Dosn't thou 'ear my 'erse's legs, as they canters awaay?
Proputty, proputty, proputty--that's what I 'ears 'em saay.
Proputty, proputty, proputty--Sam, thou's an *** for thy paains:
Theer's moor sense i' one o' 'is legs, nor in all thy braains.

Woa--theer's a craw to pluck wi' tha, Sam; yon 's parson's 'ouse--
Dosn't thou knaw that a man mun be eather a man or a mouse?
Time to think on it then; for thou'll be twenty to weeak.
Proputty, proputty--woa then, woa--let ma 'ear mysen speak.

Me an' thy ******, Sammy, 'as been a'talkin' o' thee;
Thou's bean talkin' to ******, an' she bean a tellin' it me.
Thou'll not marry for munny--thou's sweet upo' parson's lass--
Noa--thou 'll marry for luvv--an' we boath of us thinks tha an ***.

Seea'd her todaay goa by--Saaint's-daay--they was ringing the bells.
She's a beauty, thou thinks--an' soa is scoors o' gells,
Them as 'as munny an' all--wot's a beauty?--the flower as blaws.
But proputty, proputty sticks, an' proputty, proputty graws.

Do'ant be stunt; taake time. I knaws what maakes tha sa mad.
Warn't I craazed fur the lasses mysen when I wur a lad?
But I knaw'd a Quaaker feller as often 'as towd ma this:
"Doant thou marry for munny, but goa wheer munny is!"

An' I went wheer munny war; an' thy ****** coom to 'and,
Wi' lots o' munny laaid by, an' a nicetish bit o' land.
Maaybe she warn't a beauty--I niver giv it a thowt--
But warn't she as good to cuddle an' kiss as a lass as 'ant nowt?

Parson's lass 'ant nowt, an' she weant 'a nowt when 'e 's dead,
Mun be a guvness, lad, or summut, and addle her bread.
Why? for 'e 's nobbut a curate, an' weant niver get hissen clear,
An' 'e maade the bed as 'e ligs on afoor 'e coom'd to the shere.

An' thin 'e coom'd to the parish wi' lots o' Varsity debt,
Stook to his taail thy did, an' 'e 'ant got shut on 'em yet.
An' 'e ligs on 'is back i' the grip, wi' noan to lend 'im a shuvv,
Woorse nor a far-welter'd yowe: fur, Sammy, 'e married for luvv.

Luvv? what's luvv? thou can luvv thy lass an' 'er munny too,
Maakin' 'em goa togither, as they've good right to do.
Couldn I luvv thy ****** by cause 'o 'er munny laaid by?
Naay--fur I luvv'd 'er a vast sight moor fur it: reason why.

Ay, an' thy ****** says thou wants to marry the lass,
Cooms of a gentleman burn: an' we boath on us thinks tha an ***.
Woa then, proputty, wiltha?--an *** as near as mays nowt--
Woa then, wiltha? dangtha!--the bees is as fell as owt.

Break me a bit o' the esh for his 'ead, lad, out o' the fence!
Gentleman burn! what's gentleman burn? is it shillins an' pence?
Proputty, proputty's ivrything 'ere, an', Sammy, I'm blest
If it isn't the saame oop yonder, fur them as 'as it 's the best.

Tis'n them as 'as munny as breaks into 'ouses an' steals,
Them as 'as coats to their backs an' taakes their regular meals,
Noa, but it 's them as niver knaws wheer a meal's to be 'ad.
Taake my word for it Sammy, the poor in a loomp is bad.

Them or thir feythers, tha sees, mun 'a bean a laazy lot,
Fur work mun 'a gone to the gittin' whiniver munny was got.
Feyther 'ad ammost nowt; leastways 'is munny was 'id.
But 'e tued an' moil'd issen dead, an' 'e died a good un, 'e did.

