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"dualistic" poems
(the tics will talk 'til twelve o'clock) When we make time, When we listen: The theistic preach deistic talk; The atheistic preach pragmatic talk; The agnostic preach proleptic talk; The heretic preach shismatic talk; The mystic preach prophetic talk. (the mesianic and satanic never stop) When we have time; Then we listen: The optimistic teach hypnotic talk; The pessimistic teach sarcastic talk; The altruistic teach empathetic talk; The idealistic teach synergistic talk; The pacifistic teach semantic talk; The body politic teach charismatic talk; The technocratic teach robotic talk; The romantic teach poetic talk; The critic teach cathartic talk; The moralistic teach dualistic talk; The ascetic teach platonic talk. (the artist would rather not talk) When we find time, Do we listen: The lunatic speak quizzotic talk; The neurotic speak pathetic talk; The chauvanistic speak monistic talk; The nihilistic speak ballistic talk; The hedonist speak narcissistic talk; The futuristic speak galactic talk. (the minimalist hasn't the time to talk) Just don't. Look. Some tic reset the clock.
0
Mar 7, 2014
Mar 7, 2014 at 12:15 AM UTC
Apocalyptic Talk
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
0
Oct 3, 2014
Oct 3, 2014 at 10:33 AM UTC
Towards an Indigenous Science
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
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44
"Who am I, mother? Who am I and what do I do?" –Norman to his mother Norma, "Bates Motel" And so it goes, a split self - the protagonist defending the darkness as Bizarre murders satisfy obsessions of a mothers love, taking a Chefs knife, stabbing victims to death. Dualistic wars within, a helpless man whose mother taught him of the "Evils of women," instilling her own moralities of their wickedness. Fostering the antagonistic personality of his mother Giving to his incomplete soul a sense of wholeness. Hidden behind the boy next door innocence, a terrified man Incarcerated; locked & bolted Juddering with fear - promising to adhere - set free said to be "cured." Kleptomania returns; unearthing bodies from their graves, stealing skulls; a comforting souvenir, as Loving anyone meant destroying them also. Multiple personalities dominate him Norman Bates becomes Norma; his mothers persona, crawling into her skin Originating from their very kiss, kick starting a timeless love affair Paraphernalia of skins tanned, butchered conquests -keepsakes turned to art & now protecting an un Quiet mind Reasons pertaining to mental insanity Sectioned to institutions Taxidermy as a young boy fascinated his mind Urges to **** & fill, feeding euphoric highs, & even Vertigo. Women thrilled him; their smell lingered on each garment he kept. Xenos to himself; who, am I mother? Youth denied, cried away Zenith ended; his final resting place behind the bars of Mendona Mental Health Institution, 1984. © Sia Jane
0
Feb 1, 2015
Feb 1, 2015 at 8:21 AM UTC
******
"Who am I, mother? Who am I and what do I do?" –Norman to his mother Norma, "Bates Motel" And so it goes, a split self - the protagonist defending the darkness as Bizarre murders satisfy obsessions of a mothers love, taking a Chefs knife, stabbing victims to death. Dualistic wars within, a helpless man whose mother taught him of the "Evils of women," instilling her own moralities of their wickedness. Fostering the antagonistic personality of his mother Giving to his incomplete soul a sense of wholeness. Hidden behind the boy next door innocence, a terrified man Incarcerated; locked & bolted Juddering with fear - promising to adhere - set free said to be "cured." Kleptomania returns; unearthing bodies from their graves, stealing skulls; a comforting souvenir, as Loving anyone meant destroying them also. Multiple personalities dominate him Norman Bates becomes Norma; his mothers persona, crawling into her skin Originating from their very kiss, kick starting a timeless love affair Paraphernalia of skins tanned, butchered conquests -keepsakes turned to art & now protecting an un Quiet mind Reasons pertaining to mental insanity Sectioned to institutions Taxidermy as a young boy fascinated his mind Urges to **** & fill, feeding euphoric highs, & even Vertigo. Women thrilled him; their smell lingered on each garment he kept. Xenos to himself; who, am I mother? Youth denied, cried away Zenith ended; his final resting place behind the bars of Mendona Mental Health Institution, 1984. © Sia Jane
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30
My hands move and the trees move If you take a moment to reflect the trees existence in your own, you receive a reflection of your existence from the tree. So it goes, this is Nascor Latin for to be born And isn't this all we have done? All the narratives fall under Nature, the future participle of Nascor. The key is to play in time. You are being asked to sing, dance, breathe, eat, and drink. These are ways to stay in homeostasis with the environment in rhythm to the music But guess what? We can know what it's like to be others. We do it to people we know We can do it to collectives and worlds of thoughts but also to animals and plants and whatever we look at we can try to put ourselves in its shoes. You simply gesture in the manner corresponding to its behavior to receive another gift. The dualistic forms dance under the grace of everything and nothing in their shadows. It's a spiritual practice to speak to anything.
