.Now just travel through the timeline of your memory and try and visualize the face of that one person whose face you always wanna keep seeing...think of some of the best moments you've had so far with this person.By the time the process ends you will feel this incredible sense of calmness within you.You have never felt so relaxed.After this you will one of the best sleeps you have ever had. Music has the power to calm your restless soul and heal your aching heart.Do this process every once in a while. My personal recommendation of songs:- 1)Classical Ave Maria-Maria Callas & Mozart 2)If you go away-Shirley Bassey 3)At last-Etta James 4)Clocks-Coldplay 5)Fragile-Sting 6)Beautiful smile-Dj Sammy 7)Electrical Storm-U2 8)No ordinary love-Sade 9)Come undone-Duran Duran 10)Riders on the storm-The Doors 11)Any John Denver track 12)Any Don Mc Lean track 13)Any Michael Buble track
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Dec 3, 2015
Dec 3, 2015 at 3:20 PM UTC
Music Therapy 2
There are some thoughts, moods, and songs I save only for you. Like Etta’s At Last. I picture our first dance... dancing in the moonlight. Making love to the tilt of the sun. And bathing in the flicker of candle and laughter. My hopes and dreams are etched in shadows, as if God Himself were asking me to wait. To wait for the man, that shapes and curves the landscape for walking. Builds rhythm and cadence with the beat of his heart. And lives life half best with me tucked in his hold.
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Nov 30, 2014
Nov 30, 2014 at 12:03 PM UTC
Waiting
Picasso was an artist So am I I pour ink on paper in a style that'll make you wanna cry I can paint her smile using similes and describe her eyes with a sonnet or three Mozart made beautiful music So can I I string words together that'll make you wanna sing kind of like lyrics I write all about love and everything. Ansel Adams took photos So do I I use words to show pictures of all kinds and project them to my readers in their minds. Etta James was a singer But I cannot sing a note but what I can do is pour out my heart in neatly typed phrases with cleverly penned quotes I'm a poet I love words the best of all come join me while I write of lost love, new love and all the above.
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Sep 22, 2024
Sep 22, 2024 at 3:47 AM UTC
So am I