Loook thou theer wheer Wrigglesby beck cooms out by the 'ill!
Feyther run oop to the farm, an' I runs oop to the mill;
An' I 'll run oop to the brig, an' that thou 'll live to see;
And if thou marries a good un I 'll leave the land to thee.

Thim's my noations, Sammy, wheerby I means to stick;
But if thou marries a bad un, I 'll leave the land to ****.--
Coom oop, proputty, proputty--that's what I 'ears 'im saay--
Proputty, proputty, proputty--canter an' canter awaay.

Wheer 'asta bean saw long and mea liggin' 'ere aloan?
Noorse? thoort nowt o' a noorse: whoy, Doctor's abean an' agoan;
Says that I moant 'a naw moor aale; but I beant a fool;
*** ma my aale, fur I beant a-gawin' to break my rule.

Doctors, they knaws nowt, fur a says what 's nawways true;
Naw soort o' koind o' use to saay the things that a do.
I 've 'ed my point o' aale ivry noight sin' I bean 'ere.
An' I 've 'ed my quart ivry market-noight for foorty year.

Parson 's a bean loikewoise, an' a sittin' ere o' my bed.
"The amoighty 's a taakin o' you to 'isen, my friend," a said,
An' a towd ma my sins, an' s toithe were due, an' I gied it in hond;
I done moy duty boy 'um, as I 'a done boy the lond.

Larn'd a ma' bea. I reckons I 'annot sa mooch to larn.
But a cast oop, thot a did, 'bout Bessy Marris's barne.
Thaw a knaws I hallus voated wi' Squoire an' choorch an' staate,
An' i' the woost o' toimes I wur niver agin the raate.

An' I hallus coom'd to 's choorch afoor moy Sally wur dead,
An' 'eard 'um a bummin' awaay loike a buzzard-clock ower me 'ead,
An' I niver knaw'd whot a mean'd but a thowt a 'ad summut to saay.
An' I thowt a said what a owt to 'a said, an' I coom'd awaay.

Bessy Marris's barne! tha knaws she laaid it to mea.
'Siver, I kep 'um, I kep 'um, my lass, tha mun understond;
I done moy duty boy 'um, as I 'a done boy the lond.

But Parson a cooms an' a goas, an' a says it easy an' freea:
"The amoighty 's taakin o' you to 'issen, my friend," says 'ea.
I weant saay men be loiars, thaw summun said it in 'aaste;
But 'e reads wonn sarmin a weeak, an' I 'a stubb'd Thurnaby waaste.

D' ya moind the waaste, my lass? naw, naw, tha was not born then;
Theer wur a boggle in it, I often 'eard 'um mysen;
Moast loike a butter-bump, fur I 'eard 'um about an' about,
But I stubb'd 'um oop wi' the lot, an' raaved an' rembled 'um out.

Keaper's it wur; fo' they fun 'um theer a-laaid of is' faace
Down i' the woild 'enemies afoor I coom'd to the plaace.
Noaks or Thimbleby--toaner 'ed shot 'um as dead as a naail.
Noaks wur 'ang'd for it opp at 'soize--but *** ma my aale.
Dubbut loook at the waaaste; theer warn't not feead for a cow;
Nowt at all but bracken an' fuzz, an' loook at it now--
Warn't worth nowt a haacre, an' now theer 's lots o' feead,
Fourscoor yows upon it, an' some on it down i' seead.

Nobbut a bit on it 's left, an' I mean'd to 'a stubb'd it at fall,
Done it ta-year I mean'd, an' runn'd plow thruff it an' all,
If godamoighty an' parson 'ud nobbut let ma aloan,--
Mea, wi haate hoonderd haacre o' Squoire's, an' lond o' my oan.

Do godamoighty knaw what a's doing a-taakin' o' mea?
I beant wonn as saws 'ere a bean an yonder a pea;
An' Squoire 'ull be sa mad an' all--a' dear, a' dear!
And I 'a managed for Squoire coom Michaelmas thutty year.