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Sep 6, 2013
Sep 6, 2013 at 3:09 AM UTC
Nascor
***I'm so glad you finally got it you bring your own best friend if not you'd be your own worst enemy*** *Hahaha true I know you too You meant to say* 'I have a friend in you' *How many friends Have you in there who are they true Oh yes, hahaha some dyslexic me's haha *** funny right cute tho too You just imagine being wrapped up So often not knowing who's who or where One begins or if another ends so part the issue* ***I'm not sure Sa Sun its hard to tell who's*** *Friend who's enemy they all wear a smile* Okay so well... ***Architect be midwife see Wooing enabling one best outcome of both mother and child... Simply that to the finest health and loving environment of... hearts, hands and arms of the three*** *So who and or what is this child therefore too the mother or bride back to jesus and vedic speak are we not with child already...* ***Is that kingdom at our hands... Is expected or not*** *Bridegroom considered male spiritual energy of God in all creation kind of dualistic temporarily and artificial our own making for this while only so the Bride is Manifest Creation or here we consider first of as primary too our existence this earth first or mostly thus mother is female* ***Afu and Ra with Ka Ra as Bridegroom male spiritual too Ka powering Is.. Is forgiving all that brings us back into           S        C      I           L      R      T    N   U      A       I     Y      G***
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Aug 29, 2013
Aug 29, 2013 at 4:24 PM UTC
Hope you do know I have a friend in me!
I know you have a dark side Although you hide it well Life as tectonic plates You choose your show and tell I know you have a dark side I know your heart means well Concepts and beliefs Removed experience All things are functions of consciousness I know you have a dark side The way out is through Integrate dualistic self Taste the answers you seek
0
Mar 6, 2015
Mar 6, 2015 at 10:47 AM UTC
All Kinds
**Path #1 Forgiveness is the sinking head into heart.. The head dwelling in separation concedes logic's demands but confronting questions time after time: Why? and What? Surrendering at last to the sinking.. dissolving.. becoming.. the Heart... Path #2 Forgiveness is downloading of new software.. Our old software employs the ego rampant rendering forgiveness a difficult dream searching in forlorn places finding only traces.. New software finds it all Here and Now...! Path #3 Real forgiveness is Now not in time.. Events in the past seeming in need of forgiveness are only known Now.. and what of the Now..? it's other name our true identity: Forgiveness... Path #4 Chaos is an iteration of Forgiveness.. a shading and concealment of formulated light.. Our awaking brings the repentance the return the feedback to never absent Forgiveness... Path #5 A shock it is to learn that Forgiveness is not personal.. It is a realization of a substance common to all concerned transparent and eternal the real Self.. With that realization duality of conflict dissolves in the Light... Path #6 Quantum forgiveness is the only forgiveness.. A leap into infinite non-locality.. The suddenness arrives within painful progress or perhaps strangely enough out of the blue...! Path #7 Forgiveness an experience of sealing our separate brokenness.. It is mandatory.. Yet the sealing can be accomplished only by those who see there is no need for the sealing... Path # 8 Immersed in a separated dualistic reality seeking forgiveness in thought and time is not satisfying.. The lingering pain from a fruitless search for forgiveness in all the wrong places... Path #9 Forgiveness is a restoration of peace and happiness with new clarity: The Awareness of peace and happiness was never in need of restoration... Path #10 We need to see clearly that all relationships take place in infinite Awareness.. But wait.. not in .. but as.. All those hurts are constrictions of Awareness crying out their illusory separation...**
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Jun 16, 2015
Jun 16, 2015 at 12:04 AM UTC
Ten Non-dual Paths to Forgiveness
