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Sam Hawkins Oct 2015
What's your take on walking?

My body serves my soul
and tells me how to go.

My heart, affixed -- aims to show.
These ways I’ve walked in my shoes and stockings.

I've looked to heaven’s stars, to daylit clouds,
when I've stepped out, or dropped my gaze
to track the ground.

Yes, it is true—whoever passed me by
could have taken offense and supposed
I lacked my confidence.

And ofttimes, I strode out straight and true
as if toward a far mist horizon.

Un-manifest future,
even peek-a-boo,
could be comprehended? 

I should doubt it.

And if I wished to address an occasional
in-the-dumps, lost-at-sea feeling,

I'd shut my eyes, and walk backwards --
owl-like, swivel 360 my head.

Backwards blind circumspection seemed worthy my try;
Ask--Who am I?

I would story where I’d been.

In my most spontaneous of nature foot-trafficking,
in roulette walk; my spin of gun chamber click--
ant, spider, beetle, and the occasional sighing snail
had fled my shadow shoe?

As slow drift clouds in a sky game would play
with the sun to hide—creatures had sought me out,
sung their farewells?  (it was an excellent day to die)

Let me tell it, as it had happened today,
and truth says how.

My feet, they had gotten to waltz-walking.
O how my body and soul
danced a-fancy free.

Love was brimming out of me; happiness
whispered her wordless name; and
my tongue tripped nonsensical.

So if, at last, you've kept a-pace with me
in sympathetic striding, then perhaps
you would surmise:

there never could be a flat-footed me,
when I spout off with poem-talking.

Now, what’s your take on walking?
Foundlings lament beneath their shrouds
For the Givers they never knew.
Shouts of terror, gone unheard, loud
And bright in the fright of selected few.

Shadows cast beneath sunlight's flags
Are trademarked captions made of stained silk.
They trod the daylit bog in dusty rags,
Secretly living, they and their ilk.
James Gable Jun 2016
I’ve come to realise
That I find Lake Klinwel boring;
Ignoring the skies,
The flight of birds
And their curving dives.
This lake, drowned by eyes,
Instead choosing to reflect static towers
That are monuments to Machiavelli,
Where the financially ambitious
And their crisp paper voices spend
Their days, evenings.
Money in the bank for tomorrow
Plan ahead, plan ahead
,
That what the lake said
When I visited.

What freedom
Such a wonder of nature
Has to manipulate and
Reinterpret the harshness
In lines that ascend until they
Scrape the sky,
That tears, simple as tissue.

And all the while,
Cigarette butts,
In an abstract delinquency,
Revise community buildings and council offices
Where surely they dream of hole punch
And green lights and confirmation and deadline for appeal
Whilst bureaucrats administer more paper cuts to the teal-blooded sky and Risk Assessments have given a score to death—
Awarding it a number five.

The lake can surely stay awake
Just long enough to show me ripples
And normality when I drop in a stone,
Just a sound that
Confirms this mind is still my own,
That the waking world is known to me,
Dreams are dreams alone,
They are the ripples reaching the sea
From my daring stone.
To be beside a lake, lyrically alone,
Brings a pain that is most obvious and physical
And so I ask once more for the
Most minute of tides for my sore, tired eyes—
Just a ripple of two to the other side
Where I see a figure,
Where I see blue eyes,
Where I see extravagant dress and
Hair so shapely they say and yet
I couldn't care less.
It could be a wig
But the wind tells me it is not,
And her nose sits among a gang of features,
Knowing surely it turns heads—
Growing heavier with each turned.

The lake spat on my shoe and continued
To reflect the tall commercial towers
Whilst this green space is vast,
Boasting bowers where I sit with a pencil
And I see the birds of paradise
Impressively dancing and dancing impressively.
Sublime in fact!
But I think they are trespassers
We should kindly send them back
Their hearts are excessively small
And no longer in paradise,
Not close to it at all.

I’m done with you, lake!
Lake Klinwell, lazy deceptive mirror!
Are you depressed?
Disenchanted?
Do I notice how you are growing ever thinner?

I heard news that our
Town is crumpling in certain corners,
It’s folding in two like a map closing.
People are dreaming with recurring themes
And the flowers bow their heads
Just in case.

Oh, you are a soft, sensitive lake,
Let me dip my feet.
Do not fear for the town we share,
Do not quake, dear lake,
And enjoy your daylit hours
In the company of the trees and flowers.

I beg you though:
One day,
When I need it most,
Reflect for me a memory:

Diana and I on the corrugated coast,
Careless on the rocks,
I failed to enjoy it at the time through fear
but she leapt, crossed a gap to get to me.
She landed with a kiss.

And if you could add a sunset,
The weather was terrible.
Kirsty Feb 2014
morning gracefully glides
over the lingering night,
icy crystals like diamonds
effortlessly hovering in the daylit sky,
sun's golden warmth
joins hands
with the twinging frost,
and the lingering night
gracefully glides
over the morning.
Bb Maria Klara Aug 2015
You pointed out the obvious,
how I was taking time;
and I was fairly cautious
not to be sublime.

I didn't want to tell you,
that I was just afraid,
that I feared every piece of rue
that made me feel so strayed.

I took every step slowly,
never wanting to part.
For in the end, I lowly
cradle my aching heart.

I would rather conceal our bliss
in awkward daylit hours
than spend a moment so amiss
in a place ever so sour.

I stalled to keep you near me
for happiness, I knew.
I hoped you always did see
and hoped you were happy too.