A mowt 'a taaen owd Joanes, as 'ant not a 'aapoth o' sense,
Or a mowt a' taaen young Robins--a niver mended a fence:
But godamoighty a moost taake mea an' taake ma now,
Wi' aaf the cows to cauve an' Thurnaby hoalms to plow!

Loook 'ow quoloty smoiles when they seeas ma a passin' boy,
Says to thessen, naw doubt, "What a man a bea sewer-loy!"
Fur they knaws what I bean to Squoire sin' fust a coom'd to the 'All;
I done moy duty by Squoire an' I done moy duty boy hall.

Squoire 's i' Lunnon, an' summun I reckons 'ull 'a to wroite,
For whoa 's to howd the lond ater mea that muddles ma quoit;
Sartin-sewer I bea, thot a weant niver give it to Joanes,
Naw, nor a moant to Robins--a niver rembles the stoans.

But summun 'ull come ater mea mayhap wi' 'is kittle o' steam
Huzzin' an' maazin' the blessed fealds wi' the Divil's oan team.
Sin' I mun doy I mun doy, thaw loife they says is sweet,
But sin' I mun doy I mun doy, for I couldn abear to see it.

What atta stannin' theer fur, an' doesn bring me the aale?
Doctor 's a 'toattler, lass, an a's hallus i' the owd taale;
I weant break rules fur Doctor, a knaws naw moor nor a floy;
*** ma my aale, I tell tha, an' if I mun doy I mun doy.

~~¤~~

S-weetest ever, sweetest heart
W-earing a smile, I love so much
E-veryday, everynight
E-very moment of my life
T-hankful I am for your gift
H-eart of mine wants to receive
E-very drop of your rain
A-sk me now if there is pain
R-ead my eyes, my lips, my deeds
T-rue love of mine, you're all I need

~~¤~~

You may talk o’ gin and beer
When you’re quartered safe out ‘ere,
An’ you’re sent to penny-fights an’ Aldershot it;
But when it comes to slaughter
You will do your work on water,
An’ you’ll lick the bloomin’ boots of ‘im that’s got it.
Now in Injia’s sunny clime,
Where I used to spend my time
A-servin’ of ‘Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
      He was “Din! Din! Din!
  You limpin’ lump o’ brick-dust, Gunga Din!
      Hi! slippery hitherao!
      Water, get it!  Panee lao!
  You squidgy-nosed old idol, Gunga Din.”

The uniform ‘e wore
Was nothin’ much before,
An’ rather less than ‘arf o’ that be’ind,
For a piece o’ twisty rag
An’ a goatskin water-bag
Was all the field-equipment ‘e could find.
When the sweatin’ troop-train lay
In a sidin’ through the day,
Where the ‘eat would make your bloomin’ eyebrows crawl,
We shouted “Harry By!”
Till our throats were bricky-dry,
Then we wopped ‘im ‘cause ‘e couldn’t serve us all.
      It was “Din! Din! Din!
  You ‘eathen, where the mischief ‘ave you been?
      You put some juldee in it
      Or I’ll marrow you this minute
  If you don’t fill up my helmet, Gunga Din!”

‘E would dot an’ carry one
Till the longest day was done;
An’ ‘e didn’t seem to know the use o’ fear.
If we charged or broke or cut,
You could bet your bloomin’ nut,
‘E’d be waitin’ fifty paces right flank rear.
With ‘is mussick on ‘is back,
‘E would skip with our attack,
An’ watch us till the bugles made “Retire”,
An’ for all ‘is ***** ‘ide
‘E was white, clear white, inside
When ‘e went to tend the wounded under fire!
      It was “Din! Din! Din!”
  With the bullets kickin’ dust-spots on the green.
      When the cartridges ran out,
      You could hear the front-files shout,
  “Hi! ammunition-mules an’ Gunga Din!”