**Path #1 Forgiveness is the sinking head into heart.. The head dwelling in separation concedes logic's demands but confronting questions time after time: Why? and What? Surrendering at last to the sinking.. dissolving.. becoming.. the Heart... Path #2 Forgiveness is downloading of new software.. Our old software employs the ego rampant rendering forgiveness a difficult dream searching in forlorn places finding only traces.. New software finds it all Here and Now...! Path #3 Real forgiveness is Now not in time.. Events in the past seeming in need of forgiveness are only known Now.. and what of the Now..? it's other name our true identity: Forgiveness... Path #4 Chaos is an iteration of Forgiveness.. a shading and concealment of formulated light.. Our awaking brings the repentance the return the feedback to never absent Forgiveness... Path #5 A shock it is to learn that Forgiveness is not personal.. It is a realization of a substance common to all concerned transparent and eternal the real Self.. With that realization duality of conflict dissolves in the Light... Path #6 Quantum forgiveness is the only forgiveness.. A leap into infinite non-locality.. The suddenness arrives within painful progress or perhaps strangely enough out of the blue...! Path #7 Forgiveness an experience of sealing our separate brokenness.. It is mandatory.. Yet the sealing can be accomplished only by those who see there is no need for the sealing... Path # 8 Immersed in a separated dualistic reality seeking forgiveness in thought and time is not satisfying.. The lingering pain from a fruitless search for forgiveness in all the wrong places... Path #9 Forgiveness is a restoration of peace and happiness with new clarity: The Awareness of peace and happiness was never in need of restoration... Path #10 We need to see clearly that all relationships take place in infinite Awareness.. But wait.. not in .. but as.. All those hurts are constrictions of Awareness crying out their illusory separation...**
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115
They danced on the steps Of the first methodist church, Not caring who watched or How their young feet hurt. When the clouds rolled over The sun and the wind ceased To be breathing. They Stopped their tom foolery and Accepted that life sometimes is still. They walked to the water. There they saw the ships bounding Across eclipsed waves like horses Through golden tinted field. The two feared for the sailor's, Yet the sailor's knew not They were thinking of them at all. After the water, leaving the sailor's On their waves, they wandered to The fishermen's docks, where Crooked poles and wavering hulls Stood ***** and set pointed to the sun. These were the men of patience And respect, feeling death and life Around them in dualistic harmony. Because they held no lure or pole, They watched the masters work, as Masters usually do. The sun trickled Through thin white cloud as the Wind pushed the two's hair over brow. The masters were discontent In their catch and their day. Their frowns Showed failure and they wished That the cold winter weather would go away. Even masters can fail. The two thinking of two different things, Then conversed on where they should Go to next. One said the tower, where she Had never been before, and the other said The park, where he had been many times. Their differences were their love and Their love was what kept them true. A master pulled up hard on his bamboo rod. "A catch," the man screamed in his tongue, "I've got a catch here! Won't you see! Won't you see!" The two shot over to where the master Stood, their eyes peeled to the end of his line. As the man reeled and reeled and reeled, he Soon did reveal a battered tin can and a weathered old boot. The master plopped the two on the wooden dock, Cursing to the God of his choice. The two picked up the boot, the can, cheered and said, "Thank you", running up the concrete strand. As they reached their bus stop, they realized What they'd done and started to laugh at all Of their fun. The two giggled and cackled, Screamed and roared, until the two could no longer Take anymore. After a minute or two, the sky Straightened out, turning full blue, so the birds In the sky who soared and cooed, showed they Had no rules they were forced to uphold. The two agreed on home. When their Bus appeared, they felt the same, seeing that Living together was a much better game. Tomorrow would be new start, just like Today was another part of a puzzle never To be finished, only taken to heart.