I stalled because when we are not
together, things do change.
For more time I wish I had fought
but home was out of range.

I stalled because I wanted,
(I'd say so without shame)
to never be so haunted
of the nights with barefaced blame.

I stalled because I didn't
want to argue tonight,
I don't know how to hint it,
but I fear a direct fight.

I stalled because I disliked
how it felt to be away.
Unknowing, fearing, nearing psyched
if I'll see you the next day.

I stalled because I couldn't
bear to let you go;
But I'm just a young woman
and we still have years to go.

I stalled because I didn't
want to feel alone.
Without you, just your imprint;
I feel lost and unknown.

I stalled because I love you.
I have loved you and I still do.
I still love you and I will love you,
and I will remain true.
I do not know what to note about this. Sorry.
Kurtis Cullen Oct 2011
Dreams flaire brighter than any daylit sky
Some of them talk and laugh and cringe and cry
Rising over our dark horizons, a phoenix of the mind
Though the hotter they burn, the sooner they die
fray narte Sep 2021
I'll always feel in my chest broken Septembers. I am languishing with the days, head first to a point of no return. I am the ghost of an abducted goddess, the one who bled all over saffrons and still holds on to her sorrows. I bid farewell to the sunglow on wildflowers. I bid farewell to daylit copper fields. I bid farewell to golden hours, as down I descend to the sweetest madness, and up it goes to consume me.
Thomas Sloan Nov 2014
Turn it on
Switch it over
Where is all the effort?
Expended
Frittered into dark corners of the glowing light
The imperative is stolen
Thought yielding to entertainment
Our abilities squandered
Reason hammered and hampered
by our addiction to mindlessness
The warm blanket of comfort
Safety
Turn it on
Switch it over
I can’t be bothered
I don’t want to think
I just like the noise.
Is it different
From finding others who make noises like you
and mooing together?
Lifting your tongue, raising your voice
As you join the cacophony of the voiceless
Chattering their way
Through the daylit midnight hours.
In the crowded room no one is listening
Except those who want to hear.
Turn it on
Switch it over
Ken Pepiton Sep 2019
Learn how to detect, contain and mitigate threats faster,  

that' why our kind studies war.



War against chaos and all it's spawn

Since the dawn

Never lasts forever.

Ever-y story's hero in the end

Wins.

No exceptions. That is the rule.

On the scale of grav-it-a-tional forces,

This muthas-hell-vier'n hell i'self



In yo face spell chick ain't nobody

Got no papers on me

I am the teller of this story in this book

And you, there, are the readers.

Welcome to my collection of clichés that click

In time to the echoes of the spheres



A.I. *******. In a gotta d'feata! We allus try umph, first.



Say you put a spell on me

Correct me if you must, but

Later, spell chick.



Now we have guests who've never known

A hatter at all, mad or otherwise.

I have known three, all saner than me,

You shall see



What I mean but

Do not fear

Fear is a terrible thing right

Here here

We need God's Grace by everyname

Any of you can think or say or know fore sure

Carries hope and peace to nullify victory.



That legend was lost but indeed did hap

Upon a time when songs

Lived the stories and the stories were legend.



So few survived the chaos at Babel and

Those few that did are t'ain'ted all to hell

One's I heard tell 'em as well

Say it ain's so. All to hell. T'ain't

Whacha thank ye know ye know



Crazy old coot pushin' her Safe Way Cart

Cat-a-corner from the zoot suit shoppe

To Walgreen's, middle o'fift n'Broad Way

Downtown LA, back in the day



Can you see that man. That really happened

Jus' the way you

Saw it.



Onliest thing is it only happened now then



Get that it's like getting' all wrapped up

In light no shadow at all

Doubt to the power of the farthest prime

Fails to fragment such light

From the outside.

Ever-y fire-y dart that twisted sucker shoots…

Quenched by the light.

Good news always seen from every perspective

Same thing, perfect

Peace full nothing broken nothing missing

Shalom

Get that, too.



Now, just watching old Mrs. Crazicuk

Makin' Her Safe Way Cross Broad Way



Famous image. It looks exactly like you imagined

It would

Had you imagined it and

Not just me I mean

I think we all are lonely for

No reason for some reason



Notice Mrs. Crazicuk's book cover

Upper right corner

JESUS SAVES in ten foot tall daylit neon

Top'o Fift' n'Hill. That's real.



I got a picture. From the internet.

(Hello Poetry don't take images, so Google-it)

Look real

close

If someday somebody explains that  

Castle Gothic crenelated thing in the back ground.  

that  



I know ain't real.

Please point out I point out  

the otherwise overlooked – image

If you ever see what I mean



I imagine there's more mystery  

than here at the moment



You see we wee are at peace  

ever-when you find us

Lying

Legends have never turbed us in such a way

As to cloud the waters  

Stirrin' mud

o' cludin' weak light to simulate more dark,  an old trick/

an angel-like message troubles the water
stirs up the muck and mire.

Jump in

Then walk home the long way



This book we're in, life we're in, what ye may call it, we say here,

So it is.

Amen.



Little people. Legendary little people survived

Babel's chaos?

Not that I know, no.
From January 2017, this is like a flashback in a Series, to a scene that happened ages ago, which led to now, by way of AI.--- I reread post posting and remembered using that picture  on a book cover you can see at https://www.amazon.com/IDLE-WORDS-Radioman-Chronicles-Book-ebook/dp/B07F3P1Y8G/ref=sr_1_2?keywords=ken+pepiton&qid=1567484904&s=gateway&sr=8-2

— The End —