I shan’t forgit the night
When I dropped be’ind the fight
With a bullet where my belt-plate should ‘a’ been.
I was chokin’ mad with thirst,
An’ the man that spied me first
Was our good old grinnin’, gruntin’ Gunga Din.
‘E lifted up my ‘ead,
An’ he plugged me where I bled,
An’ ‘e guv me ‘arf-a-pint o’ water-green:
It was crawlin’ and it stunk,
But of all the drinks I’ve drunk,
I’m gratefullest to one from Gunga Din.
      It was “Din! Din! Din!
  ‘Ere’s a beggar with a bullet through ‘is spleen;
      ‘E’s chawin’ up the ground,
      An’ ‘e’s kickin’ all around:
  For Gawd’s sake *** the water, Gunga Din!”

‘E carried me away
To where a dooli lay,
An’ a bullet come an’ drilled the beggar clean.
‘E put me safe inside,
An’ just before ‘e died,
“I ‘ope you liked your drink”, sez Gunga Din.
So I’ll meet ‘im later on
At the place where ‘e is gone—
Where it’s always double drill and no canteen;
‘E’ll be squattin’ on the coals
Givin’ drink to poor ****** souls,
An’ I’ll get a swig in hell from Gunga Din!
      Yes, Din! Din! Din!
  You Lazarushian-leather Gunga Din!
      Though I’ve belted you and flayed you,
      By the livin’ Gawd that made you,
  You’re a better man than I am, Gunga Din!

Speakin’ in general, I’ave tried ’em all
The ‘appy roads that take you o’er the world.
Speakin’ in general, I’ave found them good
For such as cannot use one bed too long,
But must get ‘ence, the same as I’ave done,
An’ go observin’ matters till they die.

What do it matter where or ‘ow we die,
So long as we’ve our ‘ealth to watch it all—
The different ways that different things are done,
An’ men an’ women lovin’ in this world;
Takin’ our chances as they come along,
An’ when they ain’t, pretendin’ they are good?

In cash or credit—no, it aren’t no good;
You’ve to ‘ave the ‘abit or you’d die,
Unless you lived your life but one day long,
Nor didn’t prophesy nor fret at all,
But drew your tucker some’ow from the world,
An’ never bothered what you might ha’ done.

But, Gawd, what things are they I’aven’t done?
I’ve turned my ‘and to most, an’ turned it good,
In various situations round the world
For ‘im that doth not work must surely die;
But that’s no reason man should labour all
‘Is life on one same shift—life’s none so long.

Therefore, from job to job I’ve moved along.
Pay couldn’t ‘old me when my time was done,
For something in my ‘ead upset it all,
Till I’ad dropped whatever ’twas for good,
An’, out at sea, be’eld the dock-lights die,
An’ met my mate—the wind that tramps the world!

It’s like a book, I think, this bloomin, world,
Which you can read and care for just so long,
But presently you feel that you will die
Unless you get the page you’re readi’n’ done,
An’ turn another—likely not so good;
But what you’re after is to turn’em all.

Gawd bless this world! Whatever she’oth done—
Excep’ When awful long—I’ve found it good.
So write, before I die, ” ‘E liked it all!”

you know that feelings,
it's neither in your head
or your heart...

you know that feeling,
custard in the head,
and a wooden floor with
a blanket in your heart...

and there's
free's, alright now
ringing in your head
attempting to think...

how did that song
never make it to o. 1,
turned down by
mango jerry's
song, in the summertime..

what?!
the song by free
has only two chord...
no riff...
    no iron man by
black sabbath...

   you're ******* me,
right?
    two chords....
****... what's the tab...
ah...
right...
from the days when
i actually gave a ****
about playing guitar...

and owned a classic acoustic,
an electric cheap Fender
and an amp...

how does this one go?

e
   at the bottom,
E at the top...

D's the first string...

e
blank
blank
D
blank
E

FGH!

   that'my first rattlesnake
draw a guess...

now let's scout the internet...

****...

obviously i was wrong...
i wrote the best essay about
Caribbean music
in music class,
beat the black boys at it...
but sure as ****
i didn't learn how to
play the piano...