0
Dec 12, 2013
Dec 12, 2013 at 1:34 AM UTC
Unfinished Puzzles
They danced on the steps Of the first methodist church, Not caring who watched or How their young feet hurt. When the clouds rolled over The sun and the wind ceased To be breathing. They Stopped their tom foolery and Accepted that life sometimes is still. They walked to the water. There they saw the ships bounding Across eclipsed waves like horses Through golden tinted field. The two feared for the sailor's, Yet the sailor's knew not They were thinking of them at all. After the water, leaving the sailor's On their waves, they wandered to The fishermen's docks, where Crooked poles and wavering hulls Stood ***** and set pointed to the sun. These were the men of patience And respect, feeling death and life Around them in dualistic harmony. Because they held no lure or pole, They watched the masters work, as Masters usually do. The sun trickled Through thin white cloud as the Wind pushed the two's hair over brow. The masters were discontent In their catch and their day. Their frowns Showed failure and they wished That the cold winter weather would go away. Even masters can fail. The two thinking of two different things, Then conversed on where they should Go to next. One said the tower, where she Had never been before, and the other said The park, where he had been many times. Their differences were their love and Their love was what kept them true. A master pulled up hard on his bamboo rod. "A catch," the man screamed in his tongue, "I've got a catch here! Won't you see! Won't you see!" The two shot over to where the master Stood, their eyes peeled to the end of his line. As the man reeled and reeled and reeled, he Soon did reveal a battered tin can and a weathered old boot. The master plopped the two on the wooden dock, Cursing to the God of his choice. The two picked up the boot, the can, cheered and said, "Thank you", running up the concrete strand. As they reached their bus stop, they realized What they'd done and started to laugh at all Of their fun. The two giggled and cackled, Screamed and roared, until the two could no longer Take anymore. After a minute or two, the sky Straightened out, turning full blue, so the birds In the sky who soared and cooed, showed they Had no rules they were forced to uphold. The two agreed on home. When their Bus appeared, they felt the same, seeing that Living together was a much better game. Tomorrow would be new start, just like Today was another part of a puzzle never To be finished, only taken to heart.
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66
*those parts of speech learned very early taken for granted now might serve to trigger an entry to Happiness to Beauty to Awareness.. subject and object are the benchmarks of the dualistic world and with dissolution we become Aware.. the object's existence is our senses a simple stimulation and nothing more.. with externals dissolved we then find the subject has no object and so makes an exit leaving only That which we are...*
0
Jul 29, 2014
Jul 29, 2014 at 10:39 PM UTC
The Grammar Secret
Merry Christmas, it's 1954 Mom and Pop will pass out in about an hour Hope you enjoy the **** in the box Too bad its not what you asked for I wiped up my knuckle children with your list Sometimes Santa forgets Mostly because he drinks incessantly To battle his dualistic nature of sexless monogamy
0
Mar 12, 2010
Mar 12, 2010 at 8:43 PM UTC
Anorgasmia
ever find it funny how how how how it all just goes on no matter what people say this, people say that doomsday around the corner at the drop of a hat but the next day always comes bright n early and on time when will the day come? '''''' words breaking bodies shaking beautiful thunder ringing, reverberating throughout vessels ethereal, physical, inanimate cars rocking steady beds creaking echoes of soundwaves vibrating Precipitation always been waiting for such a moment touch of flesh potent been waiting for this moment is it everything wanted? '''''' fading swaying breaking subtly noticed when walking boldest incomprehensible to consciousness but deep within ancestral blood subconscious behavior '''' eyelids paint black out like a match burnt from decay feelings never want to stay stand still, yet sway falling off on a decay dry whippin with no delay but with a fade, deep down, once locked in cage where answers lay within;without look around peepin corners under curtains eyes looking something cooking brooth for thought keys to mind identified moving on with presence of now move like crow bringing woe to everyone around feel positivity under negative dualistic attributes working towards retribution ever so steadily, but with swift foot guile familiarity with these tiles shifting and forming, morphing into something new, always and forever nothing I pretend, but something ego cant depend. ~~~~~~ Pilot lighting away lightning distant, not far away close like word on street but stuck in suburbia trapped in isolation land molested by white devil hands rooted deep in the finest grains of sand in ancient lands Looking outside of the glass, reflections of past, a future smudged, but faintly visible Outside of the glass is the infinite moment of now, somehow, untouched by human hands, something only observed outside of observance energy in abundance pouring out of fountains in mountains o brooth no one believes, but its a truth partial to the bigger picture is a caption really necessary? '''''' on and on and on and on and on it goes ever so built oppression neglected expression stuck on false thoughts and feelings redirecting sails into new lands a new perspective new flesh ~~~~~ Evil consciousness Suzerian possession takes sway, stage the show (haiku)
0
Feb 1, 2016
Feb 1, 2016 at 3:06 AM UTC
SONEB:N.C.E.
ever find it funny how how how how it all just goes on no matter what people say this, people say that doomsday around the corner at the drop of a hat but the next day always comes bright n early and on time when will the day come? '''''' words breaking bodies shaking beautiful thunder ringing, reverberating throughout vessels ethereal, physical, inanimate cars rocking steady beds creaking echoes of soundwaves vibrating Precipitation always been waiting for such a moment touch of flesh potent been waiting for this moment is it everything wanted? '''''' fading swaying breaking subtly noticed when walking boldest incomprehensible to consciousness but deep within ancestral blood subconscious behavior '''' eyelids paint black out like a match burnt from decay feelings never want to stay stand still, yet sway falling off on a decay dry whippin with no delay but with a fade, deep down, once locked in cage where answers lay within;without look around peepin corners under curtains eyes looking something cooking brooth for thought keys to mind identified moving on with presence of now move like crow bringing woe to everyone around feel positivity under negative dualistic attributes working towards retribution ever so steadily, but with swift foot guile familiarity with these tiles shifting and forming, morphing into something new, always and forever nothing I pretend, but something ego cant depend. ~~~~~~ Pilot lighting away lightning distant, not far away close like word on street but stuck in suburbia trapped in isolation land molested by white devil hands rooted deep in the finest grains of sand in ancient lands Looking outside of the glass, reflections of past, a future smudged, but faintly visible Outside of the glass is the infinite moment of now, somehow, untouched by human hands, something only observed outside of observance energy in abundance pouring out of fountains in mountains o brooth no one believes, but its a truth partial to the bigger picture is a caption really necessary? '''''' on and on and on and on and on it goes ever so built oppression neglected expression stuck on false thoughts and feelings redirecting sails into new lands a new perspective new flesh ~~~~~ Evil consciousness Suzerian possession takes sway, stage the show (haiku)
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91
America the Beautiful is broken into variations, reassembled at fifteen, while your friends played ball, tumbled after grounders.  Met her, vows were spoken, children came, a job to feed and shelter. Insurance, managed risk made up your days while music filled your nights and underlaid a counterpoint of art and home.  She felt your dualistic muse; the age-old tale of starving artist held no taste for you. Forty years of working every breath until the night your muse's heart would fail. You lived for years with your worst fear come true, for you had starved your artist to his death.
0
Mar 9, 2015
Mar 9, 2015 at 10:19 PM UTC
A Song for Charles Ives
i never understood why people decided to couple such symbols into images esp. in fictional narratives rather than see the sound in lipstick smooched for symphony; how hard you try, the a to z will not provide you with a mental cinema image of a giraffe; more like a gaff, and what's a gaff in photo? leopard on giraffe or a giraffe on a leopard, because it's all very fine telling the narrative of traffic coordination evolution coming back from africa with the zebra to suit pitchfork stoppages in hay on the redneck lazed walk. the sole reason why it's understood: fiction is the use of lettering for the creation of images, poetry is the use of lettering a bit like a waterfall for a bored emperor apprehensive of the sound of thinking; and philosophy is the reverse of all that, strike two flints together, and enter the realm of ideas with the onomatopoeia of the image - given that onomatopoeias act like surgical scalpels, or a miscarriage of ideas bundled up for something else by kandinsky; actually, saying that, onomatopoeias are images in motion, prior to the movies, when all you had was a painting embraced by a fancy rim - still life of decay of the royal flotilla on the thames with a mouth moving: chatty chatty boor of a bloke who talked. i see the dead sea when i cry, and i wager a salmon with other sea fish cropping up flying into a butterfly net: before the assemblage of bacon into the mouth watering eye. i see the dead sea when i cry, and i wager to have seen a thousand flamingos strut invoking tide - on a boneless march into marsh of a bubbled gill of fish popped for whatever name alive, or dead in the disco crescendo for a nixon: tears of a robot had always the glory of man laughing akin; since annexed was the dualistic ambiguity of the theatrically mistaken two masked.