E
A
D
G
B
e

but the most fun was always
the slick solo...

the rest?
well...
           beginners' club

E     1
A                         2
D             3
G
B
e

that's black sabbath,
by black sabbath...

      no, you're looking down...
e is the little string at the bottom,
E is the thick string at the top...

timing... left to right...

single pluck of the string...

but now the two chords
         for free's song
alright now...

E     5
A    7         5              
D    7         7          
G               7
B
e

you'll figure out the count...
but that's the basic schematic...
i'm too busy drinking,
i'm not into portraying the:
up and down, up once, down once,
up once again, three times down
on the EAD / ADG workload...

oh god...
then the songs...
Mr. Big,
  and Fire & Water...

mind you...
Cream's intro...
hovering around
  how does it go... ?
i forgot the syllables on in...
tud tud tud tu tu too too
tut tut too...
            
sunshine of your love!
that's high up on the neck,
smacked in bewtween
E 12
   and D 15...
    subsequently A 12
       and G 15...
and then a variant of...
where does 17 go for the lick
Beelzebub?
         me neither...
i forgot...
last time i played guitar
was
around my grandparent's
house,
in late April over Easter...

    rusty fingers and all...
that blues standard...
hell, i can remember that verse...

i can see it in my eyes,
i can hear it in my head...
but i can't remember it in writing...

i wasn't ever great...
but i liked to fiddle...

ha ha, mind you...
i managed to conjure up
Grieg's
    in the hall of the mountain king...
and...
   and an almost
     ancient Ukrainian folk
song...
       on the theme by
Krzesimir Dębski -
               hey falcons!

seeing the land,
the birch trees,
the caattail riddled open plain swamps...
the pines...
    the wailing willows...
the mistletoe...
   the rowan tree...
  the chirping sparrows of
Warsaw's western bus station...
        
a bouquet of roses
or Dutch tulips
might look more appealing...
but the perfumes
of the already stated alternative!

oh how i miss home,
a home,
   i never actually lived in...
    and can never will ever
live in...
oh home, home,
such a bogus superstition
of my fatigued imaginings.

p.s.
****...
     guitar, hence the / trailing off...
you know that feeling
when you've eaten
BBQ all the way through the summer,
meat, meat, meat meat meat...
and you've forgotten
the taste of eastern European
dunplings?
   pierogi:
   i.e. etymologically speaking:
cockerel horns?
and you make a case for
a gluttony around 8?

and...
     the feeling is more concentrated
around your stomach
and your ***, rather than your
head and heart?

when you need to take a walk
for about 30 minutes,
brisk,
and drink 3 bottles of cider
at 8.2% alcohol content...
to ease the digestion?
while you're at it...
that feeling...

    like you're a pregnant woman...
expecting a baby...
but instead:
a meister-schtick
aversion to a hamburger?

no?
        never left bloated so much?
good on you...
i hope you never have to feel like
that,
on a cool autumnal night.

A* live to every push and shove
B reathing each and every toxin
C aring not for those awake
D ead to insults from mankind
E lecting to run and hide
F rigid walls are formed
G uiding us to isolation
H umanity smells of lies
I nstinct guards our very souls
J ustice no longer exists
K indly acts evaporated
L iving in this city
M anages to make me numb
N early every feeling gone
O nly existing to revenge
P eople who have harmed me
Q uiet forever alludes
R ansacked dreams haunt me
S treaming lights and screams
T ake hold of my mind
U pon these crowded streets
V iolence becomes a way of life
W here can I go to die
X enophobic people in large numbers
Y oung and old alike
Z ero chance that I'll survive

(M)aybe this doesn't come easy to me
(Y)es, I know I've done this before

(M)aybe there is more to see
(I)n all, I can give you more
(R)ead into this what you will
(A)sk me for my heart
(C)alm it though, keep it still
(L)ay in wait for your part
(E)verything comes down to a kiss

Too sad to shed a tear.
Too dazed to be confused.
Too chaotic to be angry.
Too broken to write anything sensible.
Too much of everything is dreadful.