0
Sep 14, 2015
Sep 14, 2015 at 8:27 PM UTC
a revisionist's dialectics on salvaging
i never understood why people decided to couple such symbols into images esp. in fictional narratives rather than see the sound in lipstick smooched for symphony; how hard you try, the a to z will not provide you with a mental cinema image of a giraffe; more like a gaff, and what's a gaff in photo? leopard on giraffe or a giraffe on a leopard, because it's all very fine telling the narrative of traffic coordination evolution coming back from africa with the zebra to suit pitchfork stoppages in hay on the redneck lazed walk. the sole reason why it's understood: fiction is the use of lettering for the creation of images, poetry is the use of lettering a bit like a waterfall for a bored emperor apprehensive of the sound of thinking; and philosophy is the reverse of all that, strike two flints together, and enter the realm of ideas with the onomatopoeia of the image - given that onomatopoeias act like surgical scalpels, or a miscarriage of ideas bundled up for something else by kandinsky; actually, saying that, onomatopoeias are images in motion, prior to the movies, when all you had was a painting embraced by a fancy rim - still life of decay of the royal flotilla on the thames with a mouth moving: chatty chatty boor of a bloke who talked. i see the dead sea when i cry, and i wager a salmon with other sea fish cropping up flying into a butterfly net: before the assemblage of bacon into the mouth watering eye. i see the dead sea when i cry, and i wager to have seen a thousand flamingos strut invoking tide - on a boneless march into marsh of a bubbled gill of fish popped for whatever name alive, or dead in the disco crescendo for a nixon: tears of a robot had always the glory of man laughing akin; since annexed was the dualistic ambiguity of the theatrically mistaken two masked.
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17
has started following me. He has noughtified me into non dualistic existence. OK!. I own up to seeing  your guilt. It was smellable. OK!. I witnessed all your attempts at total permanent amnesia. OK!. I was unmoved by your failures and there lies true compassion. OK!I wasn't writing poetry--merely words.
0
May 31, 2014
May 31, 2014 at 2:55 PM UTC
Theres this guy
The sky is where prayer purges-- returned to sender, in a wink. Given to an inner space full with what needs eradication. To the astonishment of the sender, prayer returned as a greater space for realization. Prayer was never sent, nor returned. Prayer being... beginingless, and endless. There is only One momentous prayer, relegated to moments. Where question and answer grow out of one another, in dualistic interchange. Till question, questions-- answer, answers... to indistinction. As question is questionable, and answer is answerable... to nothing but everything. Prayer as doing-- to prayer as being.
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Dec 18, 2015
Dec 18, 2015 at 5:46 PM UTC
Returned to Sender
we think in categories colors and feelings boxes of thoughts and feelings immersed in dualistic thinking
0
Feb 18, 2013
Feb 18, 2013 at 3:04 PM UTC
thoughts
**No problem can be solved from the same level of consciousness that created it. ~~Albert Einstein** *Perhaps this ranks with his revolutionary relativity.. Pointing to the futility of dualistic searching in all times especially ours as confrontation and violence paint our lives.. Transcending to the level he mentions is to discover new being with separation slinking away from a lighted fire...*
0
Jan 3, 2016
Jan 3, 2016 at 10:30 PM UTC
Problem solving
we think in categories colors and feelings boxes of thoughts and feelings immersed in dualistic thinking
0
Feb 18, 2013
Feb 18, 2013 at 3:04 PM UTC
thoughts
Let me bloom into the Source Let every microcosmic aspect of my whole me fold into itself Let me be free of form But fold into good company May I love myself through all darkness May I hate myself, but ask for Forgiveness every time when I remember, and reclaim who I am I am love, lust, and luxury I am a powerful woman Infinity; blissed into a dualistic formality It evaporates, and segregates no longer We are one We get along with each other Sister, brother Father, mother Beyond our blood we teach other Intertwined in a love connection Through sound alone we break an illusion When we know ourselves We know our wealth When we breathe in our bodies We indefinitely raise hell Wake the dead
0
Feb 10, 2018
Feb 10, 2018 at 8:08 AM UTC
Wake the Silence
So, You want to know: Why good things happen for those who don’t deserve, And the worst **** happens To the rest of us - To the best of us on Earth? It isn’t just Some dualistic View of how things work It’s more that it’s The heavy fist Of a God all gone berserk. While the Devil sits, His voice a-twist With laughter at the fall, The bad get new beginnings. The good? Nothing at all.
0
Apr 8, 2020
Apr 8, 2020 at 5:12 PM UTC
Poem from a Notecard, 9:33 PM, 9/11/16
***Short walk: The pull way from present experience from this task from this enjoyment at close hand.. We introduce suffering a dualistic search with expectation of real happiness ahead.. Suffering arrives as becoming becoming becomes prime.. A new way station up ahead and the place of new suffering unless...***
0
Aug 13, 2015
Aug 13, 2015 at 10:42 PM UTC
Anxious expectation