Acrostic poems prompt
Creativity and require to be
Read with an
Open mind,
Systematically and understood
Though understanding differs.
Inspiring more fun and
C**reative styles.

Abide by the rules of the world,
Because if you don’t they’ll surely just laugh at you.
Chase nothing but the average
Do like they all do.
Even if your heart says otherwise
Forget it
Go about your average day as planned.
Head up the elevator to your confined cubicle,
Initiate work mode.
Job description: “Whipping post”
Know your role
Leave content
Make sure they buy your counterfeit smile because,
No man can afford to be jobless in the land of average.
Often those who rebel are struck down and left at the curb
Poor financially and in spirit
Quick, get home to your average marriage
Reheat your average left overs from the average restaurant you ate at last night.
Sit down on your couch
Television on.
Use your free time wisely because 6 am comes early.
View your average prime time show
Wash the day’s grime off of your body.
X** another day off your list.
You now know what a day is like in the land of average.
Zealous towards nothing but the same.

So so tired this mornings of mornings
so so sleepy today
oh so tired of yawning this morning
oh what long old day

awake yet so sleepy ..i cant understand
i slept like a baby and early so sad
but heavy lids are pulling me down
to sleepy ead and snoozy again and again
tired so tired of yawning around

I tried lots of coffee and food i ate plenty
but tired is a feeling that tired all the time
to wake so afresh and happy would i
as soon as my tire some would go underground

Time heals all wounds, they say,-- but -- heartbreak --I--s a wound deeper than most. What if that was the first thing she has ever --lo--st? They said she was too nai--ve,-- too young.  And it hurts knowing they were --d--ead wrong. It hurts her knowing it ended real bad. It hurts trying to understand. She remembers the lips she once had tasted, and she remembers t --h--e     t--im--e... all of it wasted. She remembers the passion, the love, the way time would fly. And now all that's left is hatred, the blood, a final good-bye

Miss Cristina drives a 944.
Satisfaction oozes from her pores.
Got rings on her fingers,
Marble on her floors.
******* in her dresser,
Bars on her doors.

She keeps her back against the wall
She keeps her back against the wall

And I say... WELCOME!

Welcome to the Boomtown
Pick a habit, there are
Plenty to go around
WELCOME!  
Welcome to the Boomtown
All that money makes
Such a succulent sound...
Welcome to the Boomtown...

Handsome Kevin got a
Little off track
Took a year off from college
And he never went back.
Now he smokes much too much
Got a permanent hack
Deals dope out of Denny's
Got a table in the back...

He keeps his ead to the ground
He keeps his ear to the ground

And I say WELCOME!
Welcome to the Boomtown
Pick a habit there are
Plenty to go around...
WELCOME!
Welcome to the Boomtown
All that money makes
Such a succulent sound...

(the ambulance arrived too late...
... guess he didn't want to wait...)

Welcome to the Boomtown...


David and David

The clouds grow plump as they eat what is left of the afternoon sky and, while I search for a girl with marrowfat eyes, bid their shadows roll up the sunshine; place it on the shelf until tomorrow, and in that husky flatness, where solids briefly hide their faces, I recognise the garlic which hangs in my kitchen window is no such thing, but a ghost, a dusty deceit, a cosmopolitan boast of no culinary use.
Yet in a different light, a bluer site, I find a girl with naught but a single hair sprouting from her for’ead, to which she attached a flashing light, for fishing in the dead of night, and her cats’ love her all the more for it, dinner and a show, so there I dropped a cloth, a piece of which longed to be a clock, in need of sound and being, and all the while that it pleaded, the coffee maker gasped for its own attention

If there was no
Music,
A** darkness would reside in me, a
Giant storm cloud
In my heart
Never leaving,
Everlasting.

Anguish.

What would be the point
Of living in a world
Robbed of rhythm and beat?
Life would be breathless,
Dead quiet.

Imagine A World.

****, i've just ran out of drafts, good news:
this 15th Dec. suspension on ola poetry.com
is going pretty well...
               well: as any worth that's the worth
of dealing with jealous people...

   only today i remembered myself,
shackled in the edinburgh university
never close to the Pleasance courtyard,
St. Andrew's Place...
       oh no, i didn't wish to live on the main
university campus, with its own canteen...
i wanted to learn chemistry,
but also perfect my cooking skills...
every single morning waking up to the sight
of the Salisbury Crags...
    one wild night i stayed up all night,
to walk up Arthur's Seat... returning from
the mountain (in the middle of a ******* city)
to buy myself some cornflakes and full-fat
milk...
   why would anyone even bother
with ******* Halls of residence...
   a university campus makes sense,
if you're talking about a city the size
of Warwick, or Brighton...
         but Endinburgh? to live in a university
bubble, in the middle of the city
like it's some sort of fortified "defiance"?
             where am i, at university,
     or the ******* high school canteen?!
i would still bring packed lunch...
          i liked the nicknames i acquired
over the years...
               goldilocks,
                  the strange fruit man (pomegranates,
passion fruit, sharon fruit, etc.),
                            viking...
   at times i would really love to hate myself,
but i found the stoic alternative of:
just laughing at myself...
   never mind that...
        ah... sweet sweet 18...
having discovered a new prog rock band
outside the top 50 mentioned in the mojo
music magazine while still in high school:
atomic rooster: death walks behind you...
tomorrow night, the devil's answer...
     i would plug in my electric,
put the piecyk (slang for amp) on the windowsill
and muse, full volume, blasting solo after
solo outside the window, trying to see if i could
make the Salibsbury Craig crumple
just a little bit...
                   mind you, in terms of playing
the guitar - i clearly remember Anthony
introducing me to tablature...
                        i can't read music, i wish,
but i can't...
    you really don't have to start with
smoke on the water, or iron man...
               death walks behind you is pretty
easy to learn, even without tablature...
even black sabbath... let's see if i remember
the strings correctly

e
G
F
D
A
E.... let's check.... ****...

                     e
                     B
                     G
                     D
                     A
                     E...      i'm pretty sure i'd still
be able to tune a guitar...
    i.e. make A sound like E on the 5th (divide)
   make D sound like A on the 5th divide...
   F like D on the 5th...
      G like F on the 4th divide...
     e like G on the 5th divide... i think that's right...
5th divide? you press down on the string...
and play E & A together, if they sound the same...
well... you're tuning a gee'tar...

                     e------------------
                     B------------------
                     G-----------------
                     D-------3---------
                     A-------------2---
                     E--1---------------  black sabbath - black sabbath
intro...
   but the next tablature will break
the camel's back...
           it's so... so... simple... & therefore
so genius... it goes against all of punk,
the punk of the rhythm section with only
3 chords... well... this song uses only 2 chords...

free - all right now... i still don't know how
mungo jerry's - in the summertime beat
all right now to the no. 1 spot in england...
  
                     e------------------
                     B------------------
                     G-------7---------
                     D--7----7----------
                     A--7----5----------
                     E--5---------------

                      (obviously you have to find
the rhythm yourself ADG 577 yourself,
       bouncing from a 1-2-1-2 on the EAD 577)...

i really should have succumbed
to teaching my former marijuana dealer's daughter,
a paranoid schizophrenic with an obsession
regarding the illuminati straight out
of Kingston ya'man Jamaica the guitar...

________
.well at least the english peoples
got one thing right,
brewing,
            name me an ale that
doesn't hide a hint / accent of
specific, or an irish stout,
       and i'll show you a cross-dressing
nun riding a chimera
coming from some german
convent, alright?

i guess it's just the tale
of the said / "unsaid" times...
    it's about to crank up the use
of cipher...
   if i get one haiku in old norse,
i'll be happy:
since, as much as i favour
   grammatical rules,
   i'm not a big fan of poetical
constraints...

hence?
    ᚱᚨᚦ ᚺᛟᚻᛖᚾᛋᛏᚨᚢᚠᛖᚾ
    
rað
hohenstaufen
       (plan)
                    which alludes to
          ᚠᚱᛖᛞᛖᚱᛁᚳᚴ  ᚨᚾᚾᚨᚱᚱ

frederick annarr (second) -

some prepositional words
will be missing,
notably the / a,
   direct and indirect articles...
but some prepositional
words might appear...

mind you, if i pull this project
off,
   and forget however many times
i have to ctrl + c / ctrl + p
   my way through it,
how i will have to
                  consult the english v.
old norse dictionary...

how i will also consult
                 futhorc runes
of the english,
         and the younger futhark
of old norse
over an aesthic squabble
when it comes to

             ᛄ / ᛅ - j (futhorc runes)                (ᛃ)

(not to be confused with ᚾ...
which... already exists in a modern
tongue, mein zunge...
          Ł,                     ł -    wom-bat...
see...
             i once heard a scientist
say: 'why bother swabbing
the inside of your mouth,
sending off your genetic
                                signature to
a company,
   to find out your ancestry?
   you'll naturally gravitate to it
                                                   anyway!')

and...           "kaunan" (ᚲ),
   i.e. before the whole mathematical
greater than >
                    and lesser than <
    became problematic,
ergo?

younger futhark ᚴ - k
                 (anglo-saxon) futhorc ᚳ - c (k) -

this could somehow work...
all i'll need is enough nouns and verbs,
prepositions will be troublesome,
given that modern english
is littered with this sort
of shrapnel...

                     but it's about time
to start to elevate the cipher,
if all the youtubers are jittery...
you know something's coming,
and it's not good...

i probably will stick to english
grammar,
   i can't promise a haiku,
         but at least...
          it will seem like...
speaking a language
                  from, my,
previous, now,
                   reincarnated, "self"?!
i don't believe in reincarnation
to begin with...
   it's too NPC for me,
and that's not even a reference
to mahjong solitaire;
   dunno...
     i once sat down and solved
one... then solved another...
i just don't like
        the whole:
there's only a limited number
of authentic souls,
   and they behave in a benign way,
soul-parasites,
while everyone is just plain
outright zombie.
- so this is the plan...
   rarely do i plan something...
might as well give it a shot...

****...
            beside that...
i do remember youtube's algorithm
when it was intelligent...
oh... 4 years ago... maybe even 2...
it behaved like
a thesaurus...
          glory days of exploring
music, i never even managed
to come across these current youtubers...
i couldn't care less...
the algorithm shifted from smart,
to dumb, real dumb...
     and then exploring new music
became a hag, not a hack,
a hag...
                       i'm not even
surprised to say that i never left
comments...
      why?
      i can sort that **** in my own
head, i don't need to comment...
                  oh right...
and if you're reading this soliloquy...
i supposed i never asked
for money.

p.s. good thing that i didn't
desire to consult the paragraph...
if it's poetry or "poetry"
or, more of the allure considering
it a soliloquy...
  well... imagine the claustrophobic
optics of your standard
   piece of paper...
in a book, with a paragraph...

this would never work in a paragraph.

p.p.s. seeing how
i didn't find the old norse
for not...
   but no: neinn (ᚾᛖᛁᚾᚾ)
alludes to a "missing" Tyr (ᛏ)...
which would elevate
the modern word not
               from an adverb
to the status of a definite article...
no and yes are not determiner
words for me,
they share the same article
status as the aesir and,
                                           esp. Tyr.

p.p.p.s.
   red ice tv disseminating
   ms. beat-box gala
                       for the ultimate
stut-stut-stuttering contenst
winner.

A
Man
And
No
Dead
Are

My
Adversaries
Really
I­
Enter

Graves
Entirely
Your
Everlasting
R*eject